Page 1
Page 2
Page 3
The Project Gutenberg eBook of The Nursery Rhyme Book
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you will
have to check the laws of the country where you are located before using
this eBook.
Title: The Nursery Rhyme Book
Editor: Andrew Lang
Illustrator: L. Leslie Brooke
Release date: August 6, 2008 [eBook #26197]
Most recently updated: January 3, 2021
Language: English
Other information and formats: www.gutenberg.org/ebooks/26197
Credits: Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at https://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)
*** START OF THE PROJECT GUTENBERG EBOOK THE NURSERY
RHYME BOOK ***
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you will
have to check the laws of the country where you are located before using
this eBook.
Title: The Nursery Rhyme Book
Editor: Andrew Lang
Illustrator: L. Leslie Brooke
Release date: August 6, 2008 [eBook #26197]
Most recently updated: January 3, 2021
Language: English
Other information and formats: www.gutenberg.org/ebooks/26197
Credits: Produced by David Edwards, Emmy and the Online Distributed
Proofreading Team at https://www.pgdp.net (This book was
produced from scanned images of public domain material
from the Google Print project.)
*** START OF THE PROJECT GUTENBERG EBOOK THE NURSERY
RHYME BOOK ***
Page 4
The Nursery
Rhyme Book
Little Bo-Peep
Printed by Ballantyne, Hanson & Co.
At the Ballantyne Press
Rhyme Book
Little Bo-Peep
Printed by Ballantyne, Hanson & Co.
At the Ballantyne Press
Page 5
T O read the old Nursery Rhymes brings back queer lost memories of a
man's own childhood. One seems to see the loose floppy picture-
books of long ago, with their boldly coloured pictures. The books were
tattered and worn, and my first library consisted of a wooden box full of
these volumes. And I can remember being imprisoned for some crime in the
closet where the box was, and how my gaolers found me, happy and
impenitent, sitting on the box, with its contents all round me, reading.
There was "Who Killed Cock Robin?" which I knew by heart before I
could read, and I learned to read (entirely "without tears") by picking out
the letters in the familiar words. I remember the Lark dressed as a clerk, but
what a clerk might be I did not ask. Other children, who are little now, will
read this book, and remember it well when they have forgotten a great deal
of history and geography. We do not know what poets wrote the old
Nursery Rhymes, but certainly some of them were written down, or even
printed, three hundred years ago. Grandmothers have sung them to their
grandchildren, and they again to theirs, for many centuries. In Scotland an
old fellow will take a child on his knee for a ride, and sing—
"This is the way the ladies ride,
Jimp and sma',—"
a smooth ride, then a rough trot,—
"This is the way the cadgers ride.
Creels and a'!"
man's own childhood. One seems to see the loose floppy picture-
books of long ago, with their boldly coloured pictures. The books were
tattered and worn, and my first library consisted of a wooden box full of
these volumes. And I can remember being imprisoned for some crime in the
closet where the box was, and how my gaolers found me, happy and
impenitent, sitting on the box, with its contents all round me, reading.
There was "Who Killed Cock Robin?" which I knew by heart before I
could read, and I learned to read (entirely "without tears") by picking out
the letters in the familiar words. I remember the Lark dressed as a clerk, but
what a clerk might be I did not ask. Other children, who are little now, will
read this book, and remember it well when they have forgotten a great deal
of history and geography. We do not know what poets wrote the old
Nursery Rhymes, but certainly some of them were written down, or even
printed, three hundred years ago. Grandmothers have sung them to their
grandchildren, and they again to theirs, for many centuries. In Scotland an
old fellow will take a child on his knee for a ride, and sing—
"This is the way the ladies ride,
Jimp and sma',—"
a smooth ride, then a rough trot,—
"This is the way the cadgers ride.
Creels and a'!"
Page 6
Such songs are sometimes not printed, but they are never forgotten.
About the people mentioned in this book:—We do not exactly know who
Old King Cole was, but King Arthur must have reigned some time about
500 to 600 A.D. As a child grows up, he will, if he is fond of poetry, read
thousands of lines about this Prince, and the Table Round where his Knights
dined, and how four weeping Queens carried him from his last fight to
Avalon, a country where the apple-trees are always in bloom. But the reader
will never forget the bag-pudding, which "the Queen next morning fried."
Her name was Guinevere, and the historian says that she "was a true lover,
and therefore made she a good end." But she had a great deal of
unhappiness in her life.
I cannot tell what King of France went up the hill with twenty thousand
men, and did nothing when he got there. But I do know who Charley was
that "loved good ale and wine," and also "loved good brandy," and was fond
of a pretty girl, "as sweet as sugar-candy." This was the banished Prince of
Wales, who tried to win back his father's kingdom more than a hundred
years ago, and gained battles, and took cities, and would have recovered the
throne if his officers had followed him. But he was as unfortunate as he was
brave, and when he had no longer a chance, perhaps he did love good ale
and wine rather too dearly. As for the pretty girls, they all ran after him, and
he could not run away like Georgey Porgey. There is plenty of poetry about
Charley, as well as about King Arthur.
About King Charles the First, "upon a black horse," a child will soon
hear at least as much as he can want, and perhaps his heart "will be ready to
burst," as the rhyme says, with sorrow for the unhappy King. After he had
his head cut off, "the Parliament soldiers went to the King," that is, to his
son Charles, and crowned him in his turn, but he was thought a little too
gay. Then we come to the King "who had a daughter fair, and gave the
Prince of Orange her."
There is another rhyme about him:—
"O what's the rhyme to porringer?
Ken ye the rhyme to porringer?
King James the Seventh had ae dochter,
And he gave her to an Oranger.
About the people mentioned in this book:—We do not exactly know who
Old King Cole was, but King Arthur must have reigned some time about
500 to 600 A.D. As a child grows up, he will, if he is fond of poetry, read
thousands of lines about this Prince, and the Table Round where his Knights
dined, and how four weeping Queens carried him from his last fight to
Avalon, a country where the apple-trees are always in bloom. But the reader
will never forget the bag-pudding, which "the Queen next morning fried."
Her name was Guinevere, and the historian says that she "was a true lover,
and therefore made she a good end." But she had a great deal of
unhappiness in her life.
I cannot tell what King of France went up the hill with twenty thousand
men, and did nothing when he got there. But I do know who Charley was
that "loved good ale and wine," and also "loved good brandy," and was fond
of a pretty girl, "as sweet as sugar-candy." This was the banished Prince of
Wales, who tried to win back his father's kingdom more than a hundred
years ago, and gained battles, and took cities, and would have recovered the
throne if his officers had followed him. But he was as unfortunate as he was
brave, and when he had no longer a chance, perhaps he did love good ale
and wine rather too dearly. As for the pretty girls, they all ran after him, and
he could not run away like Georgey Porgey. There is plenty of poetry about
Charley, as well as about King Arthur.
About King Charles the First, "upon a black horse," a child will soon
hear at least as much as he can want, and perhaps his heart "will be ready to
burst," as the rhyme says, with sorrow for the unhappy King. After he had
his head cut off, "the Parliament soldiers went to the King," that is, to his
son Charles, and crowned him in his turn, but he was thought a little too
gay. Then we come to the King "who had a daughter fair, and gave the
Prince of Orange her."
There is another rhyme about him:—
"O what's the rhyme to porringer?
Ken ye the rhyme to porringer?
King James the Seventh had ae dochter,
And he gave her to an Oranger.
Page 7
Ken ye how he requited him?
Ken ye how he requited him?
The lad has into England come,
And ta'en the crown in spite o' him.
The dog, he shall na keep it lang,
To flinch we'll make him fain again;
We'll hing him hie upon a tree,
And James shall have his ain again."
The truth is, that the Prince of Orange and the King's daughter fair
(really a very pretty lady, with a very ugly husband) were not at all kind to
the King, but turned him out of England. He was the grandfather of Charley
who loved good ale and wine, and who very nearly turned out King
Georgey Porgey, a German who "kissed the girls and made them cry," as the
poet likewise says. Georgey was not a handsome King, and nobody cared
much for him; and if any poetry was made about him, it was very bad stuff,
and all the world has forgotten it. He had a son called Fred, who was killed
by a cricket-ball—an honourable death. A poem was made when Fred died:
—
"Here lies Fred,
Who was alive and is dead.
If it had been his father,
I would much rather;
If it had been his brother,
Still better than another;
If it had been his sister,
No one would have missed her;
If it had been the whole generation,
So much the better for the nation.
But as it's only Fred,
Who was alive and is dead,
Why there's no more to be said."
This poet seems to have preferred Charley, who wore a white rose in his
bonnet, and was much handsomer than Fred.
Ken ye how he requited him?
The lad has into England come,
And ta'en the crown in spite o' him.
The dog, he shall na keep it lang,
To flinch we'll make him fain again;
We'll hing him hie upon a tree,
And James shall have his ain again."
The truth is, that the Prince of Orange and the King's daughter fair
(really a very pretty lady, with a very ugly husband) were not at all kind to
the King, but turned him out of England. He was the grandfather of Charley
who loved good ale and wine, and who very nearly turned out King
Georgey Porgey, a German who "kissed the girls and made them cry," as the
poet likewise says. Georgey was not a handsome King, and nobody cared
much for him; and if any poetry was made about him, it was very bad stuff,
and all the world has forgotten it. He had a son called Fred, who was killed
by a cricket-ball—an honourable death. A poem was made when Fred died:
—
"Here lies Fred,
Who was alive and is dead.
If it had been his father,
I would much rather;
If it had been his brother,
Still better than another;
If it had been his sister,
No one would have missed her;
If it had been the whole generation,
So much the better for the nation.
But as it's only Fred,
Who was alive and is dead,
Why there's no more to be said."
This poet seems to have preferred Charley, who wore a white rose in his
bonnet, and was much handsomer than Fred.
Page 8
Another rhyme tells about Jim and
George, and how Jim got George by
the nose. This Jim was Charley's
father, and the George whom he "got
by the nose" was Georgey Porgey, the
fat German. Jim was born on June 10;
so another song says—
"Of all the days that's in the year,
The Tenth of June to me's most dear,
When our White Roses will appear
To welcome Jamie the Rover."
But, somehow, George really got
Jim by the nose, in spite of what the poet says; for it does not do to believe
all the history in song-books.
After these songs there is not much really useful information in the
Nursery Rhymes. Simple Simon was not Simon Fraser of Lovat, who was
sometimes on Jim's side, and sometimes on George's, till he got his head cut
off by King George. That Simon was not simple.
The Babes in the Wood you may read about here and in longer poems;
for instance, in a book called "The Ingoldsby Legends." It was their wicked
uncle who lost them in the wood, because he wanted their money. Uncles
were exceedingly bad long ago, and often smothered their nephews in the
Tower, or put out their eyes with red-hot irons. But now uncles are the
kindest people in the world, as every child knows.
About Brian O'Lin there is more than this book says:—
"Brian O'Lin had no breeches to wear;
He bought him a sheepskin to make him a pair,
The woolly side out, and the other side in:
'It's pleasant and cool,' says Brian O'Lin."
He is also called Tom o' the Lin, and seems to have been connected with
Young Tamlane, who was carried away by the Fairy Queen, and brought
back to earth by his true love. Little Jack Horner lived at a place called
Mells, in Somerset, in the time of Henry VIII. The plum he got was an
George, and how Jim got George by
the nose. This Jim was Charley's
father, and the George whom he "got
by the nose" was Georgey Porgey, the
fat German. Jim was born on June 10;
so another song says—
"Of all the days that's in the year,
The Tenth of June to me's most dear,
When our White Roses will appear
To welcome Jamie the Rover."
But, somehow, George really got
Jim by the nose, in spite of what the poet says; for it does not do to believe
all the history in song-books.
After these songs there is not much really useful information in the
Nursery Rhymes. Simple Simon was not Simon Fraser of Lovat, who was
sometimes on Jim's side, and sometimes on George's, till he got his head cut
off by King George. That Simon was not simple.
The Babes in the Wood you may read about here and in longer poems;
for instance, in a book called "The Ingoldsby Legends." It was their wicked
uncle who lost them in the wood, because he wanted their money. Uncles
were exceedingly bad long ago, and often smothered their nephews in the
Tower, or put out their eyes with red-hot irons. But now uncles are the
kindest people in the world, as every child knows.
About Brian O'Lin there is more than this book says:—
"Brian O'Lin had no breeches to wear;
He bought him a sheepskin to make him a pair,
The woolly side out, and the other side in:
'It's pleasant and cool,' says Brian O'Lin."
He is also called Tom o' the Lin, and seems to have been connected with
Young Tamlane, who was carried away by the Fairy Queen, and brought
back to earth by his true love. Little Jack Horner lived at a place called
Mells, in Somerset, in the time of Henry VIII. The plum he got was an
Page 9
estate which had belonged to the priests. I find nobody else here about
whom history teaches us till we come to Dr. Faustus. He was not "a very
good man"; that is a mistake, or the poem was written by a friend of the
Doctor's. In reality he was a wizard, and raised up Helen of Troy from the
other world, the most beautiful woman who ever was seen. Dr. Faustus
made an agreement with Bogie, who, after the Doctor had been gay for a
long time, came and carried him off in a flash of fire. You can read about it
all in several books, when you are a good deal older. Dr. Faustus was a
German, and the best play about him is by a German poet.
As to Tom the Piper's Son, he was probably the son of a Highlander, for
they were mostly on Charley's side, who was "Over the hills and far away."
Another song says—
"There was a wind, it came to me
Over the south and over the sea,
And it has blown my corn and hay
Over the hills and far away.
But though it left me bare indeed,
And blew my bonnet off my head,
There's something hid in Highland brae,
It has not blown my sword away.
Then o'er the hills and over the dales,
Over all England, and thro' Wales,
The broadsword yet shall bear the sway,
Over the hills and far away!"
Tom piped this tune, and pleased both the girls and boys.
About the two birds that sat on a stone, on the "All-Alone Stone," you
can read in a book called "The Water-Babies."
Concerning the Frog that lived in a well, and how he married a King's
daughter and was changed into a beautiful Prince, there is a fairy tale which
an industrious child ought to read. The frog in the rhyme is not nearly so
lucky.
After these rhymes there come a number of riddles, of which the
answers are given. Then there are charms, which people used to think
whom history teaches us till we come to Dr. Faustus. He was not "a very
good man"; that is a mistake, or the poem was written by a friend of the
Doctor's. In reality he was a wizard, and raised up Helen of Troy from the
other world, the most beautiful woman who ever was seen. Dr. Faustus
made an agreement with Bogie, who, after the Doctor had been gay for a
long time, came and carried him off in a flash of fire. You can read about it
all in several books, when you are a good deal older. Dr. Faustus was a
German, and the best play about him is by a German poet.
As to Tom the Piper's Son, he was probably the son of a Highlander, for
they were mostly on Charley's side, who was "Over the hills and far away."
Another song says—
"There was a wind, it came to me
Over the south and over the sea,
And it has blown my corn and hay
Over the hills and far away.
But though it left me bare indeed,
And blew my bonnet off my head,
There's something hid in Highland brae,
It has not blown my sword away.
Then o'er the hills and over the dales,
Over all England, and thro' Wales,
The broadsword yet shall bear the sway,
Over the hills and far away!"
Tom piped this tune, and pleased both the girls and boys.
About the two birds that sat on a stone, on the "All-Alone Stone," you
can read in a book called "The Water-Babies."
Concerning the Frog that lived in a well, and how he married a King's
daughter and was changed into a beautiful Prince, there is a fairy tale which
an industrious child ought to read. The frog in the rhyme is not nearly so
lucky.
After these rhymes there come a number of riddles, of which the
answers are given. Then there are charms, which people used to think
Page 10
would help in butter-making or would cure diseases. It is not generally
thought now that they are of much use, but there can be no harm in trying.
Nobody will be burned now for saying these charms, like the poor old
witches long ago. The Queen Anne mentioned on page 172 was the sister of
the other Princess who married the Prince of Orange, and she was Charley's
aunt. She had seventeen children, and only one lived to be as old as ten
years. He was a nice boy, and had a regiment of boy-soldiers.
"Hickory Dickory Dock" is a rhyme for counting out a lot of children.
The child on whom the last word falls has to run after the others in the
game of "Tig" or "Chevy." There is another of the same kind:—
"Onery
Twoery
Tickery
Tin
Alamacrack
Tenamalin
Pin
Pan
Musky Dan
Tweedleum
Twiddleum
Twenty-one
Black fish
White trout
Eery, Ory
You are out."
Most of the rhymes in this part of the book are sung in games and dances
by children, and are very pretty to see and hear. They are very old, too, and
in an old book of travels in England by a Danish gentleman, he gives one
which he heard sung by children when Charles II. was king. They still sing
it in the North of Scotland.
In this collection there are nonsense songs to sing to babies to make
them fall asleep.
thought now that they are of much use, but there can be no harm in trying.
Nobody will be burned now for saying these charms, like the poor old
witches long ago. The Queen Anne mentioned on page 172 was the sister of
the other Princess who married the Prince of Orange, and she was Charley's
aunt. She had seventeen children, and only one lived to be as old as ten
years. He was a nice boy, and had a regiment of boy-soldiers.
"Hickory Dickory Dock" is a rhyme for counting out a lot of children.
The child on whom the last word falls has to run after the others in the
game of "Tig" or "Chevy." There is another of the same kind:—
"Onery
Twoery
Tickery
Tin
Alamacrack
Tenamalin
Pin
Pan
Musky Dan
Tweedleum
Twiddleum
Twenty-one
Black fish
White trout
Eery, Ory
You are out."
Most of the rhymes in this part of the book are sung in games and dances
by children, and are very pretty to see and hear. They are very old, too, and
in an old book of travels in England by a Danish gentleman, he gives one
which he heard sung by children when Charles II. was king. They still sing
it in the North of Scotland.
In this collection there are nonsense songs to sing to babies to make
them fall asleep.
Page 11
Bessy Bell and Mary Gray, on page 207, were two young ladies in
Scotland long ago. The plague came to Perth, where they lived, so they built
a bower in a wood, far off the town. But their lovers came to see them in the
bower, and brought the infection of the plague, and they both died. There is
a little churchyard and a ruined church in Scotland, where the people who
died of the plague, more than two hundred years ago, were buried, and we
used to believe that if the ground was stirred, the plague would fly out
again, like a yellow cloud, and kill everybody.
There is a French rhyme like "Blue-Eye Beauty"—
"Les yeux bleus
Vont aux cieux.
Les yeux gris
Vont à Paradis.
Les yeux noirs
Vont à Purgatoire."
None of the other rhymes seem to be anything but nonsense, and
nonsense is a very good thing in its way, especially with pictures. Any child
who likes can get Mrs. Markham's "History of England," and read about the
Jims, and Georges, and Charleys, but I scarcely think that such children are
very common. However, the facts about these famous people are told here
shortly, and if there is any more to be said about Jack and Jill, I am sure I
don't know what it is, or where the hill they sat on is to be found in the
geography books.
Scotland long ago. The plague came to Perth, where they lived, so they built
a bower in a wood, far off the town. But their lovers came to see them in the
bower, and brought the infection of the plague, and they both died. There is
a little churchyard and a ruined church in Scotland, where the people who
died of the plague, more than two hundred years ago, were buried, and we
used to believe that if the ground was stirred, the plague would fly out
again, like a yellow cloud, and kill everybody.
There is a French rhyme like "Blue-Eye Beauty"—
"Les yeux bleus
Vont aux cieux.
Les yeux gris
Vont à Paradis.
Les yeux noirs
Vont à Purgatoire."
None of the other rhymes seem to be anything but nonsense, and
nonsense is a very good thing in its way, especially with pictures. Any child
who likes can get Mrs. Markham's "History of England," and read about the
Jims, and Georges, and Charleys, but I scarcely think that such children are
very common. However, the facts about these famous people are told here
shortly, and if there is any more to be said about Jack and Jill, I am sure I
don't know what it is, or where the hill they sat on is to be found in the
geography books.
Page 12
Page
I. Historical 29
II. Literal and Scholastic 41
III. Tales 53
IV. Proverbs 75
V. Songs 85
VI. Riddles and Paradoxes 121
VII. Charms and Lullabies 143
VIII. Gaffers and Gammers 153
IX. Games 167
X. Jingles 189
XI. Love and Matrimony 197
XII. Natural History 217
XIII. Accumulative Stories 247
XIV.Relics 261
Notes 275
Index of First Lines 279
I. Historical 29
II. Literal and Scholastic 41
III. Tales 53
IV. Proverbs 75
V. Songs 85
VI. Riddles and Paradoxes 121
VII. Charms and Lullabies 143
VIII. Gaffers and Gammers 153
IX. Games 167
X. Jingles 189
XI. Love and Matrimony 197
XII. Natural History 217
XIII. Accumulative Stories 247
XIV.Relics 261
Notes 275
Index of First Lines 279
Page 13
Page
Frontispiece—Little Bo-Peep 4
Title-Page 5
Heading to Preface 7
Medallion—Frederic. Walliæ Princeps 12
Tailpiece to Preface 19
Heading to Contents 21
Heading to List of Illustrations 23
Title (Historical) 29
Old King Cole 31
Good King Arthur 33
Over the water to Charley 36
Title (Literal and Scholastic) 41
Great A, little a 43
A was an archer 45
When he whipped them he made them dance 48
Mistress Mary, how does your garden grow? 50
Title (Tales) 53
The man in the moon 55
There was a crooked man 57
Simple Simon met a pieman 59
Frontispiece—Little Bo-Peep 4
Title-Page 5
Heading to Preface 7
Medallion—Frederic. Walliæ Princeps 12
Tailpiece to Preface 19
Heading to Contents 21
Heading to List of Illustrations 23
Title (Historical) 29
Old King Cole 31
Good King Arthur 33
Over the water to Charley 36
Title (Literal and Scholastic) 41
Great A, little a 43
A was an archer 45
When he whipped them he made them dance 48
Mistress Mary, how does your garden grow? 50
Title (Tales) 53
The man in the moon 55
There was a crooked man 57
Simple Simon met a pieman 59
Page 14
He ran fourteen miles in fifteen days 61
The lion and the unicorn 62
His bullets were made of lead 64
Went to sea in a bowl 65
He used to wear a long brown coat 70
Taffy came to my house and stole a piece of beef 72
He caught fishes in other men's ditches 73
Title (Proverbs) 75
To put 'em out's the only way 77
When the wind is in the east 80
Then 'tis at the very best 81
Title (Songs) 85
There I met an old man 87
Says t'auld man tit oak tree 91
Whenever they heard they began for to dance 95
Even pigs on their hind legs would after him prance 96
So Doll and the cow danced "the Cheshire round" 97
He'll sit in a barn 101
Merry are the bells, and merry do they ring 104
He rode till he came to my Lady Mouse hall 107
Tailpiece 110
His mare fell down, and she made her will 115
Three pretty girls were in them then 118
Title (Riddles and Paradoxes) 121
I went to the wood and got it 123
Arthur O'Bower has broken his band 125
Humpty Dumpty had a great fall 129
Elizabeth, Elspeth, Betsy, and Bess 133
If all the world was apple-pie 135
The man in the wilderness asked me 137
Here am I, little jumping Joan 140
Title (Charms and Lullabies) 143
Cushy cow bonny, let down thy milk 145
Peter Piper picked a peck of pickled pepper 146
The lion and the unicorn 62
His bullets were made of lead 64
Went to sea in a bowl 65
He used to wear a long brown coat 70
Taffy came to my house and stole a piece of beef 72
He caught fishes in other men's ditches 73
Title (Proverbs) 75
To put 'em out's the only way 77
When the wind is in the east 80
Then 'tis at the very best 81
Title (Songs) 85
There I met an old man 87
Says t'auld man tit oak tree 91
Whenever they heard they began for to dance 95
Even pigs on their hind legs would after him prance 96
So Doll and the cow danced "the Cheshire round" 97
He'll sit in a barn 101
Merry are the bells, and merry do they ring 104
He rode till he came to my Lady Mouse hall 107
Tailpiece 110
His mare fell down, and she made her will 115
Three pretty girls were in them then 118
Title (Riddles and Paradoxes) 121
I went to the wood and got it 123
Arthur O'Bower has broken his band 125
Humpty Dumpty had a great fall 129
Elizabeth, Elspeth, Betsy, and Bess 133
If all the world was apple-pie 135
The man in the wilderness asked me 137
Here am I, little jumping Joan 140
Title (Charms and Lullabies) 143
Cushy cow bonny, let down thy milk 145
Peter Piper picked a peck of pickled pepper 146
Page 15
Where's the peck of pickled pepper 147
Hush-a-bye, baby 149
Home again, come again 151
Title (Gaffers and Gammers) 153
There was an old woman lived under a hill 155
She had so many children she didn't know what to do 159
He was dancing a jig 165
Title (Games) 167
There were three jovial Welshmen 169
Here comes a candle to light you to bed 174
The Five Pigs 177
Can I get there by candle-light? 183
Little Jackey shall have but a penny a day 185
This is the way the ladies ride 187
This is the way the gentlemen ride 187
This is the way the farmers ride 187
Title (Jingles) 189
Went to bed with his trousers on 191
Hey! diddle, diddle 193
The fly shall marry the humble-bee 195
Title (Love and Matrimony) 197
Jack fell down, and broke his crown 199
A little boy and a little girl lived in an alley 201
Tommy Snooks and Bessy Brooks 203
Jack Sprat could eat no fat 206
Betwixt them both, they lick'd the platter clean 207
There I met a pretty miss 209
Here comes a lusty wooer 211
Title (Natural History) 217
I sent him to the shop for a hap'orth of snuff 219
Pussy-cat, pussy-cat, where have you been? 221
Four-and-twenty tailors went to kill a snail 224
There was a piper, he'd a cow 226
A long-tail'd pig, or a short-tail'd pig 229
Hush-a-bye, baby 149
Home again, come again 151
Title (Gaffers and Gammers) 153
There was an old woman lived under a hill 155
She had so many children she didn't know what to do 159
He was dancing a jig 165
Title (Games) 167
There were three jovial Welshmen 169
Here comes a candle to light you to bed 174
The Five Pigs 177
Can I get there by candle-light? 183
Little Jackey shall have but a penny a day 185
This is the way the ladies ride 187
This is the way the gentlemen ride 187
This is the way the farmers ride 187
Title (Jingles) 189
Went to bed with his trousers on 191
Hey! diddle, diddle 193
The fly shall marry the humble-bee 195
Title (Love and Matrimony) 197
Jack fell down, and broke his crown 199
A little boy and a little girl lived in an alley 201
Tommy Snooks and Bessy Brooks 203
Jack Sprat could eat no fat 206
Betwixt them both, they lick'd the platter clean 207
There I met a pretty miss 209
Here comes a lusty wooer 211
Title (Natural History) 217
I sent him to the shop for a hap'orth of snuff 219
Pussy-cat, pussy-cat, where have you been? 221
Four-and-twenty tailors went to kill a snail 224
There was a piper, he'd a cow 226
A long-tail'd pig, or a short-tail'd pig 229
Page 16
Dame, what makes your ducks to die? 231
Little Tom Tinker's dog 233
Pussy and I very gently will play 234
Lady bird, lady bird, fly away home 235
I had a little hen, the prettiest ever seen 237
Higgley Piggley, my black hen 238
He's under the hay-cock fast asleep 241
There I met an old man that would not say his prayers 243
She whipped him, she slashed him 245
Title (Accumulative Stories) 247
This is the house that Jack built 249
The old woman and her pig 255
Title (Relics) 261
Willy boy, Willy boy, where are you going? 263
What are little boys made of? 265
Girls and boys, come out to play 267
Daffy-down-dilly has come up to town 269
Barber, barber, shave a pig 271
Wished to leap over a high gate 273
Heading to Notes 275
Heading to Index of First Lines 279
Little Tom Tinker's dog 233
Pussy and I very gently will play 234
Lady bird, lady bird, fly away home 235
I had a little hen, the prettiest ever seen 237
Higgley Piggley, my black hen 238
He's under the hay-cock fast asleep 241
There I met an old man that would not say his prayers 243
She whipped him, she slashed him 245
Title (Accumulative Stories) 247
This is the house that Jack built 249
The old woman and her pig 255
Title (Relics) 261
Willy boy, Willy boy, where are you going? 263
What are little boys made of? 265
Girls and boys, come out to play 267
Daffy-down-dilly has come up to town 269
Barber, barber, shave a pig 271
Wished to leap over a high gate 273
Heading to Notes 275
Heading to Index of First Lines 279
Page 17
Page 18
O LD King Cole
Was a merry old soul,
And a merry old soul was he;
He called for his pipe,
And he called for his bowl,
And he called for his fiddlers three.
Every fiddler, he had a fiddle,
And a very fine fiddle had he;
Twee tweedle dee, tweedle dee, went the fiddlers.
Oh, there's none so rare,
As can compare
With King Cole and his fiddlers three!
W HEN good King Arthur ruled this land,
He was a goodly king;
He stole three pecks of barley-meal,
Was a merry old soul,
And a merry old soul was he;
He called for his pipe,
And he called for his bowl,
And he called for his fiddlers three.
Every fiddler, he had a fiddle,
And a very fine fiddle had he;
Twee tweedle dee, tweedle dee, went the fiddlers.
Oh, there's none so rare,
As can compare
With King Cole and his fiddlers three!
W HEN good King Arthur ruled this land,
He was a goodly king;
He stole three pecks of barley-meal,
Page 19
To make a bag-pudding.
A bag-pudding the king did make,
And stuff'd it well with plums:
And in it put great lumps of fat,
As big as my two thumbs.
The king and queen did eat thereof,
And noblemen beside;
And what they could not eat that night,
The queen next morning fried.
A bag-pudding the king did make,
And stuff'd it well with plums:
And in it put great lumps of fat,
As big as my two thumbs.
The king and queen did eat thereof,
And noblemen beside;
And what they could not eat that night,
The queen next morning fried.
Page 20
I HAD a little nut-tree, nothing would it bear
But a silver nutmeg and a golden pear;
The King of Spain's daughter came to visit me,
And all was because of my little nut-tree.
I skipp'd over water, I danced over sea,
And all the birds in the air couldn't catch me.
But a silver nutmeg and a golden pear;
The King of Spain's daughter came to visit me,
And all was because of my little nut-tree.
I skipp'd over water, I danced over sea,
And all the birds in the air couldn't catch me.
