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Title: Mosses from an old manse

Author: Nathaniel Hawthorne

Release date: April 1, 1996 [eBook #512]
Most recently updated: November 9, 2022

Language: English

Other information and formats: www.gutenberg.org/ebooks/512

Credits: Charles Keller

*** START OF THE PROJECT GUTENBERG EBOOK MOSSES FROM
AN OLD MANSE ***

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Mosses from an Old Manse

by Nathaniel Hawthorne

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Contents

The Old Manse
The Birthmark
A Select Party
Young Goodman Brown
Rappaccini’s Daughter
Mrs. Bullfrog
Fire Worship
Buds and Bird Voices
Monsieur du Miroir
The Hall of Fantasy
The Celestial Railroad
The Procession of Life
Feathertop: A Moralized Legend
The New Adam and Eve
Egotism; or, The Bosom Serpent
The Christmas Banquet
Drowne’s Wooden Image
The Intelligence Office
Roger Malvin’s Burial
P.’s Correspondence
Earth’s Holocaust
Passages from a Relinquished Work
Sketches from Memory
The Old Apple Dealer
The Artist of the Beautiful

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A Virtuoso’s Collection

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THE OLD MANSE

The Author makes the Reader acquainted with his Abode.
Between two tall gate-posts of rough-hewn stone (the gate itself having
fallen from its hinges at some unknown epoch) we beheld the gray front of
the old parsonage, terminating the vista of an avenue of black-ash trees. It
was now a twelvemonth since the funeral procession of the venerable
clergyman, its last inhabitant, had turned from that gateway towards the
village burying-ground. The wheel-track leading to the door, as well as the
whole breadth of the avenue, was almost overgrown with grass, affording
dainty mouthfuls to two or three vagrant cows and an old white horse who
had his own living to pick up along the roadside. The glimmering shadows
that lay half asleep between the door of the house and the public highway
were a kind of spiritual medium, seen through which the edifice had not
quite the aspect of belonging to the material world. Certainly it had little in
common with those ordinary abodes which stand so imminent upon the
road that every passer-by can thrust his head, as it were, into the domestic
circle. From these quiet windows the figures of passing travellers looked
too remote and dim to disturb the sense of privacy. In its near retirement
and accessible seclusion, it was the very spot for the residence of a
clergyman,—a man not estranged from human life, yet enveloped, in the
midst of it, with a veil woven of intermingled gloom and brightness. It was
worthy to have been one of the time-honored parsonages of England, in
which, through many generations, a succession of holy occupants pass from
youth to age, and bequeath each an inheritance of sanctity to pervade the
house and hover over it as with an atmosphere.
Nor, in truth, had the Old Manse ever been profaned by a lay occupant
until that memorable summer afternoon when I entered it as my home. A
priest had built it; a priest had succeeded to it; other priestly men from time
to time had dwelt in it; and children born in its chambers had grown up to

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assume the priestly character. It was awful to reflect how many sermons
must have been written there. The latest inhabitant alone—he by whose
translation to paradise the dwelling was left vacant—had penned nearly
three thousand discourses, besides the better, if not the greater, number that
gushed living from his lips. How often, no doubt, had he paced to and fro
along the avenue, attuning his meditations to the sighs and gentle murmurs
and deep and solemn peals of the wind among the lofty tops of the trees! In
that variety of natural utterances he could find something accordant with
every passage of his sermon, were it of tenderness or reverential fear. The
boughs over my head seemed shadowy with solemn thoughts, as well as
with rustling leaves. I took shame to myself for having been so long a writer
of idle stories, and ventured to hope that wisdom would descend upon me
with the falling leaves of the avenue, and that I should light upon an
intellectual treasure in the Old Manse well worth those hoards of long-
hidden gold which people seek for in moss-grown houses. Profound
treatises of morality; a layman’s unprofessional, and therefore unprejudiced,
views of religion; histories (such as Bancroft might have written had he
taken up his abode here, as he once purposed) bright with picture, gleaming
over a depth of philosophic thought,—these were the works that might fitly
have flowed from such a retirement. In the humblest event, I resolved at
least to achieve a novel that should evolve some deep lesson, and should
possess physical substance enough to stand alone.
In furtherance of my design, and as if to leave me no pretext for not
fulfilling it, there was in the rear of the house the most delightful little nook
of a study that ever afforded its snug seclusion to a scholar. It was here that
Emerson wrote Nature; for he was then an inhabitant of the Manse, and
used to watch the Assyrian dawn and Paphian sunset and moonrise from the
summit of our eastern hill. When I first saw the room, its walls were
blackened with the smoke of unnumbered years, and made still blacker by
the grim prints of Puritan ministers that hung around. These worthies
looked strangely like bad angels, or at least like men who had wrestled so
continually and so sternly with the Devil that somewhat of his sooty
fierceness had been imparted to their own visages. They had all vanished
now; a cheerful coat of paint and golden-tinted paper-hangings lighted up
the small apartment; while the shadow of a willow-tree that swept against
the overhanging eaves atempered the cheery western sunshine. In place of
the grim prints there was the sweet and lovely head of one of Raphael’s

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Madonnas, and two pleasant little pictures of the Lake of Como. The only
other decorations were a purple vase of flowers, always fresh, and a bronze
one containing graceful ferns. My books (few, and by no means choice; for
they were chiefly such waifs as chance had thrown in my way) stood in
order about the room, seldom to be disturbed.
The study had three windows, set with little, old-fashioned panes of
glass, each with a crack across it. The two on the western side looked, or
rather peeped, between the willow branches, down into the orchard, with
glimpses of the river through the trees. The third, facing northward,
commanded a broader view of the river, at a spot where its hitherto obscure
waters gleam forth into the light of history. It was at this window that the
clergyman who then dwelt in the Manse stood watching the outbreak of a
long and deadly struggle between two nations; he saw the irregular array of
his parishioners on the farther side of the river, and the glittering line of the
British on the hither bank. He awaited, in an agony of suspense, the rattle of
the musketry. It came; and there needed but a gentle wind to sweep the
battle-smoke around this quiet house.
Perhaps the reader, whom I cannot help considering as my guest in the
Old Manse, and entitled to all courtesy in the way of sight-showing,—
perhaps he will choose to take a nearer view of the memorable spot. We
stand now on the river’s brink. It may well be called the Concord,—the
river of peace and quietness; for it is certainly the most unexcitable and
sluggish stream that ever loitered imperceptibly towards its eternity,—the
sea. Positively I had lived three weeks beside it before it grew quite clear to
my perception which way the current flowed. It never has a vivacious
aspect, except when a northwestern breeze is vexing its surface on a
sunshiny day. From the incurable indolence of its nature, the stream is
happily incapable of becoming the slave of human ingenuity, as is the fate
of so many a wild, free mountain torrent. While all things else are
compelled to subserve some useful purpose, it idles its sluggish life away in
lazy liberty, without turning a solitary spindle or affording even water-
power enough to grind the corn that grows upon its banks. The torpor of its
movement allows it nowhere a bright, pebbly shore, nor so much as a
narrow strip of glistening sand, in any part of its course. It slumbers
between broad prairies, kissing the long meadow grass, and bathes the
overhanging boughs of elder-bushes and willows, or the roots of elms and
ash-trees and clumps of maples. Flags and rushes grow along its plashy

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shore; the yellow water-lily spreads its broad, flat leaves on the margin; and
the fragrant white pond-lily abounds, generally selecting a position just so
far from the river’s brink that it cannot be grasped save at the hazard of
plunging in.
It is a marvel whence this perfect flower derives its loveliness and
perfume, springing as it does from the black mud over which the river
sleeps, and where lurk the slimy eel, and speckled frog, and the mud-turtle,
whom continual washing cannot cleanse. It is the very same black mud out
of which the yellow lily sucks its obscene life and noisome odor. Thus we
see, too, in the world that some persons assimilate only what is ugly and
evil from the same moral circumstances which supply good and beautiful
results—the fragrance of celestial flowers—to the daily life of others.
The reader must not, from any testimony of mine, contract a dislike
towards our slumberous stream. In the light of a calm and golden sunset it
becomes lovely beyond expression; the more lovely for the quietude that so
well accords with the hour, when even the wind, after blustering all day
long, usually hushes itself to rest. Each tree and rock and every blade of
grass is distinctly imaged, and, however unsightly in reality, assumes ideal
beauty in the reflection. The minutest things of earth and the broad aspect of
the firmament are pictured equally without effort and with the same felicity
of success. All the sky glows downward at our feet; the rich clouds float
through the unruffled bosom of the stream like heavenly thoughts through a
peaceful heart. We will not, then, malign our river as gross and impure
while it can glorify itself with so adequate a picture of the heaven that
broods above it; or, if we remember its tawny hue and the muddiness of its
bed, let it be a symbol that the earthiest human soul has an infinite spiritual
capacity and may contain the better world within its depths. But, indeed, the
same lesson might be drawn out of any mud-puddle in the streets of a city;
and, being taught us everywhere, it must be true.
Come, we have pursued a somewhat devious track in our walk to the
battle-ground. Here we are, at the point where the river was crossed by the
old bridge, the possession of which was the immediate object of the contest.
On the hither side grow two or three elms, throwing a wide circumference
of shade, but which must have been planted at some period within the
threescore years and ten that have passed since the battle-day. On the farther
shore, overhung by a clump of elder-bushes, we discern the stone abutment

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of the bridge. Looking down into the river, I once discovered some heavy
fragments of the timbers, all green with half a century’s growth of water-
moss; for during that length of time the tramp of horses and human
footsteps have ceased along this ancient highway. The stream has here
about the breadth of twenty strokes of a swimmer’s arm,—a space not too
wide when the bullets were whistling across. Old people who dwell
hereabouts will point out, the very spots on the western bank where our
countrymen fell down and died; and on this side of the river an obelisk of
granite has grown up from the soil that was fertilized with British blood.
The monument, not more than twenty feet in height, is such as it befitted
the inhabitants of a village to erect in illustration of a matter of local interest
rather than what was suitable to commemorate an epoch of national history.
Still, by the fathers of the village this famous deed was done; and their
descendants might rightfully claim the privilege of building a memorial.
A humbler token of the fight, yet a more interesting one than the granite
obelisk, may be seen close under the stone wall which separates the battle-
ground from the precincts of the parsonage. It is the grave,—marked by a
small, mossgrown fragment of stone at the head and another at the foot,—
the grave of two British soldiers who were slain in the skirmish, and have
ever since slept peacefully where Zechariah Brown and Thomas Davis
buried them. Soon was their warfare ended; a weary night-march from
Boston, a rattling volley of musketry across the river, and then these many
years of rest. In the long procession of slain invaders who passed into
eternity from the battle-fields of the Revolution, these two nameless
soldiers led the way.
Lowell, the poet, as we were once standing over this grave, told me a
tradition in reference to one of the inhabitants below. The story has
something deeply impressive, though its circumstances cannot altogether be
reconciled with probability. A youth in the service of the clergyman
happened to be chopping wood, that April morning, at the back door of the
Manse; and when the noise of battle rang from side to side of the bridge, he
hastened across the intervening field to see what might be going forward. It
is rather strange, by the way, that this lad should have been so diligently at
work when the whole population of town and country were startled out of
their customary business by the advance of the British troops. Be that as it
might, the tradition, says that the lad now left his task and hurried to the
battle-field with the axe still in his hand. The British had by this time

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retreated; the Americans were in pursuit; and the late scene of strife was
thus deserted by both parties. Two soldiers lay on the ground,—one was a
corpse; but, as the young New-Englander drew nigh, the other Briton raised
himself painfully upon his hands and knees and gave a ghastly stare into his
face. The boy,—it must have been a nervous impulse, without purpose,
without thought, and betokening a sensitive and impressible nature rather
than a hardened one,—the boy uplifted his axe and dealt the wounded
soldier a fierce and fatal blow upon the head.
I could wish that the grave might be opened; for I would fain know
whether either of the skeleton soldiers has the mark of an axe in his skull.
The story comes home to me like truth. Oftentimes, as an intellectual and
moral exercise, I have sought to follow that poor youth through his
subsequent career and observe how his soul was tortured by the blood-stain,
contracted as it had been before the long custom of war had robbed human
life of its sanctity and while it still seemed murderous to slay a brother man.
This one circumstance has borne more fruit for me than all that history tells
us of the fight.
Many strangers come in the summer-time to view the battle-ground. For
my own part, I have never found my imagination much excited by this or
any other scene of historic celebrity; nor would the placid margin of the
river have lost any of its charm for me, had men never fought and died
there. There is a wilder interest in the tract of land-perhaps a hundred yards
in breadth—which extends between the battle-field and the northern face of
our Old Manse, with its contiguous avenue and orchard. Here, in some
unknown age, before the white man came, stood an Indian village,
convenient to the river, whence its inhabitants must have drawn so large a
part of their substance. The site is identified by the spear and arrow-heads,
the chisels, and other implements of war, labor, and the chase, which the
plough turns up from the soil. You see a splinter of stone, half hidden
beneath a sod; it looks like nothing worthy of note; but, if you have faith
enough to pick it up, behold a relic! Thoreau, who has a strange faculty of
finding what the Indians have left behind them, first set me on the search;
and I afterwards enriched myself with some very perfect specimens, so
rudely wrought that it seemed almost as if chance had fashioned them.
Their great charm consists in this rudeness and in the individuality of each
article, so different from the productions of civilized machinery, which
shapes everything on one pattern. There is exquisite delight, too, in picking

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up for one’s self an arrow-head that was dropped centuries ago and has
never been handled since, and which we thus receive directly from the hand
of the red hunter, who purposed to shoot it at his game or at an enemy. Such
an incident builds up again the Indian village and its encircling forest, and
recalls to life the painted chiefs and warriors, the squaws at their household
toil, and the children sporting among the wigwams, while the little wind-
rocked pappose swings from the branch of a tree. It can hardly be told
whether it is a joy or a pain, after such a momentary vision, to gaze around
in the broad daylight of reality and see stone fences, white houses, potato-
fields, and men doggedly hoeing in their shirt-sleeves and homespun
pantaloons. But this is nonsense. The Old Manse is better than a thousand
wigwams.
The Old Manse! We had almost forgotten it, but will return thither
through the orchard. This was set out by the last clergyman, in the decline
of his life, when the neighbors laughed at the hoary-headed man for
planting trees from which he could have no prospect of gathering fruit.
Even had that been the case, there was only so much the better motive for
planting them, in the pure and unselfish hope of benefiting his successors,
—an end so seldom achieved by more ambitious efforts. But the old
minister, before reaching his patriarchal age of ninety, ate the apples from
this orchard during many years, and added silver and gold to his annual
stipend by disposing of the superfluity. It is pleasant to think of him
walking among the trees in the quiet afternoons of early autumn and
picking up here and there a windfall, while he observes how heavily the
branches are weighed down, and computes the number of empty flour-
barrels that will be filled by their burden. He loved each tree, doubtless, as
if it had been his own child. An orchard has a relation to mankind, and
readily connects itself with matters of the heart. The trees possess a
domestic character; they have lost the wild nature of their forest kindred,
and have grown humanized by receiving the care of man as well as by
contributing to his wants. There, is so much individuality of character, too,
among apple trees, that it gives them all additional claim to be the objects of
human interest. One is harsh and crabbed in its manifestations; another
gives us fruit as mild as charity. One is churlish and illiberal, evidently
grudging the few apples that it bears; another exhausts itself in free-hearted
benevolence. The variety of grotesque shapes into which apple, trees
contort themselves has its effect on those who get acquainted with them:

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they stretch out their crooked branches, and take such hold of the
imagination, that we remember them as humorists and odd fellows. And
what is more melancholy than the old apple-trees that linger about the spot
where once stood a homestead, but where there is now only a ruined
chimney rising out of a grassy and weed-grown cellar? They offer their fruit
to every wayfarer,—apples that are bitter sweet with the moral of Time’s
vicissitude.
I have met with no other such pleasant trouble in the world as that of
finding myself, with only the two or three mouths which it was my
privilege to feed, the sole inheritor of the old clergyman’s wealth of fruits.
Throughout the summer there were cherries and currants; and then came
Autumn, with his immense burden of apples, dropping them continually
from his over-laden shoulders as he trudged along. In the stillest afternoon,
if I listened, the thump of a great apple was audible, falling without a breath
of wind, from the mere necessity of perfect ripeness. And, besides, there
were pear-trees, that flung down bushels upon bushels of heavy pears; and
peach-trees, which, in a good year, tormented me with peaches, neither to
be eaten nor kept, nor, without labor and perplexity, to be given away. The
idea of an infinite generosity and exhaustless bounty on the part of our
Mother Nature was well worth obtaining through such cares as these. That
feeling can be enjoyed in perfection only by the natives of summer islands,
where the bread-fruit, the cocoa, the palm, and the orange grow
spontaneously and hold forth the ever-ready meal; but likewise almost as
well by a man long habituated to city life, who plunges into such a solitude
as that of the Old Manse, where he plucks the fruit of trees that he did not
plant, and which therefore, to my heterodox taste, bear the closest
resemblance to those that grew in Eden. It has been an apothegm these five
thousand years, that toil sweetens the bread it earns. For my part (speaking
from hard experience, acquired while belaboring the rugged furrows of
Brook Farm), I relish best the free gifts of Providence.
Not that it can be disputed that the light toil requisite to cultivate a
moderately sized garden imparts such zest to kitchen vegetables as is never
found in those of the market-gardener. Childless men, if they would know
something of the bliss of paternity, should plant a seed,—be it squash, bean,
Indian corn, or perhaps a mere flower or worthless weed,—should plant it
with their own hands, and nurse it from infancy to maturity altogether by
their own care. If there be not too many of them, each individual plant

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becomes an object of separate interest. My garden, that skirted the avenue
of the Manse, was of precisely the right extent. An hour or two of morning
labor was all that it required. But I used to visit and revisit it a dozen times
a day, and stand in deep contemplation over my vegetable progeny with a
love that nobody could share or conceive of who had never taken part in the
process of creation. It was one of the most bewitching sights in the world to
observe a hill of beans thrusting aside the soil, or a row of early peas just
peeping forth sufficiently to trace a line of delicate green. Later in the
season the humming-birds were attracted by the blossoms of a peculiar
variety of bean; and they were a joy to me, those little spiritual visitants, for
deigning to sip airy food out of my nectar-cups. Multitudes of bees used to
bury themselves in the yellow blossoms of the summer-squashes. This, too,
was a deep satisfaction; although, when they had laden themselves with
sweets, they flew away to some unknown hive, which would give back
nothing in requital of what my garden had contributed. But I was glad thus
to fling a benefaction upon the passing breeze with the certainty that
somebody must profit by it and that there would be a little more honey in
the world to allay the sourness and bitterness which mankind is always
complaining of. Yes, indeed; my life was the sweeter for that honey.
Speaking of summer-squashes, I must say a word of their beautiful and
varied forms. They presented an endless diversity of urns and vases,
shallow or deep, scalloped or plain, moulded in patterns which a sculptor
would do well to copy, since Art has never invented anything more
graceful. A hundred squashes in the garden were worth, in my eyes at least,
of being rendered indestructible in marble. If ever Providence (but I know it
never will) should assign me a superfluity of gold, part of it shall be
expended for a service of plate, or most delicate porcelain, to be wrought
into the shapes of summer-squashes gathered from vines which I will plant
with my own hands. As dishes for containing vegetables, they would be
peculiarly appropriate.
But not merely the squeamish love of the beautiful was gratified by my
toil in the kitchen-garden. There was a hearty enjoyment, likewise, in
observing the growth of the crook-necked winter-squashes from the first
little bulb, with the withered blossom adhering to it, until they lay strewn
upon the soil, big, round fellows, hiding their heads beneath the leaves, but
turning up their great yellow rotundities to the noontide sun. Gazing at
them, I felt that by my agency something worth living for had been done. A

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new substance was born into the world. They were real and tangible
existences, which the mind could seize hold of and rejoice in. A cabbage,
too,—especially the early Dutch cabbage, which swells to a monstrous
circumference, until its ambitious heart often bursts asunder,—is a matter to
be proud of when we can claim a share with the earth and sky in producing
it. But, after all, the hugest pleasure is reserved until these vegetable
children of ours are smoking on the table, and we, like Saturn, make a meal
of them.
What with the river, the battle-field, the orchard, and the garden, the
reader begins to despair of finding his way back into the Old Manse. But, in
agreeable weather, it is the truest hospitality to keep him out of doors. I
never grew quite acquainted with my habitation till a long spell of sulky
rain had confined me beneath its roof. There could not be a more sombre
aspect of external nature than as then seen from the windows of my study.
The great willow-tree had caught and retained among its leaves a whole
cataract of water, to be shaken down at intervals by the frequent gusts of
wind. All day long, and for a week together, the rain was drip-drip-dripping
and splash-splash-splashing from the eaves and bubbling and foaming into
the tubs beneath the spouts. The old, unpainted shingles of the house and
outbuildings were black with moisture; and the mosses of ancient growth
upon the walls looked green and fresh, as if they were the newest things and
afterthought of Time. The usually mirrored surface of the river was blurred
by an infinity of raindrops; the whole landscape had a completely water-
soaked appearance, conveying the impression that the earth was wet
through like a sponge; while the summit of a wooded hill, about a mile
distant, was enveloped in a dense mist, where the demon of the tempest
seemed to have his abiding-place and to be plotting still direr inclemencies.
Nature has no kindness, no hospitality, during a rain. In the fiercest beat
of sunny days she retains a secret mercy, and welcomes the wayfarer to
shady nooks of the woods whither the sun cannot penetrate; but she
provides no shelter against her storms. It makes us shiver to think of those
deep, umbrageous recesses, those overshadowing banks, where we found
such enjoyment during the sultry afternoons. Not a twig of foliage there but
would dash a little shower into our faces. Looking reproachfully towards
the impenetrable sky,—if sky there be above that dismal uniformity of
cloud,—we are apt to murmur against the whole system of the universe,
since it involves the extinction of so many summer days in so short a life by

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the hissing and spluttering rain. In such spells of weather,—and it is to be
supposed such weather came,—Eve’s bower in paradise must have been but
a cheerless and aguish kind of shelter, nowise comparable to the old
parsonage, which had resources of its own to beguile the week’s
imprisonment. The idea of sleeping on a couch of wet roses!
Happy the man who in a rainy day can betake himself to a huge garret,
stored, like that of the Manse, with lumber that each generation has left
behind it from a period before the Revolution. Our garret was an arched
hall, dimly illuminated through small and dusty windows; it was but a
twilight at the best; and there were nooks, or rather caverns, of deep
obscurity, the secrets of which I never learned, being too reverent of their
dust and cobwebs. The beams and rafters, roughly hewn and with strips of
bark still on them, and the rude masonry of the chimneys, made the garret
look wild and uncivilized, an aspect unlike what was seen elsewhere in the
quiet and decorous old house. But on one side there was a little
whitewashed apartment, which bore the traditionary title of the Saint’s
Chamber, because holy men in their youth had slept, and studied, and
prayed there. With its elevated retirement, its one window, its small
fireplace, and its closet convenient for an oratory, it was the very spot where
a young man might inspire himself with solemn enthusiasm and cherish
saintly dreams. The occupants, at various epochs, had left brief records and
ejaculations inscribed upon the walls. There, too, hung a tattered and
shrivelled roll of canvas, which on inspection proved to be the forcibly
wrought picture of a clergyman, in wig, band, and gown, holding a Bible in
his hand. As I turned his face towards the light, he eyed me with an air of
authority such as men of his profession seldom assume in our days. The
original had been pastor of the parish more than a century ago, a friend of
Whitefield, and almost his equal in fervid eloquence. I bowed before the
effigy of the dignified divine, and felt as if I had now met face to face with
the ghost by whom, as there was reason to apprehend, the Manse was
haunted.
Houses of any antiquity in New England are so invariably possessed with
spirits that the matter seems hardly worth alluding to. Our ghost used to
heave deep sighs in a particular corner of the parlor, and sometimes rustled
paper, as if he were turning over a sermon in the long upper entry,—where
nevertheless he was invisible, in spite of the bright moonshine that fell
through the eastern window. Not improbably he wished me to edit and

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publish a selection from a chest full of manuscript discourses that stood in
the garret. Once, while Hillard and other friends sat talking with us in the
twilight, there came a rustling noise as of a minister’s silk gown, sweeping
through the very midst of the company, so closely as almost to brush
against the chairs. Still there was nothing visible. A yet stranger business
was that of a ghostly servant-maid, who used to be heard in the kitchen at
deepest midnight, grinding coffee, cooking, ironing,—performing, in short,
all kinds of domestic labor,—although no traces of anything accomplished
could be detected the next morning. Some neglected duty of her servitude,
some ill-starched ministerial band, disturbed the poor damsel in her grave
and kept her at work without any wages.
But to return from this digression. A part of my predecessor’s library was
stored in the garret,—no unfit receptacle indeed for such dreary trash as
comprised the greater number of volumes. The old books would have been
worth nothing at an auction. In this venerable garret, however, they
possessed an interest, quite apart from their literary value, as heirlooms,
many of which had been transmitted down through a series of consecrated
hands from the days of the mighty Puritan divines. Autographs of famous
names were to be seen in faded ink on some of their fly-leaves; and there
were marginal observations or interpolated pages closely covered with
manuscript in illegible shorthand, perhaps concealing matter of profound
truth and wisdom. The world will never be the better for it. A few of the
books were Latin folios, written by Catholic authors; others demolished
Papistry, as with a sledge-hammer, in plain English. A dissertation on the
Book of Job—which only Job himself could have had patience to read—
filled at least a score of small, thick-set quartos, at the rate of two or three
volumes to a chapter. Then there was a vast folio body of divinity,—too
corpulent a body, it might be feared, to comprehend the spiritual element of
religion. Volumes of this form dated back two hundred years or more, and
were generally bound in black leather, exhibiting precisely such an
appearance as we should attribute to books of enchantment. Others equally
antique were of a size proper to be carried in the large waistcoat pockets of
old times,—diminutive, but as black as their bulkier brethren, and
abundantly interfused with Greek and Latin quotations. These little old
volumes impressed me as if they had been intended for very large ones, but
had been unfortunately blighted at an early stage of their growth.

Page 19

The rain pattered upon the roof and the sky gloomed through the dusty
garret-windows while I burrowed among these venerable books in search of
any living thought which should burn like a coal of fire or glow like an
inextinguishable gem beneath the dead trumpery that had long hidden it.
But I found no such treasure; all was dead alike; and I could not but muse
deeply and wonderingly upon the humiliating fact that the works of man’s
intellect decay like those of his hands. Thought grows mouldy. What was
good and nourishing food for the spirits of one generation affords no
sustenance for the next. Books of religion, however, cannot be considered a
fair test of the enduring and vivacious properties of human thought, because
such books so seldom really touch upon their ostensible subject, and have,
therefore, so little business to be written at all. So long as an unlettered soul
can attain to saving grace there would seem to be no deadly error in holding
theological libraries to be accumulations of, for the most part, stupendous
impertinence.
Many of the books had accrued in the latter years of the last clergyman’s
lifetime. These threatened to be of even less interest than the elder works a
century hence to any curious inquirer who should then rummage then as I
was doing now. Volumes of the Liberal Preacher and Christian Examiner,
occasional sermons, controversial pamphlets, tracts, and other productions
of a like fugitive nature, took the place of the thick and heavy volumes of
past time. In a physical point of view, there was much the same difference
as between a feather and a lump of lead; but, intellectually regarded, the
specific gravity of old and new was about upon a par. Both also were alike
frigid. The elder books nevertheless seemed to have been earnestly written,
and might be conceived to have possessed warmth at some former period;
although, with the lapse of time, the heated masses had cooled down even
to the freezing-point. The frigidity of the modern productions, on the other
hand, was characteristic and inherent, and evidently had little to do with the
writer’s qualities of mind and heart. In fine, of this whole dusty heap of
literature I tossed aside all the sacred part, and felt myself none the less a
Christian for eschewing it. There appeared no hope of either mounting to
the better world on a Gothic staircase of ancient folios or of flying thither
on the wings of a modern tract.
Nothing, strange to say, retained any sap except what had been written
for the passing day and year, without the remotest pretension or idea of
permanence. There were a few old newspapers, and still older almanacs,

Page 20

which reproduced to my mental eye the epochs when they had issued from
the press with a distinctness that was altogether unaccountable. It was as if I
had found bits of magic looking-glass among the books with the images of
a vanished century in them. I turned my eyes towards the tattered picture
above mentioned, and asked of the austere divine wherefore it was that he
and his brethren, after the most painful rummaging and groping into their
minds, had been able to produce nothing half so real as these newspaper
scribblers and almanac-makers had thrown off in the effervescence of a
moment. The portrait responded not; so I sought an answer for myself. It is
the age itself that writes newspapers and almanacs, which therefore have a
distinct purpose and meaning at the time, and a kind of intelligible truth for
all times; whereas most other works—being written by men who, in the
very act, set themselves apart from their age—are likely to possess little
significance when new, and none at all when old. Genius, indeed, melts
many ages into one, and thus effects something permanent, yet still with a
similarity of office to that of the more ephemeral writer. A work of genius is
but the newspaper of a century, or perchance of a hundred centuries.
Lightly as I have spoken of these old books, there yet lingers with me a
superstitious reverence for literature of all kinds. A bound volume has a
charm in my eyes similar to what scraps of manuscript possess for the good
Mussulman. He imagines that those wind-wafted records are perhaps
hallowed by some sacred verse; and I, that every new book or antique one
may contain the “open sesame,”—the spell to disclose treasures hidden in
some unsuspected cave of Truth. Thus it was not without sadness that I
turned away from the library of the Old Manse.
Blessed was the sunshine when it came again at the close of another
stormy day, beaming from the edge of the western horizon; while the
massive firmament of clouds threw down all the gloom it could, but served
only to kindle the golden light into a more brilliant glow by the strongly
contrasted shadows. Heaven smiled at the earth, so long unseen, from
beneath its heavy eyelid. To-morrow for the hill-tops and the woodpaths.
Or it might be that Ellery Charming came up the avenue to join me in a
fishing excursion on the river. Strange and happy times were those when we
cast aside all irksome forms and strait-laced habitudes and delivered
ourselves up to the free air, to live like the Indians or any less conventional
race during one bright semicircle of the sun. Rowing our boat against the

Page 21

current, between wide meadows, we turned aside into the Assabeth. A more
lovely stream than this, for a mile above its junction with the Concord, has
never flowed on earth, nowhere, indeed, except to lave the interior regions
of a poet’s imagination. It is sheltered from the breeze by woods and a
hillside; so that elsewhere there might be a hurricane, and here scarcely a
ripple across the shaded water. The current lingers along so gently that the
mere force of the boatman’s will seems sufficient to propel his craft against
it. It comes flowing softly through the midmost privacy and deepest heart of
a wood which whispers it to be quiet; while the stream whispers back again
from its sedgy borders, as if river and wood were hushing one another to
sleep. Yes; the river sleeps along its course and dreams of the sky and of the
clustering foliage, amid which fall showers of broken sunlight, imparting
specks of vivid cheerfulness, in contrast with the quiet depth of the
prevailing tint. Of all this scene, the slumbering river has a dream-picture in
its bosom. Which, after all, was the most real,—the picture, or the original?
—the objects palpable to our grosser senses, or their apotheosis in the
stream beneath? Surely the disembodied images stand in closer relation to
the soul. But both the original and the reflection had here an ideal charm;
and, had it been a thought more wild, I could have fancied that this river
had strayed forth out of the rich scenery of my companion’s inner world;
only the vegetation along its banks should then have had an Oriental
character.
Gentle and unobtrusive as the river is, yet the tranquil woods seem hardly
satisfied to allow it passage. The trees are rooted on the very verge of the
water, and dip their pendent branches into it. At one spot there is a lofty
bank, on the slope of which grow some hemlocks, declining across the
stream with outstretched arms, as if resolute to take the plunge. In other
places the banks are almost on a level with the water; so that the quiet
congregation of trees set their feet in the flood, and are Fringed with foliage
down to the surface. Cardinal-flowers kindle their spiral flames and
illuminate the dark nooks among the shrubbery. The pond-lily grows
abundantly along the margin,—that delicious flower which, as Thoreau tells
me, opens its virgin bosom to the first sunlight and perfects its being
through the magic of that genial kiss. He has beheld beds of them unfolding
in due succession as the sunrise stole gradually from flower to flower,—a
sight not to be hoped for unless when a poet adjusts his inward eye to a
proper focus with the outward organ. Grapevines here and there twine

Page 22

themselves around shrub and tree and hang their clusters over the water
within reach of the boatman’s hand. Oftentimes they unite two trees of alien
race in an inextricable twine, marrying the hemlock and the maple against
their will and enriching them with a purple offspring of which neither is the
parent. One of these ambitious parasites has climbed into the upper
branches of a tall white-pine, and is still ascending from bough to bough,
unsatisfied till it shall crown the tree’s airy summit with a wreath of its
broad foliage and a cluster of its grapes.
The winding course of the stream continually shut out the scene behind
us and revealed as calm and lovely a one before. We glided from depth to
depth, and breathed new seclusion at every turn. The shy kingfisher flew
from the withered branch close at hand to another at a distance, uttering a
shrill cry of anger or alarm. Ducks that had been floating there since the
preceding eve were startled at our approach and skimmed along the glassy
river, breaking its dark surface with a bright streak. The pickerel leaped
from among the lilypads. The turtle, sunning itself upon a rock or at the root
of a tree, slid suddenly into the water with a plunge. The painted Indian who
paddled his canoe along the Assabeth three hundred years ago could hardly
have seen a wilder gentleness displayed upon its banks and reflected in its
bosom than we did. Nor could the same Indian have prepared his noontide
meal with more simplicity. We drew up our skiff at some point where the
overarching shade formed a natural bower, and there kindled a fire with the
pine cones and decayed branches that lay strewn plentifully around. Soon
the smoke ascended among the trees, impregnated with a savory incense,
not heavy, dull, and surfeiting, like the steam of cookery within doors, but
sprightly and piquant. The smell of our feast was akin to the woodland
odors with which it mingled: there was no sacrilege committed by our
intrusion there: the sacred solitude was hospitable, and granted us free leave
to cook and eat in the recess that was at once our kitchen and banqueting-
hall. It is strange what humble offices may be performed in a beautiful
scene without destroying its poetry. Our fire, red gleaming among the trees,
and we beside it, busied with culinary rites and spreading out our meal on a
mossgrown log, all seemed in unison with the river gliding by and the
foliage rustling over us. And, what was strangest, neither did our mirth
seem to disturb the propriety of the solemn woods; although the hobgoblins
of the old wilderness and the will-of-the-wisps that glimmered in the
marshy places might have come trooping to share our table-talk and have

Page 23

added their shrill laughter to our merriment. It was the very spot in which to
utter the extremest nonsense or the profoundest wisdom, or that ethereal
product of the mind which partakes of both, and may become one or the
other, in correspondence with the faith and insight of the auditor.
So, amid sunshine and shadow, rustling leaves and sighing waters, up
gushed our talk like the babble of a fountain. The evanescent spray was
Ellery’s; and his, too, the lumps of golden thought that lay glimmering in
the fountain’s bed and brightened both our faces by the reflection. Could he
have drawn out that virgin gold, and stamped it with the mint-mark that
alone gives currency, the world might have had the profit, and he the fame.
My mind was the richer merely by the knowledge that it was there. But the
chief profit of those wild days, to him and me, lay not in any definite idea,
not in any angular or rounded truth, which we dug out of the shapeless mass
of problematical stuff, but in the freedom which we thereby won from all
custom and conventionalism and fettering influences of man on man. We
were so free to-day that it was impossible to be slaves again to-morrow.
When we crossed the threshold of the house or trod the thronged pavements
of a city, still the leaves of the trees that overhang the Assabeth were
whispering to us, “Be free! be free!” Therefore along that shady river-bank
there are spots, marked with a heap of ashes and half-consumed brands,
only less sacred in my remembrance than the hearth of a household fire.
And yet how sweet, as we floated homeward adown the golden river at
sunset,—how sweet was it to return within the system of human society, not
as to a dungeon and a chain, but as to a stately edifice, whence we could go
forth at will into state—her simplicity! How gently, too, did the sight of the
Old Manse, best seen from the river, overshadowed with its willow and all
environed about with the foliage of its orchard and avenue,—how gently
did its gray, homely aspect rebuke the speculative extravagances of the day!
It had grown sacred in connection with the artificial life against which we
inveighed; it had been a home for many years, in spite of all; it was my
home too; and, with these thoughts, it seemed to me that all the artifice and
conventionalism of life was but an impalpable thinness upon its surface,
and that the depth below was none the worse for it. Once, as we turned our
boat to the bank, there was a cloud, in the shape of an immensely gigantic
figure of a hound, couched above the house, as if keeping guard over it.
Gazing at this symbol, I prayed that the upper influences might long protect
the institutions that had grown out of the heart of mankind.

Page 24

If ever my readers should decide to give up civilized life, cities, houses,
and whatever moral or material enormities in addition to these the perverted
ingenuity of our race has contrived, let it be in the early autumn. Then
Nature will love him better than at any other season, and will take him to
her bosom with a more motherly tenderness. I could scarcely endure the
roof of the old house above me in those first autumnal days. How early in
the summer, too, the prophecy of autumn comes! Earlier in some years than
in others; sometimes even in the first weeks of July. There is no other
feeling like what is caused by this faint, doubtful, yet real perception—if it
be not rather a foreboding—of the year’s decay, so blessedly sweet and sad
in the same breath.
Did I say that there was no feeling like it? Ah, but there is a half-
acknowledged melancholy like to this when we stand in the perfected vigor
of our life and feel that Time has now given us all his flowers, and that the
next work of his never-idle fingers must be to steal them one by one away.
I have forgotten whether the song of the cricket be not as early a token of
autumn’s approach as any other,—that song which may be called an audible
stillness; for though very loud and heard afar, yet the mind does not take
note of it as a sound, so completely is its individual existence merged
among the accompanying characteristics of the season. Alas for the pleasant
summertime! In August the grass is still verdant on the hills and in the
valleys; the foliage of the trees is as dense as ever and as green; the flowers
gleam forth in richer abundance along the margin of the river and by the
stone walls and deep among the woods; the days, too, are as fervid now as
they were a month ago; and yet in every breath of wind and in every beam
of sunshine we hear the whispered farewell and behold the parting smile of
a dear friend. There is a coolness amid all the heat, a mildness in the blazing
noon. Not a breeze can stir but it thrills us with the breath of autumn. A
pensive glory is seen in the far, golden gleams, among the shadows of the
trees. The flowers—even the brightest of them, and they are the most
gorgeous of the year—have this gentle sadness wedded to their pomp, and
typify the character of the delicious time each within itself. The brilliant
cardinal-flower has never seemed gay to me.
Still later in the season Nature’s tenderness waxes stronger. It is
impossible not to be fond of our mother now; for she is so fond of us! At
other periods she does not make this impression on me, or only at rare

Page 25

intervals; but in those genial days of autumn, when she has perfected her
harvests and accomplished every needful thing that was given her to do,
then she overflows with a blessed superfluity of love. She has leisure to
caress her children now. It is good to be alive and at such times. Thank
Heaven for breath—yes, for mere breath—when it is made up of a heavenly
breeze like this! It comes with a real kiss upon our cheeks; it would linger
fondly around us if it might; but, since it must be gone, it embraces us with
its whole kindly heart and passes onward to embrace likewise the next thing
that it meets. A blessing is flung abroad and scattered far and wide over the
earth, to be gathered up by all who choose. I recline upon the still
unwithered grass and whisper to myself, “O perfect day! O beautiful world!
O beneficent God!” And it is the promise of a blessed eternity; for our
Creator would never have made such lovely days and have given us the
deep hearts to enjoy them, above and beyond all thought, unless we were
meant to be immortal. This sunshine is the golden pledge thereof. It beams
through the gates of paradise and shows us glimpses far inward.
By and by, in a little time, the outward world puts on a drear austerity. On
some October morning there is a heavy hoarfrost on the grass and along the
tops of the fences; and at sunrise the leaves fall from the trees of our
avenue, without a breath of wind, quietly descending by their own weight.
All summer long they have murmured like the noise of waters; they have
roared loudly while the branches were wrestling with the thunder-gust; they
have made music both glad and solemn; they have attuned my thoughts by
their quiet sound as I paced to and fro beneath the arch of intermingling
boughs. Now they can only rustle under my feet. Henceforth the gray
parsonage begins to assume a larger importance, and draws to its fireside,—
for the abomination of the air-tight stove is reserved till wintry weather,—
draws closer and closer to its fireside the vagrant impulses that had gone
wandering about through the summer.
When summer was dead and buried the Old Manse became as lonely as a
hermitage. Not that ever—in my time at least—it had been thronged with
company; but, at no rare intervals, we welcomed some friend out of the
dusty glare and tumult of the world, and rejoiced to share with him the
transparent obscurity that was floating over us. In one respect our precincts
were like the Enchanted Ground through which the pilgrim travelled on his
way to the Celestial City. The guests, each and all, felt a slumberous
influence upon them; they fell asleep in chairs, or took a more deliberate

Page 26

siesta on the sofa, or were seen stretched among the shadows of the orchard,
looking up dreamily through the boughs. They could not have paid a more
acceptable compliment to my abode nor to my own qualities as a host. I
held it as a proof that they left their cares behind them as they passed
between the stone gate-posts at the entrance of our avenue, and that the so
powerful opiate was the abundance of peace and quiet within and all around
us. Others could give them pleasure and amusement or instruction,—these
could be picked up anywhere; but it was for me to give them rest,—rest in a
life of trouble. What better could be done for those weary and world-worn
spirits?—for him whose career of perpetual action was impeded and
harassed by the rarest of his powers and the richest of his acquirements?—
for another who had thrown his ardent heart from earliest youth into the
strife of politics, and now, perchance, began to suspect that one lifetime is
too brief for the accomplishment of any lofty aim?—for her oil whose
feminine nature had been imposed the heavy gift of intellectual power, such
as a strong man might have staggered under, and with it the necessity to act
upon the world?—in a word, not to multiply instances, what better could be
done for anybody who came within our magic circle than to throw the spell
of a tranquil spirit over him? And when it had wrought its full effect, then
we dismissed him, with but misty reminiscences, as if he had been
dreaming of us.
Were I to adopt a pet idea as so many people do, and fondle it in my
embraces to the exclusion of all others, it would be, that the great want
which mankind labors under at this present period is sleep. The world
should recline its vast head on the first convenient pillow and take an age-
long nap. It has gone distracted through a morbid activity, and, while
preternaturally wide awake, is nevertheless tormented by visions that seem
real to it now, but would assume their true aspect and character were all
things once set right by an interval of sound repose. This is the only method
of getting rid of old delusions and avoiding new ones; of regenerating our
race, so that it might in due time awake as an infant out of dewy slumber; of
restoring to us the simple perception of what is right and the single-hearted
desire to achieve it, both of which have long been lost in consequence of
this weary activity of brain and torpor or passion of the heart that now
afflict the universe. Stimulants, the only mode of treatment hitherto
attempted, cannot quell the disease; they do but heighten the delirium.

Page 27

Let not the above paragraph ever be quoted against the author; for,
though tinctured with its modicum of truth, it is the result and expression of
what he knew, while he was writing, to be but a distorted survey of the state
and prospects of mankind. There were circumstances around me which
made it difficult to view the world precisely as it exists; for, severe and
sober as was the Old Manse, it was necessary to go but a little way beyond
its threshold before meeting with stranger moral shapes of men than might
have been encountered elsewhere in a circuit of a thousand miles.
These hobgoblins of flesh and blood were attracted thither by the
widespreading influence of a great original thinker, who had his earthly
abode at the opposite extremity of our village. His mind acted upon other
minds of a certain constitution with wonderful magnetism, and drew many
men upon long pilgrimages to speak with him face to face. Young
visionaries—to whom just so much of insight had been imparted as to make
life all a labyrinth around them—came to seek the clew that should guide
them out of their self-involved bewilderment. Gray-headed theorists—
whose systems, at first air, had finally imprisoned them in an iron
framework—travelled painfully to his door, not to ask deliverance, but to
invite the free spirit into their own thraldom. People that had lighted on a
new thought or a thought that they fancied new, came to Emerson, as the
finder of a glittering gem hastens to a lapidary, to ascertain its quality and
value. Uncertain, troubled, earnest wanderers through the midnight of the
moral world beheld his intellectual fire as a beacon burning on a hill-top,
and, climbing the difficult ascent, looked forth into the surrounding
obscurity more hopefully than hitherto. The light revealed objects unseen
before,—mountains, gleaming lakes, glimpses of a creation among the
chaos; but also, as was unavoidable, it attracted bats and owls and the whole
host of night birds, which flapped their dusky wings against the gazer’s
eyes, and sometimes were mistaken for fowls of angelic feather. Such
delusions always hover nigh whenever a beacon-fire of truth is kindled.
For myself, there bad been epochs of my life when I, too, might have
asked of this prophet the master word that should solve me the riddle of the
universe; but now, being happy, I felt as if there were no question to be put,
and therefore admired Emerson as a poet, of deep beauty and austere
tenderness, but sought nothing from him as a philosopher. It was good,
nevertheless, to meet him in the woodpaths, or sometimes in our avenue,
with that pure, intellectual gleam diffused about his presence like the

Page 28

garment of a shining one; and be, so quiet, so simple, so without pretension,
encountering each man alive as if expecting to receive more than he could
impart. And, in truth, the heart of many an ordinary man had, perchance,
inscriptions which he could not read. But it was impossible to dwell in his
vicinity without inhaling more or less the mountain atmosphere of his lofty
thought, which, in the brains of some people, wrought a singular giddiness,
—new truth being as heady as new wine. Never was a poor little country
village infested with such a variety of queer, strangely dressed, oddly
behaved mortals, most of whom took upon themselves to be important
agents of the world’s destiny, yet were simply bores of a very intense water.
Such, I imagine, is the invariable character of persons who crowd so closely
about an original thinker as to draw in his unuttered breath and thus become
imbued with a false originality. This triteness of novelty is enough to make
any man of common-sense blaspheme at all ideas of less than a century’s
standing, and pray that the world may be petrified and rendered immovable
in precisely the worst moral and physical state that it ever yet arrived at,
rather than be benefited by such schemes of such philosophers.
And now I begin to feel—and perhaps should have sooner felt—that we
have talked enough of the Old Manse. Mine honored reader, it may be, will
vilify the poor author as an egotist for babbling through so many pages
about a mossgrown country parsonage, and his life within its walls, and on
the river, and in the woods, and the influences that wrought upon him from
all these sources. My conscience, however, does not reproach me with
betraying anything too sacredly individual to be revealed by a human spirit
to its brother or sister spirit. How narrow-how shallow and scanty too—is
the stream of thought that has been flowing from my pen, compared with
the broad tide of dim emotions, ideas, and associations which swell around
me from that portion of my existence! How little have I told! and of that
little, how almost nothing is even tinctured with any quality that makes it
exclusively my own! Has the reader gone wandering, hand in hand with me,
through the inner passages of my being? and have we groped together into
all its chambers and examined their treasures or their rubbish? Not so. We
have been standing on the greensward, but just within the cavern’s mouth,
where the common sunshine is free to penetrate, and where every footstep
is therefore free to come. I have appealed to no sentiment or sensibilities
save such as are diffused among us all. So far as I am a man of really
individual attributes I veil my face; nor am I, nor have I ever been, one of

Page 29

those supremely hospitable people who serve up their own hearts, delicately
fried, with brain sauce, as a tidbit for their beloved public.
Glancing back over what I have written, it seems but the scattered
reminiscences of a single summer. In fairyland there is no measurement of
time; and, in a spot so sheltered from the turmoil of life’s ocean, three years
hastened away with a noiseless flight, as the breezy sunshine chases the
cloud-shadows across the depths of a still valley. Now came hints, growing
more and more distinct, that the owner of the old house was pining for his
native air. Carpenters next, appeared, making a tremendous racket among
the outbuildings, strewing the green grass with pine shavings and chips of
chestnut joists, and vexing the whole antiquity of the place with their
discordant renovations. Soon, moreover, they divested our abode of the veil
of woodbine which had crept over a large portion of its southern face. All
the aged mosses were cleared unsparingly away; and there were horrible
whispers about brushing up the external walls with a coat of paint,—a
purpose as little to my taste as might be that of rouging the venerable
cheeks of one’s grandmother. But the hand that renovates is always more
sacrilegious than that which destroys. In fine, we gathered up our household
goods, drank a farewell cup of tea in our pleasant little breakfast-room,—
delicately fragrant tea, an unpurchasable luxury, one of the many angel gifts
that had fallen like dew upon us,—and passed forth between the tall stone
gate-posts as uncertain as the wandering Arabs where our tent might next be
pitched. Providence took me by the hand, and—an oddity of dispensation
which, I trust, there is no irreverence in smiling at—has led me, as the
newspapers announce while I am writing, from the Old Manse into a
custom-house. As a story-teller, I have often contrived strange vicissitudes
for my imaginary personages, but none like this.
The treasure of intellectual gold which I hoped to find in our secluded
dwelling had never come to light. No profound treatise of ethics, no
philosophic history, no novel even, that could stand unsupported on its
edges. All that I had to show, as a man of letters, were these, few tales and
essays, which had blossomed out like flowers in the calm summer of my
heart and mind. Save editing (an easy task) the journal of my friend of
many years, the African Cruiser, I had done nothing else. With these idle
weeds and withering blossoms I have intermixed some that were produced
long ago,—old, faded things, reminding me of flowers pressed between the
leaves of a book,—and now offer the bouquet, such as it is, to any whom it

Page 30

may please. These fitful sketches, with so little of external life about them,
yet claiming no profundity of purpose,—so reserved, even while they
sometimes seem so frank,—often but half in earnest, and never, even when
most so, expressing satisfactorily the thoughts which they profess to image,
—such trifles, I truly feel, afford no solid basis for a literary reputation.
Nevertheless, the public—if my limited number of readers, whom I venture
to regard rather as a circle of friends, may be termed a public—will receive
them the more kindly, as the last offering, the last collection of this nature
which it is my purpose ever to put forth. Unless I could do better, I have
done enough in this kind. For myself the book will always retain one charm,
—as reminding me of the river, with its delightful solitudes, and of the
avenue, the garden, and the orchard, and especially the dear Old Manse,
with the little study on its western side, and the sunshine glimmering
through the willow branches while I wrote.
Let the reader, if he will do me so much honor, imagine himself my
guest, and that, having seen whatever may be worthy of notice within and
about the Old Manse, he has finally been ushered into my study. There,
after seating him in an antique elbow-chair, an heirloom of the house, I take
forth a roll of manuscript and entreat his attention to the following tales,—
an act of personal inhospitality, however, which I never was guilty of, nor
ever will be, even to my worst enemy.

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THE BIRTHMARK

In the latter part of the last century there lived a man of science, an
eminent proficient in every branch of natural philosophy, who not long
before our story opens had made experience of a spiritual affinity more
attractive than any chemical one. He had left his laboratory to the care of an
assistant, cleared his fine countenance from the furnace smoke, washed the
stain of acids from his fingers, and persuaded a beautiful woman to become
his wife. In those days when the comparatively recent discovery of
electricity and other kindred mysteries of Nature seemed to open paths into
the region of miracle, it was not unusual for the love of science to rival the
love of woman in its depth and absorbing energy. The higher intellect, the
imagination, the spirit, and even the heart might all find their congenial
aliment in pursuits which, as some of their ardent votaries believed, would
ascend from one step of powerful intelligence to another, until the
philosopher should lay his hand on the secret of creative force and perhaps
make new worlds for himself. We know not whether Aylmer possessed this
degree of faith in man’s ultimate control over Nature. He had devoted
himself, however, too unreservedly to scientific studies ever to be weaned
from them by any second passion. His love for his young wife might prove
the stronger of the two; but it could only be by intertwining itself with his
love of science, and uniting the strength of the latter to his own.
Such a union accordingly took place, and was attended with truly
remarkable consequences and a deeply impressive moral. One day, very
soon after their marriage, Aylmer sat gazing at his wife with a trouble in his
countenance that grew stronger until he spoke.
“Georgiana,” said he, “has it never occurred to you that the mark upon
your cheek might be removed?”
“No, indeed,” said she, smiling; but perceiving the seriousness of his
manner, she blushed deeply. “To tell you the truth it has been so often called
a charm that I was simple enough to imagine it might be so.”

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“Ah, upon another face perhaps it might,” replied her husband; “but
never on yours. No, dearest Georgiana, you came so nearly perfect from the
hand of Nature that this slightest possible defect, which we hesitate whether
to term a defect or a beauty, shocks me, as being the visible mark of earthly
imperfection.”
“Shocks you, my husband!” cried Georgiana, deeply hurt; at first
reddening with momentary anger, but then bursting into tears. “Then why
did you take me from my mother’s side? You cannot love what shocks
you!”
To explain this conversation it must be mentioned that in the centre of
Georgiana’s left cheek there was a singular mark, deeply interwoven, as it
were, with the texture and substance of her face. In the usual state of her
complexion—a healthy though delicate bloom—the mark wore a tint of
deeper crimson, which imperfectly defined its shape amid the surrounding
rosiness. When she blushed it gradually became more indistinct, and finally
vanished amid the triumphant rush of blood that bathed the whole cheek
with its brilliant glow. But if any shifting motion caused her to turn pale
there was the mark again, a crimson stain upon the snow, in what Aylmer
sometimes deemed an almost fearful distinctness. Its shape bore not a little
similarity to the human hand, though of the smallest pygmy size.
Georgiana’s lovers were wont to say that some fairy at her birth hour had
laid her tiny hand upon the infant’s cheek, and left this impress there in
token of the magic endowments that were to give her such sway over all
hearts. Many a desperate swain would have risked life for the privilege of
pressing his lips to the mysterious hand. It must not be concealed, however,
that the impression wrought by this fairy sign manual varied exceedingly,
according to the difference of temperament in the beholders. Some
fastidious persons—but they were exclusively of her own sex—affirmed
that the bloody hand, as they chose to call it, quite destroyed the effect of
Georgiana’s beauty, and rendered her countenance even hideous. But it
would be as reasonable to say that one of those small blue stains which
sometimes occur in the purest statuary marble would convert the Eve of
Powers to a monster. Masculine observers, if the birthmark did not heighten
their admiration, contented themselves with wishing it away, that the world
might possess one living specimen of ideal loveliness without the
semblance of a flaw. After his marriage,—for he thought little or nothing of
the matter before,—Aylmer discovered that this was the case with himself.

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Had she been less beautiful,—if Envy’s self could have found aught else
to sneer at,—he might have felt his affection heightened by the prettiness of
this mimic hand, now vaguely portrayed, now lost, now stealing forth again
and glimmering to and fro with every pulse of emotion that throbbed within
her heart; but seeing her otherwise so perfect, he found this one defect grow
more and more intolerable with every moment of their united lives. It was
the fatal flaw of humanity which Nature, in one shape or another, stamps
ineffaceably on all her productions, either to imply that they are temporary
and finite, or that their perfection must be wrought by toil and pain. The
crimson hand expressed the ineludible gripe in which mortality clutches the
highest and purest of earthly mould, degrading them into kindred with the
lowest, and even with the very brutes, like whom their visible frames return
to dust. In this manner, selecting it as the symbol of his wife’s liability to
sin, sorrow, decay, and death, Aylmer’s sombre imagination was not long in
rendering the birthmark a frightful object, causing him more trouble and
horror than ever Georgiana’s beauty, whether of soul or sense, had given
him delight.
At all the seasons which should have been their happiest, he invariably
and without intending it, nay, in spite of a purpose to the contrary, reverted
to this one disastrous topic. Trifling as it at first appeared, it so connected
itself with innumerable trains of thought and modes of feeling that it
became the central point of all. With the morning twilight Aylmer opened
his eyes upon his wife’s face and recognized the symbol of imperfection;
and when they sat together at the evening hearth his eyes wandered
stealthily to her cheek, and beheld, flickering with the blaze of the wood
fire, the spectral hand that wrote mortality where he would fain have
worshipped. Georgiana soon learned to shudder at his gaze. It needed but a
glance with the peculiar expression that his face often wore to change the
roses of her cheek into a deathlike paleness, amid which the crimson hand
was brought strongly out, like a bass-relief of ruby on the whitest marble.
Late one night when the lights were growing dim, so as hardly to betray
the stain on the poor wife’s cheek, she herself, for the first time, voluntarily
took up the subject.
“Do you remember, my dear Aylmer,” said she, with a feeble attempt at a
smile, “have you any recollection of a dream last night about this odious
hand?”

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“None! none whatever!” replied Aylmer, starting; but then he added, in a
dry, cold tone, affected for the sake of concealing the real depth of his
emotion, “I might well dream of it; for before I fell asleep it had taken a
pretty firm hold of my fancy.”
“And you did dream of it?” continued Georgiana, hastily; for she dreaded
lest a gush of tears should interrupt what she had to say. “A terrible dream! I
wonder that you can forget it. Is it possible to forget this one expression?
—‘It is in her heart now; we must have it out!’ Reflect, my husband; for by
all means I would have you recall that dream.”
The mind is in a sad state when Sleep, the all-involving, cannot confine
her spectres within the dim region of her sway, but suffers them to break
forth, affrighting this actual life with secrets that perchance belong to a
deeper one. Aylmer now remembered his dream. He had fancied himself
with his servant Aminadab, attempting an operation for the removal of the
birthmark; but the deeper went the knife, the deeper sank the hand, until at
length its tiny grasp appeared to have caught hold of Georgiana’s heart;
whence, however, her husband was inexorably resolved to cut or wrench it
away.
When the dream had shaped itself perfectly in his memory, Aylmer sat in
his wife’s presence with a guilty feeling. Truth often finds its way to the
mind close muffled in robes of sleep, and then speaks with uncompromising
directness of matters in regard to which we practise an unconscious self-
deception during our waking moments. Until now he had not been aware of
the tyrannizing influence acquired by one idea over his mind, and of the
lengths which he might find in his heart to go for the sake of giving himself
peace.
“Aylmer,” resumed Georgiana, solemnly, “I know not what may be the
cost to both of us to rid me of this fatal birthmark. Perhaps its removal may
cause cureless deformity; or it may be the stain goes as deep as life itself.
Again: do we know that there is a possibility, on any terms, of unclasping
the firm gripe of this little hand which was laid upon me before I came into
the world?”
“Dearest Georgiana, I have spent much thought upon the subject,” hastily
interrupted Aylmer. “I am convinced of the perfect practicability of its
removal.”

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“If there be the remotest possibility of it,” continued Georgiana, “let the
attempt be made at whatever risk. Danger is nothing to me; for life, while
this hateful mark makes me the object of your horror and disgust,—life is a
burden which I would fling down with joy. Either remove this dreadful
hand, or take my wretched life! You have deep science. All the world bears
witness of it. You have achieved great wonders. Cannot you remove this
little, little mark, which I cover with the tips of two small fingers? Is this
beyond your power, for the sake of your own peace, and to save your poor
wife from madness?”
“Noblest, dearest, tenderest wife,” cried Aylmer, rapturously, “doubt not
my power. I have already given this matter the deepest thought—thought
which might almost have enlightened me to create a being less perfect than
yourself. Georgiana, you have led me deeper than ever into the heart of
science. I feel myself fully competent to render this dear cheek as faultless
as its fellow; and then, most beloved, what will be my triumph when I shall
have corrected what Nature left imperfect in her fairest work! Even
Pygmalion, when his sculptured woman assumed life, felt not greater
ecstasy than mine will be.”
“It is resolved, then,” said Georgiana, faintly smiling. “And, Aylmer,
spare me not, though you should find the birthmark take refuge in my heart
at last.”
Her husband tenderly kissed her cheek—her right cheek—not that which
bore the impress of the crimson hand.
The next day Aylmer apprised his wife of a plan that he had formed
whereby he might have opportunity for the intense thought and constant
watchfulness which the proposed operation would require; while
Georgiana, likewise, would enjoy the perfect repose essential to its success.
They were to seclude themselves in the extensive apartments occupied by
Aylmer as a laboratory, and where, during his toilsome youth, he had made
discoveries in the elemental powers of Nature that had roused the
admiration of all the learned societies in Europe. Seated calmly in this
laboratory, the pale philosopher had investigated the secrets of the highest
cloud region and of the profoundest mines; he had satisfied himself of the
causes that kindled and kept alive the fires of the volcano; and had
explained the mystery of fountains, and how it is that they gush forth, some
so bright and pure, and others with such rich medicinal virtues, from the

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dark bosom of the earth. Here, too, at an earlier period, he had studied the
wonders of the human frame, and attempted to fathom the very process by
which Nature assimilates all her precious influences from earth and air, and
from the spiritual world, to create and foster man, her masterpiece. The
latter pursuit, however, Aylmer had long laid aside in unwilling recognition
of the truth—against which all seekers sooner or later stumble—that our
great creative Mother, while she amuses us with apparently working in the
broadest sunshine, is yet severely careful to keep her own secrets, and, in
spite of her pretended openness, shows us nothing but results. She permits
us, indeed, to mar, but seldom to mend, and, like a jealous patentee, on no
account to make. Now, however, Aylmer resumed these half-forgotten
investigations; not, of course, with such hopes or wishes as first suggested
them; but because they involved much physiological truth and lay in the
path of his proposed scheme for the treatment of Georgiana.
As he led her over the threshold of the laboratory, Georgiana was cold
and tremulous. Aylmer looked cheerfully into her face, with intent to
reassure her, but was so startled with the intense glow of the birthmark upon
the whiteness of her cheek that he could not restrain a strong convulsive
shudder. His wife fainted.
“Aminadab! Aminadab!” shouted Aylmer, stamping violently on the
floor.
Forthwith there issued from an inner apartment a man of low stature, but
bulky frame, with shaggy hair hanging about his visage, which was grimed
with the vapors of the furnace. This personage had been Aylmer’s
underworker during his whole scientific career, and was admirably fitted for
that office by his great mechanical readiness, and the skill with which,
while incapable of comprehending a single principle, he executed all the
details of his master’s experiments. With his vast strength, his shaggy hair,
his smoky aspect, and the indescribable earthiness that incrusted him, he
seemed to represent man’s physical nature; while Aylmer’s slender figure,
and pale, intellectual face, were no less apt a type of the spiritual element.
“Throw open the door of the boudoir, Aminadab,” said Aylmer, “and burn
a pastil.”
“Yes, master,” answered Aminadab, looking intently at the lifeless form
of Georgiana; and then he muttered to himself, “If she were my wife, I’d
never part with that birthmark.”

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When Georgiana recovered consciousness she found herself breathing an
atmosphere of penetrating fragrance, the gentle potency of which had
recalled her from her deathlike faintness. The scene around her looked like
enchantment. Aylmer had converted those smoky, dingy, sombre rooms,
where he had spent his brightest years in recondite pursuits, into a series of
beautiful apartments not unfit to be the secluded abode of a lovely woman.
The walls were hung with gorgeous curtains, which imparted the
combination of grandeur and grace that no other species of adornment can
achieve; and as they fell from the ceiling to the floor, their rich and
ponderous folds, concealing all angles and straight lines, appeared to shut in
the scene from infinite space. For aught Georgiana knew, it might be a
pavilion among the clouds. And Aylmer, excluding the sunshine, which
would have interfered with his chemical processes, had supplied its place
with perfumed lamps, emitting flames of various hue, but all uniting in a
soft, impurpled radiance. He now knelt by his wife’s side, watching her
earnestly, but without alarm; for he was confident in his science, and felt
that he could draw a magic circle round her within which no evil might
intrude.
“Where am I? Ah, I remember,” said Georgiana, faintly; and she placed
her hand over her cheek to hide the terrible mark from her husband’s eyes.
“Fear not, dearest!” exclaimed he. “Do not shrink from me! Believe me,
Georgiana, I even rejoice in this single imperfection, since it will be such a
rapture to remove it.”
“Oh, spare me!” sadly replied his wife. “Pray do not look at it again. I
never can forget that convulsive shudder.”
In order to soothe Georgiana, and, as it were, to release her mind from
the burden of actual things, Aylmer now put in practice some of the light
and playful secrets which science had taught him among its profounder
lore. Airy figures, absolutely bodiless ideas, and forms of unsubstantial
beauty came and danced before her, imprinting their momentary footsteps
on beams of light. Though she had some indistinct idea of the method of
these optical phenomena, still the illusion was almost perfect enough to
warrant the belief that her husband possessed sway over the spiritual world.
Then again, when she felt a wish to look forth from her seclusion,
immediately, as if her thoughts were answered, the procession of external
existence flitted across a screen. The scenery and the figures of actual life

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were perfectly represented, but with that bewitching, yet indescribable
difference which always makes a picture, an image, or a shadow so much
more attractive than the original. When wearied of this, Aylmer bade her
cast her eyes upon a vessel containing a quantity of earth. She did so, with
little interest at first; but was soon startled to perceive the germ of a plant
shooting upward from the soil. Then came the slender stalk; the leaves
gradually unfolded themselves; and amid them was a perfect and lovely
flower.
“It is magical!” cried Georgiana. “I dare not touch it.”
“Nay, pluck it,” answered Aylmer,—“pluck it, and inhale its brief
perfume while you may. The flower will wither in a few moments and leave
nothing save its brown seed vessels; but thence may be perpetuated a race
as ephemeral as itself.”
But Georgiana had no sooner touched the flower than the whole plant
suffered a blight, its leaves turning coal-black as if by the agency of fire.
“There was too powerful a stimulus,” said Aylmer, thoughtfully.
To make up for this abortive experiment, he proposed to take her portrait
by a scientific process of his own invention. It was to be effected by rays of
light striking upon a polished plate of metal. Georgiana assented; but, on
looking at the result, was affrighted to find the features of the portrait
blurred and indefinable; while the minute figure of a hand appeared where
the cheek should have been. Aylmer snatched the metallic plate and threw it
into a jar of corrosive acid.
Soon, however, he forgot these mortifying failures. In the intervals of
study and chemical experiment he came to her flushed and exhausted, but
seemed invigorated by her presence, and spoke in glowing language of the
resources of his art. He gave a history of the long dynasty of the alchemists,
who spent so many ages in quest of the universal solvent by which the
golden principle might be elicited from all things vile and base. Aylmer
appeared to believe that, by the plainest scientific logic, it was altogether
within the limits of possibility to discover this long-sought medium; “but,”
he added, “a philosopher who should go deep enough to acquire the power
would attain too lofty a wisdom to stoop to the exercise of it.” Not less
singular were his opinions in regard to the elixir vitae. He more than
intimated that it was at his option to concoct a liquid that should prolong
life for years, perhaps interminably; but that it would produce a discord in

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Nature which all the world, and chiefly the quaffer of the immortal nostrum,
would find cause to curse.
“Aylmer, are you in earnest?” asked Georgiana, looking at him with
amazement and fear. “It is terrible to possess such power, or even to dream
of possessing it.”
“Oh, do not tremble, my love,” said her husband. “I would not wrong
either you or myself by working such inharmonious effects upon our lives;
but I would have you consider how trifling, in comparison, is the skill
requisite to remove this little hand.”
At the mention of the birthmark, Georgiana, as usual, shrank as if a
redhot iron had touched her cheek.
Again Aylmer applied himself to his labors. She could hear his voice in
the distant furnace room giving directions to Aminadab, whose harsh,
uncouth, misshapen tones were audible in response, more like the grunt or
growl of a brute than human speech. After hours of absence, Aylmer
reappeared and proposed that she should now examine his cabinet of
chemical products and natural treasures of the earth. Among the former he
showed her a small vial, in which, he remarked, was contained a gentle yet
most powerful fragrance, capable of impregnating all the breezes that blow
across a kingdom. They were of inestimable value, the contents of that little
vial; and, as he said so, he threw some of the perfume into the air and filled
the room with piercing and invigorating delight.
“And what is this?” asked Georgiana, pointing to a small crystal globe
containing a gold-colored liquid. “It is so beautiful to the eye that I could
imagine it the elixir of life.”
“In one sense it is,” replied Aylmer; “or, rather, the elixir of immortality.
It is the most precious poison that ever was concocted in this world. By its
aid I could apportion the lifetime of any mortal at whom you might point
your finger. The strength of the dose would determine whether he were to
linger out years, or drop dead in the midst of a breath. No king on his
guarded throne could keep his life if I, in my private station, should deem
that the welfare of millions justified me in depriving him of it.”
“Why do you keep such a terrific drug?” inquired Georgiana in horror.
“Do not mistrust me, dearest,” said her husband, smiling; “its virtuous
potency is yet greater than its harmful one. But see! here is a powerful

Page 40

cosmetic. With a few drops of this in a vase of water, freckles may be
washed away as easily as the hands are cleansed. A stronger infusion would
take the blood out of the cheek, and leave the rosiest beauty a pale ghost.”
“Is it with this lotion that you intend to bathe my cheek?” asked
Georgiana, anxiously.
“Oh, no,” hastily replied her husband; “this is merely superficial. Your
case demands a remedy that shall go deeper.”
In his interviews with Georgiana, Aylmer generally made minute
inquiries as to her sensations and whether the confinement of the rooms and
the temperature of the atmosphere agreed with her. These questions had
such a particular drift that Georgiana began to conjecture that she was
already subjected to certain physical influences, either breathed in with the
fragrant air or taken with her food. She fancied likewise, but it might be
altogether fancy, that there was a stirring up of her system—a strange,
indefinite sensation creeping through her veins, and tingling, half painfully,
half pleasurably, at her heart. Still, whenever she dared to look into the
mirror, there she beheld herself pale as a white rose and with the crimson
birthmark stamped upon her cheek. Not even Aylmer now hated it so much
as she.
To dispel the tedium of the hours which her husband found it necessary
to devote to the processes of combination and analysis, Georgiana turned
over the volumes of his scientific library. In many dark old tomes she met
with chapters full of romance and poetry. They were the works of
philosophers of the middle ages, such as Albertus Magnus, Cornelius
Agrippa, Paracelsus, and the famous friar who created the prophetic Brazen
Head. All these antique naturalists stood in advance of their centuries, yet
were imbued with some of their credulity, and therefore were believed, and
perhaps imagined themselves to have acquired from the investigation of
Nature a power above Nature, and from physics a sway over the spiritual
world. Hardly less curious and imaginative were the early volumes of the
Transactions of the Royal Society, in which the members, knowing little of
the limits of natural possibility, were continually recording wonders or
proposing methods whereby wonders might be wrought.
But to Georgiana the most engrossing volume was a large folio from her
husband’s own hand, in which he had recorded every experiment of his
scientific career, its original aim, the methods adopted for its development,

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and its final success or failure, with the circumstances to which either event
was attributable. The book, in truth, was both the history and emblem of his
ardent, ambitious, imaginative, yet practical and laborious life. He handled
physical details as if there were nothing beyond them; yet spiritualized them
all, and redeemed himself from materialism by his strong and eager
aspiration towards the infinite. In his grasp the veriest clod of earth assumed
a soul. Georgiana, as she read, reverenced Aylmer and loved him more
profoundly than ever, but with a less entire dependence on his judgment
than heretofore. Much as he had accomplished, she could not but observe
that his most splendid successes were almost invariably failures, if
compared with the ideal at which he aimed. His brightest diamonds were
the merest pebbles, and felt to be so by himself, in comparison with the
inestimable gems which lay hidden beyond his reach. The volume, rich with
achievements that had won renown for its author, was yet as melancholy a
record as ever mortal hand had penned. It was the sad confession and
continual exemplification of the shortcomings of the composite man, the
spirit burdened with clay and working in matter, and of the despair that
assails the higher nature at finding itself so miserably thwarted by the
earthly part. Perhaps every man of genius in whatever sphere might
recognize the image of his own experience in Aylmer’s journal.
So deeply did these reflections affect Georgiana that she laid her face
upon the open volume and burst into tears. In this situation she was found
by her husband.
“It is dangerous to read in a sorcerer’s books,” said he with a smile,
though his countenance was uneasy and displeased. “Georgiana, there are
pages in that volume which I can scarcely glance over and keep my senses.
Take heed lest it prove as detrimental to you.”
“It has made me worship you more than ever,” said she.
“Ah, wait for this one success,” rejoined he, “then worship me if you
will. I shall deem myself hardly unworthy of it. But come, I have sought
you for the luxury of your voice. Sing to me, dearest.”
So she poured out the liquid music of her voice to quench the thirst of his
spirit. He then took his leave with a boyish exuberance of gayety, assuring
her that her seclusion would endure but a little longer, and that the result
was already certain. Scarcely had he departed when Georgiana felt
irresistibly impelled to follow him. She had forgotten to inform Aylmer of a

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symptom which for two or three hours past had begun to excite her
attention. It was a sensation in the fatal birthmark, not painful, but which
induced a restlessness throughout her system. Hastening after her husband,
she intruded for the first time into the laboratory.
The first thing that struck her eye was the furnace, that hot and feverish
worker, with the intense glow of its fire, which by the quantities of soot
clustered above it seemed to have been burning for ages. There was a
distilling apparatus in full operation. Around the room were retorts, tubes,
cylinders, crucibles, and other apparatus of chemical research. An electrical
machine stood ready for immediate use. The atmosphere felt oppressively
close, and was tainted with gaseous odors which had been tormented forth
by the processes of science. The severe and homely simplicity of the
apartment, with its naked walls and brick pavement, looked strange,
accustomed as Georgiana had become to the fantastic elegance of her
boudoir. But what chiefly, indeed almost solely, drew her attention, was the
aspect of Aylmer himself.
He was pale as death, anxious and absorbed, and hung over the furnace
as if it depended upon his utmost watchfulness whether the liquid which it
was distilling should be the draught of immortal happiness or misery. How
different from the sanguine and joyous mien that he had assumed for
Georgiana’s encouragement!
“Carefully now, Aminadab; carefully, thou human machine; carefully,
thou man of clay!” muttered Aylmer, more to himself than his assistant.
“Now, if there be a thought too much or too little, it is all over.”
“Ho! ho!” mumbled Aminadab. “Look, master! look!”
Aylmer raised his eyes hastily, and at first reddened, then grew paler than
ever, on beholding Georgiana. He rushed towards her and seized her arm
with a gripe that left the print of his fingers upon it.
“Why do you come hither? Have you no trust in your husband?” cried he,
impetuously. “Would you throw the blight of that fatal birthmark over my
labors? It is not well done. Go, prying woman, go!”
“Nay, Aylmer,” said Georgiana with the firmness of which she possessed
no stinted endowment, “it is not you that have a right to complain. You
mistrust your wife; you have concealed the anxiety with which you watch
the development of this experiment. Think not so unworthily of me, my

Page 43

husband. Tell me all the risk we run, and fear not that I shall shrink; for my
share in it is far less than your own.”
“No, no, Georgiana!” said Aylmer, impatiently; “it must not be.”
“I submit,” replied she calmly. “And, Aylmer, I shall quaff whatever
draught you bring me; but it will be on the same principle that would induce
me to take a dose of poison if offered by your hand.”
“My noble wife,” said Aylmer, deeply moved, “I knew not the height and
depth of your nature until now. Nothing shall be concealed. Know, then,
that this crimson hand, superficial as it seems, has clutched its grasp into
your being with a strength of which I had no previous conception. I have
already administered agents powerful enough to do aught except to change
your entire physical system. Only one thing remains to be tried. If that fail
us we are ruined.”
“Why did you hesitate to tell me this?” asked she.
“Because, Georgiana,” said Aylmer, in a low voice, “there is danger.”
“Danger? There is but one danger—that this horrible stigma shall be left
upon my cheek!” cried Georgiana. “Remove it, remove it, whatever be the
cost, or we shall both go mad!”
“Heaven knows your words are too true,” said Aylmer, sadly. “And now,
dearest, return to your boudoir. In a little while all will be tested.”
He conducted her back and took leave of her with a solemn tenderness
which spoke far more than his words how much was now at stake. After his
departure Georgiana became rapt in musings. She considered the character
of Aylmer, and did it completer justice than at any previous moment. Her
heart exulted, while it trembled, at his honorable love—so pure and lofty
that it would accept nothing less than perfection nor miserably make itself
contented with an earthlier nature than he had dreamed of. She felt how
much more precious was such a sentiment than that meaner kind which
would have borne with the imperfection for her sake, and have been guilty
of treason to holy love by degrading its perfect idea to the level of the
actual; and with her whole spirit she prayed that, for a single moment, she
might satisfy his highest and deepest conception. Longer than one moment
she well knew it could not be; for his spirit was ever on the march, ever
ascending, and each instant required something that was beyond the scope
of the instant before.

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The sound of her husband’s footsteps aroused her. He bore a crystal
goblet containing a liquor colorless as water, but bright enough to be the
draught of immortality. Aylmer was pale; but it seemed rather the
consequence of a highly-wrought state of mind and tension of spirit than of
fear or doubt.
“The concoction of the draught has been perfect,” said he, in answer to
Georgiana’s look. “Unless all my science have deceived me, it cannot fail.”
“Save on your account, my dearest Aylmer,” observed his wife, “I might
wish to put off this birthmark of mortality by relinquishing mortality itself
in preference to any other mode. Life is but a sad possession to those who
have attained precisely the degree of moral advancement at which I stand.
Were I weaker and blinder it might be happiness. Were I stronger, it might
be endured hopefully. But, being what I find myself, methinks I am of all
mortals the most fit to die.”
“You are fit for heaven without tasting death!” replied her husband “But
why do we speak of dying? The draught cannot fail. Behold its effect upon
this plant.”
On the window seat there stood a geranium diseased with yellow
blotches, which had overspread all its leaves. Aylmer poured a small
quantity of the liquid upon the soil in which it grew. In a little time, when
the roots of the plant had taken up the moisture, the unsightly blotches
began to be extinguished in a living verdure.
“There needed no proof,” said Georgiana, quietly. “Give me the goblet I
joyfully stake all upon your word.”
“Drink, then, thou lofty creature!” exclaimed Aylmer, with fervid
admiration. “There is no taint of imperfection on thy spirit. Thy sensible
frame, too, shall soon be all perfect.”
She quaffed the liquid and returned the goblet to his hand.
“It is grateful,” said she with a placid smile. “Methinks it is like water
from a heavenly fountain; for it contains I know not what of unobtrusive
fragrance and deliciousness. It allays a feverish thirst that had parched me
for many days. Now, dearest, let me sleep. My earthly senses are closing
over my spirit like the leaves around the heart of a rose at sunset.”
She spoke the last words with a gentle reluctance, as if it required almost
more energy than she could command to pronounce the faint and lingering

Page 45

syllables. Scarcely had they loitered through her lips ere she was lost in
slumber. Aylmer sat by her side, watching her aspect with the emotions
proper to a man the whole value of whose existence was involved in the
process now to be tested. Mingled with this mood, however, was the
philosophic investigation characteristic of the man of science. Not the
minutest symptom escaped him. A heightened flush of the cheek, a slight
irregularity of breath, a quiver of the eyelid, a hardly perceptible tremor
through the frame,—such were the details which, as the moments passed,
he wrote down in his folio volume. Intense thought had set its stamp upon
every previous page of that volume, but the thoughts of years were all
concentrated upon the last.
While thus employed, he failed not to gaze often at the fatal hand, and
not without a shudder. Yet once, by a strange and unaccountable impulse he
pressed it with his lips. His spirit recoiled, however, in the very act, and
Georgiana, out of the midst of her deep sleep, moved uneasily and
murmured as if in remonstrance. Again Aylmer resumed his watch. Nor was
it without avail. The crimson hand, which at first had been strongly visible
upon the marble paleness of Georgiana’s cheek, now grew more faintly
outlined. She remained not less pale than ever; but the birthmark with every
breath that came and went, lost somewhat of its former distinctness. Its
presence had been awful; its departure was more awful still. Watch the stain
of the rainbow fading out the sky, and you will know how that mysterious
symbol passed away.
“By Heaven! it is well-nigh gone!” said Aylmer to himself, in almost
irrepressible ecstasy. “I can scarcely trace it now. Success! success! And
now it is like the faintest rose color. The lightest flush of blood across her
cheek would overcome it. But she is so pale!”
He drew aside the window curtain and suffered the light of natural day to
fall into the room and rest upon her cheek. At the same time he heard a
gross, hoarse chuckle, which he had long known as his servant Aminadab’s
expression of delight.
“Ah, clod! ah, earthly mass!” cried Aylmer, laughing in a sort of frenzy,
“you have served me well! Matter and spirit—earth and heaven—have both
done their part in this! Laugh, thing of the senses! You have earned the right
to laugh.”

Page 46

These exclamations broke Georgiana’s sleep. She slowly unclosed her
eyes and gazed into the mirror which her husband had arranged for that
purpose. A faint smile flitted over her lips when she recognized how barely
perceptible was now that crimson hand which had once blazed forth with
such disastrous brilliancy as to scare away all their happiness. But then her
eyes sought Aylmer’s face with a trouble and anxiety that he could by no
means account for.
“My poor Aylmer!” murmured she.
“Poor? Nay, richest, happiest, most favored!” exclaimed he. “My peerless
bride, it is successful! You are perfect!”
“My poor Aylmer,” she repeated, with a more than human tenderness,
“you have aimed loftily; you have done nobly. Do not repent that with so
high and pure a feeling, you have rejected the best the earth could offer.
Aylmer, dearest Aylmer, I am dying!”
Alas! it was too true! The fatal hand had grappled with the mystery of
life, and was the bond by which an angelic spirit kept itself in union with a
mortal frame. As the last crimson tint of the birthmark—that sole token of
human imperfection—faded from her cheek, the parting breath of the now
perfect woman passed into the atmosphere, and her soul, lingering a
moment near her husband, took its heavenward flight. Then a hoarse,
chuckling laugh was heard again! Thus ever does the gross fatality of earth
exult in its invariable triumph over the immortal essence which, in this dim
sphere of half development, demands the completeness of a higher state.
Yet, had Alymer reached a profounder wisdom, he need not thus have flung
away the happiness which would have woven his mortal life of the selfsame
texture with the celestial. The momentary circumstance was too strong for
him; he failed to look beyond the shadowy scope of time, and, living once
for all in eternity, to find the perfect future in the present.

Page 47

A SELECT PARTY

The man of fancy made an entertainment at one of his castles in the air,
and invited a select number of distinguished personages to favor him with
their presence. The mansion, though less splendid than many that have been
situated in the same region, was nevertheless of a magnificence such as is
seldom witnessed by those acquainted only with terrestrial architecture. Its
strong foundations and massive walls were quarried out of a ledge of heavy
and sombre clouds which had hung brooding over the earth, apparently as
dense and ponderous as its own granite, throughout a whole autumnal day.
Perceiving that the general effect was gloomy,—so that the airy castle
looked like a feudal fortress, or a monastery of the Middle Ages, or a state
prison of our own times, rather than the home of pleasure and repose which
he intended it to be,—the owner, regardless of expense, resolved to gild the
exterior from top to bottom. Fortunately, there was just then a flood of
evening sunshine in the air. This being gathered up and poured abundantly
upon the roof and walls, imbued them with a kind of solemn cheerfulness;
while the cupolas and pinnacles were made to glitter with the purest gold,
and all the hundred windows gleamed with a glad light, as if the edifice
itself were rejoicing in its heart.
And now, if the people of the lower world chanced to be looking upward
out of the turmoil of their petty perplexities, they probably mistook the
castle in the air for a heap of sunset clouds, to which the magic of light and
shade had imparted the aspect of a fantastically constructed mansion. To
such beholders it was unreal, because they lacked the imaginative faith. Had
they been worthy to pass within its portal, they would have recognized the
truth, that the dominions which the spirit conquers for itself among
unrealities become a thousand times more real than the earth whereon they
stamp their feet, saying, “This is solid and substantial; this may be called a
fact.”

Page 48

At the appointed hour, the host stood in his great saloon to receive the
company. It was a vast and noble room, the vaulted ceiling of which was
supported by double rows of gigantic pillars that had been hewn entire out
of masses of variegated clouds. So brilliantly were they polished, and so
exquisitely wrought by the sculptor’s skill, as to resemble the finest
specimens of emerald, porphyry, opal, and chrysolite, thus producing a
delicate richness of effect which their immense size rendered not
incompatible with grandeur. To each of these pillars a meteor was
suspended. Thousands of these ethereal lustres are continually wandering
about the firmament, burning out to waste, yet capable of imparting a useful
radiance to any person who has the art of converting them to domestic
purposes. As managed in the saloon, they are far more economical than
ordinary lamplight. Such, however, was the intensity of their blaze that it
had been found expedient to cover each meteor with a globe of evening
mist, thereby muffling the too potent glow and soothing it into a mild and
comfortable splendor. It was like the brilliancy of a powerful yet chastened
imagination,—a light which seemed to hide whatever was unworthy to be
noticed and give effect to every beautiful and noble attribute. The guests,
therefore, as they advanced up the centre of the saloon, appeared to better
advantage than ever before in their lives.
The first that entered, with old-fashioned punctuality, was a venerable
figure in the costume of bygone days, with his white hair flowing down
over his shoulders and a reverend beard upon his breast. He leaned upon a
staff, the tremulous stroke of which, as he set it carefully upon the floor, re-
echoed through the saloon at every footstep. Recognizing at once this
celebrated personage, whom it had cost him a vast deal of trouble and
research to discover, the host advanced nearly three fourths of the distance
down between the pillars to meet and welcome him.
“Venerable sir,” said the Man of Fancy, bending to the floor, “the honor
of this visit would never be forgotten were my term of existence to be as
happily prolonged as your own.”
The old gentleman received the compliment with gracious
condescension. He then thrust up his spectacles over his forehead and
appeared to take a critical survey of the saloon.
“Never within my recollection,” observed he, “have I entered a more
spacious and noble hall. But are you sure that it is built of solid materials

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and that the structure will be permanent?”
“O, never fear, my venerable friend,” replied the host. “In reference to a
lifetime like your own, it is true my castle may well be called a temporary
edifice. But it will endure long enough to answer all the purposes for which
it was erected.”
But we forget that the reader has not yet been made acquainted with the
guest. It was no other than that universally accredited character so
constantly referred to in all seasons of intense cold or heat; he that,
remembers the hot Sunday and the cold Friday; the witness of a past age
whose negative reminiscences find their way into every newspaper, yet
whose antiquated and dusky abode is so overshadowed by accumulated
years and crowded back by modern edifices that none but the Man of Fancy
could have discovered it; it was, in short, that twin brother of Time, and
great-grandsire of mankind, and hand-and-glove associate of all forgotten
men and things,—the Oldest Inhabitant. The host would willingly have
drawn him into conversation, but succeeded only in eliciting a few remarks
as to the oppressive atmosphere of this present summer evening compared
with one which the guest had experienced about fourscore years ago. The
old gentleman, in fact, was a good deal overcome by his journey among the
clouds, which, to a frame so earth-incrusted by long continuance in a lower
region, was unavoidably more fatiguing than to younger spirits. He was
therefore conducted to an easy-chair, well cushioned and stuffed with
vaporous softness, and left to take a little repose.
The Man of Fancy now discerned another guest, who stood so quietly in
the shadow of one of the pillars that he might easily have been overlooked.
“My dear sir,” exclaimed the host, grasping him warmly by the hand,
“allow me to greet you as the hero of the evening. Pray do not take it as an
empty compliment; for, if there were not another guest in my castle, it
would be entirely pervaded with your presence.”
“I thank you,” answered the unpretending stranger; “but, though you
happened to overlook me, I have not just arrived. I came very early; and,
with your permission, shall remain after the rest of the company have
retired.”
And who does the reader imagine was this unobtrusive guest? It was the
famous performer of acknowledged impossibilities,—a character of
superhuman capacity and virtue, and, if his enemies are to be credited, of no

Page 50

less remarkable weaknesses and defects. With a generosity with which he
alone sets us an example, we will glance merely at his nobler attributes. He
it is, then, who prefers the interests of others to his own and a humble
station to an exalted one. Careless of fashion, custom, the opinions of men,
and the influence of the press, he assimilates his life to the standard of ideal
rectitude, and thus proves himself the one independent citizen of our free
country. In point of ability, many people declare him to be the only
mathematician capable of squaring the circle; the only mechanic acquainted
with the principle of perpetual motion; the only scientific philosopher who
can compel water to run up hill; the only writer of the age whose genius is
equal to the production of an epic poem; and, finally, so various are his
accomplishments, the only professor of gymnastics who has succeeded in
jumping down his own throat. With all these talents, however, he is so far
from being considered a member of good society, that it is the severest
censure of any fashionable assemblage to affirm that this remarkable
individual was present. Public orators, lecturers, and theatrical performers
particularly eschew his company. For especial reasons, we are not at liberty
to disclose his name, and shall mention only one other trait,—a most
singular phenomenon in natural philosophy,—that, when he happens to cast
his eyes upon a looking-glass, he beholds Nobody reflected there!
Several other guests now made their appearance; and among them,
chattering with immense volubility, a brisk little gentleman of universal
vogue in private society, and not unknown in the public journals under the
title of Monsieur On-Dit. The name would seem to indicate a Frenchman;
but, whatever be his country, he is thoroughly versed in all the languages of
the day, and can express himself quite as much to the purpose in English as
in any other tongue. No sooner were the ceremonies of salutation over than
this talkative little person put his mouth to the host’s ear and whispered
three secrets of state, an important piece of commercial intelligence, and a
rich item of fashionable scandal. He then assured the Man of Fancy that he
would not fail to circulate in the society of the lower world a minute
description of this magnificent castle in the air and of the festivities at
which he had the honor to be a guest. So saying, Monsieur On-Dit made his
bow and hurried from one to another of the company, with all of whom he
seemed to be acquainted and to possess some topic of interest or
amusement for every individual. Coming at last to the Oldest Inhabitant,

Page 51

who was slumbering comfortably in the easy-chair, he applied his mouth to
that venerable ear.
“What do you say?” cried the old gentleman, starting from his nap and
putting up his hand to serve the purpose of an ear-trumpet.
Monsieur On-Dit bent forward again and repeated his communication.
“Never within my memory,” exclaimed the Oldest Inhabitant, lifting his
hands in astonishment, “has so remarkable an incident been heard of.”
Now came in the Clerk of the Weather, who had been invited out of
deference to his official station, although the host was well aware that his
conversation was likely to contribute but little to the general enjoyment. He
soon, indeed, got into a corner with his acquaintance of long ago, the Oldest
Inhabitant, and began to compare notes with him in reference to the great
storms, gales of wind, and other atmospherical facts that had occurred
during a century past. It rejoiced the Man of Fancy that his venerable and
much-respected guest had met with so congenial an associate. Entreating
them both to make themselves perfectly at home, he now turned to receive
the Wandering Jew. This personage, however, had latterly grown so
common, by mingling in all sorts of society and appearing at the beck of
every entertainer, that he could hardly be deemed a proper guest in a very
exclusive circle. Besides, being covered with dust from his continual
wanderings along the highways of the world, he really looked out of place
in a dress party; so that the host felt relieved of an incommodity when the
restless individual in question, after a brief stay, took his departure on a
ramble towards Oregon.
The portal was now thronged by a crowd of shadowy people with whom
the Man of Fancy had been acquainted in his visionary youth. He had
invited them hither for the sake of observing how they would compare,
whether advantageously or otherwise, with the real characters to whom his
maturer life had introduced him. They were beings of crude imagination,
such as glide before a young man’s eye and pretend to be actual inhabitants
of the earth; the wise and witty with whom he would hereafter hold
intercourse; the generous and heroic friends whose devotion would be
requited with his own; the beautiful dream-woman who would become the
helpmate of his human toils and sorrows and at once the source and
partaker of his happiness. Alas! it is not good for the full-grown man to look
too closely at these old acquaintances, but rather to reverence them at a

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distance through the medium of years that have gathered duskily between.
There was something laughably untrue in their pompous stride and
exaggerated sentiment; they were neither human nor tolerable likenesses of
humanity, but fantastic maskers, rendering heroism and nature alike
ridiculous by the grave absurdity of their pretensions to such attributes; and
as for the peerless dream-lady, behold! there advanced up the saloon, with a
movement like a jointed doll, a sort of wax-figure of an angel, a creature as
cold as moonshine, an artifice in petticoats, with an intellect of pretty
phrases and only the semblance of a heart, yet in all these particulars the
true type of a young man’s imaginary mistress. Hardly could the host’s
punctilious courtesy restrain a smile as he paid his respects to this unreality
and met the sentimental glance with which the Dream sought to remind him
of their former love passages.
“No, no, fair lady,” murmured he betwixt sighing and smiling; “my taste
is changed; I have learned to love what Nature makes better than my own
creations in the guise of womanhood.”
“Ah, false one,” shrieked the dream-lady, pretending to faint, but
dissolving into thin air, out of which came the deplorable murmur of her
voice, “your inconstancy has annihilated me.”
“So be it,” said the cruel Man of Fancy to himself; “and a good riddance
too.”
Together with these shadows, and from the same region, there came an
uninvited multitude of shapes which at any time during his life had
tormented the Man of Fancy in his moods of morbid melancholy or had
haunted him in the delirium of fever. The walls of his castle in the air were
not dense enough to keep them out, nor would the strongest of earthly
architecture have availed to their exclusion. Here were those forms of dim
terror which had beset him at the entrance of life, waging warfare with his
hopes; here were strange uglinesses of earlier date, such as haunt children in
the night-time. He was particularly startled by the vision of a deformed old
black woman whom he imagined as lurking in the garret of his native home,
and who, when he was an infant, had once come to his bedside and grinned
at him in the crisis of a scarlet fever. This same black shadow, with others
almost as hideous, now glided among the pillars of the magnificent saloon,
grinning recognition, until the man shuddered anew at the forgotten terrors
of his childhood. It amused him, however, to observe the black woman,

Page 53

with the mischievous caprice peculiar to such beings, steal up to the chair of
the Oldest Inhabitant and peep into his half-dreamy mind.
“Never within my memory,” muttered that venerable personage, aghast,
“did I see such a face.”
Almost immediately after the unrealities just described, arrived a number
of guests whom incredulous readers may be inclined to rank equally among
creatures of imagination. The most noteworthy were an incorruptible
Patriot; a Scholar without pedantry; a Priest without worldly ambition; and
a Beautiful Woman without pride or coquetry; a Married Pair whose life
had never been disturbed by incongruity of feeling; a Reformer
untrammelled by his theory; and a Poet who felt no jealousy towards other
votaries of the lyre. In truth, however, the host was not one of the cynics
who consider these patterns of excellence, without the fatal flaw, such
rarities in the world; and he had invited them to his select party chiefly out
of humble deference to the judgment of society, which pronounces them
almost impossible to be met with.
“In my younger days,” observed the Oldest Inhabitant, “such characters
might be seen at the corner of every street.”
Be that as it might, these specimens of perfection proved to be not half so
entertaining companions as people with the ordinary allowance of faults.
But now appeared a stranger, whom the host had no sooner recognized
than, with an abundance of courtesy unlavished on any other, he hastened
down the whole length of the saloon in order to pay him emphatic honor.
Yet he was a young man in poor attire, with no insignia of rank or
acknowledged eminence, nor anything to distinguish him among the crowd
except a high, white forehead, beneath which a pair of deep-set eyes were
glowing with warm light. It was such a light as never illuminates the earth
save when a great heart burns as the household fire of a grand intellect. And
who was he?—who but the Master Genius for whom our country is looking
anxiously into the mist of Time, as destined to fulfil the great mission of
creating an American literature, hewing it, as it were, out of the unwrought
granite of our intellectual quarries? From him, whether moulded in the form
of an epic poem or assuming a guise altogether new as the spirit itself may
determine, we are to receive our first great original work, which shall do all
that remains to be achieved for our glory among the nations. How this child
of a mighty destiny had been discovered by the Man of Fancy it is of little

Page 54

consequence to mention. Suffice it that he dwells as yet unhonored among
men, unrecognized by those who have known him from his cradle; the
noble countenance which should be distinguished by a halo diffused around
it passes daily amid the throng of people toiling and troubling themselves
about the trifles of a moment, and none pay reverence to the worker of
immortality. Nor does it matter much to him, in his triumph over all the
ages, though a generation or two of his own times shall do themselves the
wrong to disregard him.
By this time Monsieur On-Dit had caught up the stranger’s name and
destiny and was busily whispering the intelligence among the other guests.
“Pshaw!” said one. “There can never be an American genius.”
“Pish!” cried another. “We have already as good poets as any in the
world. For my part, I desire to see no better.”
And the Oldest Inhabitant, when it was proposed to introduce him to the
Master Genius, begged to be excused, observing that a man who had been
honored with the acquaintance of Dwight, and Freneau, and Joel Barlow,
might be allowed a little austerity of taste.
The saloon was now fast filling up by the arrival of other remarkable
characters, among whom were noticed Davy Jones, the distinguished
nautical personage, and a rude, carelessly dressed, harum-scarum sort of
elderly fellow, known by the nickname of Old Harry. The latter, however,
after being shown to a dressing-room, reappeared with his gray hair nicely
combed, his clothes brushed, a clean dicky on his neck, and altogether so
changed in aspect as to merit the more respectful appellation of Venerable
Henry. Joel Doe and Richard Roe came arm in arm, accompanied by a Man
of Straw, a fictitious indorser, and several persons who had no existence
except as voters in closely contested elections. The celebrated Seatsfield,
who now entered, was at first supposed to belong to the same brotherhood,
until he made it apparent that he was a real man of flesh and blood and had
his earthly domicile in Germany. Among the latest comers, as might
reasonably be expected, arrived a guest from the far future.
“Do you know him? do you know him?” whispered Monsieur On-Dit,
who seemed to be acquainted with everybody. “He is the representative of
Posterity,—the man of an age to come.”
“And how came he here?” asked a figure who was evidently the
prototype of the fashion-plate in a magazine, and might be taken to

Page 55

represent the vanities of the passing moment. “The fellow infringes upon
our rights by coming before his time.”
“But you forget where we are,” answered the Man of Fancy, who
overheard the remark. “The lower earth, it is true, will be forbidden ground
to him for many long years hence; but a castle in the air is a sort of no-
man’s-land, where Posterity may make acquaintance with us on equal
terms.”
No sooner was his identity known than a throng of guests gathered about
Posterity, all expressing the most generous interest in his welfare, and many
boasting of the sacrifices which they had made, or were willing to make, in
his behalf. Some, with as much secrecy as possible, desired his judgment
upon certain copies of verses or great manuscript rolls of prose; others
accosted him with the familiarity of old friends, taking it for granted that he
was perfectly cognizant of their names and characters. At length, finding
himself thus beset, Posterity was put quite beside his patience.
“Gentlemen, my good friends,” cried he, breaking loose from a misty
poet who strove to hold him by the button, “I pray you to attend to your
own business, and leave me to take care of mine! I expect to owe you
nothing, unless it be certain national debts, and other encumbrances and
impediments, physical and moral, which I shall find it troublesome enough
to remove from my path. As to your verses, pray read them to your
contemporaries. Your names are as strange to me as your faces; and even
were it otherwise,—let me whisper you a secret,—the cold, icy memory
which one generation may retain of another is but a poor recompense to
barter life for. Yet, if your heart is set on being known to me, the surest, the
only method is, to live truly and wisely for your own age, whereby, if the
native force be in you, you may likewise live for posterity.”
“It is nonsense,” murmured the Oldest Inhabitant, who, as a man of the
past, felt jealous that all notice should be withdrawn from himself to be
lavished on the future, “sheer nonsense, to waste so much thought on what
only is to be.”
To divert the minds of his guests, who were considerably abashed by this
little incident, the Man of Fancy led them through several apartments of the
castle, receiving their compliments upon the taste and varied magnificence
that were displayed in each. One of these rooms was filled with moonlight,
which did not enter through the window, but was the aggregate of all the

Page 56

moonshine that is scattered around the earth on a summer night while no
eyes are awake to enjoy its beauty. Airy spirits had gathered it up, wherever
they found it gleaming on the broad bosom of a lake, or silvering the
meanders of a stream, or glimmering among the wind-stirred boughs of a
wood, and had garnered it in this one spacious hall. Along the walls,
illuminated by the mild intensity of the moonshine, stood a multitude of
ideal statues, the original conceptions of the great works of ancient or
modern art, which the sculptors did but imperfectly succeed in putting into
marble; for it is not to be supposed that the pure idea of an immortal
creation ceases to exist; it is only necessary to know where they are
deposited in order to obtain possession of them.—In the alcoves of another
vast apartment was arranged a splendid library, the volumes of which were
inestimable, because they consisted, not of actual performances, but of the
works which the authors only planned, without ever finding the happy
season to achieve them. To take familiar instances, here were the untold
tales of Chaucer’s Canterbury Pilgrims; the unwritten cantos of the Fairy
Queen; the conclusion of Coleridge’s Christabel; and the whole of Dryden’s
projected epic on the subject of King Arthur. The shelves were crowded; for
it would not be too much to affirm that every author has imagined and
shaped out in his thought more and far better works than those which
actually proceeded from his pen. And here, likewise, where the unrealized
conceptions of youthful poets who died of the very strength of their own
genius before the world had caught one inspired murmur from their lips.
When the peculiarities of the library and statue-gallery were explained to
the Oldest Inhabitant, he appeared infinitely perplexed, and exclaimed, with
more energy than usual, that he had never heard of such a thing within his
memory, and, moreover, did not at all understand how it could be.
“But my brain, I think,” said the good old gentleman, “is getting not so
clear as it used to be. You young folks, I suppose, can see your way through
these strange matters. For my part, I give it up.”
“And so do I,” muttered the Old Harry. “It is enough to puzzle the—
Ahem!”
Making as little reply as possible to these observations, the Man of Fancy
preceded the company to another noble saloon, the pillars of which were
solid golden sunbeams taken out of the sky in the first hour in the morning.
Thus, as they retained all their living lustre, the room was filled with the

Page 57

most cheerful radiance imaginable, yet not too dazzling to be borne with
comfort and delight. The windows were beautifully adorned with curtains
made of the many-colored clouds of sunrise, all imbued with virgin light,
and hanging in magnificent festoons from the ceiling to the floor. Moreover,
there were fragments of rainbows scattered through the room; so that the
guests, astonished at one another, reciprocally saw their heads made
glorious by the seven primary hues; or, if they chose,—as who would not?
—they could grasp a rainbow in the air and convert it to their own apparel
and adornment. But the morning light and scattered rainbows were only a
type and symbol of the real wonders of the apartment. By an influence akin
to magic, yet perfectly natural, whatever means and opportunities of joy are
neglected in the lower world had been carefully gathered up and deposited
in the saloon of morning sunshine. As may well be conceived, therefore,
there was material enough to supply, not merely a joyous evening, but also
a happy lifetime, to more than as many people as that spacious apartment
could contain. The company seemed to renew their youth; while that pattern
and proverbial standard of innocence, the Child Unborn, frolicked to and
fro among them, communicating his own unwrinkled gayety to all who had
the good fortune to witness his gambols.
“My honored friends,” said the Man of Fancy, after they had enjoyed
themselves awhile, “I am now to request your presence in the banqueting-
hall, where a slight collation is awaiting you.”
“Ah, well said!” ejaculated a cadaverous figure, who had been invited for
no other reason than that he was pretty constantly in the habit of dining with
Duke Humphrey. “I was beginning to wonder whether a castle in the air
were provided with a kitchen.”
It was curious, in truth, to see how instantaneously the guests were
diverted from the high moral enjoyments which they had been tasting with
so much apparent zest by a suggestion of the more solid as well as liquid
delights of the festive board. They thronged eagerly in the rear of the host,
who now ushered them into a lofty and extensive hall, from end to end of
which was arranged a table, glittering all over with innumerable dishes and
drinking-vessels of gold. It is an uncertain point whether these rich articles
of plate were made for the occasion out of molten sunbeams, or recovered
from the wrecks of Spanish galleons that had lain for ages at the bottom of
the sea. The upper end of the table was overshadowed by a canopy, beneath

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which was placed a chair of elaborate magnificence, which the host himself
declined to occupy, and besought his guests to assign it to the worthiest
among them. As a suitable homage to his incalculable antiquity and eminent
distinction, the post of honor was at first tendered to the Oldest Inhabitant.
He, however, eschewed it, and requested the favor of a bowl of gruel at a
side table, where he could refresh himself with a quiet nap. There was some
little hesitation as to the next candidate, until Posterity took the Master
Genius of our country by the hand and led him to the chair of state beneath
the princely canopy. When once they beheld him in his true place, the
company acknowledged the justice of the selection by a long thunder-roll of
vehement applause.
Then was served up a banquet, combining, if not all the delicacies of the
season, yet all the rarities which careful purveyors had met with in the flesh,
fish, and vegetable markets of the land of Nowhere. The bill of fare being
unfortunately lost, we can only mention a phoenix, roasted in its own
flames, cold potted birds of paradise, ice-creams from the Milky-Way, and
whip syllabubs and flummery from the Paradise of Fools, whereof there
was a very great consumption. As for drinkables, the temperance people
contented themselves with water as usual; but it was the water of the
Fountain of Youth; the ladies sipped Nepenthe; the lovelorn, the careworn,
and the sorrow-stricken were supplied with brimming goblets of Lethe; and
it was shrewdly conjectured that a certain golden vase, from which only the
more distinguished guests were invited to partake, contained nectar that had
been mellowing ever since the days of classical mythology. The cloth being
removed, the company, as usual, grew eloquent over their liquor and
delivered themselves of a succession of brilliant speeches,—the task of
reporting which we resign to the more adequate ability of Counsellor Gill,
whose indispensable co-operation the Man of Fancy had taken the
precaution to secure.
When the festivity of the banquet was at its most ethereal point, the Clerk
of the Weather was observed to steal from the table and thrust his head
between the purple and golden curtains of one of the windows.
“My fellow-guests,” he remarked aloud, after carefully noting the signs
of the night, “I advise such of you as live at a distance to be going as soon
as possible; for a thunder-storm is certainly at hand.”

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“Mercy on me!” cried Mother Carey, who had left her brood of chickens
and come hither in gossamer drapery, with pink silk stockings. “How shall I
ever get home?”
All now was confusion and hasty departure, with but little superfluous
leave-taking. The Oldest Inhabitant, however, true to the rule of those long
past days in which his courtesy had been studied, paused on the threshold of
the meteor-lighted hall to express his vast satisfaction at the entertainment.
“Never, within my memory,” observed the gracious old gentleman, “has
it been my good fortune to spend a pleasanter evening or in more select
society.”
The wind here took his breath away, whirled his three-cornered hat into
infinite space, and drowned what further compliments it had been his
purpose to bestow. Many of the company had bespoken will-o’-the-wisps to
convoy them home; and the host, in his general beneficence, had engaged
the Man in the Moon, with an immense horn-lantern, to be the guide of
such desolate spinsters as could do no better for themselves. But a blast of
the rising tempest blew out all their lights in the twinkling of an eye. How,
in the darkness that ensued, the guests contrived to get back to earth, or
whether the greater part of them contrived to get back at all, or are still
wandering among clouds, mists, and puffs of tempestuous wind, bruised by
the beams and rafters of the overthrown castle in the air, and deluded by all
sorts of unrealities, are points that concern themselves much more than the
writer or the public. People should think of these matters before they trust
themselves on a pleasure-party into the realm of Nowhere.

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YOUNG GOODMAN BROWN

Young Goodman Brown came forth at sunset into the street at Salem
village; but put his head back, after crossing the threshold, to exchange a
parting kiss with his young wife. And Faith, as the wife was aptly named,
thrust her own pretty head into the street, letting the wind play with the pink
ribbons of her cap while she called to Goodman Brown.
“Dearest heart,” whispered she, softly and rather sadly, when her lips
were close to his ear, “prithee put off your journey until sunrise and sleep in
your own bed to-night. A lone woman is troubled with such dreams and
such thoughts that she’s afeard of herself sometimes. Pray tarry with me this
night, dear husband, of all nights in the year.”
“My love and my Faith,” replied young Goodman Brown, “of all nights
in the year, this one night must I tarry away from thee. My journey, as thou
callest it, forth and back again, must needs be done ’twixt now and sunrise.
What, my sweet, pretty wife, dost thou doubt me already, and we but three
months married?”
“Then God bless you!” said Faith, with the pink ribbons; “and may you
find all well when you come back.”
“Amen!” cried Goodman Brown. “Say thy prayers, dear Faith, and go to
bed at dusk, and no harm will come to thee.”
So they parted; and the young man pursued his way until, being about to
turn the corner by the meeting-house, he looked back and saw the head of
Faith still peeping after him with a melancholy air, in spite of her pink
ribbons.
“Poor little Faith!” thought he, for his heart smote him. “What a wretch
am I to leave her on such an errand! She talks of dreams, too. Methought as
she spoke there was trouble in her face, as if a dream had warned her what
work is to be done tonight. But no, no; ’twould kill her to think it. Well,

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she’s a blessed angel on earth; and after this one night I’ll cling to her skirts
and follow her to heaven.”
With this excellent resolve for the future, Goodman Brown felt himself
justified in making more haste on his present evil purpose. He had taken a
dreary road, darkened by all the gloomiest trees of the forest, which barely
stood aside to let the narrow path creep through, and closed immediately
behind. It was all as lonely as could be; and there is this peculiarity in such
a solitude, that the traveller knows not who may be concealed by the
innumerable trunks and the thick boughs overhead; so that with lonely
footsteps he may yet be passing through an unseen multitude.
“There may be a devilish Indian behind every tree,” said Goodman
Brown to himself; and he glanced fearfully behind him as he added, “What
if the devil himself should be at my very elbow!”
His head being turned back, he passed a crook of the road, and, looking
forward again, beheld the figure of a man, in grave and decent attire, seated
at the foot of an old tree. He arose at Goodman Brown’s approach and
walked onward side by side with him.
“You are late, Goodman Brown,” said he. “The clock of the Old South
was striking as I came through Boston, and that is full fifteen minutes
agone.”
“Faith kept me back a while,” replied the young man, with a tremor in his
voice, caused by the sudden appearance of his companion, though not
wholly unexpected.
It was now deep dusk in the forest, and deepest in that part of it where
these two were journeying. As nearly as could be discerned, the second
traveller was about fifty years old, apparently in the same rank of life as
Goodman Brown, and bearing a considerable resemblance to him, though
perhaps more in expression than features. Still they might have been taken
for father and son. And yet, though the elder person was as simply clad as
the younger, and as simple in manner too, he had an indescribable air of one
who knew the world, and who would not have felt abashed at the
governor’s dinner table or in King William’s court, were it possible that his
affairs should call him thither. But the only thing about him that could be
fixed upon as remarkable was his staff, which bore the likeness of a great
black snake, so curiously wrought that it might almost be seen to twist and

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wriggle itself like a living serpent. This, of course, must have been an
ocular deception, assisted by the uncertain light.
“Come, Goodman Brown,” cried his fellow-traveller, “this is a dull pace
for the beginning of a journey. Take my staff, if you are so soon weary.”
“Friend,” said the other, exchanging his slow pace for a full stop, “having
kept covenant by meeting thee here, it is my purpose now to return whence
I came. I have scruples touching the matter thou wot’st of.”
“Sayest thou so?” replied he of the serpent, smiling apart. “Let us walk
on, nevertheless, reasoning as we go; and if I convince thee not thou shalt
turn back. We are but a little way in the forest yet.”
“Too far! too far!” exclaimed the goodman, unconsciously resuming his
walk. “My father never went into the woods on such an errand, nor his
father before him. We have been a race of honest men and good Christians
since the days of the martyrs; and shall I be the first of the name of Brown
that ever took this path and kept—”
“Such company, thou wouldst say,” observed the elder person,
interpreting his pause. “Well said, Goodman Brown! I have been as well
acquainted with your family as with ever a one among the Puritans; and
that’s no trifle to say. I helped your grandfather, the constable, when he
lashed the Quaker woman so smartly through the streets of Salem; and it
was I that brought your father a pitch-pine knot, kindled at my own hearth,
to set fire to an Indian village, in King Philip’s war. They were my good
friends, both; and many a pleasant walk have we had along this path, and
returned merrily after midnight. I would fain be friends with you for their
sake.”
“If it be as thou sayest,” replied Goodman Brown, “I marvel they never
spoke of these matters; or, verily, I marvel not, seeing that the least rumor of
the sort would have driven them from New England. We are a people of
prayer, and good works to boot, and abide no such wickedness.”
“Wickedness or not,” said the traveller with the twisted staff, “I have a
very general acquaintance here in New England. The deacons of many a
church have drunk the communion wine with me; the selectmen of divers
towns make me their chairman; and a majority of the Great and General
Court are firm supporters of my interest. The governor and I, too—But
these are state secrets.”