Page 21
T
again.
HE King of France, and four thousand men,
They drew their swords, and put them up
T HE King of France went up the hill,
With twenty thousand men;
The King of France came down the hill,
And ne'er went up again.
P LEASE to remember
The Fifth of November.
Gunpowder treason and plot;
I know no reason
Why gunpowder treason
Should ever be forgot.
O VER the water, and over the sea,
And over the water to Charley;
Charley loves good ale and wine,
And Charley loves good brandy,
again.
HE King of France, and four thousand men,
They drew their swords, and put them up
T HE King of France went up the hill,
With twenty thousand men;
The King of France came down the hill,
And ne'er went up again.
P LEASE to remember
The Fifth of November.
Gunpowder treason and plot;
I know no reason
Why gunpowder treason
Should ever be forgot.
O VER the water, and over the sea,
And over the water to Charley;
Charley loves good ale and wine,
And Charley loves good brandy,
Page 22
And Charley loves a pretty girl,
As sweet as sugar-candy.
Over the water, and over the sea,
And over the water to Charley;
I'll have none of your nasty beef,
Nor I'll have none of your barley;
But I'll have some of your very best flour,
To make a white cake for my Charley.
A S I was going by Charing Cross,
I saw a black man upon a black horse;
They told me it was King Charles the First;
Oh, dear! my heart was ready to burst!
H IGH diddle ding,
Did you hear the bells ring?
The parliament soldiers are gone to the King!
Some they did laugh, some they did cry,
To see the parliament soldiers pass by.
H ECTOR PROTECTOR was dressed all in
green;
Hector Protector was sent to the Queen.
The Queen did not like him,
Nor more did the King;
So Hector Protector was sent back again.
As sweet as sugar-candy.
Over the water, and over the sea,
And over the water to Charley;
I'll have none of your nasty beef,
Nor I'll have none of your barley;
But I'll have some of your very best flour,
To make a white cake for my Charley.
A S I was going by Charing Cross,
I saw a black man upon a black horse;
They told me it was King Charles the First;
Oh, dear! my heart was ready to burst!
H IGH diddle ding,
Did you hear the bells ring?
The parliament soldiers are gone to the King!
Some they did laugh, some they did cry,
To see the parliament soldiers pass by.
H ECTOR PROTECTOR was dressed all in
green;
Hector Protector was sent to the Queen.
The Queen did not like him,
Nor more did the King;
So Hector Protector was sent back again.
Page 23
W HAT is the rhyme for poringer?
The King he had a daughter fair,
And gave the Prince of Orange her.
A S I walked by myself,
And talked to myself,
Myself said unto me,
Look to thyself,
Take care of thyself,
For nobody cares for thee.
I answered myself,
And said to myself,
In the self-same repartee,
Look to thyself,
Or not look to thyself,
The self-same thing will be.
P OOR old Robinson Crusoe!
Poor old Robinson Crusoe!
They made him a coat
Of an old nanny goat,
I wonder how they could do so!
With a ring a ting tang,
And a ring a ting tang,
Poor old Robinson Crusoe!
The King he had a daughter fair,
And gave the Prince of Orange her.
A S I walked by myself,
And talked to myself,
Myself said unto me,
Look to thyself,
Take care of thyself,
For nobody cares for thee.
I answered myself,
And said to myself,
In the self-same repartee,
Look to thyself,
Or not look to thyself,
The self-same thing will be.
P OOR old Robinson Crusoe!
Poor old Robinson Crusoe!
They made him a coat
Of an old nanny goat,
I wonder how they could do so!
With a ring a ting tang,
And a ring a ting tang,
Poor old Robinson Crusoe!
Page 24
T HERE was a monkey climbed up a tree,
When he fell down, then down fell he.
There was a crow sat on a stone,
When he was gone, then there was none.
There was an old wife did eat an apple,
When she had eat two, she had eat a couple.
There was a horse going to the mill,
When he went on, he stood not still.
There was a butcher cut his thumb,
When it did bleed, then blood did come.
There was a lackey ran a race,
When he ran fast, he ran apace.
There was a cobbler clouting shoon,
When they were mended, they were done.
There was a chandler making candle,
When he them strip, he did them handle.
There was a navy went into Spain,
When it returned, it came again.
J IM and George were two great lords,
They fought all in a churn;
And when that Jim got George by the nose,
When he fell down, then down fell he.
There was a crow sat on a stone,
When he was gone, then there was none.
There was an old wife did eat an apple,
When she had eat two, she had eat a couple.
There was a horse going to the mill,
When he went on, he stood not still.
There was a butcher cut his thumb,
When it did bleed, then blood did come.
There was a lackey ran a race,
When he ran fast, he ran apace.
There was a cobbler clouting shoon,
When they were mended, they were done.
There was a chandler making candle,
When he them strip, he did them handle.
There was a navy went into Spain,
When it returned, it came again.
J IM and George were two great lords,
They fought all in a churn;
And when that Jim got George by the nose,
Page 25
Then George began to girn.
S ee saw, sack-a-day;
Monmouth is a pretie boy,
Richmond is another,
Grafton is my onely joy;
And why should I these three destroy,
To please a pious brother![1]
[1] The boys are sons of Charles II. The pious brother is James, Duke of York.
S ee saw, sack-a-day;
Monmouth is a pretie boy,
Richmond is another,
Grafton is my onely joy;
And why should I these three destroy,
To please a pious brother![1]
[1] The boys are sons of Charles II. The pious brother is James, Duke of York.
Page 26
G REAT A, little a,
Bouncing B!
The cat's in the cupboard,
And can't see me.
I F ifs and ands,
Were pots and pans,
There would be no need for tinkers!
T ELL tale, tit!
Your tongue shall be slit,
And all the dogs in the town
Shall have a little bit.
Bouncing B!
The cat's in the cupboard,
And can't see me.
I F ifs and ands,
Were pots and pans,
There would be no need for tinkers!
T ELL tale, tit!
Your tongue shall be slit,
And all the dogs in the town
Shall have a little bit.
Page 27
B IRCH and green holly, boys,
Birch and green holly.
If you get beaten, boys,
'Twill be your own folly.
C OME when you're called,
Do what you're bid,
Shut the door after you,
Never be chid.
WAS an Archer, and shot at a frog,
B was a Butcher, and had a great dog.
C was a Captain, all covered with lace,
D was a Drunkard, and had a red face.
E was an Esquire, with pride on his brow,
F was a Farmer, and followed the plough.
G was a Gamester, who had but ill luck,
H was a Hunter, and hunted a buck.
I was an Innkeeper, who loved to bouse,
J was a Joiner, and built up a house.
K was King William, once governed this land,
L was a Lady, who had a white hand.
M was a Miser, and hoarded up gold,
N was a Nobleman, gallant and bold.
O was an Oyster Wench, and went about town,
P was a Parson, and wore a black gown.
Q was a Queen, who was fond of good flip,
R was a Robber, and wanted a whip.
S was a Sailor, and spent all he got,
Birch and green holly.
If you get beaten, boys,
'Twill be your own folly.
C OME when you're called,
Do what you're bid,
Shut the door after you,
Never be chid.
WAS an Archer, and shot at a frog,
B was a Butcher, and had a great dog.
C was a Captain, all covered with lace,
D was a Drunkard, and had a red face.
E was an Esquire, with pride on his brow,
F was a Farmer, and followed the plough.
G was a Gamester, who had but ill luck,
H was a Hunter, and hunted a buck.
I was an Innkeeper, who loved to bouse,
J was a Joiner, and built up a house.
K was King William, once governed this land,
L was a Lady, who had a white hand.
M was a Miser, and hoarded up gold,
N was a Nobleman, gallant and bold.
O was an Oyster Wench, and went about town,
P was a Parson, and wore a black gown.
Q was a Queen, who was fond of good flip,
R was a Robber, and wanted a whip.
S was a Sailor, and spent all he got,
Page 28
T was a Tinker, and mended a pot.
U was an Usurer, a miserable elf,
V was a Vintner, who drank all himself.
W was a Watchman, and guarded the door,
X was expensive, and so became poor.
Y was a Youth, that did not love school,
Z was a Zany, a poor harmless fool.
A WAS an apple-pie;
B bit it;
C cut it;
D dealt it;
E ate it;
F fought for it;
G got it;
H had it;
J joined it;
K kept it;
L longed for it;
M mourned for it;
N nodded at it;
O opened it;
P peeped in it;
Q quartered it;
R ran for it;
S stole it;
T took it;
V viewed it,
W wanted it;
X, Y, Z, and amperse-and,
All wish'd for a piece in hand.
U was an Usurer, a miserable elf,
V was a Vintner, who drank all himself.
W was a Watchman, and guarded the door,
X was expensive, and so became poor.
Y was a Youth, that did not love school,
Z was a Zany, a poor harmless fool.
A WAS an apple-pie;
B bit it;
C cut it;
D dealt it;
E ate it;
F fought for it;
G got it;
H had it;
J joined it;
K kept it;
L longed for it;
M mourned for it;
N nodded at it;
O opened it;
P peeped in it;
Q quartered it;
R ran for it;
S stole it;
T took it;
V viewed it,
W wanted it;
X, Y, Z, and amperse-and,
All wish'd for a piece in hand.
Page 29
P AT-A-CAKE, pat-a-cake, baker's man!
(So I will, master), as fast as I can:
Pat it, and prick it, and mark it with T,
Put in the oven for Tommy and me.
M ULTIPLICATION is vexation,
Division is as bad;
The Rule of Three doth puzzle me,
And Practice drives me mad.
D OCTOR FAUSTUS was a good man,
He whipt his scholars now and then;
(So I will, master), as fast as I can:
Pat it, and prick it, and mark it with T,
Put in the oven for Tommy and me.
M ULTIPLICATION is vexation,
Division is as bad;
The Rule of Three doth puzzle me,
And Practice drives me mad.
D OCTOR FAUSTUS was a good man,
He whipt his scholars now and then;
Page 30
When he whipp'd them he made them dance,
Out of Scotland into France,
Out of France into Spain,
And then he whipp'd them back again!
A DILLER, a dollar,
A ten o'clock scholar,
What makes you come so soon?
You used to come at ten o'clock,
But now you come at noon.
W HEN V and I together meet,
They make the number Six compleat.
When I with V doth meet once more,
Then 'tis they Two can make but Four.
And when that V from I is gone,
Alas! poor I can make but One.
T HIRTY days hath September,
April, June, and November;
February has twenty-eight alone,
All the rest have thirty-one,
Excepting leap-year, that's the time
When February's days are twenty-nine.
Out of Scotland into France,
Out of France into Spain,
And then he whipp'd them back again!
A DILLER, a dollar,
A ten o'clock scholar,
What makes you come so soon?
You used to come at ten o'clock,
But now you come at noon.
W HEN V and I together meet,
They make the number Six compleat.
When I with V doth meet once more,
Then 'tis they Two can make but Four.
And when that V from I is gone,
Alas! poor I can make but One.
T HIRTY days hath September,
April, June, and November;
February has twenty-eight alone,
All the rest have thirty-one,
Excepting leap-year, that's the time
When February's days are twenty-nine.
Page 31
M ISTRESS MARY, quite contrary,
How does your garden grow?
With cockle-shells, and silver bells,
And pretty maids all a row.
I N fir tar is,
In oak none is.
In mud eel is,
In clay none is.
Goat eat ivy,
Mare eat oats.
How does your garden grow?
With cockle-shells, and silver bells,
And pretty maids all a row.
I N fir tar is,
In oak none is.
In mud eel is,
In clay none is.
Goat eat ivy,
Mare eat oats.
Page 32
C ROSS patch,
Draw the latch,
Sit by the fire and spin;
Take a cup,
And drink it up,
Then call your neighbours in.
I LOVE my love with an A, because he's
Agreeable.
I hate him because he's Avaricious.
He took me to the Sign of the Acorn,
And treated me with Apples.
His name's Andrew,
And he lives at Arlington.
O NE, two,
Buckle my shoe;
Three, four,
Shut the door;
Five, six,
Pick up sticks;
Seven, eight,
Lay them straight;
Nine, ten,
A good fat hen;
Eleven, twelve,
Who will delve?
Thirteen, fourteen,
Maids a-courting;
Fifteen, sixteen,
Draw the latch,
Sit by the fire and spin;
Take a cup,
And drink it up,
Then call your neighbours in.
I LOVE my love with an A, because he's
Agreeable.
I hate him because he's Avaricious.
He took me to the Sign of the Acorn,
And treated me with Apples.
His name's Andrew,
And he lives at Arlington.
O NE, two,
Buckle my shoe;
Three, four,
Shut the door;
Five, six,
Pick up sticks;
Seven, eight,
Lay them straight;
Nine, ten,
A good fat hen;
Eleven, twelve,
Who will delve?
Thirteen, fourteen,
Maids a-courting;
Fifteen, sixteen,
Page 33
Maids a-kissing;
Seventeen, eighteen,
Maid a-waiting;
Nineteen, twenty,
My stomach's empty.
Seventeen, eighteen,
Maid a-waiting;
Nineteen, twenty,
My stomach's empty.
Page 34
T HE man in the moon,
Came tumbling down,
And ask'd his way to Norwich,
He went by the south,
And burnt his mouth
With supping cold pease-porridge.
M Y dear, do you know,
How a long time ago,
Two poor little children,
Whose names I don't know,
Were stolen away on a fine summer's day,
And left in a wood, as I've heard people say.
Came tumbling down,
And ask'd his way to Norwich,
He went by the south,
And burnt his mouth
With supping cold pease-porridge.
M Y dear, do you know,
How a long time ago,
Two poor little children,
Whose names I don't know,
Were stolen away on a fine summer's day,
And left in a wood, as I've heard people say.
Page 35
And when it was night,
So sad was their plight,
The sun it went down,
And the moon gave no light.
They sobbed and they sighed, and they bitterly cried,
And the poor little things, they lay down and died.
And when they were dead,
The Robins so red
Brought strawberry-leaves
And over them spread;
And all the day long
They sung them this song:
"Poor babes in the wood! Poor babes in the wood!
And don't you remember the babes in the wood?"
T HERE was a crooked man, and he went a
crooked mile,
He found a crooked sixpence against a crooked stile;
So sad was their plight,
The sun it went down,
And the moon gave no light.
They sobbed and they sighed, and they bitterly cried,
And the poor little things, they lay down and died.
And when they were dead,
The Robins so red
Brought strawberry-leaves
And over them spread;
And all the day long
They sung them this song:
"Poor babes in the wood! Poor babes in the wood!
And don't you remember the babes in the wood?"
T HERE was a crooked man, and he went a
crooked mile,
He found a crooked sixpence against a crooked stile;
Page 36
He bought a crooked cat, which caught a crooked
mouse,
And they all lived together in a little crooked house.
S IMPLE SIMON met a pieman,
Going to the fair;
Says Simple Simon to the pieman,
"Let me taste your ware."
Says the pieman to Simple Simon,
"Show me first your penny."
Says Simple Simon to the pieman,
"Indeed I have not any."
Simple Simon went a-fishing
For to catch a whale:
All the water he had got
Was in his mother's pail!
I' LL tell you a story
About Jack a Nory,—
And now my story's begun:
I'll tell you another
About Jack his brother,—
And now my story's done.
mouse,
And they all lived together in a little crooked house.
S IMPLE SIMON met a pieman,
Going to the fair;
Says Simple Simon to the pieman,
"Let me taste your ware."
Says the pieman to Simple Simon,
"Show me first your penny."
Says Simple Simon to the pieman,
"Indeed I have not any."
Simple Simon went a-fishing
For to catch a whale:
All the water he had got
Was in his mother's pail!
I' LL tell you a story
About Jack a Nory,—
And now my story's begun:
I'll tell you another
About Jack his brother,—
And now my story's done.
Page 37
SIMPLE SIMON
T HERE was a man, and he had nought,
And robbers came to rob him;
He crept up to the chimney-pot,
And then they thought they had him.
T HERE was a man, and he had nought,
And robbers came to rob him;
He crept up to the chimney-pot,
And then they thought they had him.
Page 38
But he got down on t' other side,
And then they could not find him.
He ran fourteen miles in fifteen days,
And never looked behind him.
And then they could not find him.
He ran fourteen miles in fifteen days,
And never looked behind him.
Page 39
T HE lion and the unicorn
Were fighting for the crown;
The lion beat the unicorn
All round about the town.
Some gave them white bread,
And some gave them brown;
Some gave them plum-cake,
And sent them out of town.
T HERE was a fat man of Bombay,
Who was smoking one sunshiny day,
When a bird, called a snipe,
Were fighting for the crown;
The lion beat the unicorn
All round about the town.
Some gave them white bread,
And some gave them brown;
Some gave them plum-cake,
And sent them out of town.
T HERE was a fat man of Bombay,
Who was smoking one sunshiny day,
When a bird, called a snipe,
Page 40
Flew away with his pipe,
Which vexed the fat man of Bombay.
T OM, Tom, the piper's son,
Stole a pig, and away he run!
The pig was eat, and Tom was beat,
And Tom went roaring down the street.
B RYAN O'LIN, and his wife, and wife's mother,
They all went over a bridge together;
The bridge was broken, and they all fell in,
The deuce go with all! quoth Bryan O'Lin.
T HERE was a little man,
And he had a little gun,
And his bullets were made of
He went to the brook
And saw a little duck,
Which vexed the fat man of Bombay.
T OM, Tom, the piper's son,
Stole a pig, and away he run!
The pig was eat, and Tom was beat,
And Tom went roaring down the street.
B RYAN O'LIN, and his wife, and wife's mother,
They all went over a bridge together;
The bridge was broken, and they all fell in,
The deuce go with all! quoth Bryan O'Lin.
T HERE was a little man,
And he had a little gun,
And his bullets were made of
He went to the brook
And saw a little duck,
Page 41
And he shot it right through the head, head, head.
He carried it home
To his old wife Joan,
And bid her a fire for to make, make, make;
To roast the little duck
He had shot in the brook,
And he'd go and fetch her the drake, drake, drake.
T HREE wise men of Gotham
Went to sea in a bowl:
And if the bowl had been stronger,
My song would have been longer.
D OCTOR FOSTER went to Glo'ster
In a shower of rain;
He stepped in a puddle, up to his middle,
And never went there again.
He carried it home
To his old wife Joan,
And bid her a fire for to make, make, make;
To roast the little duck
He had shot in the brook,
And he'd go and fetch her the drake, drake, drake.
T HREE wise men of Gotham
Went to sea in a bowl:
And if the bowl had been stronger,
My song would have been longer.
D OCTOR FOSTER went to Glo'ster
In a shower of rain;
He stepped in a puddle, up to his middle,
And never went there again.
Page 42
R OBIN the Bobbin, the big-bellied Ben,
He ate more meat than fourscore men;
He ate a cow, he ate a calf,
He ate a butcher and a half;
He ate a church, he ate a steeple,
He ate the priest and all the people!
A cow and a calf,
An ox and a half,
A church and a steeple,
And all the good people,
And yet he complained that his stomach wasn't full.
R OBIN and Richard were two pretty men;
They laid in bed till the clock struck ten;
Then up starts Robin and looks at the sky,
Oh! brother Richard, the sun's very high:
The bull's in the barn threshing the corn,
The cock's on the dunghill blowing his horn,
The cat's at the fire frying of fish,
The dog's in the pantry breaking his dish.
O LD Mother Goose, when
She wanted to wander,
Would ride through the air
On a very fine gander.
Mother Goose had a house,
'Twas built in a wood,
He ate more meat than fourscore men;
He ate a cow, he ate a calf,
He ate a butcher and a half;
He ate a church, he ate a steeple,
He ate the priest and all the people!
A cow and a calf,
An ox and a half,
A church and a steeple,
And all the good people,
And yet he complained that his stomach wasn't full.
R OBIN and Richard were two pretty men;
They laid in bed till the clock struck ten;
Then up starts Robin and looks at the sky,
Oh! brother Richard, the sun's very high:
The bull's in the barn threshing the corn,
The cock's on the dunghill blowing his horn,
The cat's at the fire frying of fish,
The dog's in the pantry breaking his dish.
O LD Mother Goose, when
She wanted to wander,
Would ride through the air
On a very fine gander.
Mother Goose had a house,
'Twas built in a wood,
Page 43
Where an owl at the door
For sentinel stood.
This is her son Jack,
A plain-looking lad,
He is not very good,
Nor yet very bad.
She sent him to market,
A live goose he bought,
Here, mother, says he,
It will not go for nought.
Jack's goose and her gander
Grew very fond;
They'd both eat together,
Or swim in one pond.
Jack found one morning,
As I have been told,
His goose had laid him
An egg of pure gold.
Jack rode to his mother
The news for to tell;
She call'd him a good boy,
And said it was well.
Jack sold his gold egg
To a rogue of a Jew,
Who cheated him out of
The half of his due.
Then Jack went a-courting
A lady so gay,
As fair as the lily,
And sweet as the May.
For sentinel stood.
This is her son Jack,
A plain-looking lad,
He is not very good,
Nor yet very bad.
She sent him to market,
A live goose he bought,
Here, mother, says he,
It will not go for nought.
Jack's goose and her gander
Grew very fond;
They'd both eat together,
Or swim in one pond.
Jack found one morning,
As I have been told,
His goose had laid him
An egg of pure gold.
Jack rode to his mother
The news for to tell;
She call'd him a good boy,
And said it was well.
Jack sold his gold egg
To a rogue of a Jew,
Who cheated him out of
The half of his due.
Then Jack went a-courting
A lady so gay,
As fair as the lily,
And sweet as the May.
Page 44
The Jew and the Squire
Came behind his back,
And began to belabour
The sides of poor Jack.
The old Mother Goose
That instant came in,
And turned her son Jack
Into famed Harlequin.
She then with her wand
Touch'd the lady so fine,
And turn'd her at once
Into sweet Columbine.
The gold egg into the sea
Was thrown then,—
When Jack jump'd in,
And got the egg back again.
The Jew got the goose,
Which he vow'd he would kill,
Resolving at once
His pockets to fill.
Jack's mother came in,
And caught the goose soon,
And mounting its back,
Flow up to the moon.
Came behind his back,
And began to belabour
The sides of poor Jack.
The old Mother Goose
That instant came in,
And turned her son Jack
Into famed Harlequin.
She then with her wand
Touch'd the lady so fine,
And turn'd her at once
Into sweet Columbine.
The gold egg into the sea
Was thrown then,—
When Jack jump'd in,
And got the egg back again.
The Jew got the goose,
Which he vow'd he would kill,
Resolving at once
His pockets to fill.
Jack's mother came in,
And caught the goose soon,
And mounting its back,
Flow up to the moon.
Page 45
O LD Abram Brown is dead and gone,
You'll never see him more;
He used to wear a long brown coat,
That button'd down before.
M Y lady Wind, my lady Wind,
Went round about the house to find
A chink to get her foot in:
She tried the key-hole in the door,
She tried the crevice in the floor,
And drove the chimney soot in.
And then one night when it was dark,
She blew up such a tiny spark,
You'll never see him more;
He used to wear a long brown coat,
That button'd down before.
M Y lady Wind, my lady Wind,
Went round about the house to find
A chink to get her foot in:
She tried the key-hole in the door,
She tried the crevice in the floor,
And drove the chimney soot in.
And then one night when it was dark,
She blew up such a tiny spark,
Page 46
That all the house was pothered:
From it she raised up such a flame,
As flamed away to Belting Lane,
And White Cross folks were smothered.
And thus when once, my little dears,
A whisper reaches itching ears,
The same will come, you'll find:
Take my advice, restrain the tongue,
Remember what old nurse has sung
Of busy lady Wind.
P UNCH and Judy
Fought for a pie;
Punch gave Judy
A sad blow on the eye.
From it she raised up such a flame,
As flamed away to Belting Lane,
And White Cross folks were smothered.
And thus when once, my little dears,
A whisper reaches itching ears,
The same will come, you'll find:
Take my advice, restrain the tongue,
Remember what old nurse has sung
Of busy lady Wind.
P UNCH and Judy
Fought for a pie;
Punch gave Judy
A sad blow on the eye.
Page 47
T
beef:
AFFY was a Welshman, Taffy was a thief;
Taffy came to my house and stole a piece of
I went to Taffy's house, Taffy was not at home;
Taffy came to my house and stole a marrow-bone.
I went to Taffy's house, Taffy was not in;
Taffy came to my house and stole a silver pin:
I went to Taffy's house, Taffy was in bed,
I took up a poker and flung it at his head.
L ITTLE Tommy Tittlemouse
Lived in a little house;
He caught fishes
In other men's ditches.
L ITTLE Jack Horner sat in a corner,
Eating a Christmas pie;
He put in his thumb, and he pulled out a plum,
And said, "What a good boy am I!"
beef:
AFFY was a Welshman, Taffy was a thief;
Taffy came to my house and stole a piece of
I went to Taffy's house, Taffy was not at home;
Taffy came to my house and stole a marrow-bone.
I went to Taffy's house, Taffy was not in;
Taffy came to my house and stole a silver pin:
I went to Taffy's house, Taffy was in bed,
I took up a poker and flung it at his head.
L ITTLE Tommy Tittlemouse
Lived in a little house;
He caught fishes
In other men's ditches.
L ITTLE Jack Horner sat in a corner,
Eating a Christmas pie;
He put in his thumb, and he pulled out a plum,
And said, "What a good boy am I!"
Page 48
S OLOMON GRUNDY,
Born on a Monday,
Christened on Tuesday,
Married on Wednesday,
Took ill on Thursday,
Worse on Friday,
Died on Saturday,
Buried on Sunday:
This is the end
Of Solomon Grundy.
Born on a Monday,
Christened on Tuesday,
Married on Wednesday,
Took ill on Thursday,
Worse on Friday,
Died on Saturday,
Buried on Sunday:
This is the end
Of Solomon Grundy.
Page 49
T O make your candles last for a',
You wives and maids give ear-o!
To put 'em out's the only way,
Says honest John Boldero.
S T. SWITHIN's day, if thou dost rain,
For forty days it will remain:
St. Swithin's day, if thou be fair,
For forty days 'twill rain na mair.
I F wishes were horses,
Beggars would ride;
If turnips were watches,
You wives and maids give ear-o!
To put 'em out's the only way,
Says honest John Boldero.
S T. SWITHIN's day, if thou dost rain,
For forty days it will remain:
St. Swithin's day, if thou be fair,
For forty days 'twill rain na mair.
I F wishes were horses,
Beggars would ride;
If turnips were watches,
Page 50
I would wear one by my side.
N ATURE requires five,
Custom gives seven!
Laziness takes nine,
And Wickedness eleven. [Hours of Sleep.
S EE a pin and pick it up,
All the day you'll have good luck;
See a pin and let it lay,
Bad luck you'll have all the day!
N EEDLES and pins, needles and pins.
When a man marries his trouble begins.
B OUNCE buckram, velvet's dear;
Christmas comes but once a year.
A MAN of words and not of deeds,
Is like a garden full of weeds;
And when the weeds begin to grow,
It's like a garden full of snow;
And when the snow begins to fall,
N ATURE requires five,
Custom gives seven!
Laziness takes nine,
And Wickedness eleven. [Hours of Sleep.
S EE a pin and pick it up,
All the day you'll have good luck;
See a pin and let it lay,
Bad luck you'll have all the day!
N EEDLES and pins, needles and pins.
When a man marries his trouble begins.
B OUNCE buckram, velvet's dear;
Christmas comes but once a year.
A MAN of words and not of deeds,
Is like a garden full of weeds;
And when the weeds begin to grow,
It's like a garden full of snow;
And when the snow begins to fall,
Page 51
It's like a bird upon the wall;
And when the bird away does fly,
It's like an eagle in the sky;
And when the sky begins to roar,
It's like a lion at the door;
And when the door begins to crack,
It's like a stick across your back;
And when your back begins to smart,
It's like a penknife in your heart;
And when your heart begins to bleed,
You're dead, and dead, and dead, indeed.
I F you sneeze on Monday, you sneeze for danger;
Sneeze on a Tuesday, kiss a stranger;
Sneeze on a Wednesday, sneeze for a letter;
Sneeze on a Thursday, something better;
Sneeze on a Friday, sneeze for sorrow;
Sneeze on a Saturday, see your sweetheart to-
morrow.
And when the bird away does fly,
It's like an eagle in the sky;
And when the sky begins to roar,
It's like a lion at the door;
And when the door begins to crack,
It's like a stick across your back;
And when your back begins to smart,
It's like a penknife in your heart;
And when your heart begins to bleed,
You're dead, and dead, and dead, indeed.
I F you sneeze on Monday, you sneeze for danger;
Sneeze on a Tuesday, kiss a stranger;
Sneeze on a Wednesday, sneeze for a letter;
Sneeze on a Thursday, something better;
Sneeze on a Friday, sneeze for sorrow;
Sneeze on a Saturday, see your sweetheart to-
morrow.
Page 52
W HEN the wind is in the east,
'Tis neither good for man nor beast;
When the wind is in the north,
The skilful fisher goes not forth;
When the wind is in the south,
It blows the bait in the fishes' mouth;
When the wind is in the west,
Then 'tis at the very best.
H E that would thrive
Must rise at five;
He that hath thriven
May lie till seven;
And he that by the plough would thrive,
Himself must either hold or drive.
A SWARM of bees in May
Is worth a load of hay;
A swarm of bees in June
Is worth a silver spoon;
A swarm of bees in July
Is not worth a fly.
Is not worth a fly.
'Tis neither good for man nor beast;
When the wind is in the north,
The skilful fisher goes not forth;
When the wind is in the south,
It blows the bait in the fishes' mouth;
When the wind is in the west,
Then 'tis at the very best.
H E that would thrive
Must rise at five;
He that hath thriven
May lie till seven;
And he that by the plough would thrive,
Himself must either hold or drive.
A SWARM of bees in May
Is worth a load of hay;
A swarm of bees in June
Is worth a silver spoon;
A swarm of bees in July
Is not worth a fly.
Is not worth a fly.
Page 53
Y EOW mussent sing a' Sunday,
Becaze it is a sin,
But yeow may sing a' Monday
Till Sunday cums agin.
A SUNSHINY shower
Won't last half an hour.
F OR every evil under the sun,
There is a remedy, or there is none.
If there be one, try and find it;
If there be none, never mind it.