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“Can this be so?” cried Goodman Brown, with a stare of amazement at
his undisturbed companion. “Howbeit, I have nothing to do with the
governor and council; they have their own ways, and are no rule for a
simple husbandman like me. But, were I to go on with thee, how should I
meet the eye of that good old man, our minister, at Salem village? Oh, his
voice would make me tremble both Sabbath day and lecture day.”
Thus far the elder traveller had listened with due gravity; but now burst
into a fit of irrepressible mirth, shaking himself so violently that his snake-
like staff actually seemed to wriggle in sympathy.
“Ha! ha! ha!” shouted he again and again; then composing himself,
“Well, go on, Goodman Brown, go on; but, prithee, don’t kill me with
laughing.”
“Well, then, to end the matter at once,” said Goodman Brown,
considerably nettled, “there is my wife, Faith. It would break her dear little
heart; and I’d rather break my own.”
“Nay, if that be the case,” answered the other, “e’en go thy ways,
Goodman Brown. I would not for twenty old women like the one hobbling
before us that Faith should come to any harm.”
As he spoke he pointed his staff at a female figure on the path, in whom
Goodman Brown recognized a very pious and exemplary dame, who had
taught him his catechism in youth, and was still his moral and spiritual
adviser, jointly with the minister and Deacon Gookin.
“A marvel, truly, that Goody Cloyse should be so far in the wilderness at
nightfall,” said he. “But with your leave, friend, I shall take a cut through
the woods until we have left this Christian woman behind. Being a stranger
to you, she might ask whom I was consorting with and whither I was
going.”
“Be it so,” said his fellow-traveller. “Betake you to the woods, and let me
keep the path.”
Accordingly the young man turned aside, but took care to watch his
companion, who advanced softly along the road until he had come within a
staff’s length of the old dame. She, meanwhile, was making the best of her
way, with singular speed for so aged a woman, and mumbling some
indistinct words—a prayer, doubtless—as she went. The traveller put forth
his staff and touched her withered neck with what seemed the serpent’s tail.

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“The devil!” screamed the pious old lady.
“Then Goody Cloyse knows her old friend?” observed the traveller,
confronting her and leaning on his writhing stick.
“Ah, forsooth, and is it your worship indeed?” cried the good dame.
“Yea, truly is it, and in the very image of my old gossip, Goodman Brown,
the grandfather of the silly fellow that now is. But—would your worship
believe it?—my broomstick hath strangely disappeared, stolen, as I suspect,
by that unhanged witch, Goody Cory, and that, too, when I was all anointed
with the juice of smallage, and cinquefoil, and wolf’s bane.”
“Mingled with fine wheat and the fat of a new-born babe,” said the shape
of old Goodman Brown.
“Ah, your worship knows the recipe,” cried the old lady, cackling aloud.
“So, as I was saying, being all ready for the meeting, and no horse to ride
on, I made up my mind to foot it; for they tell me there is a nice young man
to be taken into communion to-night. But now your good worship will lend
me your arm, and we shall be there in a twinkling.”
“That can hardly be,” answered her friend. “I may not spare you my arm,
Goody Cloyse; but here is my staff, if you will.”
So saying, he threw it down at her feet, where, perhaps, it assumed life,
being one of the rods which its owner had formerly lent to the Egyptian
magi. Of this fact, however, Goodman Brown could not take cognizance.
He had cast up his eyes in astonishment, and, looking down again, beheld
neither Goody Cloyse nor the serpentine staff, but his fellow-traveller alone,
who waited for him as calmly as if nothing had happened.
“That old woman taught me my catechism,” said the young man; and
there was a world of meaning in this simple comment.
They continued to walk onward, while the elder traveller exhorted his
companion to make good speed and persevere in the path, discoursing so
aptly that his arguments seemed rather to spring up in the bosom of his
auditor than to be suggested by himself. As they went, he plucked a branch
of maple to serve for a walking stick, and began to strip it of the twigs and
little boughs, which were wet with evening dew. The moment his fingers
touched them they became strangely withered and dried up as with a week’s
sunshine. Thus the pair proceeded, at a good free pace, until suddenly, in a

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gloomy hollow of the road, Goodman Brown sat himself down on the
stump of a tree and refused to go any farther.
“Friend,” said he, stubbornly, “my mind is made up. Not another step
will I budge on this errand. What if a wretched old woman do choose to go
to the devil when I thought she was going to heaven: is that any reason why
I should quit my dear Faith and go after her?”
“You will think better of this by and by,” said his acquaintance,
composedly. “Sit here and rest yourself a while; and when you feel like
moving again, there is my staff to help you along.”
Without more words, he threw his companion the maple stick, and was as
speedily out of sight as if he had vanished into the deepening gloom. The
young man sat a few moments by the roadside, applauding himself greatly,
and thinking with how clear a conscience he should meet the minister in his
morning walk, nor shrink from the eye of good old Deacon Gookin. And
what calm sleep would be his that very night, which was to have been spent
so wickedly, but so purely and sweetly now, in the arms of Faith! Amidst
these pleasant and praiseworthy meditations, Goodman Brown heard the
tramp of horses along the road, and deemed it advisable to conceal himself
within the verge of the forest, conscious of the guilty purpose that had
brought him thither, though now so happily turned from it.
On came the hoof tramps and the voices of the riders, two grave old
voices, conversing soberly as they drew near. These mingled sounds
appeared to pass along the road, within a few yards of the young man’s
hiding-place; but, owing doubtless to the depth of the gloom at that
particular spot, neither the travellers nor their steeds were visible. Though
their figures brushed the small boughs by the wayside, it could not be seen
that they intercepted, even for a moment, the faint gleam from the strip of
bright sky athwart which they must have passed. Goodman Brown
alternately crouched and stood on tiptoe, pulling aside the branches and
thrusting forth his head as far as he durst without discerning so much as a
shadow. It vexed him the more, because he could have sworn, were such a
thing possible, that he recognized the voices of the minister and Deacon
Gookin, jogging along quietly, as they were wont to do, when bound to
some ordination or ecclesiastical council. While yet within hearing, one of
the riders stopped to pluck a switch.

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“Of the two, reverend sir,” said the voice like the deacon’s, “I had rather
miss an ordination dinner than to-night’s meeting. They tell me that some of
our community are to be here from Falmouth and beyond, and others from
Connecticut and Rhode Island, besides several of the Indian powwows,
who, after their fashion, know almost as much deviltry as the best of us.
Moreover, there is a goodly young woman to be taken into communion.”
“Mighty well, Deacon Gookin!” replied the solemn old tones of the
minister. “Spur up, or we shall be late. Nothing can be done, you know,
until I get on the ground.”
The hoofs clattered again; and the voices, talking so strangely in the
empty air, passed on through the forest, where no church had ever been
gathered or solitary Christian prayed. Whither, then, could these holy men
be journeying so deep into the heathen wilderness? Young Goodman Brown
caught hold of a tree for support, being ready to sink down on the ground,
faint and overburdened with the heavy sickness of his heart. He looked up
to the sky, doubting whether there really was a heaven above him. Yet there
was the blue arch, and the stars brightening in it.
“With heaven above and Faith below, I will yet stand firm against the
devil!” cried Goodman Brown.
While he still gazed upward into the deep arch of the firmament and had
lifted his hands to pray, a cloud, though no wind was stirring, hurried across
the zenith and hid the brightening stars. The blue sky was still visible,
except directly overhead, where this black mass of cloud was sweeping
swiftly northward. Aloft in the air, as if from the depths of the cloud, came a
confused and doubtful sound of voices. Once the listener fancied that he
could distinguish the accents of towns-people of his own, men and women,
both pious and ungodly, many of whom he had met at the communion table,
and had seen others rioting at the tavern. The next moment, so indistinct
were the sounds, he doubted whether he had heard aught but the murmur of
the old forest, whispering without a wind. Then came a stronger swell of
those familiar tones, heard daily in the sunshine at Salem village, but never
until now from a cloud of night There was one voice of a young woman,
uttering lamentations, yet with an uncertain sorrow, and entreating for some
favor, which, perhaps, it would grieve her to obtain; and all the unseen
multitude, both saints and sinners, seemed to encourage her onward.

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“Faith!” shouted Goodman Brown, in a voice of agony and desperation;
and the echoes of the forest mocked him, crying, “Faith! Faith!” as if
bewildered wretches were seeking her all through the wilderness.
The cry of grief, rage, and terror was yet piercing the night, when the
unhappy husband held his breath for a response. There was a scream,
drowned immediately in a louder murmur of voices, fading into far-off
laughter, as the dark cloud swept away, leaving the clear and silent sky
above Goodman Brown. But something fluttered lightly down through the
air and caught on the branch of a tree. The young man seized it, and beheld
a pink ribbon.
“My Faith is gone!” cried he, after one stupefied moment. “There is no
good on earth; and sin is but a name. Come, devil; for to thee is this world
given.”
And, maddened with despair, so that he laughed loud and long, did
Goodman Brown grasp his staff and set forth again, at such a rate that he
seemed to fly along the forest path rather than to walk or run. The road
grew wilder and drearier and more faintly traced, and vanished at length,
leaving him in the heart of the dark wilderness, still rushing onward with
the instinct that guides mortal man to evil. The whole forest was peopled
with frightful sounds—the creaking of the trees, the howling of wild beasts,
and the yell of Indians; while sometimes the wind tolled like a distant
church bell, and sometimes gave a broad roar around the traveller, as if all
Nature were laughing him to scorn. But he was himself the chief horror of
the scene, and shrank not from its other horrors.
“Ha! ha! ha!” roared Goodman Brown when the wind laughed at him.
“Let us hear which will laugh loudest. Think not to frighten me with your
deviltry. Come witch, come wizard, come Indian powwow, come devil
himself, and here comes Goodman Brown. You may as well fear him as he
fear you.”
In truth, all through the haunted forest there could be nothing more
frightful than the figure of Goodman Brown. On he flew among the black
pines, brandishing his staff with frenzied gestures, now giving vent to an
inspiration of horrid blasphemy, and now shouting forth such laughter as set
all the echoes of the forest laughing like demons around him. The fiend in
his own shape is less hideous than when he rages in the breast of man. Thus
sped the demoniac on his course, until, quivering among the trees, he saw a

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red light before him, as when the felled trunks and branches of a clearing
have been set on fire, and throw up their lurid blaze against the sky, at the
hour of midnight. He paused, in a lull of the tempest that had driven him
onward, and heard the swell of what seemed a hymn, rolling solemnly from
a distance with the weight of many voices. He knew the tune; it was a
familiar one in the choir of the village meeting-house. The verse died
heavily away, and was lengthened by a chorus, not of human voices, but of
all the sounds of the benighted wilderness pealing in awful harmony
together. Goodman Brown cried out, and his cry was lost to his own ear by
its unison with the cry of the desert.
In the interval of silence he stole forward until the light glared full upon
his eyes. At one extremity of an open space, hemmed in by the dark wall of
the forest, arose a rock, bearing some rude, natural resemblance either to an
altar or a pulpit, and surrounded by four blazing pines, their tops aflame,
their stems untouched, like candles at an evening meeting. The mass of
foliage that had overgrown the summit of the rock was all on fire, blazing
high into the night and fitfully illuminating the whole field. Each pendent
twig and leafy festoon was in a blaze. As the red light arose and fell, a
numerous congregation alternately shone forth, then disappeared in shadow,
and again grew, as it were, out of the darkness, peopling the heart of the
solitary woods at once.
“A grave and dark-clad company,” quoth Goodman Brown.
In truth they were such. Among them, quivering to and fro between
gloom and splendor, appeared faces that would be seen next day at the
council board of the province, and others which, Sabbath after Sabbath,
looked devoutly heavenward, and benignantly over the crowded pews, from
the holiest pulpits in the land. Some affirm that the lady of the governor was
there. At least there were high dames well known to her, and wives of
honored husbands, and widows, a great multitude, and ancient maidens, all
of excellent repute, and fair young girls, who trembled lest their mothers
should espy them. Either the sudden gleams of light flashing over the
obscure field bedazzled Goodman Brown, or he recognized a score of the
church members of Salem village famous for their especial sanctity. Good
old Deacon Gookin had arrived, and waited at the skirts of that venerable
saint, his revered pastor. But, irreverently consorting with these grave,
reputable, and pious people, these elders of the church, these chaste dames

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and dewy virgins, there were men of dissolute lives and women of spotted
fame, wretches given over to all mean and filthy vice, and suspected even
of horrid crimes. It was strange to see that the good shrank not from the
wicked, nor were the sinners abashed by the saints. Scattered also among
their pale-faced enemies were the Indian priests, or powwows, who had
often scared their native forest with more hideous incantations than any
known to English witchcraft.
“But where is Faith?” thought Goodman Brown; and, as hope came into
his heart, he trembled.
Another verse of the hymn arose, a slow and mournful strain, such as the
pious love, but joined to words which expressed all that our nature can
conceive of sin, and darkly hinted at far more. Unfathomable to mere
mortals is the lore of fiends. Verse after verse was sung; and still the chorus
of the desert swelled between like the deepest tone of a mighty organ; and
with the final peal of that dreadful anthem there came a sound, as if the
roaring wind, the rushing streams, the howling beasts, and every other voice
of the unconcerted wilderness were mingling and according with the voice
of guilty man in homage to the prince of all. The four blazing pines threw
up a loftier flame, and obscurely discovered shapes and visages of horror on
the smoke wreaths above the impious assembly. At the same moment the
fire on the rock shot redly forth and formed a glowing arch above its base,
where now appeared a figure. With reverence be it spoken, the figure bore
no slight similitude, both in garb and manner, to some grave divine of the
New England churches.
“Bring forth the converts!” cried a voice that echoed through the field
and rolled into the forest.
At the word, Goodman Brown stepped forth from the shadow of the trees
and approached the congregation, with whom he felt a loathful brotherhood
by the sympathy of all that was wicked in his heart. He could have well-
nigh sworn that the shape of his own dead father beckoned him to advance,
looking downward from a smoke wreath, while a woman, with dim features
of despair, threw out her hand to warn him back. Was it his mother? But he
had no power to retreat one step, nor to resist, even in thought, when the
minister and good old Deacon Gookin seized his arms and led him to the
blazing rock. Thither came also the slender form of a veiled female, led
between Goody Cloyse, that pious teacher of the catechism, and Martha

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Carrier, who had received the devil’s promise to be queen of hell. A rampant
hag was she. And there stood the proselytes beneath the canopy of fire.
“Welcome, my children,” said the dark figure, “to the communion of
your race. Ye have found thus young your nature and your destiny. My
children, look behind you!”
They turned; and flashing forth, as it were, in a sheet of flame, the fiend
worshippers were seen; the smile of welcome gleamed darkly on every
visage.
“There,” resumed the sable form, “are all whom ye have reverenced from
youth. Ye deemed them holier than yourselves, and shrank from your own
sin, contrasting it with their lives of righteousness and prayerful aspirations
heavenward. Yet here are they all in my worshipping assembly. This night it
shall be granted you to know their secret deeds: how hoary-bearded elders
of the church have whispered wanton words to the young maids of their
households; how many a woman, eager for widows’ weeds, has given her
husband a drink at bedtime and let him sleep his last sleep in her bosom;
how beardless youths have made haste to inherit their fathers’ wealth; and
how fair damsels—blush not, sweet ones—have dug little graves in the
garden, and bidden me, the sole guest to an infant’s funeral. By the
sympathy of your human hearts for sin ye shall scent out all the places—
whether in church, bedchamber, street, field, or forest—where crime has
been committed, and shall exult to behold the whole earth one stain of guilt,
one mighty blood spot. Far more than this. It shall be yours to penetrate, in
every bosom, the deep mystery of sin, the fountain of all wicked arts, and
which inexhaustibly supplies more evil impulses than human power—than
my power at its utmost—can make manifest in deeds. And now, my
children, look upon each other.”
They did so; and, by the blaze of the hell-kindled torches, the wretched
man beheld his Faith, and the wife her husband, trembling before that
unhallowed altar.
“Lo, there ye stand, my children,” said the figure, in a deep and solemn
tone, almost sad with its despairing awfulness, as if his once angelic nature
could yet mourn for our miserable race. “Depending upon one another’s
hearts, ye had still hoped that virtue were not all a dream. Now are ye
undeceived. Evil is the nature of mankind. Evil must be your only
happiness. Welcome again, my children, to the communion of your race.”

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“Welcome,” repeated the fiend worshippers, in one cry of despair and
triumph.
And there they stood, the only pair, as it seemed, who were yet hesitating
on the verge of wickedness in this dark world. A basin was hollowed,
naturally, in the rock. Did it contain water, reddened by the lurid light? or
was it blood? or, perchance, a liquid flame? Herein did the shape of evil dip
his hand and prepare to lay the mark of baptism upon their foreheads, that
they might be partakers of the mystery of sin, more conscious of the secret
guilt of others, both in deed and thought, than they could now be of their
own. The husband cast one look at his pale wife, and Faith at him. What
polluted wretches would the next glance show them to each other,
shuddering alike at what they disclosed and what they saw!
“Faith! Faith!” cried the husband, “look up to heaven, and resist the
wicked one.”
Whether Faith obeyed he knew not. Hardly had he spoken when he found
himself amid calm night and solitude, listening to a roar of the wind which
died heavily away through the forest. He staggered against the rock, and felt
it chill and damp; while a hanging twig, that had been all on fire,
besprinkled his cheek with the coldest dew.
The next morning young Goodman Brown came slowly into the street of
Salem village, staring around him like a bewildered man. The good old
minister was taking a walk along the graveyard to get an appetite for
breakfast and meditate his sermon, and bestowed a blessing, as he passed,
on Goodman Brown. He shrank from the venerable saint as if to avoid an
anathema. Old Deacon Gookin was at domestic worship, and the holy
words of his prayer were heard through the open window. “What God doth
the wizard pray to?” quoth Goodman Brown. Goody Cloyse, that excellent
old Christian, stood in the early sunshine at her own lattice, catechizing a
little girl who had brought her a pint of morning’s milk. Goodman Brown
snatched away the child as from the grasp of the fiend himself. Turning the
corner by the meeting-house, he spied the head of Faith, with the pink
ribbons, gazing anxiously forth, and bursting into such joy at sight of him
that she skipped along the street and almost kissed her husband before the
whole village. But Goodman Brown looked sternly and sadly into her face,
and passed on without a greeting.

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Had Goodman Brown fallen asleep in the forest and only dreamed a wild
dream of a witch-meeting?
Be it so if you will; but, alas! it was a dream of evil omen for young
Goodman Brown. A stern, a sad, a darkly meditative, a distrustful, if not a
desperate man did he become from the night of that fearful dream. On the
Sabbath day, when the congregation were singing a holy psalm, he could
not listen because an anthem of sin rushed loudly upon his ear and drowned
all the blessed strain. When the minister spoke from the pulpit with power
and fervid eloquence, and, with his hand on the open Bible, of the sacred
truths of our religion, and of saint-like lives and triumphant deaths, and of
future bliss or misery unutterable, then did Goodman Brown turn pale,
dreading lest the roof should thunder down upon the gray blasphemer and
his hearers. Often, waking suddenly at midnight, he shrank from the bosom
of Faith; and at morning or eventide, when the family knelt down at prayer,
he scowled and muttered to himself, and gazed sternly at his wife, and
turned away. And when he had lived long, and was borne to his grave a
hoary corpse, followed by Faith, an aged woman, and children and
grandchildren, a goodly procession, besides neighbors not a few, they
carved no hopeful verse upon his tombstone, for his dying hour was gloom.

Page 73

RAPPACCINI’S DAUGHTER

A young man, named Giovanni Guasconti, came, very long ago, from the
more southern region of Italy, to pursue his studies at the University of
Padua. Giovanni, who had but a scanty supply of gold ducats in his pocket,
took lodgings in a high and gloomy chamber of an old edifice which looked
not unworthy to have been the palace of a Paduan noble, and which, in fact,
exhibited over its entrance the armorial bearings of a family long since
extinct. The young stranger, who was not unstudied in the great poem of his
country, recollected that one of the ancestors of this family, and perhaps an
occupant of this very mansion, had been pictured by Dante as a partaker of
the immortal agonies of his Inferno. These reminiscences and associations,
together with the tendency to heartbreak natural to a young man for the first
time out of his native sphere, caused Giovanni to sigh heavily as he looked
around the desolate and ill-furnished apartment.
“Holy Virgin, signor!” cried old Dame Lisabetta, who, won by the
youth’s remarkable beauty of person, was kindly endeavoring to give the
chamber a habitable air, “what a sigh was that to come out of a young man’s
heart! Do you find this old mansion gloomy? For the love of Heaven, then,
put your head out of the window, and you will see as bright sunshine as you
have left in Naples.”
Guasconti mechanically did as the old woman advised, but could not
quite agree with her that the Paduan sunshine was as cheerful as that of
southern Italy. Such as it was, however, it fell upon a garden beneath the
window and expended its fostering influences on a variety of plants, which
seemed to have been cultivated with exceeding care.
“Does this garden belong to the house?” asked Giovanni.
“Heaven forbid, signor, unless it were fruitful of better pot herbs than any
that grow there now,” answered old Lisabetta. “No; that garden is cultivated
by the own hands of Signor Giacomo Rappaccini, the famous doctor, who, I

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warrant him, has been heard of as far as Naples. It is said that he distils
these plants into medicines that are as potent as a charm. Oftentimes you
may see the signor doctor at work, and perchance the signora, his daughter,
too, gathering the strange flowers that grow in the garden.”
The old woman had now done what she could for the aspect of the
chamber; and, commending the young man to the protection of the saints,
took her departure.
Giovanni still found no better occupation than to look down into the
garden beneath his window. From its appearance, he judged it to be one of
those botanic gardens which were of earlier date in Padua than elsewhere in
Italy or in the world. Or, not improbably, it might once have been the
pleasure-place of an opulent family; for there was the ruin of a marble
fountain in the centre, sculptured with rare art, but so wofully shattered that
it was impossible to trace the original design from the chaos of remaining
fragments. The water, however, continued to gush and sparkle into the
sunbeams as cheerfully as ever. A little gurgling sound ascended to the
young man’s window, and made him feel as if the fountain were an
immortal spirit that sung its song unceasingly and without heeding the
vicissitudes around it, while one century imbodied it in marble and another
scattered the perishable garniture on the soil. All about the pool into which
the water subsided grew various plants, that seemed to require a plentiful
supply of moisture for the nourishment of gigantic leaves, and in some
instances, flowers gorgeously magnificent. There was one shrub in
particular, set in a marble vase in the midst of the pool, that bore a profusion
of purple blossoms, each of which had the lustre and richness of a gem; and
the whole together made a show so resplendent that it seemed enough to
illuminate the garden, even had there been no sunshine. Every portion of
the soil was peopled with plants and herbs, which, if less beautiful, still
bore tokens of assiduous care, as if all had their individual virtues, known to
the scientific mind that fostered them. Some were placed in urns, rich with
old carving, and others in common garden pots; some crept serpent-like
along the ground or climbed on high, using whatever means of ascent was
offered them. One plant had wreathed itself round a statue of Vertumnus,
which was thus quite veiled and shrouded in a drapery of hanging foliage,
so happily arranged that it might have served a sculptor for a study.

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While Giovanni stood at the window he heard a rustling behind a screen
of leaves, and became aware that a person was at work in the garden. His
figure soon emerged into view, and showed itself to be that of no common
laborer, but a tall, emaciated, sallow, and sickly-looking man, dressed in a
scholar’s garb of black. He was beyond the middle term of life, with gray
hair, a thin, gray beard, and a face singularly marked with intellect and
cultivation, but which could never, even in his more youthful days, have
expressed much warmth of heart.
Nothing could exceed the intentness with which this scientific gardener
examined every shrub which grew in his path: it seemed as if he was
looking into their inmost nature, making observations in regard to their
creative essence, and discovering why one leaf grew in this shape and
another in that, and wherefore such and such flowers differed among
themselves in hue and perfume. Nevertheless, in spite of this deep
intelligence on his part, there was no approach to intimacy between himself
and these vegetable existences. On the contrary, he avoided their actual
touch or the direct inhaling of their odors with a caution that impressed
Giovanni most disagreeably; for the man’s demeanor was that of one
walking among malignant influences, such as savage beasts, or deadly
snakes, or evil spirits, which, should he allow them one moment of license,
would wreak upon him some terrible fatality. It was strangely frightful to
the young man’s imagination to see this air of insecurity in a person
cultivating a garden, that most simple and innocent of human toils, and
which had been alike the joy and labor of the unfallen parents of the race.
Was this garden, then, the Eden of the present world? And this man, with
such a perception of harm in what his own hands caused to grow,—was he
the Adam?
The distrustful gardener, while plucking away the dead leaves or pruning
the too luxuriant growth of the shrubs, defended his hands with a pair of
thick gloves. Nor were these his only armor. When, in his walk through the
garden, he came to the magnificent plant that hung its purple gems beside
the marble fountain, he placed a kind of mask over his mouth and nostrils,
as if all this beauty did but conceal a deadlier malice; but, finding his task
still too dangerous, he drew back, removed the mask, and called loudly, but
in the infirm voice of a person affected with inward disease, “Beatrice!
Beatrice!”

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“Here am I, my father. What would you?” cried a rich and youthful voice
from the window of the opposite house—a voice as rich as a tropical sunset,
and which made Giovanni, though he knew not why, think of deep hues of
purple or crimson and of perfumes heavily delectable. “Are you in the
garden?”
“Yes, Beatrice,” answered the gardener, “and I need your help.”
Soon there emerged from under a sculptured portal the figure of a young
girl, arrayed with as much richness of taste as the most splendid of the
flowers, beautiful as the day, and with a bloom so deep and vivid that one
shade more would have been too much. She looked redundant with life,
health, and energy; all of which attributes were bound down and
compressed, as it were and girdled tensely, in their luxuriance, by her virgin
zone. Yet Giovanni’s fancy must have grown morbid while he looked down
into the garden; for the impression which the fair stranger made upon him
was as if here were another flower, the human sister of those vegetable
ones, as beautiful as they, more beautiful than the richest of them, but still
to be touched only with a glove, nor to be approached without a mask. As
Beatrice came down the garden path, it was observable that she handled and
inhaled the odor of several of the plants which her father had most
sedulously avoided.
“Here, Beatrice,” said the latter, “see how many needful offices require to
be done to our chief treasure. Yet, shattered as I am, my life might pay the
penalty of approaching it so closely as circumstances demand. Henceforth, I
fear, this plant must be consigned to your sole charge.”
“And gladly will I undertake it,” cried again the rich tones of the young
lady, as she bent towards the magnificent plant and opened her arms as if to
embrace it. “Yes, my sister, my splendour, it shall be Beatrice’s task to
nurse and serve thee; and thou shalt reward her with thy kisses and
perfumed breath, which to her is as the breath of life.”
Then, with all the tenderness in her manner that was so strikingly
expressed in her words, she busied herself with such attentions as the plant
seemed to require; and Giovanni, at his lofty window, rubbed his eyes and
almost doubted whether it were a girl tending her favorite flower, or one
sister performing the duties of affection to another. The scene soon
terminated. Whether Dr. Rappaccini had finished his labors in the garden, or
that his watchful eye had caught the stranger’s face, he now took his

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daughter’s arm and retired. Night was already closing in; oppressive
exhalations seemed to proceed from the plants and steal upward past the
open window; and Giovanni, closing the lattice, went to his couch and
dreamed of a rich flower and beautiful girl. Flower and maiden were
different, and yet the same, and fraught with some strange peril in either
shape.
But there is an influence in the light of morning that tends to rectify
whatever errors of fancy, or even of judgment, we may have incurred during
the sun’s decline, or among the shadows of the night, or in the less
wholesome glow of moonshine. Giovanni’s first movement, on starting
from sleep, was to throw open the window and gaze down into the garden
which his dreams had made so fertile of mysteries. He was surprised and a
little ashamed to find how real and matter-of-fact an affair it proved to be,
in the first rays of the sun which gilded the dew-drops that hung upon leaf
and blossom, and, while giving a brighter beauty to each rare flower,
brought everything within the limits of ordinary experience. The young man
rejoiced that, in the heart of the barren city, he had the privilege of
overlooking this spot of lovely and luxuriant vegetation. It would serve, he
said to himself, as a symbolic language to keep him in communion with
Nature. Neither the sickly and thoughtworn Dr. Giacomo Rappaccini, it is
true, nor his brilliant daughter, were now visible; so that Giovanni could not
determine how much of the singularity which he attributed to both was due
to their own qualities and how much to his wonder-working fancy; but he
was inclined to take a most rational view of the whole matter.
In the course of the day he paid his respects to Signor Pietro Baglioni,
professor of medicine in the university, a physician of eminent repute to
whom Giovanni had brought a letter of introduction. The professor was an
elderly personage, apparently of genial nature, and habits that might almost
be called jovial. He kept the young man to dinner, and made himself very
agreeable by the freedom and liveliness of his conversation, especially
when warmed by a flask or two of Tuscan wine. Giovanni, conceiving that
men of science, inhabitants of the same city, must needs be on familiar
terms with one another, took an opportunity to mention the name of Dr.
Rappaccini. But the professor did not respond with so much cordiality as he
had anticipated.

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“Ill would it become a teacher of the divine art of medicine,” said
Professor Pietro Baglioni, in answer to a question of Giovanni, “to withhold
due and well-considered praise of a physician so eminently skilled as
Rappaccini; but, on the other hand, I should answer it but scantily to my
conscience were I to permit a worthy youth like yourself, Signor Giovanni,
the son of an ancient friend, to imbibe erroneous ideas respecting a man
who might hereafter chance to hold your life and death in his hands. The
truth is, our worshipful Dr. Rappaccini has as much science as any member
of the faculty—with perhaps one single exception—in Padua, or all Italy;
but there are certain grave objections to his professional character.”
“And what are they?” asked the young man.
“Has my friend Giovanni any disease of body or heart, that he is so
inquisitive about physicians?” said the professor, with a smile. “But as for
Rappaccini, it is said of him—and I, who know the man well, can answer
for its truth—that he cares infinitely more for science than for mankind. His
patients are interesting to him only as subjects for some new experiment.
He would sacrifice human life, his own among the rest, or whatever else
was dearest to him, for the sake of adding so much as a grain of mustard
seed to the great heap of his accumulated knowledge.”
“Methinks he is an awful man indeed,” remarked Guasconti, mentally
recalling the cold and purely intellectual aspect of Rappaccini. “And yet,
worshipful professor, is it not a noble spirit? Are there many men capable of
so spiritual a love of science?”
“God forbid,” answered the professor, somewhat testily; “at least, unless
they take sounder views of the healing art than those adopted by
Rappaccini. It is his theory that all medicinal virtues are comprised within
those substances which we term vegetable poisons. These he cultivates with
his own hands, and is said even to have produced new varieties of poison,
more horribly deleterious than Nature, without the assistance of this learned
person, would ever have plagued the world withal. That the signor doctor
does less mischief than might be expected with such dangerous substances
is undeniable. Now and then, it must be owned, he has effected, or seemed
to effect, a marvellous cure; but, to tell you my private mind, Signor
Giovanni, he should receive little credit for such instances of success,—
they being probably the work of chance,—but should be held strictly
accountable for his failures, which may justly be considered his own work.”

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The youth might have taken Baglioni’s opinions with many grains of
allowance had he known that there was a professional warfare of long
continuance between him and Dr. Rappaccini, in which the latter was
generally thought to have gained the advantage. If the reader be inclined to
judge for himself, we refer him to certain black-letter tracts on both sides,
preserved in the medical department of the University of Padua.
“I know not, most learned professor,” returned Giovanni, after musing on
what had been said of Rappaccini’s exclusive zeal for science,—“I know
not how dearly this physician may love his art; but surely there is one object
more dear to him. He has a daughter.”
“Aha!” cried the professor, with a laugh. “So now our friend Giovanni’s
secret is out. You have heard of this daughter, whom all the young men in
Padua are wild about, though not half a dozen have ever had the good hap
to see her face. I know little of the Signora Beatrice save that Rappaccini is
said to have instructed her deeply in his science, and that, young and
beautiful as fame reports her, she is already qualified to fill a professor’s
chair. Perchance her father destines her for mine! Other absurd rumors there
be, not worth talking about or listening to. So now, Signor Giovanni, drink
off your glass of lachryma.”
Guasconti returned to his lodgings somewhat heated with the wine he had
quaffed, and which caused his brain to swim with strange fantasies in
reference to Dr. Rappaccini and the beautiful Beatrice. On his way,
happening to pass by a florist’s, he bought a fresh bouquet of flowers.
Ascending to his chamber, he seated himself near the window, but within
the shadow thrown by the depth of the wall, so that he could look down into
the garden with little risk of being discovered. All beneath his eye was a
solitude. The strange plants were basking in the sunshine, and now and then
nodding gently to one another, as if in acknowledgment of sympathy and
kindred. In the midst, by the shattered fountain, grew the magnificent shrub,
with its purple gems clustering all over it; they glowed in the air, and
gleamed back again out of the depths of the pool, which thus seemed to
overflow with colored radiance from the rich reflection that was steeped in
it. At first, as we have said, the garden was a solitude. Soon, however,—as
Giovanni had half hoped, half feared, would be the case,—a figure
appeared beneath the antique sculptured portal, and came down between the
rows of plants, inhaling their various perfumes as if she were one of those

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beings of old classic fable that lived upon sweet odors. On again beholding
Beatrice, the young man was even startled to perceive how much her beauty
exceeded his recollection of it; so brilliant, so vivid, was its character, that
she glowed amid the sunlight, and, as Giovanni whispered to himself,
positively illuminated the more shadowy intervals of the garden path. Her
face being now more revealed than on the former occasion, he was struck
by its expression of simplicity and sweetness,—qualities that had not
entered into his idea of her character, and which made him ask anew what
manner of mortal she might be. Nor did he fail again to observe, or imagine,
an analogy between the beautiful girl and the gorgeous shrub that hung its
gemlike flowers over the fountain,—a resemblance which Beatrice seemed
to have indulged a fantastic humor in heightening, both by the arrangement
of her dress and the selection of its hues.
Approaching the shrub, she threw open her arms, as with a passionate
ardor, and drew its branches into an intimate embrace—so intimate that her
features were hidden in its leafy bosom and her glistening ringlets all
intermingled with the flowers.
“Give me thy breath, my sister,” exclaimed Beatrice; “for I am faint with
common air. And give me this flower of thine, which I separate with
gentlest fingers from the stem and place it close beside my heart.”
With these words the beautiful daughter of Rappaccini plucked one of the
richest blossoms of the shrub, and was about to fasten it in her bosom. But
now, unless Giovanni’s draughts of wine had bewildered his senses, a
singular incident occurred. A small orange-colored reptile, of the lizard or
chameleon species, chanced to be creeping along the path, just at the feet of
Beatrice. It appeared to Giovanni,—but, at the distance from which he
gazed, he could scarcely have seen anything so minute,—it appeared to
him, however, that a drop or two of moisture from the broken stem of the
flower descended upon the lizard’s head. For an instant the reptile contorted
itself violently, and then lay motionless in the sunshine. Beatrice observed
this remarkable phenomenon and crossed herself, sadly, but without
surprise; nor did she therefore hesitate to arrange the fatal flower in her
bosom. There it blushed, and almost glimmered with the dazzling effect of a
precious stone, adding to her dress and aspect the one appropriate charm
which nothing else in the world could have supplied. But Giovanni, out of

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the shadow of his window, bent forward and shrank back, and murmured
and trembled.
“Am I awake? Have I my senses?” said he to himself. “What is this
being? Beautiful shall I call her, or inexpressibly terrible?”
Beatrice now strayed carelessly through the garden, approaching closer
beneath Giovanni’s window, so that he was compelled to thrust his head
quite out of its concealment in order to gratify the intense and painful
curiosity which she excited. At this moment there came a beautiful insect
over the garden wall; it had, perhaps, wandered through the city, and found
no flowers or verdure among those antique haunts of men until the heavy
perfumes of Dr. Rappaccini’s shrubs had lured it from afar. Without
alighting on the flowers, this winged brightness seemed to be attracted by
Beatrice, and lingered in the air and fluttered about her head. Now, here it
could not be but that Giovanni Guasconti’s eyes deceived him. Be that as it
might, he fancied that, while Beatrice was gazing at the insect with childish
delight, it grew faint and fell at her feet; its bright wings shivered; it was
dead—from no cause that he could discern, unless it were the atmosphere of
her breath. Again Beatrice crossed herself and sighed heavily as she bent
over the dead insect.
An impulsive movement of Giovanni drew her eyes to the window. There
she beheld the beautiful head of the young man—rather a Grecian than an
Italian head, with fair, regular features, and a glistening of gold among his
ringlets—gazing down upon her like a being that hovered in mid air.
Scarcely knowing what he did, Giovanni threw down the bouquet which he
had hitherto held in his hand.
“Signora,” said he, “there are pure and healthful flowers. Wear them for
the sake of Giovanni Guasconti.”
“Thanks, signor,” replied Beatrice, with her rich voice, that came forth as
it were like a gush of music, and with a mirthful expression half childish
and half woman-like. “I accept your gift, and would fain recompense it with
this precious purple flower; but if I toss it into the air it will not reach you.
So Signor Guasconti must even content himself with my thanks.”
She lifted the bouquet from the ground, and then, as if inwardly ashamed
at having stepped aside from her maidenly reserve to respond to a stranger’s
greeting, passed swiftly homeward through the garden. But few as the
moments were, it seemed to Giovanni, when she was on the point of

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vanishing beneath the sculptured portal, that his beautiful bouquet was
already beginning to wither in her grasp. It was an idle thought; there could
be no possibility of distinguishing a faded flower from a fresh one at so
great a distance.
For many days after this incident the young man avoided the window that
looked into Dr. Rappaccini’s garden, as if something ugly and monstrous
would have blasted his eyesight had he been betrayed into a glance. He felt
conscious of having put himself, to a certain extent, within the influence of
an unintelligible power by the communication which he had opened with
Beatrice. The wisest course would have been, if his heart were in any real
danger, to quit his lodgings and Padua itself at once; the next wiser, to have
accustomed himself, as far as possible, to the familiar and daylight view of
Beatrice—thus bringing her rigidly and systematically within the limits of
ordinary experience. Least of all, while avoiding her sight, ought Giovanni
to have remained so near this extraordinary being that the proximity and
possibility even of intercourse should give a kind of substance and reality to
the wild vagaries which his imagination ran riot continually in producing.
Guasconti had not a deep heart—or, at all events, its depths were not
sounded now; but he had a quick fancy, and an ardent southern
temperament, which rose every instant to a higher fever pitch. Whether or
no Beatrice possessed those terrible attributes, that fatal breath, the affinity
with those so beautiful and deadly flowers which were indicated by what
Giovanni had witnessed, she had at least instilled a fierce and subtle poison
into his system. It was not love, although her rich beauty was a madness to
him; nor horror, even while he fancied her spirit to be imbued with the same
baneful essence that seemed to pervade her physical frame; but a wild
offspring of both love and horror that had each parent in it, and burned like
one and shivered like the other. Giovanni knew not what to dread; still less
did he know what to hope; yet hope and dread kept a continual warfare in
his breast, alternately vanquishing one another and starting up afresh to
renew the contest. Blessed are all simple emotions, be they dark or bright! It
is the lurid intermixture of the two that produces the illuminating blaze of
the infernal regions.
Sometimes he endeavored to assuage the fever of his spirit by a rapid
walk through the streets of Padua or beyond its gates: his footsteps kept
time with the throbbings of his brain, so that the walk was apt to accelerate
itself to a race. One day he found himself arrested; his arm was seized by a

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portly personage, who had turned back on recognizing the young man and
expended much breath in overtaking him.
“Signor Giovanni! Stay, my young friend!” cried he. “Have you forgotten
me? That might well be the case if I were as much altered as yourself.”
It was Baglioni, whom Giovanni had avoided ever since their first
meeting, from a doubt that the professor’s sagacity would look too deeply
into his secrets. Endeavoring to recover himself, he stared forth wildly from
his inner world into the outer one and spoke like a man in a dream.
“Yes; I am Giovanni Guasconti. You are Professor Pietro Baglioni. Now
let me pass!”
“Not yet, not yet, Signor Giovanni Guasconti,” said the professor,
smiling, but at the same time scrutinizing the youth with an earnest glance.
“What! did I grow up side by side with your father? and shall his son pass
me like a stranger in these old streets of Padua? Stand still, Signor
Giovanni; for we must have a word or two before we part.”
“Speedily, then, most worshipful professor, speedily,” said Giovanni,
with feverish impatience. “Does not your worship see that I am in haste?”
Now, while he was speaking there came a man in black along the street,
stooping and moving feebly like a person in inferior health. His face was all
overspread with a most sickly and sallow hue, but yet so pervaded with an
expression of piercing and active intellect that an observer might easily
have overlooked the merely physical attributes and have seen only this
wonderful energy. As he passed, this person exchanged a cold and distant
salutation with Baglioni, but fixed his eyes upon Giovanni with an
intentness that seemed to bring out whatever was within him worthy of
notice. Nevertheless, there was a peculiar quietness in the look, as if taking
merely a speculative, not a human interest, in the young man.
“It is Dr. Rappaccini!” whispered the professor when the stranger had
passed. “Has he ever seen your face before?”
“Not that I know,” answered Giovanni, starting at the name.
“He HAS seen you! he must have seen you!” said Baglioni, hastily. “For
some purpose or other, this man of science is making a study of you. I know
that look of his! It is the same that coldly illuminates his face as he bends
over a bird, a mouse, or a butterfly, which, in pursuance of some
experiment, he has killed by the perfume of a flower; a look as deep as

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Nature itself, but without Nature’s warmth of love. Signor Giovanni, I will
stake my life upon it, you are the subject of one of Rappaccini’s
experiments!”
“Will you make a fool of me?” cried Giovanni, passionately. “THAT,
signor professor, were an untoward experiment.”
“Patience! patience!” replied the imperturbable professor. “I tell thee, my
poor Giovanni, that Rappaccini has a scientific interest in thee. Thou hast
fallen into fearful hands! And the Signora Beatrice,—what part does she act
in this mystery?”
But Guasconti, finding Baglioni’s pertinacity intolerable, here broke
away, and was gone before the professor could again seize his arm. He
looked after the young man intently and shook his head.
“This must not be,” said Baglioni to himself. “The youth is the son of my
old friend, and shall not come to any harm from which the arcana of
medical science can preserve him. Besides, it is too insufferable an
impertinence in Rappaccini, thus to snatch the lad out of my own hands, as
I may say, and make use of him for his infernal experiments. This daughter
of his! It shall be looked to. Perchance, most learned Rappaccini, I may foil
you where you little dream of it!”
Meanwhile Giovanni had pursued a circuitous route, and at length found
himself at the door of his lodgings. As he crossed the threshold he was met
by old Lisabetta, who smirked and smiled, and was evidently desirous to
attract his attention; vainly, however, as the ebullition of his feelings had
momentarily subsided into a cold and dull vacuity. He turned his eyes full
upon the withered face that was puckering itself into a smile, but seemed to
behold it not. The old dame, therefore, laid her grasp upon his cloak.
“Signor! signor!” whispered she, still with a smile over the whole breadth
of her visage, so that it looked not unlike a grotesque carving in wood,
darkened by centuries. “Listen, signor! There is a private entrance into the
garden!”
“What do you say?” exclaimed Giovanni, turning quickly about, as if an
inanimate thing should start into feverish life. “A private entrance into Dr.
Rappaccini’s garden?”
“Hush! hush! not so loud!” whispered Lisabetta, putting her hand over
his mouth. “Yes; into the worshipful doctor’s garden, where you may see all

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his fine shrubbery. Many a young man in Padua would give gold to be
admitted among those flowers.”
Giovanni put a piece of gold into her hand.
“Show me the way,” said he.
A surmise, probably excited by his conversation with Baglioni, crossed
his mind, that this interposition of old Lisabetta might perchance be
connected with the intrigue, whatever were its nature, in which the
professor seemed to suppose that Dr. Rappaccini was involving him. But
such a suspicion, though it disturbed Giovanni, was inadequate to restrain
him. The instant that he was aware of the possibility of approaching
Beatrice, it seemed an absolute necessity of his existence to do so. It
mattered not whether she were angel or demon; he was irrevocably within
her sphere, and must obey the law that whirled him onward, in ever-
lessening circles, towards a result which he did not attempt to foreshadow;
and yet, strange to say, there came across him a sudden doubt whether this
intense interest on his part were not delusory; whether it were really of so
deep and positive a nature as to justify him in now thrusting himself into an
incalculable position; whether it were not merely the fantasy of a young
man’s brain, only slightly or not at all connected with his heart.
He paused, hesitated, turned half about, but again went on. His withered
guide led him along several obscure passages, and finally undid a door,
through which, as it was opened, there came the sight and sound of rustling
leaves, with the broken sunshine glimmering among them. Giovanni
stepped forth, and, forcing himself through the entanglement of a shrub that
wreathed its tendrils over the hidden entrance, stood beneath his own
window in the open area of Dr. Rappaccini’s garden.
How often is it the case that, when impossibilities have come to pass and
dreams have condensed their misty substance into tangible realities, we find
ourselves calm, and even coldly self-possessed, amid circumstances which
it would have been a delirium of joy or agony to anticipate! Fate delights to
thwart us thus. Passion will choose his own time to rush upon the scene,
and lingers sluggishly behind when an appropriate adjustment of events
would seem to summon his appearance. So was it now with Giovanni. Day
after day his pulses had throbbed with feverish blood at the improbable idea
of an interview with Beatrice, and of standing with her, face to face, in this
very garden, basking in the Oriental sunshine of her beauty, and snatching

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from her full gaze the mystery which he deemed the riddle of his own
existence. But now there was a singular and untimely equanimity within his
breast. He threw a glance around the garden to discover if Beatrice or her
father were present, and, perceiving that he was alone, began a critical
observation of the plants.
The aspect of one and all of them dissatisfied him; their gorgeousness
seemed fierce, passionate, and even unnatural. There was hardly an
individual shrub which a wanderer, straying by himself through a forest,
would not have been startled to find growing wild, as if an unearthly face
had glared at him out of the thicket. Several also would have shocked a
delicate instinct by an appearance of artificialness indicating that there had
been such commixture, and, as it were, adultery, of various vegetable
species, that the production was no longer of God’s making, but the
monstrous offspring of man’s depraved fancy, glowing with only an evil
mockery of beauty. They were probably the result of experiment, which in
one or two cases had succeeded in mingling plants individually lovely into
a compound possessing the questionable and ominous character that
distinguished the whole growth of the garden. In fine, Giovanni recognized
but two or three plants in the collection, and those of a kind that he well
knew to be poisonous. While busy with these contemplations he heard the
rustling of a silken garment, and, turning, beheld Beatrice emerging from
beneath the sculptured portal.
Giovanni had not considered with himself what should be his
deportment; whether he should apologize for his intrusion into the garden,
or assume that he was there with the privity at least, if not by the desire, of
Dr. Rappaccini or his daughter; but Beatrice’s manner placed him at his
ease, though leaving him still in doubt by what agency he had gained
admittance. She came lightly along the path and met him near the broken
fountain. There was surprise in her face, but brightened by a simple and
kind expression of pleasure.
“You are a connoisseur in flowers, signor,” said Beatrice, with a smile,
alluding to the bouquet which he had flung her from the window. “It is no
marvel, therefore, if the sight of my father’s rare collection has tempted you
to take a nearer view. If he were here, he could tell you many strange and
interesting facts as to the nature and habits of these shrubs; for he has spent
a lifetime in such studies, and this garden is his world.”

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“And yourself, lady,” observed Giovanni, “if fame says true,—you
likewise are deeply skilled in the virtues indicated by these rich blossoms
and these spicy perfumes. Would you deign to be my instructress, I should
prove an apter scholar than if taught by Signor Rappaccini himself.”
“Are there such idle rumors?” asked Beatrice, with the music of a
pleasant laugh. “Do people say that I am skilled in my father’s science of
plants? What a jest is there! No; though I have grown up among these
flowers, I know no more of them than their hues and perfume; and
sometimes methinks I would fain rid myself of even that small knowledge.
There are many flowers here, and those not the least brilliant, that shock
and offend me when they meet my eye. But pray, signor, do not believe
these stories about my science. Believe nothing of me save what you see
with your own eyes.”
“And must I believe all that I have seen with my own eyes?” asked
Giovanni, pointedly, while the recollection of former scenes made him
shrink. “No, signora; you demand too little of me. Bid me believe nothing
save what comes from your own lips.”
It would appear that Beatrice understood him. There came a deep flush to
her cheek; but she looked full into Giovanni’s eyes, and responded to his
gaze of uneasy suspicion with a queenlike haughtiness.
“I do so bid you, signor,” she replied. “Forget whatever you may have
fancied in regard to me. If true to the outward senses, still it may be false in
its essence; but the words of Beatrice Rappaccini’s lips are true from the
depths of the heart outward. Those you may believe.”
A fervor glowed in her whole aspect and beamed upon Giovanni’s
consciousness like the light of truth itself; but while she spoke there was a
fragrance in the atmosphere around her, rich and delightful, though
evanescent, yet which the young man, from an indefinable reluctance,
scarcely dared to draw into his lungs. It might be the odor of the flowers.
Could it be Beatrice’s breath which thus embalmed her words with a
strange richness, as if by steeping them in her heart? A faintness passed like
a shadow over Giovanni and flitted away; he seemed to gaze through the
beautiful girl’s eyes into her transparent soul, and felt no more doubt or fear.
The tinge of passion that had colored Beatrice’s manner vanished; she
became gay, and appeared to derive a pure delight from her communion
with the youth not unlike what the maiden of a lonely island might have felt

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conversing with a voyager from the civilized world. Evidently her
experience of life had been confined within the limits of that garden. She
talked now about matters as simple as the daylight or summer clouds, and
now asked questions in reference to the city, or Giovanni’s distant home, his
friends, his mother, and his sisters—questions indicating such seclusion,
and such lack of familiarity with modes and forms, that Giovanni responded
as if to an infant. Her spirit gushed out before him like a fresh rill that was
just catching its first glimpse of the sunlight and wondering at the
reflections of earth and sky which were flung into its bosom. There came
thoughts, too, from a deep source, and fantasies of a gemlike brilliancy, as if
diamonds and rubies sparkled upward among the bubbles of the fountain.
Ever and anon there gleamed across the young man’s mind a sense of
wonder that he should be walking side by side with the being who had so
wrought upon his imagination, whom he had idealized in such hues of
terror, in whom he had positively witnessed such manifestations of dreadful
attributes,—that he should be conversing with Beatrice like a brother, and
should find her so human and so maidenlike. But such reflections were only
momentary; the effect of her character was too real not to make itself
familiar at once.
In this free intercourse they had strayed through the garden, and now,
after many turns among its avenues, were come to the shattered fountain,
beside which grew the magnificent shrub, with its treasury of glowing
blossoms. A fragrance was diffused from it which Giovanni recognized as
identical with that which he had attributed to Beatrice’s breath, but
incomparably more powerful. As her eyes fell upon it, Giovanni beheld her
press her hand to her bosom as if her heart were throbbing suddenly and
painfully.
“For the first time in my life,” murmured she, addressing the shrub, “I
had forgotten thee.”
“I remember, signora,” said Giovanni, “that you once promised to reward
me with one of these living gems for the bouquet which I had the happy
boldness to fling to your feet. Permit me now to pluck it as a memorial of
this interview.”
He made a step towards the shrub with extended hand; but Beatrice
darted forward, uttering a shriek that went through his heart like a dagger.

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She caught his hand and drew it back with the whole force of her slender
figure. Giovanni felt her touch thrilling through his fibres.
“Touch it not!” exclaimed she, in a voice of agony. “Not for thy life! It is
fatal!”
Then, hiding her face, she fled from him and vanished beneath the
sculptured portal. As Giovanni followed her with his eyes, he beheld the
emaciated figure and pale intelligence of Dr. Rappaccini, who had been
watching the scene, he knew not how long, within the shadow of the
entrance.
No sooner was Guasconti alone in his chamber than the image of
Beatrice came back to his passionate musings, invested with all the
witchery that had been gathering around it ever since his first glimpse of
her, and now likewise imbued with a tender warmth of girlish womanhood.
She was human; her nature was endowed with all gentle and feminine
qualities; she was worthiest to be worshipped; she was capable, surely, on
her part, of the height and heroism of love. Those tokens which he had
hitherto considered as proofs of a frightful peculiarity in her physical and
moral system were now either forgotten, or, by the subtle sophistry of
passion transmitted into a golden crown of enchantment, rendering Beatrice
the more admirable by so much as she was the more unique. Whatever had
looked ugly was now beautiful; or, if incapable of such a change, it stole
away and hid itself among those shapeless half ideas which throng the dim
region beyond the daylight of our perfect consciousness. Thus did he spend
the night, nor fell asleep until the dawn had begun to awake the slumbering
flowers in Dr. Rappaccini’s garden, whither Giovanni’s dreams doubtless
led him. Up rose the sun in his due season, and, flinging his beams upon the
young man’s eyelids, awoke him to a sense of pain. When thoroughly
aroused, he became sensible of a burning and tingling agony in his hand—
in his right hand—the very hand which Beatrice had grasped in her own
when he was on the point of plucking one of the gemlike flowers. On the
back of that hand there was now a purple print like that of four small
fingers, and the likeness of a slender thumb upon his wrist.
Oh, how stubbornly does love,—or even that cunning semblance of love
which flourishes in the imagination, but strikes no depth of root into the
heart,—how stubbornly does it hold its faith until the moment comes when
it is doomed to vanish into thin mist! Giovanni wrapped a handkerchief

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about his hand and wondered what evil thing had stung him, and soon
forgot his pain in a reverie of Beatrice.
After the first interview, a second was in the inevitable course of what we
call fate. A third; a fourth; and a meeting with Beatrice in the garden was no
longer an incident in Giovanni’s daily life, but the whole space in which he
might be said to live; for the anticipation and memory of that ecstatic hour
made up the remainder. Nor was it otherwise with the daughter of
Rappaccini. She watched for the youth’s appearance, and flew to his side
with confidence as unreserved as if they had been playmates from early
infancy—as if they were such playmates still. If, by any unwonted chance,
he failed to come at the appointed moment, she stood beneath the window
and sent up the rich sweetness of her tones to float around him in his
chamber and echo and reverberate throughout his heart: “Giovanni!
Giovanni! Why tarriest thou? Come down!” And down he hastened into that
Eden of poisonous flowers.
But, with all this intimate familiarity, there was still a reserve in
Beatrice’s demeanor, so rigidly and invariably sustained that the idea of
infringing it scarcely occurred to his imagination. By all appreciable signs,
they loved; they had looked love with eyes that conveyed the holy secret
from the depths of one soul into the depths of the other, as if it were too
sacred to be whispered by the way; they had even spoken love in those
gushes of passion when their spirits darted forth in articulated breath like
tongues of long-hidden flame; and yet there had been no seal of lips, no
clasp of hands, nor any slightest caress such as love claims and hallows. He
had never touched one of the gleaming ringlets of her hair; her garment—so
marked was the physical barrier between them—had never been waved
against him by a breeze. On the few occasions when Giovanni had seemed
tempted to overstep the limit, Beatrice grew so sad, so stern, and withal
wore such a look of desolate separation, shuddering at itself, that not a
spoken word was requisite to repel him. At such times he was startled at the
horrible suspicions that rose, monster-like, out of the caverns of his heart
and stared him in the face; his love grew thin and faint as the morning mist,
his doubts alone had substance. But, when Beatrice’s face brightened again
after the momentary shadow, she was transformed at once from the
mysterious, questionable being whom he had watched with so much awe
and horror; she was now the beautiful and unsophisticated girl whom he felt
that his spirit knew with a certainty beyond all other knowledge.

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A considerable time had now passed since Giovanni’s last meeting with
Baglioni. One morning, however, he was disagreeably surprised by a visit
from the professor, whom he had scarcely thought of for whole weeks, and
would willingly have forgotten still longer. Given up as he had long been to
a pervading excitement, he could tolerate no companions except upon
condition of their perfect sympathy with his present state of feeling. Such
sympathy was not to be expected from Professor Baglioni.
The visitor chatted carelessly for a few moments about the gossip of the
city and the university, and then took up another topic.
“I have been reading an old classic author lately,” said he, “and met with
a story that strangely interested me. Possibly you may remember it. It is of
an Indian prince, who sent a beautiful woman as a present to Alexander the
Great. She was as lovely as the dawn and gorgeous as the sunset; but what
especially distinguished her was a certain rich perfume in her breath—
richer than a garden of Persian roses. Alexander, as was natural to a
youthful conqueror, fell in love at first sight with this magnificent stranger;
but a certain sage physician, happening to be present, discovered a terrible
secret in regard to her.”
“And what was that?” asked Giovanni, turning his eyes downward to
avoid those of the professor.
“That this lovely woman,” continued Baglioni, with emphasis, “had been
nourished with poisons from her birth upward, until her whole nature was
so imbued with them that she herself had become the deadliest poison in
existence. Poison was her element of life. With that rich perfume of her
breath she blasted the very air. Her love would have been poison—her
embrace death. Is not this a marvellous tale?”
“A childish fable,” answered Giovanni, nervously starting from his chair.
“I marvel how your worship finds time to read such nonsense among your
graver studies.”
“By the by,” said the professor, looking uneasily about him, “what
singular fragrance is this in your apartment? Is it the perfume of your
gloves? It is faint, but delicious; and yet, after all, by no means agreeable.
Were I to breathe it long, methinks it would make me ill. It is like the breath
of a flower; but I see no flowers in the chamber.”
“Nor are there any,” replied Giovanni, who had turned pale as the
professor spoke; “nor, I think, is there any fragrance except in your

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worship’s imagination. Odors, being a sort of element combined of the
sensual and the spiritual, are apt to deceive us in this manner. The
recollection of a perfume, the bare idea of it, may easily be mistaken for a
present reality.”
“Ay; but my sober imagination does not often play such tricks,” said
Baglioni; “and, were I to fancy any kind of odor, it would be that of some
vile apothecary drug, wherewith my fingers are likely enough to be imbued.
Our worshipful friend Rappaccini, as I have heard, tinctures his
medicaments with odors richer than those of Araby. Doubtless, likewise, the
fair and learned Signora Beatrice would minister to her patients with
draughts as sweet as a maiden’s breath; but woe to him that sips them!”
Giovanni’s face evinced many contending emotions. The tone in which
the professor alluded to the pure and lovely daughter of Rappaccini was a
torture to his soul; and yet the intimation of a view of her character opposite
to his own, gave instantaneous distinctness to a thousand dim suspicions,
which now grinned at him like so many demons. But he strove hard to quell
them and to respond to Baglioni with a true lover’s perfect faith.
“Signor professor,” said he, “you were my father’s friend; perchance, too,
it is your purpose to act a friendly part towards his son. I would fain feel
nothing towards you save respect and deference; but I pray you to observe,
signor, that there is one subject on which we must not speak. You know not
the Signora Beatrice. You cannot, therefore, estimate the wrong—the
blasphemy, I may even say—that is offered to her character by a light or
injurious word.”
“Giovanni! my poor Giovanni!” answered the professor, with a calm
expression of pity, “I know this wretched girl far better than yourself. You
shall hear the truth in respect to the poisoner Rappaccini and his poisonous
daughter; yes, poisonous as she is beautiful. Listen; for, even should you do
violence to my gray hairs, it shall not silence me. That old fable of the
Indian woman has become a truth by the deep and deadly science of
Rappaccini and in the person of the lovely Beatrice.”
Giovanni groaned and hid his face
“Her father,” continued Baglioni, “was not restrained by natural affection
from offering up his child in this horrible manner as the victim of his insane
zeal for science; for, let us do him justice, he is as true a man of science as
ever distilled his own heart in an alembic. What, then, will be your fate?

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Beyond a doubt you are selected as the material of some new experiment.
Perhaps the result is to be death; perhaps a fate more awful still.
Rappaccini, with what he calls the interest of science before his eyes, will
hesitate at nothing.”
“It is a dream,” muttered Giovanni to himself; “surely it is a dream.”
“But,” resumed the professor, “be of good cheer, son of my friend. It is
not yet too late for the rescue. Possibly we may even succeed in bringing
back this miserable child within the limits of ordinary nature, from which
her father’s madness has estranged her. Behold this little silver vase! It was
wrought by the hands of the renowned Benvenuto Cellini, and is well
worthy to be a love gift to the fairest dame in Italy. But its contents are
invaluable. One little sip of this antidote would have rendered the most
virulent poisons of the Borgias innocuous. Doubt not that it will be as
efficacious against those of Rappaccini. Bestow the vase, and the precious
liquid within it, on your Beatrice, and hopefully await the result.”
Baglioni laid a small, exquisitely wrought silver vial on the table and
withdrew, leaving what he had said to produce its effect upon the young
man’s mind.
“We will thwart Rappaccini yet,” thought he, chuckling to himself, as he
descended the stairs; “but, let us confess the truth of him, he is a wonderful
man—a wonderful man indeed; a vile empiric, however, in his practice, and
therefore not to be tolerated by those who respect the good old rules of the
medical profession.”
Throughout Giovanni’s whole acquaintance with Beatrice, he had
occasionally, as we have said, been haunted by dark surmises as to her
character; yet so thoroughly had she made herself felt by him as a simple,
natural, most affectionate, and guileless creature, that the image now held
up by Professor Baglioni looked as strange and incredible as if it were not
in accordance with his own original conception. True, there were ugly
recollections connected with his first glimpses of the beautiful girl; he could
not quite forget the bouquet that withered in her grasp, and the insect that
perished amid the sunny air, by no ostensible agency save the fragrance of
her breath. These incidents, however, dissolving in the pure light of her
character, had no longer the efficacy of facts, but were acknowledged as
mistaken fantasies, by whatever testimony of the senses they might appear
to be substantiated. There is something truer and more real than what we

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can see with the eyes and touch with the finger. On such better evidence had
Giovanni founded his confidence in Beatrice, though rather by the
necessary force of her high attributes than by any deep and generous faith
on his part. But now his spirit was incapable of sustaining itself at the
height to which the early enthusiasm of passion had exalted it; he fell down,
grovelling among earthly doubts, and defiled therewith the pure whiteness
of Beatrice’s image. Not that he gave her up; he did but distrust. He
resolved to institute some decisive test that should satisfy him, once for all,
whether there were those dreadful peculiarities in her physical nature which
could not be supposed to exist without some corresponding monstrosity of
soul. His eyes, gazing down afar, might have deceived him as to the lizard,
the insect, and the flowers; but if he could witness, at the distance of a few
paces, the sudden blight of one fresh and healthful flower in Beatrice’s
hand, there would be room for no further question. With this idea he
hastened to the florist’s and purchased a bouquet that was still gemmed with
the morning dew-drops.
It was now the customary hour of his daily interview with Beatrice.
Before descending into the garden, Giovanni failed not to look at his figure
in the mirror,—a vanity to be expected in a beautiful young man, yet, as
displaying itself at that troubled and feverish moment, the token of a certain
shallowness of feeling and insincerity of character. He did gaze, however,
and said to himself that his features had never before possessed so rich a
grace, nor his eyes such vivacity, nor his cheeks so warm a hue of
superabundant life.
“At least,” thought he, “her poison has not yet insinuated itself into my
system. I am no flower to perish in her grasp.”
With that thought he turned his eyes on the bouquet, which he had never
once laid aside from his hand. A thrill of indefinable horror shot through his
frame on perceiving that those dewy flowers were already beginning to
droop; they wore the aspect of things that had been fresh and lovely
yesterday. Giovanni grew white as marble, and stood motionless before the
mirror, staring at his own reflection there as at the likeness of something
frightful. He remembered Baglioni’s remark about the fragrance that
seemed to pervade the chamber. It must have been the poison in his breath!
Then he shuddered—shuddered at himself. Recovering from his stupor, he
began to watch with curious eye a spider that was busily at work hanging its

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web from the antique cornice of the apartment, crossing and recrossing the
artful system of interwoven lines—as vigorous and active a spider as ever
dangled from an old ceiling. Giovanni bent towards the insect, and emitted
a deep, long breath. The spider suddenly ceased its toil; the web vibrated
with a tremor originating in the body of the small artisan. Again Giovanni
sent forth a breath, deeper, longer, and imbued with a venomous feeling out
of his heart: he knew not whether he were wicked, or only desperate. The
spider made a convulsive gripe with his limbs and hung dead across the
window.
“Accursed! accursed!” muttered Giovanni, addressing himself. “Hast
thou grown so poisonous that this deadly insect perishes by thy breath?”
At that moment a rich, sweet voice came floating up from the garden.
“Giovanni! Giovanni! It is past the hour! Why tarriest thou? Come
down!”
“Yes,” muttered Giovanni again. “She is the only being whom my breath
may not slay! Would that it might!”
He rushed down, and in an instant was standing before the bright and
loving eyes of Beatrice. A moment ago his wrath and despair had been so
fierce that he could have desired nothing so much as to wither her by a
glance; but with her actual presence there came influences which had too
real an existence to be at once shaken off: recollections of the delicate and
benign power of her feminine nature, which had so often enveloped him in
a religious calm; recollections of many a holy and passionate outgush of her
heart, when the pure fountain had been unsealed from its depths and made
visible in its transparency to his mental eye; recollections which, had
Giovanni known how to estimate them, would have assured him that all this
ugly mystery was but an earthly illusion, and that, whatever mist of evil
might seem to have gathered over her, the real Beatrice was a heavenly
angel. Incapable as he was of such high faith, still her presence had not
utterly lost its magic. Giovanni’s rage was quelled into an aspect of sullen
insensibility. Beatrice, with a quick spiritual sense, immediately felt that
there was a gulf of blackness between them which neither he nor she could
pass. They walked on together, sad and silent, and came thus to the marble
fountain and to its pool of water on the ground, in the midst of which grew
the shrub that bore gem-like blossoms. Giovanni was affrighted at the eager

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enjoyment—the appetite, as it were—with which he found himself inhaling
the fragrance of the flowers.
“Beatrice,” asked he, abruptly, “whence came this shrub?”
“My father created it,” answered she, with simplicity.
“Created it! created it!” repeated Giovanni. “What mean you, Beatrice?”
“He is a man fearfully acquainted with the secrets of Nature,” replied
Beatrice; “and, at the hour when I first drew breath, this plant sprang from
the soil, the offspring of his science, of his intellect, while I was but his
earthly child. Approach it not!” continued she, observing with terror that
Giovanni was drawing nearer to the shrub. “It has qualities that you little
dream of. But I, dearest Giovanni,—I grew up and blossomed with the plant
and was nourished with its breath. It was my sister, and I loved it with a
human affection; for, alas!—hast thou not suspected it?—there was an
awful doom.”
Here Giovanni frowned so darkly upon her that Beatrice paused and
trembled. But her faith in his tenderness reassured her, and made her blush
that she had doubted for an instant.
“There was an awful doom,” she continued, “the effect of my father’s
fatal love of science, which estranged me from all society of my kind. Until
Heaven sent thee, dearest Giovanni, oh, how lonely was thy poor Beatrice!”
“Was it a hard doom?” asked Giovanni, fixing his eyes upon her.
“Only of late have I known how hard it was,” answered she, tenderly.
“Oh, yes; but my heart was torpid, and therefore quiet.”
Giovanni’s rage broke forth from his sullen gloom like a lightning flash
out of a dark cloud.
“Accursed one!” cried he, with venomous scorn and anger. “And, finding
thy solitude wearisome, thou hast severed me likewise from all the warmth
of life and enticed me into thy region of unspeakable horror!”
“Giovanni!” exclaimed Beatrice, turning her large bright eyes upon his
face. The force of his words had not found its way into her mind; she was
merely thunderstruck.
“Yes, poisonous thing!” repeated Giovanni, beside himself with passion.
“Thou hast done it! Thou hast blasted me! Thou hast filled my veins with
poison! Thou hast made me as hateful, as ugly, as loathsome and deadly a

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creature as thyself—a world’s wonder of hideous monstrosity! Now, if our
breath be happily as fatal to ourselves as to all others, let us join our lips in
one kiss of unutterable hatred, and so die!”
“What has befallen me?” murmured Beatrice, with a low moan out of her
heart. “Holy Virgin, pity me, a poor heart-broken child!”
“Thou,—dost thou pray?” cried Giovanni, still with the same fiendish
scorn. “Thy very prayers, as they come from thy lips, taint the atmosphere
with death. Yes, yes; let us pray! Let us to church and dip our fingers in the
holy water at the portal! They that come after us will perish as by a
pestilence! Let us sign crosses in the air! It will be scattering curses abroad
in the likeness of holy symbols!”
“Giovanni,” said Beatrice, calmly, for her grief was beyond passion,
“why dost thou join thyself with me thus in those terrible words? I, it is
true, am the horrible thing thou namest me. But thou,—what hast thou to
do, save with one other shudder at my hideous misery to go forth out of the
garden and mingle with thy race, and forget there ever crawled on earth
such a monster as poor Beatrice?”
“Dost thou pretend ignorance?” asked Giovanni, scowling upon her.
“Behold! this power have I gained from the pure daughter of Rappaccini.”
There was a swarm of summer insects flitting through the air in search of
the food promised by the flower odors of the fatal garden. They circled
round Giovanni’s head, and were evidently attracted towards him by the
same influence which had drawn them for an instant within the sphere of
several of the shrubs. He sent forth a breath among them, and smiled
bitterly at Beatrice as at least a score of the insects fell dead upon the
ground.
“I see it! I see it!” shrieked Beatrice. “It is my father’s fatal science! No,
no, Giovanni; it was not I! Never! never! I dreamed only to love thee and be
with thee a little time, and so to let thee pass away, leaving but thine image
in mine heart; for, Giovanni, believe it, though my body be nourished with
poison, my spirit is God’s creature, and craves love as its daily food. But
my father,—he has united us in this fearful sympathy. Yes; spurn me, tread
upon me, kill me! Oh, what is death after such words as thine? But it was
not I. Not for a world of bliss would I have done it.”
Giovanni’s passion had exhausted itself in its outburst from his lips.
There now came across him a sense, mournful, and not without tenderness,

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of the intimate and peculiar relationship between Beatrice and himself.
They stood, as it were, in an utter solitude, which would be made none the
less solitary by the densest throng of human life. Ought not, then, the desert
of humanity around them to press this insulated pair closer together? If they
should be cruel to one another, who was there to be kind to them? Besides,
thought Giovanni, might there not still be a hope of his returning within the
limits of ordinary nature, and leading Beatrice, the redeemed Beatrice, by
the hand? O, weak, and selfish, and unworthy spirit, that could dream of an
earthly union and earthly happiness as possible, after such deep love had
been so bitterly wronged as was Beatrice’s love by Giovanni’s blighting
words! No, no; there could be no such hope. She must pass heavily, with
that broken heart, across the borders of Time—she must bathe her hurts in
some fount of paradise, and forget her grief in the light of immortality, and
THERE be well.
But Giovanni did not know it.
“Dear Beatrice,” said he, approaching her, while she shrank away as
always at his approach, but now with a different impulse, “dearest Beatrice,
our fate is not yet so desperate. Behold! there is a medicine, potent, as a
wise physician has assured me, and almost divine in its efficacy. It is
composed of ingredients the most opposite to those by which thy awful
father has brought this calamity upon thee and me. It is distilled of blessed
herbs. Shall we not quaff it together, and thus be purified from evil?”
“Give it me!” said Beatrice, extending her hand to receive the little silver
vial which Giovanni took from his bosom. She added, with a peculiar
emphasis, “I will drink; but do thou await the result.”
She put Baglioni’s antidote to her lips; and, at the same moment, the
figure of Rappaccini emerged from the portal and came slowly towards the
marble fountain. As he drew near, the pale man of science seemed to gaze
with a triumphant expression at the beautiful youth and maiden, as might an
artist who should spend his life in achieving a picture or a group of statuary
and finally be satisfied with his success. He paused; his bent form grew
erect with conscious power; he spread out his hands over them in the
attitude of a father imploring a blessing upon his children; but those were
the same hands that had thrown poison into the stream of their lives.
Giovanni trembled. Beatrice shuddered nervously, and pressed her hand
upon her heart.

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“My daughter,” said Rappaccini, “thou art no longer lonely in the world.
Pluck one of those precious gems from thy sister shrub and bid thy
bridegroom wear it in his bosom. It will not harm him now. My science and
the sympathy between thee and him have so wrought within his system that
he now stands apart from common men, as thou dost, daughter of my pride
and triumph, from ordinary women. Pass on, then, through the world, most
dear to one another and dreadful to all besides!”
“My father,” said Beatrice, feebly,—and still as she spoke she kept her
hand upon her heart,—“wherefore didst thou inflict this miserable doom
upon thy child?”
“Miserable!” exclaimed Rappaccini. “What mean you, foolish girl? Dost
thou deem it misery to be endowed with marvellous gifts against which no
power nor strength could avail an enemy—misery, to be able to quell the
mightiest with a breath—misery, to be as terrible as thou art beautiful?
Wouldst thou, then, have preferred the condition of a weak woman, exposed
to all evil and capable of none?”
“I would fain have been loved, not feared,” murmured Beatrice, sinking
down upon the ground. “But now it matters not. I am going, father, where
the evil which thou hast striven to mingle with my being will pass away like
a dream-like the fragrance of these poisonous flowers, which will no longer
taint my breath among the flowers of Eden. Farewell, Giovanni! Thy words
of hatred are like lead within my heart; but they, too, will fall away as I
ascend. Oh, was there not, from the first, more poison in thy nature than in
mine?”
To Beatrice,—so radically had her earthly part been wrought upon by
Rappaccini’s skill,—as poison had been life, so the powerful antidote was
death; and thus the poor victim of man’s ingenuity and of thwarted nature,
and of the fatality that attends all such efforts of perverted wisdom, perished
there, at the feet of her father and Giovanni. Just at that moment Professor
Pietro Baglioni looked forth from the window, and called loudly, in a tone
of triumph mixed with horror, to the thunderstricken man of science,
“Rappaccini! Rappaccini! and is this the upshot of your experiment!”

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MRS. BULLFROG

It makes me melancholy to see how like fools some very sensible people
act in the matter of choosing wives. They perplex their judgments by a most
undue attention to little niceties of personal appearance, habits, disposition,
and other trifles which concern nobody but the lady herself. An unhappy
gentleman, resolving to wed nothing short of perfection, keeps his heart and
hand till both get so old and withered that no tolerable woman will accept
them. Now this is the very height of absurdity. A kind Providence has so
skilfully adapted sex to sex and the mass of individuals to each other, that,
with certain obvious exceptions, any male and female may be moderately
happy in the married state. The true rule is to ascertain that the match is
fundamentally a good one, and then to take it for granted that all minor
objections, should there be such, will vanish, if you let them alone. Only put
yourself beyond hazard as to the real basis of matrimonial bliss, and it is
scarcely to be imagined what miracles, in the way of recognizing smaller
incongruities, connubial love will effect.
For my own part I freely confess that, in my bachelorship, I was precisely
such an over-curious simpleton as I now advise the reader not to be. My
early habits had gifted me with a feminine sensibility and too exquisite
refinement. I was the accomplished graduate of a dry goods store, where, by
dint of ministering to the whims of fine ladies, and suiting silken hose to
delicate limbs, and handling satins, ribbons, chintzes calicoes, tapes, gauze,
and cambric needles, I grew up a very ladylike sort of a gentleman. It is not
assuming too much to affirm that the ladies themselves were hardly so
ladylike as Thomas Bullfrog. So painfully acute was my sense of female
imperfection, and such varied excellence did I require in the woman whom
I could love, that there was an awful risk of my getting no wife at all, or of
being driven to perpetrate matrimony with my own image in the looking-
glass. Besides the fundamental principle already hinted at, I demanded the
fresh bloom of youth, pearly teeth, glossy ringlets, and the whole list of

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lovely items, with the utmost delicacy of habits and sentiments, a silken
texture of mind, and, above all, a virgin heart. In a word, if a young angel
just from paradise, yet dressed in earthly fashion, had come and offered me
her hand, it is by no means certain that I should have taken it. There was
every chance of my becoming a most miserable old bachelor, when, by the
best luck in the world, I made a journey into another state, and was smitten
by, and smote again, and wooed, won, and married, the present Mrs.
Bullfrog, all in the space of a fortnight. Owing to these extempore
measures, I not only gave my bride credit for certain perfections which have
not as yet come to light, but also overlooked a few trifling defects, which,
however, glimmered on my perception long before the close of the
honeymoon. Yet, as there was no mistake about the fundamental principle
aforesaid, I soon learned, as will be seen, to estimate Mrs. Bullfrog’s
deficiencies and superfluities at exactly their proper value.
The same morning that Mrs. Bullfrog and I came together as a unit, we
took two seats in the stage-coach and began our journey towards my place
of business. There being no other passengers, we were as much alone and as
free to give vent to our raptures as if I had hired a hack for the matrimonial
jaunt. My bride looked charmingly in a green silk calash and riding habit of
pelisse cloth; and whenever her red lips parted with a smile, each tooth
appeared like an inestimable pearl. Such was my passionate warmth that—
we had rattled out of the village, gentle reader, and were lonely as Adam
and Eve in paradise—I plead guilty to no less freedom than a kiss. The
gentle eye of Mrs. Bullfrog scarcely rebuked me for the profanation.
Emboldened by her indulgence, I threw back the calash from her polished
brow, and suffered my fingers, white and delicate as her own, to stray
among those dark and glossy curls which realized my daydreams of rich
hair.
“My love,” said Mrs. Bullfrog tenderly, “you will disarrange my curls.”
“Oh, no, my sweet Laura!” replied I, still playing with the glossy ringlet.
“Even your fair hand could not manage a curl more delicately than mine. I
propose myself the pleasure of doing up your hair in papers every evening
at the same time with my own.”
“Mr. Bullfrog,” repeated she, “you must not disarrange my curls.”
This was spoken in a more decided tone than I had happened to hear,
until then, from my gentlest of all gentle brides. At the same time she put up

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her hand and took mine prisoner; but merely drew it away from the
forbidden ringlet, and then immediately released it. Now, I am a fidgety
little man, and always love to have something in my fingers; so that, being
debarred from my wife’s curls, I looked about me for any other plaything.
On the front seat of the coach there was one of those small baskets in which
travelling ladies who are too delicate to appear at a public table generally
carry a supply of gingerbread, biscuits and cheese, cold ham, and other light
refreshments, merely to sustain nature to the journey’s end. Such airy diet
will sometimes keep them in pretty good flesh for a week together. Laying
hold of this same little basket, I thrust my hand under the newspaper with
which it was carefully covered.
“What’s this, my dear?” cried I; for the black neck of a bottle had popped
out of the basket.
“A bottle of Kalydor, Mr. Bullfrog,” said my wife, coolly taking the
basket from my hands and replacing it on the front seat.
There was no possibility of doubting my wife’s word; but I never knew
genuine Kalydor, such as I use for my own complexion, to smell so much
like cherry brandy. I was about to express my fears that the lotion would
injure her skin, when an accident occurred which threatened more than a
skin-deep injury. Our Jehu had carelessly driven over a heap of gravel and
fairly capsized the coach, with the wheels in the air and our heels where our
heads should have been. What became of my wits I cannot imagine; they
have always had a perverse trick of deserting me just when they were most
needed; but so it chanced, that in the confusion of our overthrow I quite
forgot that there was a Mrs. Bullfrog in the world. Like many men’s wives,
the good lady served her husband as a steppingstone. I had scrambled out of
the coach and was instinctively settling my cravat, when somebody brushed
roughly by me, and I heard a smart thwack upon the coachman’s ear.
“Take that, you villain!” cried a strange, hoarse voice. “You have ruined
me, you blackguard! I shall never be the woman I have been!”
And then came a second thwack, aimed at the driver’s other ear; but
which missed it, and hit him on the nose, causing a terrible effusion of
blood. Now, who or what fearful apparition was inflicting this punishment
on the poor fellow remained an impenetrable mystery to me. The blows
were given by a person of grisly aspect, with a head almost bald, and
sunken cheeks, apparently of the feminine gender, though hardly to be

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classed in the gentler sex. There being no teeth to modulate the voice, it had
a mumbled fierceness, not passionate, but stern, which absolutely made me
quiver like calf’s-foot jelly. Who could the phantom be? The most awful
circumstance of the affair is yet to be told: for this ogre, or whatever it was,
had a riding habit like Mrs. Bullfrog’s, and also a green silk calash dangling
down her back by the strings. In my terror and turmoil of mind I could
imagine nothing less than that the Old Nick, at the moment of our overturn,
had annihilated my wife and jumped into her petticoats. This idea seemed
the most probable, since I could nowhere perceive Mrs. Bullfrog alive, nor,
though I looked very sharply about the coach, could I detect any traces of
that beloved woman’s dead body. There would have been a comfort in
giving her Christian burial.
“Come, sir, bestir yourself! Help this rascal to set up the coach,” said the
hobgoblin to me; then, with a terrific screech at three countrymen at a
distance, “Here, you fellows, ain’t you ashamed to stand off when a poor
woman is in distress?”
The countrymen, instead of fleeing for their lives, came running at full
speed, and laid hold of the topsy-turvy coach. I, also, though a small-sized
man, went to work like a son of Anak. The coachman, too, with the blood
still streaming from his nose, tugged and toiled most manfully, dreading,
doubtless, that the next blow might break his head. And yet, bemauled as
the poor fellow had been, he seemed to glance at me with an eye of pity, as
if my case were more deplorable than his. But I cherished a hope that all
would turn out a dream, and seized the opportunity, as we raised the coach,
to jam two of my fingers under the wheel, trusting that the pain would
awaken me.
“Why, here we are, all to rights again!” exclaimed a sweet voice behind.
“Thank you for your assistance, gentlemen. My dear Mr. Bullfrog, how you
perspire! Do let me wipe your face. Don’t take this little accident too much
to heart, good driver. We ought to be thankful that none of our necks are
broken.”
“We might have spared one neck out of the three,” muttered the driver,
rubbing his ear and pulling his nose, to ascertain whether he had been
cuffed or not. “Why, the woman’s a witch!”
I fear that the reader will not believe, yet it is positively a fact, that there
stood Mrs. Bullfrog, with her glossy ringlets curling on her brow, and two

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rows of orient pearls gleaming between her parted lips, which wore a most
angelic smile. She had regained her riding habit and calash from the grisly
phantom, and was, in all respects, the lovely woman who had been sitting
by my side at the instant of our overturn. How she had happened to
disappear, and who had supplied her place, and whence she did now return,
were problems too knotty for me to solve. There stood my wife. That was
the one thing certain among a heap of mysteries. Nothing remained but to
help her into the coach, and plod on, through the journey of the day and the
journey of life, as comfortably as we could. As the driver closed the door
upon us, I heard him whisper to the three countrymen, “How do you
suppose a fellow feels shut up in the cage with a she tiger?”
Of course this query could have no reference to my situation. Yet,
unreasonable as it may appear, I confess that my feelings were not
altogether so ecstatic as when I first called Mrs. Bullfrog mine. True, she
was a sweet woman and an angel of a wife; but what if a Gorgon should
return, amid the transports of our connubial bliss, and take the angel’s place.
I recollected the tale of a fairy, who half the time was a beautiful woman
and half the time a hideous monster. Had I taken that very fairy to be the
wife of my bosom? While such whims and chimeras were flitting across my
fancy I began to look askance at Mrs. Bullfrog, almost expecting that the
transformation would be wrought before my eyes.
To divert my mind, I took up the newspaper which had covered the little
basket of refreshments, and which now lay at the bottom of the coach,
blushing with a deep-red stain and emitting a potent spirituous fume from
the contents of the broken bottle of Kalydor. The paper was two or three
years old, but contained an article of several columns, in which I soon grew
wonderfully interested. It was the report of a trial for breach of promise of
marriage, giving the testimony in full, with fervid extracts from both the
gentleman’s and lady’s amatory correspondence. The deserted damsel had
personally appeared in court, and had borne energetic evidence to her
lover’s perfidy and the strength of her blighted affections. On the
defendant’s part there had been an attempt, though insufficiently sustained,
to blast the plaintiff’s character, and a plea, in mitigation of damages, on
account of her unamiable temper. A horrible idea was suggested by the
lady’s name.

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“Madam,” said I, holding the newspaper before Mrs. Bullfrog’s eyes,—
and, though a small, delicate, and thin-visaged man, I feel assured that I
looked very terrific,—“madam,” repeated I, through my shut teeth, “were
you the plaintiff in this cause?”
“Oh, my dear Mr. Bullfrog,” replied my wife, sweetly, “I thought all the
world knew that!”
“Horror! horror!” exclaimed I, sinking back on the seat.
Covering my face with both hands, I emitted a deep and deathlike groan,
as if my tormented soul were rending me asunder—I, the most exquisitely
fastidious of men, and whose wife was to have been the most delicate and
refined of women, with all the fresh dew-drops glittering on her virgin
rosebud of a heart!
I thought of the glossy ringlets and pearly teeth; I thought of the Kalydor;
I thought of the coachman’s bruised ear and bloody nose; I thought of the
tender love secrets which she had whispered to the judge and jury and a
thousand tittering auditors,—and gave another groan!
“Mr. Bullfrog,” said my wife.
As I made no reply, she gently took my hands within her own, removed
them from my face, and fixed her eyes steadfastly on mine.
“Mr. Bullfrog,” said she, not unkindly, yet with all the decision of her
strong character, “let me advise you to overcome this foolish weakness, and
prove yourself, to the best of your ability, as good a husband as I will be a
wife. You have discovered, perhaps, some little imperfections in your bride.
Well, what did you expect? Women are not angels. If they were, they would
go to heaven for husbands; or, at least, be more difficult in their choice on
earth.”
“But why conceal those imperfections?” interposed I, tremulously.
“Now, my love, are not you a most unreasonable little man?” said Mrs.
Bullfrog, patting me on the cheek. “Ought a woman to disclose her frailties
earlier than the wedding day? Few husbands, I assure you, make the
discovery in such good season, and still fewer complain that these trifles are
concealed too long. Well, what a strange man you are! Poh! you are
joking.”
“But the suit for breach of promise!” groaned I.

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“Ah, and is that the rub?” exclaimed my wife. “Is it possible that you
view that affair in an objectionable light? Mr. Bullfrog, I never could have
dreamed it! Is it an objection that I have triumphantly defended myself
against slander and vindicated my purity in a court of justice? Or do you
complain because your wife has shown the proper spirit of a woman, and
punished the villain who trifled with her affections?”
“But,” persisted I, shrinking into a corner of the coach, however,—for I
did not know precisely how much contradiction the proper spirit of a
woman would endure,—“but, my love, would it not have been more
dignified to treat the villain with the silent contempt he merited?”
“That is all very well, Mr. Bullfrog,” said my wife, slyly; “but, in that
case, where would have been the five thousand dollars which are to stock
your dry goods store?”
“Mrs. Bullfrog, upon your honor,” demanded I, as if my life hung upon
her words, “is there no mistake about those five thousand dollars?”
“Upon my word and honor there is none,” replied she. “The jury gave me
every cent the rascal had; and I have kept it all for my dear Bullfrog.”
“Then, thou dear woman,” cried I, with an overwhelming gush of
tenderness, “let me fold thee to my heart. The basis of matrimonial bliss is
secure, and all thy little defects and frailties are forgiven. Nay, since the
result has been so fortunate, I rejoice at the wrongs which drove thee to this
blessed lawsuit. Happy Bullfrog that I am!”

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FIRE WORSHIP

It is a great revolution in social and domestic life, and no less so in the
life of a secluded student, this almost universal exchange of the open
fireplace for the cheerless and ungenial stove. On such a morning as now
lowers around our old gray parsonage, I miss the bright face of my ancient
friend, who was wont to dance upon the hearth and play the part of more
familiar sunshine. It is sad to turn from the cloudy sky and sombre
landscape; from yonder hill, with its crown of rusty, black pines, the foliage
of which is so dismal in the absence of the sun; that bleak pasture-land, and
the broken surface of the potato-field, with the brown clods partly
concealed by the snowfall of last night; the swollen and sluggish river, with
ice-incrusted borders, dragging its bluish-gray stream along the verge of our
orchard like a snake half torpid with the cold,—it is sad to turn from an
outward scene of so little comfort and find the same sullen influences
brooding within the precincts of my study. Where is that brilliant guest, that
quick and subtle spirit, whom Prometheus lured from heaven to civilize
mankind and cheer them in their wintry desolation; that comfortable inmate,
whose smile, during eight months of the year, was our sufficient consolation
for summer’s lingering advance and early flight? Alas! blindly inhospitable,
grudging the food that kept him cheery and mercurial, we have thrust him
into an iron prison, and compel him to smoulder away his life on a daily
pittance which once would have been too scanty for his breakfast. Without a
metaphor, we now make our fire in an air-tight stove, and supply it with
some half a dozen sticks of wood between dawn and nightfall.
I never shall be reconciled to this enormity. Truly may it be said that the
world looks darker for it. In one way or another, here and there and all
around us, the inventions of mankind are fast blotting the picturesque, the
poetic, and the beautiful out of human life. The domestic fire was a type of
all these attributes, and seemed to bring might and majesty, and wild nature
and a spiritual essence, into our in most home, and yet to dwell with us in

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such friendliness that its mysteries and marvels excited no dismay. The
same mild companion that smiled so placidly in our faces was he that
comes roaring out of Ætna and rushes madly up the sky like a fiend
breaking loose from torment and fighting for a place among the upper
angels. He it is, too, that leaps from cloud to cloud amid the crashing
thunder-storm. It was he whom the Gheber worshipped with no unnatural
idolatry; and it was he who devoured London and Moscow and many
another famous city, and who loves to riot through our own dark forests and
sweep across our prairies, and to whose ravenous maw, it is said, the
universe shall one day be given as a final feast. Meanwhile he is the great
artisan and laborer by whose aid men are enabled to build a world within a
world, or, at least, to smooth down the rough creation which Nature flung to
it. He forges the mighty anchor and every lesser instrument; he drives the
steamboat and drags the rail-car; and it was he—this creature of terrible
might, and so many-sided utility and all-comprehensive destructiveness—
that used to be the cheerful, homely friend of our wintry days, and whom
we have made the prisoner of this iron cage.
How kindly he was! and, though the tremendous agent of change, yet
bearing himself with such gentleness, so rendering himself a part of all life-
long and age-coeval associations, that it seemed as if he were the great
conservative of nature. While a man was true to the fireside, so long would
he be true to country and law, to the God whom his fathers worshipped, to
the wife of his youth, and to all things else which instinct or religion has
taught us to consider sacred. With how sweet humility did this elemental
spirit perform all needful offices for the household in which he was
domesticated! He was equal to the concoction of a grand dinner, yet scorned
not to roast a potato or toast a bit of cheese. How humanely did he cherish
the school-boy’s icy fingers, and thaw the old man’s joints with a genial
warmth which almost equalled the glow of youth! And how carefully did he
dry the cowhide boots that had trudged through mud and snow, and the
shaggy outside garment stiff with frozen sleet! taking heed, likewise, to the
comfort of the faithful dog who had followed his master through the storm.
When did he refuse a coal to light a pipe, or even a part of his own
substance to kindle a neighbor’s fire? And then, at twilight, when laborer, or
scholar, or mortal of whatever age, sex, or degree, drew a chair beside him
and looked into his glowing face, how acute, how profound, how
comprehensive was his sympathy with the mood of each and all! He

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pictured forth their very thoughts. To the youthful he showed the scenes of
the adventurous life before them; to the aged the shadows of departed love
and hope; and, if all earthly things had grown distasteful, he could gladden
the fireside muser with golden glimpses of a better world. And, amid this
varied communion with the human soul, how busily would the sympathizer,
the deep moralist, the painter of magic pictures, be causing the teakettle to
boil!
Nor did it lessen the charm of his soft, familiar courtesy and helpfulness
that the mighty spirit, were opportunity offered him, would run riot through
the peaceful house, wrap its inmates in his terrible embrace, and leave
nothing of them save their whitened bones. This possibility of mad
destruction only made his domestic kindness the more beautiful and
touching. It was so sweet of him, being endowed with such power, to dwell
day after day, and one long lonesome night after another, on the dusky
hearth, only now and then betraying his wild nature by thrusting his red
tongue out of the chimney-top! True, he had done much mischief in the
world, and was pretty certain to do more; but his warm heart atoned for all.
He was kindly to the race of man; and they pardoned his characteristic
imperfections.
The good old clergyman, my predecessor in this mansion, was well
acquainted with the comforts of the fireside. His yearly allowance of wood,
according to the terms of his settlement, was no less than sixty cords.
Almost an annual forest was converted from sound oak logs into ashes, in
the kitchen, the parlor, and this little study, where now an unworthy
successor, not in the pastoral office, but merely in his earthly abode, sits
scribbling beside an air-tight stove. I love to fancy one of those fireside
days while the good man, a contemporary of the Revolution, was in his
early prime, some five-and-sixty years ago. Before sunrise, doubtless, the
blaze hovered upon the gray skirts of night and dissolved the frostwork that
had gathered like a curtain over the small window-panes. There is
something peculiar in the aspect of the morning fireside; a fresher, brisker
glare; the absence of that mellowness which can be produced only by half-
consumed logs, and shapeless brands with the white ashes on them, and
mighty coals, the remnant of tree-trunks that the hungry, elements have
gnawed for hours. The morning hearth, too, is newly swept, and the brazen
andirons well brightened, so that the cheerful fire may see its face in them.
Surely it was happiness, when the pastor, fortified with a substantial

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breakfast, sat down in his arm-chair and slippers and opened the Whole
Body of Divinity, or the Commentary on Job, or whichever of his old folios
or quartos might fall within the range of his weekly sermons. It must have
been his own fault if the warmth and glow of this abundant hearth did not
permeate the discourse and keep his audience comfortable in spite of the
bitterest northern blast that ever wrestled with the church-steeple. He reads
while the heat warps the stiff covers of the volume; he writes without
numbness either in his heart or fingers; and, with unstinted hand, he throws
fresh sticks of wood upon the fire.
A parishioner comes in. With what warmth of benevolence—how should
he be otherwise than warm in any of his attributes?—does the minister bid
him welcome, and set a chair for him in so close proximity to the hearth,
that soon the guest finds it needful to rub his scorched shins with his great
red hands! The melted snow drips from his steaming boots and bubbles
upon the hearth. His puckered forehead unravels its entanglement of
crisscross wrinkles. We lose much of the enjoyment of fireside heat without
such an opportunity of marking its genial effect upon those who have been
looking the inclement weather in the face. In the course of the day our
clergyman himself strides forth, perchance to pay a round of pastoral visits;
or, it may he, to visit his mountain of a wood-pile and cleave the monstrous
logs into billets suitable for the fire. He returns with fresher life to his
beloved hearth. During the short afternoon the western sunshine comes into
the study and strives to stare the ruddy blaze out of countenance but with
only a brief triumph, soon to be succeeded by brighter glories of its rival.
Beautiful it is to see the strengthening gleam, the deepening light that
gradually casts distinct shadows of the human figure, the table, and the
high-backed chairs upon the opposite wall, and at length, as twilight comes
on, replenishes the room with living radiance and makes life all rose-color.
Afar the wayfarer discerns the flickering flame as it dances upon the
windows, and hails it as a beacon-light of humanity, reminding him, in his
cold and lonely path, that the world is not all snow, and solitude, and
desolation. At eventide, probably, the study was peopled with the
clergyman’s wife and family, and children tumbled themselves upon the
hearth-rug, and grave puss sat with her back to the fire, or gazed, with a
semblance of human meditation, into its fervid depths. Seasonably the
plenteous ashes of the day were raked over the mouldering brands, and

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from the heap came jets of flame, and an incense of night-long smoke
creeping quietly up the chimney.
Heaven forgive the old clergyman! In his later life, when for almost
ninety winters he had been gladdened by the firelight,—when it had
gleamed upon him from infancy to extreme age, and never without
brightening his spirits as well as his visage, and perhaps keeping him alive
so long,—he had the heart to brick up his chimney-place and bid farewell to
the face of his old friend forever, why did he not take an eternal leave of the
sunshine too? His sixty cords of wood had probably dwindled to a far less
ample supply in modern times; and it is certain that the parsonage had
grown crazy with time and tempest and pervious to the cold; but still it was
one of the saddest tokens of the decline and fall of open fireplaces that, the
gray patriarch should have deigned to warm himself at an air-tight stove.
And I, likewise,—who have found a home in this ancient owl’s-nest since
its former occupant took his heavenward flight,—I, to my shame, have put
up stoves in kitchen and parlor and chamber. Wander where you will about
the house, not a glimpse of the earth-born, heaven-aspiring fiend of Ætna,
—him that sports in the thunder-storm, the idol of the Ghebers, the devourer
of cities, the forest-rioter and prairie-sweeper, the future destroyer of our
earth, the old chimney-corner companion who mingled himself so sociably
with household joys and sorrows,—not a glimpse of this mighty and kindly
one will greet your eyes. He is now an invisible presence. There is his iron
cage. Touch it, and he scorches your fingers. He delights to singe a garment
or perpetrate any other little unworthy mischief; for his temper is ruined by
the ingratitude of mankind, for whom he cherished such warmth of feeling,
and to whom he taught all their arts, even that of making his own prison-
house. In his fits of rage he puffs volumes of smoke and noisome gas
through the crevices of the door, and shakes the iron walls of his dungeon
so as to overthrow the ornamental urn upon its summit. We tremble lest he
should break forth amongst us. Much of his time is spent in sighs, burdened
with unutterable grief, and long drawn through the funnel. He amuses
himself, too, with repeating all the whispers, the moans, and the louder
utterances or tempestuous howls of the wind; so that the stove becomes a
microcosm of the aerial world. Occasionally there are strange combinations
of sounds,—voices talking almost articulately within the hollow chest of
iron,—insomuch that fancy beguiles me with the idea that my firewood
must have grown in that infernal forest of lamentable trees which breathed

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their complaints to Dante. When the listener is half asleep he may readily
take these voices for the conversation of spirits and assign them an
intelligible meaning. Anon there is a pattering noise,—drip, drip, drip,—as
if a summer shower were falling within the narrow circumference of the
stove.
These barren and tedious eccentricities are all that the air-tight stove can
bestow in exchange for the invaluable moral influences which we have lost
by our desertion of the open fireplace. Alas! is this world so very bright that
we can afford to choke up such a domestic fountain of gladsomeness, and
sit down by its darkened source without being conscious of a gloom?
It is my belief that social intercourse cannot long continue what it has
been, now that we have subtracted from it so important and vivifying an
element as firelight. The effects will be more perceptible on our children
and the generations that shall succeed them than on ourselves, the
mechanism of whose life may remain unchanged, though its spirit be far
other than it was. The sacred trust of the household fire has been transmitted
in unbroken succession from the earliest ages, and faithfully cherished in
spite of every discouragement such as the curfew law of the Norman
conquerors, until in these evil days physical science has nearly succeeded in
extinguishing it. But we at least have our youthful recollections tinged with
the glow of the hearth, and our life-long habits and associations arranged on
the principle of a mutual bond in the domestic fire. Therefore, though the
sociable friend be forever departed, yet in a degree he will be spiritually
present with us; and still more will the empty forms which were once full of
his rejoicing presence continue to rule our manners. We shall draw our
chairs together as we and our forefathers have been wont for thousands of
years back, and sit around some blank and empty corner of the room,
babbling with unreal cheerfulness of topics suitable to the homely fireside.
A warmth from the past—from the ashes of bygone years and the raked-up
embers of long ago—will sometimes thaw the ice about our hearts; but it
must be otherwise with our successors. On the most favorable supposition,
they will be acquainted with the fireside in no better shape than that of the
sullen stove; and more probably they will have grown up amid furnace heat
in houses which might be fancied to have their foundation over the infernal
pit, whence sulphurous steams and unbreathable exhalations ascend through
the apertures of the floor. There will be nothing to attract these poor
children to one centre. They will never behold one another through that

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peculiar medium of vision the ruddy gleam of blazing wood or bituminous
coal—-which gives the human spirit so deep an insight into its fellows and
melts all humanity into one cordial heart of hearts. Domestic life, if it may
still be termed domestic, will seek its separate corners, and never gather
itself into groups. The easy gossip; the merry yet unambitious Jest; the life-
like, practical discussion of real matters in a casual way; the soul of truth
which is so often incarnated in a simple fireside word,—will disappear from
earth. Conversation will contract the air of debate, and all mortal
intercourse be chilled with a fatal frost.
In classic times, the exhortation to fight “pro axis et focis,” for the altars
and the hearths, was considered the strongest appeal that could be made to
patriotism. And it seemed an immortal utterance; for all subsequent ages
and people have acknowledged its force and responded to it with the full
portion of manhood that nature had assigned to each. Wisely were the altar
and the hearth conjoined in one mighty sentence; for the hearth, too, had its
kindred sanctity. Religion sat down beside it, not in the priestly robes which
decorated and perhaps disguised her at the altar, but arrayed in a simple
matron’s garb, and uttering her lessons with the tenderness of a mother’s
voice and heart. The holy hearth! If any earthly and material thing, or rather
a divine idea embodied in brick and mortar, might be supposed to possess
the permanence of moral truth, it was this. All revered it. The man who did
not put off his shoes upon this holy ground would have deemed it pastime
to trample upon the altar. It has been our task to uproot the hearth. What
further reform is left for our children to achieve, unless they overthrow the
altar too? And by what appeal hereafter, when the breath of hostile armies
may mingle with the pure, cold breezes of our country, shall we attempt to
rouse up native valor? Fight for your hearths? There will be none
throughout the land. FIGHT FOR YOUR STOVES! Not I, in faith. If in such a
cause I strike a blow, it shall be on the invader’s part; and Heaven grant that
it may shatter the abomination all to pieces!

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BUDS AND BIRD VOICES

Balmy Spring—weeks later than we expected and months later than we
longed for her—comes at last to revive the moss on the roof and walls of
our old mansion. She peeps brightly into my study-window, inviting me to
throw it open and create a summer atmosphere by the intermixture of her
genial breath with the black and cheerless comfort of the stove. As the
casement ascends, forth into infinite space fly the innumerable forms of
thought or fancy that have kept me company in the retirement of this little
chamber during the sluggish lapse of wintry weather; visions, gay,
grotesque, and sad; pictures of real life, tinted with nature’s homely gray
and russet; scenes in dreamland, bedizened with rainbow hues which faded
before they were well laid on,—all these may vanish now, and leave me to
mould a fresh existence out of sunshine, Brooding Meditation may flap her
dusky wings and take her owl-like Right, blinking amid the cheerfulness of
noontide. Such companions befit the season of frosted window-panes and
crackling fires, when the blast howls through the black-ash trees of our
avenue and the drifting snow-storm chokes up the wood-paths and fills the
highway from stone wall to stone wall. In the spring and summer time all
sombre thoughts should follow the winter northward with the sombre and
thoughtful crows. The old paradisiacal economy of life is again in force; we
live, not to think or to labor, but for the simple end of being happy. Nothing
for the present hour is worthy of man’s infinite capacity save to imbibe the
warm smile of heaven and sympathize with the reviving earth.
The present Spring comes onward with fleeter footsteps, because Winter
lingered so unconscionably long that with her best diligence she can hardly
retrieve half the allotted period of her reign. It is but a fortnight since I
stood on the brink of our swollen river and beheld the accumulated ice of
four frozen months go down the stream. Except in streaks here and there
upon the hillsides, the whole visible universe was then covered with deep
snow, the nethermost layer of which had been deposited by an early

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December storm. It was a sight to make the beholder torpid, in the
impossibility of imagining how this vast white napkin was to be removed
from the face of the corpse-like world in less time than had been required to
spread it there. But who can estimate the power of gentle influences,
whether amid material desolation or the moral winter of man’s heart? There
have been no tempestuous rains, even no sultry days, but a constant breath
of southern winds, with now a day of kindly sunshine, and now a no less
kindly mist or a soft descent of showers, in which a smile and a blessing
seemed to have been steeped. The snow has vanished as if by magic;
whatever heaps may be hidden in the woods and deep gorges of the hills,
only two solitary specks remain in the landscape; and those I shall almost
regret to miss when to-morrow I look for them in vain. Never before,
methinks, has spring pressed so closely on the footsteps of retreating winter.
Along the roadside the green blades of grass have sprouted on the very edge
of the snow-drifts. The pastures and mowing-fields have not vet assumed a
general aspect of verdure; but neither have they the cheerless-brown tint
which they wear in latter autumn when vegetation has entirely ceased; there
is now a faint shadow of life, gradually brightening into the warm reality.
Some tracts in a happy exposure,—as, for instance, yonder southwestern
slope of an orchard, in front of that old red farm-house beyond the river,—
such patches of land already wear a beautiful and tender green, to which no
future luxuriance can add a charm. It looks unreal; a prophecy, a hope, a
transitory effect of sonic peculiar light, which will vanish with the slightest
motion of the eye. But beauty is never a delusion; not these verdant tracts,
but the dark and barren landscape all around them, is a shadow and a
dream. Each moment wins seine portion of the earth from death to life; a
sudden gleam of verdure brightens along the sunny slope of a bank which
an instant ago was brown and bare. You look again, and behold an
apparition of green grass!
The trees in our orchard and elsewhere are as yet naked, but already
appear full of life and vegetable blood. It seems as if by one magic touch
they might instantaneously burst into full foliage, and that the wind which
now sighs through their naked branches might make sudden music amid
innumerable leaves. The mossgrown willow-tree which for forty years past
has overshadowed these western windows will be among the first to put on
its green attire. There are some objections to the willow; it is not a dry and
cleanly tree, and impresses the beholder with an association of sliminess.

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No trees, I think, are perfectly agreeable as companions unless they have
glossy leaves, dry bark, and a firm and hard texture of trunk and branches.
But the willow is almost the earliest to gladden us with the promise and
reality of beauty in its graceful and delicate foliage, and the last to scatter its
yellow yet scarcely withered leaves upon the ground. All through the
winter, too, its yellow twigs give it a sunny aspect, which is not without a
cheering influence even in the grayest and gloomiest day. Beneath a
clouded sky it faithfully remembers the sunshine. Our old house would lose
a charm were the willow to be cut down, with its golden crown over the
snow-covered roof and its heap of summer verdure.
The lilac-shrubs under my study-windows are likewise almost in leaf: in
two or three days more I may put forth my hand and pluck the topmost
bough in its freshest green. These lilacs are very aged, and have lost the
luxuriant foliage of their prime. The heart, or the judgment, or the moral
sense, or the taste is dissatisfied with their present aspect. Old age is not
venerable when it embodies itself in lilacs, rose-bushes, or any other
ornamental shrub; it seems as if such plants, as they grow only for beauty,
ought to flourish always in immortal youth, or, at least, to die before their
sad decrepitude. Trees of beauty are trees of paradise, and therefore not
subject to decay by their original nature, though they have lost that precious
birthright by being transplanted to an earthly soil. There is a kind of
ludicrous unfitness in the idea of a time-stricken and grandfatherly lilac-
bush. The analogy holds good in human life. Persons who can only be
graceful and ornamental—who can give the world nothing but flowers—
should die young, and never be seen with gray hair and wrinkles, any more
than the flower-shrubs with mossy bark and blighted foliage, like the lilacs
under my window. Not that beauty is worthy of less than immortality; no,
the beautiful should live forever,—and thence, perhaps, the sense of
impropriety when we see it triumphed over by time. Apple-trees, on the
other hand, grow old without reproach. Let them live as long as they may,
and contort themselves into whatever perversity of shape they please, and
deck their withered limbs with a springtime gaudiness of pink blossoms;
still they are respectable, even if they afford us only an apple or two in a
season. Those few apples—or, at all events, the remembrance of apples in
bygone years—are the atonement which utilitarianism inexorably demands
for the privilege of lengthened life. Human flower-shrubs, if they will grow
old on earth, should, besides their lovely blossoms, bear some kind of fruit

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that will satisfy earthly appetites, else neither man nor the decorum of
nature will deem it fit that the moss should gather on them.
One of the first things that strikes the attention when the white sheet of
winter is withdrawn is the neglect and disarray that lay hidden beneath it.
Nature is not cleanly according to our prejudices. The beauty of preceding
years, now transformed to brown and blighted deformity, obstructs the
brightening loveliness of the present hour. Our avenue is strewn with the
whole crop of autumn’s withered leaves. There are quantities of decayed
branches which one tempest after another has flung down, black and rotten,
and one or two with the ruin of a bird’s-nest clinging to them. In the garden
are the dried bean-vines, the brown stalks of the asparagus-bed, and
melancholy old cabbages which were frozen into the soil before their
unthrifty cultivator could find time to gather them. How invariably,
throughout all the forms of life, do we find these intermingled memorials of
death! On the soil of thought and in the garden of the heart, as well as in the
sensual world, he withered leaves,—the ideas and feelings that we have
done with. There is no wind strong enough to sweep them away; infinite
space will not garner then from our sight. What mean they? Why may we
not be permitted to live and enjoy, as if this were the first life and our own
the primal enjoyment, instead of treading always on these dry hones and
mouldering relics, from the aged accumulation of which springs all that
now appears so young and new? Sweet must have been the springtime of
Eden, when no earlier year had strewn its decay upon the virgin turf and no
former experience had ripened into summer and faded into autumn in the
hearts of its inhabitants! That was a world worth living in. O then
murmurer, it is out of the very wantonness of such a life that then feignest
these idle lamentations. There is no decay. Each human soul is the first-
created inhabitant of its own Eden. We dwell in an old moss-covered
mansion, and tread in the worn footprints of the past, and have a gray
clergyman’s ghost for our daily and nightly inmate; yet all these outward
circumstances are made less than visionary by the renewing power of the
spirit. Should the spirit ever lose this power,—should the withered leaves,
and the rotten branches, and the moss-covered house, and the ghost of the
gray past ever become its realities, and the verdure and the freshness merely
its faint dream,—then let it pray to be released from earth. It will need the
air of heaven to revive its pristine energies.