T HE art of good driving's a paradox quite,
Though custom has prov'd it so long;
If you go to the left, you're sure to go right,
If you go to the right, you go wrong.
A S the days lengthen,
So the storms strengthen.
Becaze it is a sin,
But yeow may sing a' Monday
Till Sunday cums agin.
A SUNSHINY shower
Won't last half an hour.
F OR every evil under the sun,
There is a remedy, or there is none.
If there be one, try and find it;
If there be none, never mind it.
T HE art of good driving's a paradox quite,
Though custom has prov'd it so long;
If you go to the left, you're sure to go right,
If you go to the right, you go wrong.
A S the days lengthen,
So the storms strengthen.
Page 54
T HE fair maid who, the first of May,
Goes to the fields at break of day,
And washes in dew from the hawthorn tree,
Will ever after handsome be.
F RIDAY night's dream,
On the Saturday told,
Is sure to come true,
Be it never so old.
E ARLY to bed, and early to rise,
Makes a man healthy, wealthy, and wise.
M ONDAY'S bairn is fair of face,
Tuesday's bairn is full of grace,
Wednesday's bairn is full of woe,
Thursday's bairn has far to go,
Friday's bairn is loving and giving,
Saturday's bairn works hard for its living,
But the bairn that is born on the Sabbath day
Is bonny and blithe, and good and gay.
Goes to the fields at break of day,
And washes in dew from the hawthorn tree,
Will ever after handsome be.
F RIDAY night's dream,
On the Saturday told,
Is sure to come true,
Be it never so old.
E ARLY to bed, and early to rise,
Makes a man healthy, wealthy, and wise.
M ONDAY'S bairn is fair of face,
Tuesday's bairn is full of grace,
Wednesday's bairn is full of woe,
Thursday's bairn has far to go,
Friday's bairn is loving and giving,
Saturday's bairn works hard for its living,
But the bairn that is born on the Sabbath day
Is bonny and blithe, and good and gay.
Page 55
F OR want of a nail, the shoe was lost;
For want of the shoe, the horse was lost;
For want of the horse, the rider was lost;
For want of the rider, the battle was lost;
For want of the battle, the kingdom was lost;
And all from the want of a horseshoe nail.
M ARCH winds and April showers
Bring forth May flowers.
For want of the shoe, the horse was lost;
For want of the horse, the rider was lost;
For want of the rider, the battle was lost;
For want of the battle, the kingdom was lost;
And all from the want of a horseshoe nail.
M ARCH winds and April showers
Bring forth May flowers.
Page 56
O NE misty moisty morning,
When cloudy was the weather,
There I met an old man
Clothed all in leather;
Clothed all in leather,
With cap under his chin,—
How do you do, and how do you do,
And how do you do again!
T HE fox and his wife they had a great strife,
They never eat mustard in all their whole life;
They eat their meat without fork or knife,
And loved to be picking a bone, e-ho!
When cloudy was the weather,
There I met an old man
Clothed all in leather;
Clothed all in leather,
With cap under his chin,—
How do you do, and how do you do,
And how do you do again!
T HE fox and his wife they had a great strife,
They never eat mustard in all their whole life;
They eat their meat without fork or knife,
And loved to be picking a bone, e-ho!
Page 57
The fox jumped up on a moonlight night;
The stars they were shining, and all things bright;
Oh, ho! said the fox, it's a very fine night
For me to go through the town, e-ho!
The fox when he came to yonder stile,
He lifted his lugs and he listened a while!
Oh, ho! said the fox, it's but a short mile
From this unto yonder wee town, e-ho!
The fox when he came to the farmer's gate,
Who should he see but the farmer's drake;
I love you well for your master's sake,
And long to be picking your bone, e-ho!
The grey goose she ran round the hay-stack,
Oh, ho! said the fox, you are very fat;
You'll grease my beard and ride on my back
From this into yonder wee town, e-ho!
Old Gammer Hipple-hopple hopped out of bed,
She opened the casement, and popped out her head;
Oh! husband, oh! husband, the grey goose is dead,
And the fox is gone through the town, oh!
Then the old man got up in his red cap,
And swore he would catch the fox in a trap;
But the fox was too cunning, and gave him the slip,
And ran through the town, the town, oh!
When he got up to the top of the hill,
He blew his trumpet both loud and shrill,
For joy that he was safe
Through the town, oh!
When the fox came back to his den,
He had young ones both nine and ten,
The stars they were shining, and all things bright;
Oh, ho! said the fox, it's a very fine night
For me to go through the town, e-ho!
The fox when he came to yonder stile,
He lifted his lugs and he listened a while!
Oh, ho! said the fox, it's but a short mile
From this unto yonder wee town, e-ho!
The fox when he came to the farmer's gate,
Who should he see but the farmer's drake;
I love you well for your master's sake,
And long to be picking your bone, e-ho!
The grey goose she ran round the hay-stack,
Oh, ho! said the fox, you are very fat;
You'll grease my beard and ride on my back
From this into yonder wee town, e-ho!
Old Gammer Hipple-hopple hopped out of bed,
She opened the casement, and popped out her head;
Oh! husband, oh! husband, the grey goose is dead,
And the fox is gone through the town, oh!
Then the old man got up in his red cap,
And swore he would catch the fox in a trap;
But the fox was too cunning, and gave him the slip,
And ran through the town, the town, oh!
When he got up to the top of the hill,
He blew his trumpet both loud and shrill,
For joy that he was safe
Through the town, oh!
When the fox came back to his den,
He had young ones both nine and ten,
Page 58
"You're welcome home, daddy, you may go again,
If you bring us such nice meat
From the town, oh!"
M Y father he died, but I can't tell you how;
He left me six horses to drive in my plough:
With my wing wang waddle oh,
Jack sing saddle oh,
Blowsey boys buble oh,
Under the broom.
I sold my six horses and I bought me a cow,
I'd fain have made a fortune but did not know how:
With my, &c.
I sold my cow, and I bought me a calf;
I'd fain have made a fortune, but lost the best half!
With my, &c.
I sold my calf, and I bought me a cat;
A pretty thing she was, in my chimney corner sat:
With my, &c.
I sold my cat, and bought me a mouse;
He carried fire in his tail, and burnt down my house:
With my, &c.
If you bring us such nice meat
From the town, oh!"
M Y father he died, but I can't tell you how;
He left me six horses to drive in my plough:
With my wing wang waddle oh,
Jack sing saddle oh,
Blowsey boys buble oh,
Under the broom.
I sold my six horses and I bought me a cow,
I'd fain have made a fortune but did not know how:
With my, &c.
I sold my cow, and I bought me a calf;
I'd fain have made a fortune, but lost the best half!
With my, &c.
I sold my calf, and I bought me a cat;
A pretty thing she was, in my chimney corner sat:
With my, &c.
I sold my cat, and bought me a mouse;
He carried fire in his tail, and burnt down my house:
With my, &c.
Page 59
S AYS t'auld man tit oak tree,
Young and lusty was I when I kenn'd thee;
I was young and lusty, I was fair and clear,
Young and lusty was I mony a lang year;
But sair fail'd am I, sair fail'd now,
Sair fail'd am I sen I kenn'd thou.
P OLLY put the kettle on,
Polly put the kettle on,
Polly put the kettle on,
And let's drink tea.
Sukey take it off again,
Sukey take it off again,
Sukey take it off again,
They're all gone away.
Young and lusty was I when I kenn'd thee;
I was young and lusty, I was fair and clear,
Young and lusty was I mony a lang year;
But sair fail'd am I, sair fail'd now,
Sair fail'd am I sen I kenn'd thou.
P OLLY put the kettle on,
Polly put the kettle on,
Polly put the kettle on,
And let's drink tea.
Sukey take it off again,
Sukey take it off again,
Sukey take it off again,
They're all gone away.
Page 60
L ITTLE Bo-Peep has lost her sheep,
And can't tell where to find them;
Leave them alone, and they'll come home,
And bring their tails behind them.
Little Bo-peep fell fast asleep,
And dreamt she heard them bleating;
But when she awoke, she found it a joke,
For they were still a-fleeting.
Then up she took her little crook,
Determin'd for to find them;
She found them indeed, but it made her heart bleed,
For they'd left all their tails behind 'em.
S ING a song of sixpence,
A bag full of rye;
Four and twenty blackbirds
Baked in a pie;
When the pie was open'd,
The birds began to sing;
Was not that a dainty dish,
To set before the king?
The king was in his counting-house
Counting out his money;
The queen was in the parlour
Eating bread and honey;
And can't tell where to find them;
Leave them alone, and they'll come home,
And bring their tails behind them.
Little Bo-peep fell fast asleep,
And dreamt she heard them bleating;
But when she awoke, she found it a joke,
For they were still a-fleeting.
Then up she took her little crook,
Determin'd for to find them;
She found them indeed, but it made her heart bleed,
For they'd left all their tails behind 'em.
S ING a song of sixpence,
A bag full of rye;
Four and twenty blackbirds
Baked in a pie;
When the pie was open'd,
The birds began to sing;
Was not that a dainty dish,
To set before the king?
The king was in his counting-house
Counting out his money;
The queen was in the parlour
Eating bread and honey;
Page 61
The maid was in the garden
Hanging out the clothes,
There came a little blackbird,
And snapt off her nose.
J OHNNY shall have a new bonnet,
And Johnny shall go to the fair,
And Johnny shall have a blue ribbon
To tie up his bonny brown hair.
And why may not I love Johnny?
And why may not Johnny love me?
And why may not I love Johnny
As well as another body?
And here's a leg for a stocking,
And here is a leg for a shoe,
And he has a kiss for his daddy,
And two for his mammy, I trow.
And why may not I love Johnny?
And why may not Johnny love me?
And why may not I love Johnny,
As well as another body?
E LSIE MARLEY is grown so fine,
She won't get up to serve the swine,
But lies in bed till eight or nine,
And surely she does take her time.
And do you ken Elsie Marley, honey?
The wife who sells the barley, honey?
She won't get up to serve her swine,
And do you ken Elsie Marley, honey?
Hanging out the clothes,
There came a little blackbird,
And snapt off her nose.
J OHNNY shall have a new bonnet,
And Johnny shall go to the fair,
And Johnny shall have a blue ribbon
To tie up his bonny brown hair.
And why may not I love Johnny?
And why may not Johnny love me?
And why may not I love Johnny
As well as another body?
And here's a leg for a stocking,
And here is a leg for a shoe,
And he has a kiss for his daddy,
And two for his mammy, I trow.
And why may not I love Johnny?
And why may not Johnny love me?
And why may not I love Johnny,
As well as another body?
E LSIE MARLEY is grown so fine,
She won't get up to serve the swine,
But lies in bed till eight or nine,
And surely she does take her time.
And do you ken Elsie Marley, honey?
The wife who sells the barley, honey?
She won't get up to serve her swine,
And do you ken Elsie Marley, honey?
Page 62
T OM he was a piper's son,
He learn'd to play when he was young,
But all the tunes that he could play,
Was "Over the hills and far away;"
Over the hills, and a great way off,
And the wind will blow my top-knot off.
Now Tom with his pipe made such a noise,
That he pleas'd both the girls and boys,
And they stopp'd to hear him play
"Over the hills and far away."
Tom with his pipe did play with such skill,
That those who heard him could never keep still;
Whenever they heard they began for to dance,
Even pigs on their hind legs would after him prance.
He learn'd to play when he was young,
But all the tunes that he could play,
Was "Over the hills and far away;"
Over the hills, and a great way off,
And the wind will blow my top-knot off.
Now Tom with his pipe made such a noise,
That he pleas'd both the girls and boys,
And they stopp'd to hear him play
"Over the hills and far away."
Tom with his pipe did play with such skill,
That those who heard him could never keep still;
Whenever they heard they began for to dance,
Even pigs on their hind legs would after him prance.
Page 63
As Dolly was milking her cow one day,
Tom took out his pipe and began for to play;
So Doll and the cow danced "the Cheshire round,"
Till the pail was broke, and the milk ran on the
ground.
He met old Dame Trot with a basket of eggs;
He used his pipe, and she used her legs;
She danced about till the eggs were all broke;
She began for to fret, but he laughed at the joke.
He saw a cross fellow was beating an ass,
Heavy laden with pots, pans, dishes, and glass;
Tom took out his pipe and began for to play;
So Doll and the cow danced "the Cheshire round,"
Till the pail was broke, and the milk ran on the
ground.
He met old Dame Trot with a basket of eggs;
He used his pipe, and she used her legs;
She danced about till the eggs were all broke;
She began for to fret, but he laughed at the joke.
He saw a cross fellow was beating an ass,
Heavy laden with pots, pans, dishes, and glass;
Page 64
He took out his pipe and played them a tune,
And the jackass's load was lightened full soon.
L ONDON BRIDGE is broken down,
Dance o'er my Lady Lee;
London Bridge is broken down,
With a gay lady.
How shall we build it up again?
Dance o'er my Lady Lee;
How shall we build it up again?
With a gay lady.
Build it up with silver and gold,
Dance o'er my Lady Lee;
Build it up with silver and gold,
With a gay lady.
Silver and gold will be stole away,
Dance o'er my Lady Lee;
Silver and gold will be stole away,
With a gay lady.
Build it up with iron and steel,
Dance o'er my Lady Lee;
Build it up with iron and steel,
With a gay lady.
Iron and steel will bend and bow,
Dance o'er my Lady Lee;
Iron and steel will bend and bow,
With a gay lady.
Build it up with wood and clay,
And the jackass's load was lightened full soon.
L ONDON BRIDGE is broken down,
Dance o'er my Lady Lee;
London Bridge is broken down,
With a gay lady.
How shall we build it up again?
Dance o'er my Lady Lee;
How shall we build it up again?
With a gay lady.
Build it up with silver and gold,
Dance o'er my Lady Lee;
Build it up with silver and gold,
With a gay lady.
Silver and gold will be stole away,
Dance o'er my Lady Lee;
Silver and gold will be stole away,
With a gay lady.
Build it up with iron and steel,
Dance o'er my Lady Lee;
Build it up with iron and steel,
With a gay lady.
Iron and steel will bend and bow,
Dance o'er my Lady Lee;
Iron and steel will bend and bow,
With a gay lady.
Build it up with wood and clay,
Page 65
Dance o'er my Lady Lee;
Build it up with wood and clay,
With a gay lady.
Wood and clay will wash away,
Dance o'er my Lady Lee;
Wood and clay will wash away,
With a gay lady.
Build it up with stone so strong,
Dance o'er my Lady Lee;
Huzza! 'twill last for ages long,
With a gay lady.
I love sixpence, pretty little sixpence,
I love sixpence better than my life;
I spent a penny of it, I spent another,
And took fourpence home to my wife.
Oh, my little fourpence, pretty little fourpence,
I love fourpence better than my life;
I spent a penny of it, I spent another,
And I took twopence home to my wife.
Oh, my little twopence, my pretty little twopence,
I love twopence better than my life;
I spent a penny of it, I spent another,
And I took nothing home to my wife.
Oh, my little nothing, my pretty little nothing,
What will nothing buy for my wife?
I have nothing, I spend nothing,
I love nothing better than my wife.
Build it up with wood and clay,
With a gay lady.
Wood and clay will wash away,
Dance o'er my Lady Lee;
Wood and clay will wash away,
With a gay lady.
Build it up with stone so strong,
Dance o'er my Lady Lee;
Huzza! 'twill last for ages long,
With a gay lady.
I love sixpence, pretty little sixpence,
I love sixpence better than my life;
I spent a penny of it, I spent another,
And took fourpence home to my wife.
Oh, my little fourpence, pretty little fourpence,
I love fourpence better than my life;
I spent a penny of it, I spent another,
And I took twopence home to my wife.
Oh, my little twopence, my pretty little twopence,
I love twopence better than my life;
I spent a penny of it, I spent another,
And I took nothing home to my wife.
Oh, my little nothing, my pretty little nothing,
What will nothing buy for my wife?
I have nothing, I spend nothing,
I love nothing better than my wife.
Page 66
T he north wind doth blow,
And we shall have snow,
And what will poor Robin do then?
Poor thing!
He'll sit in a barn,
And to keep himself warm,
Will hide his head under his wing.
Poor thing!
HE'LL SIT IN A BARN.
A CARRION crow sat on an oak,
Fol de riddle, lol de riddle, hi ding do,
And we shall have snow,
And what will poor Robin do then?
Poor thing!
He'll sit in a barn,
And to keep himself warm,
Will hide his head under his wing.
Poor thing!
HE'LL SIT IN A BARN.
A CARRION crow sat on an oak,
Fol de riddle, lol de riddle, hi ding do,
Page 67
Watching a tailor shape his cloak;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Wife, bring me my old bent bow,
Fol de riddle, lol de riddle, hi ding do,
That I may shoot yon carrion crow;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
The tailor he shot and missed his mark,
Fol de riddle, lol de riddle, hi ding do,
And shot his own sow quite through the heart;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Wife, bring brandy in a spoon,
Fol de riddle, lol de riddle, hi ding do,
For our old sow is in a swoon;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Wife, bring me my old bent bow,
Fol de riddle, lol de riddle, hi ding do,
That I may shoot yon carrion crow;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
The tailor he shot and missed his mark,
Fol de riddle, lol de riddle, hi ding do,
And shot his own sow quite through the heart;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Wife, bring brandy in a spoon,
Fol de riddle, lol de riddle, hi ding do,
For our old sow is in a swoon;
Sing heigh ho, the carrion crow,
Fol de riddle, lol de riddle, hi ding do.
Page 68
M ERRY are the bells, and merry would they
ring;
Merry was myself, and merry could I sing;
With a merry ding-dong, happy, gay, and free,
And a merry sing-song, happy let us be!
Waddle goes your gait, and hollow are your hose;
Noddle goes your pate, and purple is your nose;
Merry is your sing-song, happy, gay, and free,
With a merry ding-dong, happy let us be!
Merry have we met, and merry have we been;
Merry let us part, and merry meet again;
With our merry sing-song, happy, gay, and free,
And a merry ding-dong, happy let us be!
H OT-CROSS Buns!
Hot-cross Buns!
ring;
Merry was myself, and merry could I sing;
With a merry ding-dong, happy, gay, and free,
And a merry sing-song, happy let us be!
Waddle goes your gait, and hollow are your hose;
Noddle goes your pate, and purple is your nose;
Merry is your sing-song, happy, gay, and free,
With a merry ding-dong, happy let us be!
Merry have we met, and merry have we been;
Merry let us part, and merry meet again;
With our merry sing-song, happy, gay, and free,
And a merry ding-dong, happy let us be!
H OT-CROSS Buns!
Hot-cross Buns!
Page 69
One a penny, two a penny,
Hot-cross Buns!
Hot-cross Buns!
Hot-cross Buns!
If ye have no daughters,
Give them to your sons.
T HREE blind mice, see how they run!
They all ran after the farmer's wife,
Who cut off their tails with the carving-knife;
Did you ever see such fools in your life?
Three blind mice.
Y OU shall have an apple,
You shall have a plum,
You shall have a rattle-basket,
When your dad comes home.
T HERE was a frog liv'd in a well,
Kitty alone, Kitty alone;
There was a frog liv'd in a well,
Kitty alone, and I!
There was a frog liv'd in a well,
And a farce[1] mouse in a mill;
Cock me cary, Kitty alone,
Kitty alone and I.
Hot-cross Buns!
Hot-cross Buns!
Hot-cross Buns!
If ye have no daughters,
Give them to your sons.
T HREE blind mice, see how they run!
They all ran after the farmer's wife,
Who cut off their tails with the carving-knife;
Did you ever see such fools in your life?
Three blind mice.
Y OU shall have an apple,
You shall have a plum,
You shall have a rattle-basket,
When your dad comes home.
T HERE was a frog liv'd in a well,
Kitty alone, Kitty alone;
There was a frog liv'd in a well,
Kitty alone, and I!
There was a frog liv'd in a well,
And a farce[1] mouse in a mill;
Cock me cary, Kitty alone,
Kitty alone and I.
Page 70
This frog he would a-wooing ride,
Kitty alone, &c.;
This frog he would a-wooing ride,
And on a snail he got astride,
Cock me cary, &c.
He rode till he came to my Lady Mouse hall,
Kitty alone, &c;
He rode till he came to my Lady Mouse hall,
And there he did both knock and call;
Cock me cary, &c.
Quoth he, "Miss Mouse, I'm come to thee,"
Kitty alone, &c.;
Quoth he, "Miss Mouse, I'm come to thee,
To see if thou canst fancy me;"
Cock me cary, &c.
Kitty alone, &c.;
This frog he would a-wooing ride,
And on a snail he got astride,
Cock me cary, &c.
He rode till he came to my Lady Mouse hall,
Kitty alone, &c;
He rode till he came to my Lady Mouse hall,
And there he did both knock and call;
Cock me cary, &c.
Quoth he, "Miss Mouse, I'm come to thee,"
Kitty alone, &c.;
Quoth he, "Miss Mouse, I'm come to thee,
To see if thou canst fancy me;"
Cock me cary, &c.
Page 71
Quoth she, "Answer I'll give you none,"
Kitty alone, &c.;
Quoth she, "Answer I'll give you none,
Until my uncle Rat come home;"
Cock me cary, &c.
And when her uncle Rat came home,
Kitty alone, &c.;
And when her uncle Rat came home,
"Who's been here since I've been gone?"
Cock me cary, &c.
"Sir, there's been a worthy gentleman,"
Kitty alone, &c.;
"Sir, there's been a worthy gentleman,
That's been here since you've been gone;"
Cock me cary, &c.
The frog he came whistling through the brook,
Kitty alone, &c.
The frog he came whistling through the brook,
And there he met with a dainty duck,
Cock me cary, &c.
This duck she swallow'd him up with a pluck,
Kitty alone, Kitty alone;
This duck she swallow'd him up with a pluck,
So there's an end of my history book.
Cock me cary, Kitty alone,
Kitty alone and I.
[1] Merry.
Kitty alone, &c.;
Quoth she, "Answer I'll give you none,
Until my uncle Rat come home;"
Cock me cary, &c.
And when her uncle Rat came home,
Kitty alone, &c.;
And when her uncle Rat came home,
"Who's been here since I've been gone?"
Cock me cary, &c.
"Sir, there's been a worthy gentleman,"
Kitty alone, &c.;
"Sir, there's been a worthy gentleman,
That's been here since you've been gone;"
Cock me cary, &c.
The frog he came whistling through the brook,
Kitty alone, &c.
The frog he came whistling through the brook,
And there he met with a dainty duck,
Cock me cary, &c.
This duck she swallow'd him up with a pluck,
Kitty alone, Kitty alone;
This duck she swallow'd him up with a pluck,
So there's an end of my history book.
Cock me cary, Kitty alone,
Kitty alone and I.
[1] Merry.
Page 72
T HERE were two birds sat on a stone,
Fa, la, la, la, lal, de;
One flew away, and then there was one,
Fa, la, la, la, lal, de;
The other flew after, and then there was none,
Fa, la, la, la, lal, de;
And so the poor stone was left all alone,
Fa, la, la, la, lal, de!
"W HERE are you going, my pretty maid?"
"I'm going a-milking, sir," she said.
"May I go with you, my pretty maid?"
"You're kindly welcome, sir," she said.
"What is your father, my pretty maid?"
"My father's a farmer, sir," she said.
"Say, will you marry me, my pretty maid?"
"Yes, if you please, kind sir," she said.
"What is your fortune, my pretty maid?"
"My face is my fortune, sir," she said.
"Then I can't marry you, my pretty maid!"
"Nobody asked you, sir," she said.
Fa, la, la, la, lal, de;
One flew away, and then there was one,
Fa, la, la, la, lal, de;
The other flew after, and then there was none,
Fa, la, la, la, lal, de;
And so the poor stone was left all alone,
Fa, la, la, la, lal, de!
"W HERE are you going, my pretty maid?"
"I'm going a-milking, sir," she said.
"May I go with you, my pretty maid?"
"You're kindly welcome, sir," she said.
"What is your father, my pretty maid?"
"My father's a farmer, sir," she said.
"Say, will you marry me, my pretty maid?"
"Yes, if you please, kind sir," she said.
"What is your fortune, my pretty maid?"
"My face is my fortune, sir," she said.
"Then I can't marry you, my pretty maid!"
"Nobody asked you, sir," she said.
Page 73
T HERE was a jolly miller
Lived on the river Dee:
He worked and sung from morn till night,
No lark so blithe as he;
And this the burden of his song
For ever used to be—
I jump mejerrime jee!
I care for nobody—no! not I,
Since nobody cares for me.
I F I'd as much money as I could spend,
I never would cry old chairs to mend;
Old chairs to mend, old chairs to mend,
I never would cry old chairs to mend.
If I'd as much money as I could tell,
I never would cry old clothes to sell;
Old clothes to sell, old clothes to sell,
I never would cry old clothes to sell.
M Y maid Mary
She minds her dairy,
While I go a-hoeing and mowing each morn.
Merrily run the reel
And the little spinning-wheel
Whilst I am singing and mowing my corn.
Lived on the river Dee:
He worked and sung from morn till night,
No lark so blithe as he;
And this the burden of his song
For ever used to be—
I jump mejerrime jee!
I care for nobody—no! not I,
Since nobody cares for me.
I F I'd as much money as I could spend,
I never would cry old chairs to mend;
Old chairs to mend, old chairs to mend,
I never would cry old chairs to mend.
If I'd as much money as I could tell,
I never would cry old clothes to sell;
Old clothes to sell, old clothes to sell,
I never would cry old clothes to sell.
M Y maid Mary
She minds her dairy,
While I go a-hoeing and mowing each morn.
Merrily run the reel
And the little spinning-wheel
Whilst I am singing and mowing my corn.
Page 74
U P at Piccadilly oh!
The coachman takes his stand,
And when he meets a pretty girl,
He takes her by the hand.
Whip away for ever oh!
Drive away so clever oh!
All the way to Bristol oh!
He drives her four-in-hand.
"J ACKY, come give me thy fiddle,
If ever thou mean to thrive:"
"Nay; I'll not give my fiddle
To any man alive.
"If I should give my fiddle,
They'll think that I'm gone mad,
For many a joyful day
My fiddle and I have had."
I' LL sing you a song,
Though not very long,
Yet I think it as pretty as any.
Put your hand in your purse,
You'll never be worse,
And give the poor singer a penny.
The coachman takes his stand,
And when he meets a pretty girl,
He takes her by the hand.
Whip away for ever oh!
Drive away so clever oh!
All the way to Bristol oh!
He drives her four-in-hand.
"J ACKY, come give me thy fiddle,
If ever thou mean to thrive:"
"Nay; I'll not give my fiddle
To any man alive.
"If I should give my fiddle,
They'll think that I'm gone mad,
For many a joyful day
My fiddle and I have had."
I' LL sing you a song,
Though not very long,
Yet I think it as pretty as any.
Put your hand in your purse,
You'll never be worse,
And give the poor singer a penny.
Page 75
L ITTLE Polly Flinders
Sat among the cinders,
Warming her pretty little toes.
Her mother came and caught her,
And whipped her little daughter
For spoiling her nice new clothes.
J OHN COOK had a little grey mare; he, haw,
hum!
Her back stood up, and her bones they were bare; he,
haw, hum!
John Cook was riding up Shuter's bank; he, haw,
hum!
And there his nag did kick and prank; he, haw, hum!
John Cook was riding up Shuter's hill; he, haw, hum!
His mare fell down, and she made her will; he, haw,
hum!
Sat among the cinders,
Warming her pretty little toes.
Her mother came and caught her,
And whipped her little daughter
For spoiling her nice new clothes.
J OHN COOK had a little grey mare; he, haw,
hum!
Her back stood up, and her bones they were bare; he,
haw, hum!
John Cook was riding up Shuter's bank; he, haw,
hum!
And there his nag did kick and prank; he, haw, hum!
John Cook was riding up Shuter's hill; he, haw, hum!
His mare fell down, and she made her will; he, haw,
hum!
Page 76
The bridle and saddle were laid on the shelf; he, haw,
hum!
If you want any more you may sing it yourself; he,
haw, hum!
R IDE away, ride away, Johnny shall ride,
And he shall have pussy-cat tied to one side,
And he shall have little dog tied to the other,
And Johnny shall ride to see his grandmother.
T HE Queen of Hearts,
She made some tarts,
All on a summer's day;
The Knave of Hearts,
hum!
If you want any more you may sing it yourself; he,
haw, hum!
R IDE away, ride away, Johnny shall ride,
And he shall have pussy-cat tied to one side,
And he shall have little dog tied to the other,
And Johnny shall ride to see his grandmother.
T HE Queen of Hearts,
She made some tarts,
All on a summer's day;
The Knave of Hearts,
Page 77
He stole those tarts,
And took them clean away.
The King of Hearts
Called for the tarts,
And beat the Knave full sore;
The Knave of Hearts
Brought back the tarts,
And vowed he'd steal no more.
T HERE was a little woman, as I've been told,
Who was not very young, nor yet very old;
Now this little woman her living got,
By selling codlins, hot, hot, hot.
D AME, get up and bake your pies,
Bake your pies, bake your pies;
Dame, get up and bake your pies
On Christmas Day in the morning.
Dame, what makes your maidens lie,
Maidens lie, maidens lie;
Dame, what makes your maidens lie
On Christmas Day in the morning?
Dame, what makes your ducks to die,
Ducks to die, ducks to die;
Dame, what makes your ducks to die
On Christmas Day in the morning?
Their wings are cut and they cannot fly,
And took them clean away.
The King of Hearts
Called for the tarts,
And beat the Knave full sore;
The Knave of Hearts
Brought back the tarts,
And vowed he'd steal no more.
T HERE was a little woman, as I've been told,
Who was not very young, nor yet very old;
Now this little woman her living got,
By selling codlins, hot, hot, hot.
D AME, get up and bake your pies,
Bake your pies, bake your pies;
Dame, get up and bake your pies
On Christmas Day in the morning.
Dame, what makes your maidens lie,
Maidens lie, maidens lie;
Dame, what makes your maidens lie
On Christmas Day in the morning?
Dame, what makes your ducks to die,
Ducks to die, ducks to die;
Dame, what makes your ducks to die
On Christmas Day in the morning?
Their wings are cut and they cannot fly,
Page 78
Cannot fly, cannot fly;
Their wings are cut and they cannot fly
On Christmas Day in the morning.
C OLD and raw the north wind doth blow,
Bleak in a morning early;
All the hills are covered with snow,
And winter's now come fairly.