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What an unlooked-for flight was this from our shadowy avenue of black-
ash and balm of Gilead trees into the infinite! Now we have our feet again
upon the turf. Nowhere does the grass spring up so industriously as in this
homely yard, along the base of the stone wall, and in the sheltered nooks of
the buildings, and especially around the southern doorstep,—a locality
which seems particularly favorable to its growth, for it is already tall
enough to bend over and wave in the wind. I observe that several weeds—
and most frequently a plant that stains the fingers with its yellow juice—
have survived and retained their freshness and sap throughout the winter.
One knows not how they have deserved such an exception from the
common lot of their race. They are now the patriarchs of the departed year,
and may preach mortality to the present generation of flowers and weeds.
Among the delights of spring, how is it possible to forget the birds? Even
the crows were welcome as the sable harbingers of a brighter and livelier
race. They visited us before the snow was off, but seem mostly to have
betaken themselves to remote depths of the woods, which they haunt all
summer long. Many a time shall I disturb them there, and feel as if I had
intruded among a company of silent worshippers, as they sit in Sabbath
stillness among the tree-tops. Their voices, when they speak, are in
admirable accordance with the tranquil solitude of a summer afternoon; and
resounding so far above the head, their loud clamor increases the religious
quiet of the scene instead of breaking it. A crow, however, has no real
pretensions to religion, in spite of his gravity of mien and black attire; he is
certainly a thief, and probably an infidel. The gulls are far more respectable,
in a moral point of view. These denizens of seabeaten rocks and haunters of
the lonely beach come up our inland river at this season, and soar high
overhead, flapping their broad wings in the upper sunshine. They are among
the most picturesque of birds, because they so float and rest upon the air as
to become almost stationary parts of the landscape. The imagination has
time to grow acquainted with them; they have not flitted away in a moment.
You go up among the clouds and greet these lofty-flighted gulls, and repose
confidently with them upon the sustaining atmosphere. Duck’s have their
haunts along the solitary places of the river, and alight in flocks upon the
broad bosom of the overflowed meadows. Their flight is too rapid and
determined for the eye to catch enjoyment from it, although it never fails to
stir up the heart with the sportsman’s ineradicable instinct. They have now
gone farther northward, but will visit us again in autumn.

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The smaller birds,—the little songsters of the woods, and those that haunt
man’s dwellings and claim human friendship by building their nests under
the sheltering eaves or among the orchard trees,—these require a touch
more delicate and a gentler heart than mine to do them justice. Their
outburst of melody is like a brook let loose from wintry chains. We need not
deem it a too high and solemn word to call it a hymn of praise to the
Creator; since Nature, who pictures the reviving year in so many sights of
beauty, has expressed the sentiment of renewed life in no other sound save
the notes of these blessed birds. Their music, however, just now, seems to
be incidental, and not the result of a set purpose. They are discussing the
economy of life and love and the site and architecture of their summer
residences, and have no time to sit on a twig and pour forth solemn hymns,
or overtures, operas, symphonies, and waltzes. Anxious questions are asked;
grave subjects are settled in quick and animated debate; and only by
occasional accident, as from pure ecstasy, does a rich warble roll its tiny
waves of golden sound through the atmosphere. Their little bodies are as
busy as their voices; they are all a constant flutter and restlessness. Even
when two or three retreat to a tree-top to hold council, they wag their tails
and heads all the time with the irrepressible activity of their nature, which
perhaps renders their brief span of life in reality as long as the patriarchal
age of sluggish man. The blackbirds, three species of which consort
together, are the noisiest of all our feathered citizens. Great companies of
them—more than the famous “four-and-twenty” whom Mother Goose has
immortalized—congregate in contiguous treetops and vociferate with all the
clamor and confusion of a turbulent political meeting. Politics, certainly,
must be the occasion of such tumultuous debates; but still, unlike all other
politicians, they instil melody into their individual utterances and produce
harmony as a general effect. Of all bird voices, none are more sweet and
cheerful to my ear than those of swallows, in the dim, sunstreaked interior
of a lofty barn; they address the heart with even a closer sympathy than
robin-redbreast. But, indeed, all these winged people, that dwell in the
vicinity of homesteads, seem to partake of human nature, and possess the
germ, if not the development, of immortal souls. We hear them saying their
melodious prayers at morning’s blush and eventide. A little while ago, in the
deep of night, there came the lively thrill of a bird’s note from a
neighboring tree,—a real song, such as greets the purple dawn or mingles
with the yellow sunshine. What could the little bird mean by pouring it forth

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at midnight? Probably the music gushed out of the midst of a dream in
which he fancied himself in paradise with his mate, but suddenly awoke on
a cold leafless bough, with a New England mist penetrating through his
feathers. That was a sad exchange of imagination for reality.
Insects are among the earliest births of sprung. Multitudes of I know not
what species appeared long ago on the surface of the snow. Clouds of them,
almost too minute for sight, hover in a beam of sunshine, and vanish, as if
annihilated, when they pass into the shade. A mosquito has already been
heard to sound the small horror of his bugle-horn. Wasps infest the sunny
windows of the house. A bee entered one of the chambers with a prophecy
of flowers. Rare butterflies came before the snow was off, flaunting in the
chill breeze, and looking forlorn and all astray, in spite of the magnificence
of their dark velvet cloaks, with golden borders.
The fields and wood-paths have as yet few charms to entice the wanderer.
In a walk, the other day, I found no violets, nor anemones, nor anything in
the likeness of a flower. It was worth while, however, to ascend our
opposite hill for the sake of gaining a general idea of the advance of spring,
which I had hitherto been studying in its minute developments. The river
lay around me in a semicircle, overflowing all the meadows which give it
its Indian name, and offering a noble breadth to sparkle in the sunbeams.
Along the hither shore a row of trees stood up to their knees in water; and
afar off, on the surface of the stream, tufts of bushes thrust up their heads,
as it were, to breathe. The most striking objects were great solitary trees
here and there, with a mile-wide waste of water all around them. The
curtailment of the trunk, by its immersion in the river, quite destroys the fair
proportions of the tree, and thus makes us sensible of a regularity and
propriety in the usual forms of nature. The flood of the present season—
though it never amounts to a freshet on our quiet stream—has encroached
farther upon the land than any previous one for at least a score of years. It
has overflowed stone fences, and even rendered a portion of the highway
navigable for boats.
The waters, however, are now gradually subsiding; islands become
annexed to the mainland; and other islands emerge, like new creations, from
the watery waste. The scene supplies an admirable image of the receding of
the Nile, except that there is no deposit of black slime; or of Noah’s flood,
only that there is a freshness and novelty in these recovered portions of the

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continent which give the impression of a world just made rather than of one
so polluted that a deluge had been requisite to purify it. These upspringing
islands are the greenest spots in the landscape; the first gleam of sunlight
suffices to cover them with verdure.
Thank Providence for spring! The earth—and man himself, by sympathy
with his birthplace would be far other than we find them if life toiled
wearily onward without this periodical infusion of the primal spirit. Will the
world ever be so decayed that spring may not renew its greenness? Can man
be so dismally age stricken that no faintest sunshine of his youth may revisit
him once a year? It is impossible. The moss on our time-worn mansion
brightens into beauty; the good old pastor who once dwelt here renewed his
prime, regained his boyhood, in the genial breezes of his ninetieth spring.
Alas for the worn and heavy soul if, whether in youth or age, it have
outlived its privilege of springtime sprightliness! From such a soul the
world must hope no reformation of its evil, no sympathy with the lofty faith
and gallant struggles of those who contend in its behalf. Summer works in
the present, and thinks not of the future; autumn is a rich conservative;
winter has utterly lost its faith, and clings tremulously to the remembrance
of what has been; but spring, with its outgushing life, is the true type of the
movement.

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MONSIEUR DU MIROIR

Than the gentleman above named, there is nobody, in the whole circle of
my acquaintance, whom I have more attentively studied, yet of whom I
have less real knowledge, beneath the surface which it pleases him to
present. Being anxious to discover who and what he really is, and how
connected with me, and what are to be the results to him and to myself of
the joint interest which, without any choice on my part, seems to be
permanently established between us, and incited, furthermore, by the
propensities of a student of human nature, though doubtful whether
Monsieur du Miroir have aught of humanity but the figure,—I have
determined to place a few of his remarkable points before the public,
hoping to be favored with some clew to the explanation of his character.
Nor let the reader condemn any part of the narrative as frivolous, since a
subject of such grave reflection diffuses its importance through the minutest
particulars; and there is no judging beforehand what odd little circumstance
may do the office of a blind man’s dog among the perplexities of this dark
investigation; and however extraordinary, marvellous, preternatural, and
utterly incredible some of the meditated disclosures may appear, I pledge
my honor to maintain as sacred a regard to fact as if my testimony were
given on oath and involved the dearest interests of the personage in
question. Not that there is matter for a criminal accusation against Monsieur
du Miroir, nor am I the man to bring it forward if there were. The chief that
I complain of is his impenetrable mystery, which is no better than nonsense
if it conceal anything good, and much worse in the contrary case.
But, if undue partialities could be supposed to influence me, Monsieur du
Miroir might hope to profit rather than to suffer by them, for in the whole of
our long intercourse we have seldom had the slightest disagreement; and,
moreover, there are reasons for supposing him a near relative of mine, and
consequently entitled to the best word that I can give him. He bears
indisputably a strong personal resemblance to myself, and generally puts on

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mourning at the funerals of the family. On the other hand, his name would
indicate a French descent; in which case, infinitely preferring that my blood
should flow from a bold British and pure Puritan source, I beg leave to
disclaim all kindred with Monsieur du Miroir. Some genealogists trace his
origin to Spain, and dub him a knight of the order of the CABALLEROS DE
LOS ESPEJOZ, one of whom was overthrown by Don Quixote. But what says
Monsieur du Miroir himself of his paternity and his fatherland? Not a word
did he ever say about the matter; and herein, perhaps, lies one of his most
especial reasons for maintaining such a vexatious mystery, that he lacks the
faculty of speech to expound it. His lips are sometimes seen to move; his
eyes and countenance are alive with shifting expression, as if corresponding
by visible hieroglyphics to his modulated breath; and anon he will seem to
pause with as satisfied an air as if he had been talking excellent sense. Good
sense or bad, Monsieur du Miroir is the sole judge of his own
conversational powers, never having whispered so much as a syllable that
reached the ears of any other auditor. Is he really dumb? or is all the world
deaf? or is it merely a piece of my friend’s waggery, meant for nothing but
to make fools of us? If so, he has the joke all to himself.
This dumb devil which possesses Monsieur do Miroir is, I am persuaded,
the sole reason that he does not make me the most flattering protestations of
friendship. In many particulars—indeed, as to all his cognizable and not
preternatural points, except that, once in a great while, I speak a word or
two—there exists the greatest apparent sympathy between us. Such is his
confidence in my taste that he goes astray from the general fashion and
copies all his dresses after mine. I never try on a new garment without
expecting to meet, Monsieur du Miroir in one of the same pattern. He has
duplicates of all my waistcoats and cravats, shirt-bosoms of precisely a
similar plait, and an old coat for private wear, manufactured, I suspect, by a
Chinese tailor, in exact imitation of a beloved old coat of mine, with a
facsimile, stitch by stitch, of a patch upon the elbow. In truth, the singular
and minute coincidences that occur, both in the accidents of the passing day
and the serious events of our lives, remind me of those doubtful legends of
lovers, or twin children, twins of fate, who have lived, enjoyed, suffered,
and died in unison, each faithfully repeating the last tremor of the other’s
breath, though separated by vast tracts of sea and land. Strange to say, my
incommodities belong equally to my companion, though the burden is
nowise alleviated by his participation. The other morning, after a night of

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torment from the toothache, I met Monsieur du Miroir with such a swollen
anguish in his cheek that my own pangs were redoubled, as were also his, if
I might judge by a fresh contortion of his visage. All the inequalities of my
spirits are communicated to him, causing the unfortunate Monsieur du
Miroir to mope and scowl through a whole summer’s day, or to laugh as
long, for no better reason than the gay or gloomy crotchets of my brain.
Once we were joint sufferers of a three months’ sickness, and met like
mutual ghosts in the first days of convalescence. Whenever I have been in
love, Monsieur du Miroir has looked passionate and tender; and never did
my mistress discard me, but this too susceptible gentleman grew
lackadaisical. His temper, also, rises to blood heat, fever heat, or boiling-
water beat, according to the measure of any wrong which might seem to
have fallen entirely on myself. I have sometimes been calmed down by the
sight of my own inordinate wrath depicted on his frowning brow. Yet,
however prompt in taking up my quarrels, I cannot call to mind that he ever
struck a downright blow in my behalf; nor, in fact, do I perceive that any
real and tangible good has resulted from his constant interference in my
affairs; so that, in my distrustful moods, I am apt to suspect Monsieur du
Miroir’s sympathy to be mere outward show, not a whit better nor worse
than other people’s sympathy. Nevertheless, as mortal man must have
something in the guise of sympathy,—and whether the true metal, or merely
copper-washed, is of less moment,—I choose rather to content myself with
Monsieur du Miroir’s, such as it is, than to seek the sterling coin, and
perhaps miss even the counterfeit.
In my age of vanities I have often seen him in the ballroom, and might
again were I to seek him there. We have encountered each other at the
Tremont Theatre, where, however, he took his seat neither in the dress-
circle, pit, nor upper regions, nor threw a single glance at the stage, though
the brightest star, even Fanny Kemble herself, might be culminating there.
No; this whimsical friend of mine chose to linger in the saloon, near one of
the large looking-glasses which throw back their pictures of the illuminated
room. He is so full of these unaccountable eccentricities that I never like to
notice Monsieur du Miroir, nor to acknowledge the slightest connection
with him, in places of public resort. He, however, has no scruple about
claiming my acquaintance, even when his common-sense, if he had any,
might teach him that I would as willingly exchange a nod with the Old
Nick. It was but the other day that he got into a large brass kettle at the

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entrance of a hardware-store, and thrust his head, the moment afterwards,
into a bright, new warming-pan, whence he gave me a most merciless look
of recognition. He smiled, and so did I; but these childish tricks make
decent people rather shy of Monsieur du Miroir, and subject him to more
dead cuts than any other gentleman in town.
One of this singular person’s most remarkable peculiarities is his
fondness for water, wherein he excels any temperance man whatever. His
pleasure, it must be owned, is not so much to drink it (in which respect a
very moderate quantity will answer his occasions) as to souse himself over
head and ears wherever he may meet with it. Perhaps he is a merman, or
born of a mermaid’s marriage with a mortal, and thus amphibious by
hereditary right, like the children which the old river deities, or nymphs of
fountains, gave to earthly love. When no cleaner bathing-place happened to
be at hand, I have seen the foolish fellow in a horse-pond. Some times he
refreshes himself in the trough of a town-pump, without caring what the
people think about him. Often, while carefully picking my way along the
street after a heavy shower, I have been scandalized to see Monsieur du
Miroir, in full dress, paddling from one mud-puddle to another, and
plunging into the filthy depths of each. Seldom have I peeped into a well
without discerning this ridiculous gentleman at the bottom, whence he
gazes up, as through a long telescopic tube, and probably makes discoveries
among the stars by daylight. Wandering along lonesome paths or in pathless
forests, when I have come to virgin fountains of which it would have been
pleasant to deem myself the first discoverer, I have started to find Monsieur
du Miroir there before me. The solitude seemed lonelier for his presence. I
have leaned from a precipice that frowns over Lake George, which the
French call nature’s font of sacramental water, and used it in their log-
churches here and their cathedrals beyond the sea, and seen him far below
in that pure element. At Niagara, too, where I would gladly have forgotten
both myself and him, I could not help observing my companion in the
smooth water on the very verge of the cataract just above the Table Rock.
Were I to reach the sources of the Nile, I should expect to meet him there.
Unless he be another Ladurlad, whose garments the depth of ocean could
not moisten, it is difficult to conceive how he keeps himself in any decent
pickle; though I am bound to confess that his clothes seem always as dry
and comfortable as my own. But, as a friend, I could wish that he would not
so often expose himself in liquor.

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All that I have hitherto related may be classed among those little personal
oddities which agreeably diversify the surface of society, and, though they
may sometimes annoy us, yet keep our daily intercourse fresher and livelier
than if they were done away. By an occasional hint, however, I have
endeavored to pave the way for stranger things to come, which, had they
been disclosed at once, Monsieur du Miroir might have been deemed a
shadow, and myself a person of no veracity, and this truthful history a
fabulous legend. But, now that the reader knows me worthy of his
confidence, I will begin to make him stare.
To speak frankly, then, I could bring the most astounding proofs that
Monsieur du Miroir is at least a conjurer, if not one of that unearthly tribe
with whom conjurers deal. He has inscrutable methods of conveying
himself from place to place with the rapidity of the swiftest steamboat or
rail-car. Brick walls and oaken doors and iron bolts are no impediment to
his passage. Here in my chamber, for instance, as the evening deepens into
night, I sit alone,—the key turned and withdrawn from the lock, the keyhole
stuffed with paper to keep out a peevish little blast of wind. Yet, lonely as I
seem, were I to lift one of the lamps and step five paces eastward, Monsieur
du Miroir would be sure to meet me with a lamp also in his hand; and were
I to take the stage-coach to-morrow, without giving him the least hint of my
design, and post onward till the week’s end, at whatever hotel I might find
myself I should expect to share my private apartment with this inevitable
Monsieur du Miroir. Or, out of a mere wayward fantasy, were I to go, by
moonlight, and stand beside the stone Pout of the Shaker Spring at
Canterbury, Monsieur du Miroir would set forth on the same fool’s errand,
and would not fail to meet me there. Shall I heighten the reader’s wonder?
While writing these latter sentences, I happened to glance towards the large,
round globe of one off the brass andirons, and lo! a miniature apparition of
Monsieur du Miroir, with his face widened and grotesquely contorted, as if
he were making fun of my amazement! But he has played so many of these
jokes that they begin to lose their effect. Once, presumptuous that he was,
he stole into the heaven of a young lady’s eyes; so that, while I gazed and
was dreaming only of herself, I found him also in my dream. Years have so
changed him since that he need never hope to enter those heavenly orbs
again.
From these veritable statements it will be readily concluded that, had
Monsieur du Miroir played such pranks in old witch times, matters might

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have gone hard with him; at least if the constable and posse comitatus could
have executed a warrant, or the jailer had been cunning enough to keep him.
But it has often occurred to me as a very singular circumstance, and as
betokening either a temperament morbidly suspicious or some weighty
cause of apprehension, that he never trusts himself within the grasp even of
his most intimate friend. If you step forward to meet him, he readily
advances; if you offer him your hand, he extends his own with an air of the
utmost frankness; but, though you calculate upon a hearty shake, you do not
get hold of his little finger. Ah, this Monsieur du Miroir is a slippery fellow!
These truly are matters of special admiration. After vainly endeavoring,
by the strenuous exertion of my own wits, to gain a satisfactory insight into
the character of Monsieur du Miroir, I had recourse to certain wise men, and
also to books of abstruse philosophy, seeking who it was that haunted me,
and why. I heard long lectures and read huge volumes with little profit
beyond the knowledge that many former instances are recorded, in
successive ages, of similar connections between ordinary mortals and
beings possessing the attributes of Monsieur du Miroir. Some now alive,
perhaps, besides myself, have such attendants. Would that Monsieur du
Miroir could be persuaded to transfer his attachment to one of those, and
allow some other of his race to assume the situation that he now holds in
regard to me! If I must needs have so intrusive an intimate, who stares me
in the face in my closest privacy, and follows me even to my bedchamber, I
should prefer—scandal apart—the laughing bloom of a young girl to the
dark and bearded gravity of my present companion. But such desires are
never to be gratified. Though the members of Monsieur du Miroir’s family
have been accused, perhaps justly, of visiting their friends often in splendid
halls, and seldom in darksome dungeons, yet they exhibit a rare constancy
to the objects of their first attachment, however unlovely in person or
unamiable in disposition,—however unfortunate, or even infamous, and
deserted by all the world besides. So will it be with my associate. Our fates
appear inseparably blended. It is my belief, as I find him mingling with my
earliest recollections, that we came into existence together, as my shadow
follows me into the sunshine, and that hereafter, as heretofore, the
brightness or gloom of my fortunes will shine upon, or darken, the face of
Monsieur du Miroir. As we have been young together, and as it is now near
the summer noon with both of us, so, if long life be granted, shall each
count his own wrinkles on the other’s brow and his white hairs on the

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other’s head. And when the coffin-lid shall have closed over me and that
face and form, which, more truly than the lover swears it to his beloved, are
the sole light of his existence,—when they shall be laid in that dark
chamber, whither his swift and secret footsteps cannot bring him,—then
what is to become of poor Monsieur du Miroir? Will he have the fortitude,
with my other friends, to take a last look at my pale countenance? Will he
walk foremost in the funeral train? Will he come often and haunt around my
grave, and weed away the nettles, and plant flowers amid the verdure, and
scrape the moss out of the letters of my burial-stone? Will he linger where I
have lived, to remind the neglectful world of one who staked much to win a
name, but will not then care whether he lost or won?
Not thus will he prove his deep fidelity. O, what terror, if this friend of
mine, after our last farewell, should step into the crowded street, or roam
along our old frequented path by the still waters, or sit down in the domestic
circle where our faces are most familiar and beloved! No; but when the rays
of heaven shall bless me no more, nor the thoughtful lamplight gleam upon
my studies, nor the cheerful fireside gladden the meditative man, then, his
task fulfilled, shall this mysterious being vanish from the earth forever. He
will pass to the dark realm of nothingness, but will not find me there.
There is something fearful in bearing such a relation to a creature so
imperfectly known, and in the idea that, to a certain extent, all which
concerns myself will be reflected in its consequences upon him. When we
feel that another is to share the self-same fortune with ourselves we judge
more severely of our prospects, and withhold our confidence from that
delusive magic which appears to shed an infallibility of happiness over our
own pathway. Of late years, indeed, there has been much to sadden my
intercourse with Monsieur de Miroir. Had not our union been a necessary
condition of our life, we must have been estranged ere now. In early youth,
when my affections were warm and free, I loved him well, and could
always spend a pleasant hour in his society, chiefly because it gave me an
excellent opinion of myself. Speechless as he was, Monsieur du Miroir had
then a most agreeable way of calling me a handsome fellow; and I, of
course, returned the compliment; so that, the more we kept each other’s
company, the greater coxcombs we mutually grew. But neither of us need
apprehend any such misfortune now. When we chance to meet,—for it is
chance oftener than design,—each glances sadly at the other’s forehead,
dreading wrinkles there; and at our temples, whence the hair is thinning

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away too early; and at the sunken eyes, which no longer shed a gladsome
light over the whole face. I involuntarily peruse him as a record of my
heavy youth, which has been wasted in sluggishness for lack of hope and
impulse, or equally thrown away in toil that had no wise motive and has
accomplished no good end. I perceive that the tranquil gloom of a
disappointed soul has darkened through his countenance, where the
blackness of the future seems to mingle with the shadows of the past, giving
him the aspect of a fated man. Is it too wild a thought that my fate may have
assumed this image of myself, and therefore haunts me with such inevitable
pertinacity, originating every act which it appears to imitate, while it
deludes me by pretending to share the events of which it is merely the
emblem and the prophecy? I must banish this idea, or it will throw too deep
an awe round my companion. At our next meeting, especially if it be at
midnight or in solitude, I fear that I shall glance aside and shudder; in which
case, as Monsieur du Miroir is extremely sensitive to ill-treatment, he also
will avert his eyes and express horror or disgust.
But no; this is unworthy of me. As of old I sought his society for the
bewitching dreams of woman’s love which he inspired, and because I
fancied a bright fortune in his aspect, so now will I hold daily and long
communion with hint for the sake of the stern lessons that he will teach my
manhood. With folded arms we will sit face to face, and lengthen out our
silent converse till a wiser cheerfulness shall have been wrought from the
very texture of despondency. He will say, perhaps indignantly, that it befits
only him to mourn for the decay of outward grace, which, while he
possessed it, was his all. But have not you, he will ask, a treasure in reserve,
to which every year may add far more value than age or death itself can
snatch from that miserable clay? He will tell me that though the bloom of
life has been nipped with a frost, yet the soul must not sit shivering in its
cell, but bestir itself manfully, and kindle a genial warmth from its own
exercise against; the autumnal and the wintry atmosphere. And I, in return,
will bid him be of good cheer, nor take it amiss that I must blanch his locks
and wrinkle him up like a wilted apple, since it shall be my endeavor so to
beautify his face with intellect and mild benevolence that he shall profit
immensely by the change. But here a smile will glimmer somewhat sadly
over Monsieur du Miroir’s visage.
When this subject shall have been sufficiently discussed we may take up
others as important. Reflecting upon his power of following me to the

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remotest regions and into the deepest privacy, I will compare the attempt to
escape him to the hopeless race that men sometimes run with memory, or
their own hearts, or their moral selves, which, though burdened with cares
enough to crush an elephant, will never be one step behind. I will be self-
contemplative, as nature bids me, and make him the picture or visible type
of what I muse upon, that my mind may not wander so vaguely as
heretofore, chasing its own shadow through a chaos and catching only the
monsters that abide there. Then will we turn our thoughts to the spiritual
world, of the reality of which my companions shall furnish me an
illustration, if not an argument; for, as we have only the testimony of the
eye to Monsieur du Miroir’s existence, while all the other senses would fail
to inform us that such a figure stands within arm’s-length, wherefore should
there not be beings innumerable close beside us, and filling heaven and
earth with their multitude, yet of whom no corporeal perception can take
cognizance? A blind man might as reasonably deny that Monsieur du Miroir
exists, as we, because the Creator has hitherto withheld the spiritual
perception, can therefore contend that there are no spirits. O, there are! And,
at this moment, when the subject of which I write has grown strong within
me and surrounded itself with those solemn and awful associations which
might have seemed most alien to it, I could fancy that Monsieur du Miroir
himself is a wanderer from the spiritual world, with nothing human except
his delusive garment of visibility. Methinks I should tremble now were his
wizard power of gliding through all impediments in search of me to place
him suddenly before my eyes.
Ha! What is yonder? Shape of mystery, did the tremor of my heartstrings
vibrate to thine own, and call thee from thy home among the dancers of the
northern lights, and shadows flung from departed sunshine, and giant
spectres that appear on clouds at daybreak and affright the climber of the
Alps? In truth it startled me, as I threw a wary glance eastward across the
chamber, to discern an unbidden guest with his eyes bent on mine. The
identical MONSIEUR DU MIROIR! Still there he sits and returns my gaze
with as much of awe and curiosity as if he, too, had spent a solitary evening
in fantastic musings and made me his theme. So inimitably does he
counterfeit that I could almost doubt which of us is the visionary form, or
whether each be not the other’s mystery, and both twin brethren of one fate,
in mutually reflected spheres. O friend, canst thou not hear and answer me?
Break down the barrier between us! Grasp my hand! Speak! Listen! A few

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words, perhaps, might satisfy the feverish yearning of my soul for some
master-thought that should guide me through this labyrinth of life, teaching
wherefore I was born, and how to do my task on earth, and what is death.
Alas! Even that unreal image should forget to ape me and smile at these
vain questions. Thus do mortals deify, as it were, a mere shadow of
themselves, a spectre of human reason, and ask of that to unveil the
mysteries which Divine Intelligence has revealed so far as needful to our
guidance, and hid the rest.
Farewell, Monsieur du Miroir. Of you, perhaps, as of many men, it may
be doubted whether you are the wiser, though your whole business is
REFLECTION.

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THE HALL OF FANTASY

It has happened to me, on various occasions, to find myself in a certain
edifice which would appear to have some of the characteristics of a public
exchange. Its interior is a spacious hall, with a pavement of white marble.
Overhead is a lofty dome, supported by long rows of pillars of fantastic
architecture, the idea of which was probably taken from the Moorish ruins
of the Alhambra, or perhaps from some enchanted edifice in the Arabian
tales. The windows of this hall have a breadth and grandeur of design and
an elaborateness of workmanship that have nowhere been equalled, except
in the Gothic cathedrals of the Old World. Like their prototypes, too, they
admit the light of heaven only through stained and pictured glass, thus
filling the hall with many-colored radiance and painting its marble floor
with beautiful or grotesque designs; so that its inmates breathe, as it were, a
visionary atmosphere, and tread upon the fantasies of poetic minds. These
peculiarities, combining a wilder mixture of styles than even an American
architect usually recognizes as allowable,—Grecian, Gothic, Oriental, and
nondescript,—cause the whole edifice to give the impression of a dream,
which might be dissipated and shattered to fragments by merely stamping
the foot upon the pavement. Yet, with such modifications and repairs as
successive ages demand, the Hall of Fantasy is likely to endure longer than
the most substantial structure that ever cumbered the earth.
It is not at all times that one can gain admittance into this edifice,
although most persons enter it at some period or other of their lives; if not
in their waking moments, then by the universal passport of a dream. At my
last visit I wandered thither unawares while my mind was busy with an idle
tale, and was startled by the throng of people who seemed suddenly to rise
up around me.
“Bless me! Where am I?” cried I, with but a dim recognition of the place.
“You are in a spot,” said a friend who chanced to be near at hand, “which
occupies in the world of fancy the same position which the Bourse, the

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Rialto, and the Exchange do in the commercial world. All who have affairs
in that mystic region, which lies above, below, or beyond the actual, may
here meet and talk over the business of their dreams.”
“It is a noble hall,” observed I.
“Yes,” he replied. “Yet we see but a small portion of the edifice. In its
upper stories are said to be apartments where the inhabitants of earth may
hold converse with those of the moon; and beneath our feet are gloomy
cells, which communicate with the infernal regions, and where monsters
and chimeras are kept in confinement and fed with all unwholesomeness.”
In niches and on pedestals around about the hall stood the statues or busts
of men who in every age have been rulers and demigods in the realms of
imagination and its kindred regions. The grand old countenance of Homer;
the shrunken and decrepit form but vivid face of AEsop; the dark presence
of Dante; the wild Ariosto; Rabelais’s smile of deep-wrought mirth, the
profound, pathetic humor of Cervantes; the all-glorious Shakespeare;
Spenser, meet guest for an allegoric structure; the severe divinity of Milton;
and Bunyan, moulded of homeliest clay, but instinct with celestial fire,—
were those that chiefly attracted my eye. Fielding, Richardson, and Scott
occupied conspicuous pedestals. In an obscure and shadowy niche was
deposited the bust of our countryman, the author of Arthur Mervyn.
“Besides these indestructible memorials of real genius,” remarked my
companion, “each century has erected statues of its own ephemeral
favorites in wood.”
“I observe a few crumbling relics of such,” said I. “But ever and anon, I
suppose, Oblivion comes with her huge broom and sweeps them all from
the marble floor. But such will never be the fate of this fine statue of
Goethe.”
“Nor of that next to it,—Emanuel Swedenborg,” said he. “Were ever two
men of transcendent imagination more unlike?”
In the centre of the hall springs an ornamental fountain, the water of
which continually throws itself into new shapes and snatches the most
diversified lines from the stained atmosphere around. It is impossible to
conceive what a strange vivacity is imparted to the scene by the magic
dance of this fountain, with its endless transformations, in which the
imaginative beholder may discern what form he will. The water is supposed
by some to flow from the same source as the Castalian spring, and is

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extolled by others as uniting the virtues of the Fountain of Youth with those
of many other enchanted wells long celebrated in tale and song. Having
never tasted it, I can bear no testimony to its quality.
“Did you ever drink this water?” I inquired of my friend.
“A few sips now and then,” answered he. “But there are men here who
make it their constant beverage,—or, at least, have the credit of doing so. In
some instances it is known to have intoxicating qualities.”
“Pray let us look at these water-drinkers,” said I.
So we passed among the fantastic pillars till we came to a spot where a
number of persons were clustered together in the light of one of the great
stained windows, which seemed to glorify the whole group as well as the
marble that they trod on. Most of them were men of broad foreheads,
meditative countenances, and thoughtful, inward eyes; yet it required but a
trifle to summon up mirth, peeping out from the very midst of grave and
lofty musings. Some strode about, or leaned against the pillars of the hall,
alone and in silence; their faces wore a rapt expression, as if sweet music
were in the air around them, or as if their inmost souls were about to float
away in song. One or two, perhaps, stole a glance at the bystanders, to
watch if their poetic absorption were observed. Others stood talking in
groups, with a liveliness of expression, a ready smile, and a light,
intellectual laughter, which showed how rapidly the shafts of wit were
glancing to and fro among them.
A few held higher converse, which caused their calm and melancholy
souls to beam moonlight from their eyes. As I lingered near them,—for I
felt an inward attraction towards these men, as if the sympathy of feeling, if
not of genius, had united me to their order,—my friend mentioned several
of their names. The world has likewise heard those names; with some it has
been familiar for years; and others are daily making their way deeper into
the universal heart.
“Thank Heaven,” observed I to my companion, as we passed to another
part of the hall, “we have done with this techy, wayward, shy, proud
unreasonable set of laurel-gatherers. I love them in their works, but have
little desire to meet them elsewhere.”
“You have adopted all old prejudice, I see,” replied my friend, who was
familiar with most of these worthies, being himself a student of poetry, and
not without the poetic flame. “But, so far as my experience goes, men of

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genius are fairly gifted with the social qualities; and in this age there
appears to be a fellow-feeling among them which had not heretofore been
developed. As men, they ask nothing better than to be on equal terms with
their fellow-men; and as authors, they have thrown aside their proverbial
jealousy, and acknowledge a generous brotherhood.”
“The world does not think so,” answered I. “An author is received in
general society pretty much as we honest citizens are in the Hall of Fantasy.
We gaze at him as if he had no business among us, and question whether he
is fit for any of our pursuits.”
“Then it is a very foolish question,” said he. “Now, here are a class of
men whom we may daily meet on ’Change. Yet what poet in the hall is
more a fool of fancy than the sagest of them?”
He pointed to a number of persons, who, manifest as the fact was, would
have deemed it an insult to be told that they stood in the Hall of Fantasy.
Their visages were traced into wrinkles and furrows, each of which seemed
the record of some actual experience in life. Their eyes had the shrewd,
calculating glance which detects so quickly and so surely all that it concerns
a man of business to know about the characters and purposes of his fellow-
men. Judging them as they stood, they might be honored and trusted
members of the Chamber of Commerce, who had found the genuine secret
of wealth and whose sagacity gave them the command of fortune.
There was a character of detail and matter of fact in their talk which
concealed the extravagance of its purport, insomuch that the wildest
schemes had the aspect of everyday realities. Thus the listener was not
startled at the idea of cities to be built, as if by magic, in the heart of
pathless forests; and of streets to be laid out where now the sea was tossing;
and of mighty rivers to be stayed in their courses in order to turn the
machinery of a cotton-mill. It was only by an effort, and scarcely then, that
the mind convinced itself that such speculations were as much matter of
fantasy as the old dream of Eldorado, or as Mammon’s Cave, or any other
vision of gold ever conjured up by the imagination of needy poet or
romantic adventurer.
“Upon my word,” said I, “it is dangerous to listen to such dreamers as
these. Their madness is contagious.”
“Yes,” said my friend, “because they mistake the Hall of Fantasy for
actual brick and mortar, and its purple atmosphere for unsophisticated

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sunshine. But the poet knows his whereabout, and therefore is less likely to
make a fool of himself in real life.”
“Here again,” observed I, as we advanced a little farther, “we see another
order of dreamers, peculiarly characteristic, too, of the genius of our
country.”
These were the inventors of fantastic machines. Models of their
contrivances were placed against some of the pillars of the hall, and
afforded good emblems of the result generally to be anticipated from an
attempt to reduce day-dreams to practice. The analogy may hold in morals
as well as physics; for instance, here was the model of a railroad through
the air and a tunnel under the sea. Here was a machine—stolen, I believe—
for the distillation of heat from moonshine; and another for the
condensation of morning mist into square blocks of granite, wherewith it
was proposed to rebuild the entire Hall of Fantasy. One man exhibited a sort
of lens whereby he had succeeded in making sunshine out of a lady’s smile;
and it was his purpose wholly to irradiate the earth by means of this
wonderful invention.
“It is nothing new,” said I; “for most of our sunshine comes from
woman’s smile already.”
“True,” answered the inventor; “but my machine will secure a constant
supply for domestic use; whereas hitherto it has been very precarious.”
Another person had a scheme for fixing the reflections of objects in a
pool of water, and thus taking the most life-like portraits imaginable; and
the same gentleman demonstrated the practicability of giving a permanent
dye to ladies’ dresses, in the gorgeous clouds of sunset. There were at least
fifty kinds of perpetual motion, one of which was applicable to the wits of
newspaper editors and writers of every description. Professor Espy was
here, with a tremendous storm in a gum-elastic bag. I could enumerate
many more of these Utopian inventions; but, after all, a more imaginative
collection is to be found in the Patent Office at Washington.
Turning from the inventors we took a more general survey of the inmates
of the hall. Many persons were present whose right of entrance appeared to
consist in some crotchet of the brain, which, so long as it might operate,
produced a change in their relation to the actual world. It is singular how
very few there are who do not occasionally gain admittance on such a score,
either in abstracted musings, or momentary thoughts, or bright

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anticipations, or vivid remembrances; for even the actual becomes ideal,
whether in hope or memory, and beguiles the dreamer into the Hall of
Fantasy. Some unfortunates make their whole abode and business here, and
contract habits which unfit them for all the real employments of life. Others
—but these are few—possess the faculty, in their occasional visits, of
discovering a purer truth than the world call impart among the lights and
shadows of these pictured windows.
And with all its dangerous influences, we have reason to thank God that
there is such a place of refuge from the gloom and chillness of actual life.
Hither may come the prisoner, escaping from his dark and narrow cell and
cankerous chain, to breathe free air in this enchanted atmosphere. The sick
man leaves his weary pillow, and finds strength to wander hither, though his
wasted limbs might not support him even to the threshold of his chamber.
The exile passes through the Hall of Fantasy to revisit his native soil. The
burden of years rolls down from the old man’s shoulders the moment that
the door uncloses. Mourners leave their heavy sorrows at the entrance, and
here rejoin the lost ones whose faces would else be seen no more, until
thought shall have become the only fact. It may be said, in truth, that there
is but half a life—the meaner and earthier half—for those who never find
their way into the hall. Nor must I fail to mention that in the observatory of
the edifice is kept that wonderful perspective-glass, through which the
shepherds of the Delectable Mountains showed Christian the far-off gleam
of the Celestial City. The eye of Faith still loves to gaze through it.
“I observe some men here,” said I to my friend, “who might set up a
strong claim to be reckoned among the most real personages of the day.”
“Certainly,” he replied. “If a man be in advance of his age, he must be
content to make his abode in this hall until the lingering generations of his
fellow-men come up with him. He can find no other shelter in the universe.
But the fantasies of one day are the deepest realities of a future one.”
“It is difficult to distinguish them apart amid the gorgeous and
bewildering light of this ball,” rejoined I. “The white sunshine of actual life
is necessary in order to test them. I am rather apt to doubt both men and
their reasonings till I meet them in that truthful medium.”
“Perhaps your faith in the ideal is deeper than you are aware,” said my
friend. “You are at least a democrat; and methinks no scanty share of such
faith is essential to the adoption of that creed.”

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Among the characters who had elicited these remarks were most of the
noted reformers of the day, whether in physics, politics, morals, or religion.
There is no surer method of arriving at the Hall of Fantasy than to throw
one’s-self into the current of a theory; for, whatever landmarks of fact may
be set up along the stream, there is a law of nature that impels it thither. And
let it be so; for here the wise head and capacious heart may do their work;
and what is good and true becomes gradually hardened into fact, while error
melts away and vanishes among the shadows of the ball. Therefore may
none who believe and rejoice in the progress of mankind be angry with me
because I recognized their apostles and leaders amid the fantastic radiance
of those pictured windows. I love and honor such men as well as they.
It would be endless to describe the herd of real or self styled reformers
that peopled this place of refuge. They were the representatives of an
unquiet period, when mankind is seeking to cast off the whole tissue of
ancient custom like a tattered garment. Many of then had got possession of
some crystal fragment of truth, the brightness of which so dazzled them that
they could see nothing else in the wide universe. Here were men whose
faith had embodied itself in the form of a potato; and others whose long
beards had a deep spiritual significance. Here was the abolitionist,
brandishing his one idea like an iron flail. In a word, there were a thousand
shapes of good and evil, faith and infidelity, wisdom and nonsense,—a most
incongruous throng.
Yet, withal, the heart of the stanchest conservative, unless he abjured his
fellowship with man, could hardly have helped throbbing in sympathy with
the spirit that pervaded these innumerable theorists. It was good for the man
of unquickened heart to listen even to their folly. Far down beyond the
fathom of the intellect the soul acknowledged that all these varying and
conflicting developments of humanity were united in one sentiment. Be the
individual theory as wild as fancy could make it, still the wiser spirit would
recognize the struggle of the race after a better and purer life than had yet
been realized on earth. My faith revived even while I rejected all their
schemes. It could not be that the world should continue forever what it has
been; a soil where Happiness is so rare a flower and Virtue so often a
blighted fruit; a battle-field where the good principle, with its shield flung
above its head, can hardly save itself amid the rush of adverse influences. In
the enthusiasm of such thoughts I gazed through one of the pictured
windows, and, behold! the whole external world was tinged with the dimly

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glorious aspect that is peculiar to the Hall of Fantasy, insomuch that it
seemed practicable at that very instant to realize some plan for the
perfection of mankind. But, alas! if reformers would understand the sphere
in which their lot is cast they must cease to look through pictured windows.
Yet they not only use this medium, but mistake it for the whitest sunshine.
“Come,” said I to my friend, starting from a deep revery, “let us hasten
hence, or I shall be tempted to make a theory, after which there is little hope
of any man.”
“Come hither, then,” answered he. “Here is one theory that swallows up
and annihilates all others.”
He led me to a distant part of the hall where a crowd of deeply attentive
auditors were assembled round an elderly man of plain, honest, trustworthy
aspect. With an earnestness that betokened the sincerest faith in his own
doctrine, he announced that the destruction of the world was close at hand.
“It is Father Miller himself!” exclaimed I.
“No less a man,” said my friend; “and observe how picturesque a contrast
between his dogma and those of the reformers whom we have just glanced
at. They look for the earthly perfection of mankind, and are forming
schemes which imply that the immortal spirit will be connected with a
physical nature for innumerable ages of futurity. On the other hand, here
comes good Father Miller, and with one puff of his relentless theory scatters
all their dreams like so many withered leaves upon the blast.”
“It is, perhaps, the only method of getting mankind out of the various
perplexities into which they have fallen,” I replied. “Yet I could wish that
the world might be permitted to endure until some great moral shall have
been evolved. A riddle is propounded. Where is the solution? The sphinx
did not slay herself until her riddle had been guessed. Will it not be so with
the world? Now, if it should be burned to-morrow morning, I am at a loss to
know what purpose will have been accomplished, or how the universe will
be wiser or better for our existence and destruction.”
“We cannot tell what mighty truths may have been embodied in act
through the existence of the globe and its inhabitants,” rejoined my
companion. “Perhaps it may be revealed to us after the fall of the curtain
over our catastrophe; or not impossibly, the whole drama, in which we are
involuntary actors, may have been performed for the instruction of another
set of spectators. I cannot perceive that our own comprehension of it is at all

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essential to the matter. At any rate, while our view is so ridiculously narrow
and superficial it would be absurd to argue the continuance of the world
from the fact that it seems to have existed hitherto in vain.”
“The poor old earth,” murmured I. “She has faults enough, in all
conscience, but I cannot hear to have her perish.”
“It is no great matter,” said my friend. “The happiest of us has been
weary of her many a time and oft.”
“I doubt it,” answered I, pertinaciously; “the root of human nature strikes
down deep into this earthly soil, and it is but reluctantly that we submit to
be transplanted, even for a higher cultivation in heaven. I query whether the
destruction of the earth would gratify any one individual, except perhaps
some embarrassed man of business whose notes fall due a day after the day
of doom.”
Then methought I heard the expostulating cry of a multitude against the
consummation prophesied by Father Miller. The lover wrestled with
Providence for his foreshadowed bliss. Parents entreated that the earth’s
span of endurance might be prolonged by some seventy years, so that their
new-born infant should not be defrauded of his lifetime. A youthful poet
murmured because there would be no posterity to recognize the inspiration
of his song. The reformers, one and all, demanded a few thousand years to
test their theories, after which the universe might go to wreck. A
mechanician, who was busied with an improvement of the steam-engine,
asked merely time to perfect his model. A miser insisted that the world’s
destruction would be a personal wrong to himself, unless he should first be
permitted to add a specified sum to his enormous heap of gold. A little boy
made dolorous inquiry whether the last day would come before Christmas,
and thus deprive him of his anticipated dainties. In short, nobody seemed
satisfied that this mortal scene of things should have its close just now. Yet,
it must be confessed, the motives of the crowd for desiring its continuance
were mostly so absurd, that unless infinite Wisdom had been aware of much
better reasons, the solid earth must have melted away at once.
For my own part, not to speak of a few private and personal ends, I really
desired our old mother’s prolonged existence for her own dear sake.
“The poor old earth!” I repeated. “What I should chiefly regret in her
destruction would be that very earthliness which no other sphere or state of
existence can renew or compensate. The fragrance of flowers and of new-

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mown hay; the genial warmth of sunshine, and the beauty of a sunset
among clouds; the comfort and cheerful glow of the fireside; the
deliciousness of fruits and of all good cheer; the magnificence of
mountains, and seas, and cataracts, and the softer charm of rural scenery;
even the fast-falling snow and the gray atmosphere through which it
descends,—all these and innumerable other enjoyable things of earth must
perish with her. Then the country frolics; the homely humor; the broad,
open-mouthed roar of laughter, in which body and soul conjoin so heartily!
I fear that no other world call show its anything just like this. As for purely
moral enjoyments, the good will find them in every state of being. But
where the material and the moral exist together, what is to happen then?
And then our mute four-footed friends and the winged songsters of our
woods! Might it not be lawful to regret them, even in the hallowed groves
of paradise?”
“You speak like the very spirit of earth, imbued with a scent of freshly
turned soil,” exclaimed my friend.
“It is not that I so much object to giving up these enjoyments on my own
account,” continued I, “but I hate to think that they will have been eternally
annihilated from the list of joys.”
“Nor need they be,” he replied. “I see no real force in what you say.
Standing in this Hall of Fantasy, we perceive what even the earth-clogged
intellect of man can do in creating circumstances which, though we call
them shadowy and visionary, are scarcely more so than those that surround
us in actual life. Doubt not then that man’s disembodied spirit may recreate
time and the world for itself, with all their peculiar enjoyments, should
there still be human yearnings amid life eternal and infinite. But I doubt
whether we shall be inclined to play such a poor scene over again.”
“O, you are ungrateful to our mother earth!” rejoined I. “Come what may,
I never will forget her! Neither will it satisfy me to have her exist merely in
idea. I want her great, round, solid self to endure interminably, and still to
be peopled with the kindly race of man, whom I uphold to be much better
than he thinks himself. Nevertheless, I confide the whole matter to
Providence, and shall endeavor so to live that the world may come to an end
at any moment without leaving me at a loss to find foothold somewhere
else.”

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“It is an excellent resolve,” said my companion, looking at his watch.
“But come; it is the dinner-hour. Will you partake of my vegetable diet?”
A thing so matter of fact as an invitation to dinner, even when the fare
was to be nothing more substantial than vegetables and fruit, compelled us
forthwith to remove from the Hall of Fantasy. As we passed out of the
portal we met the spirits of several persons who had been sent thither in
magnetic sleep. I looked back among the sculptured pillars and at the
transformations of the gleaming fountain, and almost desired that the whole
of life might be spent in that visionary scene where the actual world, with
its hard angles, should never rub against me, and only be viewed through
the medium of pictured windows. But for those who waste all their days in
the Hall of Fantasy, good Father Miller’s prophecy is already accomplished,
and the solid earth has come to an untimely end. Let us be content,
therefore, with merely an occasional visit, for the sake of spiritualizing the
grossness of this actual life, and prefiguring to ourselves a state in which
the Idea shall be all in all.

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THE CELESTIAL RAILROAD

Not a great while ago, passing through the gate of dreams, I visited that
region of the earth in which lies the famous City of Destruction. It
interested me much to learn that by the public spirit of some of the
inhabitants a railroad has recently been established between this populous
and flourishing town and the Celestial City. Having a little time upon my
hands, I resolved to gratify a liberal curiosity by making a trip thither.
Accordingly, one fine morning after paying my bill at the hotel, and
directing the porter to stow my luggage behind a coach, I took my seat in
the vehicle and set out for the station-house. It was my good fortune to
enjoy the company of a gentleman—one Mr. Smooth-it-away—who,
though he had never actually visited the Celestial City, yet seemed as well
acquainted with its laws, customs, policy, and statistics, as with those of the
City of Destruction, of which he was a native townsman. Being, moreover,
a director of the railroad corporation and one of its largest stockholders, he
had it in his power to give me all desirable information respecting that
praiseworthy enterprise.
Our coach rattled out of the city, and at a short distance from its outskirts
passed over a bridge of elegant construction, but somewhat too slight, as I
imagined, to sustain any considerable weight. On both sides lay an
extensive quagmire, which could not have been more disagreeable either to
sight or smell, had all the kennels of the earth emptied their pollution there.
“This,” remarked Mr. Smooth-it-away, “is the famous Slough of Despond
—a disgrace to all the neighborhood; and the greater that it might so easily
be converted into firm ground.”
“I have understood,” said I, “that efforts have been made for that purpose
from time immemorial. Bunyan mentions that above twenty thousand
cartloads of wholesome instructions had been thrown in here without
effect.”

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“Very probably! And what effect could be anticipated from such
unsubstantial stuff?” cried Mr. Smooth-it-away. “You observe this
convenient bridge. We obtained a sufficient foundation for it by throwing
into the slough some editions of books of morality, volumes of French
philosophy and German rationalism; tracts, sermons, and essays of modern
clergymen; extracts from Plato, Confucius, and various Hindoo sages
together with a few ingenious commentaries upon texts of Scripture,—all of
which by some scientific process, have been converted into a mass like
granite. The whole bog might be filled up with similar matter.”
It really seemed to me, however, that the bridge vibrated and heaved up
and down in a very formidable manner; and, in spite of Mr. Smooth-it-
away’s testimony to the solidity of its foundation, I should be loath to cross
it in a crowded omnibus, especially if each passenger were encumbered
with as heavy luggage as that gentleman and myself. Nevertheless we got
over without accident, and soon found ourselves at the stationhouse. This
very neat and spacious edifice is erected on the site of the little wicket gate,
which formerly, as all old pilgrims will recollect, stood directly across the
highway, and, by its inconvenient narrowness, was a great obstruction to the
traveller of liberal mind and expansive stomach. The reader of John Bunyan
will be glad to know that Christian’s old friend Evangelist, who was
accustomed to supply each pilgrim with a mystic roll, now presides at the
ticket office. Some malicious persons it is true deny the identity of this
reputable character with the Evangelist of old times, and even pretend to
bring competent evidence of an imposture. Without involving myself in a
dispute I shall merely observe that, so far as my experience goes, the square
pieces of pasteboard now delivered to passengers are much more
convenient and useful along the road than the antique roll of parchment.
Whether they will be as readily received at the gate of the Celestial City I
decline giving an opinion.
A large number of passengers were already at the station-house awaiting
the departure of the cars. By the aspect and demeanor of these persons it
was easy to judge that the feelings of the community had undergone a very
favorable change in reference to the celestial pilgrimage. It would have
done Bunyan’s heart good to see it. Instead of a lonely and ragged man with
a huge burden on his back, plodding along sorrowfully on foot while the
whole city hooted after him, here were parties of the first gentry and most
respectable people in the neighborhood setting forth towards the Celestial

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City as cheerfully as if the pilgrimage were merely a summer tour. Among
the gentlemen were characters of deserved eminence—magistrates,
politicians, and men of wealth, by whose example religion could not but be
greatly recommended to their meaner brethren. In the ladies’ apartment, too,
I rejoiced to distinguish some of those flowers of fashionable society who
are so well fitted to adorn the most elevated circles of the Celestial City.
There was much pleasant conversation about the news of the day, topics of
business and politics, or the lighter matters of amusement; while religion,
though indubitably the main thing at heart, was thrown tastefully into the
background. Even an infidel would have heard little or nothing to shock his
sensibility.
One great convenience of the new method of going on pilgrimage I must
not forget to mention. Our enormous burdens, instead of being carried on
our shoulders as had been the custom of old, were all snugly deposited in
the baggage car, and, as I was assured, would be delivered to their
respective owners at the journey’s end. Another thing, likewise, the
benevolent reader will be delighted to understand. It may be remembered
that there was an ancient feud between Prince Beelzebub and the keeper of
the wicket gate, and that the adherents of the former distinguished
personage were accustomed to shoot deadly arrows at honest pilgrims while
knocking at the door. This dispute, much to the credit as well of the
illustrious potentate above mentioned as of the worthy and enlightened
directors of the railroad, has been pacifically arranged on the principle of
mutual compromise. The prince’s subjects are now pretty numerously
employed about the station-house, some in taking care of the baggage,
others in collecting fuel, feeding the engines, and such congenial
occupations; and I can conscientiously affirm that persons more attentive to
their business, more willing to accommodate, or more generally agreeable
to the passengers, are not to be found on any railroad. Every good heart
must surely exult at so satisfactory an arrangement of an immemorial
difficulty.
“Where is Mr. Greatheart?” inquired I. “Beyond a doubt the directors
have engaged that famous old champion to be chief conductor on the
railroad?”
“Why, no,” said Mr. Smooth-it-away, with a dry cough. “He was offered
the situation of brakeman; but, to tell you the truth, our friend Greatheart

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has grown preposterously stiff and narrow in his old age. He has so often
guided pilgrims over the road on foot that he considers it a sin to travel in
any other fashion. Besides, the old fellow had entered so heartily into the
ancient feud with Prince Beelzebub that he would have been perpetually at
blows or ill language with some of the prince’s subjects, and thus have
embroiled us anew. So, on the whole, we were not sorry when honest
Greatheart went off to the Celestial City in a huff and left us at liberty to
choose a more suitable and accommodating man. Yonder comes the
engineer of the train. You will probably recognize him at once.”
The engine at this moment took its station in advance of the cars,
looking, I must confess, much more like a sort of mechanical demon that
would hurry us to the infernal regions than a laudable contrivance for
smoothing our way to the Celestial City. On its top sat a personage almost
enveloped in smoke and flame, which, not to startle the reader, appeared to
gush from his own mouth and stomach as well as from the engine’s brazen
abdomen.
“Do my eyes deceive me?” cried I. “What on earth is this! A living
creature? If so, he is own brother to the engine he rides upon!”
“Poh, poh, you are obtuse!” said Mr. Smooth-it-away, with a hearty
laugh. “Don’t you know Apollyon, Christian’s old enemy, with whom he
fought so fierce a battle in the Valley of Humiliation? He was the very
fellow to manage the engine; and so we have reconciled him to the custom
of going on pilgrimage, and engaged him as chief engineer.”
“Bravo, bravo!” exclaimed I, with irrepressible enthusiasm; “this shows
the liberality of the age; this proves, if anything can, that all musty
prejudices are in a fair way to be obliterated. And how will Christian rejoice
to hear of this happy transformation of his old antagonist! I promise myself
great pleasure in informing him of it when we reach the Celestial City.”
The passengers being all comfortably seated, we now rattled away
merrily, accomplishing a greater distance in ten minutes than Christian
probably trudged over in a day. It was laughable, while we glanced along,
as it were, at the tail of a thunderbolt, to observe two dusty foot travellers in
the old pilgrim guise, with cockle shell and staff, their mystic rolls of
parchment in their hands and their intolerable burdens on their backs. The
preposterous obstinacy of these honest people in persisting to groan and
stumble along the difficult pathway rather than take advantage of modern

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improvements, excited great mirth among our wiser brotherhood. We
greeted the two pilgrims with many pleasant gibes and a roar of laughter;
whereupon they gazed at us with such woful and absurdly compassionate
visages that our merriment grew tenfold more obstreperous. Apollyon also
entered heartily into the fun, and contrived to flirt the smoke and flame of
the engine, or of his own breath, into their faces, and envelop them in an
atmosphere of scalding steam. These little practical jokes amused us
mightily, and doubtless afforded the pilgrims the gratification of
considering themselves martyrs.
At some distance from the railroad Mr. Smooth-it-away pointed to a
large, antique edifice, which, he observed, was a tavern of long standing,
and had formerly been a noted stopping-place for pilgrims. In Bunyan’s
road-book it is mentioned as the Interpreter’s House.
“I have long had a curiosity to visit that old mansion,” remarked I.
“It is not one of our stations, as you perceive,” said my companion “The
keeper was violently opposed to the railroad; and well he might be, as the
track left his house of entertainment on one side, and thus was pretty certain
to deprive him of all his reputable customers. But the footpath still passes
his door, and the old gentleman now and then receives a call from some
simple traveller, and entertains him with fare as old-fashioned as himself.”
Before our talk on this subject came to a conclusion we were rushing by
the place where Christian’s burden fell from his shoulders at the sight of the
Cross. This served as a theme for Mr. Smooth-it-away, Mr. Livefor-the-
world, Mr. Hide-sin-in-the-heart, Mr. Scaly-conscience, and a knot of
gentlemen from the town of Shun-repentance, to descant upon the
inestimable advantages resulting from the safety of our baggage. Myself,
and all the passengers indeed, joined with great unanimity in this view of
the matter; for our burdens were rich in many things esteemed precious
throughout the world; and, especially, we each of us possessed a great
variety of favorite Habits, which we trusted would not be out of fashion
even in the polite circles of the Celestial City. It would have been a sad
spectacle to see such an assortment of valuable articles tumbling into the
sepulchre. Thus pleasantly conversing on the favorable circumstances of
our position as compared with those of past pilgrims and of narrow-minded
ones at the present day, we soon found ourselves at the foot of the Hill
Difficulty. Through the very heart of this rocky mountain a tunnel has been

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constructed of most admirable architecture, with a lofty arch and a spacious
double track; so that, unless the earth and rocks should chance to crumble
down, it will remain an eternal monument of the builder’s skill and
enterprise. It is a great though incidental advantage that the materials from
the heart of the Hill Difficulty have been employed in filling up the Valley
of Humiliation, thus obviating the necessity of descending into that
disagreeable and unwholesome hollow.
“This is a wonderful improvement, indeed,” said I. “Yet I should have
been glad of an opportunity to visit the Palace Beautiful and be introduced
to the charming young ladies—Miss Prudence, Miss Piety, Miss Charity,
and the rest—who have the kindness to entertain pilgrims there.”
“Young ladies!” cried Mr. Smooth-it-away, as soon as he could speak for
laughing. “And charming young ladies! Why, my dear fellow, they are old
maids, every soul of them—prim, starched, dry, and angular; and not one of
them, I will venture to say, has altered so much as the fashion of her gown
since the days of Christian’s pilgrimage.”
“Ah, well,” said I, much comforted, “then I can very readily dispense
with their acquaintance.”
The respectable Apollyon was now putting on the steam at a prodigious
rate, anxious, perhaps, to get rid of the unpleasant reminiscences connected
with the spot where he had so disastrously encountered Christian.
Consulting Mr. Bunyan’s road-book, I perceived that we must now be
within a few miles of the Valley of the Shadow of Death, into which doleful
region, at our present speed, we should plunge much sooner than seemed at
all desirable. In truth, I expected nothing better than to find myself in the
ditch on one side or the Quag on the other; but on communicating my
apprehensions to Mr. Smooth-it-away, he assured me that the difficulties of
this passage, even in its worst condition, had been vastly exaggerated, and
that, in its present state of improvement, I might consider myself as safe as
on any railroad in Christendom.
Even while we were speaking the train shot into the entrance of this
dreaded Valley. Though I plead guilty to some foolish palpitations of the
heart during our headlong rush over the causeway here constructed, yet it
were unjust to withhold the highest encomiums on the boldness of its
original conception and the ingenuity of those who executed it. It was
gratifying, likewise, to observe how much care had been taken to dispel the

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everlasting gloom and supply the defect of cheerful sunshine, not a ray of
which has ever penetrated among these awful shadows. For this purpose,
the inflammable gas which exudes plentifully from the soil is collected by
means of pipes, and thence communicated to a quadruple row of lamps
along the whole extent of the passage. Thus a radiance has been created
even out of the fiery and sulphurous curse that rests forever upon the valley
—a radiance hurtful, however, to the eyes, and somewhat bewildering, as I
discovered by the changes which it wrought in the visages of my
companions. In this respect, as compared with natural daylight, there is the
same difference as between truth and falsehood, but if the reader have ever
travelled through the dark Valley, he will have learned to be thankful for
any light that he could get—if not from the sky above, then from the blasted
soil beneath. Such was the red brilliancy of these lamps that they appeared
to build walls of fire on both sides of the track, between which we held our
course at lightning speed, while a reverberating thunder filled the Valley
with its echoes. Had the engine run off the track,—a catastrophe, it is
whispered, by no means unprecedented,—the bottomless pit, if there be any
such place, would undoubtedly have received us. Just as some dismal
fooleries of this nature had made my heart quake there came a tremendous
shriek, careering along the valley as if a thousand devils had burst their
lungs to utter it, but which proved to be merely the whistle of the engine on
arriving at a stopping-place.
The spot where we had now paused is the same that our friend Bunyan—
a truthful man, but infected with many fantastic notions—has designated, in
terms plainer than I like to repeat, as the mouth of the infernal region. This,
however, must be a mistake, inasmuch as Mr. Smooth-it-away, while we
remained in the smoky and lurid cavern, took occasion to prove that Tophet
has not even a metaphorical existence. The place, he assured us, is no other
than the crater of a half-extinct volcano, in which the directors had caused
forges to be set up for the manufacture of railroad iron. Hence, also, is
obtained a plentiful supply of fuel for the use of the engines. Whoever had
gazed into the dismal obscurity of the broad cavern mouth, whence ever and
anon darted huge tongues of dusky flame, and had seen the strange, half-
shaped monsters, and visions of faces horribly grotesque, into which the
smoke seemed to wreathe itself, and had heard the awful murmurs, and
shrieks, and deep, shuddering whispers of the blast, sometimes forming
themselves into words almost articulate, would have seized upon Mr.

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Smooth-it-away’s comfortable explanation as greedily as we did. The
inhabitants of the cavern, moreover, were unlovely personages, dark,
smoke-begrimed, generally deformed, with misshapen feet, and a glow of
dusky redness in their eyes as if their hearts had caught fire and were
blazing out of the upper windows. It struck me as a peculiarity that the
laborers at the forge and those who brought fuel to the engine, when they
began to draw short breath, positively emitted smoke from their mouth and
nostrils.
Among the idlers about the train, most of whom were puffing cigars
which they had lighted at the flame of the crater, I was perplexed to notice
several who, to my certain knowledge, had heretofore set forth by railroad
for the Celestial City. They looked dark, wild, and smoky, with a singular
resemblance, indeed, to the native inhabitants, like whom, also, they had a
disagreeable propensity to ill-natured gibes and sneers, the habit of which
had wrought a settled contortion of their visages. Having been on speaking
terms with one of these persons,—an indolent, good-for-nothing fellow,
who went by the name of Take-it-easy,—I called him, and inquired what
was his business there.
“Did you not start,” said I, “for the Celestial City?”
“That’s a fact,” said Mr. Take-it-easy, carelessly puffing some smoke into
my eyes. “But I heard such bad accounts that I never took pains to climb the
hill on which the city stands. No business doing, no fun going on, nothing
to drink, and no smoking allowed, and a thrumming of church music from
morning till night. I would not stay in such a place if they offered me house
room and living free.”
“But, my good Mr. Take-it-easy,” cried I, “why take up your residence
here, of all places in the world?”
“Oh,” said the loafer, with a grin, “it is very warm hereabouts, and I meet
with plenty of old acquaintances, and altogether the place suits me. I hope
to see you back again some day soon. A pleasant journey to you.”
While he was speaking the bell of the engine rang, and we dashed away
after dropping a few passengers, but receiving no new ones. Rattling
onward through the Valley, we were dazzled with the fiercely gleaming gas
lamps, as before. But sometimes, in the dark of intense brightness, grim
faces, that bore the aspect and expression of individual sins, or evil
passions, seemed to thrust themselves through the veil of light, glaring upon

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us, and stretching forth a great, dusky hand, as if to impede our progress. I
almost thought that they were my own sins that appalled me there. These
were freaks of imagination—nothing more, certainly-mere delusions, which
I ought to be heartily ashamed of; but all through the Dark Valley I was
tormented, and pestered, and dolefully bewildered with the same kind of
waking dreams. The mephitic gases of that region intoxicate the brain. As
the light of natural day, however, began to struggle with the glow of the
lanterns, these vain imaginations lost their vividness, and finally vanished
from the first ray of sunshine that greeted our escape from the Valley of the
Shadow of Death. Ere we had gone a mile beyond it I could well-nigh have
taken my oath that this whole gloomy passage was a dream.
At the end of the valley, as John Bunyan mentions, is a cavern, where, in
his days, dwelt two cruel giants, Pope and Pagan, who had strown the
ground about their residence with the bones of slaughtered pilgrims. These
vile old troglodytes are no longer there; but into their deserted cave another
terrible giant has thrust himself, and makes it his business to seize upon
honest travellers and fatten them for his table with plentiful meals of smoke,
mist, moonshine, raw potatoes, and sawdust. He is a German by birth, and
is called Giant Transcendentalist; but as to his form, his features, his
substance, and his nature generally, it is the chief peculiarity of this huge
miscreant that neither he for himself, nor anybody for him, has ever been
able to describe them. As we rushed by the cavern’s mouth we caught a
hasty glimpse of him, looking somewhat like an ill-proportioned figure, but
considerably more like a heap of fog and duskiness. He shouted after us, but
in so strange a phraseology that we knew not what he meant, nor whether to
be encouraged or affrighted.
It was late in the day when the train thundered into the ancient city of
Vanity, where Vanity Fair is still at the height of prosperity, and exhibits an
epitome of whatever is brilliant, gay, and fascinating beneath the sun. As I
purposed to make a considerable stay here, it gratified me to learn that there
is no longer the want of harmony between the town’s-people and pilgrims,
which impelled the former to such lamentably mistaken measures as the
persecution of Christian and the fiery martyrdom of Faithful. On the
contrary, as the new railroad brings with it great trade and a constant influx
of strangers, the lord of Vanity Fair is its chief patron, and the capitalists of
the city are among the largest stockholders. Many passengers stop to take
their pleasure or make their profit in the Fair, instead of going onward to the

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Celestial City. Indeed, such are the charms of the place that people often
affirm it to be the true and only heaven; stoutly contending that there is no
other, that those who seek further are mere dreamers, and that, if the fabled
brightness of the Celestial City lay but a bare mile beyond the gates of
Vanity, they would not be fools enough to go thither. Without subscribing to
these perhaps exaggerated encomiums, I can truly say that my abode in the
city was mainly agreeable, and my intercourse with the inhabitants
productive of much amusement and instruction.
Being naturally of a serious turn, my attention was directed to the solid
advantages derivable from a residence here, rather than to the effervescent
pleasures which are the grand object with too many visitants. The Christian
reader, if he have had no accounts of the city later than Bunyan’s time, will
be surprised to hear that almost every street has its church, and that the
reverend clergy are nowhere held in higher respect than at Vanity Fair. And
well do they deserve such honorable estimation; for the maxims of wisdom
and virtue which fall from their lips come from as deep a spiritual source,
and tend to as lofty a religious aim, as those of the sagest philosophers of
old. In justification of this high praise I need only mention the names of the
Rev. Mr. Shallow-deep, the Rev. Mr. Stumble-at-truth, that fine old clerical
character the Rev. Mr. This-today, who expects shortly to resign his pulpit
to the Rev. Mr. That-tomorrow; together with the Rev. Mr. Bewilderment,
the Rev. Mr. Clog-the-spirit, and, last and greatest, the Rev. Dr. Wind-of-
doctrine. The labors of these eminent divines are aided by those of
innumerable lecturers, who diffuse such a various profundity, in all subjects
of human or celestial science, that any man may acquire an omnigenous
erudition without the trouble of even learning to read. Thus literature is
etherealized by assuming for its medium the human voice; and knowledge,
depositing all its heavier particles, except, doubtless, its gold becomes
exhaled into a sound, which forthwith steals into the ever-open ear of the
community. These ingenious methods constitute a sort of machinery, by
which thought and study are done to every person’s hand without his
putting himself to the slightest inconvenience in the matter. There is another
species of machine for the wholesale manufacture of individual morality.
This excellent result is effected by societies for all manner of virtuous
purposes, with which a man has merely to connect himself, throwing, as it
were, his quota of virtue into the common stock, and the president and
directors will take care that the aggregate amount be well applied. All these,

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and other wonderful improvements in ethics, religion, and literature, being
made plain to my comprehension by the ingenious Mr. Smooth-it-away,
inspired me with a vast admiration of Vanity Fair.
It would fill a volume, in an age of pamphlets, were I to record all my
observations in this great capital of human business and pleasure. There was
an unlimited range of society—the powerful, the wise, the witty, and the
famous in every walk of life; princes, presidents, poets, generals, artists,
actors, and philanthropists,—all making their own market at the fair, and
deeming no price too exorbitant for such commodities as hit their fancy. It
was well worth one’s while, even if he had no idea of buying or selling, to
loiter through the bazaars and observe the various sorts of traffic that were
going forward.
Some of the purchasers, I thought, made very foolish bargains. For
instance, a young man having inherited a splendid fortune, laid out a
considerable portion of it in the purchase of diseases, and finally spent all
the rest for a heavy lot of repentance and a suit of rags. A very pretty girl
bartered a heart as clear as crystal, and which seemed her most valuable
possession, for another jewel of the same kind, but so worn and defaced as
to be utterly worthless. In one shop there were a great many crowns of
laurel and myrtle, which soldiers, authors, statesmen, and various other
people pressed eagerly to buy; some purchased these paltry wreaths with
their lives, others by a toilsome servitude of years, and many sacrificed
whatever was most valuable, yet finally slunk away without the crown.
There was a sort of stock or scrip, called Conscience, which seemed to be in
great demand, and would purchase almost anything. Indeed, few rich
commodities were to be obtained without paying a heavy sum in this
particular stock, and a man’s business was seldom very lucrative unless he
knew precisely when and how to throw his hoard of conscience into the
market. Yet as this stock was the only thing of permanent value, whoever
parted with it was sure to find himself a loser in the long run. Several of the
speculations were of a questionable character. Occasionally a member of
Congress recruited his pocket by the sale of his constituents; and I was
assured that public officers have often sold their country at very moderate
prices. Thousands sold their happiness for a whim. Gilded chains were in
great demand, and purchased with almost any sacrifice. In truth, those who
desired, according to the old adage, to sell anything valuable for a song,
might find customers all over the Fair; and there were innumerable messes

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of pottage, piping hot, for such as chose to buy them with their birthrights.
A few articles, however, could not be found genuine at Vanity Fair. If a
customer wished to renew his stock of youth the dealers offered him a set of
false teeth and an auburn wig; if he demanded peace of mind, they
recommended opium or a brandy bottle.
Tracts of land and golden mansions, situate in the Celestial City, were
often exchanged, at very disadvantageous rates, for a few years’ lease of
small, dismal, inconvenient tenements in Vanity Fair. Prince Beelzebub
himself took great interest in this sort of traffic, and sometimes
condescended to meddle with smaller matters. I once had the pleasure to see
him bargaining with a miser for his soul, which, after much ingenious
skirmishing on both sides, his highness succeeded in obtaining at about the
value of sixpence. The prince remarked with a smile, that he was a loser by
the transaction.
Day after day, as I walked the streets of Vanity, my manners and
deportment became more and more like those of the inhabitants. The place
began to seem like home; the idea of pursuing my travels to the Celestial
City was almost obliterated from my mind. I was reminded of it, however,
by the sight of the same pair of simple pilgrims at whom we had laughed so
heartily when Apollyon puffed smoke and steam into their faces at the
commencement of our journey. There they stood amidst the densest bustle
of Vanity; the dealers offering them their purple and fine linen and jewels,
the men of wit and humor gibing at them, a pair of buxom ladies ogling
them askance, while the benevolent Mr. Smooth-it-away whispered some of
his wisdom at their elbows, and pointed to a newly-erected temple; but
there were these worthy simpletons, making the scene look wild and
monstrous, merely by their sturdy repudiation of all part in its business or
pleasures.
One of them—his name was Stick-to-the-right—perceived in my face, I
suppose, a species of sympathy and almost admiration, which, to my own
great surprise, I could not help feeling for this pragmatic couple. It
prompted him to address me.
“Sir,” inquired he, with a sad, yet mild and kindly voice, “do you call
yourself a pilgrim?”
“Yes,” I replied, “my right to that appellation is indubitable. I am merely
a sojourner here in Vanity Fair, being bound to the Celestial City by the new

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railroad.”
“Alas, friend,” rejoined Mr. Stick-to-the-truth, “I do assure you, and
beseech you to receive the truth of my words, that that whole concern is a
bubble. You may travel on it all your lifetime, were you to live thousands of
years, and yet never get beyond the limits of Vanity Fair. Yea, though you
should deem yourself entering the gates of the blessed city, it will be
nothing but a miserable delusion.”
“The Lord of the Celestial City,” began the other pilgrim, whose name
was Mr. Foot-it-to-heaven, “has refused, and will ever refuse, to grant an
act of incorporation for this railroad; and unless that be obtained, no
passenger can ever hope to enter his dominions. Wherefore every man who
buys a ticket must lay his account with losing the purchase money, which is
the value of his own soul.”
“Poh, nonsense!” said Mr. Smooth-it-away, taking my arm and leading
me off, “these fellows ought to be indicted for a libel. If the law stood as it
once did in Vanity Fair we should see them grinning through the iron bars
of the prison window.”
This incident made a considerable impression on my mind, and
contributed with other circumstances to indispose me to a permanent
residence in the city of Vanity; although, of course, I was not simple enough
to give up my original plan of gliding along easily and commodiously by
railroad. Still, I grew anxious to be gone. There was one strange thing that
troubled me. Amid the occupations or amusements of the Fair, nothing was
more common than for a person—whether at feast, theatre, or church, or
trafficking for wealth and honors, or whatever he might be doing, to vanish
like a soap bubble, and be never more seen of his fellows; and so
accustomed were the latter to such little accidents that they went on with
their business as quietly as if nothing had happened. But it was otherwise
with me.
Finally, after a pretty long residence at the Fair, I resumed my journey
towards the Celestial City, still with Mr. Smooth-it-away at my side. At a
short distance beyond the suburbs of Vanity we passed the ancient silver
mine, of which Demas was the first discoverer, and which is now wrought
to great advantage, supplying nearly all the coined currency of the world. A
little further onward was the spot where Lot’s wife had stood forever under
the semblance of a pillar of salt. Curious travellers have long since carried it

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away piecemeal. Had all regrets been punished as rigorously as this poor
dame’s were, my yearning for the relinquished delights of Vanity Fair might
have produced a similar change in my own corporeal substance, and left me
a warning to future pilgrims.
The next remarkable object was a large edifice, constructed of moss-
grown stone, but in a modern and airy style of architecture. The engine
came to a pause in its vicinity, with the usual tremendous shriek.
“This was formerly the castle of the redoubted giant Despair,” observed
Mr. Smooth-it-away; “but since his death Mr. Flimsy-faith has repaired it,
and keeps an excellent house of entertainment here. It is one of our
stopping-places.”
“It seems but slightly put together,” remarked I, looking at the frail yet
ponderous walls. “I do not envy Mr. Flimsy-faith his habitation. Some day
it will thunder down upon the heads of the occupants.”
“We shall escape at all events,” said Mr. Smooth-it-away, “for Apollyon
is putting on the steam again.”
The road now plunged into a gorge of the Delectable Mountains, and
traversed the field where in former ages the blind men wandered and
stumbled among the tombs. One of these ancient tombstones had been
thrust across the track by some malicious person, and gave the train of cars
a terrible jolt. Far up the rugged side of a mountain I perceived a rusty iron
door, half overgrown with bushes and creeping plants, but with smoke
issuing from its crevices.
“Is that,” inquired I, “the very door in the hill-side which the shepherds
assured Christian was a by-way to hell?”
“That was a joke on the part of the shepherds,” said Mr. Smooth-itaway,
with a smile. “It is neither more nor less than the door of a cavern which
they use as a smoke-house for the preparation of mutton hams.”
My recollections of the journey are now, for a little space, dim and
confused, inasmuch as a singular drowsiness here overcame me, owing to
the fact that we were passing over the enchanted ground, the air of which
encourages a disposition to sleep. I awoke, however, as soon as we crossed
the borders of the pleasant land of Beulah. All the passengers were rubbing
their eyes, comparing watches, and congratulating one another on the
prospect of arriving so seasonably at the journey’s end. The sweet breezes

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of this happy clime came refreshingly to our nostrils; we beheld the
glimmering gush of silver fountains, overhung by trees of beautiful foliage
and delicious fruit, which were propagated by grafts from the celestial
gardens. Once, as we dashed onward like a hurricane, there was a flutter of
wings and the bright appearance of an angel in the air, speeding forth on
some heavenly mission. The engine now announced the close vicinity of the
final station-house by one last and horrible scream, in which there seemed
to be distinguishable every kind of wailing and woe, and bitter fierceness of
wrath, all mixed up with the wild laughter of a devil or a madman.
Throughout our journey, at every stopping-place, Apollyon had exercised
his ingenuity in screwing the most abominable sounds out of the whistle of
the steam-engine; but in this closing effort he outdid himself and created an
infernal uproar, which, besides disturbing the peaceful inhabitants of
Beulah, must have sent its discord even through the celestial gates.
While the horrid clamor was still ringing in our ears we heard an exulting
strain, as if a thousand instruments of music, with height and depth and
sweetness in their tones, at once tender and triumphant, were struck in
unison, to greet the approach of some illustrious hero, who had fought the
good fight and won a glorious victory, and was come to lay aside his
battered arms forever. Looking to ascertain what might be the occasion of
this glad harmony, I perceived, on alighting from the cars, that a multitude
of shining ones had assembled on the other side of the river, to welcome
two poor pilgrims, who were just emerging from its depths. They were the
same whom Apollyon and ourselves had persecuted with taunts, and gibes,
and scalding steam, at the commencement of our journey—the same whose
unworldly aspect and impressive words had stirred my conscience amid the
wild revellers of Vanity Fair.
“How amazingly well those men have got on,” cried I to Mr. Smoothit—
away. “I wish we were secure of as good a reception.”
“Never fear, never fear!” answered my friend. “Come, make haste; the
ferry boat will be off directly, and in three minutes you will be on the other
side of the river. No doubt you will find coaches to carry you up to the city
gates.”
A steam ferry boat, the last improvement on this important route, lay at
the river side, puffing, snorting, and emitting all those other disagreeable
utterances which betoken the departure to be immediate. I hurried on board

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with the rest of the passengers, most of whom were in great perturbation:
some bawling out for their baggage; some tearing their hair and exclaiming
that the boat would explode or sink; some already pale with the heaving of
the stream; some gazing affrighted at the ugly aspect of the steersman; and
some still dizzy with the slumberous influences of the Enchanted Ground.
Looking back to the shore, I was amazed to discern Mr. Smooth-it-away
waving his hand in token of farewell.
“Don’t you go over to the Celestial City?” exclaimed I.
“Oh, no!” answered he with a queer smile, and that same disagreeable
contortion of visage which I had remarked in the inhabitants of the Dark
Valley. “Oh, no! I have come thus far only for the sake of your pleasant
company. Good-by! We shall meet again.”
And then did my excellent friend Mr. Smooth-it-away laugh outright, in
the midst of which cachinnation a smoke-wreath issued from his mouth and
nostrils, while a twinkle of lurid flame darted out of either eye, proving
indubitably that his heart was all of a red blaze. The impudent fiend! To
deny the existence of Tophet, when he felt its fiery tortures raging within
his breast. I rushed to the side of the boat, intending to fling myself on
shore; but the wheels, as they began their revolutions, threw a dash of spray
over me so cold—so deadly cold, with the chill that will never leave those
waters until Death be drowned in his own river—that with a shiver and a
heartquake I awoke. Thank Heaven it was a Dream!

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THE PROCESSION OF LIFE

Life figures itself to me as a festal or funereal procession. All of us have
our places, and are to move onward under the direction of the Chief
Marshal. The grand difficulty results from the invariably mistaken
principles on which the deputy marshals seek to arrange this immense
concourse of people, so much more numerous than those that train their
interminable length through streets and highways in times of political
excitement. Their scheme is ancient, far beyond the memory of man or even
the record of history, and has hitherto been very little modified by the innate
sense of something wrong, and the dim perception of better methods, that
have disquieted all the ages through which the procession has taken its
march. Its members are classified by the merest external circumstances, and
thus are more certain to be thrown out of their true positions than if no
principle of arrangement were attempted. In one part of the procession we
see men of landed estate or moneyed capital gravely keeping each other
company, for the preposterous reason that they chance to have a similar
standing in the tax-gatherer’s book. Trades and professions march together
with scarcely a more real bond of union. In this manner, it cannot be denied,
people are disentangled from the mass and separated into various classes
according to certain apparent relations; all have some artificial badge which
the world, and themselves among the first, learn to consider as a genuine
characteristic. Fixing our attention on such outside shows of similarity or
difference, we lose sight of those realities by which nature, fortune, fate, or
Providence has constituted for every man a brotherhood, wherein it is one
great office of human wisdom to classify him. When the mind has once
accustomed itself to a proper arrangement of the Procession of Life, or a
true classification of society, even though merely speculative, there is
thenceforth a satisfaction which pretty well suffices for itself without the
aid of any actual reformation in the order of march.

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For instance, assuming to myself the power of marshalling the aforesaid
procession, I direct a trumpeter to send forth a blast loud enough to be heard
from hence to China; and a herald, with world-pervading voice, to make
proclamation for a certain class of mortals to take their places. What shall
be their principle of union? After all, an external one, in comparison with
many that might be found, yet far more real than those which the world has
selected for a similar purpose. Let all who are afflicted with like physical
diseases form themselves into ranks.
Our first attempt at classification is not very successful. It may gratify the
pride of aristocracy to reflect that disease, more than any other
circumstance of human life, pays due observance to the distinctions which
rank and wealth, and poverty and lowliness, have established among
mankind. Some maladies are rich and precious, and only to be acquired by
the right of inheritance or purchased with gold. Of this kind is the gout,
which serves as a bond of brotherhood to the purple-visaged gentry, who
obey the herald’s voice, and painfully hobble from all civilized regions of
the globe to take their post in the grand procession. In mercy to their toes,
let us hope that the march may not be long. The Dyspeptics, too, are people
of good standing in the world. For them the earliest salmon is caught in our
eastern rivers, and the shy woodcock stains the dry leaves with his blood in
his remotest haunts, and the turtle comes from the far Pacific Islands to be
gobbled up in soup. They can afford to flavor all their dishes with
indolence, which, in spite of the general opinion, is a sauce more
exquisitely piquant than appetite won by exercise. Apoplexy is another
highly respectable disease. We will rank together all who have the symptom
of dizziness in the brain, and as fast as any drop by the way supply their
places with new members of the board of aldermen.
On the other hand, here come whole tribes of people whose physical lives
are but a deteriorated variety of life, and themselves a meaner species of
mankind; so sad an effect has been wrought by the tainted breath of cities,
scanty and unwholesome food, destructive modes of labor, and the lack of
those moral supports that might partially have counteracted such bad
influences. Behold here a train of house painters, all afflicted with a
peculiar sort of colic. Next in place we will marshal those workmen in
cutlery, who have breathed a fatal disorder into their lungs with the
impalpable dust of steel. Tailors and shoemakers, being sedentary men, will
chiefly congregate into one part of the procession and march under similar

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banners of disease; but among them we may observe here and there a sickly
student, who has left his health between the leaves of classic volumes; and
clerks, likewise, who have caught their deaths on high official stools; and
men of genius too, who have written sheet after sheet with pens dipped in
their heart’s blood. These are a wretched quaking, short-breathed set. But
what is this cloud of pale-cheeked, slender girls, who disturb the ear with
the multiplicity of their short, dry coughs? They are seamstresses, who have
plied the daily and nightly needle in the service of master tailors and close-
fisted contractors, until now it is almost time for each to hem the borders of
her own shroud. Consumption points their place in the procession. With
their sad sisterhood are intermingled many youthful maidens who have
sickened in aristocratic mansions, and for whose aid science has
unavailingly searched its volumes, and whom breathless love has watched.
In our ranks the rich maiden and the poor seamstress may walk arm in arm.
We might find innumerable other instances, where the bond of mutual
disease—not to speak of nation-sweeping pestilence—embraces high and
low, and makes the king a brother of the clown. But it is not hard to own
that disease is the natural aristocrat. Let him keep his state, and have his
established orders of rank, and wear his royal mantle of the color of a fever
flush and let the noble and wealthy boast their own physical infirmities, and
display their symptoms as the badges of high station. All things considered,
these are as proper subjects of human pride as any relations of human rank
that men can fix upon.
Sound again, thou deep-breathed trumpeter! and herald, with thy voice of
might, shout forth another summons that shall reach the old baronial castles
of Europe, and the rudest cabin of our western wilderness! What class is
next to take its place in the procession of mortal life? Let it be those whom
the gifts of intellect have united in a noble brotherhood.
Ay, this is a reality, before which the conventional distinctions of society
melt away like a vapor when we would grasp it with the hand. Were Byron
now alive, and Burns, the first would come from his ancestral abbey,
flinging aside, although unwillingly, the inherited honors of a thousand
years, to take the arm of the mighty peasant who grew immortal while he
stooped behind his plough. These are gone; but the hall, the farmer’s
fireside, the hut, perhaps the palace, the counting-room, the workshop, the
village, the city, life’s high places and low ones, may all produce their
poets, whom a common temperament pervades like an electric sympathy.

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Peer or ploughman, we will muster them pair by pair and shoulder to
shoulder. Even society, in its most artificial state, consents to this
arrangement. These factory girls from Lowell shall mate themselves with
the pride of drawing-rooms and literary circles, the bluebells in fashion’s
nosegay, the Sapphos, and Montagues, and Nortons of the age. Other modes
of intellect bring together as strange companies. Silk-gowned professor of
languages, give your arm to this sturdy blacksmith, and deem yourself
honored by the conjunction, though you behold him grimy from the anvil.
All varieties of human speech are like his mother tongue to this rare man.
Indiscriminately let those take their places, of whatever rank they come,
who possess the kingly gifts to lead armies or to sway a people—Nature’s
generals, her lawgivers, her kings, and with them also the deep philosophers
who think the thought in one generation that is to revolutionize society in
the next. With the hereditary legislator in whom eloquence is a far-
descended attainment—a rich echo repeated by powerful voices from
Cicero downward—we will match some wondrous backwoodsman, who
has caught a wild power of language from the breeze among his native
forest boughs. But we may safely leave these brethren and sisterhood to
settle their own congenialities. Our ordinary distinctions become so trifling,
so impalpable, so ridiculously visionary, in comparison with a classification
founded on truth, that all talk about the matter is immediately a common
place.
Yet the longer I reflect the less am I satisfied with the idea of forming a
separate class of mankind on the basis of high intellectual power. At best it
is but a higher development of innate gifts common to all. Perhaps,
moreover, he whose genius appears deepest and truest excels his fellows in
nothing save the knack of expression; he throws out occasionally a lucky
hint at truths of which every human soul is profoundly, though unutterably,
conscious. Therefore, though we suffer the brotherhood of intellect to
march onward together, it may be doubted whether their peculiar relation
will not begin to vanish as soon as the procession shall have passed beyond
the circle of this present world. But we do not classify for eternity.
And next, let the trumpet pour forth a funereal wail, and the herald’s
voice give breath in one vast cry to all the groans and grievous utterances
that are audible throughout the earth. We appeal now to the sacred bond of
sorrow, and summon the great multitude who labor under similar afflictions
to take their places in the march.

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How many a heart that would have been insensible to any other call has
responded to the doleful accents of that voice! It has gone far and wide, and
high and low, and left scarcely a mortal roof unvisited. Indeed, the principle
is only too universal for our purpose, and, unless we limit it, will quite
break up our classification of mankind, and convert the whole procession
into a funeral train. We will therefore be at some pains to discriminate. Here
comes a lonely rich man: he has built a noble fabric for his dwelling-house,
with a front of stately architecture and marble floors and doors of precious
woods; the whole structure is as beautiful as a dream and as substantial as
the native rock. But the visionary shapes of a long posterity, for whose
home this mansion was intended, have faded into nothingness since the
death of the founder’s only son. The rich man gives a glance at his sable
garb in one of the splendid mirrors of his drawing-room, and descending a
flight of lofty steps instinctively offers his arm to yonder poverty stricken
widow in the rusty black bonnet, and with a check apron over her patched
gown. The sailor boy, who was her sole earthly stay, was washed overboard
in a late tempest. This couple from the palace and the almshouse are but the
types of thousands more who represent the dark tragedy of life and seldom
quarrel for the upper parts. Grief is such a leveller, with its own dignity and
its own humility, that the noble and the peasant, the beggar and the
monarch, will waive their pretensions to external rank without the
officiousness of interference on our part. If pride—the influence of the
world’s false distinctions—remain in the heart, then sorrow lacks the
earnestness which makes it holy and reverend. It loses its reality and
becomes a miserable shadow. On this ground we have an opportunity to
assign over multitudes who would willingly claim places here to other parts
of the procession. If the mourner have anything dearer than his grief he
must seek his true position elsewhere. There are so many unsubstantial
sorrows which the necessity of our mortal state begets on idleness, that an
observer, casting aside sentiment, is sometimes led to question whether
there be any real woe, except absolute physical suffering and the loss of
closest friends. A crowd who exhibit what they deem to be broken hearts—
and among them many lovelorn maids and bachelors, and men of
disappointed ambition in arts or politics, and the poor who were once rich,
or who have sought to be rich in vain—the great majority of these may ask
admittance into some other fraternity. There is no room here. Perhaps we
may institute a separate class where such unfortunates will naturally fall

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into the procession. Meanwhile let them stand aside and patiently await
their time.
If our trumpeter can borrow a note from the doomsday trumpet blast, let
him sound it now. The dread alarum should make the earth quake to its
centre, for the herald is about to address mankind with a summons to which
even the purest mortal may be sensible of some faint responding echo in his
breast. In many bosoms it will awaken a still small voice more terrible than
its own reverberating uproar.
The hideous appeal has swept around the globe. Come, all ye guilty ones,
and rank yourselves in accordance with the brotherhood of crime. This,
indeed, is an awful summons. I almost tremble to look at the strange
partnerships that begin to be formed, reluctantly, but by the invincible
necessity of like to like in this part of the procession. A forger from the state
prison seizes the arm of a distinguished financier. How indignantly does the
latter plead his fair reputation upon ’Change, and insist that his operations,
by their magnificence of scope, were removed into quite another sphere of
morality than those of his pitiful companion! But let him cut the connection
if he can. Here comes a murderer with his clanking chains, and pairs
himself—horrible to tell—with as pure and upright a man, in all observable
respects, as ever partook of the consecrated bread and wine. He is one of
those, perchance the most hopeless of all sinners, who practise such an
exemplary system of outward duties, that even a deadly crime may be
hidden from their own sight and remembrance, under this unreal frostwork.
Yet he now finds his place. Why do that pair of flaunting girls, with the
pert, affected laugh and the sly leer at the by-standers, intrude themselves
into the same rank with yonder decorous matron, and that somewhat
prudish maiden? Surely these poor creatures, born to vice as their sole and
natural inheritance, can be no fit associates for women who have been
guarded round about by all the proprieties of domestic life, and who could
not err unless they first created the opportunity. Oh no; it must be merely
the impertinence of those unblushing hussies; and we can only wonder how
such respectable ladies should have responded to a summons that was not
meant for them.
We shall make short work of this miserable class, each member of which
is entitled to grasp any other member’s hand, by that vile degradation
wherein guilty error has buried all alike. The foul fiend to whom it properly

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belongs must relieve us of our loathsome task. Let the bond servants of sin
pass on. But neither man nor woman, in whom good predominates, will
smile or sneer, nor bid the Rogues’ March be played, in derision of their
array. Feeling within their breasts a shuddering sympathy, which at least
gives token of the sin that might have been, they will thank God for any
place in the grand procession of human existence, save among those most
wretched ones. Many, however, will be astonished at the fatal impulse that
drags them thitherward. Nothing is more remarkable than the various
deceptions by which guilt conceals itself from the perpetrator’s conscience,
and oftenest, perhaps, by the splendor of its garments. Statesmen, rulers,
generals, and all men who act over an extensive sphere, are most liable to
be deluded in this way; they commit wrong, devastation, and murder, on so
grand a scale, that it impresses them as speculative rather than actual; but in
our procession we find them linked in detestable conjunction with the
meanest criminals whose deeds have the vulgarity of petty details. Here the
effect of circumstance and accident is done away, and a man finds his rank
according to the spirit of his crime, in whatever shape it may have been
developed.
We have called the Evil; now let us call the Good. The trumpet’s brazen
throat should pour heavenly music over the earth, and the herald’s voice go
forth with the sweetness of an angel’s accents, as if to summon each upright
man to his reward. But how is this? Does none answer to the call? Not one:
for the just, the pure, the true, and all who might most worthily obey it,
shrink sadly back, as most conscious of error and imperfection. Then let the
summons be to those whose pervading principle is Love. This classification
will embrace all the truly good, and none in whose souls there exists not
something that may expand itself into a heaven, both of well-doing and
felicity.
The first that presents himself is a man of wealth, who has bequeathed
the bulk of his property to a hospital; his ghost, methinks, would have a
better right here than his living body. But here they come, the genuine
benefactors of their race. Some have wandered about the earth with pictures
of bliss in their imagination, and with hearts that shrank sensitively from the
idea of pain and woe, yet have studied all varieties of misery that human
nature can endure. The prison, the insane asylum, the squalid chamber of
the almshouse, the manufactory where the demon of machinery annihilates
the human soul, and the cotton field where God’s image becomes a beast of

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burden; to these and every other scene where man wrongs or neglects his
brother, the apostles of humanity have penetrated. This missionary, black
with India’s burning sunshine, shall give his arm to a pale-faced brother
who has made himself familiar with the infected alleys and loathsome
haunts of vice in one of our own cities. The generous founder of a college
shall be the partner of a maiden lady of narrow substance, one of whose
good deeds it has been to gather a little school of orphan children. If the
mighty merchant whose benefactions are reckoned by thousands of dollars
deem himself worthy, let him join the procession with her whose love has
proved itself by watchings at the sick-bed, and all those lowly offices which
bring her into actual contact with disease and wretchedness. And with those
whose impulses have guided them to benevolent actions, we will rank
others to whom Providence has assigned a different tendency and different
powers. Men who have spent their lives in generous and holy contemplation
for the human race; those who, by a certain heavenliness of spirit, have
purified the atmosphere around them, and thus supplied a medium in which
good and high things may be projected and performed—give to these a
lofty place among the benefactors of mankind, although no deed, such as
the world calls deeds, may be recorded of them. There are some individuals
of whom we cannot conceive it proper that they should apply their hands to
any earthly instrument, or work out any definite act; and others, perhaps not
less high, to whom it is an essential attribute to labor in body as well as
spirit for the welfare of their brethren. Thus, if we find a spiritual sage
whose unseen, inestimable influence has exalted the moral standard of
mankind, we will choose for his companion some poor laborer who has
wrought for love in the potato field of a neighbor poorer than himself.
We have summoned this various multitude—and, to the credit of our
nature, it is a large one—on the principle of Love. It is singular,
nevertheless, to remark the shyness that exists among many members of the
present class, all of whom we might expect to recognize one another by the
freemasonry of mutual goodness, and to embrace like brethren, giving God
thanks for such various specimens of human excellence. But it is far
otherwise. Each sect surrounds its own righteousness with a hedge of
thorns. It is difficult for the good Christian to acknowledge the good Pagan;
almost impossible for the good Orthodox to grasp the hand of the good
Unitarian, leaving to their Creator to settle the matters in dispute, and
giving their mutual efforts strongly and trustingly to whatever right thing is

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too evident to be mistaken. Then again, though the heart be large, yet the
mind is often of such moderate dimensions as to be exclusively filled up
with one idea. When a good man has long devoted himself to a particular
kind of beneficence—to one species of reform—he is apt to become
narrowed into the limits of the path wherein he treads, and to fancy that
there is no other good to be done on earth but that self-same good to which
he has put his hand, and in the very mode that best suits his own
conceptions. All else is worthless. His scheme must be wrought out by the
united strength of the whole world’s stock of love, or the world is no longer
worthy of a position in the universe. Moreover, powerful Truth, being the
rich grape juice expressed from the vineyard of the ages, has an intoxicating
quality, when imbibed by any save a powerful intellect, and often, as it
were, impels the quaffer to quarrel in his cups. For such reasons, strange to
say, it is harder to contrive a friendly arrangement of these brethren of love
and righteousness, in the procession of life, than to unite even the wicked,
who, indeed, are chained together by their crimes. The fact is too
preposterous for tears, too lugubrious for laughter.
But, let good men push and elbow one another as they may during their
earthly march, all will be peace among them when the honorable array of
their procession shall tread on heavenly ground. There they will doubtless
find that they have been working each for the other’s cause, and that every
well-delivered stroke, which, with an honest purpose any mortal struck,
even for a narrow object, was indeed stricken for the universal cause of
good. Their own view may be bounded by country, creed, profession, the
diversities of individual character—but above them all is the breadth of
Providence. How many who have deemed themselves antagonists will
smile hereafter, when they look back upon the world’s wide harvest field,
and perceive that, in unconscious brotherhood, they were helping to bind
the selfsame sheaf!
But, come! The sun is hastening westward, while the march of human
life, that never paused before, is delayed by our attempt to rearrange its
order. It is desirable to find some comprehensive principle, that shall render
our task easier by bringing thousands into the ranks where hitherto we have
brought one. Therefore let the trumpet, if possible, split its brazen throat
with a louder note than ever, and the herald summon all mortals, who, from
whatever cause, have lost, or never found, their proper places in the wold.

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Obedient to this call, a great multitude come together, most of them with
a listless gait, betokening weariness of soul, yet with a gleam of satisfaction
in their faces, at a prospect of at length reaching those positions which,
hitherto, they have vainly sought. But here will be another disappointment;
for we can attempt no more than merely to associate in one fraternity all
who are afflicted with the same vague trouble. Some great mistake in life is
the chief condition of admittance into this class. Here are members of the
learned professions, whom Providence endowed with special gifts for the
plough, the forge, and the wheelbarrow, or for the routine of unintellectual
business. We will assign to them, as partners in the march, those lowly
laborers and handicraftsmen, who have pined, as with a dying thirst, after
the unattainable fountains of knowledge. The latter have lost less than their
companions; yet more, because they deem it infinite. Perchance the two
species of unfortunates may comfort one another. Here are Quakers with the
instinct of battle in them; and men of war who should have worn the broad
brim. Authors shall be ranked here whom some freak of Nature, making
game of her poor children, had imbued with the confidence of genius and
strong desire of fame, but has favored with no corresponding power; and
others, whose lofty gifts were unaccompanied with the faculty of
expression, or any of that earthly machinery by which ethereal endowments
must be manifested to mankind. All these, therefore, are melancholy
laughing-stocks. Next, here are honest and well intentioned persons, who by
a want of tact—by inaccurate perceptions—by a distorting imagination—
have been kept continually at cross purposes with the world and bewildered
upon the path of life. Let us see if they can confine themselves within the
line of our procession. In this class, likewise, we must assign places to those
who have encountered that worst of ill success, a higher fortune than their
abilities could vindicate; writers, actors, painters, the pets of a day, but
whose laurels wither unrenewed amid their hoary hair; politicians, whom
some malicious contingency of affairs has thrust into conspicuous station,
where, while the world stands gazing at them, the dreary consciousness of
imbecility makes them curse their birth hour. To such men, we give for a
companion him whose rare talents, which perhaps require a Revolution for
their exercise, are buried in the tomb of sluggish circumstances.
Not far from these, we must find room for one whose success has been of
the wrong kind; the man who should have lingered in the cloisters of a
university, digging new treasures out of the Herculaneum of antique lore,

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diffusing depth and accuracy of literature throughout his country, and thus
making for himself a great and quiet fame. But the outward tendencies
around him have proved too powerful for his inward nature, and have
drawn him into the arena of political tumult, there to contend at
disadvantage, whether front to front, or side by side, with the brawny giants
of actual life. He becomes, it may be, a name for brawling parties to bandy
to and fro, a legislator of the Union; a governor of his native state; an
ambassador to the courts of kings or queens; and the world may deem him a
man of happy stars. But not so the wise; and not so himself, when he looks
through his experience, and sighs to miss that fitness, the one invaluable
touch which makes all things true and real. So much achieved, yet how
abortive is his life! Whom shall we choose for his companion? Some weak
framed blacksmith, perhaps, whose delicacy of muscle might have suited a
tailor’s shopboard better than the anvil.
Shall we bid the trumpet sound again? It is hardly worth the while. There
remain a few idle men of fortune, tavern and grog-shop loungers, lazzaroni,
old bachelors, decaying maidens, and people of crooked intellect or temper,
all of whom may find their like, or some tolerable approach to it, in the
plentiful diversity of our latter class. There too, as his ultimate destiny, must
we rank the dreamer, who, all his life long, has cherished the idea that he
was peculiarly apt for something, but never could determine what it was;
and there the most unfortunate of men, whose purpose it has been to enjoy
life’s pleasures, but to avoid a manful struggle with its toil and sorrow. The
remainder, if any, may connect themselves with whatever rank of the
procession they shall find best adapted to their tastes and consciences. The
worst possible fate would be to remain behind, shivering in the solitude of
time, while all the world is on the move towards eternity. Our attempt to
classify society is now complete. The result may be anything but perfect;
yet better—to give it the very lowest praise—than the antique rule of the
herald’s office, or the modern one of the tax-gatherer, whereby the accidents
and superficial attributes with which the real nature of individuals has least
to do, are acted upon as the deepest characteristics of mankind. Our task is
done! Now let the grand procession move!
Yet pause a while! We had forgotten the Chief Marshal.
Hark! That world-wide swell of solemn music, with the clang of a mighty
bell breaking forth through its regulated uproar, announces his approach. He

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comes; a severe, sedate, immovable, dark rider, waving his truncheon of
universal sway, as he passes along the lengthened line, on the pale horse of
the Revelation. It is Death! Who else could assume the guidance of a
procession that comprehends all humanity? And if some, among these many
millions, should deem themselves classed amiss, yet let them take to their
hearts the comfortable truth that Death levels us all into one great
brotherhood, and that another state of being will surely rectify the wrong of
this. Then breathe thy wail upon the earth’s wailing wind, thou band of
melancholy music, made up of every sigh that the human heart, unsatisfied,
has uttered! There is yet triumph in thy tones. And now we move! Beggars
in their rags, and Kings trailing the regal purple in the dust; the Warrior’s
gleaming helmet; the Priest in his sable robe; the hoary Grandsire, who has
run life’s circle and come back to childhood; the ruddy School-boy with his
golden curls, frisking along the march; the Artisan’s stuff jacket; the
Noble’s star-decorated coat;—the whole presenting a motley spectacle, yet
with a dusky grandeur brooding over it. Onward, onward, into that dimness
where the lights of Time which have blazed along the procession, are
flickering in their sockets! And whither! We know not; and Death, hitherto
our leader, deserts us by the wayside, as the tramp of our innumerable
footsteps echoes beyond his sphere. He knows not, more than we, our
destined goal. But God, who made us, knows, and will not leave us on our
toilsome and doubtful march, either to wander in infinite uncertainty, or
perish by the way!

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FEATHERTOP: A MORALIZED LEGEND

“Dickon,” cried Mother Rigby, “a coal for my pipe!”
The pipe was in the old dame’s mouth when she said these words. She
had thrust it there after filling it with tobacco, but without stooping to light
it at the hearth, where indeed there was no appearance of a fire having been
kindled that morning. Forthwith, however, as soon as the order was given,
there was an intense red glow out of the bowl of the pipe, and a whiff of
smoke came from Mother Rigby’s lips. Whence the coal came, and how
brought thither by an invisible hand, I have never been able to discover.
“Good!” quoth Mother Rigby, with a nod of her head. “Thank ye,
Dickon! And now for making this scarecrow. Be within call, Dickon, in
case I need you again.”
The good woman had risen thus early (for as yet it was scarcely sunrise)
in order to set about making a scarecrow, which she intended to put in the
middle of her corn-patch. It was now the latter week of May, and the crows
and blackbirds had already discovered the little, green, rolledup leaf of the
Indian corn just peeping out of the soil. She was determined, therefore, to
contrive as lifelike a scarecrow as ever was seen, and to finish it
immediately, from top to toe, so that it should begin its sentinel’s duty that
very morning. Now Mother Rigby (as everybody must have heard) was one
of the most cunning and potent witches in New England, and might, with
very little trouble, have made a scarecrow ugly enough to frighten the
minister himself. But on this occasion, as she had awakened in an
uncommonly pleasant humor, and was further dulcified by her pipe tobacco,
she resolved to produce something fine, beautiful, and splendid, rather than
hideous and horrible.
“I don’t want to set up a hobgoblin in my own corn-patch, and almost at
my own doorstep,” said Mother Rigby to herself, puffing out a whiff of
smoke; “I could do it if I pleased, but I’m tired of doing marvellous things,

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and so I’ll keep within the bounds of every-day business just for variety’s
sake. Besides, there is no use in scaring the little children for a mile
roundabout, though ’tis true I’m a witch.”
It was settled, therefore, in her own mind, that the scarecrow should
represent a fine gentleman of the period, so far as the materials at hand
would allow. Perhaps it may be as well to enumerate the chief of the articles
that went to the composition of this figure.
The most important item of all, probably, although it made so little show,
was a certain broomstick, on which Mother Rigby had taken many an airy
gallop at midnight, and which now served the scarecrow by way of a spinal
column, or, as the unlearned phrase it, a backbone. One of its arms was a
disabled flail which used to be wielded by Goodman Rigby, before his
spouse worried him out of this troublesome world; the other, if I mistake
not, was composed of the pudding stick and a broken rung of a chair, tied
loosely together at the elbow. As for its legs, the right was a hoe handle, and
the left an undistinguished and miscellaneous stick from the woodpile. Its
lungs, stomach, and other affairs of that kind were nothing better than a
meal bag stuffed with straw. Thus we have made out the skeleton and entire
corporosity of the scarecrow, with the exception of its head; and this was
admirably supplied by a somewhat withered and shrivelled pumpkin, in
which Mother Rigby cut two holes for the eyes and a slit for the mouth,
leaving a bluish-colored knob in the middle to pass for a nose. It was really
quite a respectable face.
“I’ve seen worse ones on human shoulders, at any rate,” said Mother
Rigby. “And many a fine gentleman has a pumpkin head, as well as my
scarecrow.”
But the clothes, in this case, were to be the making of the man. So the
good old woman took down from a peg an ancient plum-colored coat of
London make, and with relics of embroidery on its seams, cuffs, pocket-
flaps, and button-holes, but lamentably worn and faded, patched at the
elbows, tattered at the skirts, and threadbare all over. On the left breast was
a round hole, whence either a star of nobility had been rent away, or else the
hot heart of some former wearer had scorched it through and through. The
neighbors said that this rich garment belonged to the Black Man’s
wardrobe, and that he kept it at Mother Rigby’s cottage for the convenience
of slipping it on whenever he wished to make a grand appearance at the

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governor’s table. To match the coat there was a velvet waistcoat of very
ample size, and formerly embroidered with foliage that had been as brightly
golden as the maple leaves in October, but which had now quite vanished
out of the substance of the velvet. Next came a pair of scarlet breeches,
once worn by the French governor of Louisbourg, and the knees of which
had touched the lower step of the throne of Louis le Grand. The Frenchman
had given these small-clothes to an Indian powwow, who parted with them
to the old witch for a gill of strong waters, at one of their dances in the
forest. Furthermore, Mother Rigby produced a pair of silk stockings and put
them on the figure’s legs, where they showed as unsubstantial as a dream,
with the wooden reality of the two sticks making itself miserably apparent
through the holes. Lastly, she put her dead husband’s wig on the bare scalp
of the pumpkin, and surmounted the whole with a dusty three-cornered hat,
in which was stuck the longest tail feather of a rooster.
Then the old dame stood the figure up in a corner of her cottage and
chuckled to behold its yellow semblance of a visage, with its nobby little
nose thrust into the air. It had a strangely self-satisfied aspect, and seemed
to say, “Come look at me!”
“And you are well worth looking at, that’s a fact!” quoth Mother Rigby,
in admiration at her own handiwork. “I’ve made many a puppet since I’ve
been a witch, but methinks this is the finest of them all. ’Tis almost too
good for a scarecrow. And, by the by, I’ll just fill a fresh pipe of tobacco
and then take him out to the corn-patch.”
While filling her pipe the old woman continued to gaze with almost
motherly affection at the figure in the corner. To say the truth, whether it
were chance, or skill, or downright witchcraft, there was something
wonderfully human in this ridiculous shape, bedizened with its tattered
finery; and as for the countenance, it appeared to shrivel its yellow surface
into a grin—a funny kind of expression betwixt scorn and merriment, as if
it understood itself to be a jest at mankind. The more Mother Rigby looked
the better she was pleased.
“Dickon,” cried she sharply, “another coal for my pipe!”
Hardly had she spoken, than, just as before, there was a red-glowing coal
on the top of the tobacco. She drew in a long whiff and puffed it forth again
into the bar of morning sunshine which struggled through the one dusty
pane of her cottage window. Mother Rigby always liked to flavor her pipe

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with a coal of fire from the particular chimney corner whence this had been
brought. But where that chimney corner might be, or who brought the coal
from it,—further than that the invisible messenger seemed to respond to the
name of Dickon,—I cannot tell.
“That puppet yonder,” thought Mother Rigby, still with her eyes fixed on
the scarecrow, “is too good a piece of work to stand all summer in a corn-
patch, frightening away the crows and blackbirds. He’s capable of better
things. Why, I’ve danced with a worse one, when partners happened to be
scarce, at our witch meetings in the forest! What if I should let him take his
chance among the other men of straw and empty fellows who go bustling
about the world?”
The old witch took three or four more whiffs of her pipe and smiled.
“He’ll meet plenty of his brethren at every street corner!” continued she.
“Well; I didn’t mean to dabble in witchcraft to-day, further than the lighting
of my pipe, but a witch I am, and a witch I’m likely to be, and there’s no
use trying to shirk it. I’ll make a man of my scarecrow, were it only for the
joke’s sake!”
While muttering these words, Mother Rigby took the pipe from her own
mouth and thrust it into the crevice which represented the same feature in
the pumpkin visage of the scarecrow.
“Puff, darling, puff!” said she. “Puff away, my fine fellow! your life
depends on it!”
This was a strange exhortation, undoubtedly, to be addressed to a mere
thing of sticks, straw, and old clothes, with nothing better than a shrivelled
pumpkin for a head,—as we know to have been the scarecrow’s case.
Nevertheless, as we must carefully hold in remembrance, Mother Rigby
was a witch of singular power and dexterity; and, keeping this fact duly
before our minds, we shall see nothing beyond credibility in the remarkable
incidents of our story. Indeed, the great difficulty will be at once got over, if
we can only bring ourselves to believe that, as soon as the old dame bade
him puff, there came a whiff of smoke from the scarecrow’s mouth. It was
the very feeblest of whiffs, to be sure; but it was followed by another and
another, each more decided than the preceding one.
“Puff away, my pet! puff away, my pretty one!” Mother Rigby kept
repeating, with her pleasantest smile. “It is the breath of life to ye; and that
you may take my word for.”