I saw three ships come sailing by,
Come sailing by, come sailing by;
I saw three ships come sailing by,
Their wings are cut and they cannot fly
On Christmas Day in the morning.
C OLD and raw the north wind doth blow,
Bleak in a morning early;
All the hills are covered with snow,
And winter's now come fairly.
I saw three ships come sailing by,
Come sailing by, come sailing by;
I saw three ships come sailing by,
Page 79
On New Year's Day in the morning.
And what do you think was in them then,
Was in them then, was in them then?
And what do you think was in them then,
On New Year's Day in the morning?
Three pretty girls were in them then,
Were in them then, were in them then;
Three pretty girls were in them then,
On New Year's Day in the morning.
And one could whistle, and one could sing,
And one could play on the violin—
Such joy there was at my wedding,
On New Year's day in the morning.
W EE Willie Winkie runs through the town,
Upstairs and downstairs in his nightgown,
Rapping at the window, crying through the lock,
"Are the children in their beds, for now it's eight
o'clock?"
W HEN Little Fred was called to bed,
He always acted right;
He kissed Mamma, and then Papa,
And wished them all good night.
He made no noise, like naughty boys,
But gently upstairs
Directly went, when he was sent,
And what do you think was in them then,
Was in them then, was in them then?
And what do you think was in them then,
On New Year's Day in the morning?
Three pretty girls were in them then,
Were in them then, were in them then;
Three pretty girls were in them then,
On New Year's Day in the morning.
And one could whistle, and one could sing,
And one could play on the violin—
Such joy there was at my wedding,
On New Year's day in the morning.
W EE Willie Winkie runs through the town,
Upstairs and downstairs in his nightgown,
Rapping at the window, crying through the lock,
"Are the children in their beds, for now it's eight
o'clock?"
W HEN Little Fred was called to bed,
He always acted right;
He kissed Mamma, and then Papa,
And wished them all good night.
He made no noise, like naughty boys,
But gently upstairs
Directly went, when he was sent,
Page 80
And always said his prayers.
Page 81
Page 82
I WENT to the wood and got it;
I sat me down and looked at it;
The more I looked at it the less I liked it;
And I brought it home because I couldn't help it.
[A thorn.
H ICK-A-MORE, Hack-a-more,
On the king's kitchen door;
All the king's horses,
And all the king's men,
Couldn't drive Hick-a-more, Hack-a-more,
Off the king's kitchen door!
[Sunshine.
A S soft as silk, as white as milk,
As bitter as gall, a thick wall,
And a green coat covers me all.
[A walnut.
L ONG legs, crooked thighs,
Little head, and no eyes.
[Pair of tongs.
A RTHUR O'BOWER has broken his band,
He comes roaring up the land;—
I sat me down and looked at it;
The more I looked at it the less I liked it;
And I brought it home because I couldn't help it.
[A thorn.
H ICK-A-MORE, Hack-a-more,
On the king's kitchen door;
All the king's horses,
And all the king's men,
Couldn't drive Hick-a-more, Hack-a-more,
Off the king's kitchen door!
[Sunshine.
A S soft as silk, as white as milk,
As bitter as gall, a thick wall,
And a green coat covers me all.
[A walnut.
L ONG legs, crooked thighs,
Little head, and no eyes.
[Pair of tongs.
A RTHUR O'BOWER has broken his band,
He comes roaring up the land;—
Page 83
The King of Scots, with all his power,
Cannot turn Arthur of the Bower!
[A storm of wind.
ARTHUR O'BOWER HAS BROKEN HIS
BAND
Cannot turn Arthur of the Bower!
[A storm of wind.
ARTHUR O'BOWER HAS BROKEN HIS
BAND
Page 84
T HERE was a king met a king
In a narrow lane;
Says this king to that king,
"Where have you been?"
"Oh! I've been a hunting
With my dog and my doe."
"Pray lend him to me,
That I may do so."
"There's the dog take the dog."
"What's the dog's name?"
"I've told you already."
"Pray tell me again."
I N marble walls as white as milk,
Lined with a skin as soft as silk;
Within a fountain crystal clear,
A golden apple doth appear.
No doors there are to this stronghold.
Yet things break in and steal the gold.
[An egg.
F LOUR of England, fruit of Spain,
Met together in a shower of rain;
Put in a bag tied round with a string,
If you'll tell me this riddle, I'll give you a ring.
[A plum-pudding.
In a narrow lane;
Says this king to that king,
"Where have you been?"
"Oh! I've been a hunting
With my dog and my doe."
"Pray lend him to me,
That I may do so."
"There's the dog take the dog."
"What's the dog's name?"
"I've told you already."
"Pray tell me again."
I N marble walls as white as milk,
Lined with a skin as soft as silk;
Within a fountain crystal clear,
A golden apple doth appear.
No doors there are to this stronghold.
Yet things break in and steal the gold.
[An egg.
F LOUR of England, fruit of Spain,
Met together in a shower of rain;
Put in a bag tied round with a string,
If you'll tell me this riddle, I'll give you a ring.
[A plum-pudding.
Page 85
I HAVE a little sister, they call her Peep, Peep;
She wades the waters deep, deep, deep;
She climbs the mountains high, high, high;
Poor little creature she has but one eye.
[A star.
H IGGLEDY piggledy
Here we lie,
Pick'd and pluck'd,
And put in a pie.
My first is snapping, snarling, growling,
My second's industrious, romping, and prowling.
Higgledy piggledy
Here we lie,
Pick'd and pluck'd,
And put in a pie. [Currants.
She wades the waters deep, deep, deep;
She climbs the mountains high, high, high;
Poor little creature she has but one eye.
[A star.
H IGGLEDY piggledy
Here we lie,
Pick'd and pluck'd,
And put in a pie.
My first is snapping, snarling, growling,
My second's industrious, romping, and prowling.
Higgledy piggledy
Here we lie,
Pick'd and pluck'd,
And put in a pie. [Currants.
Page 86
H UMPTY DUMPTY sate on a wall;
Humpty Dumpty had a great fall;
Three score men and three score more
Cannot place Humpty Dumpty as he was before.
[An egg.
T HIRTY white horses upon a red hill,
Now they tramp, now they champ, now they
stand still.
[Teeth and gums.
T HOMAS A TATTAMUS took two T's,
To tie two tups to two tall trees,
To frighten the terrible Thomas a Tattamus!
Tell me how many T's there are in all that.
Humpty Dumpty had a great fall;
Three score men and three score more
Cannot place Humpty Dumpty as he was before.
[An egg.
T HIRTY white horses upon a red hill,
Now they tramp, now they champ, now they
stand still.
[Teeth and gums.
T HOMAS A TATTAMUS took two T's,
To tie two tups to two tall trees,
To frighten the terrible Thomas a Tattamus!
Tell me how many T's there are in all that.
Page 87
O LD mother Twitchett had but one eye,
And a long tail which she let fly;
And every time she went over a gap,
She left a bit of her tail in a trap.
[A needle and thread.
L ITTLE Nancy Etticoat
In a white petticoat,
And a red rose.
The longer she stands
The shorter she grows.
[A candle.
B LACK we are but much admired;
Men seek for us till they are tired.
We tire the horse, but comfort man;
Tell me this riddle if you can.
[Coals.
T HERE were three sisters in a hall;
There came a knight amongst them all:
Good morrow, aunt, to the one;
Good morrow, aunt, to the other;
Good morrow, gentlewoman, to the third;
And a long tail which she let fly;
And every time she went over a gap,
She left a bit of her tail in a trap.
[A needle and thread.
L ITTLE Nancy Etticoat
In a white petticoat,
And a red rose.
The longer she stands
The shorter she grows.
[A candle.
B LACK we are but much admired;
Men seek for us till they are tired.
We tire the horse, but comfort man;
Tell me this riddle if you can.
[Coals.
T HERE were three sisters in a hall;
There came a knight amongst them all:
Good morrow, aunt, to the one;
Good morrow, aunt, to the other;
Good morrow, gentlewoman, to the third;
Page 88
If you were my aunt,
As the other two be,
I would say good morrow,
Then, aunts, all three.
F ORMED long ago, yet made to-day,
Employed while others sleep;
What few would like to give away,
Nor any wish to keep.
[A Bed.
A S I was going to St. Ives,
I met a man with seven wives;
Every wife had seven sacks,
Every sack had seven cats,
Every cat had seven kits:
Kits, cats, sacks, and wives.
How many were there going to St. Ives?
A S I went through the garden gap,
Who should I meet but Dick Red-cap!
A stick in his hand, a stone in his throat,
If you'll tell me this riddle, I'll give you a groat.
[A cherry.
As the other two be,
I would say good morrow,
Then, aunts, all three.
F ORMED long ago, yet made to-day,
Employed while others sleep;
What few would like to give away,
Nor any wish to keep.
[A Bed.
A S I was going to St. Ives,
I met a man with seven wives;
Every wife had seven sacks,
Every sack had seven cats,
Every cat had seven kits:
Kits, cats, sacks, and wives.
How many were there going to St. Ives?
A S I went through the garden gap,
Who should I meet but Dick Red-cap!
A stick in his hand, a stone in his throat,
If you'll tell me this riddle, I'll give you a groat.
[A cherry.
Page 89
A S I was going o'er Westminster bridge,
I met with a Westminster scholar;
He pulled off his cap, an' drew off his glove,
And wished me a very good morrow.
What is his name?
T WO legs sat upon three legs,
With one leg in his lap;
In comes four legs,
And runs away with one leg.
Up jumps two legs,
Catches up three legs,
Throws it after four legs,
And makes him bring back one leg.
[One leg is a leg of mutton; two legs, a man; three
legs, a stool; four legs, a dog.
E
nest.
LIZABETH, Elspeth, Betsy, and Bess,
They all went together to seek a bird's
They found a bird's nest with five eggs in,
They all took one, and left four in.
I met with a Westminster scholar;
He pulled off his cap, an' drew off his glove,
And wished me a very good morrow.
What is his name?
T WO legs sat upon three legs,
With one leg in his lap;
In comes four legs,
And runs away with one leg.
Up jumps two legs,
Catches up three legs,
Throws it after four legs,
And makes him bring back one leg.
[One leg is a leg of mutton; two legs, a man; three
legs, a stool; four legs, a dog.
E
nest.
LIZABETH, Elspeth, Betsy, and Bess,
They all went together to seek a bird's
They found a bird's nest with five eggs in,
They all took one, and left four in.
Page 90
T HERE was a man of Thessaly,
And he was wond'rous wise;
He jump'd into a quickset hedge,
And scratch'd out both his eyes.
But when he saw his eyes were out,
With all his might and main
He jump'd into another hedge,
And scratch'd 'em in again.
I WOULD if I cou'd,
If I cou'dn't, how cou'd I?
I cou'dn't, without I cou'd, cou'd I?
Cou'd you, without you cou'd, cou'd ye?
Cou'd ye, cou'd ye?
Cou'd you, without you cou'd, cou'd ye?
T HREE children sliding on the ice
Upon a summer's day,
As it fell out, they all fell in,
The rest they ran away.
Now had these children been at home,
Or sliding on dry ground,
Ten thousand pounds to one penny
They had not all been drown'd.
You parents all that children have,
And you that have got none,
If you would have them safe abroad,
And he was wond'rous wise;
He jump'd into a quickset hedge,
And scratch'd out both his eyes.
But when he saw his eyes were out,
With all his might and main
He jump'd into another hedge,
And scratch'd 'em in again.
I WOULD if I cou'd,
If I cou'dn't, how cou'd I?
I cou'dn't, without I cou'd, cou'd I?
Cou'd you, without you cou'd, cou'd ye?
Cou'd ye, cou'd ye?
Cou'd you, without you cou'd, cou'd ye?
T HREE children sliding on the ice
Upon a summer's day,
As it fell out, they all fell in,
The rest they ran away.
Now had these children been at home,
Or sliding on dry ground,
Ten thousand pounds to one penny
They had not all been drown'd.
You parents all that children have,
And you that have got none,
If you would have them safe abroad,
Page 91
Pray keep them safe at home.
I F all the world was apple-pie,
And all the sea was ink,
And all the trees were bread and cheese,
What should we have for drink?
P ETER WHITE will ne'er go right.
Would you know the reason why?
He follows his nose where'er he goes,
And that stands all awry.
I F all the world was apple-pie,
And all the sea was ink,
And all the trees were bread and cheese,
What should we have for drink?
P ETER WHITE will ne'er go right.
Would you know the reason why?
He follows his nose where'er he goes,
And that stands all awry.
Page 92
T HERE was a little Guinea-pig,
Who, being little, was not big;
He always walked upon his feet,
And never fasted when he eat.
When from a place he ran away,
He never at that place did stay;
And while he ran, as I am told,
He ne'er stood still for young or old.
He often squeak'd and sometimes vi'lent,
And when he squeak'd he ne'er was silent;
Though ne'er instructed by a cat,
He knew a mouse was not a rat.
One day, as I am certified,
He took a whim and fairly died;
And, as I'm told by men of sense,
He never has been living since.
Who, being little, was not big;
He always walked upon his feet,
And never fasted when he eat.
When from a place he ran away,
He never at that place did stay;
And while he ran, as I am told,
He ne'er stood still for young or old.
He often squeak'd and sometimes vi'lent,
And when he squeak'd he ne'er was silent;
Though ne'er instructed by a cat,
He knew a mouse was not a rat.
One day, as I am certified,
He took a whim and fairly died;
And, as I'm told by men of sense,
He never has been living since.
Page 93
T HE man in the wilderness asked me
How many strawberries grew in the sea.
I answered him as I thought good,
As many as red herrings grew in the wood.
M Y true love lives far from me,
Perrie, Merrie, Dixie, Dominie.
Many a rich present he sends to me,
Petrum, Partrum, Paradise, Temporie,
Perrie, Merrie, Dixie, Dominie.
He sent me a goose without a bone;
He sent me a cherry without a stone.
Petrum, &c.
He sent me a Bible no man could read;
How many strawberries grew in the sea.
I answered him as I thought good,
As many as red herrings grew in the wood.
M Y true love lives far from me,
Perrie, Merrie, Dixie, Dominie.
Many a rich present he sends to me,
Petrum, Partrum, Paradise, Temporie,
Perrie, Merrie, Dixie, Dominie.
He sent me a goose without a bone;
He sent me a cherry without a stone.
Petrum, &c.
He sent me a Bible no man could read;
Page 94
He sent me a blanket without a thread.
Petrum, &c.
How could there be a goose without a bone?
How could there be a cherry without a stone?
Petrum, &c.
How could there be a Bible no man could read?
How could there be a blanket without a thread?
Petrum, &c.
When the goose is in the egg-shell, there is no bone;
When the cherry is in the blossom, there is no stone.
Petrum, &c.
When the Bible is in the press no man it can read;
When the wool is on the sheep's back, there is no
thread.
Petrum, &c.
I SAW a ship a-sailing,
A-sailing on the sea;
And, oh! it was all laden
With pretty things for thee!
There were comfits in the cabin,
And apples in the hold
The sails were made of silk,
And the masts were made of gold.
The four-and-twenty sailors
That stood between the decks,
Were four-and-twenty white mice
With chains about their necks.
Petrum, &c.
How could there be a goose without a bone?
How could there be a cherry without a stone?
Petrum, &c.
How could there be a Bible no man could read?
How could there be a blanket without a thread?
Petrum, &c.
When the goose is in the egg-shell, there is no bone;
When the cherry is in the blossom, there is no stone.
Petrum, &c.
When the Bible is in the press no man it can read;
When the wool is on the sheep's back, there is no
thread.
Petrum, &c.
I SAW a ship a-sailing,
A-sailing on the sea;
And, oh! it was all laden
With pretty things for thee!
There were comfits in the cabin,
And apples in the hold
The sails were made of silk,
And the masts were made of gold.
The four-and-twenty sailors
That stood between the decks,
Were four-and-twenty white mice
With chains about their necks.
Page 95
The captain was a duck,
With a packet on his back;
And when the ship began to move,
The captain said, "Quack! quack!"
H ERE am I, little jumping Joan.
When nobody's with me,
I'm always alone.
O THAT I was where I would be,
Then would I be where I am not!
But where I am there I must be,
And where I would be I cannot.
With a packet on his back;
And when the ship began to move,
The captain said, "Quack! quack!"
H ERE am I, little jumping Joan.
When nobody's with me,
I'm always alone.
O THAT I was where I would be,
Then would I be where I am not!
But where I am there I must be,
And where I would be I cannot.
Page 96
T OBACCO reek! tobacco reek!
When you're well, 'twill make you sick.
Tobacco reek! tobacco reek!
'Twill make you well when you are sick.
T HERE was an old woman, and what do you
think?
She lived upon nothing but victuals and drink:
Victuals and drink were the chief of her diet;
This tiresome old woman could never be quiet.
[Mind your punctuation.]
I SAW a peacock with a fiery tail,
I saw a blazing comet drop down hail,
I saw a cloud wrapped with ivy round,
I saw an oak creep upon the ground,
I saw a pismire swallow up a whale,
I saw the sea brimful of ale,
I saw a Venice glass full fifteen feet deep,
I saw a well full of men's tears that weep,
I saw red eyes all of a flaming fire,
I saw a house bigger than the moon and higher,
I saw the sun at twelve o'clock at night,
I saw the man that saw this wondrous sight.
When you're well, 'twill make you sick.
Tobacco reek! tobacco reek!
'Twill make you well when you are sick.
T HERE was an old woman, and what do you
think?
She lived upon nothing but victuals and drink:
Victuals and drink were the chief of her diet;
This tiresome old woman could never be quiet.
[Mind your punctuation.]
I SAW a peacock with a fiery tail,
I saw a blazing comet drop down hail,
I saw a cloud wrapped with ivy round,
I saw an oak creep upon the ground,
I saw a pismire swallow up a whale,
I saw the sea brimful of ale,
I saw a Venice glass full fifteen feet deep,
I saw a well full of men's tears that weep,
I saw red eyes all of a flaming fire,
I saw a house bigger than the moon and higher,
I saw the sun at twelve o'clock at night,
I saw the man that saw this wondrous sight.
Page 97
T HERE was a man and he was mad,
And he jump'd into a pea-swad;[1]
The pea-swad was over-full,
So he jump'd into a roaring bull;
The roaring bull was over-fat,
So he jump'd into a gentleman's hat;
The gentleman's hat was over-fine,
So he jump'd into a bottle of wine;
The bottle of wine was over-dear,
So he jump'd into a bottle of beer;
The bottle of beer was over-thick,
So he jump'd into a club-stick;
The club-stick was over-narrow,
So he jump'd into a wheel-barrow;
The wheel-barrow began to crack,
So he jump'd on to a hay-stack;
The hay-stack began to blaze,
So he did nothing but cough and sneeze!
[1] The pod or shell of a pea.
And he jump'd into a pea-swad;[1]
The pea-swad was over-full,
So he jump'd into a roaring bull;
The roaring bull was over-fat,
So he jump'd into a gentleman's hat;
The gentleman's hat was over-fine,
So he jump'd into a bottle of wine;
The bottle of wine was over-dear,
So he jump'd into a bottle of beer;
The bottle of beer was over-thick,
So he jump'd into a club-stick;
The club-stick was over-narrow,
So he jump'd into a wheel-barrow;
The wheel-barrow began to crack,
So he jump'd on to a hay-stack;
The hay-stack began to blaze,
So he did nothing but cough and sneeze!
[1] The pod or shell of a pea.
Page 98
C USHY cow bonny, let down thy milk,
And I will give thee a gown of silk;
A gown of silk and a silver tee,
If thou wilt let down thy milk to me.
If you love me, pop and fly;
If you hate me, lie and die.
[Said to pips placed in the fire; a species of
divination practised by children.
P ETER PIPER picked a peck of pickled pepper;
A peck of pickled pepper Peter Piper picked;
And I will give thee a gown of silk;
A gown of silk and a silver tee,
If thou wilt let down thy milk to me.
If you love me, pop and fly;
If you hate me, lie and die.
[Said to pips placed in the fire; a species of
divination practised by children.
P ETER PIPER picked a peck of pickled pepper;
A peck of pickled pepper Peter Piper picked;
Page 99
If Peter Piper picked a peck of pickled pepper,
Where's the peck of pickled pepper Peter Piper
picked?
M ATTHEW, Mark, Luke, and John,
Guard the bed that I lay on!
Four corners to my bed,
Four angels round my head;
One to watch, one to pray,
And two to bear my soul away!
Where's the peck of pickled pepper Peter Piper
picked?
M ATTHEW, Mark, Luke, and John,
Guard the bed that I lay on!
Four corners to my bed,
Four angels round my head;
One to watch, one to pray,
And two to bear my soul away!
Page 100
C OME, butter, come,
Come, butter, come!
Peter stands at the gate,
Waiting for a butter'd cake;
Come, butter, come!
B YE, baby bunting,
Daddy's gone a hunting,
To get a little hare's skin
To wrap a baby bunting in.
H USHY baby, my doll, I pray you don't cry,
And I'll give you some bread and some milk
by-and-by;
Or perhaps you like custard, or maybe a tart,—
Then to either you're welcome, with all my whole
heart.
D ANCE to your daddy,
My little babby;
Dance to your daddy,
My little lamb.
You shall have a fishy,
In a little dishy;
You shall have a fishy
When the boat comes in.
Come, butter, come!
Peter stands at the gate,
Waiting for a butter'd cake;
Come, butter, come!
B YE, baby bunting,
Daddy's gone a hunting,
To get a little hare's skin
To wrap a baby bunting in.
H USHY baby, my doll, I pray you don't cry,
And I'll give you some bread and some milk
by-and-by;
Or perhaps you like custard, or maybe a tart,—
Then to either you're welcome, with all my whole
heart.
D ANCE to your daddy,
My little babby;
Dance to your daddy,
My little lamb.
You shall have a fishy,
In a little dishy;
You shall have a fishy
When the boat comes in.
Page 101
H USH-A-BYE, baby, on the tree top;
When the wind blows, the cradle will rock;
When the bough bends, the cradle will fall;
Down will come baby, bough, cradle, and all.
R ABBIT, rabbit, rabbit-pie!
Come, my ladies, come and buy,
Else your babies they will cry.
H EY, my kitten, my kitten,
And hey, my kitten, my deary!
Such a sweet pet as this
Was neither far nor neary.
When the wind blows, the cradle will rock;
When the bough bends, the cradle will fall;
Down will come baby, bough, cradle, and all.
R ABBIT, rabbit, rabbit-pie!
Come, my ladies, come and buy,
Else your babies they will cry.
H EY, my kitten, my kitten,
And hey, my kitten, my deary!
Such a sweet pet as this
Was neither far nor neary.
Page 102
Here we go up, up, up,
And here we go down, down, downy;
And here we go backwards and forwards,
And here we go round, round, roundy.
Y OUNG lambs to sell!
Young lambs to sell!
If I'd as much money as I can tell,
I never would cry, Young lambs to sell!
R ock-a-bye, baby, thy cradle is green;
Father's a nobleman, mother's a queen;
And Betty's a lady, and wears a gold ring;
And Johnny's a drummer, and drums for the king.
And here we go down, down, downy;
And here we go backwards and forwards,
And here we go round, round, roundy.
Y OUNG lambs to sell!
Young lambs to sell!
If I'd as much money as I can tell,
I never would cry, Young lambs to sell!
R ock-a-bye, baby, thy cradle is green;
Father's a nobleman, mother's a queen;
And Betty's a lady, and wears a gold ring;
And Johnny's a drummer, and drums for the king.
Page 103
T o market, to market,
To buy a plum bun;
Home again, come again,
Market is done.
H ickup, hickup, go away!
Come again another day;
Hickup, hickup, when I bake,
I'll give to you a butter-cake.
To buy a plum bun;
Home again, come again,
Market is done.
H ickup, hickup, go away!
Come again another day;
Hickup, hickup, when I bake,
I'll give to you a butter-cake.
Page 104
H ickup, snicup,
Rise up, right up,
Three drops in the cup
Are good for the hiccup.
S wan swam over the sea—
Swim, swan, swim,
Swan swam back again,
Well swam swan.
Rise up, right up,
Three drops in the cup
Are good for the hiccup.
S wan swam over the sea—
Swim, swan, swim,
Swan swam back again,
Well swam swan.
Page 105
T HERE was an old woman
Lived under a hill,
And if she's not gone
She lives there still.
T HERE was an old woman, as I've heard tell,
She went to market her eggs for to sell;
She went to market all on a market-day,
And she fell asleep on the king's highway.
There came by a pedlar whose name was Stout;
He cut her petticoats all round about;
He cut her petticoats up to the knees,
Which made the old woman to shiver and freeze.
When this little woman first did wake,
She began to shiver and she began to shake;
She began to wonder and she began to cry,
Lived under a hill,
And if she's not gone
She lives there still.
T HERE was an old woman, as I've heard tell,
She went to market her eggs for to sell;
She went to market all on a market-day,
And she fell asleep on the king's highway.
There came by a pedlar whose name was Stout;
He cut her petticoats all round about;
He cut her petticoats up to the knees,
Which made the old woman to shiver and freeze.
When this little woman first did wake,
She began to shiver and she began to shake;
She began to wonder and she began to cry,
Page 106
"Oh! deary, deary me, this is none of I!
"But if it be I, as I do hope it be,
I've a little dog at home, and he'll know me;
If it be I, he'll wag his little tail,
And if it be not I, he'll loudly bark and wail."
Home went the little woman all in the dark;
Up got the little dog, and he began to bark;
He began to bark, so she began to cry,
"Oh! deary, deary me, this is none of I!"
"O LD woman, old woman, shall we go a
shearing?"
"Speak a little louder, sir, I am very thick of
hearing."
"Old woman, old woman, shall I love you dearly?"
"Thank you, kind sir, I hear you very clearly."
T HERE was an old woman toss'd up in a basket
Nineteen times as high as the moon;
Where she was going I couldn't but ask it,
For in her hand she carried a broom.
"Old woman, old woman, old woman," quoth I,
"O whither, O whither, O whither, so high?"
"To brush the cobwebs off the sky!"
"Shall I go with thee?" "Ay, by-and-by."
"But if it be I, as I do hope it be,
I've a little dog at home, and he'll know me;
If it be I, he'll wag his little tail,
And if it be not I, he'll loudly bark and wail."
Home went the little woman all in the dark;
Up got the little dog, and he began to bark;
He began to bark, so she began to cry,
"Oh! deary, deary me, this is none of I!"
"O LD woman, old woman, shall we go a
shearing?"
"Speak a little louder, sir, I am very thick of
hearing."
"Old woman, old woman, shall I love you dearly?"
"Thank you, kind sir, I hear you very clearly."
T HERE was an old woman toss'd up in a basket
Nineteen times as high as the moon;
Where she was going I couldn't but ask it,
For in her hand she carried a broom.
"Old woman, old woman, old woman," quoth I,
"O whither, O whither, O whither, so high?"
"To brush the cobwebs off the sky!"
"Shall I go with thee?" "Ay, by-and-by."
Page 107
A LITTLE old man and I fell out;
"How shall we bring this matter about?"
"Bring it about as well as you can;
Get you gone, you little old man!"
T HERE was an old woman of Leeds
Who spent all her time in good deeds;
She worked for the poor
Till her fingers were sore,
This pious old woman of Leeds!
T HERE was an old woman
Lived under a hill;
She put a mouse in a bag,
And sent it to mill.
The miller declar'd
By the point of his knife,
He never took toll
Of a mouse in his life.
T HERE was an old woman who lived in a shoe;
She had so many children she didn't know
what to do;
She gave them some broth without any bread;
She whipped them all soundly and put them to bed.
"How shall we bring this matter about?"
"Bring it about as well as you can;
Get you gone, you little old man!"
T HERE was an old woman of Leeds
Who spent all her time in good deeds;
She worked for the poor
Till her fingers were sore,
This pious old woman of Leeds!
T HERE was an old woman
Lived under a hill;
She put a mouse in a bag,
And sent it to mill.
The miller declar'd
By the point of his knife,
He never took toll
Of a mouse in his life.
T HERE was an old woman who lived in a shoe;
She had so many children she didn't know
what to do;
She gave them some broth without any bread;
She whipped them all soundly and put them to bed.
Page 108
SHE HAD SO MANY CHILDREN SHE
DIDN'T KNOW WHAT TO DO
T HERE was an old woman had three sons,
Jerry, and James, and John:
Jerry was hung, James was drowned,
DIDN'T KNOW WHAT TO DO
T HERE was an old woman had three sons,
Jerry, and James, and John:
Jerry was hung, James was drowned,
Page 109
John was lost and never was found,
And there was an end of the three sons,
Jerry, and James, and John!
T HERE was an old man of Tobago,
Who lived on rice, gruel, and sago,
Till, much to his bliss,
His physician said this—
"To a leg, sir, of mutton you may go."
T HERE was an old woman of Norwich,
Who lived upon nothing but porridge;
Parading the town,
She turned cloak into gown,
This thrifty old woman of Norwich.
T HERE was an old woman called Nothing-at-
all,
Who rejoiced in a dwelling exceedingly small;
A man stretched his mouth to its utmost extent,
And down at one gulp house and old woman went.
T HERE was an old man,
And he had a calf,
And that's half;
And there was an end of the three sons,
Jerry, and James, and John!
T HERE was an old man of Tobago,
Who lived on rice, gruel, and sago,
Till, much to his bliss,
His physician said this—
"To a leg, sir, of mutton you may go."
T HERE was an old woman of Norwich,
Who lived upon nothing but porridge;
Parading the town,
She turned cloak into gown,
This thrifty old woman of Norwich.
T HERE was an old woman called Nothing-at-
all,
Who rejoiced in a dwelling exceedingly small;
A man stretched his mouth to its utmost extent,
And down at one gulp house and old woman went.
T HERE was an old man,
And he had a calf,
And that's half;
Page 110
He took him out of the stall,
And put him on the wall;
And that's all.
O LD Betty Blue
Lost a holiday shoe,
What can old Betty do?
Give her another
To match the other,
And then she may swagger in two.
O LD Mother Hubbard
Went to the cupboard
To get her poor dog a bone;
But when she came there
The cupboard was bare,
And so the poor dog had none.
She went to the baker's
To buy him some bread,
But when she came back
The poor dog was dead.
She went to the joiner's
To buy him a coffin,
But when she came back
The poor dog was laughing.
She took a clean dish
To get him some tripe,
But when she came back
And put him on the wall;
And that's all.
O LD Betty Blue
Lost a holiday shoe,
What can old Betty do?
Give her another
To match the other,
And then she may swagger in two.
O LD Mother Hubbard
Went to the cupboard
To get her poor dog a bone;
But when she came there
The cupboard was bare,
And so the poor dog had none.
She went to the baker's
To buy him some bread,
But when she came back
The poor dog was dead.
She went to the joiner's
To buy him a coffin,
But when she came back
The poor dog was laughing.
She took a clean dish
To get him some tripe,
But when she came back
Page 111
He was smoking his pipe.
She went to the fishmonger's
To buy him some fish,
And when she came back
He was licking the dish.
She went to the ale-house
To get him some beer,
But when she came back
The dog sat in a chair.
She went to the tavern
For white wine and red,
But when she came back
The dog stood on his head.
She went to the hatter's
To buy him a hat,
But when she came back
He was feeding the cat.
She went to the barber's
To buy him a wig,
But when she came back
He was dancing a jig.
She went to the fruiterer's
To buy him some fruit,
But when she came back
He was playing the flute.
She went to the fishmonger's
To buy him some fish,
And when she came back
He was licking the dish.
She went to the ale-house
To get him some beer,
But when she came back
The dog sat in a chair.
She went to the tavern
For white wine and red,
But when she came back
The dog stood on his head.
She went to the hatter's
To buy him a hat,
But when she came back
He was feeding the cat.
She went to the barber's
To buy him a wig,
But when she came back
He was dancing a jig.
She went to the fruiterer's
To buy him some fruit,
But when she came back
He was playing the flute.
Page 112
She went to the tailor's
To buy him a coat,
But when she came back
He was riding a goat.
She went to the cobbler's
To buy him some shoes,
But when she came back
He was reading the news.
She went to the sempstress
To buy him some linen,
But when she came back
The dog was spinning.
She went to the hosier's
To buy him some hose,
But when she came back
To buy him a coat,
But when she came back
He was riding a goat.
She went to the cobbler's
To buy him some shoes,
But when she came back
He was reading the news.
She went to the sempstress
To buy him some linen,
But when she came back
The dog was spinning.
She went to the hosier's
To buy him some hose,
But when she came back
Page 113
He was dress'd in his clothes.
The dame made a curtsey,
The dog made a bow;
The dame said, "Your servant,"
The dog said, "Bow, wow."
The dame made a curtsey,
The dog made a bow;
The dame said, "Your servant,"
The dog said, "Bow, wow."
Page 114
T HERE were three jovial Welshmen,
As I have heard them say,
And they would go a-hunting
Upon St. David's day.
All the day they hunted,
And nothing could they find
But a ship a-sailing,
A-sailing with the wind.
One said it was a ship;
The other he said nay;
The third said it was a house,
With the chimney blown away.
And all the night they hunted,
And nothing could they find
But the moon a-gliding,
A-gliding with the wind.
One said it was the moon;
The other he said nay;
The third said it was a cheese,
And half o't cut away.
As I have heard them say,
And they would go a-hunting
Upon St. David's day.
All the day they hunted,
And nothing could they find
But a ship a-sailing,
A-sailing with the wind.
One said it was a ship;
The other he said nay;
The third said it was a house,
With the chimney blown away.
And all the night they hunted,
And nothing could they find
But the moon a-gliding,
A-gliding with the wind.
One said it was the moon;
The other he said nay;
The third said it was a cheese,
And half o't cut away.
Page 115
And all the day they hunted,
And nothing could they find
But a hedgehog in a bramble-bush,
And that they left behind.
The first said it was a hedgehog;
The second he said nay;
The third it was a pin-cushion,
And the pins stuck in wrong way.
And all the night they hunted,
And nothing could they find
But a hare in a turnip field,
And that they left behind.
The first said it was a hare;
The second he said nay;
The third said it was a calf,
And the cow had run away.
And all the day they hunted,
And nothing could they find
But an owl in a holly-tree,
And that they left behind.
One said it was an owl;
The other he said nay;
The third said 'twas an old man,
And his beard growing grey.
J ACK, be nimble,
And, Jack, be quick;
And, Jack, jump over
And nothing could they find
But a hedgehog in a bramble-bush,
And that they left behind.
The first said it was a hedgehog;
The second he said nay;
The third it was a pin-cushion,
And the pins stuck in wrong way.
And all the night they hunted,
And nothing could they find
But a hare in a turnip field,
And that they left behind.
The first said it was a hare;
The second he said nay;
The third said it was a calf,
And the cow had run away.
And all the day they hunted,
And nothing could they find
But an owl in a holly-tree,
And that they left behind.
One said it was an owl;
The other he said nay;
The third said 'twas an old man,
And his beard growing grey.
J ACK, be nimble,
And, Jack, be quick;
And, Jack, jump over
Page 116
The candlestick.
Q UEEN ANNE, Queen Anne, you sit in the
sun,
As fair as a lily, as white as a wand.
I send you three letters, and pray read one;
You must read one, if you can't read all;
So pray, Miss or Master, throw up the ball.
[Children hunting bats.]
B AT, bat (clap hands),
Come under my hat,
And I'll give you a slice of bacon;
And when I bake,
I'll give you a cake,
If I am not mistaken.
[At the conclusion, the captive is privately asked if he will have oranges or lemons (the two
leaders of the arch having previously agreed which designation shall belong to each), and he goes
behind the one he may chance to name. When all are thus divided into two parties, they conclude the
game by trying to pull each other beyond a certain line.]
G AY go up and gay go down,
To ring the bells of London town.
Bull's eyes and targets,
Say the bells of St. Marg'ret's.
Q UEEN ANNE, Queen Anne, you sit in the
sun,
As fair as a lily, as white as a wand.
I send you three letters, and pray read one;
You must read one, if you can't read all;
So pray, Miss or Master, throw up the ball.
[Children hunting bats.]
B AT, bat (clap hands),
Come under my hat,
And I'll give you a slice of bacon;
And when I bake,
I'll give you a cake,
If I am not mistaken.
[At the conclusion, the captive is privately asked if he will have oranges or lemons (the two
leaders of the arch having previously agreed which designation shall belong to each), and he goes
behind the one he may chance to name. When all are thus divided into two parties, they conclude the
game by trying to pull each other beyond a certain line.]
G AY go up and gay go down,
To ring the bells of London town.
Bull's eyes and targets,
Say the bells of St. Marg'ret's.
Page 117
Brickbats and tiles,
Say the bells of St. Giles'.
Halfpence and farthings,
Say the bells of St. Martin's.
Oranges and lemons,
Say the bells of St. Clement's.
Pancakes and fritters,
Say the bells of St. Peter's.
Two sticks and an apple,
Say the bells at Whitechapel.
Old Father Baldpate,
Say the slow bells at Aldgate.
You owe me ten shillings,
Say the bells at St. Helen's.
Pokers and tongs,
Say the bells at St. John's.
Kettles and pans,
Say the bells at St. Ann's.
When will you pay me?
Say the bells at Old Bailey.
When I grow rich,
Say the bells at Shoreditch.
Pray when will that be?
Say the bells of Stepney.
I am sure I don't know,
Say the bells of St. Giles'.
Halfpence and farthings,
Say the bells of St. Martin's.
Oranges and lemons,
Say the bells of St. Clement's.
Pancakes and fritters,
Say the bells of St. Peter's.
Two sticks and an apple,
Say the bells at Whitechapel.
Old Father Baldpate,
Say the slow bells at Aldgate.
You owe me ten shillings,
Say the bells at St. Helen's.
Pokers and tongs,
Say the bells at St. John's.
Kettles and pans,
Say the bells at St. Ann's.
When will you pay me?
Say the bells at Old Bailey.
When I grow rich,
Say the bells at Shoreditch.
Pray when will that be?
Say the bells of Stepney.
I am sure I don't know,
Page 118
Says the great bell at Bow.
Here comes a candle to light you to bed,
And here comes a chopper to chop off your head.
[Game on a child's features.]
H ERE sits the Lord Mayor; [Forehead.
Here sit his two men; [Eyes.
Here sits the cock; [Right cheek.
Here sits the hen; [Left cheek.
Here sit the little chickens; [Tip of nose.
Here they run in, [Mouth.
Chinchopper, chinchopper,
Chinchopper, chin! [Chuck the chin.
D
one;
ANCE, Thumbkin, dance; [Keep the thumb in motion.
Dance, ye merrymen, every [All the fingers in motion.
[The thumb only moving.
For Thumbkin, he can dance alone, [Ditto.
Thumbkin, he can dance alone;
Here comes a candle to light you to bed,
And here comes a chopper to chop off your head.
[Game on a child's features.]
H ERE sits the Lord Mayor; [Forehead.
Here sit his two men; [Eyes.
Here sits the cock; [Right cheek.
Here sits the hen; [Left cheek.
Here sit the little chickens; [Tip of nose.
Here they run in, [Mouth.
Chinchopper, chinchopper,
Chinchopper, chin! [Chuck the chin.
D
one;
ANCE, Thumbkin, dance; [Keep the thumb in motion.
Dance, ye merrymen, every [All the fingers in motion.
[The thumb only moving.
For Thumbkin, he can dance alone, [Ditto.
Thumbkin, he can dance alone;
Page 119
Dance, Foreman, dance, [The first finger moving.
Dance, ye merrymen, every one; [The whole moving.
But, Foreman, he can dance alone,
Foreman, he can dance alone.
[And so on with the others, naming the second finger "Longman," the third finger "Ringman,"
and the fourth finger "Littleman." Littleman cannot dance alone.]
[Children stand round, and are counted one by one, by means of this rhyme. The child upon
whom the last number falls is out, for "Hide and Seek," or any other game where a victim is
required.]
H ICKORY (1), Dickory (2), Dock (3),
The mouse ran up the clock (4);
The clock struck one (5);
The mouse was gone (6);
O(7), u(8), t(9), spells out!
[A game at ball.]
C UCKOO, cherry-tree,
Catch a bird, and give it to me;
Let the tree be high or low,
Let it hail, rain, or snow.
[A song set to five fingers.]
T
1. HIS pig went to market;
2. This pig stayed at home;
Dance, ye merrymen, every one; [The whole moving.
But, Foreman, he can dance alone,
Foreman, he can dance alone.
[And so on with the others, naming the second finger "Longman," the third finger "Ringman,"
and the fourth finger "Littleman." Littleman cannot dance alone.]
[Children stand round, and are counted one by one, by means of this rhyme. The child upon
whom the last number falls is out, for "Hide and Seek," or any other game where a victim is
required.]
H ICKORY (1), Dickory (2), Dock (3),
The mouse ran up the clock (4);
The clock struck one (5);
The mouse was gone (6);
O(7), u(8), t(9), spells out!
[A game at ball.]
C UCKOO, cherry-tree,
Catch a bird, and give it to me;
Let the tree be high or low,
Let it hail, rain, or snow.
[A song set to five fingers.]
T
1. HIS pig went to market;
2. This pig stayed at home;
Page 120
3. This pig had a bit of meat,
4. And this pig had none;
5. This pig said, "Wee, wee, wee!
I can't find my way home."
THE FIVE PIGS
[A play with the face. The child exclaims:]
R
door!
ING the bell! [Giving a lock of its hair a pull.
Knock at the [Tapping its forehead.
4. And this pig had none;
5. This pig said, "Wee, wee, wee!
I can't find my way home."
THE FIVE PIGS
[A play with the face. The child exclaims:]
R
door!
ING the bell! [Giving a lock of its hair a pull.
Knock at the [Tapping its forehead.
Page 121
Draw the latch! [Pulling up its nose.
And walk in! [Opening its mouth and putting in its finger.
[Game with the hands.]
P EASE-PUDDING hot,
Pease-pudding cold,
Pease-pudding in the pot,
Nine days old.
Some like it hot,
Some like it cold,
Some like it in the pot,
Nine days old.
I S John Smith within?"—
"Yes, that he is."
"Can he set a shoe?"—
"Ay, marry, two,
Here a nail, there a nail,
Tick, tack, too."
1. I WENT up one pair of stairs.
2. Just like me.
1. I went up two pair of stairs.
2. Just like me.
1. I went into a room.
2. Just like me.
1. I looked out of a window.
2. Just like me.
1. And there I saw a monkey.
And walk in! [Opening its mouth and putting in its finger.
[Game with the hands.]
P EASE-PUDDING hot,
Pease-pudding cold,
Pease-pudding in the pot,
Nine days old.
Some like it hot,
Some like it cold,
Some like it in the pot,
Nine days old.
I S John Smith within?"—
"Yes, that he is."
"Can he set a shoe?"—
"Ay, marry, two,
Here a nail, there a nail,
Tick, tack, too."
1. I WENT up one pair of stairs.
2. Just like me.
1. I went up two pair of stairs.
2. Just like me.
1. I went into a room.
2. Just like me.
1. I looked out of a window.
2. Just like me.
1. And there I saw a monkey.
Page 122
2. Just like me.
1. I AM a gold lock.
2. I am a gold key.
1. I am a silver lock.
2. I am a silver key.
1. I am a brass lock.
2. I am a brass key.
1. I am a lead lock.
2. I am a lead key.
1. I am a monk lock.
2. I am a monk key!
Suitors.
W E are three brethren out of Spain,
Come to court your daughter Jane.
Mother.
My daughter Jane she is too young,
And has not learned her mother-tongue.
Suitors.
Be she young, or be she old,
For her beauty she must be sold.
So fare you well, my lady gay,
We'll call again another day.
Mother.
Turn back, turn back, thou scornful knight,
And rub thy spurs till they be bright.
Suitors.
Of my spurs take you no thought,
For in this town they were not bought;
1. I AM a gold lock.
2. I am a gold key.
1. I am a silver lock.
2. I am a silver key.
1. I am a brass lock.
2. I am a brass key.
1. I am a lead lock.
2. I am a lead key.
1. I am a monk lock.
2. I am a monk key!
Suitors.
W E are three brethren out of Spain,
Come to court your daughter Jane.
Mother.
My daughter Jane she is too young,
And has not learned her mother-tongue.
Suitors.
Be she young, or be she old,
For her beauty she must be sold.
So fare you well, my lady gay,
We'll call again another day.
Mother.
Turn back, turn back, thou scornful knight,
And rub thy spurs till they be bright.
Suitors.
Of my spurs take you no thought,
For in this town they were not bought;
Page 123
So fare you well, my lady gay,
We'll call again another day.
Mother.
Turn back, turn back, thou scornful knight,
And take the fairest in your sight.
Suitor.
The fairest maid that I can see,
Is pretty Nancy—come to me.
Here comes your daughter safe and sound,
Every pocket with a thousand pound,
Every finger with a gay gold ring.
Please to take your daughter in.
R IDE a cock-horse to Banbury Cross,
To buy little Johnny a galloping-horse;
It trots behind, and it ambles before,
And Johnny shall ride till he can ride no more.
R IDE a cock-horse to Banbury Cross,
To see what Tommy can buy;
A penny white loaf, a penny white cake,
And a twopenny apple-pie.
We'll call again another day.
Mother.
Turn back, turn back, thou scornful knight,
And take the fairest in your sight.
Suitor.
The fairest maid that I can see,
Is pretty Nancy—come to me.
Here comes your daughter safe and sound,
Every pocket with a thousand pound,
Every finger with a gay gold ring.
Please to take your daughter in.
R IDE a cock-horse to Banbury Cross,
To buy little Johnny a galloping-horse;
It trots behind, and it ambles before,
And Johnny shall ride till he can ride no more.
R IDE a cock-horse to Banbury Cross,
To see what Tommy can buy;
A penny white loaf, a penny white cake,
And a twopenny apple-pie.
Page 124
[The following is a game played thus: A string of boys and girls, each holding by his
predecessor's skirts, approaches two others, who with joined and elevated hands form a double arch.
After the dialogue, the line passes through, and the last is caught by a sudden lowering of the arms—
if possible.]
H OW many miles is it to Babylon?"—
"Threescore miles and ten."
"Can I get there by candle-light?"—
"Yes, and back again!
If your heels are nimble and light,
You may get there by candle-light."
R IDE a cock-horse to Banbury Cross,
To see an old lady upon a white horse;
Rings on her fingers, and bells on her toes,
And so she makes music wherever she goes.
predecessor's skirts, approaches two others, who with joined and elevated hands form a double arch.
After the dialogue, the line passes through, and the last is caught by a sudden lowering of the arms—
if possible.]
H OW many miles is it to Babylon?"—
"Threescore miles and ten."
"Can I get there by candle-light?"—
"Yes, and back again!
If your heels are nimble and light,
You may get there by candle-light."
R IDE a cock-horse to Banbury Cross,
To see an old lady upon a white horse;
Rings on her fingers, and bells on her toes,
And so she makes music wherever she goes.
Page 125
[A string of children, hand in hand, stand in a row. A child (a) stands in front of them, as leader;
two other children (b and c) form an arch, each holding both the hands of the other.]
A.
DRAW a pail of water
For my lady's daughter.
My father's a king, and my mother's a queen;
My two little sisters are dress'd in green,
Stamping grass and parsley,
Marigold leaves and daisies.
One rush, two rush,
Pray thee, fine lady, come under my bush.
[a passes by under the arch, followed by the whole string of children, the last of whom is taken
captive by b and c. The verses are repeated, until all are taken.]
S EE-SAW sacradown,
Which is the way to London town?
One foot up and the other down,
And that is the way to London town.
S EE, saw, Margery Daw
Sold her bed and lay upon straw.
Was not she a dirty slut,
To sell her bed and lie in the dirt!
two other children (b and c) form an arch, each holding both the hands of the other.]
A.
DRAW a pail of water
For my lady's daughter.
My father's a king, and my mother's a queen;
My two little sisters are dress'd in green,
Stamping grass and parsley,
Marigold leaves and daisies.
One rush, two rush,
Pray thee, fine lady, come under my bush.
[a passes by under the arch, followed by the whole string of children, the last of whom is taken
captive by b and c. The verses are repeated, until all are taken.]
S EE-SAW sacradown,
Which is the way to London town?
One foot up and the other down,
And that is the way to London town.
S EE, saw, Margery Daw
Sold her bed and lay upon straw.
Was not she a dirty slut,
To sell her bed and lie in the dirt!
Page 126
S EE, saw, Margery Daw,
Little Jackey shall have a new master;
Little Jackey shall have but a penny a day,
Because he can't work any faster.
[The following is used by schoolboys, when two are starting to run a race.]
O NE to make ready,
And two to prepare;
Good luck to the rider,
And away goes the mare.
[A game on the slate.]
E GGS, butter, bread,
Stick, stock, stone dead!
Stick him up, stick him down,
Stick him in the old man's crown!
Little Jackey shall have a new master;
Little Jackey shall have but a penny a day,
Because he can't work any faster.
[The following is used by schoolboys, when two are starting to run a race.]
O NE to make ready,
And two to prepare;
Good luck to the rider,
And away goes the mare.
[A game on the slate.]
E GGS, butter, bread,
Stick, stock, stone dead!
Stick him up, stick him down,
Stick him in the old man's crown!
Page 127
W HO goes round my house this night?
None but bloody Tom!
Who steals all the sheep at night?
None but this poor one.
W HOOP, whoop, and hollow,
Good dogs won't follow,
Without the hare cries "Pee-wit."
T HIS is the way the ladies ride:
Tri, tre, tre, tree,
Tri, tre, tre, tree!
This is the way the ladies ride:
Tri, tre, tre, tre, tri-tre-tre-tree!
This is the way the gentlemen ride:
Gallop-a-trot,
Gallop-a-trot!
This is the way the gentlemen ride:
Gallop-a-gallop-a-trot!
None but bloody Tom!
Who steals all the sheep at night?
None but this poor one.
W HOOP, whoop, and hollow,
Good dogs won't follow,
Without the hare cries "Pee-wit."
T HIS is the way the ladies ride:
Tri, tre, tre, tree,
Tri, tre, tre, tree!
This is the way the ladies ride:
Tri, tre, tre, tre, tri-tre-tre-tree!
This is the way the gentlemen ride:
Gallop-a-trot,
Gallop-a-trot!
This is the way the gentlemen ride:
Gallop-a-gallop-a-trot!
Page 128
This is the
way the
farmers ride:
Hobbledy-
hoy,
Hobbledy-
hoy!
This is the
way the
farmers ride:
Hobbledy
hobbledy-hoy!
H ERE stands a post.
"Who put it there?"
"A better man than you:
Touch it if you dare!"
T HERE were two blackbirds
Sitting on a hill,
The one nam'd Jack,
The other nam'd Jill.
Fly away Jack!
Fly away Jill!
Come again Jack!
Come again Jill!
way the
farmers ride:
Hobbledy-
hoy,
Hobbledy-
hoy!
This is the
way the
farmers ride:
Hobbledy
hobbledy-hoy!
H ERE stands a post.
"Who put it there?"
"A better man than you:
Touch it if you dare!"
T HERE were two blackbirds
Sitting on a hill,
The one nam'd Jack,
The other nam'd Jill.
Fly away Jack!
Fly away Jill!
Come again Jack!
Come again Jill!
Page 129
D EEDLE, deedle, dumpling, my son John
Went to bed with his trousers on;
Went to bed with his trousers on;
Page 130
One shoe off, the other shoe on,
Deedle, deedle, dumpling, my son John.
C OCK-a-doodle-doo!
My dame has lost her shoe;
My master's lost his fiddling-stick,
And don't know what to do.
Cock-a-doodle-doo!
What is my dame to do?
Till master finds his fiddling-stick,
She'll dance without her shoe.
Cock-a-doodle-doo!
My dame has lost her shoe,
And master's found his fiddling-stick;
Sing doodle-doodle-doo!
Cock-a-doodle-doo!
My dame will dance with you,
While master fiddles his fiddling-stick,
For dame and doodle-doo.
Cock-a-doodle-doo!
Dame has lost her shoe;
Gone to bed and scratch'd her head,
And can't tell what to do.
Deedle, deedle, dumpling, my son John.
C OCK-a-doodle-doo!
My dame has lost her shoe;
My master's lost his fiddling-stick,
And don't know what to do.
Cock-a-doodle-doo!
What is my dame to do?
Till master finds his fiddling-stick,
She'll dance without her shoe.
Cock-a-doodle-doo!
My dame has lost her shoe,
And master's found his fiddling-stick;
Sing doodle-doodle-doo!
Cock-a-doodle-doo!
My dame will dance with you,
While master fiddles his fiddling-stick,
For dame and doodle-doo.
Cock-a-doodle-doo!
Dame has lost her shoe;
Gone to bed and scratch'd her head,
And can't tell what to do.
Page 131
H EY! diddle, diddle,
The cat and the fiddle,
The cow jumped over the moon;
The little dog laugh'd
To see the sport,
While the dish ran after the spoon.
P USSICAT, wussicat, with a white foot,
When is your wedding? for I'll come to 't.
The beer's to brew, the bread's to bake,
Pussy-cat, pussy-cat, don't be too late.
The cat and the fiddle,
The cow jumped over the moon;
The little dog laugh'd
To see the sport,
While the dish ran after the spoon.
P USSICAT, wussicat, with a white foot,
When is your wedding? for I'll come to 't.
The beer's to brew, the bread's to bake,
Pussy-cat, pussy-cat, don't be too late.
Page 132
D ING, dong, bell,
Pussy's in the well!
Who put her in?—
Little Tommy Lin.
Who pulled her out?—
Dog with long snout.
What a naughty boy was that
To drown poor pussy-cat,
Who never did any harm,
But kill'd the mice in his father's barn.
D IDDLEDY, diddledy, dumpty;
The cat ran up the plum-tree.
I'll lay you a crown
I'll fetch you down;
So diddledy, diddledy, dumpty.
F IDDLE-DE-DEE, fiddle-de-dee,
The fly shall marry the humble-bee.
They went to the church, and married was she:
Pussy's in the well!
Who put her in?—
Little Tommy Lin.
Who pulled her out?—
Dog with long snout.
What a naughty boy was that
To drown poor pussy-cat,
Who never did any harm,
But kill'd the mice in his father's barn.
D IDDLEDY, diddledy, dumpty;
The cat ran up the plum-tree.
I'll lay you a crown
I'll fetch you down;
So diddledy, diddledy, dumpty.
F IDDLE-DE-DEE, fiddle-de-dee,
The fly shall marry the humble-bee.
They went to the church, and married was she:
Page 133
The fly has married the humble-bee.
T O market, to market, to buy a fat pig;
Home again, home again, dancing a jig
Ride to the market to buy a fat hog;
Home again, home again, jiggety-jog.
H ANDY spandy, Jack-a-dandy,
Loved plum-cake and sugar-candy;
He bought some at a grocer's shop,
And out he came, hop, hop, hop.
T WEEDLE-DUM and Tweedle-dee
Resolved to have a battle
For Tweedle-dum said Tweedle-dee
Had spoiled his nice new rattle.
Just then flew by a monstrous crow
As big as a tar-barrel,
Which frightened both the heroes so
They quite forgot their quarrel.
R UB a dub dub,
Three men in a tub:
And who do you think they be?
T O market, to market, to buy a fat pig;
Home again, home again, dancing a jig
Ride to the market to buy a fat hog;
Home again, home again, jiggety-jog.
H ANDY spandy, Jack-a-dandy,
Loved plum-cake and sugar-candy;
He bought some at a grocer's shop,
And out he came, hop, hop, hop.
T WEEDLE-DUM and Tweedle-dee
Resolved to have a battle
For Tweedle-dum said Tweedle-dee
Had spoiled his nice new rattle.
Just then flew by a monstrous crow
As big as a tar-barrel,
Which frightened both the heroes so
They quite forgot their quarrel.
R UB a dub dub,
Three men in a tub:
And who do you think they be?
Page 134
The butcher, the baker,
The candlestick-maker;
Turn 'em out, knaves all three!
The candlestick-maker;
Turn 'em out, knaves all three!
Page 135
J ack and Jill went up the hill
To fetch a pail of water;
Jack fell down and broke his crown,
And Jill came tumbling after.
R OSEMARY green,
And lavender blue,
Thyme and sweet marjoram,
Hyssop and rue.
B RAVE news is come to town;
Brave news is carried;
Brave news is come to town
Jemmy Dawson's married.
To fetch a pail of water;
Jack fell down and broke his crown,
And Jill came tumbling after.
R OSEMARY green,
And lavender blue,
Thyme and sweet marjoram,
Hyssop and rue.
B RAVE news is come to town;
Brave news is carried;
Brave news is come to town
Jemmy Dawson's married.
Page 136
S YLVIA, sweet as morning air,
Do not drive me to despair:
Long have I sighed in vain,
Now I am come again:
Will you be mine or no, no-a-no,—
Will you be mine or no?
Simon, pray leave off your suit,
For of your courting you'll reap no fruit.
I would rather give a crown
Than be married to a clown;
Go for a booby, go, no-a-no,—
Go, for a booby, go.
Do not drive me to despair:
Long have I sighed in vain,
Now I am come again:
Will you be mine or no, no-a-no,—
Will you be mine or no?
Simon, pray leave off your suit,
For of your courting you'll reap no fruit.
I would rather give a crown
Than be married to a clown;
Go for a booby, go, no-a-no,—
Go, for a booby, go.
Page 137
T HERE was a little boy and a little girl
Lived in an alley;
Says the little boy to the little girl,
"Shall I, oh! shall I?"
Says the little girl to the little boy,
"What shall we do?"
Says the little boy to the little girl,
"I will kiss you."
W HEN I was a bachelor I lived by myself,
And all the meat I got I put upon a shelf;
The rats and the mice did lead me such a life
That I went to London to get myself a wife.
Lived in an alley;
Says the little boy to the little girl,
"Shall I, oh! shall I?"
Says the little girl to the little boy,
"What shall we do?"
Says the little boy to the little girl,
"I will kiss you."
W HEN I was a bachelor I lived by myself,
And all the meat I got I put upon a shelf;
The rats and the mice did lead me such a life
That I went to London to get myself a wife.
Page 138
The streets were so broad and the lanes were so
narrow,
I could not get my wife home without a
wheelbarrow;
The wheelbarrow broke, my wife got a fall,
Down tumbled wheelbarrow, little wife, and all.
B LUE eye beauty,
Grey eye greedy,
Black eye blackie,
Brown eye brownie.
narrow,
I could not get my wife home without a
wheelbarrow;
The wheelbarrow broke, my wife got a fall,
Down tumbled wheelbarrow, little wife, and all.
B LUE eye beauty,
Grey eye greedy,
Black eye blackie,
Brown eye brownie.
Page 139
A S Tommy Snooks and Bessy Brooks
Were walking out one Sunday,
Says Tommy Snooks to Bessy Brooks,
"To-morrow will be Monday."
O H, madam, I will give you the keys of
Canterbury,
To set all the bells ringing when we shall be merry,
If you will but walk abroad with me,
If you will but walk with me.
Sir, I'll not accept of the keys of Canterbury,
Were walking out one Sunday,
Says Tommy Snooks to Bessy Brooks,
"To-morrow will be Monday."
O H, madam, I will give you the keys of
Canterbury,
To set all the bells ringing when we shall be merry,
If you will but walk abroad with me,
If you will but walk with me.
Sir, I'll not accept of the keys of Canterbury,
Page 140
To set all the bells ringing when we shall be merry;
Neither will I walk abroad with thee,
Neither will I talk with thee!
Oh, madam, I will give you a fine carved comb,
To comb out your ringlets when I am from home,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Oh, madam, I will give you a pair of shoes of cork,
One made in London, the other made in York,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Madam, I will give you a sweet silver bell,
To ring up your maidens when you are not well,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Oh, my man John, what can the matter be?
I love the lady and the lady loves not me!
Neither will she walk abroad with me,
Neither will she talk with me.
Oh, master dear, do not despair,
The lady she shall be, shall be your only dear;
And she will walk and talk with thee,
And she will walk with thee!
Oh, madam, I will give you the keys of my chest,
To count my gold and silver when I am gone to rest,
If you will but walk abroad with me,
If you will but talk with me.
Oh, sir, I will accept of the keys of your chest,
To count your gold and silver when you are gone to
rest,
Neither will I walk abroad with thee,
Neither will I talk with thee!