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Beyond all question the pipe was bewitched. There must have been a
spell either in the tobacco or in the fiercely-glowing coal that so
mysteriously burned on top of it, or in the pungently-aromatic smoke which
exhaled from the kindled weed. The figure, after a few doubtful attempts at
length blew forth a volley of smoke extending all the way from the obscure
corner into the bar of sunshine. There it eddied and melted away among the
motes of dust. It seemed a convulsive effort; for the two or three next whiffs
were fainter, although the coal still glowed and threw a gleam over the
scarecrow’s visage. The old witch clapped her skinny hands together, and
smiled encouragingly upon her handiwork. She saw that the charm worked
well. The shrivelled, yellow face, which heretofore had been no face at all,
had already a thin, fantastic haze, as it were of human likeness, shifting to
and fro across it; sometimes vanishing entirely, but growing more
perceptible than ever with the next whiff from the pipe. The whole figure,
in like manner, assumed a show of life, such as we impart to ill-defined
shapes among the clouds, and half deceive ourselves with the pastime of
our own fancy.
If we must needs pry closely into the matter, it may be doubted whether
there was any real change, after all, in the sordid, wornout worthless, and
ill-jointed substance of the scarecrow; but merely a spectral illusion, and a
cunning effect of light and shade so colored and contrived as to delude the
eyes of most men. The miracles of witchcraft seem always to have had a
very shallow subtlety; and, at least, if the above explanation do not hit the
truth of the process, I can suggest no better.
“Well puffed, my pretty lad!” still cried old Mother Rigby. “Come,
another good stout whiff, and let it be with might and main. Puff for thy
life, I tell thee! Puff out of the very bottom of thy heart, if any heart thou
hast, or any bottom to it! Well done, again! Thou didst suck in that mouthful
as if for the pure love of it.”
And then the witch beckoned to the scarecrow, throwing so much
magnetic potency into her gesture that it seemed as if it must inevitably be
obeyed, like the mystic call of the loadstone when it summons the iron.
“Why lurkest thou in the corner, lazy one?” said she. “Step forth! Thou
hast the world before thee!”
Upon my word, if the legend were not one which I heard on my
grandmother’s knee, and which had established its place among things

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credible before my childish judgment could analyze its probability, I
question whether I should have the face to tell it now.
In obedience to Mother Rigby’s word, and extending its arm as if to
reach her outstretched hand, the figure made a step forward—a kind of
hitch and jerk, however, rather than a step—then tottered and almost lost its
balance. What could the witch expect? It was nothing, after all, but a
scarecrow stuck upon two sticks. But the strong-willed old beldam scowled,
and beckoned, and flung the energy of her purpose so forcibly at this poor
combination of rotten wood, and musty straw, and ragged garments, that it
was compelled to show itself a man, in spite of the reality of things. So it
stepped into the bar of sunshine. There it stood, poor devil of a contrivance
that it was!—with only the thinnest vesture of human similitude about it,
through which was evident the stiff, rickety, incongruous, faded, tattered,
good-for-nothing patchwork of its substance, ready to sink in a heap upon
the floor, as conscious of its own unworthiness to be erect. Shall I confess
the truth? At its present point of vivification, the scarecrow reminds me of
some of the lukewarm and abortive characters, composed of heterogeneous
materials, used for the thousandth time, and never worth using, with which
romance writers (and myself, no doubt, among the rest) have so
overpeopled the world of fiction.
But the fierce old hag began to get angry and show a glimpse of her
diabolic nature (like a snake’s head, peeping with a hiss out of her bosom),
at this pusillanimous behavior of the thing which she had taken the trouble
to put together.
“Puff away, wretch!” cried she, wrathfully. “Puff, puff, puff, thou thing of
straw and emptiness! thou rag or two! thou meal bag! thou pumpkin head!
thou nothing! Where shall I find a name vile enough to call thee by? Puff, I
say, and suck in thy fantastic life with the smoke! else I snatch the pipe
from thy mouth and hurl thee where that red coal came from.”
Thus threatened, the unhappy scarecrow had nothing for it but to puff
away for dear life. As need was, therefore, it applied itself lustily to the
pipe, and sent forth such abundant volleys of tobacco smoke that the small
cottage kitchen became all vaporous. The one sunbeam struggled mistily
through, and could but imperfectly define the image of the cracked and
dusty window pane on the opposite wall. Mother Rigby, meanwhile, with
one brown arm akimbo and the other stretched towards the figure, loomed

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grimly amid the obscurity with such port and expression as when she was
wont to heave a ponderous nightmare on her victims and stand at the
bedside to enjoy their agony. In fear and trembling did this poor scarecrow
puff. But its efforts, it must be acknowledged, served an excellent purpose;
for, with each successive whiff, the figure lost more and more of its dizzy
and perplexing tenuity and seemed to take denser substance. Its very
garments, moreover, partook of the magical change, and shone with the
gloss of novelty and glistened with the skilfully embroidered gold that had
long ago been rent away. And, half revealed among the smoke, a yellow
visage bent its lustreless eyes on Mother Rigby.
At last the old witch clinched her fist and shook it at the figure. Not that
she was positively angry, but merely acting on the principle—perhaps
untrue, or not the only truth, though as high a one as Mother Rigby could be
expected to attain—that feeble and torpid natures, being incapable of better
inspiration, must be stirred up by fear. But here was the crisis. Should she
fail in what she now sought to effect, it was her ruthless purpose to scatter
the miserable simulacre into its original elements.
“Thou hast a man’s aspect,” said she, sternly. “Have also the echo and
mockery of a voice! I bid thee speak!”
The scarecrow gasped, struggled, and at length emitted a murmur, which
was so incorporated with its smoky breath that you could scarcely tell
whether it were indeed a voice or only a whiff of tobacco. Some narrators
of this legend hold the opinion that Mother Rigby’s conjurations and the
fierceness of her will had compelled a familiar spirit into the figure, and
that the voice was his.
“Mother,” mumbled the poor stifled voice, “be not so awful with me! I
would fain speak; but being without wits, what can I say?”
“Thou canst speak, darling, canst thou?” cried Mother Rigby, relaxing
her grim countenance into a smile. “And what shalt thou say, quoth-a! Say,
indeed! Art thou of the brotherhood of the empty skull, and demandest of
me what thou shalt say? Thou shalt say a thousand things, and saying them
a thousand times over, thou shalt still have said nothing! Be not afraid, I tell
thee! When thou comest into the world (whither I purpose sending thee
forthwith) thou shalt not lack the wherewithal to talk. Talk! Why, thou shall
babble like a mill-stream, if thou wilt. Thou hast brains enough for that, I
trow!”

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“At your service, mother,” responded the figure.
“And that was well said, my pretty one,” answered Mother Rigby. “Then
thou speakest like thyself, and meant nothing. Thou shalt have a hundred
such set phrases, and five hundred to the boot of them. And now, darling, I
have taken so much pains with thee and thou art so beautiful, that, by my
troth, I love thee better than any witch’s puppet in the world; and I’ve made
them of all sorts—clay, wax, straw, sticks, night fog, morning mist, sea
foam, and chimney smoke. But thou art the very best. So give heed to what
I say.”
“Yes, kind mother,” said the figure, “with all my heart!”
“With all thy heart!” cried the old witch, setting her hands to her sides
and laughing loudly. “Thou hast such a pretty way of speaking. With all thy
heart! And thou didst put thy hand to the left side of thy waistcoat as if thou
really hadst one!”
So now, in high good humor with this fantastic contrivance of hers,
Mother Rigby told the scarecrow that it must go and play its part in the
great world, where not one man in a hundred, she affirmed, was gifted with
more real substance than itself. And, that he might hold up his head with the
best of them, she endowed him, on the spot, with an unreckonable amount
of wealth. It consisted partly of a gold mine in Eldorado, and of ten
thousand shares in a broken bubble, and of half a million acres of vineyard
at the North Pole, and of a castle in the air, and a chateau in Spain, together
with all the rents and income therefrom accruing. She further made over to
him the cargo of a certain ship, laden with salt of Cadiz, which she herself,
by her necromantic arts, had caused to founder, ten years before, in the
deepest part of mid-ocean. If the salt were not dissolved, and could be
brought to market, it would fetch a pretty penny among the fishermen. That
he might not lack ready money, she gave him a copper farthing of
Birmingham manufacture, being all the coin she had about her, and likewise
a great deal of brass, which she applied to his forehead, thus making it
yellower than ever.
“With that brass alone,” quoth Mother Rigby, “thou canst pay thy way all
over the earth. Kiss me, pretty darling! I have done my best for thee.”
Furthermore, that the adventurer might lack no possible advantage
towards a fair start in life, this excellent old dame gave him a token by
which he was to introduce himself to a certain magistrate, member of the

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council, merchant, and elder of the church (the four capacities constituting
but one man), who stood at the head of society in the neighboring
metropolis. The token was neither more nor less than a single word, which
Mother Rigby whispered to the scarecrow, and which the scarecrow was to
whisper to the merchant.
“Gouty as the old fellow is, he’ll run thy errands for thee, when once
thou hast given him that word in his ear,” said the old witch. “Mother Rigby
knows the worshipful Justice Gookin, and the worshipful Justice knows
Mother Rigby!”
Here the witch thrust her wrinkled face close to the puppet’s, chuckling
irrepressibly, and fidgeting all through her system, with delight at the idea
which she meant to communicate.
“The worshipful Master Gookin,” whispered she, “hath a comely maiden
to his daughter. And hark ye, my pet! Thou hast a fair outside, and a pretty
wit enough of thine own. Yea, a pretty wit enough! Thou wilt think better of
it when thou hast seen more of other people’s wits. Now, with thy outside
and thy inside, thou art the very man to win a young girl’s heart. Never
doubt it! I tell thee it shall be so. Put but a bold face on the matter, sigh,
smile, flourish thy hat, thrust forth thy leg like a dancing-master, put thy
right hand to the left side of thy waistcoat, and pretty Polly Gookin is thine
own!”
All this while the new creature had been sucking in and exhaling the
vapory fragrance of his pipe, and seemed now to continue this occupation
as much for the enjoyment it afforded as because it was an essential
condition of his existence. It was wonderful to see how exceedingly like a
human being it behaved. Its eyes (for it appeared to possess a pair) were
bent on Mother Rigby, and at suitable junctures it nodded or shook its head.
Neither did it lack words proper for the occasion: “Really! Indeed! Pray tell
me! Is it possible! Upon my word! By no means! Oh! Ah! Hem!” and other
such weighty utterances as imply attention, inquiry, acquiescence, or dissent
on the part of the auditor. Even had you stood by and seen the scarecrow
made, you could scarcely have resisted the conviction that it perfectly
understood the cunning counsels which the old witch poured into its
counterfeit of an ear. The more earnestly it applied its lips to the pipe, the
more distinctly was its human likeness stamped among visible realities, the
more sagacious grew its expression, the more lifelike its gestures and

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movements, and the more intelligibly audible its voice. Its garments, too,
glistened so much the brighter with an illusory magnificence. The very
pipe, in which burned the spell of all this wonderwork, ceased to appear as
a smoke-blackened earthen stump, and became a meerschaum, with painted
bowl and amber mouthpiece.
It might be apprehended, however, that as the life of the illusion seemed
identical with the vapor of the pipe, it would terminate simultaneously with
the reduction of the tobacco to ashes. But the beldam foresaw the difficulty.
“Hold thou the pipe, my precious one,” said she, “while I fill it for thee
again.”
It was sorrowful to behold how the fine gentleman began to fade back
into a scarecrow while Mother Rigby shook the ashes out of the pipe and
proceeded to replenish it from her tobacco-box.
“Dickon,” cried she, in her high, sharp tone, “another coal for this pipe!”
No sooner said than the intensely red speck of fire was glowing within
the pipe-bowl; and the scarecrow, without waiting for the witch’s bidding,
applied the tube to his lips and drew in a few short, convulsive whiffs,
which soon, however, became regular and equable.
“Now, mine own heart’s darling,” quoth Mother Rigby, “whatever may
happen to thee, thou must stick to thy pipe. Thy life is in it; and that, at
least, thou knowest well, if thou knowest nought besides. Stick to thy pipe, I
say! Smoke, puff, blow thy cloud; and tell the people, if any question be
made, that it is for thy health, and that so the physician orders thee to do.
And, sweet one, when thou shalt find thy pipe getting low, go apart into
some corner, and (first filling thyself with smoke) cry sharply, ‘Dickon, a
fresh pipe of tobacco!’ and, ‘Dickon, another coal for my pipe!’ and have it
into thy pretty mouth as speedily as may be. Else, instead of a gallant
gentleman in a gold-laced coat, thou wilt be but a jumble of sticks and
tattered clothes, and a bag of straw, and a withered pumpkin! Now depart,
my treasure, and good luck go with thee!”
“Never fear, mother!” said the figure, in a stout voice, and sending forth a
courageous whiff of smoke, “I will thrive, if an honest man and a gentleman
may!”
“Oh, thou wilt be the death of me!” cried the old witch, convulsed with
laughter. “That was well said. If an honest man and a gentleman may! Thou

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playest thy part to perfection. Get along with thee for a smart fellow; and I
will wager on thy head, as a man of pith and substance, with a brain and
what they call a heart, and all else that a man should have, against any other
thing on two legs. I hold myself a better witch than yesterday, for thy sake.
Did not I make thee? And I defy any witch in New England to make such
another! Here; take my staff along with thee!”
The staff, though it was but a plain oaken stick, immediately took the
aspect of a gold-headed cane.
“That gold head has as much sense in it as thine own,” said Mother
Rigby, “and it will guide thee straight to worshipful Master Gookin’s door.
Get thee gone, my pretty pet, my darling, my precious one, my treasure; and
if any ask thy name, it is Feathertop. For thou hast a feather in thy hat, and I
have thrust a handful of feathers into the hollow of thy head, and thy wig,
too, is of the fashion they call Feathertop,—so be Feathertop thy name!”
And, issuing from the cottage, Feathertop strode manfully towards town.
Mother Rigby stood at the threshold, well pleased to see how the sunbeams
glistened on him, as if all his magnificence were real, and how diligently
and lovingly he smoked his pipe, and how handsomely he walked, in spite
of a little stiffness of his legs. She watched him until out of sight, and threw
a witch benediction after her darling, when a turn of the road snatched him
from her view.
Betimes in the forenoon, when the principal street of the neighboring
town was just at its acme of life and bustle, a stranger of very distinguished
figure was seen on the sidewalk. His port as well as his garments betokened
nothing short of nobility. He wore a richly-embroidered plum-colored coat,
a waistcoat of costly velvet, magnificently adorned with golden foliage, a
pair of splendid scarlet breeches, and the finest and glossiest of white silk
stockings. His head was covered with a peruke, so daintily powdered and
adjusted that it would have been sacrilege to disorder it with a hat; which,
therefore (and it was a gold-laced hat, set off with a snowy feather), he
carried beneath his arm. On the breast of his coat glistened a star. He
managed his gold-headed cane with an airy grace, peculiar to the fine
gentlemen of the period; and, to give the highest possible finish to his
equipment, he had lace ruffles at his wrist, of a most ethereal delicacy,
sufficiently avouching how idle and aristocratic must be the hands which
they half concealed.

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It was a remarkable point in the accoutrement of this brilliant personage
that he held in his left hand a fantastic kind of a pipe, with an exquisitely
painted bowl and an amber mouthpiece. This he applied to his lips as often
as every five or six paces, and inhaled a deep whiff of smoke, which, after
being retained a moment in his lungs, might be seen to eddy gracefully
from his mouth and nostrils.
As may well be supposed, the street was all astir to find out the stranger’s
name.
“It is some great nobleman, beyond question,” said one of the
townspeople. “Do you see the star at his breast?”
“Nay; it is too bright to be seen,” said another. “Yes; he must needs be a
nobleman, as you say. But by what conveyance, think you, can his lordship
have voyaged or travelled hither? There has been no vessel from the old
country for a month past; and if he have arrived overland from the
southward, pray where are his attendants and equipage?”
“He needs no equipage to set off his rank,” remarked a third. “If he came
among us in rags, nobility would shine through a hole in his elbow. I never
saw such dignity of aspect. He has the old Norman blood in his veins, I
warrant him.”
“I rather take him to be a Dutchman, or one of your high Germans,” said
another citizen. “The men of those countries have always the pipe at their
mouths.”
“And so has a Turk,” answered his companion. “But, in my judgment,
this stranger hath been bred at the French court, and hath there learned
politeness and grace of manner, which none understand so well as the
nobility of France. That gait, now! A vulgar spectator might deem it stiff—
he might call it a hitch and jerk—but, to my eye, it hath an unspeakable
majesty, and must have been acquired by constant observation of the
deportment of the Grand Monarque. The stranger’s character and office are
evident enough. He is a French ambassador, come to treat with our rulers
about the cession of Canada.”
“More probably a Spaniard,” said another, “and hence his yellow
complexion; or, most likely, he is from the Havana, or from some port on
the Spanish main, and comes to make investigation about the piracies which
our government is thought to connive at. Those settlers in Peru and Mexico
have skins as yellow as the gold which they dig out of their mines.”

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“Yellow or not,” cried a lady, “he is a beautiful man!—so tall, so slender!
such a fine, noble face, with so well-shaped a nose, and all that delicacy of
expression about the mouth! And, bless me, how bright his star is! It
positively shoots out flames!”
“So do your eyes, fair lady,” said the stranger, with a bow and a flourish
of his pipe; for he was just passing at the instant. “Upon my honor, they
have quite dazzled me.”
“Was ever so original and exquisite a compliment?” murmured the lady,
in an ecstasy of delight.
Amid the general admiration excited by the stranger’s appearance, there
were only two dissenting voices. One was that of an impertinent cur, which,
after snuffing at the heels of the glistening figure, put its tail between its
legs and skulked into its master’s back yard, vociferating an execrable
howl. The other dissentient was a young child, who squalled at the fullest
stretch of his lungs, and babbled some unintelligible nonsense about a
pumpkin.
Feathertop meanwhile pursued his way along the street. Except for the
few complimentary words to the lady, and now and then a slight inclination
of the head in requital of the profound reverences of the bystanders, he
seemed wholly absorbed in his pipe. There needed no other proof of his
rank and consequence than the perfect equanimity with which he comported
himself, while the curiosity and admiration of the town swelled almost into
clamor around him. With a crowd gathering behind his footsteps, he finally
reached the mansion-house of the worshipful Justice Gookin, entered the
gate, ascended the steps of the front door, and knocked. In the interim,
before his summons was answered, the stranger was observed to shake the
ashes out of his pipe.
“What did he say in that sharp voice?” inquired one of the spectators.
“Nay, I know not,” answered his friend. “But the sun dazzles my eyes
strangely. How dim and faded his lordship looks all of a sudden! Bless my
wits, what is the matter with me?”
“The wonder is,” said the other, “that his pipe, which was out only an
instant ago, should be all alight again, and with the reddest coal I ever saw.
There is something mysterious about this stranger. What a whiff of smoke
was that! Dim and faded did you call him? Why, as he turns about the star
on his breast is all ablaze.”

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“It is, indeed,” said his companion; “and it will go near to dazzle pretty
Polly Gookin, whom I see peeping at it out of the chamber window.”
The door being now opened, Feathertop turned to the crowd, made a
stately bend of his body like a great man acknowledging the reverence of
the meaner sort, and vanished into the house. There was a mysterious kind
of a smile, if it might not better be called a grin or grimace, upon his visage;
but, of all the throng that beheld him, not an individual appears to have
possessed insight enough to detect the illusive character of the stranger
except a little child and a cur dog.
Our legend here loses somewhat of its continuity, and, passing over the
preliminary explanation between Feathertop and the merchant, goes in
quest of the pretty Polly Gookin. She was a damsel of a soft, round figure,
with light hair and blue eyes, and a fair, rosy face, which seemed neither
very shrewd nor very simple. This young lady had caught a glimpse of the
glistening stranger while standing on the threshold, and had forthwith put
on a laced cap, a string of beads, her finest kerchief, and her stiffest damask
petticoat in preparation for the interview. Hurrying from her chamber to the
parlor, she had ever since been viewing herself in the large looking-glass
and practising pretty airs-now a smile, now a ceremonious dignity of aspect,
and now a softer smile than the former, kissing her hand likewise, tossing
her head, and managing her fan; while within the mirror an unsubstantial
little maid repeated every gesture and did all the foolish things that Polly
did, but without making her ashamed of them. In short, it was the fault of
pretty Polly’s ability rather than her will if she failed to be as complete an
artifice as the illustrious Feathertop himself; and, when she thus tampered
with her own simplicity, the witch’s phantom might well hope to win her.
No sooner did Polly hear her father’s gouty footsteps approaching the
parlor door, accompanied with the stiff clatter of Feathertop’s high-heeled
shoes, than she seated herself bolt upright and innocently began warbling a
song.
“Polly! daughter Polly!” cried the old merchant. “Come hither, child.”
Master Gookin’s aspect, as he opened the door, was doubtful and
troubled.
“This gentleman,” continued he, presenting the stranger, “is the Chevalier
Feathertop,—nay, I beg his pardon, my Lord Feathertop,—who hath

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brought me a token of remembrance from an ancient friend of mine. Pay
your duty to his lordship, child, and honor him as his quality deserves.”
After these few words of introduction, the worshipful magistrate
immediately quitted the room. But, even in that brief moment, had the fair
Polly glanced aside at her father instead of devoting herself wholly to the
brilliant guest, she might have taken warning of some mischief nigh at
hand. The old man was nervous, fidgety, and very pale. Purposing a smile
of courtesy, he had deformed his face with a sort of galvanic grin, which,
when Feathertop’s back was turned, he exchanged for a scowl, at the same
time shaking his fist and stamping his gouty foot—an incivility which
brought its retribution along with it. The truth appears to have been that
Mother Rigby’s word of introduction, whatever it might be, had operated
far more on the rich merchant’s fears than on his good will. Moreover,
being a man of wonderfully acute observation, he had noticed that these
painted figures on the bowl of Feathertop’s pipe were in motion. Looking
more closely he became convinced that these figures were a party of little
demons, each duly provided with horns and a tail, and dancing hand in
hand, with gestures of diabolical merriment, round the circumference of the
pipe bowl. As if to confirm his suspicions, while Master Gookin ushered his
guest along a dusky passage from his private room to the parlor, the star on
Feathertop’s breast had scintillated actual flames, and threw a flickering
gleam upon the wall, the ceiling, and the floor.
With such sinister prognostics manifesting themselves on all hands, it is
not to be marvelled at that the merchant should have felt that he was
committing his daughter to a very questionable acquaintance. He cursed, in
his secret soul, the insinuating elegance of Feathertop’s manners, as this
brilliant personage bowed, smiled, put his hand on his heart, inhaled a long
whiff from his pipe, and enriched the atmosphere with the smoky vapor of a
fragrant and visible sigh. Gladly would poor Master Gookin have thrust his
dangerous guest into the street; but there was a constraint and terror within
him. This respectable old gentleman, we fear, at an earlier period of life,
had given some pledge or other to the evil principle, and perhaps was now
to redeem it by the sacrifice of his daughter.
It so happened that the parlor door was partly of glass, shaded by a silken
curtain, the folds of which hung a little awry. So strong was the merchant’s
interest in witnessing what was to ensue between the fair Polly and the

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gallant Feathertop that, after quitting the room, he could by no means
refrain from peeping through the crevice of the curtain.
But there was nothing very miraculous to be seen; nothing—except the
trifles previously noticed—to confirm the idea of a supernatural peril
environing the pretty Polly. The stranger it is true was evidently a thorough
and practised man of the world, systematic and self-possessed, and
therefore the sort of a person to whom a parent ought not to confide a
simple, young girl without due watchfulness for the result. The worthy
magistrate who had been conversant with all degrees and qualities of
mankind, could not but perceive every motion and gesture of the
distinguished Feathertop came in its proper place; nothing had been left
rude or native in him; a well-digested conventionalism had incorporated
itself thoroughly with his substance and transformed him into a work of art.
Perhaps it was this peculiarity that invested him with a species of
ghastliness and awe. It is the effect of anything completely and
consummately artificial, in human shape, that the person impresses us as an
unreality and as having hardly pith enough to cast a shadow upon the floor.
As regarded Feathertop, all this resulted in a wild, extravagant, and
fantastical impression, as if his life and being were akin to the smoke that
curled upward from his pipe.
But pretty Polly Gookin felt not thus. The pair were now promenading
the room: Feathertop with his dainty stride and no less dainty grimace, the
girl with a native maidenly grace, just touched, not spoiled, by a slightly
affected manner, which seemed caught from the perfect artifice of her
companion. The longer the interview continued, the more charmed was
pretty Polly, until, within the first quarter of an hour (as the old magistrate
noted by his watch), she was evidently beginning to be in love. Nor need it
have been witchcraft that subdued her in such a hurry; the poor child’s
heart, it may be, was so very fervent that it melted her with its own warmth
as reflected from the hollow semblance of a lover. No matter what
Feathertop said, his words found depth and reverberation in her ear; no
matter what he did, his action was heroic to her eye. And by this time it is to
be supposed there was a blush on Polly’s cheek, a tender smile about her
mouth and a liquid softness in her glance; while the star kept coruscating on
Feathertop’s breast, and the little demons careered with more frantic
merriment than ever about the circumference of his pipe bowl. O pretty
Polly Gookin, why should these imps rejoice so madly that a silly maiden’s

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heart was about to be given to a shadow! Is it so unusual a misfortune, so
rare a triumph?
By and by Feathertop paused, and throwing himself into an imposing
attitude, seemed to summon the fair girl to survey his figure and resist him
longer if she could. His star, his embroidery, his buckles glowed at that
instant with unutterable splendor; the picturesque hues of his attire took a
richer depth of coloring; there was a gleam and polish over his whole
presence betokening the perfect witchery of well-ordered manners. The
maiden raised her eyes and suffered them to linger upon her companion
with a bashful and admiring gaze. Then, as if desirous of judging what
value her own simple comeliness might have side by side with so much
brilliancy, she cast a glance towards the full-length looking-glass in front of
which they happened to be standing. It was one of the truest plates in the
world and incapable of flattery. No sooner did the images therein reflected
meet Polly’s eye than she shrieked, shrank from the stranger’s side, gazed at
him for a moment in the wildest dismay, and sank insensible upon the floor.
Feathertop likewise had looked towards the mirror, and there beheld, not the
glittering mockery of his outside show, but a picture of the sordid
patchwork of his real composition stripped of all witchcraft.
The wretched simulacrum! We almost pity him. He threw up his arms
with an expression of despair that went further than any of his previous
manifestations towards vindicating his claims to be reckoned human, for
perchance the only time since this so often empty and deceptive life of
mortals began its course, an illusion had seen and fully recognized itself.
Mother Rigby was seated by her kitchen hearth in the twilight of this
eventful day, and had just shaken the ashes out of a new pipe, when she
heard a hurried tramp along the road. Yet it did not seem so much the tramp
of human footsteps as the clatter of sticks or the rattling of dry bones.
“Ha!” thought the old witch, “what step is that? Whose skeleton is out of
its grave now, I wonder?”
A figure burst headlong into the cottage door. It was Feathertop! His pipe
was still alight; the star still flamed upon his breast; the embroidery still
glowed upon his garments; nor had he lost, in any degree or manner that
could be estimated, the aspect that assimilated him with our mortal
brotherhood. But yet, in some indescribable way (as is the case with all that

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has deluded us when once found out), the poor reality was felt beneath the
cunning artifice.
“What has gone wrong?” demanded the witch. “Did yonder sniffling
hypocrite thrust my darling from his door? The villain! I’ll set twenty fiends
to torment him till he offer thee his daughter on his bended knees!”
“No, mother,” said Feathertop despondingly; “it was not that.”
“Did the girl scorn my precious one?” asked Mother Rigby, her fierce
eyes glowing like two coals of Tophet. “I’ll cover her face with pimples!
Her nose shall be as red as the coal in thy pipe! Her front teeth shall drop
out! In a week hence she shall not be worth thy having!”
“Let her alone, mother,” answered poor Feathertop; “the girl was half
won; and methinks a kiss from her sweet lips might have made me
altogether human. But,” he added, after a brief pause and then a howl of
self-contempt, “I’ve seen myself, mother! I’ve seen myself for the
wretched, ragged, empty thing I am! I’ll exist no longer!”
Snatching the pipe from his mouth, he flung it with all his might against
the chimney, and at the same instant sank upon the floor, a medley of straw
and tattered garments, with some sticks protruding from the heap, and a
shrivelled pumpkin in the midst. The eyeholes were now lustreless; but the
rudely-carved gap, that just before had been a mouth still seemed to twist
itself into a despairing grin, and was so far human.
“Poor fellow!” quoth Mother Rigby, with a rueful glance at the relics of
her ill-fated contrivance. “My poor, dear, pretty Feathertop! There are
thousands upon thousands of coxcombs and charlatans in the world, made
up of just such a jumble of wornout, forgotten, and good-for-nothing trash
as he was! Yet they live in fair repute, and never see themselves for what
they are. And why should my poor puppet be the only one to know himself
and perish for it?”
While thus muttering, the witch had filled a fresh pipe of tobacco, and
held the stem between her fingers, as doubtful whether to thrust it into her
own mouth or Feathertop’s.
“Poor Feathertop!” she continued. “I could easily give him another
chance and send him forth again tomorrow. But no; his feelings are too
tender, his sensibilities too deep. He seems to have too much heart to bustle
for his own advantage in such an empty and heartless world. Well! well! I’ll

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make a scarecrow of him after all. ’Tis an innocent and useful vocation, and
will suit my darling well; and, if each of his human brethren had as fit a
one, ’twould be the better for mankind; and as for this pipe of tobacco, I
need it more than he.”
So saying Mother Rigby put the stem between her lips. “Dickon!” cried
she, in her high, sharp tone, “another coal for my pipe!”

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THE NEW ADAM AND EVE

We who are born into the world’s artificial system can never adequately
know how little in our present state and circumstances is natural, and how
much is merely the interpolation of the perverted mind and heart of man.
Art has become a second and stronger nature; she is a step-mother, whose
crafty tenderness has taught us to despise the bountiful and wholesome
ministrations of our true parent. It is only through the medium of the
imagination that we can lessen those iron fetters, which we call truth and
reality, and make ourselves even partially sensible what prisoners we are.
For instance, let us conceive good Father Miller’s interpretation of the
prophecies to have proved true. The Day of Doom has burst upon the globe
and swept away the whole race of men. From cities and fields, sea-shore
and midland mountain region, vast continents, and even the remotest
islands of the ocean, each living thing is gone. No breath of a created being
disturbs this earthly atmosphere. But the abodes of man, and all that he has
accomplished, the footprints of his wanderings and the results of his toil,
the visible symbols of his intellectual cultivation and moral progress,—in
short, everything physical that can give evidence of his present position,—
shall remain untouched by the hand of destiny. Then, to inherit and repeople
this waste and deserted earth, we will suppose a new Adam and a new Eve
to have been created, in the full development of mind and heart, but with no
knowledge of their predecessors nor of the diseased circumstances that had
become incrusted around them. Such a pair would at once distinguish
between art and nature. Their instincts and intuitions would immediately
recognize the wisdom and simplicity of the latter; while the former, with its
elaborate perversities, would offer them a continual succession of puzzles.
Let us attempt, in a mood half sportive and half thoughtful, to track these
imaginary heirs of our mortality, through their first day’s experience. No
longer ago than yesterday the flame of human life was extinguished; there

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has been a breathless night; and now another morn approaches, expecting to
find the earth no less desolate than at eventide.
It is dawn. The east puts on its immemorial blush, although no human
eye is gazing at it; for all the phenomena of the natural world renew
themselves, in spite of the solitude that now broods around the globe. There
is still beauty of earth, sea, and sky, for beauty’s sake. But soon there are to
be spectators. Just when the earliest sunshine gilds earth’s mountain-tops,
two beings have come into life, not in such an Eden as bloomed to welcome
our first parents, but in the heart of a modern city. They find themselves in
existence, and gazing into one another’s eyes. Their emotion is not
astonishment; nor do they perplex themselves with efforts to discover what,
and whence, and why they are. Each is satisfied to be, because the other
exists likewise; and their first consciousness is of calm and mutual
enjoyment, which seems not to have been the birth of that very moment, but
prolonged from a past eternity. Thus content with an inner sphere which
they inhabit together, it is not immediately that the outward world can
obtrude itself upon their notice.
Soon, however, they feel the invincible necessity of this earthly life, and
begin to make acquaintance with the objects and circumstances that
surround them. Perhaps no other stride so vast remains to be taken as when
they first turn from the reality of their mutual glance to the dreams and
shadows that perplex them everywhere else.
“Sweetest Eve, where are we?” exclaims the new Adam; for speech, or
some equivalent mode of expression, is born with them, and comes just as
natural as breath. “Methinks I do not recognize this place.”
“Nor I, dear Man,” replies the new Eve. “And what a strange place, too!
Let me come closer to thy side and behold thee only; for all other sights
trouble and perplex my spirit.”
“Nay, Eve,” replies Adam, who appears to have the stronger tendency
towards the material world; “it were well that we gain some insight into
these matters. We are in an odd situation here. Let us look about us.”
Assuredly there are sights enough to throw the new inheritors of earth
into a state of hopeless perplexity. The long lines of edifices, their windows
glittering in the yellow sunrise, and the narrow street between, with its
barren pavement tracked and battered by wheels that have now rattled into
an irrevocable past! The signs, with their unintelligible hieroglyphics! The

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squareness and ugliness, and regular or irregular deformity of everything
that meets the eye! The marks of wear and tear, and unrenewed decay,
which distinguish the works of man from the growth of nature! What is
there in all this, capable of the slightest significance to minds that know
nothing of the artificial system which is implied in every lamp-post and
each brick of the houses? Moreover, the utter loneliness and silence, in a
scene that originally grew out of noise and bustle, must needs impress a
feeling of desolation even upon Adam and Eve, unsuspicious as they are of
the recent extinction of human existence. In a forest, solitude would be life;
in a city, it is death.
The new Eve looks round with a sensation of doubt and distrust, such as
a city dame, the daughter of numberless generations of citizens, might
experience if suddenly transported to the garden of Eden. At length her
downcast eye discovers a small tuft of grass, just beginning to sprout among
the stones of the pavement; she eagerly grasps it, and is sensible that this
little herb awakens some response within her heart. Nature finds nothing
else to offer her. Adam, after staring up and down the street without
detecting a single object that his comprehension can lay hold of, finally
turns his forehead to the sky. There, indeed, is something which the soul
within him recognizes.
“Look up yonder, mine own Eve,” he cries; “surely we ought to dwell
among those gold-tinged clouds or in the blue depths beyond them. I know
not how nor when, but evidently we have strayed away from our home; for
I see nothing hereabouts that seems to belong to us.”
“Can we not ascend thither?” inquires Eve.
“Why not?” answers Adam, hopefully. “But no; something drags us
down in spite of our best efforts. Perchance we may find a path hereafter.”
In the energy of new life it appears no such impracticable feat to climb
into the sky. But they have already received a woful lesson, which may
finally go far towards reducing them to the level of the departed race, when
they acknowledge the necessity of keeping the beaten track of earth. They
now set forth on a ramble through the city, in the hope of making their
escape from this uncongenial sphere. Already in the fresh elasticity of their
spirits they have found the idea of weariness. We will watch them as they
enter some of the shops and public or private edifices; for every door,

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whether of alderman or beggar, church or hall of state, has been flung wide
open by the same agency that swept away the inmates.
It so happens,—and not unluckily for an Adam and Eve who are still in
the costume that might better have befitted Eden,—it so happens that their
first visit is to a fashionable dry-goods store. No courteous and importunate
attendants hasten to receive their orders; no throng of ladies are tossing over
the rich Parisian fabrics. All is deserted; trade is at a stand-still; and not
even an echo of the national watchword, “Go ahead!” disturbs the quiet of
the new customers. But specimens of the latest earthly fashions, silks of
every shade, and whatever is most delicate or splendid for the decoration of
the human form, he scattered around, profusely as bright autumnal leaves in
a forest. Adam looks at a few of the articles, but throws them carelessly
aside with whatever exclamation may correspond to “Pish!” or “Pshaw!” in
the new vocabulary of nature. Eve, however,—be it said without offence to
her native modesty,—examines these treasures of her sex with somewhat
livelier interest. A pair of corsets chance to be upon the counter; she
inspects them curiously, but knows not what to make of them. Then she
handles a fashionable silk with dim yearnings, thoughts that wander hither
and thither, instincts groping in the dark.
“On the whole, I do not like it,” she observes, laying the glossy fabric
upon the counter. “But, Adam, it is very strange. What can these things
mean? Surely I ought to know; yet they put me in a perfect maze.”
“Poh! my dear Eve, why trouble thy little head about such nonsense?”
cries Adam, in a fit of impatience. “Let us go somewhere else. But stay;
how very beautiful! My loveliest Eve, what a charm you have imparted to
that robe by merely throwing it over your shoulders!”
For Eve, with the taste that nature moulded into her composition, has
taken a remnant of exquisite silver gauze and drawn it around her forms,
with an effect that gives Adam his first idea of the witchery of dress. He
beholds his spouse in a new light and with renewed admiration; yet is
hardly reconciled to any other attire than her own golden locks. However,
emulating Eve’s example, he makes free with a mantle of blue velvet, and
puts it on so picturesquely that it might seem to have fallen from heaven
upon his stately figure. Thus garbed they go in search of new discoveries.
They next wander into a Church, not to make a display of their fine
clothes, but attracted by its spire pointing upwards to the sky, whither they

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have already yearned to climb. As they enter the portal, a clock, which it
was the last earthly act of the sexton to wind up, repeats the hour in deep
reverberating tones; for Time has survived his former progeny, and, with the
iron tongue that man gave him, is now speaking to his two grandchildren.
They listen, but understand him not. Nature would measure time by the
succession of thoughts and acts which constitute real life, and not by hours
of emptiness. They pass up the church-aisle, and raise their eyes to the
ceiling. Had our Adam and Eve become mortal in some European city, and
strayed into the vastness and sublimity of an old cathedral, they might have
recognized the purpose for which the deep-souled founders reared it. Like
the dim awfulness of an ancient forest, its very atmosphere would have
incited them to prayer. Within the snug walls of a metropolitan church there
can be no such influence.
Yet some odor of religion is still lingering here, the bequest of pious
souls, who had grace to enjoy a foretaste of immortal life. Perchance they
breathe a prophecy of a better world to their successors, who have become
obnoxious to all their own cares and calamities in the present one.
“Eve, something impels me to look upward,” says Adam; “but it troubles
me to see this roof between us and the sky. Let us go forth, and perhaps we
shall discern a Great Face looking down upon us.”
“Yes; a Great Face, with a beam of love brightening over it, like
sunshine,” responds Eve. “Surely we have seen such a countenance
somewhere.”
They go out of the church, and kneeling at its threshold give way to the
spirit’s natural instinct of adoration towards a beneficent Father. But, in
truth, their life thus far has been a continual prayer. Purity and simplicity
hold converse at every moment with their Creator.
We now observe them entering a Court of Justice. But what remotest
conception can they attain of the purposes of such an edifice? How should
the idea occur to them that human brethren, of like nature with themselves,
and originally included in the same law of love which is their only rule of
life, should ever need an outward enforcement of the true voice within their
souls? And what, save a woful experience, the dark result of many
centuries, could teach them the sad mysteries of crime? O Judgment Seat,
not by the pure in heart vast thou established, nor in the simplicity of

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nature; but by hard and wrinkled men, and upon the accumulated heap of
earthly wrong. Thou art the very symbol of man’s perverted state.
On as fruitless an errand our wanderers next visit a Hall of Legislature,
where Adam places Eve in the Speaker’s chair, unconscious of the moral
which he thus exemplifies. Man’s intellect, moderated by Woman’s
tenderness and moral sense! Were such the legislation of the world there
would be no need of State Houses, Capitols, Halls of Parliament, nor even
of those little assemblages of patriarchs beneath the shadowy trees, by
whom freedom was first interpreted to mankind on our native shores.
Whither go they next? A perverse destiny seems to perplex them with one
after another of the riddles which mankind put forth to the wandering
universe, and left unsolved in their own destruction. They enter an edifice
of stern gray stone standing insulated in the midst of others, and gloomy
even in the sunshine, which it barely suffers to penetrate through its iron
grated windows. It is a prison. The jailer has left his post at the summons of
a stronger authority than the sheriff’s. But the prisoners? Did the messenger
of fate, when he shook open all the doors, respect the magistrate’s warrant
and the judge’s sentence, and leave the inmates of the dungeons to be
delivered by due course of earthly law? No; a new trial has been granted in
a higher court, which may set judge, jury, and prisoner at its bar all in a row,
and perhaps find one no less guilty than another. The jail, like the whole
earth, is now a solitude, and has thereby lost something of its dismal gloom.
But here are the narrow cells, like tombs, only drearier and deadlier,
because in these the immortal spirit was buried with the body. Inscriptions
appear on the walls, scribbled with a pencil or scratched with a rusty nail;
brief words of agony, perhaps, or guilt’s desperate defiance to the world, or
merely a record of a date by which the writer strove to keep up with the
march of life. There is not a living eye that could now decipher these
memorials.
Nor is it while so fresh from their Creator’s hand that the new denizens of
earth—no, nor their descendants for a thousand years—could discover that
this edifice was a hospital for the direst disease which could afflict their
predecessors. Its patients bore the outward marks of that leprosy with which
all were more or less infected. They were sick-and so were the purest of
their brethren—with the plague of sin. A deadly sickness, indeed! Feeling
its symptoms within the breast, men concealed it with fear and shame, and

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were only the more cruel to those unfortunates whose pestiferous sores
were flagrant to the common eye. Nothing save a rich garment could ever
hide the plague-spot. In the course of the world’s lifetime, every remedy
was tried for its cure and extirpation, except the single one, the flower that
grew in Heaven and was sovereign for all the miseries of earth. Man never
had attempted to cure sin by LOVE! Had he but once made the effort, it
might well have happened that there would have been no more need of the
dark lazar-house into which Adam and Eve have wandered. Hasten forth
with your native innocence, lest the damps of these still conscious walls
infect you likewise, and thus another fallen race be propagated!
Passing from the interior of the prison into the space within its outward
wall, Adam pauses beneath a structure of the simplest contrivance, yet
altogether unaccountable to him. It consists merely of two upright posts,
supporting a transverse beam, from which dangles a cord.
“Eve, Eve!” cries Adam, shuddering with a nameless horror. “What can
this thing be?”
“I know not,” answers Eve; “but, Adam, my heart is sick! There seems to
be no more sky,—no more sunshine!”
Well might Adam shudder and poor Eve be sick at heart; for this
mysterious object was the type of mankind’s whole system in regard to the
great difficulties which God had given to be solved,—a system of fear and
vengeance, never successful, yet followed to the last. Here, on the morning
when the final summons came, a criminal—one criminal, where none were
guiltless—had died upon the gallows. Had the world heard the footfall of its
own approaching doom, it would have been no inappropriate act thus to
close the record of its deeds by one so characteristic.
The two pilgrims now hurry from the prison. Had they known how the
former inhabitants of earth were shut up in artificial error and cramped and
chained by their perversions, they might have compared the whole moral
world to a prison-house, and have deemed the removal of the race a general
jail-delivery.
They next enter, unannounced, but they might have rung at the door in
vain, a private mansion, one of the stateliest in Beacon Street. A wild and
plaintive strain of music is quivering through the house, now rising like a
solemn organ-peal, and now dying into the faintest murmur, as if some
spirit that had felt an interest in the departed family were bemoaning itself

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in the solitude of hall and chamber. Perhaps a virgin, the purest of mortal
race, has been left behind to perform a requiem for the whole kindred of
humanity. Not so. These are the tones of an Eolian harp, through which
Nature pours the harmony that lies concealed in her every breath, whether
of summer breeze or tempest. Adam and Eve are lost in rapture, unmingled
with surprise. The passing wind, that stirred the harp-strings, has been
hushed, before they can think of examining the splendid furniture, the
gorgeous carpets, and the architecture of the rooms. These things amuse
their unpractised eyes, but appeal to nothing within their hearts. Even the
pictures upon the walls scarcely excite a deeper interest; for there is
something radically artificial and deceptive in painting with which minds in
the primal simplicity cannot sympathize. The unbidden guests examine a
row of family portraits, but are too dull to recognize them as men and
women, beneath the disguise of a preposterous garb, and with features and
expression debased, because inherited through ages of moral and physical
decay.
Chance, however, presents them with pictures of human beauty, fresh
from the hand of Nature. As they enter a magnificent apartment they are
astonished, but not affrighted, to perceive two figures advancing to meet
them. Is it not awful to imagine that any life, save their own, should remain
in the wide world?
“How is this?” exclaims Adam. “My beautiful Eve, are you in two places
at once?”
“And you, Adam!” answers Eve, doubtful, yet delighted. “Surely that
noble and lovely form is yours. Yet here you are by my side. I am content
with one,—methinks there should not be two.”
This miracle is wrought by a tall looking-glass, the mystery of which
they soon fathom, because Nature creates a mirror for the human face in
every pool of water, and for her own great features in waveless lakes.
Pleased and satisfied with gazing at themselves, they now discover the
marble statue of a child in a corner of the room so exquisitely idealized that
it is almost worthy to be the prophetic likeness of their first-born. Sculpture,
in its highest excellence, is more genuine than painting, and might seem to
be evolved from a natural germ, by the same law as a leaf or flower. The
statue of the child impresses the solitary pair as if it were a companion; it
likewise hints at secrets both of the past and future.

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“My husband!” whispers Eve.
“What would you say, dearest Eve?” inquires Adam.
“I wonder if we are alone in the world,” she continues, “with a sense of
something like fear at the thought of other inhabitants. This lovely little
form! Did it ever breathe? Or is it only the shadow of something real, like
our pictures in the mirror?”
“It is strange!” replies Adam, pressing his hand to his brow. “There are
mysteries all around us. An idea flits continually before me,—would that I
could seize it! Eve, Eve, are we treading in the footsteps of beings that bore
a likeness to ourselves? If so, whither are they gone?—and why is their
world so unfit for our dwelling-place?”
“Our great Father only knows,” answers Eve. “But something tells me
that we shall not always be alone. And how sweet if other beings were to
visit us in the shape of this fair image!”
Then they wander through the house, and everywhere find tokens of
human life, which now, with the idea recently suggested, excite a deeper
curiosity in their bosoms. Woman has here left traces of her delicacy and
refinement, and of her gentle labors. Eve ransacks a work-basket and
instinctively thrusts the rosy tip of her finger into a thimble. She takes up a
piece of embroidery, glowing with mimic flowers, in one of which a fair
damsel of the departed race has left her needle. Pity that the Day of Doom
should have anticipated the completion of such a useful task! Eve feels
almost conscious of the skill to finish it. A pianoforte has been left open.
She flings her hand carelessly over the keys, and strikes out a sudden
melody, no less natural than the strains of the AEolian harp, but joyous with
the dance of her yet unburdened life. Passing through a dark entry they find
a broom behind the door; and Eve, who comprises the whole nature of
womanhood, has a dim idea that it is an instrument proper for her hand. In
another apartment they behold a canopied bed, and all the appliances of
luxurious repose. A heap of forest-leaves would be more to the purpose.
They enter the nursery, and are perplexed with the sight of little gowns and
caps, tiny slices, and a cradle, amid the drapery of which is still to be seen
the impress of a baby’s form. Adam slightly notices these trifles; but Eve
becomes involved in a fit of mute reflection from which it is hardly possible
to rouse her.

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By a most unlucky arrangement there was to have been a grand dinner-
party in this mansion on the very day when the whole human family,
including the invited guests, were summoned to the unknown regions of
illimitable space. At the moment of fate, the table was actually spread, and
the company on the point of sitting down. Adam and Eve come unbidden to
the banquet; it has now been some time cold, but otherwise furnishes them
with highly favorable specimens of the gastronomy of their predecessors.
But it is difficult to imagine the perplexity of the unperverted couple, in
endeavoring to find proper food for their first meal, at a table where the
cultivated appetites of a fashionable party were to have been gratified. Will
Nature teach them the mystery of a plate of turtle-soup? Will she embolden
them to attack a haunch of venison? Will she initiate them into the merits of
a Parisian pasty, imported by the last steamer that ever crossed the Atlantic?
Will she not, rather, bid them turn with disgust from fish, fowl, and flesh,
which, to their pure nostrils, steam with a loathsome odor of death and
corruption?—Food? The bill of fare contains nothing which they recognize
as such.
Fortunately, however, the dessert is ready upon a neighboring table.
Adam, whose appetite and animal instincts are quicker than those of Eve,
discovers this fitting banquet.
“Here, dearest Eve,” he exclaims,—“here is food.”
“Well,” answered she, with the germ of a housewife stirring within her,
“we have been so busy to-day, that a picked-up dinner must serve.”
So Eve comes to the table and receives a red-cheeked apple from her
husband’s hand in requital of her predecessor’s fatal gift to our common
grandfather. She eats it without sin, and, let us hope, with no disastrous
consequences to her future progeny. They make a plentiful, yet temperate,
meal of fruit, which, though not gathered in paradise, is legitimately derived
from the seeds that were planted there. Their primal appetite is satisfied.
“What shall we drink, Eve?” inquires Adam.
Eve peeps among some bottles and decanters, which, as they contain
fluids, she naturally conceives must be proper to quench thirst. But never
before did claret, hock, and madeira, of rich and rare perfume, excite such
disgust as now.
“Pah!” she exclaims, after smelling at various wines. “What stuff is here?
The beings who have gone before us could not have possessed the same

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nature that we do; for neither their hunger nor thirst were like our own.”
“Pray hand me yonder bottle,” says Adam. “If it be drinkable by any
manner of mortal, I must moisten my throat with it.”
After some remonstrances, she takes up a champagne bottle, but is
frightened by the sudden explosion of the cork, and drops it upon the floor.
There the untasted liquor effervesces. Had they quaffed it they would have
experienced that brief delirium whereby, whether excited by moral or
physical causes, man sought to recompense himself for the calm, life-long
joys which he had lost by his revolt from nature. At length, in a refrigerator,
Eve finds a glass pitcher of water, pure, cold, and bright as ever gushed
from a fountain among the hills. Both drink; and such refreshment does it
bestow, that they question one another if this precious liquid be not identical
with the stream of life within them.
“And now,” observes Adam, “we must again try to discover what sort of
a world this is, and why we have been sent hither.”
“Why? to love one another,” cries Eve. “Is not that employment
enough?”
“Truly is it,” answers Adam, kissing her; “but still—I know not—
something tells us there is labor to be done. Perhaps our allotted task is no
other than to climb into the sky, which is so much more beautiful than
earth.”
“Then would we were there now,” murmurs Eve, “that no task or duty
might come between us!”
They leave the hospitable mansion, and we next see them passing down
State Street. The clock on the old State House points to high noon, when the
Exchange should be in its glory and present the liveliest emblem of what
was the sole business of life, as regarded a multitude of the foregone
worldlings. It is over now. The Sabbath of eternity has shed its stillness
along the street. Not even a newsboy assails the two solitary passers-by
with an extra penny-paper from the office of the Times or Mail, containing
a full account of yesterday’s terrible catastrophe. Of all the dull times that
merchants and speculators have known, this is the very worst; for, so far as
they were concerned, creation itself has taken the benefit of the Bankrupt
Act. After all, it is a pity. Those mighty capitalists who had just attained the
wished-for wealth! Those shrewd men of traffic who had devoted so many
years to the most intricate and artificial of sciences, and had barely

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mastered it when the universal bankruptcy was announced by peal of
trumpet! Can they have been so incautious as to provide no currency of the
country whither they have gone, nor any bills of exchange, or letters of
credit from the needy on earth to the cash-keepers of heaven?
Adam and Eve enter a Bank. Start not, ye whose funds are treasured
there! You will never need them now. Call not for the police. The stones of
the street and the coin of the vaults are of equal value to this simple pair.
Strange sight! They take up the bright gold in handfuls and throw it
sportively into the air for the sake of seeing the glittering worthlessness
descend again in a shower. They know not that each of those small yellow
circles was once a magic spell, potent to sway men’s hearts and mystify
their moral sense. Here let them pause in the investigation of the past. They
have discovered the mainspring, the life, the very essence of the system that
had wrought itself into the vitals of mankind, and choked their original
nature in its deadly gripe. Yet how powerless over these young inheritors of
earth’s hoarded wealth! And here, too, are huge, packages of back-notes,
those talismanic slips of paper which once had the efficacy to build up
enchanted palaces like exhalations, and work all kinds of perilous wonders,
yet were themselves but the ghosts of money, the shadows of a shade. How
like is this vault to a magician’s cave when the all-powerful wand is broken,
and the visionary splendor vanished, and the floor strewn with fragments of
shattered spells, and lifeless shapes, once animated by demons!
“Everywhere, my dear Eve,” observes Adam, “we find heaps of rubbish
of one kind or another. Somebody, I am convinced, has taken pains to
collect them, but for what purpose? Perhaps, hereafter, we shall be moved
to do the like. Can that be our business in the world?”
“O no, no, Adam!” answers Eve. “It would be better to sit down quietly
and look upward to tine sky.”
They leave the Bank, and in good time; for had they tarried later they
would probably have encountered some gouty old goblin of a capitalist,
whose soul could not long be anywhere save in the vault with his treasure.
Next they drop into a jeweller’s shop. They are pleased with the glow of
gems; and Adam twines a string of beautiful pearls around the head of Eve,
and fastens his own mantle with a magnificent diamond brooch. Eve thanks
him, and views herself with delight, in the nearest looking-glass. Shortly
afterward, observing a bouquet of roses and other brilliant flowers in a vase

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of water, she flings away the inestimable pearls, and adorns herself with
these lovelier gems of nature. They charm her with sentiment as well as
beauty.
“Surely they are living beings,” she remarks to Adam.
“I think so,” replies Adam, “and they seem to be as little at home in the
world as ourselves.”
We must not attempt to follow every footstep of these investigators
whom their Creator has commissioned to pass unconscious judgment upon
the works and ways of the vanished race. By this time, being endowed with
quick and accurate perceptions, they begin to understand the purpose of the
many things around them. They conjecture, for instance, that the edifices of
the city were erected, not by the immediate hand that made the world, but
by beings somewhat similar to themselves, for shelter and convenience. But
how will they explain the magnificence of one habitation as compared with
the squalid misery of another? Through what medium can the idea of
servitude enter their minds? When will they comprehend the great and
miserable fact—the evidences of which appeal to their senses everywhere—
that one portion of earth’s lost inhabitants was rolling in luxury while the
multitude was toiling for scanty food? A wretched change, indeed, must be
wrought in their own hearts ere they can conceive the primal decree of Love
to have been so completely abrogated, that a brother should ever want what
his brother had. When their intelligence shah have reached so far, Earth’s
new progeny will have little reason to exult over her old rejected one.
Their wanderings have now brought them into the suburbs of the city,
They stand on a grassy brow of a hill at the foot of a granite obelisk which
points its great finger upwards, as if the human family had agreed, by a
visible symbol of age-long endurance, to offer some high sacrifice of
thanksgiving or supplication. The solemn height of the monument, its deep
simplicity, and the absence of any vulgar and practical use, all strengthen its
effect upon Adam and Eve, and leave them to interpret it by a purer
sentiment than the builders thought of expressing.
“Eve, it is a visible prayer,” observed Adam.
“And we will pray too,” she replies.
Let us pardon these poor children of neither father nor mother for so
absurdly mistaking the purport of the memorial which man founded and
woman finished on far-famed Bunker Hill. The idea of war is not native to

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their souls. Nor have they sympathies for the brave defenders of liberty,
since oppression is one of their unconjectured mysteries. Could they guess
that the green sward on which they stand so peacefully was once strewn
with human corpses and purple with their blood, it would equally amaze
them that one generation of men should perpetrate such carnage, and that a
subsequent generation should triumphantly commemorate it.
With a sense of delight they now stroll across green fields and along the
margin of a quiet river. Not to track them too closely, we next find the
wanderers entering a Gothic edifice of gray stone, where the bygone world
has left whatever it deemed worthy of record, in the rich library of Harvard
University.
No student ever yet enjoyed such solitude and silence as now broods
within its deep alcoves. Little do the present visitors understand what
opportunities are thrown away upon them. Yet Adam looks anxiously at the
long rows of volumes, those storied heights of human lore, ascending one
above another from floor to ceiling. He takes up a bulky folio. It opens in
his hands as if spontaneously to impart the spirit of its author to the yet
unworn and untainted intellect of the fresh-created mortal. He stands poring
over the regular columns of mystic characters, seemingly in studious mood;
for the unintelligible thought upon the page has a mysterious relation to his
mind, and makes itself felt as if it were a burden flung upon him. He is even
painfully perplexed, and grasps vainly at he knows not what. O Adam, it is
too soon, too soon by at least five thousand years, to put on spectacles and
bury yourself in the alcoves of a library!
“What can this be?” he murmurs at last. “Eve, methinks nothing is so
desirable as to find out the mystery of this big and heavy object with its
thousand thin divisions. See! it stares me in the face as if it were about to
speak!”
Eve, by a feminine instinct, is dipping into a volume of fashionable
poetry, the production certainly the most fortunate of earthly bards, since
his lay continues in vogue when all the great masters of the lyre have
passed into oblivion. But let not, his ghost be too exultant! The world’s one
lady tosses the book upon the floor and laughs merrily at her husband’s
abstracted mien.
“My dear Adam,” cries she, “you look pensive and dismal. Do fling
down that stupid thing; for even if it should speak it would not be worth

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attending to. Let us talk with one another, and with the sky, and the green
earth, and its trees and flowers. They will teach us better knowledge than
we can find here.”
“Well, Eve, perhaps you are right,” replies Adam, with a sort of sigh.
“Still I cannot help thinking that the interpretation of the riddles amid which
we have been wandering all day long might here be discovered.”
“It may be better not to seek the interpretation,” persists Eve. “For my
part, the air of this place does not suit me. If you love me, come away!”
She prevails, and rescues him from the mysterious perils of the library.
Happy influence of woman! Had he lingered there long enough to obtain a
clew to its treasures,—as was not impossible, his intellect being of human
structure, indeed, but with an untransmitted vigor and acuteness,—had he
then and there become a student, the annalist of our poor world would soon
have recorded the downfall of a second Adam. The fatal apple of another
Tree of knowledge would have been eaten. All the perversions, and
sophistries, and false wisdom so aptly mimicking the true,—all the narrow
truth, so partial that it becomes more deceptive than falsehood,—all the
wrong principles and worse practice, the pernicious examples and mistaken
rules of life,—all the specious theories which turn earth into cloudland and
men into shadows,—all the sad experience which it took mankind so many
ages to accumulate, and from which they never drew a moral for their
future guidance, the whole heap of this disastrous lore would have tumbled
at once upon Adam’s head. There would have been nothing left for him but
to take up the already abortive experiment of life where he had dropped it,
and toil onward with it a little farther.
But, blessed in his ignorance, he may still enjoy a new world in our
worn-out one. Should he fall short of good, even as far as we did, he has at
least the freedom—no worthless one—to make errors for himself. And his
literature, when the progress of centuries shall create it, will be no
interminably repeated echo of our own poetry and reproduction of the
images that were moulded by our great fathers of song and fiction, but a
melody never yet heard on earth, and intellectual forms unbreathed upon by
our conceptions. Therefore let the dust of ages gather upon the volumes of
the library, and in due season the roof of the edifice crumble down upon the
whole. When the second Adam’s descendants shall have collected as much

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rubbish of their own, it will be time enough to dig into our ruins and
compare the literary advancement of two independent races.
But we are looking forward too far. It seems to be the vice of those who
have a long past behind them. We will return to the new Adam and Eve,
who, having no reminiscences save dim and fleeting visions of a pre-
existence, are content to live and be happy in the present.
The day is near its close when these pilgrims, who derive their being
from no dead progenitors, reach the cemetery of Mount Auburn. With light
hearts—for earth and sky now gladden each other with beauty—they tread
along the winding paths, among marble pillars, mimic temples, urns,
obelisks, and sarcophagi, sometimes pausing to contemplate these fantasies
of human growth, and sometimes to admire the flowers wherewith nature
converts decay to loveliness. Can Death, in the midst of his old triumphs,
make them sensible that they have taken up the heavy burden of mortality
which a whole species had thrown down? Dust kindred to their own has
never lain in the grave. Will they then recognize, and so soon, that Time and
the elements have an indefeasible claim upon their bodies? Not improbably
they may. There must have been shadows enough, even amid the primal
sunshine of their existence, to suggest the thought of the soul’s incongruity
with its circumstances. They have already learned that something is to be
thrown aside. The idea of Death is in them, or not far off. But, were they to
choose a symbol for him, it would be the butterfly soaring upward, or the
bright angel beckoning them aloft, or the child asleep, with soft dreams
visible through her transparent purity.
Such a Child, in whitest marble, they have found among the monuments
of Mount Auburn.
“Sweetest Eve,” observes Adam, while hand in hand they contemplate
this beautiful object, “yonder sun has left us, and the whole world is fading
from our sight. Let us sleep as this lovely little figure is sleeping. Our
Father only knows whether what outward things we have possessed to-day
are to be snatched from us forever. But should our earthly life be leaving us
with the departing light, we need not doubt that another morn will find us
somewhere beneath the smile of God. I feel that he has imparted the boon
of existence never to be resumed.”
“And no matter where we exist,” replies Eve, “for we shall always be
together.”