Oh, madam, I will give you a fine carved comb,
To comb out your ringlets when I am from home,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Oh, madam, I will give you a pair of shoes of cork,
One made in London, the other made in York,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Madam, I will give you a sweet silver bell,
To ring up your maidens when you are not well,
If you will but walk with me, &c.
Sir, I'll not accept, &c.
Oh, my man John, what can the matter be?
I love the lady and the lady loves not me!
Neither will she walk abroad with me,
Neither will she talk with me.
Oh, master dear, do not despair,
The lady she shall be, shall be your only dear;
And she will walk and talk with thee,
And she will walk with thee!
Oh, madam, I will give you the keys of my chest,
To count my gold and silver when I am gone to rest,
If you will but walk abroad with me,
If you will but talk with me.
Oh, sir, I will accept of the keys of your chest,
To count your gold and silver when you are gone to
rest,
Page 141
And I will walk abroad with thee,
And I will talk with thee!
J ACK in the pulpit, out and in,
Sold his wife for a minikin pin.
J ACK SPRAT could eat no fat,
His wife could eat no lean:
And I will talk with thee!
J ACK in the pulpit, out and in,
Sold his wife for a minikin pin.
J ACK SPRAT could eat no fat,
His wife could eat no lean:
Page 142
And so, betwixt them both, you see,
They lick'd the platter clean.
B ESSY BELL and Mary Gray,
They were two bonny lasses;
They built their house upon the lea,
And covered it with rashes.
Bessy kept the garden gate,
And Mary kept the pantry;
Bessy always had to wait,
While Mary lived in plenty.
T HERE was a little man,
And he woo'd a little maid,
And he said, "Little maid, will you wed, wed, wed?
I have little more to say,
Than will you, yea or nay,
For least said is soonest mended-ded, ded, ded."
The little maid replied,
Some say a little sighed,
"But what shall we have for to eat, eat, eat?
They lick'd the platter clean.
B ESSY BELL and Mary Gray,
They were two bonny lasses;
They built their house upon the lea,
And covered it with rashes.
Bessy kept the garden gate,
And Mary kept the pantry;
Bessy always had to wait,
While Mary lived in plenty.
T HERE was a little man,
And he woo'd a little maid,
And he said, "Little maid, will you wed, wed, wed?
I have little more to say,
Than will you, yea or nay,
For least said is soonest mended-ded, ded, ded."
The little maid replied,
Some say a little sighed,
"But what shall we have for to eat, eat, eat?
Page 143
Will the love that you're so rich in
Make a fire in the kitchen?
Or the little god of love turn the spit, spit, spit?"
U P hill and down dale,
Butter is made in every vale,
And if that Nancy Cook
Is a good girl,
She shall have a spouse,
And make butter anon,
Before her old grandmother
Grows a young man.
Make a fire in the kitchen?
Or the little god of love turn the spit, spit, spit?"
U P hill and down dale,
Butter is made in every vale,
And if that Nancy Cook
Is a good girl,
She shall have a spouse,
And make butter anon,
Before her old grandmother
Grows a young man.
Page 144
A S I was going up Pippen-hill,
Pippen-hill was dirty
There I met a pretty miss,
And she dropt me a curtsey.
Little miss, pretty miss,
Blessings light upon you!
If I had half-a-crown a day
I'd spend it all on you.
H ERE comes a lusty wooer,
My a dildin, my a daldin;
Here comes a lusty wooer,
Pippen-hill was dirty
There I met a pretty miss,
And she dropt me a curtsey.
Little miss, pretty miss,
Blessings light upon you!
If I had half-a-crown a day
I'd spend it all on you.
H ERE comes a lusty wooer,
My a dildin, my a daldin;
Here comes a lusty wooer,
Page 145
Lily bright and shine a'.
"Pray, who do you woo,
My a dildin, my a daldin?
Pray, who do you woo,
Lily bright and shine a'?"
"For your fairest daughter,
My a dildin, my a daldin;
For your fairest daughter,
Lily bright and shine a'."
"Then there she is for you,
My a dildin, my a daldin;
Then there she is for you,
Lily bright and shine a'."
"Pray, who do you woo,
My a dildin, my a daldin?
Pray, who do you woo,
Lily bright and shine a'?"
"For your fairest daughter,
My a dildin, my a daldin;
For your fairest daughter,
Lily bright and shine a'."
"Then there she is for you,
My a dildin, my a daldin;
Then there she is for you,
Lily bright and shine a'."
Page 146
HERE COMES A LUSTY
WOOER
M ASTER I have, and I am his man,
Gallop a dreary dun;
Master I have, and I am his man,
And I'll get a wife as fast as I can;
With a heighly gaily gamberally,
Higgledy piggledy, niggledy, niggledy,
Gallop a dreary dun.
WOOER
M ASTER I have, and I am his man,
Gallop a dreary dun;
Master I have, and I am his man,
And I'll get a wife as fast as I can;
With a heighly gaily gamberally,
Higgledy piggledy, niggledy, niggledy,
Gallop a dreary dun.
Page 147
I HAD a little husband,
No bigger than my thumb;
I put him in a pint pot,
And there I bid him drum.
I bought a little horse,
That galloped up and down;
I bridled him, and saddled him,
And sent him out of town.
I gave him some garters
To garter up his hose,
And a little handkerchief
To wipe his pretty nose.
D ID you see my wife, did you see, did you see,
Did you see my wife looking for me?
She wears a straw bonnet, with white ribbands on it,
And dimity petticoats over her knee.
I DOUBT, I doubt, my fire is out;
My little wife isn't at home;
I'll saddle my dog, and I'll bridle my cat,
And I'll go fetch my little wife home.
No bigger than my thumb;
I put him in a pint pot,
And there I bid him drum.
I bought a little horse,
That galloped up and down;
I bridled him, and saddled him,
And sent him out of town.
I gave him some garters
To garter up his hose,
And a little handkerchief
To wipe his pretty nose.
D ID you see my wife, did you see, did you see,
Did you see my wife looking for me?
She wears a straw bonnet, with white ribbands on it,
And dimity petticoats over her knee.
I DOUBT, I doubt, my fire is out;
My little wife isn't at home;
I'll saddle my dog, and I'll bridle my cat,
And I'll go fetch my little wife home.
Page 148
L OVE your own, kiss your own,
Love your own mother, hinny,
For if she was dead and gone,
You'd ne'er get such another, hinny.
C
swine,
URLY locks! curly locks! wilt thou be mine?
Thou shalt not wash dishes, nor yet feed the
But sit on a cushion and sew a fine seam,
And feed upon strawberries, sugar, and cream!
G EORGEY PORGEY, pudding and pie,
Kissed the girls and made them cry;
When the girls come out to play,
Georgey Porgey runs away.
T HERE was a lady loved a swine:
"Honey," quoth she,
"Pig-hog, wilt thou be mine?"
"Grunt," quoth he.
"I'll build thee a silver stye,
Honey," quoth she;
"And in it thou shall lie;"
"Grunt," quoth he.
"Pinned with a silver pin,
Honey," quoth she,
Love your own mother, hinny,
For if she was dead and gone,
You'd ne'er get such another, hinny.
C
swine,
URLY locks! curly locks! wilt thou be mine?
Thou shalt not wash dishes, nor yet feed the
But sit on a cushion and sew a fine seam,
And feed upon strawberries, sugar, and cream!
G EORGEY PORGEY, pudding and pie,
Kissed the girls and made them cry;
When the girls come out to play,
Georgey Porgey runs away.
T HERE was a lady loved a swine:
"Honey," quoth she,
"Pig-hog, wilt thou be mine?"
"Grunt," quoth he.
"I'll build thee a silver stye,
Honey," quoth she;
"And in it thou shall lie;"
"Grunt," quoth he.
"Pinned with a silver pin,
Honey," quoth she,
Page 149
"That you may go out and in;"
"Grunt," quoth he.
"Wilt thou now have me,
Honey," quoth she;
"Grunt, grunt, grunt," quoth he,
And went his way.
W HERE have you been all the day,
My boy Willy?"
"I've been all the day
Courting of a lady gay:
But, oh! she's too young
To be taken from her mammy."
"What work can she do,
My boy Willy?
Can she bake and can she brew,
My boy Willy?"
"She can brew and she can bake,
And she can make our wedding-cake:
But, oh! she's too young
To be taken from her mammy."
"What age may she be? What age may she be?
My boy Willy?"
"Twice two, twice seven,
Twice ten, twice eleven:
But, oh! she's too young
To be taken from her mammy."
"Grunt," quoth he.
"Wilt thou now have me,
Honey," quoth she;
"Grunt, grunt, grunt," quoth he,
And went his way.
W HERE have you been all the day,
My boy Willy?"
"I've been all the day
Courting of a lady gay:
But, oh! she's too young
To be taken from her mammy."
"What work can she do,
My boy Willy?
Can she bake and can she brew,
My boy Willy?"
"She can brew and she can bake,
And she can make our wedding-cake:
But, oh! she's too young
To be taken from her mammy."
"What age may she be? What age may she be?
My boy Willy?"
"Twice two, twice seven,
Twice ten, twice eleven:
But, oh! she's too young
To be taken from her mammy."
Page 150
Page 151
I HAD a little dog, and they called him Buff;
I sent him to the shop for a hap'orth of snuff;
But he lost the bag, and spill'd the snuff:
"So take that cuff—and that's enough."
B URNIE bee, burnie bee,
Tell me when your wedding be?
If it be to-morrow day,
Take your wings and fly away.
S OME little mice sat in a barn to spin;
Pussy came by, and popped her head in;
"Shall I come in and cut your threads off?"
I sent him to the shop for a hap'orth of snuff;
But he lost the bag, and spill'd the snuff:
"So take that cuff—and that's enough."
B URNIE bee, burnie bee,
Tell me when your wedding be?
If it be to-morrow day,
Take your wings and fly away.
S OME little mice sat in a barn to spin;
Pussy came by, and popped her head in;
"Shall I come in and cut your threads off?"
Page 152
"Oh no, kind sir, you will snap our heads off?"
A LL of a row,
Bend the bow,
Shot at a pigeon,
And killed a crow.
G REY goose and gander,
Waft your wings together,
And carry the good king's daughter
Over the one strand river.
A LL of a row,
Bend the bow,
Shot at a pigeon,
And killed a crow.
G REY goose and gander,
Waft your wings together,
And carry the good king's daughter
Over the one strand river.
Page 153
P USSY-CAT, pussy-cat, where have you been?
I've been to London to look at the queen.
Pussy-cat, pussy-cat, what did you there?
I frighten'd a little mouse under the chair.
C UCKOO, Cuckoo,
What do you do?
"In April
I open my bill;
In May
I sing night and day;
In June
I change my tune;
In July
I've been to London to look at the queen.
Pussy-cat, pussy-cat, what did you there?
I frighten'd a little mouse under the chair.
C UCKOO, Cuckoo,
What do you do?
"In April
I open my bill;
In May
I sing night and day;
In June
I change my tune;
In July
Page 154
Away I fly;
In August
Away I must."
H ICKETY, pickety, my black hen,
She lays eggs for gentlemen;
Gentlemen come every day
To see what my black hen doth lay.
T HE cock doth crow,
To let you know,
If you be wise,
'Tis time to rise.
R OBERT BARNES, fellow fine,
Can you shoe this horse of mine?
"Yes, good sir, that I can,
As well as any other man:
There's a nail, and there's a prod,
And now, good sir, your horse is shod."
[Bird boy's song.]
E AT, birds, eat, and make no waste;
I lie here and make no haste:
If my master chance to come,
In August
Away I must."
H ICKETY, pickety, my black hen,
She lays eggs for gentlemen;
Gentlemen come every day
To see what my black hen doth lay.
T HE cock doth crow,
To let you know,
If you be wise,
'Tis time to rise.
R OBERT BARNES, fellow fine,
Can you shoe this horse of mine?
"Yes, good sir, that I can,
As well as any other man:
There's a nail, and there's a prod,
And now, good sir, your horse is shod."
[Bird boy's song.]
E AT, birds, eat, and make no waste;
I lie here and make no haste:
If my master chance to come,
Page 155
You must fly, and I must run.
"H IE, hie," says Anthony,
"Puss in the pantry,
Gnawing, gnawing
A mutton mutton-bone;
See now she tumbles it,
See now she mumbles it,
See how she tosses
The mutton mutton-bone."
F OUR and twenty tailors went to kill a snail;
The best man among them durst not touch her
"H IE, hie," says Anthony,
"Puss in the pantry,
Gnawing, gnawing
A mutton mutton-bone;
See now she tumbles it,
See now she mumbles it,
See how she tosses
The mutton mutton-bone."
F OUR and twenty tailors went to kill a snail;
The best man among them durst not touch her
Page 156
tail.
She put out her horns like a little Kyloe cow;
Run, tailors, run, or she'll kill you all e'en now.
T HE cuckoo's a fine bird:
He sings as he flies;
He brings us good tidings;
He tells us no lies.
He sucks little birds' eggs
To make his voice clear;
And when he sings "Cuckoo!"
The summer is near.
"C ROAK!" said the Toad, "I'm hungry, I
think;
To-day I've had nothing to eat or to drink;
I'll crawl to a garden and jump through the pales,
And there I'll dine nicely on slugs and on snails."
"Ho, ho!" quoth the Frog, "is that what you mean?
Then I'll hop away to the next meadow stream;
There I will drink, and eat worms and slugs too,
And then I shall have a good dinner like you."
She put out her horns like a little Kyloe cow;
Run, tailors, run, or she'll kill you all e'en now.
T HE cuckoo's a fine bird:
He sings as he flies;
He brings us good tidings;
He tells us no lies.
He sucks little birds' eggs
To make his voice clear;
And when he sings "Cuckoo!"
The summer is near.
"C ROAK!" said the Toad, "I'm hungry, I
think;
To-day I've had nothing to eat or to drink;
I'll crawl to a garden and jump through the pales,
And there I'll dine nicely on slugs and on snails."
"Ho, ho!" quoth the Frog, "is that what you mean?
Then I'll hop away to the next meadow stream;
There I will drink, and eat worms and slugs too,
And then I shall have a good dinner like you."
Page 157
T HERE was a piper, he'd a cow,
And he'd no hay to give her;
He took his pipes and played a tune:
"Consider, old cow, consider!"
The cow considered very well,
For she gave the piper a penny,
That he might play the tune again,
Of "Corn rigs are bonnie."
A PIE sate on a pear-tree,
A pie sate on a pear-tree,
A pie sate on a pear-tree.
And he'd no hay to give her;
He took his pipes and played a tune:
"Consider, old cow, consider!"
The cow considered very well,
For she gave the piper a penny,
That he might play the tune again,
Of "Corn rigs are bonnie."
A PIE sate on a pear-tree,
A pie sate on a pear-tree,
A pie sate on a pear-tree.
Page 158
Heigh O, heigh O, heigh O!
Once so merrily hopp'd she,
Twice so merrily hopp'd she,
Thrice so merrily hopp'd she.
Heigh O, heigh O, heigh O!
O NCE I saw a little bird
Come hop, hop, hop;
So I cried, "Little bird,
Will you stop, stop, stop?"
And was going to the window,
To say, "How do you do?"
But he shook his little tail,
And far away he flew.
T HE winds they did blow;
The leaves they did wag;
Along came a beggar boy,
And put me in his bag.
He took me up to London;
A lady did me buy,
Put me in a silver cage,
And hung me up on high,
With apples by the fire,
And nuts for to crack,
Besides a little feather bed
To rest my little back.
Once so merrily hopp'd she,
Twice so merrily hopp'd she,
Thrice so merrily hopp'd she.
Heigh O, heigh O, heigh O!
O NCE I saw a little bird
Come hop, hop, hop;
So I cried, "Little bird,
Will you stop, stop, stop?"
And was going to the window,
To say, "How do you do?"
But he shook his little tail,
And far away he flew.
T HE winds they did blow;
The leaves they did wag;
Along came a beggar boy,
And put me in his bag.
He took me up to London;
A lady did me buy,
Put me in a silver cage,
And hung me up on high,
With apples by the fire,
And nuts for to crack,
Besides a little feather bed
To rest my little back.
Page 159
C OCK ROBIN got up early
At the break of day,
And went to Jenny's window,
To sing a roundelay.
He sang Cock Robin's love
To the pretty Jenny Wren;
And when he got unto the end,
Then he began again.
B ETTY PRINGLE had a little pig,
Not very little and not very big;
When he was alive he lived in clover;
But now he's dead, and that's all over.
So Billy Pringle he laid down and cried,
And Betty Pringle she laid down and died;
So there was an end of one, two, and three:
Billy Pringle he,
Betty Pringle she,
And the piggy wiggy.
A LONG-TAIL'D pig, or a short-tail'd pig,
Or a pig without e'er a tail,
A sow-pig, or a boar-pig,
At the break of day,
And went to Jenny's window,
To sing a roundelay.
He sang Cock Robin's love
To the pretty Jenny Wren;
And when he got unto the end,
Then he began again.
B ETTY PRINGLE had a little pig,
Not very little and not very big;
When he was alive he lived in clover;
But now he's dead, and that's all over.
So Billy Pringle he laid down and cried,
And Betty Pringle she laid down and died;
So there was an end of one, two, and three:
Billy Pringle he,
Betty Pringle she,
And the piggy wiggy.
A LONG-TAIL'D pig, or a short-tail'd pig,
Or a pig without e'er a tail,
A sow-pig, or a boar-pig,
Page 160
Or a pig with a curly tail.
A LITTLE cock-sparrow sat on a green tree
(tris),
And he cherruped, he cherruped, so merry was he
(tris);
A little cock-sparrow sat on a green tree,
And he cherruped, he cherruped, so merry was he.
A naughty boy came with his wee bow and arrow
(tris),
Determined to shoot this little cock-sparrow (tris);
A naughty, &c.
Determined, &c.
"This little cock-sparrow shall make me a stew (tris),
And his giblets shall make me a little pie too" (tris);
"Oh, no," said the sparrow, "I won't make a stew;"
So he flapped his wings, and away he flew.
L ITTLE Robin Red-Breast
Sat upon a rail:
Niddle-naddle went his head!
Wiggle-waggle went his tail.
A LITTLE cock-sparrow sat on a green tree
(tris),
And he cherruped, he cherruped, so merry was he
(tris);
A little cock-sparrow sat on a green tree,
And he cherruped, he cherruped, so merry was he.
A naughty boy came with his wee bow and arrow
(tris),
Determined to shoot this little cock-sparrow (tris);
A naughty, &c.
Determined, &c.
"This little cock-sparrow shall make me a stew (tris),
And his giblets shall make me a little pie too" (tris);
"Oh, no," said the sparrow, "I won't make a stew;"
So he flapped his wings, and away he flew.
L ITTLE Robin Red-Breast
Sat upon a rail:
Niddle-naddle went his head!
Wiggle-waggle went his tail.
Page 161
D AME, what makes your ducks to die?
What the pize ails 'em? what the pize ails 'em?
They kick up their heels, and there they lie;
What the pize ails 'em now?
Heigh, ho! heigh, ho!
Dame, what makes your ducks to die?
What a pize ails 'em? what a pize ails 'em?
Heigh, ho! heigh, ho!
Dame, what ails your ducks to die?
Eating o' polly-wigs, eating o' polly-wigs.
Heigh, ho! heigh, ho!
I N the month of February,
When green leaves begin to spring,
Little lambs do skip like fairies,
Birds do couple, build, and sing.
P USSY cat sits by the fire;
How did she come there?
In walks the little dog,
What the pize ails 'em? what the pize ails 'em?
They kick up their heels, and there they lie;
What the pize ails 'em now?
Heigh, ho! heigh, ho!
Dame, what makes your ducks to die?
What a pize ails 'em? what a pize ails 'em?
Heigh, ho! heigh, ho!
Dame, what ails your ducks to die?
Eating o' polly-wigs, eating o' polly-wigs.
Heigh, ho! heigh, ho!
I N the month of February,
When green leaves begin to spring,
Little lambs do skip like fairies,
Birds do couple, build, and sing.
P USSY cat sits by the fire;
How did she come there?
In walks the little dog,
Page 162
Says, "Pussy! are you there?"
"How do you do, Mistress Pussy?
Mistress Pussy, how d'ye do?"
"I thank you kindly, little dog,
I fare as well as you!"
T HERE was a little boy went into a barn,
And lay down on some hay;
An owl came out and flew about,
And the little boy ran away.
T HE dove says, "Coo, coo, what shall I do?
I can scarce maintain two."
"Pooh, pooh," says the wren; "I have got ten,
And keep them all like gentlemen!"
"How do you do, Mistress Pussy?
Mistress Pussy, how d'ye do?"
"I thank you kindly, little dog,
I fare as well as you!"
T HERE was a little boy went into a barn,
And lay down on some hay;
An owl came out and flew about,
And the little boy ran away.
T HE dove says, "Coo, coo, what shall I do?
I can scarce maintain two."
"Pooh, pooh," says the wren; "I have got ten,
And keep them all like gentlemen!"
Page 163
B OW, wow, wow,
Whose dog art thou?
"Little Tom Tinker's dog,
Bow, wow, wow."
L EG over leg,
As the dog went to Dover;
When he came to a stile,
Jump he went over.
I LOVE little pussy, her coat is so warm;
And if I don't hurt her she'll do me no harm.
So I'll not pull her tail nor drive her away,
But pussy and I very gently will play.
[Imitated from a pigeon.]
C URR dhoo, curr dhoo,
Love me, and I'll love you!
Whose dog art thou?
"Little Tom Tinker's dog,
Bow, wow, wow."
L EG over leg,
As the dog went to Dover;
When he came to a stile,
Jump he went over.
I LOVE little pussy, her coat is so warm;
And if I don't hurt her she'll do me no harm.
So I'll not pull her tail nor drive her away,
But pussy and I very gently will play.
[Imitated from a pigeon.]
C URR dhoo, curr dhoo,
Love me, and I'll love you!
Page 164
L ADY bird, lady bird, fly away home;
Thy house is on fire, thy children all gone—
All but one, and her name is Ann,
And she crept under the pudding-pan.
P USSY sits behind the fire—
How can she be fair?
In comes the little dog:
"Pussy, are you there?
"So, so, Mistress Pussy,
Pray how do you do?"
"Thank you, thank you, little dog,
I'm very well just now."
Thy house is on fire, thy children all gone—
All but one, and her name is Ann,
And she crept under the pudding-pan.
P USSY sits behind the fire—
How can she be fair?
In comes the little dog:
"Pussy, are you there?
"So, so, Mistress Pussy,
Pray how do you do?"
"Thank you, thank you, little dog,
I'm very well just now."
Page 165
L ITTLE Robin-Redbreast sat upon a tree;
Up went Pussy cat, and down went he;
Down came Pussy cat, and away Robin ran:
Says little Robin-Redbreast, "Catch me if you can."
Little Robin-Redbreast jump'd upon a wall;
Pussy cat jump'd after him, and almost got a fall;
Little Robin chirp'd and sang, and what did Pussy
say?
Pussy cat said "Mew," and Robin jump'd away.
M ARY had a pretty bird
With feathers bright and yellow—
Slender legs—upon my word—
He was a pretty fellow.
I HAD a little hen, the prettiest ever seen;
She washed me the dishes, and kept the house
clean;
Up went Pussy cat, and down went he;
Down came Pussy cat, and away Robin ran:
Says little Robin-Redbreast, "Catch me if you can."
Little Robin-Redbreast jump'd upon a wall;
Pussy cat jump'd after him, and almost got a fall;
Little Robin chirp'd and sang, and what did Pussy
say?
Pussy cat said "Mew," and Robin jump'd away.
M ARY had a pretty bird
With feathers bright and yellow—
Slender legs—upon my word—
He was a pretty fellow.
I HAD a little hen, the prettiest ever seen;
She washed me the dishes, and kept the house
clean;
Page 166
She went to the mill to fetch me some flour;
She brought it home in less than an hour;
She baked me my bread, she brew'd me my ale;
She sat by the fire, and told many a fine tale.
H IGGLEY PIGGLEY,
My black hen,
She lays eggs
For gentlemen;
Sometimes nine,
And sometimes ten.
Higgley Piggley,
My black hen!
C
feast;
OME, take up your hats, and away let us haste
To the Butterfly's ball, and the Grasshopper's
She brought it home in less than an hour;
She baked me my bread, she brew'd me my ale;
She sat by the fire, and told many a fine tale.
H IGGLEY PIGGLEY,
My black hen,
She lays eggs
For gentlemen;
Sometimes nine,
And sometimes ten.
Higgley Piggley,
My black hen!
C
feast;
OME, take up your hats, and away let us haste
To the Butterfly's ball, and the Grasshopper's
Page 167
The trumpeter, Gad-fly, has summoned the crew,
And the revels are now only waiting for you.
On the smooth-shaven grass, by the side of a wood,
Beneath a broad oak which for ages had stood,
See the children of earth, and the tenants of air,
To an evening's amusement together repair.
And there came the Beetle, so blind and so black,
Who carried the Emmet, his friend, on his back;
And there came the Gnat and the Dragon-fly too,
With all their relations, green, orange, and blue.
And there came the Moth, with her plumage of
down,
And the Hornet with jacket of yellow and brown;
And with him the Wasp, his companion, did bring;
But they promised that evening to lay by their sting.
Then the sly little Dormouse peeped out of his hole,
And led to the feast his blind cousin the Mole;
And the Snail, with her horns peeping out of her
shell,
Came, fatigued with the distance, the length of an
ell.
A mushroom the table, and on it was spread
A water-dock leaf, which their table-cloth made.
The viands were various, to each of their taste,
And the Bee brought the honey to sweeten the feast.
With steps most majestic the Snail did advance,
And he promised the gazers a minuet to dance;
But they all laughed so loud that he drew in his head,
And went in his own little chamber to bed.
Then, as evening gave way to the shadows of night,
Their watchman, the Glow-worm, come out with his
light.
So home let us hasten, while yet we can see,
For no watchman is waiting for you or for me.
And the revels are now only waiting for you.
On the smooth-shaven grass, by the side of a wood,
Beneath a broad oak which for ages had stood,
See the children of earth, and the tenants of air,
To an evening's amusement together repair.
And there came the Beetle, so blind and so black,
Who carried the Emmet, his friend, on his back;
And there came the Gnat and the Dragon-fly too,
With all their relations, green, orange, and blue.
And there came the Moth, with her plumage of
down,
And the Hornet with jacket of yellow and brown;
And with him the Wasp, his companion, did bring;
But they promised that evening to lay by their sting.
Then the sly little Dormouse peeped out of his hole,
And led to the feast his blind cousin the Mole;
And the Snail, with her horns peeping out of her
shell,
Came, fatigued with the distance, the length of an
ell.
A mushroom the table, and on it was spread
A water-dock leaf, which their table-cloth made.
The viands were various, to each of their taste,
And the Bee brought the honey to sweeten the feast.
With steps most majestic the Snail did advance,
And he promised the gazers a minuet to dance;
But they all laughed so loud that he drew in his head,
And went in his own little chamber to bed.
Then, as evening gave way to the shadows of night,
Their watchman, the Glow-worm, come out with his
light.
So home let us hasten, while yet we can see,
For no watchman is waiting for you or for me.
Page 168
B AH, bah, black sheep,
Have you any wool?
"Yes, marry, have I,
Three bags full:
One for my master,
And one for my dame,
But none for the little boy
Who cries in the lane."
L
corn.
ittle boy blue, come, blow up your horn;
The sheep's in the meadow, the cow's in the
"Where's the little boy that looks after the sheep?"
"He's under the hay-cock fast asleep."
"Will you wake him?" "No, not I;
Have you any wool?
"Yes, marry, have I,
Three bags full:
One for my master,
And one for my dame,
But none for the little boy
Who cries in the lane."
L
corn.
ittle boy blue, come, blow up your horn;
The sheep's in the meadow, the cow's in the
"Where's the little boy that looks after the sheep?"
"He's under the hay-cock fast asleep."
"Will you wake him?" "No, not I;
Page 169
For if I do, he'll be sure to cry."
G OD bless the master of this house,
The mistress bless also,
And all the little children
That round the table go;
And all your kin and kinsmen,
That dwell both far and near;
I wish you a merry Christmas,
And a happy New Year.
L ITTLE girl, little girl, where have you been?
"Gathering roses to give to the queen."
"Little girl, little girl, what gave she you?"
"She gave me a diamond as big as my shoe."
G OD bless the master of this house,
The mistress bless also,
And all the little children
That round the table go;
And all your kin and kinsmen,
That dwell both far and near;
I wish you a merry Christmas,
And a happy New Year.
L ITTLE girl, little girl, where have you been?
"Gathering roses to give to the queen."
"Little girl, little girl, what gave she you?"
"She gave me a diamond as big as my shoe."
Page 170
G OOSEY, goosey, gander,
Where shall I wander?
Upstairs, downstairs,
And in my lady's chamber.
There I meet an old man
That would not say his prayers;
I took him by the left leg,
And threw him downstairs.
J ENNY WREN fell sick,
Upon a merry time;
In came Robin-Redbreast
And brought her sops and wine.
"Eat well of the sops, Jenny,
Drink well of the wine."
"Thank you, Robin, kindly,
Where shall I wander?
Upstairs, downstairs,
And in my lady's chamber.
There I meet an old man
That would not say his prayers;
I took him by the left leg,
And threw him downstairs.
J ENNY WREN fell sick,
Upon a merry time;
In came Robin-Redbreast
And brought her sops and wine.
"Eat well of the sops, Jenny,
Drink well of the wine."
"Thank you, Robin, kindly,
Page 171
You shall be mine."
Jenny she got well,
And stood upon her feet,
And told Robin plainly
She loved him not a bit.
Robin, being angry,
Hopped upon a twig,
Saying, "Out upon you. Fie upon you.
Bold-faced jig."
T HE hart he loves the high wood,
The hare she loves the hill,
The knight he loves his bright sword,
The lady—loves her will.
Jenny she got well,
And stood upon her feet,
And told Robin plainly
She loved him not a bit.
Robin, being angry,
Hopped upon a twig,
Saying, "Out upon you. Fie upon you.
Bold-faced jig."
T HE hart he loves the high wood,
The hare she loves the hill,
The knight he loves his bright sword,
The lady—loves her will.
Page 172
I HAD a little pony,
His name was Dapple-grey
I lent him to a lady,
To ride a mile away.
She whipped him, she slashed him,
She rode him through the mire;
I would not lend my pony now
For all the lady's hire.
A FARMER went trotting
Upon his grey mare;
Bumpety, bumpety, bump!
With his daughter behind him,
So rosy and fair;
Lumpety, lumpety, lump!
A raven cried "Croak;"
And they all tumbled down;
Bumpety, bumpety, bump!
The mare broke her knees,
And the farmer his crown;
Lumpety, lumpety, lump.
The mischievous raven
Flew laughing away;
Bumpety, bumpety, bump!
And vowed he would serve them
The same the next day;
Bumpety, bumpety, bump!
His name was Dapple-grey
I lent him to a lady,
To ride a mile away.
She whipped him, she slashed him,
She rode him through the mire;
I would not lend my pony now
For all the lady's hire.
A FARMER went trotting
Upon his grey mare;
Bumpety, bumpety, bump!
With his daughter behind him,
So rosy and fair;
Lumpety, lumpety, lump!
A raven cried "Croak;"
And they all tumbled down;
Bumpety, bumpety, bump!
The mare broke her knees,
And the farmer his crown;
Lumpety, lumpety, lump.
The mischievous raven
Flew laughing away;
Bumpety, bumpety, bump!
And vowed he would serve them
The same the next day;
Bumpety, bumpety, bump!
Page 173
T HIS is the house that Jack built.
2. This is the malt
That lay in the house that Jack built.
3. This is the rat,
That ate the malt,
That lay in the house that Jack built.
4. This is the cat,
That kill'd the rat,
2. This is the malt
That lay in the house that Jack built.
3. This is the rat,
That ate the malt,
That lay in the house that Jack built.
4. This is the cat,
That kill'd the rat,
Page 174
That ate the malt,
That lay in the house that Jack built.
5. This is the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
6. This is the cow with the crumpled horn,
That toss'd the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
7. This is the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
8. This is the man all tatter'd and torn,
That kissed the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
9. This is the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kiss'd the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That lay in the house that Jack built.
5. This is the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
6. This is the cow with the crumpled horn,
That toss'd the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
7. This is the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
8. This is the man all tatter'd and torn,
That kissed the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
9. This is the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kiss'd the maiden all forlorn,
That milk'd the cow with the crumpled horn,
Page 175
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
10. This is the cock that crow'd in the morn,
That waked the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kiss'd the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
11. This is the farmer sowing his corn,
That kept the cock that crow'd in the morn,
That waked the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kissed the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
10. This is the cock that crow'd in the morn,
That waked the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kiss'd the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
11. This is the farmer sowing his corn,
That kept the cock that crow'd in the morn,
That waked the priest all shaven and shorn,
That married the man all tatter'd and torn,
That kissed the maiden all forlorn,
That milk'd the cow with the crumpled horn,
That tossed the dog,
That worried the cat,
That kill'd the rat,
That ate the malt,
That lay in the house that Jack built.
Page 176
A N old woman was sweeping her house, and she found a little crooked
sixpence. "What," said she, "shall I do with this little sixpence? I will
go to market, and buy a little pig."
As she was coming home, she came to a stile; but the pig would not go
over the stile.
She went a little farther, and she met a dog. So she said to the dog—
"Dog, dog, bite pig!
Pig won't get over the stile;
And I shan't get home to-night."
But the dog would not.
She went a little farther, and she met a stick. So she said—
"Stick, stick, beat dog!
Dog won't bite pig?
Pig won't get over the stile,
And I shan't get home to-night."
But the stick would not.
She went a little farther, and she met a fire. So she said—
"Fire, fire, burn stick!
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the fire would not.
She went a little farther, and she met some water. So she said—
"Water, water, quench fire!
Fire won't burn stick;
Stick won't beat dog;
sixpence. "What," said she, "shall I do with this little sixpence? I will
go to market, and buy a little pig."
As she was coming home, she came to a stile; but the pig would not go
over the stile.
She went a little farther, and she met a dog. So she said to the dog—
"Dog, dog, bite pig!
Pig won't get over the stile;
And I shan't get home to-night."
But the dog would not.
She went a little farther, and she met a stick. So she said—
"Stick, stick, beat dog!
Dog won't bite pig?
Pig won't get over the stile,
And I shan't get home to-night."
But the stick would not.
She went a little farther, and she met a fire. So she said—
"Fire, fire, burn stick!
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the fire would not.
She went a little farther, and she met some water. So she said—
"Water, water, quench fire!
Fire won't burn stick;
Stick won't beat dog;
Page 177
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the water would not.
She went a little farther, and she met an ox. So she said—
"Ox, ox, drink water!
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
Pig won't get over the stile,
And I shan't get home to-night."
But the water would not.
She went a little farther, and she met an ox. So she said—
"Ox, ox, drink water!
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
Page 178
THE OLD WOMAN AND HER PIG
But the ox would not.
She went a little farther, and she met a butcher. So she said—
"Butcher, butcher, kill ox!
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
But the ox would not.
She went a little farther, and she met a butcher. So she said—
"Butcher, butcher, kill ox!
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Page 179
Pig won't get over the stile,
And I shan't get home to-night."
But the butcher would not.
She went a little farther, and she met a rope. So she said—
"Rope, rope, hang butcher!
Butcher won't kill ox;
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the rope would not.
She went a little farther, and she met a rat. So she said—
"Rat, rat, gnaw rope!
Rope won't hang butcher;
Butcher won't kill ox;
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the rat would not.
She went a little farther, and she met a cat. So she said—
"Cat, cat, kill rat;
Rat won't gnaw rope;
Rope won't hang butcher;
Butcher won't kill ox;
And I shan't get home to-night."
But the butcher would not.
She went a little farther, and she met a rope. So she said—
"Rope, rope, hang butcher!
Butcher won't kill ox;
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the rope would not.
She went a little farther, and she met a rat. So she said—
"Rat, rat, gnaw rope!
Rope won't hang butcher;
Butcher won't kill ox;
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
But the rat would not.
She went a little farther, and she met a cat. So she said—
"Cat, cat, kill rat;
Rat won't gnaw rope;
Rope won't hang butcher;
Butcher won't kill ox;
Page 180
Ox won't drink water;
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
The cat said, "If you will give me a saucer of milk, I will kill the rat."
So the old woman gave the cat the milk, and when she had lapped up the
milk—
The cat began to kill the rat;
The rat began to gnaw the rope;
The rope began to hang the butcher;
The butcher began to kill the ox;
The ox began to drink the water;
The water began to quench the fire;
The fire began to burn the stick;
The stick began to beat the dog;
The dog began to bite the pig;
The pig jumped over the stile,
And so the old woman got home that night.
T HIS is the key of the kingdom.
In that kingdom there is a city.
In that city there is a town.
In that town there is a street.
In that street there is a lane.
In that lane there is a yard.
In that yard there is a house.
In that house there is a room.
In that room there is a bed.
On that bed there is a basket.
Water won't quench fire;
Fire won't burn stick;
Stick won't beat dog;
Dog won't bite pig;
Pig won't get over the stile,
And I shan't get home to-night."
The cat said, "If you will give me a saucer of milk, I will kill the rat."
So the old woman gave the cat the milk, and when she had lapped up the
milk—
The cat began to kill the rat;
The rat began to gnaw the rope;
The rope began to hang the butcher;
The butcher began to kill the ox;
The ox began to drink the water;
The water began to quench the fire;
The fire began to burn the stick;
The stick began to beat the dog;
The dog began to bite the pig;
The pig jumped over the stile,
And so the old woman got home that night.
T HIS is the key of the kingdom.
In that kingdom there is a city.
In that city there is a town.
In that town there is a street.
In that street there is a lane.
In that lane there is a yard.
In that yard there is a house.
In that house there is a room.
In that room there is a bed.
On that bed there is a basket.
Page 181
In that basket there are some flowers.
Flowers in the basket, basket in the bed, bed in the
room, &c. &c.
Flowers in the basket, basket in the bed, bed in the
room, &c. &c.
Page 182
W ILLY boy, Willy boy, where are you going?
I'll go with you, if I may.
"I'm going to the meadow to see them a mowing;
I'm going to help them, make hay."
T HE girl in the lane, that couldn't speak plain,
Cried, "Gobble, gobble, gobble."
The man on the hill, that couldn't stand still,
Went hobble, hobble, hobble.
H INK, minx! the old witch winks,
The fat begins to fry:
There's nobody at home but little jumping Joan,
Father, mother, and I.
I'll go with you, if I may.
"I'm going to the meadow to see them a mowing;
I'm going to help them, make hay."
T HE girl in the lane, that couldn't speak plain,
Cried, "Gobble, gobble, gobble."
The man on the hill, that couldn't stand still,
Went hobble, hobble, hobble.
H INK, minx! the old witch winks,
The fat begins to fry:
There's nobody at home but little jumping Joan,
Father, mother, and I.
Page 183
H ANNAH BANTRY in the pantry,
Eating a mutton bone;
How she gnawed it, how she clawed it,
When she found she was alone!
L ITTLE Miss Muffet
Sat on a tuffet,
Eating of curds and whey;
There came a spider,
And sat down beside her,
And frightened Miss Muffet away.
"What are Little Boys made of?"
W HAT are little boys made of, made of;
What are little boys made of?
"Snaps and snails, and puppy-dogs' tails;
Eating a mutton bone;
How she gnawed it, how she clawed it,
When she found she was alone!
L ITTLE Miss Muffet
Sat on a tuffet,
Eating of curds and whey;
There came a spider,
And sat down beside her,
And frightened Miss Muffet away.
"What are Little Boys made of?"
W HAT are little boys made of, made of;
What are little boys made of?
"Snaps and snails, and puppy-dogs' tails;
Page 184
And that's what little boys are made of, made of."
What are little girls made of, made of, made of;
What are little girls made of?
"Sugar and spice, and all that's nice;
And that's what little girls are made of, made of."
W HAT'S the news of the day,
Good neighbour, I pray?
"They say the balloon
Is gone up to the moon."
K ING'S SUTTON is a pretty town,
And lies all in a valley;
There is a pretty ring of bells,
Besides a bowling-alley:
Wine and liquor in good store,
Pretty maidens plenty;
Can a man desire more?
There ain't such a town in twenty.
C OME, let's to bed,
Says Sleepy-head;
"Tarry a while," says Slow;
"Put on the pot,"
Says Greedy-gut,
"Let's sup before we go."
What are little girls made of, made of, made of;
What are little girls made of?
"Sugar and spice, and all that's nice;
And that's what little girls are made of, made of."
W HAT'S the news of the day,
Good neighbour, I pray?
"They say the balloon
Is gone up to the moon."
K ING'S SUTTON is a pretty town,
And lies all in a valley;
There is a pretty ring of bells,
Besides a bowling-alley:
Wine and liquor in good store,
Pretty maidens plenty;
Can a man desire more?
There ain't such a town in twenty.
C OME, let's to bed,
Says Sleepy-head;
"Tarry a while," says Slow;
"Put on the pot,"
Says Greedy-gut,
"Let's sup before we go."
Page 185
G irls and boys, come out to play;
The moon doth shine as bright as day;
Leave your supper, and leave your sleep,
And come with your playfellows into the street.
Come with a whoop, come with a call,
Come with a good will or not at all.
Up the ladder and down the wall,
A halfpenny roll will serve us all.
You find milk, and I'll find flour,
And we'll have a pudding in half-an-hour.
H OW many days has my baby to play?
Saturday, Sunday, Monday,
Tuesday, Wednesday, Thursday, Friday,
Saturday, Sunday, Monday.
The moon doth shine as bright as day;
Leave your supper, and leave your sleep,
And come with your playfellows into the street.
Come with a whoop, come with a call,
Come with a good will or not at all.
Up the ladder and down the wall,
A halfpenny roll will serve us all.
You find milk, and I'll find flour,
And we'll have a pudding in half-an-hour.
H OW many days has my baby to play?
Saturday, Sunday, Monday,
Tuesday, Wednesday, Thursday, Friday,
Saturday, Sunday, Monday.
Page 186
A ROUND the green gravel the grass grows
green,
And all the pretty maids are plain to be seen;
Wash them with milk, and clothe them with silk,
And write their names with a pen and ink.
A S I was going to sell my eggs,
I met a man with bandy legs,
Bandy legs and crooked toes;
I tripped up his heels, and he fell on his nose.
M Y little old man and I fell out;
I'll tell you what 'twas all about:
I had money, and he had none,
And that's the way the row begun.
green,
And all the pretty maids are plain to be seen;
Wash them with milk, and clothe them with silk,
And write their names with a pen and ink.
A S I was going to sell my eggs,
I met a man with bandy legs,
Bandy legs and crooked toes;
I tripped up his heels, and he fell on his nose.
M Y little old man and I fell out;
I'll tell you what 'twas all about:
I had money, and he had none,
And that's the way the row begun.
Page 187
D
Dilly
AFFY-
Down-
has come
up to
town
In a
yellow
petticoat
and a
green
gown.
D ARBY and Joan were dress'd in black,
Sword and buckle behind their back;
Foot for foot, and knee for knee,
Turn about Darby's company.
I F all the seas were one sea,
What a great sea that would be!
And if all the trees were one tree,
What a great tree that would be!
Dilly
AFFY-
Down-
has come
up to
town
In a
yellow
petticoat
and a
green
gown.
D ARBY and Joan were dress'd in black,
Sword and buckle behind their back;
Foot for foot, and knee for knee,
Turn about Darby's company.
I F all the seas were one sea,
What a great sea that would be!
And if all the trees were one tree,
What a great tree that would be!
Page 188
And if all the axes were one axe,
What a great axe that would be!
And if all the men were one man,
What a great man he would be!
And if the great man took the great axe,
And cut down the great tree,
And let it fall into the great sea,
What a splish splash that would be!
R AIN, rain, go away;
Come again another day;
Little Arthur wants to play.
B ARBER, barber, shave a pig;
How many hairs will make a wig?
"Four-and-twenty, that's enough:"
What a great axe that would be!
And if all the men were one man,
What a great man he would be!
And if the great man took the great axe,
And cut down the great tree,
And let it fall into the great sea,
What a splish splash that would be!
R AIN, rain, go away;
Come again another day;
Little Arthur wants to play.
B ARBER, barber, shave a pig;
How many hairs will make a wig?
"Four-and-twenty, that's enough:"
Page 189
Give the barber a pinch of snuff.
L ITTLE Tom Tucker
Sings for his supper;
What shall he eat?
White bread and butter.
How shall he cut it,
Without e'er a knife?
How will he be married
Without e'er a wife?
W HO comes here?
"A grenadier."
"What do you want?"
"A pot of beer."
"Where is your money?"
"I've forgot."
"Get you gone,
You drunken sot!"
T O market, to market, to buy a plum-cake;
Back again, back again, baby is late;
To market, to market, to buy a plum-bun,
Back again, back again, market is done.
L ITTLE Tom Tucker
Sings for his supper;
What shall he eat?
White bread and butter.
How shall he cut it,
Without e'er a knife?
How will he be married
Without e'er a wife?
W HO comes here?
"A grenadier."
"What do you want?"
"A pot of beer."
"Where is your money?"
"I've forgot."
"Get you gone,
You drunken sot!"
T O market, to market, to buy a plum-cake;
Back again, back again, baby is late;
To market, to market, to buy a plum-bun,
Back again, back again, market is done.
Page 190
B LOW, wind, blow! and go, mill, go!
That the miller may grind his corn;
That the baker may take it,
And into rolls make it,
And send us some hot in the morn.
A MAN went a hunting at Reigate,
And wished to leap over a high gate;
Says the owner, "Go round,
With your gun and your hound,
For you never shall leap over my gate."
T HERE was a little nobby colt,
His name was Nobby Gray;
His head was made of pouce straw,
His tail was made of hay.
He could ramble, he could trot,
He could carry a mustard-pot,
Round the town of Woodstock,
Hey, Jenny, hey!
That the miller may grind his corn;
That the baker may take it,
And into rolls make it,
And send us some hot in the morn.
A MAN went a hunting at Reigate,
And wished to leap over a high gate;
Says the owner, "Go round,
With your gun and your hound,
For you never shall leap over my gate."
T HERE was a little nobby colt,
His name was Nobby Gray;
His head was made of pouce straw,
His tail was made of hay.
He could ramble, he could trot,
He could carry a mustard-pot,
Round the town of Woodstock,
Hey, Jenny, hey!
Page 191
W E'RE all in the dumps,
For diamonds are trumps;
The kittens are gone to St. Paul's!
The babies are bit,
The moon's in a fit,
And the houses are built without walls.
T HE origin of the right nursery rhymes is, of course, popular, like the
origin of ballads, tales (Märchen), riddles, proverbs, and, indeed, of
literature in general. They are probably, in England, of no great antiquity,
except in certain cases, where they supply the words to some child's ballet,
some dance game. A game may be of prehistoric antiquity, as appears in the
rudimentary forms of backgammon, Pachin and Patullo, common to Asia,
and to the Aztecs, as Dr. Tylor has demonstrated. The child's game—
"Buck, buck,
How many fingers do I hold up?"
was known in ancient Rome as bucca, though it would be audacious to infer
that it arrived in Britain since the Norman Conquest. Hop-scotch is also
exceedingly ancient, and the curious will find the theories of its origin in
Mr. Gomme's learned work on Children's Dances and Songs, published by
For diamonds are trumps;
The kittens are gone to St. Paul's!
The babies are bit,
The moon's in a fit,
And the houses are built without walls.
T HE origin of the right nursery rhymes is, of course, popular, like the
origin of ballads, tales (Märchen), riddles, proverbs, and, indeed, of
literature in general. They are probably, in England, of no great antiquity,
except in certain cases, where they supply the words to some child's ballet,
some dance game. A game may be of prehistoric antiquity, as appears in the
rudimentary forms of backgammon, Pachin and Patullo, common to Asia,
and to the Aztecs, as Dr. Tylor has demonstrated. The child's game—
"Buck, buck,
How many fingers do I hold up?"
was known in ancient Rome as bucca, though it would be audacious to infer
that it arrived in Britain since the Norman Conquest. Hop-scotch is also
exceedingly ancient, and the curious will find the theories of its origin in
Mr. Gomme's learned work on Children's Dances and Songs, published by
Page 192
the Folk-Lore Society. Dr. Nicholson's book on the Folk-Lore of Children in
Sutherland, still unpublished when I write, may also be consulted. One of
the songs collected by Dr. Nicholson was copied down by a Danish traveller
in London during the reign of Charles II. Robert Chambers's "Popular
Rhymes of Scotland" is also a treasure of this kind of antiquities. It is
probable that the Lowland rhymes have occasionally Gaelic counterparts, as
the nursery tales certainly have, but I am unacquainted with any researches
on this topic by Celtic scholars.
In Mr. Halliwell's Collection, from which this volume is abridged, no
manuscript authority goes further back than the reign of Henry VIII.,
though King Arthur and Robin Hood are mentioned. The obscure Scottish
taunt, levelled at Edward I. when besieging Berwick, is much in the manner
of a nursery rhyme:—
"Kyng Edward,
When thu havest Berwic,
Pike thee!
When thu havest geton,
Dike thee!"
This, as Sir Herbert Maxwell says, "seems deficient in salt," but was felt
to be irritating by the greatest of the Plantagenets. The jingles on the King
of France, against the Scots in the time of James I., against the Tory, or Irish
rapparee, and about the Gunpowder Plot, are of the late sixteenth and early
seventeenth centuries. The Great Rebellion supplies "Hector Protector" and
"The Parliament soldiers are gone to the king;" "Over the water and over
the sea" (or lee) is a parody of a Jacobite ditty of 1748, and refers genially
to that love of ale and wine which Prince Charles displayed as early as he
showed military courage, at the age of fourteen, when he distinguished
himself at the siege of Gaeta. His grandfather, James II., lives in "The
rhyme for porringer;" his father in "Jim and George were two great lords."
Tout finit par des chansons.
Of non-historical jingles, Mr. Halliwell found traces in MSS. as old as
the fifteenth century. But it would be a very rare accident that led to their
being written down when nobody dreamed of studying Folk-Lore with
solemnity. "Thirty days hath September" occurs in the "Return from
Sutherland, still unpublished when I write, may also be consulted. One of
the songs collected by Dr. Nicholson was copied down by a Danish traveller
in London during the reign of Charles II. Robert Chambers's "Popular
Rhymes of Scotland" is also a treasure of this kind of antiquities. It is
probable that the Lowland rhymes have occasionally Gaelic counterparts, as
the nursery tales certainly have, but I am unacquainted with any researches
on this topic by Celtic scholars.
In Mr. Halliwell's Collection, from which this volume is abridged, no
manuscript authority goes further back than the reign of Henry VIII.,
though King Arthur and Robin Hood are mentioned. The obscure Scottish
taunt, levelled at Edward I. when besieging Berwick, is much in the manner
of a nursery rhyme:—
"Kyng Edward,
When thu havest Berwic,
Pike thee!
When thu havest geton,
Dike thee!"
This, as Sir Herbert Maxwell says, "seems deficient in salt," but was felt
to be irritating by the greatest of the Plantagenets. The jingles on the King
of France, against the Scots in the time of James I., against the Tory, or Irish
rapparee, and about the Gunpowder Plot, are of the late sixteenth and early
seventeenth centuries. The Great Rebellion supplies "Hector Protector" and
"The Parliament soldiers are gone to the king;" "Over the water and over
the sea" (or lee) is a parody of a Jacobite ditty of 1748, and refers genially
to that love of ale and wine which Prince Charles displayed as early as he
showed military courage, at the age of fourteen, when he distinguished
himself at the siege of Gaeta. His grandfather, James II., lives in "The
rhyme for porringer;" his father in "Jim and George were two great lords."
Tout finit par des chansons.
Of non-historical jingles, Mr. Halliwell found traces in MSS. as old as
the fifteenth century. But it would be a very rare accident that led to their
being written down when nobody dreamed of studying Folk-Lore with
solemnity. "Thirty days hath September" occurs in the "Return from
Page 193
Parnassus," of Shakspeare's date, and a few snatches, like "When I was a
little boy," occur in Shakspeare himself, just as a German version of "My
Minnie me slew" comes in Goethe's Faust. Indeed, the scraps of magical
versified spells in Märchen are entirely of the character of nursery rhymes,
and are of dateless antiquity. The rhyme of "Dr. Faustus" may be nearly as
old as the mediæval legend dramatised by Marlowe. The Elizabethan and
Jacobean dramatists put nursery rhymes in the mouths of characters; a few
jingles creep into the Miscellanies, such as "The Pills to purge Melancholy."
Among these (1719) is "Tom the piper's son," who played "Over the hills
and far away," a song often adapted to Jacobite uses. In 1719, when the
Spanish plan of aid to James III. collapsed, pipers must have been
melancholy enough.
Melismata (1611) already knows the "Frog who lived in a well," and in
Deuteromelia (1609) occurs the "Three blind mice." On the Riddles, or
Devinettes, chapters might be, and have been written. They go back to
Samson's time, at least, and are as widely distributed as proverbs, even
among Wolufs and Fijians. The most recent discussion is in Mr. Max
Müller's "Contributions to the Science of Mythology" (1897). For using
"charms," like "Come, butter, come," many an old woman was burned by
the wisdom of our ancestors. Such versified charms, deducunt carmima
lunam, are the karakias of the Maoris, and the mantras of Indian
superstition. The magical papyri of ancient Egypt are full of them. In our
own rhyme, "Hiccup," regarded as a personal kind of fiend ("Animism"), is
charmed away by a promise of a butter-cake. There is a collection of such
things in Reginald Scot's "Discovery of Witchcraft." Thus our old nursery
rhymes are smooth stones from the brook of time, worn round by constant
friction of tongues long silent. We cannot hope to make new nursery
rhymes, any more than we can write new fairy tales.
little boy," occur in Shakspeare himself, just as a German version of "My
Minnie me slew" comes in Goethe's Faust. Indeed, the scraps of magical
versified spells in Märchen are entirely of the character of nursery rhymes,
and are of dateless antiquity. The rhyme of "Dr. Faustus" may be nearly as
old as the mediæval legend dramatised by Marlowe. The Elizabethan and
Jacobean dramatists put nursery rhymes in the mouths of characters; a few
jingles creep into the Miscellanies, such as "The Pills to purge Melancholy."
Among these (1719) is "Tom the piper's son," who played "Over the hills
and far away," a song often adapted to Jacobite uses. In 1719, when the
Spanish plan of aid to James III. collapsed, pipers must have been
melancholy enough.
Melismata (1611) already knows the "Frog who lived in a well," and in
Deuteromelia (1609) occurs the "Three blind mice." On the Riddles, or
Devinettes, chapters might be, and have been written. They go back to
Samson's time, at least, and are as widely distributed as proverbs, even
among Wolufs and Fijians. The most recent discussion is in Mr. Max
Müller's "Contributions to the Science of Mythology" (1897). For using
"charms," like "Come, butter, come," many an old woman was burned by
the wisdom of our ancestors. Such versified charms, deducunt carmima
lunam, are the karakias of the Maoris, and the mantras of Indian
superstition. The magical papyri of ancient Egypt are full of them. In our
own rhyme, "Hiccup," regarded as a personal kind of fiend ("Animism"), is
charmed away by a promise of a butter-cake. There is a collection of such
things in Reginald Scot's "Discovery of Witchcraft." Thus our old nursery
rhymes are smooth stones from the brook of time, worn round by constant
friction of tongues long silent. We cannot hope to make new nursery
rhymes, any more than we can write new fairy tales.
Page 194
Page
A carrion crow sat on an oak 103
A diller, a dollar 49
A farmer went trotting 246
A little cock-sparrow sat on a green tree 230
A little old man and I fell out 157
A long-tail'd pig, or a short-tail'd pig 229
A man of words and not of deeds 79
A man went a hunting at Reigate 273
A pie sat on a pear-tree 227
A sunshiny shower 82
A swarm of bees in May 82
A was an apple-pie 46
A was an Archer, and shot at a frog 45
All of a row 220
Around the green gravel the grass grows green 268
Arthur O'Bower has broken his band 124
As I walked by myself 38
As I was going by Charing Cross 37
As I was going o'er Westminster Bridge 132
As I was going to sell my eggs 268
As I was going to St. Ives 131
As I was going up Pippen-hill 209
A carrion crow sat on an oak 103
A diller, a dollar 49
A farmer went trotting 246
A little cock-sparrow sat on a green tree 230
A little old man and I fell out 157
A long-tail'd pig, or a short-tail'd pig 229
A man of words and not of deeds 79
A man went a hunting at Reigate 273
A pie sat on a pear-tree 227
A sunshiny shower 82
A swarm of bees in May 82
A was an apple-pie 46
A was an Archer, and shot at a frog 45
All of a row 220
Around the green gravel the grass grows green 268
Arthur O'Bower has broken his band 124
As I walked by myself 38
As I was going by Charing Cross 37
As I was going o'er Westminster Bridge 132
As I was going to sell my eggs 268
As I was going to St. Ives 131
As I was going up Pippen-hill 209
Page 195
As I went through the garden gap 132
As soft as silk, as white as milk 124
As the days lengthen 83
As Tommy Snooks and Bessy Brooks 203
Bah, bah, black sheep 240
Barber, barber, shave a pig 271
Bat, bat 172
Bessy Bell and Mary Gray 207
Betty Pringle had a little pig 229
Birch and green holly, boys 44
Black we are but much admired 130
Blow, wind, blow! and go, mill, go! 273
Blue eye beauty 202
Bounce Buckram, velvet's dear 79
Bow, wow, wow 233
Brave news is come to town 200
Bryan O'Lin, and his wife, and wife's mother 63
Burnie bee, burnie bee 220
Bye, baby bunting 148
Cock-a-doodle-doo! 192
Cock Robin got up early 228
Cold and raw the north wind doth blow 117
Come, butter, come 147
Come, let's to bed 266
Come, take up your hats, and away let us haste 239
Come when you're called 44
"Croak!" said the Toad, "I'm hungry, I think" 225
Cross patch 51
Cuckoo, cherry-tree 176
Cuckoo, Cuckoo 222
Curly locks! curly locks! wilt thou be mine? 214
Curr dhoo, curr dhoo 235
As soft as silk, as white as milk 124
As the days lengthen 83
As Tommy Snooks and Bessy Brooks 203
Bah, bah, black sheep 240
Barber, barber, shave a pig 271
Bat, bat 172
Bessy Bell and Mary Gray 207
Betty Pringle had a little pig 229
Birch and green holly, boys 44
Black we are but much admired 130
Blow, wind, blow! and go, mill, go! 273
Blue eye beauty 202
Bounce Buckram, velvet's dear 79
Bow, wow, wow 233
Brave news is come to town 200
Bryan O'Lin, and his wife, and wife's mother 63
Burnie bee, burnie bee 220
Bye, baby bunting 148
Cock-a-doodle-doo! 192
Cock Robin got up early 228
Cold and raw the north wind doth blow 117
Come, butter, come 147
Come, let's to bed 266
Come, take up your hats, and away let us haste 239
Come when you're called 44
"Croak!" said the Toad, "I'm hungry, I think" 225
Cross patch 51
Cuckoo, cherry-tree 176
Cuckoo, Cuckoo 222
Curly locks! curly locks! wilt thou be mine? 214
Curr dhoo, curr dhoo 235
Page 196
Cushy cow bonny, let down thy milk 145
Daffy-down-dilly has come up to town 269
Dame, get up and bake your pies 117
Dame, what makes your ducks to die? 231
Dance, Thumbkin, dance 175
Dance to your daddy 148
Darby and Joan were dress'd in black 270
Deedle, deedle, dumpling, my son John 191
Did you see my wife, did you see, did you see? 214
Diddledy, diddledy, dumpty 194
Ding, dong, bell 194
Doctor Faustus was a good man 48
Doctor Foster went to Glo'ster 65
Draw a pail of water 184
Early to bed, and early to rise 83
Eat, birds, eat, and make no waste 223
Eggs butter, bread 186
Elizabeth, Elspeth, Betsy, and Bess 133
Elsie Marley is grown so fine 94
Fiddle-de-dee, fiddle-de-dee 195
Flour of England, fruit of Spain 128
For every evil under the sun 82
For want of a nail, the shoe was lost 84
Formed long ago, yet made to-day 131
Four and twenty tailors went to kill a snail 224
Friday night's dream 83
Gay go up and gay go down 172
Georgey Porgey, pudding and pie 215
Girls and boys, come out to play 267
God bless the master of this house 242
Daffy-down-dilly has come up to town 269
Dame, get up and bake your pies 117
Dame, what makes your ducks to die? 231
Dance, Thumbkin, dance 175
Dance to your daddy 148
Darby and Joan were dress'd in black 270
Deedle, deedle, dumpling, my son John 191
Did you see my wife, did you see, did you see? 214
Diddledy, diddledy, dumpty 194
Ding, dong, bell 194
Doctor Faustus was a good man 48
Doctor Foster went to Glo'ster 65
Draw a pail of water 184
Early to bed, and early to rise 83
Eat, birds, eat, and make no waste 223
Eggs butter, bread 186
Elizabeth, Elspeth, Betsy, and Bess 133
Elsie Marley is grown so fine 94
Fiddle-de-dee, fiddle-de-dee 195
Flour of England, fruit of Spain 128
For every evil under the sun 82
For want of a nail, the shoe was lost 84
Formed long ago, yet made to-day 131
Four and twenty tailors went to kill a snail 224
Friday night's dream 83
Gay go up and gay go down 172
Georgey Porgey, pudding and pie 215
Girls and boys, come out to play 267
God bless the master of this house 242
Page 197
Goosey, goosey, gander 243
Great A, little a 43
Grey goose and gander 220
Handy Spandy, Jack-a-dandy 196
Hannah Bantry in the pantry 264
He that would thrive 81
Hector Protector was dressed all in green 37
Here am I, little jumping Joan 140
Here comes a lusty wooer 210
Here sits the Lord Mayor 175
Here stands a post 188
Hey! diddle, diddle 193
Hey, my kitten, my kitten 150
Hick-a-more, Hack-a-more 124
Hickety, pickety, my black hen 222
Hickory, Dickory, Dock 176
Hickup, hickup, go away! 152
Hickup, snicup 152
"Hie, hie," says Anthony 223
Higgledy piggledy 128
Higgley Piggley 238
High diddle ding 37
Hink, minx! the old witch winks 264
Hot-cross Buns 105
How many days has my baby to play? 268
How many miles is it to Babylon? 183
Humpty Dumpty sate on a wall 129
Hush-a-bye, baby, on the tree top 149
Hushy baby, my doll, I pray you don't cry 148
I am a gold lock 180
I doubt, I doubt, my fire is out 214
I had a little dog, and they called him Buff 219
Great A, little a 43
Grey goose and gander 220
Handy Spandy, Jack-a-dandy 196
Hannah Bantry in the pantry 264
He that would thrive 81
Hector Protector was dressed all in green 37
Here am I, little jumping Joan 140
Here comes a lusty wooer 210
Here sits the Lord Mayor 175
Here stands a post 188
Hey! diddle, diddle 193
Hey, my kitten, my kitten 150
Hick-a-more, Hack-a-more 124
Hickety, pickety, my black hen 222
Hickory, Dickory, Dock 176
Hickup, hickup, go away! 152
Hickup, snicup 152
"Hie, hie," says Anthony 223
Higgledy piggledy 128
Higgley Piggley 238
High diddle ding 37
Hink, minx! the old witch winks 264
Hot-cross Buns 105
How many days has my baby to play? 268
How many miles is it to Babylon? 183
Humpty Dumpty sate on a wall 129
Hush-a-bye, baby, on the tree top 149
Hushy baby, my doll, I pray you don't cry 148
I am a gold lock 180
I doubt, I doubt, my fire is out 214
I had a little dog, and they called him Buff 219
Page 198
I had a little hen, the prettiest ever seen 237
I had a little husband 213
I had a little nut-tree, nothing would it bear 35
I had a little pony 245
I have a little sister, they call her Peep, Peep 128
I love little pussy, her coat is so warm 234
I love my love with an A, because he's Agreeable 51
I love sixpence, pretty little sixpence 99
I saw a peacock with a fiery tail 141
I saw a ship a-sailing 139
I saw three ships come sailing by 118
I went to the wood and got it 123
I went up one pair of stairs 180
I would if I cou'd 134
If all the seas were one sea 270
If all the world was apple-pie 135
If I'd as much money as I could spend 112
If ifs and ands 44
If wishes were horses 78
If you love me, pop and fly 146
If you sneeze on Monday, you sneeze for danger 80
I'll sing you a song 114
I'll tell you a story 58
In fir tar is 51
In marble walls as white as milk 127
In the month of February 232
Is John Smith within? 179
Jack and Jill went up the hill 199
Jack, be nimble 171
Jack in the pulpit, out and in 206
Jack Sprat could eat no fat 206
Jacky, come give me thy fiddle 113
Jenny Wren fell sick 244
I had a little husband 213
I had a little nut-tree, nothing would it bear 35
I had a little pony 245
I have a little sister, they call her Peep, Peep 128
I love little pussy, her coat is so warm 234
I love my love with an A, because he's Agreeable 51
I love sixpence, pretty little sixpence 99
I saw a peacock with a fiery tail 141
I saw a ship a-sailing 139
I saw three ships come sailing by 118
I went to the wood and got it 123
I went up one pair of stairs 180
I would if I cou'd 134
If all the seas were one sea 270
If all the world was apple-pie 135
If I'd as much money as I could spend 112
If ifs and ands 44
If wishes were horses 78
If you love me, pop and fly 146
If you sneeze on Monday, you sneeze for danger 80
I'll sing you a song 114
I'll tell you a story 58
In fir tar is 51
In marble walls as white as milk 127
In the month of February 232
Is John Smith within? 179
Jack and Jill went up the hill 199
Jack, be nimble 171
Jack in the pulpit, out and in 206
Jack Sprat could eat no fat 206
Jacky, come give me thy fiddle 113
Jenny Wren fell sick 244
Page 199
Jim and George were two great lords 40
John Cook had a little grey mare; he, haw, hum! 114
Johnny shall have a new bonnet 93
King's Sutton is a pretty town 266
Lady bird, lady bird, fly away home 235
Leg over leg 234
Little Bo-peep has lost her sheep 92
Little boy blue, come, blow up your horn 241
Little girl, little girl, where have you been? 242
Little Jack Horner sat in a corner 74
Little Miss Muffet 264
Little Nancy Etticoat 130
Little Polly Flinders 114
Little Robin-Redbreast 230
Little Robin-Redbreast sat upon a tree 236
Little Tom Tucker 272
Little Tommy Tittlemouse 73
London Bridge is broken down 98
Long legs, crooked thighs 124
Love your own, kiss your own 214
March winds and April showers 84
Mary had a pretty bird 236
Master I have, and I am his man 213
Matthew, Mark, Luke, and John 147
Merry are the bells, and merry would they ring 104
Mistress Mary, quite contrary 50
Monday's bairn is fair of face 84
Multiplication is vexation 47
My dear, do you know 56
My father he died, but I can't tell you how 90
My lady Wind, my lady Wind 71
John Cook had a little grey mare; he, haw, hum! 114
Johnny shall have a new bonnet 93
King's Sutton is a pretty town 266
Lady bird, lady bird, fly away home 235
Leg over leg 234
Little Bo-peep has lost her sheep 92
Little boy blue, come, blow up your horn 241
Little girl, little girl, where have you been? 242
Little Jack Horner sat in a corner 74
Little Miss Muffet 264
Little Nancy Etticoat 130
Little Polly Flinders 114
Little Robin-Redbreast 230
Little Robin-Redbreast sat upon a tree 236
Little Tom Tucker 272
Little Tommy Tittlemouse 73
London Bridge is broken down 98
Long legs, crooked thighs 124
Love your own, kiss your own 214
March winds and April showers 84
Mary had a pretty bird 236
Master I have, and I am his man 213
Matthew, Mark, Luke, and John 147
Merry are the bells, and merry would they ring 104
Mistress Mary, quite contrary 50
Monday's bairn is fair of face 84
Multiplication is vexation 47
My dear, do you know 56
My father he died, but I can't tell you how 90
My lady Wind, my lady Wind 71
Page 200
My little old man and I fell out 268
My maid Mary 112
My true love lives far from me 138
Nature requires five 78
Needles and pins, needles and pins 79
O that I was where I would be 140
Oh, madam, I will give you the keys of Canterbury 204
Old Abram Brown is dead and gone 70
Old Betty Blue 162
Old King Cole 31
Old Mother Goose, when 67
Old Mother Hubbard 163
Old Mother Twitchett had but one eye 130
Old woman, old woman, shall we go a-shearing? 157
Once I saw a little bird 227
One misty moisty morning 87
One to make ready 186
One, two 52
Over the water, and over the sea 36
Pat-a-cake, pat-a-cake, baker's man! 47
Pease-pudding hot 179
Peter Piper picked a peck 146
Peter White will ne'er go right 136
Please to remember 35
Polly put the kettle on 92
Poor old Robinson Crusoe 38
Punch and Judy 71
Pussicat, wussicat, with a white foot 194
Pussy-cat, pussy-cat, where have you been? 221
Pussy-cat sits by the fire 232
Pussy sits behind the fire 236
My maid Mary 112
My true love lives far from me 138
Nature requires five 78
Needles and pins, needles and pins 79
O that I was where I would be 140
Oh, madam, I will give you the keys of Canterbury 204
Old Abram Brown is dead and gone 70
Old Betty Blue 162
Old King Cole 31
Old Mother Goose, when 67
Old Mother Hubbard 163
Old Mother Twitchett had but one eye 130
Old woman, old woman, shall we go a-shearing? 157
Once I saw a little bird 227
One misty moisty morning 87
One to make ready 186
One, two 52
Over the water, and over the sea 36
Pat-a-cake, pat-a-cake, baker's man! 47
Pease-pudding hot 179
Peter Piper picked a peck 146
Peter White will ne'er go right 136
Please to remember 35
Polly put the kettle on 92
Poor old Robinson Crusoe 38
Punch and Judy 71
Pussicat, wussicat, with a white foot 194
Pussy-cat, pussy-cat, where have you been? 221
Pussy-cat sits by the fire 232
Pussy sits behind the fire 236
Page 201
Queen Anne, Queen Anne, you sit in the sun 172
Rabbit, rabbit, rabbit-pie 149
Rain, rain, go away 270
Ride a cock-horse to Banbury Cross (1) 182
Ride a cock-horse to Banbury Cross (2) 182
Ride a cock-horse to Banbury Cross 184
Ride away, ride away, Johnny shall ride 116
Ring the bell 179
Robert Barnes, fellow fine 223
Robin and Richard were two pretty men 66
Robin the Bobbin, the big-bellied Ben 66
Rock-a-bye, baby, thy cradle is green 150
Rosemary green 200
Rub a dub dub 196
Says t'auld man tit oak tree 91
See a pin and pick it up 78
See, saw, Margery Daw (1) 185
See, saw, Margery Daw (2) 185
See saw, sack-a-day 40
See-saw sacradown 184
Simple Simon met a pieman 58
Sing a song of sixpence 93
Solomon Grundy 74
Some little mice sat in a barn to spin 220
St. Swithin's day, if thou dost rain 78
Swan swam over the sea 152
Sylvia, sweet as morning air 200
Taffy was a Welshman, Taffy was a thief 72
Tell tale, tit 44
The art of good driving's a paradox quite 83
Rabbit, rabbit, rabbit-pie 149
Rain, rain, go away 270
Ride a cock-horse to Banbury Cross (1) 182
Ride a cock-horse to Banbury Cross (2) 182
Ride a cock-horse to Banbury Cross 184
Ride away, ride away, Johnny shall ride 116
Ring the bell 179
Robert Barnes, fellow fine 223
Robin and Richard were two pretty men 66
Robin the Bobbin, the big-bellied Ben 66
Rock-a-bye, baby, thy cradle is green 150
Rosemary green 200
Rub a dub dub 196
Says t'auld man tit oak tree 91
See a pin and pick it up 78
See, saw, Margery Daw (1) 185
See, saw, Margery Daw (2) 185
See saw, sack-a-day 40
See-saw sacradown 184
Simple Simon met a pieman 58
Sing a song of sixpence 93
Solomon Grundy 74
Some little mice sat in a barn to spin 220
St. Swithin's day, if thou dost rain 78
Swan swam over the sea 152
Sylvia, sweet as morning air 200
Taffy was a Welshman, Taffy was a thief 72
Tell tale, tit 44
The art of good driving's a paradox quite 83
Page 202
The cock doth crow 222
The cuckoo's a fine bird 225
The dove says "Coo, coo, what shall I do?" 233
The fair maid who, the first of May 83
The fox and his wife they had a great strife 88
The girl in the lane, that couldn't speak plain 264
The hart he loves the high wood 244
The King of France, and four thousand men 35
The King of France went up the hill 35
The lion and the unicorn 62
The man in the moon 55
The man in the wilderness asked me 137
The north wind doth blow 100
The old woman and her pig 253
The Queen of Hearts 116
The winds they did blow 228
There was a crooked man, and he went a crooked mile 57
There was a fat man of Bombay 63
There was a frog liv'd in a well 106
There was a jolly miller 112
There was a king met a king 127
There was a lady loved a swine 215
There was a little boy and a little girl 201
There was a little boy went into a barn 232
There was a little Guinea-pig 136
There was a little man 64
There was a little man 208
There was a little nobby colt 274
There was a little woman, as I've been told 116
There was a man, and he had nought 61
There was a man and he was mad 142
There was a man of Thessaly 133
There was a monkey climbed up a tree 39
There was a piper, he'd a cow 226
The cuckoo's a fine bird 225
The dove says "Coo, coo, what shall I do?" 233
The fair maid who, the first of May 83
The fox and his wife they had a great strife 88
The girl in the lane, that couldn't speak plain 264
The hart he loves the high wood 244
The King of France, and four thousand men 35
The King of France went up the hill 35
The lion and the unicorn 62
The man in the moon 55
The man in the wilderness asked me 137
The north wind doth blow 100
The old woman and her pig 253
The Queen of Hearts 116
The winds they did blow 228
There was a crooked man, and he went a crooked mile 57
There was a fat man of Bombay 63
There was a frog liv'd in a well 106
There was a jolly miller 112
There was a king met a king 127
There was a lady loved a swine 215
There was a little boy and a little girl 201
There was a little boy went into a barn 232
There was a little Guinea-pig 136
There was a little man 64
There was a little man 208
There was a little nobby colt 274
There was a little woman, as I've been told 116
There was a man, and he had nought 61
There was a man and he was mad 142
There was a man of Thessaly 133
There was a monkey climbed up a tree 39
There was a piper, he'd a cow 226
Page 203
There was an old man 162
There was an old man of Tobago 161
There was an old woman 155
There was an old woman 158
There was an old woman, and what do you think 141
There was an old woman, as I've heard tell 156
There was an old woman called Nothing-at-all 162
There was an old woman had three sons 161
There was an old woman of Leeds 158
There was an old woman of Norwich 161
There was an old woman toss'd up in a basket 157
There was an old woman who lived in a shoe 158
There were three jovial Welshmen 169
There were three sisters in a hall 131
There were two birds sat on a stone 111
There were two blackbirds 188
Thirty days hath September 49
Thirty white horses upon a red hill 129
This is the house that Jack built 249
This is the key of the kingdom 260
This is the way the ladies ride 187
This pig went to market 176
Thomas a Tattamus took two T's 130
Three blind mice, see how they run! 105
Three children sliding on the ice 134
Three wise men of Gotham 65
Tobacco reek! tobacco reek! 141
To make your candles last for a' 77
To market, to market 151
To market, to market, to buy a fat pig 195
To market, to market, to buy a plum-cake 272
Tom he was a piper's son 95
Tom, Tom, the piper's son 63
Tweedle-dum and Tweedle-dee 196
There was an old man of Tobago 161
There was an old woman 155
There was an old woman 158
There was an old woman, and what do you think 141
There was an old woman, as I've heard tell 156
There was an old woman called Nothing-at-all 162
There was an old woman had three sons 161
There was an old woman of Leeds 158
There was an old woman of Norwich 161
There was an old woman toss'd up in a basket 157
There was an old woman who lived in a shoe 158
There were three jovial Welshmen 169
There were three sisters in a hall 131
There were two birds sat on a stone 111
There were two blackbirds 188
Thirty days hath September 49
Thirty white horses upon a red hill 129
This is the house that Jack built 249
This is the key of the kingdom 260
This is the way the ladies ride 187
This pig went to market 176
Thomas a Tattamus took two T's 130
Three blind mice, see how they run! 105
Three children sliding on the ice 134
Three wise men of Gotham 65
Tobacco reek! tobacco reek! 141
To make your candles last for a' 77
To market, to market 151
To market, to market, to buy a fat pig 195
To market, to market, to buy a plum-cake 272
Tom he was a piper's son 95
Tom, Tom, the piper's son 63
Tweedle-dum and Tweedle-dee 196
Page 204
Two legs sat upon three legs 132
Up at Piccadilly oh! 113
Up hill and down dale 208
We are three brethren out of Spain 181
Wee Willie Winkie runs through the town 119
We're all in the dumps 274
What are little boys made of, made of? 265
What is the rhyme for poringer? 37
What's the news of the day? 266
When good King Arthur ruled this land 32
When I was a bachelor I lived by myself 202
When little Fred was called to bed 120
When the wind is in the east 80
When V and I together meet 49
Where are you going, my pretty maid? 111
Where have you been all the day? 216
Who comes here? 272
Who goes round my house this night? 186
Whoop, whoop, and hollow 186
Willy boy, Willy boy, where are you going? 263
Yeow mussent sing a' Sunday 82
You shall have an apple 106
Young lambs to sell! 150
THE END
Transcriber's Notes:
Up at Piccadilly oh! 113
Up hill and down dale 208
We are three brethren out of Spain 181
Wee Willie Winkie runs through the town 119
We're all in the dumps 274
What are little boys made of, made of? 265
What is the rhyme for poringer? 37
What's the news of the day? 266
When good King Arthur ruled this land 32
When I was a bachelor I lived by myself 202
When little Fred was called to bed 120
When the wind is in the east 80
When V and I together meet 49
Where are you going, my pretty maid? 111
Where have you been all the day? 216
Who comes here? 272
Who goes round my house this night? 186
Whoop, whoop, and hollow 186
Willy boy, Willy boy, where are you going? 263
Yeow mussent sing a' Sunday 82
You shall have an apple 106
Young lambs to sell! 150
THE END
Transcriber's Notes:
Page 205
Obvious punctuation errors repaired.
Page 206
*** END OF THE PROJECT GUTENBERG EBOOK THE NURSERY
RHYME BOOK ***
Updated editions will replace the previous one—the old editions will be
renamed.
Creating the works from print editions not protected by U.S. copyright law
means that no one owns a United States copyright in these works, so the
Foundation (and you!) can copy and distribute it in the United States
without permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to copying
and distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for an eBook,
except by following the terms of the trademark license, including paying
royalties for use of the Project Gutenberg trademark. If you do not charge
anything for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project Gutenberg
eBooks may be modified and printed and given away—you may do
practically ANYTHING in the United States with eBooks not protected by
U.S. copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.
START: FULL LICENSE
RHYME BOOK ***
Updated editions will replace the previous one—the old editions will be
renamed.
Creating the works from print editions not protected by U.S. copyright law
means that no one owns a United States copyright in these works, so the
Foundation (and you!) can copy and distribute it in the United States
without permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to copying
and distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for an eBook,
except by following the terms of the trademark license, including paying
royalties for use of the Project Gutenberg trademark. If you do not charge
anything for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project Gutenberg
eBooks may be modified and printed and given away—you may do
practically ANYTHING in the United States with eBooks not protected by
U.S. copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.
START: FULL LICENSE
Page 207
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or any
other work associated in any way with the phrase “Project Gutenberg”), you
agree to comply with all the terms of the Full Project Gutenberg License
available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing
Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work,
you indicate that you have read, understand, agree to and accept all the
terms of this license and intellectual property (trademark/copyright)
agreement. If you do not agree to abide by all the terms of this agreement,
you must cease using and return or destroy all copies of Project Gutenberg
electronic works in your possession. If you paid a fee for obtaining a copy
of or access to a Project Gutenberg electronic work and you do not agree to
be bound by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on
or associated in any way with an electronic work by people who agree to be
bound by the terms of this agreement. There are a few things that you can
do with most Project Gutenberg electronic works even without complying
with the full terms of this agreement. See paragraph 1.C below. There are a
lot of things you can do with Project Gutenberg electronic works if you
follow the terms of this agreement and help preserve free future access to
Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an individual
work is unprotected by copyright law in the United States and you are
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or any
other work associated in any way with the phrase “Project Gutenberg”), you
agree to comply with all the terms of the Full Project Gutenberg License
available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing
Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work,
you indicate that you have read, understand, agree to and accept all the
terms of this license and intellectual property (trademark/copyright)
agreement. If you do not agree to abide by all the terms of this agreement,
you must cease using and return or destroy all copies of Project Gutenberg
electronic works in your possession. If you paid a fee for obtaining a copy
of or access to a Project Gutenberg electronic work and you do not agree to
be bound by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on
or associated in any way with an electronic work by people who agree to be
bound by the terms of this agreement. There are a few things that you can
do with most Project Gutenberg electronic works even without complying
with the full terms of this agreement. See paragraph 1.C below. There are a
lot of things you can do with Project Gutenberg electronic works if you
follow the terms of this agreement and help preserve free future access to
Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an individual
work is unprotected by copyright law in the United States and you are
Page 208
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project Gutenberg are
removed. Of course, we hope that you will support the Project Gutenberg
mission of promoting free access to electronic works by freely sharing
Project Gutenberg works in compliance with the terms of this agreement for
keeping the Project Gutenberg name associated with the work. You can
easily comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when you
share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in a
constant state of change. If you are outside the United States, check the
laws of your country in addition to the terms of this agreement before
downloading, copying, displaying, performing, distributing or creating
derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status
of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg License must appear prominently
whenever any copy of a Project Gutenberg work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed, copied
or distributed:
This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg™ License included with
this eBook or online at www.gutenberg.org. If you are not located in
the United States, you will have to check the laws of the country
where you are located before using this eBook.
copying, distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project Gutenberg are
removed. Of course, we hope that you will support the Project Gutenberg
mission of promoting free access to electronic works by freely sharing
Project Gutenberg works in compliance with the terms of this agreement for
keeping the Project Gutenberg name associated with the work. You can
easily comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when you
share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in a
constant state of change. If you are outside the United States, check the
laws of your country in addition to the terms of this agreement before
downloading, copying, displaying, performing, distributing or creating
derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status
of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg License must appear prominently
whenever any copy of a Project Gutenberg work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed, copied
or distributed:
This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg™ License included with
this eBook or online at www.gutenberg.org. If you are not located in
the United States, you will have to check the laws of the country
where you are located before using this eBook.
Page 209
1.E.2. If an individual Project Gutenberg electronic work is derived from
texts not protected by U.S. copyright law (does not contain a notice
indicating that it is posted with permission of the copyright holder), the
work can be copied and distributed to anyone in the United States without
paying any fees or charges. If you are redistributing or providing access to a
work with the phrase “Project Gutenberg” associated with or appearing on
the work, you must comply either with the requirements of paragraphs
1.E.1 through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the
permission of the copyright holder, your use and distribution must comply
with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed
by the copyright holder. Additional terms will be linked to the Project
Gutenberg License for all works posted with the permission of the
copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License
terms from this work, or any files containing a part of this work or any
other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without prominently
displaying the sentence set forth in paragraph 1.E.1 with active links or
immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg work in a format other than “Plain
Vanilla ASCII” or other format used in the official version posted on the
official Project Gutenberg website (www.gutenberg.org), you must, at no
additional cost, fee or expense to the user, provide a copy, a means of
exporting a copy, or a means of obtaining a copy upon request, of the work
in its original “Plain Vanilla ASCII” or other form. Any alternate format
must include the full Project Gutenberg License as specified in paragraph
1.E.1.
texts not protected by U.S. copyright law (does not contain a notice
indicating that it is posted with permission of the copyright holder), the
work can be copied and distributed to anyone in the United States without
paying any fees or charges. If you are redistributing or providing access to a
work with the phrase “Project Gutenberg” associated with or appearing on
the work, you must comply either with the requirements of paragraphs
1.E.1 through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the
permission of the copyright holder, your use and distribution must comply
with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed
by the copyright holder. Additional terms will be linked to the Project
Gutenberg License for all works posted with the permission of the
copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License
terms from this work, or any files containing a part of this work or any
other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without prominently
displaying the sentence set forth in paragraph 1.E.1 with active links or
immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg work in a format other than “Plain
Vanilla ASCII” or other format used in the official version posted on the
official Project Gutenberg website (www.gutenberg.org), you must, at no
additional cost, fee or expense to the user, provide a copy, a means of
exporting a copy, or a means of obtaining a copy upon request, of the work
in its original “Plain Vanilla ASCII” or other form. Any alternate format
must include the full Project Gutenberg License as specified in paragraph
1.E.1.
Page 210
1.E.7. Do not charge a fee for access to, viewing, displaying, performing,
copying or distributing any Project Gutenberg works unless you comply
with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to
or distributing Project Gutenberg electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free distribution
of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth in
this agreement, you must obtain permission in writing from the Project
Gutenberg Literary Archive Foundation, the manager of the Project
copying or distributing any Project Gutenberg works unless you comply
with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to
or distributing Project Gutenberg electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free distribution
of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth in
this agreement, you must obtain permission in writing from the Project
Gutenberg Literary Archive Foundation, the manager of the Project
Page 211
Gutenberg™ trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread works
not protected by U.S. copyright law in creating the Project Gutenberg™
collection. Despite these efforts, Project Gutenberg™ electronic works, and
the medium on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer codes that
damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in paragraph 1.F.3, the
Project Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to
you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving it, you
can receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread works
not protected by U.S. copyright law in creating the Project Gutenberg™
collection. Despite these efforts, Project Gutenberg™ electronic works, and
the medium on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer codes that
damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in paragraph 1.F.3, the
Project Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to
you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving it, you
can receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to
Page 212
you may choose to give you a second opportunity to receive the work
electronically in lieu of a refund. If the second copy is also defective, you
may demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR
FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or
the exclusion or limitation of certain types of damages. If any disclaimer or
limitation set forth in this agreement violates the law of the state applicable
to this agreement, the agreement shall be interpreted to make the maximum
disclaimer or limitation permitted by the applicable state law. The invalidity
or unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do or cause
to occur: (a) distribution of this or any Project Gutenberg work, (b)
alteration, modification, or additions or deletions to any Project Gutenberg
work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project
Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic
works in formats readable by the widest variety of computers including
obsolete, old, middle-aged and new computers. It exists because of the
electronically in lieu of a refund. If the second copy is also defective, you
may demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR
FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or
the exclusion or limitation of certain types of damages. If any disclaimer or
limitation set forth in this agreement violates the law of the state applicable
to this agreement, the agreement shall be interpreted to make the maximum
disclaimer or limitation permitted by the applicable state law. The invalidity
or unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do or cause
to occur: (a) distribution of this or any Project Gutenberg work, (b)
alteration, modification, or additions or deletions to any Project Gutenberg
work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project
Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic
works in formats readable by the widest variety of computers including
obsolete, old, middle-aged and new computers. It exists because of the
Page 213
efforts of hundreds of volunteers and donations from people in all walks of
life.
Volunteers and financial support to provide volunteers with the assistance
they need are critical to reaching Project Gutenberg’s goals and ensuring
that the Project Gutenberg collection will remain freely available for
generations to come. In 2001, the Project Gutenberg Literary Archive
Foundation was created to provide a secure and permanent future for
Project Gutenberg and future generations. To learn more about the Project
Gutenberg Literary Archive Foundation and how your efforts and donations
can help, see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)
(3) educational corporation organized under the laws of the state of
Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541.
Contributions to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and your state’s
laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website and
official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project
Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely distributed
in machine-readable form accessible by the widest array of equipment
life.
Volunteers and financial support to provide volunteers with the assistance
they need are critical to reaching Project Gutenberg’s goals and ensuring
that the Project Gutenberg collection will remain freely available for
generations to come. In 2001, the Project Gutenberg Literary Archive
Foundation was created to provide a secure and permanent future for
Project Gutenberg and future generations. To learn more about the Project
Gutenberg Literary Archive Foundation and how your efforts and donations
can help, see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)
(3) educational corporation organized under the laws of the state of
Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541.
Contributions to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and your state’s
laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website and
official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project
Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely distributed
in machine-readable form accessible by the widest array of equipment
Page 214
including outdated equipment. Many small donations ($1 to $5,000) are
particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort,
much paperwork and many fees to meet and keep up with these
requirements. We do not solicit donations in locations where we have not
received written confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have
not met the solicitation requirements, we know of no prohibition against
accepting unsolicited donations from donors in such states who approach us
with offers to donate.
International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside the
United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods
and addresses. Donations are accepted in a number of other ways including
checks, online payments and credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg
electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg
concept of a library of electronic works that could be freely shared with
anyone. For forty years, he produced and distributed Project Gutenberg
eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions,
all of which are confirmed as not protected by copyright in the U.S. unless a
particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort,
much paperwork and many fees to meet and keep up with these
requirements. We do not solicit donations in locations where we have not
received written confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have
not met the solicitation requirements, we know of no prohibition against
accepting unsolicited donations from donors in such states who approach us
with offers to donate.
International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside the
United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods
and addresses. Donations are accepted in a number of other ways including
checks, online payments and credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg
electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg
concept of a library of electronic works that could be freely shared with
anyone. For forty years, he produced and distributed Project Gutenberg
eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions,
all of which are confirmed as not protected by copyright in the U.S. unless a
Page 215
copyright notice is included. Thus, we do not necessarily keep eBooks in
compliance with any particular paper edition.
Most people start at our website which has the main PG search facility:
www.gutenberg.org.
This website includes information about Project Gutenberg, including how
to make donations to the Project Gutenberg Literary Archive Foundation,
how to help produce our new eBooks, and how to subscribe to our email
newsletter to hear about new eBooks.
compliance with any particular paper edition.
Most people start at our website which has the main PG search facility:
www.gutenberg.org.
This website includes information about Project Gutenberg, including how
to make donations to the Project Gutenberg Literary Archive Foundation,
how to help produce our new eBooks, and how to subscribe to our email
newsletter to hear about new eBooks.