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EGOTISM; OR, THE BOSOM SERPENT

“Here he comes!” shouted the boys along the street. “Here comes the
man with a snake in his bosom!”
This outcry, saluting Herkimer’s ears as he was about to enter the iron
gate of the Elliston mansion, made him pause. It was not without a shudder
that he found himself on the point of meeting his former acquaintance,
whom he had known in the glory of youth, and whom now after an interval
of five years, he was to find the victim either of a diseased fancy or a
horrible physical misfortune.
“A snake in his bosom!” repeated the young sculptor to himself. “It must
be he. No second man on earth has such a bosom friend. And now, my poor
Rosina, Heaven grant me wisdom to discharge my errand aright! Woman’s
faith must be strong indeed since thine has not yet failed.”
Thus musing, he took his stand at the entrance of the gate and waited
until the personage so singularly announced should make his appearance.
After an instant or two he beheld the figure of a lean man, of unwholesome
look, with glittering eyes and long black hair, who seemed to imitate the
motion of a snake; for, instead of walking straight forward with open front,
he undulated along the pavement in a curved line. It may be too fanciful to
say that something, either in his moral or material aspect, suggested the idea
that a miracle had been wrought by transforming a serpent into a man, but
so imperfectly that the snaky nature was yet hidden, and scarcely hidden,
under the mere outward guise of humanity. Herkimer remarked that his
complexion had a greenish tinge over its sickly white, reminding him of a
species of marble out of which he had once wrought a head of Envy, with
her snaky locks.
The wretched being approached the gate, but, instead of entering, stopped
short and fixed the glitter of his eye full upon the compassionate yet steady
countenance of the sculptor.

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“It gnaws me! It gnaws me!” he exclaimed.
And then there was an audible hiss, but whether it came from the
apparent lunatic’s own lips, or was the real hiss of a serpent, might admit of
a discussion. At all events, it made Herkimer shudder to his heart’s core.
“Do you know me, George Herkimer?” asked the snake-possessed.
Herkimer did know him; but it demanded all the intimate and practical
acquaintance with the human face, acquired by modelling actual likenesses
in clay, to recognize the features of Roderick Elliston in the visage that now
met the sculptor’s gaze. Yet it was he. It added nothing to the wonder to
reflect that the once brilliant young man had undergone this odious and
fearful change during the no more than five brief years of Herkimer’s abode
at Florence. The possibility of such a transformation being granted, it was
as easy to conceive it effected in a moment as in an age. Inexpressibly
shocked and startled, it was still the keenest pang when Herkimer
remembered that the fate of his cousin Rosina, the ideal of gentle
womanhood, was indissolubly interwoven with that of a being whom
Providence seemed to have unhumanized.
“Elliston! Roderick!” cried he, “I had heard of this; but my conception
came far short of the truth. What has befallen you? Why do I find you
thus?”
“Oh, ’tis a mere nothing! A snake! A snake! The commonest thing in the
world. A snake in the bosom—that’s all,” answered Roderick Elliston. “But
how is your own breast?” continued he, looking the sculptor in the eye with
the most acute and penetrating glance that it had ever been his fortune to
encounter. “All pure and wholesome? No reptile there? By my faith and
conscience, and by the devil within me, here is a wonder! A man without a
serpent in his bosom!”
“Be calm, Elliston,” whispered George Herkimer, laying his hand upon
the shoulder of the snake-possessed. “I have crossed the ocean to meet you.
Listen! Let us be private. I bring a message from Rosina—from your wife!”
“It gnaws me! It gnaws me!” muttered Roderick.
With this exclamation, the most frequent in his mouth, the unfortunate
man clutched both hands upon his breast as if an intolerable sting or torture
impelled him to rend it open and let out the living mischief, even should it
be intertwined with his own life. He then freed himself from Herkimer’s

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grasp by a subtle motion, and, gliding through the gate, took refuge in his
antiquated family residence. The sculptor did not pursue him. He saw that
no available intercourse could be expected at such a moment, and was
desirous, before another meeting, to inquire closely into the nature of
Roderick’s disease and the circumstances that had reduced him to so
lamentable a condition. He succeeded in obtaining the necessary
information from an eminent medical gentleman.
Shortly after Elliston’s separation from his wife—now nearly four years
ago—his associates had observed a singular gloom spreading over his daily
life, like those chill, gray mists that sometimes steal away the sunshine from
a summer’s morning. The symptoms caused them endless perplexity. They
knew not whether ill health were robbing his spirits of elasticity, or whether
a canker of the mind was gradually eating, as such cankers do, from his
moral system into the physical frame, which is but the shadow of the
former. They looked for the root of this trouble in his shattered schemes of
domestic bliss,—wilfully shattered by himself,—but could not be satisfied
of its existence there. Some thought that their once brilliant friend was in an
incipient stage of insanity, of which his passionate impulses had perhaps
been the forerunners; others prognosticated a general blight and gradual
decline. From Roderick’s own lips they could learn nothing. More than
once, it is true, he had been heard to say, clutching his hands convulsively
upon his breast,—“It gnaws me! It gnaws me!”—but, by different auditors,
a great diversity of explanation was assigned to this ominous expression.
What could it be that gnawed the breast of Roderick Elliston? Was it
sorrow? Was it merely the tooth of physical disease? Or, in his reckless
course, often verging upon profligacy, if not plunging into its depths, had he
been guilty of some deed which made his bosom a prey to the deadlier
fangs of remorse? There was plausible ground for each of these conjectures;
but it must not be concealed that more than one elderly gentleman, the
victim of good cheer and slothful habits, magisterially pronounced the
secret of the whole matter to be Dyspepsia!
Meanwhile, Roderick seemed aware how generally he had become the
subject of curiosity and conjecture, and, with a morbid repugnance to such
notice, or to any notice whatsoever, estranged himself from all
companionship. Not merely the eye of man was a horror to him; not merely
the light of a friend’s countenance; but even the blessed sunshine, likewise,
which in its universal beneficence typifies the radiance of the Creator’s

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face, expressing his love for all the creatures of his hand. The dusky
twilight was now too transparent for Roderick Elliston; the blackest
midnight was his chosen hour to steal abroad; and if ever he were seen, it
was when the watchman’s lantern gleamed upon his figure, gliding along
the street, with his hands clutched upon his bosom, still muttering, “It
gnaws me! It gnaws me!” What could it be that gnawed him?
After a time, it became known that Elliston was in the habit of resorting
to all the noted quacks that infested the city, or whom money would tempt
to journey thither from a distance. By one of these persons, in the exultation
of a supposed cure, it was proclaimed far and wide, by dint of handbills and
little pamphlets on dingy paper, that a distinguished gentleman, Roderick
Elliston, Esq., had been relieved of a SNAKE in his stomach! So here was
the monstrous secret, ejected from its lurking place into public view, in all
its horrible deformity. The mystery was out; but not so the bosom serpent.
He, if it were anything but a delusion, still lay coiled in his living den. The
empiric’s cure had been a sham, the effect, it was supposed, of some
stupefying drug which more nearly caused the death of the patient than of
the odious reptile that possessed him. When Roderick Elliston regained
entire sensibility, it was to find his misfortune the town talk—the more than
nine days’ wonder and horror—while, at his bosom, he felt the sickening
motion of a thing alive, and the gnawing of that restless fang which seemed
to gratify at once a physical appetite and a fiendish spite.
He summoned the old black servant, who had been bred up in his father’s
house, and was a middle-aged man while Roderick lay in his cradle.
“Scipio!” he began; and then paused, with his arms folded over his heart.
“What do people say of me, Scipio.”
“Sir! my poor master! that you had a serpent in your bosom,” answered
the servant with hesitation.
“And what else?” asked Roderick, with a ghastly look at the man.
“Nothing else, dear master,” replied Scipio, “only that the doctor gave
you a powder, and that the snake leaped out upon the floor.”
“No, no!” muttered Roderick to himself, as he shook his head, and
pressed his hands with a more convulsive force upon his breast, “I feel him
still. It gnaws me! It gnaws me!”

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From this time the miserable sufferer ceased to shun the world, but rather
solicited and forced himself upon the notice of acquaintances and strangers.
It was partly the result of desperation on finding that the cavern of his own
bosom had not proved deep and dark enough to hide the secret, even while
it was so secure a fortress for the loathsome fiend that had crept into it. But
still more, this craving for notoriety was a symptom of the intense
morbidness which now pervaded his nature. All persons chronically
diseased are egotists, whether the disease be of the mind or body; whether it
be sin, sorrow, or merely the more tolerable calamity of some endless pain,
or mischief among the cords of mortal life. Such individuals are made
acutely conscious of a self, by the torture in which it dwells. Self, therefore,
grows to be so prominent an object with them that they cannot but present it
to the face of every casual passer-by. There is a pleasure—perhaps the
greatest of which the sufferer is susceptible—in displaying the wasted or
ulcerated limb, or the cancer in the breast; and the fouler the crime, with so
much the more difficulty does the perpetrator prevent it from thrusting up
its snake-like head to frighten the world; for it is that cancer, or that crime,
which constitutes their respective individuality. Roderick Elliston, who, a
little while before, had held himself so scornfully above the common lot of
men, now paid full allegiance to this humiliating law. The snake in his
bosom seemed the symbol of a monstrous egotism to which everything was
referred, and which he pampered, night and day, with a continual and
exclusive sacrifice of devil worship.
He soon exhibited what most people considered indubitable tokens of
insanity. In some of his moods, strange to say, he prided and gloried himself
on being marked out from the ordinary experience of mankind, by the
possession of a double nature, and a life within a life. He appeared to
imagine that the snake was a divinity,—not celestial, it is true, but darkly
infernal,—and that he thence derived an eminence and a sanctity, horrid,
indeed, yet more desirable than whatever ambition aims at. Thus he drew
his misery around him like a regal mantle, and looked down triumphantly
upon those whose vitals nourished no deadly monster. Oftener, however, his
human nature asserted its empire over him in the shape of a yearning for
fellowship. It grew to be his custom to spend the whole day in wandering
about the streets, aimlessly, unless it might be called an aim to establish a
species of brotherhood between himself and the world. With cankered
ingenuity, he sought out his own disease in every breast. Whether insane or

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not, he showed so keen a perception of frailty, error, and vice, that many
persons gave him credit for being possessed not merely with a serpent, but
with an actual fiend, who imparted this evil faculty of recognizing whatever
was ugliest in man’s heart.
For instance, he met an individual, who, for thirty years, had cherished a
hatred against his own brother. Roderick, amidst the throng of the street,
laid his hand on this man’s chest, and looking full into his forbidding face,
“How is the snake to-day?” he inquired, with a mock expression of
sympathy.
“The snake!” exclaimed the brother hater—“what do you mean?”
“The snake! The snake! Does it gnaw you?” persisted Roderick. “Did
you take counsel with him this morning when you should have been saying
your prayers? Did he sting, when you thought of your brother’s health,
wealth, and good repute? Did he caper for joy, when you remembered the
profligacy of his only son? And whether he stung, or whether he frolicked,
did you feel his poison throughout your body and soul, converting
everything to sourness and bitterness? That is the way of such serpents. I
have learned the whole nature of them from my own!”
“Where is the police?” roared the object of Roderick’s persecution, at the
same time giving an instinctive clutch to his breast. “Why is this lunatic
allowed to go at large?”
“Ha, ha!” chuckled Roderick, releasing his grasp of the man.— “His
bosom serpent has stung him then!”
Often it pleased the unfortunate young man to vex people with a lighter
satire, yet still characterized by somewhat of snake-like virulence. One day
he encountered an ambitious statesman, and gravely inquired after the
welfare of his boa constrictor; for of that species, Roderick affirmed, this
gentleman’s serpent must needs be, since its appetite was enormous enough
to devour the whole country and constitution. At another time, he stopped a
close-fisted old fellow, of great wealth, but who skulked about the city in
the guise of a scarecrow, with a patched blue surtout, brown hat, and
mouldy boots, scraping pence together, and picking up rusty nails.
Pretending to look earnestly at this respectable person’s stomach, Roderick
assured him that his snake was a copper-head and had been generated by
the immense quantities of that base metal with which he daily defiled his
fingers. Again, he assaulted a man of rubicund visage, and told him that few

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bosom serpents had more of the devil in them than those that breed in the
vats of a distillery. The next whom Roderick honored with his attention was
a distinguished clergyman, who happened just then to be engaged in a
theological controversy, where human wrath was more perceptible than
divine inspiration.
“You have swallowed a snake in a cup of sacramental wine,” quoth he.
“Profane wretch!” exclaimed the divine; but, nevertheless, his hand stole
to his breast.
He met a person of sickly sensibility, who, on some early
disappointment, had retired from the world, and thereafter held no
intercourse with his fellow-men, but brooded sullenly or passionately over
the irrevocable past. This man’s very heart, if Roderick might be believed,
had been changed into a serpent, which would finally torment both him and
itself to death. Observing a married couple, whose domestic troubles were
matter of notoriety, he condoled with both on having mutually taken a
house adder to their bosoms. To an envious author, who depreciated works
which he could never equal, he said that his snake was the slimiest and
filthiest of all the reptile tribe, but was fortunately without a sting. A man of
impure life, and a brazen face, asking Roderick if there were any serpent in
his breast, he told him that there was, and of the same species that once
tortured Don Rodrigo, the Goth. He took a fair young girl by the hand, and
gazing sadly into her eyes, warned her that she cherished a serpent of the
deadliest kind within her gentle breast; and the world found the truth of
those ominous words, when, a few months afterwards, the poor girl died of
love and shame. Two ladies, rivals in fashionable life who tormented one
another with a thousand little stings of womanish spite, were given to
understand that each of their hearts was a nest of diminutive snakes, which
did quite as much mischief as one great one.
But nothing seemed to please Roderick better than to lay hold of a person
infected with jealousy, which he represented as an enormous green reptile,
with an ice-cold length of body, and the sharpest sting of any snake save
one.
“And what one is that?” asked a by-stander, overhearing him.
It was a dark-browed man who put the question; he had an evasive eye,
which in the course of a dozen years had looked no mortal directly in the
face. There was an ambiguity about this person’s character,—a stain upon

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his reputation,—yet none could tell precisely of what nature, although the
city gossips, male and female, whispered the most atrocious surmises. Until
a recent period he had followed the sea, and was, in fact, the very
shipmaster whom George Herkimer had encountered, under such singular
circumstances, in the Grecian Archipelago.
“What bosom serpent has the sharpest sting?” repeated this man; but he
put the question as if by a reluctant necessity, and grew pale while he was
uttering it.
“Why need you ask?” replied Roderick, with a look of dark intelligence.
“Look into your own breast. Hark! my serpent bestirs himself! He
acknowledges the presence of a master fiend!”
And then, as the by-standers afterwards affirmed, a hissing sound was
heard, apparently in Roderick Elliston’s breast. It was said, too, that an
answering hiss came from the vitals of the shipmaster, as if a snake were
actually lurking there and had been aroused by the call of its brother reptile.
If there were in fact any such sound, it might have been caused by a
malicious exercise of ventriloquism on the part of Roderick.
Thus making his own actual serpent—if a serpent there actually was in
his bosom—the type of each man’s fatal error, or hoarded sin, or unquiet
conscience, and striking his sting so unremorsefully into the sorest spot, we
may well imagine that Roderick became the pest of the city. Nobody could
elude him—none could withstand him. He grappled with the ugliest truth
that he could lay his hand on, and compelled his adversary to do the same.
Strange spectacle in human life where it is the instinctive effort of one and
all to hide those sad realities, and leave them undisturbed beneath a heap of
superficial topics which constitute the materials of intercourse between man
and man! It was not to be tolerated that Roderick Elliston should break
through the tacit compact by which the world has done its best to secure
repose without relinquishing evil. The victims of his malicious remarks, it is
true, had brothers enough to keep them in countenance; for, by Roderick’s
theory, every mortal bosom harbored either a brood of small serpents or one
overgrown monster that had devoured all the rest. Still the city could not
bear this new apostle. It was demanded by nearly all, and particularly by the
most respectable inhabitants, that Roderick should no longer be permitted to
violate the received rules of decorum by obtruding his own bosom serpent

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to the public gaze, and dragging those of decent people from their lurking
places.
Accordingly, his relatives interfered and placed him in a private asylum
for the insane. When the news was noised abroad, it was observed that
many persons walked the streets with freer countenances and covered their
breasts less carefully with their hands.
His confinement, however, although it contributed not a little to the peace
of the town, operated unfavorably upon Roderick himself. In solitude his
melancholy grew more black and sullen. He spent whole days—indeed, it
was his sole occupation—in communing with the serpent. A conversation
was sustained, in which, as it seemed, the hidden monster bore a part,
though unintelligibly to the listeners, and inaudible except in a hiss.
Singular as it may appear, the sufferer had now contracted a sort of
affection for his tormentor, mingled, however, with the intensest loathing
and horror. Nor were such discordant emotions incompatible. Each, on the
contrary, imparted strength and poignancy to its opposite. Horrible love—
horrible antipathy—embracing one another in his bosom, and both
concentrating themselves upon a being that had crept into his vitals or been
engendered there, and which was nourished with his food, and lived upon
his life, and was as intimate with him as his own heart, and yet was the
foulest of all created things! But not the less was it the true type of a morbid
nature.
Sometimes, in his moments of rage and bitter hatred against the snake
and himself, Roderick determined to be the death of him, even at the
expense of his own life. Once he attempted it by starvation; but, while the
wretched man was on the point of famishing, the monster seemed to feed
upon his heart, and to thrive and wax gamesome, as if it were his sweetest
and most congenial diet. Then he privily took a dose of active poison,
imagining that it would not fail to kill either himself or the devil that
possessed him, or both together. Another mistake; for if Roderick had not
yet been destroyed by his own poisoned heart nor the snake by gnawing it,
they had little to fear from arsenic or corrosive sublimate. Indeed, the
venomous pest appeared to operate as an antidote against all other poisons.
The physicians tried to suffocate the fiend with tobacco smoke. He breathed
it as freely as if it were his native atmosphere. Again, they drugged their
patient with opium and drenched him with intoxicating liquors, hoping that

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the snake might thus be reduced to stupor and perhaps be ejected from the
stomach. They succeeded in rendering Roderick insensible; but, placing
their hands upon his breast, they were inexpressibly horror stricken to feel
the monster wriggling, twining, and darting to and fro within his narrow
limits, evidently enlivened by the opium or alcohol, and incited to unusual
feats of activity. Thenceforth they gave up all attempts at cure or palliation.
The doomed sufferer submitted to his fate, resumed his former loathsome
affection for the bosom fiend, and spent whole miserable days before a
looking-glass, with his mouth wide open, watching, in hope and horror, to
catch a glimpse of the snake’s head far down within his throat. It is
supposed that he succeeded; for the attendants once heard a frenzied shout,
and, rushing into the room, found Roderick lifeless upon the floor.
He was kept but little longer under restraint. After minute investigation,
the medical directors of the asylum decided that his mental disease did not
amount to insanity, nor would warrant his confinement, especially as its
influence upon his spirits was unfavorable, and might produce the evil
which it was meant to remedy. His eccentricities were doubtless great; he
had habitually violated many of the customs and prejudices of society; but
the world was not, without surer ground, entitled to treat him as a madman.
On this decision of such competent authority Roderick was released, and
had returned to his native city the very day before his encounter with
George Herkimer.
As soon as possible after learning these particulars the sculptor, together
with a sad and tremulous companion, sought Elliston at his own house. It
was a large, sombre edifice of wood, with pilasters and a balcony, and was
divided from one of the principal streets by a terrace of three elevations,
which was ascended by successive flights of stone steps. Some immense
old elms almost concealed the front of the mansion. This spacious and once
magnificent family residence was built by a grandee of the race early in the
past century, at which epoch, land being of small comparative value, the
garden and other grounds had formed quite an extensive domain. Although
a portion of the ancestral heritage had been alienated, there was still a
shadowy enclosure in the rear of the mansion where a student, or a dreamer,
or a man of stricken heart might lie all day upon the grass, amid the solitude
of murmuring boughs, and forget that a city had grown up around him.

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Into this retirement the sculptor and his companion were ushered by
Scipio, the old black servant, whose wrinkled visage grew almost sunny
with intelligence and joy as he paid his humble greetings to one of the two
visitors.
“Remain in the arbor,” whispered the sculptor to the figure that leaned
upon his arm. “You will know whether, and when, to make your
appearance.”
“God will teach me,” was the reply. “May He support me too!”
Roderick was reclining on the margin of a fountain which gushed into the
fleckered sunshine with the same clear sparkle and the same voice of airy
quietude as when trees of primeval growth flung their shadows cross its
bosom. How strange is the life of a fountain!—born at every moment, yet of
an age coeval with the rocks, and far surpassing the venerable antiquity of a
forest.
“You are come! I have expected you,” said Elliston, when he became
aware of the sculptor’s presence.
His manner was very different from that of the preceding day—quiet,
courteous, and, as Herkimer thought, watchful both over his guest and
himself. This unnatural restraint was almost the only trait that betokened
anything amiss. He had just thrown a book upon the grass, where it lay half
opened, thus disclosing itself to be a natural history of the serpent tribe,
illustrated by lifelike plates. Near it lay that bulky volume, the Ductor
Dubitantium of Jeremy Taylor, full of cases of conscience, and in which
most men, possessed of a conscience, may find something applicable to
their purpose.
“You see,” observed Elliston, pointing to the book of serpents, while a
smile gleamed upon his lips, “I am making an effort to become better
acquainted with my bosom friend; but I find nothing satisfactory in this
volume. If I mistake not, he will prove to be sui generis, and akin to no
other reptile in creation.”
“Whence came this strange calamity?” inquired the sculptor.
“My sable friend Scipio has a story,” replied Roderick, “of a snake that
had lurked in this fountain—pure and innocent as it looks—ever since it
was known to the first settlers. This insinuating personage once crept into
the vitals of my great grandfather and dwelt there many years, tormenting

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the old gentleman beyond mortal endurance. In short it is a family
peculiarity. But, to tell you the truth, I have no faith in this idea of the
snake’s being an heirloom. He is my own snake, and no man’s else.”
“But what was his origin?” demanded Herkimer.
“Oh, there is poisonous stuff in any man’s heart sufficient to generate a
brood of serpents,” said Elliston with a hollow laugh. “You should have
heard my homilies to the good town’s-people. Positively, I deem myself
fortunate in having bred but a single serpent. You, however, have none in
your bosom, and therefore cannot sympathize with the rest of the world. It
gnaws me! It gnaws me!”
With this exclamation Roderick lost his self-control and threw himself
upon the grass, testifying his agony by intricate writhings, in which
Herkimer could not but fancy a resemblance to the motions of a snake.
Then, likewise, was heard that frightful hiss, which often ran through the
sufferer’s speech, and crept between the words and syllables without
interrupting their succession.
“This is awful indeed!” exclaimed the sculptor—“an awful infliction,
whether it be actual or imaginary. Tell me, Roderick Elliston, is there any
remedy for this loathsome evil?”
“Yes, but an impossible one,” muttered Roderick, as he lay wallowing
with his face in the grass. “Could I for one moment forget myself, the
serpent might not abide within me. It is my diseased self-contemplation that
has engendered and nourished him.”
“Then forget yourself, my husband,” said a gentle voice above him;
“forget yourself in the idea of another!”
Rosina had emerged from the arbor, and was bending over him with the
shadow of his anguish reflected in her countenance, yet so mingled with
hope and unselfish love that all anguish seemed but an earthly shadow and a
dream. She touched Roderick with her hand. A tremor shivered through his
frame. At that moment, if report be trustworthy, the sculptor beheld a
waving motion through the grass, and heard a tinkling sound, as if
something had plunged into the fountain. Be the truth as it might, it is
certain that Roderick Elliston sat up like a man renewed, restored to his
right mind, and rescued from the fiend which had so miserably overcome
him in the battle-field of his own breast.

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“Rosina!” cried he, in broken and passionate tones, but with nothing of
the wild wail that had haunted his voice so long, “forgive! forgive!”
Her happy tears bedewed his face.
“The punishment has been severe,” observed the sculptor. “Even Justice
might now forgive; how much more a woman’s tenderness! Roderick
Elliston, whether the serpent was a physical reptile, or whether the
morbidness of your nature suggested that symbol to your fancy, the moral
of the story is not the less true and strong. A tremendous Egotism,
manifesting itself in your case in the form of jealousy, is as fearful a fiend
as ever stole into the human heart. Can a breast, where it has dwelt so long,
be purified?”
“Oh yes,” said Rosina with a heavenly smile. “The serpent was but a dark
fantasy, and what it typified was as shadowy as itself. The past, dismal as it
seems, shall fling no gloom upon the future. To give it its due importance
we must think of it but as an anecdote in our Eternity.”

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THE CHRISTMAS BANQUET

FROM THE UNPUBLISHED “ALLEGORIES OF THE HEART.”
“I have here attempted,” said Roderick, unfolding a few sheets of
manuscript, as he sat with Rosina and the sculptor in the summer-house,
—“I have attempted to seize hold of a personage who glides past me,
occasionally, in my walk through life. My former sad experience, as you
know, has gifted me with some degree of insight into the gloomy mysteries
of the human heart, through which I have wandered like one astray in a dark
cavern, with his torch fast flickering to extinction. But this man, this class
of men, is a hopeless puzzle.”
“Well, but propound him,” said the sculptor. “Let us have an idea of hint,
to begin with.”
“Why, indeed,” replied Roderick, “he is such a being as I could conceive
you to carve out of marble, and some yet unrealized perfection of human
science to endow with an exquisite mockery of intellect; but still there lacks
the last inestimable touch of a divine Creator. He looks like a man; and,
perchance, like a better specimen of man than you ordinarily meet. You
might esteem him wise; he is capable of cultivation and refinement, and has
at least an external conscience; but the demands that spirit makes upon
spirit are precisely those to which he cannot respond. When at last you
come close to him you find him chill and unsubstantial,—a mere vapor.”
“I believe,” said Rosina, “I have a glimmering idea of what you mean.”
“Then be thankful,” answered her husband, smiling; “but do not
anticipate any further illumination from what I am about to read. I have
here imagined such a man to be—what, probably, he never is—conscious of
the deficiency in his spiritual organization. Methinks the result would be a
sense of cold unreality wherewith he would go shivering through the world,

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longing to exchange his load of ice for any burden of real grief that fate
could fling upon a human being.”
Contenting himself with this preface, Roderick began to read.

In a certain old gentleman’s last will and testament there appeared a
bequest, which, as his final thought and deed, was singularly in keeping
with a long life of melancholy eccentricity. He devised a considerable sum
for establishing a fund, the interest of which was to be expended, annually
forever, in preparing a Christmas Banquet for ten of the most miserable
persons that could be found. It seemed not to be the testator’s purpose to
make these half a score of sad hearts merry, but to provide that the stern or
fierce expression of human discontent should not be drowned, even for that
one holy and joyful day, amid the acclamations of festal gratitude which all
Christendom sends up. And he desired, likewise, to perpetuate his own
remonstrance against the earthly course of Providence, and his sad and sour
dissent from those systems of religion or philosophy which either find
sunshine in the world or draw it down from heaven.
The task of inviting the guests, or of selecting among such as might
advance their claims to partake of this dismal hospitality, was confided to
the two trustees or stewards of the fund. These gentlemen, like their
deceased friend, were sombre humorists, who made it their principal
occupation to number the sable threads in the web of human life, and drop
all the golden ones out of the reckoning. They performed their present
office with integrity and judgment. The aspect of the assembled company,
on the day of the first festival, might not, it is true, have satisfied every
beholder that these were especially the individuals, chosen forth from all
the world, whose griefs were worthy to stand as indicators of the mass of
human suffering. Yet, after due consideration, it could not be disputed that
here was a variety of hopeless discomfort, which, if it sometimes arose
from causes apparently inadequate, was thereby only the shrewder
imputation against the nature and mechanism of life.
The arrangements and decorations of the banquet were probably intended
to signify that death in life which had been the testator’s definition of
existence. The hall, illuminated by torches, was hung round with curtains of
deep and dusky purple, and adorned with branches of cypress and wreaths
of artificial flowers, imitative of such as used to be strewn over the dead. A

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sprig of parsley was laid by every plate. The main reservoir of wine, was a
sepulchral urn of silver, whence the liquor was distributed around the table
in small vases, accurately copied from those that held the tears of ancient
mourners. Neither had the stewards—if it were their taste that arranged
these details—forgotten the fantasy of the old Egyptians, who seated a
skeleton at every festive board, and mocked their own merriment with the
imperturbable grin of a death’s-head. Such a fearful guest, shrouded in a
black mantle, sat now at the head of the table. It was whispered, I know not
with what truth, that the testator himself had once walked the visible world
with the machinery of that sane skeleton, and that it was one of the
stipulations of his will, that he should thus be permitted to sit, from year to
year, at the banquet which he had instituted. If so, it was perhaps covertly
implied that he had cherished no hopes of bliss beyond the grave to
compensate for the evils which he felt or imagined here. And if, in their
bewildered conjectures as to the purpose of earthly existence, the
banqueters should throw aside the veil, and cast an inquiring glance at this
figure of death, as seeking thence the solution otherwise unattainable, the
only reply would be a stare of the vacant eye-caverns and a grin of the
skeleton jaws. Such was the response that the dead man had fancied himself
to receive when he asked of Death to solve the riddle of his life; and it was
his desire to repeat it when the guests of his dismal hospitality should find
themselves perplexed with the same question.
“What means that wreath?” asked several of the company, while viewing
the decorations of the table.
They alluded to a wreath of cypress, which was held on high by a
skeleton arm, protruding from within the black mantle.
“It is a crown,” said one of the stewards, “not for the worthiest, but for
the wofulest, when he shall prove his claim to it.”
The guest earliest bidden to the festival was a man of soft and gentle
character, who had not energy to struggle against the heavy despondency to
which his temperament rendered him liable; and therefore with nothing
outwardly to excuse him from happiness, he had spent a life of quiet misery
that made his blood torpid, and weighed upon his breath, and sat like a
ponderous night-fiend upon every throb of his unresisting heart. His
wretchedness seemed as deep as his original nature, if not identical with it.
It was the misfortune of a second guest to cherish within his bosom a

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diseased heart, which had become so wretchedly sore that the continual and
unavoidable rubs of the world, the blow of an enemy, the careless jostle of a
stranger, and even the faithful and loving touch of a friend, alike made
ulcers in it. As is the habit of people thus afflicted, he found his chief
employment in exhibiting these miserable sores to any who would give
themselves the pain of viewing them. A third guest was a hypochondriac,
whose imagination wrought necromancy in his outward and inward world,
and caused him to see monstrous faces in the household fire, and dragons in
the clouds of sunset, and fiends in the guise of beautiful women, and
something ugly or wicked beneath all the pleasant surfaces of nature. His
neighbor at table was one who, in his early youth, had trusted mankind too
much, and hoped too highly in their behalf, and, in meeting with many
disappointments, had become desperately soured. For several years back
this misanthrope bad employed himself in accumulating motives for hating
and despising his race,—such as murder, lust, treachery, ingratitude,
faithlessness of trusted friends, instinctive vices of children, impurity of
women, hidden guilt in men of saint-like aspect,—and, in short, all manner
of black realities that sought to decorate themselves with outward grace or
glory. But at every atrocious fact that was added to his catalogue, at every
increase of the sad knowledge which he spent his life to collect, the native
impulses of the poor man’s loving and confiding heart made him groan with
anguish. Next, with his heavy brow bent downward, there stole into the hall
a man naturally earnest and impassioned, who, from his immemorial
infancy, had felt the consciousness of a high message to the world; but,
essaying to deliver it, had found either no voice or form of speech, or else
no ears to listen. Therefore his whole life was a bitter questioning of
himself: “Why have not men acknowledged my mission? Am I not a self-
deluding fool? What business have I on earth? Where is my grave?”
Throughout the festival, he quaffed frequent draughts from the sepulchral
urn of wine, hoping thus to quench the celestial fire that tortured his own
breast and could not benefit his race.
Then there entered, having flung away a ticket for a ball, a gay gallant of
yesterday, who had found four or five wrinkles in his brow, and more gray
hairs than he could well number on his head. Endowed with sense and
feeling, he had nevertheless spent his youth in folly, but had reached at last
that dreary point in life where Folly quits us of her own accord, leaving us
to make friends with Wisdom if we can. Thus, cold and desolate, he had

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come to seek Wisdom at the banquet, and wondered if the skeleton were
she. To eke out the company, the stewards had invited a distressed poet
from his home in the almshouse, and a melancholy idiot from the street-
corner. The latter had just the glimmering of sense that was sufficient to
make him conscious of a vacancy, which the poor fellow, all his life long,
had mistily sought to fill up with intelligence, wandering up and down the
streets, and groaning miserably because his attempts were ineffectual. The
only lady in the hall was one who had fallen short of absolute and perfect
beauty, merely by the trifling defect of a slight cast in her left eye. But this
blemish, minute as it was, so shocked the pure ideal of her soul, rather than
her vanity, that she passed her life in solitude, and veiled her countenance
even from her own gaze. So the skeleton sat shrouded at one end of the
table, and this poor lady at the other.
One other guest remains to be described. He was a young man of smooth
brow, fair cheek, and fashionable mien. So far as his exterior developed
him, he might much more suitably have found a place at some merry
Christmas table, than have been numbered among the blighted, fate-
stricken, fancy-tortured set of ill-starred banqueters. Murmurs arose among
the guests as they noted, the glance of general scrutiny which the intruder
threw over his companions. What had he to do among them? Why did not
the skeleton of the dead founder of the feast unbend its rattling joints, arise,
and motion the unwelcome stranger from the board?
“Shameful!” said the morbid man, while a new ulcer broke out in his
heart. “He comes to mock us! we shall be the jest of his tavern friends I—
he will make a farce of our miseries, and bring it out upon the stage!”
“O, never mind him!” said the hypochondriac, smiling sourly. “He shall
feast from yonder tureen of viper-soup; and if there is a fricassee of
scorpions on the table, pray let him have his share of it. For the dessert, he
shall taste the apples of Sodom, then, if he like our Christmas fare, let him
return again next year!”
“Trouble him not,” murmured the melancholy man, with gentleness.
“What matters it whether the consciousness of misery come a few years
sooner or later? If this youth deem himself happy now, yet let him sit with
us for the sake of the wretchedness to come.”
The poor idiot approached the young man with that mournful aspect of
vacant inquiry which his face continually wore, and which caused people to

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say that he was always in search of his missing wits. After no little
examination he touched the stranger’s hand, but immediately drew back his
own, shaking his head and shivering.
“Cold, cold, cold!” muttered the idiot.
The young man shivered too, and smiled.
“Gentlemen, and you, madam,” said one of the stewards of the festival,
“do not conceive so ill either of our caution or judgment, as to imagine that
we have admitted this young stranger—Gervayse Hastings by name—
without a full investigation and thoughtful balance of his claims. Trust me,
not a guest at the table is better entitled to his seat.”
The steward’s guaranty was perforce satisfactory. The company,
therefore, took their places, and addressed themselves to the serious
business of the feast, but were soon disturbed by the hypochondriac, who
thrust back his chair, complaining that a dish of stewed toads and vipers
was set before him, and that there was green ditchwater in his cup of wine.
This mistake being amended, he quietly resumed his seat. The wine, as it
flowed freely from the sepulchral urn, seemed to come imbued with all
gloomy inspirations; so that its influence was not to cheer, but either to sink
the revellers into a deeper melancholy, or elevate their spirits to an
enthusiasm of wretchedness. The conversation was various. They told sad
stories about people who might have been Worthy guests at such a festival
as the present. They talked of grisly incidents in human history; of strange
crimes, which, if truly considered, were but convulsions of agony; of some
lives that had been altogether wretched, and of others, which, wearing a
general semblance of happiness, had yet been deformed, sooner or later, by
misfortune, as by the intrusion of a grim face at a banquet; of death-bed
scenes, and what dark intimations might be gathered from the words of
dying men; of suicide, and whether the more eligible mode were by halter,
knife, poison, drowning, gradual starvation, or the fumes of charcoal. The
majority of the guests, as is the custom with people thoroughly and
profoundly sick at heart, were anxious to make their own woes the theme of
discussion, and prove themselves most excellent in anguish. The
misanthropist went deep into the philosophy of evil, and wandered about in
the darkness, with now and then a gleam of discolored light hovering on
ghastly shapes and horrid scenery. Many a miserable thought, such as men
have stumbled upon from age to age, did he now rake up again, and gloat

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over it as an inestimable gem, a diamond, a treasure far preferable to those
bright, spiritual revelations of a better world, which are like precious stones
from heaven’s pavement. And then, amid his lore of wretchedness he hid
his face and wept.
It was a festival at which the woful man of Uz might suitably have been a
guest, together with all, in each succeeding age, who have tasted deepest of
the bitterness of life. And be it said, too, that every son or daughter of
woman, however favored with happy fortune, might, at one sad moment or
another, have claimed the privilege of a stricken heart, to sit down at this
table. But, throughout the feast, it was remarked that the young stranger,
Gervayse Hastings, was unsuccessful in his attempts to catch its pervading
spirit. At any deep, strong thought that found utterance, and which was torn
out, as it were, from the saddest recesses of human consciousness, he
looked mystified and bewildered; even more than the poor idiot, who
seemed to grasp at such things with his earnest heart, and thus occasionally
to comprehend them. The young man’s conversation was of a colder and
lighter kind, often brilliant, but lacking the powerful characteristics of a
nature that had been developed by suffering.
“Sir,” said the misanthropist, bluntly, in reply to some observation by
Gervayse Hastings, “pray do not address me again. We have no right to talk
together. Our minds have nothing in common. By what claim you appear at
this banquet I cannot guess; but methinks, to a man who could say what you
have just now said, my companions and myself must seem no more than
shadows flickering on the wall. And precisely such a shadow are you to us.”
The young man smiled and bowed, but, drawing himself back in his
chair, he buttoned his coat over his breast, as if the banqueting-ball were
growing chill. Again the idiot fixed his melancholy stare upon the youth,
and murmured, “Cold! cold! cold!”
The banquet drew to its conclusion, and the guests departed. Scarcely had
they stepped across the threshold of the hall, when the scene that had there
passed seemed like the vision of a sick fancy, or an exhalation from a
stagnant heart. Now and then, however, during the year that ensued, these
melancholy people caught glimpses of one another, transient, indeed, but
enough to prove that they walked the earth with the ordinary allotment of
reality. Sometimes a pair of them came face to face, while stealing through
the evening twilight, enveloped in their sable cloaks. Sometimes they

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casually met in churchyards. Once, also, it happened that two of the dismal
banqueters mutually started at recognizing each other in the noonday
sunshine of a crowded street, stalking there like ghosts astray. Doubtless
they wondered why the skeleton did not come abroad at noonday too.
But whenever the necessity of their affairs compelled these Christmas
guests into the bustling world, they were sure to encounter the young man
who had so unaccountably been admitted to the festival. They saw him
among the gay and fortunate; they caught the sunny sparkle of his eye; they
heard the light and careless tones of his voice, and muttered to themselves
with such indignation as only the aristocracy of wretchedness could kindle,
“The traitor! The vile impostor! Providence, in its own good time, may give
him a right to feast among us!” But the young man’s unabashed eye dwelt
upon their gloomy figures as they passed him, seeming to say, perchance
with somewhat of a sneer, “First, know my secret then, measure your claims
with mine!”
The step of Time stole onward, and soon brought merry Christmas round
again, with glad and solemn worship in the churches, and sports, games,
festivals, and everywhere the bright face of Joy beside the household fire.
Again likewise the hall, with its curtains of dusky purple, was illuminated
by the death-torches gleaming on the sepulchral decorations of the banquet.
The veiled, skeleton sat in state, lifting the cypress-wreath above its head,
as the guerdon of some guest illustrious in the qualifications which there
claimed precedence. As the stewards deemed the world inexhaustible in
misery, and were desirous of recognizing it in all its forms, they had not
seen fit to reassemble the company of the former year. New faces now
threw their gloom across the table.
There was a man of nice conscience, who bore a blood-stain in his heart
—the death of a fellow-creature—which, for his more exquisite torture, had
chanced with such a peculiarity of circumstances, that he could not
absolutely determine whether his will had entered into the deed or not.
Therefore, his whole life was spent in the agony of an inward trial for
murder, with a continual sifting of the details of his terrible calamity, until
his mind had no longer any thought, nor his soul any emotion, disconnected
with it, There was a mother, too,—a mother once, but a desolation now,—
who, many years before, had gone out on a pleasure-party, and, returning,
found her infant smothered in its little bed. And ever since she has been

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tortured with the fantasy that her buried baby lay smothering in its coffin.
Then there was an aged lady, who had lived from time immemorial with a
constant tremor quivering through her-frame. It was terrible to discern her
dark shadow tremulous upon the wall; her lips, likewise, were tremulous;
and the expression of her eye seemed to indicate that her soul was trembling
too. Owing to the bewilderment and confusion which made almost a chaos
of her intellect, it was impossible to discover what dire misfortune had thus
shaken her nature to its depths; so that the stewards had admitted her to the
table, not from any acquaintance with her history, but on the safe testimony
of her miserable aspect. Some surprise was expressed at the presence of a
bluff, red-faced gentleman, a certain Mr. Smith, who had evidently the fat
of many a rich feast within him, and the habitual twinkle of whose eye
betrayed a disposition to break forth into uproarious laughter for little cause
or none. It turned out, however, that, with the best possible flow of spirits,
our poor friend was afflicted with a physical disease of the heart, which
threatened instant death on the slightest cachinnatory indulgence, or even
that titillation of the bodily frame produced by merry thoughts. In this
dilemma he had sought admittance to the banquet, on the ostensible plea of
his irksome and miserable state, but, in reality, with the hope of imbibing a
life-preserving melancholy.
A married couple had been invited from a motive of bitter humor, it being
well understood that they rendered each other unutterably miserable
whenever they chanced to meet, and therefore must necessarily be fit
associates at the festival. In contrast with these was another couple still
unmarried, who had interchanged their hearts in early life, but had been
divided by circumstances as impalpable as morning mist, and kept apart so
long that their spirits now found it impossible to meet, Therefore, yearning
for communion, yet shrinking from one another and choosing none beside,
they felt themselves companionless in life, and looked upon eternity as a
boundless desert. Next to the skeleton sat a mere son of earth,—a hunter of
the Exchange,—a gatherer of shining dust,—a man whose life’s record was
in his ledger, and whose soul’s prison-house the vaults of the bank where he
kept his deposits. This person had been greatly perplexed at his invitation,
deeming himself one of the most fortunate men in the city; but the stewards
persisted in demanding his presence, assuring him that he had no
conception how miserable he was.

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And now appeared a figure which we must acknowledge as our
acquaintance of the former festival. It was Gervayse Hastings, whose
presence had then caused so much question and criticism, and who now
took his place with the composure of one whose claims were satisfactory to
himself and must needs be allowed by others. Yet his easy and unruffled
face betrayed no sorrow.
The well-skilled beholders gazed a moment into his eyes and shook their
heads, to miss the unuttered sympathy—the countersign never to be
falsified—of those whose hearts are cavern-mouths through which they
descend into a region of illimitable woe and recognize other wanderers
there.
“Who is this youth?” asked the man with a bloodstain on his conscience.
“Surely he has never gone down into the depths! I know all the aspects of
those who have passed through the dark valley. By what right is he among
us?”
“Ah, it is a sinful thing to come hither without a sorrow,” murmured the
aged lady, in accents that partook of the eternal tremor which pervaded her
whole being “Depart, young man! Your soul has never been shaken, and,
therefore, I tremble so much the more to look at you.”
“His soul shaken! No; I’ll answer for it,” said bluff Mr. Smith, pressing
his hand upon his heart and making himself as melancholy as he could, for
fear of a fatal explosion of laughter. “I know the lad well; he has as fair
prospects as any young man about town, and has no more right among us
miserable creatures than the child unborn. He never was miserable and
probably never will be!”
“Our honored guests,” interposed the stewards, “pray have patience with
us, and believe, at least, that our deep veneration for the sacredness of this
solemnity would preclude any wilful violation of it. Receive this young
man to your table. It may not be too much to say, that no guest here would
exchange his own heart for the one that beats within that youthful bosom!”
“I’d call it a bargain, and gladly, too,” muttered Mr. Smith, with a
perplexing mixture of sadness and mirthful conceit. “A plague upon their
nonsense! My own heart is the only really miserable one in the company; it
will certainly be the death of me at last!”
Nevertheless, as on the former occasion, the judgment of the stewards
being without appeal, the company sat down. The obnoxious guest made no

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more attempt to obtrude his conversation on those about him, but appeared
to listen to the table-talk with peculiar assiduity, as if some inestimable
secret, otherwise beyond his reach, might be conveyed in a casual word.
And in truth, to those who could understand and value it, there was rich
matter in the upgushings and outpourings of these initiated souls to whom
sorrow had been a talisman, admitting them into spiritual depths which no
other spell can open. Sometimes out of the midst of densest gloom there
flashed a momentary radiance, pure as crystal, bright as the flame of stars,
and shedding such a glow upon the mysteries of life, that the guests were
ready to exclaim, “Surely the riddle is on the point of being solved!” At
such illuminated intervals the saddest mourners felt it to be revealed that
mortal griefs are but shadowy and external; no more than the sable robes
voluminously shrouding a certain divine reality, and thus indicating what
might otherwise be altogether invisible to mortal eye.
“Just now,” remarked the trembling old woman, “I seemed to see beyond
the outside. And then my everlasting tremor passed away!”
“Would that I could dwell always in these momentary gleams of light!”
said the man of stricken conscience. “Then the blood-stain in my heart
would be washed clean away.”
This strain of conversation appeared so unintelligibly absurd to good Mr.
Smith, that he burst into precisely the fit of laughter which his physicians
had warned him against, as likely to prove instantaneously fatal. In effect,
he fell back in his chair a corpse, with a broad grin upon his face, while his
ghost, perchance, remained beside it bewildered at its unpremeditated exit.
This catastrophe of course broke up the festival.
“How is this? You do not tremble!” observed the tremulous old woman to
Gervayse Hastings, who was gazing at the dead man with singular
intentness. “Is it not awful to see him so suddenly vanish out of the midst of
life,—this man of flesh and blood, whose earthly nature was so warm and
strong? There is a never-ending tremor in my soul, but it trembles afresh at,
this! And you are calm!”
“Would that he could teach me somewhat!” said Gervayse Hastings,
drawing a long breath. “Men pass before me like shadows on the wall; their
actions, passions, feelings, are flickerings of the light, and then they vanish!
Neither the corpse, nor yonder skeleton, nor this old woman’s everlasting
tremor, can give me what I seek.”

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And then the company departed.
We cannot linger to narrate, in such detail, more circumstances of these
singular festivals, which, in accordance with the founder’s will, continued
to be kept with the regularity of an established institution. In process of
time the stewards adopted the custom of inviting, from far and near, those
individuals whose misfortunes were prominent above other men’s, and
whose mental and moral development might, therefore, be supposed to
possess a corresponding interest. The exiled noble of the French
Revolution, and the broken soldier of the Empire, were alike represented at
the table. Fallen monarchs, wandering about the earth, have found places at
that forlorn and miserable feast. The statesman, when his party flung him
off, might, if he chose it, be once more a great man for the space of a single
banquet. Aaron Burr’s name appears on the record at a period when his ruin
—the profoundest and most striking, with more of moral circumstance in it
than that of almost any other man—was complete in his lonely age. Stephen
Guard, when his wealth weighed upon him like a mountain, once sought
admittance of his own accord. It is not probable, however, that these men
had any lesson to teach in the lore of discontent and misery which might not
equally well have been studied in the common walks of life. Illustrious
unfortunates attract a wider sympathy, not because their griefs are more
intense, but because, being set on lofty pedestals, they the better serve
mankind as instances and bywords of calamity.
It concerns our present purpose to say that, at each successive festival,
Gervayse Hastings showed his face, gradually changing from the smooth
beauty of his youth to the thoughtful comeliness of manhood, and thence to
the bald, impressive dignity of age. He was the only individual invariably
present. Yet on every occasion there were murmurs, both from those who
knew his character and position, and from them whose hearts shrank back
as denying his companionship in their mystic fraternity.
“Who is this impassive man?” had been asked a hundred times. “Has he
suffered? Has he sinned? There are no traces of either. Then wherefore is he
here?”
“You must inquire of the stewards or of himself,” was the constant reply.
“We seem to know him well here in our city, and know nothing of him but
what is creditable and fortunate. Yet hither he comes, year after year, to this

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gloomy banquet, and sits among the guests like a marble statue. Ask yonder
skeleton, perhaps that may solve the riddle!”
It was in truth a wonder. The life of Gervayse Hastings was not merely a
prosperous, but a brilliant one. Everything had gone well with him. He was
wealthy, far beyond the expenditure that was required by habits of
magnificence, a taste of rare purity and cultivation, a love of travel, a
scholar’s instinct to collect a splendid library, and, moreover, what seemed a
magnificent liberality to the distressed. He had sought happiness, and not
vainly, if a lovely and tender wife, and children of fair promise, could
insure it. He had, besides, ascended above the limit which separates the
obscure from the distinguished, and had won a stainless reputation in affairs
of the widest public importance. Not that he was a popular character, or had
within him the mysterious attributes which are essential to that species of
success. To the public he was a cold abstraction, wholly destitute of those
rich lines of personality, that living warmth, and the peculiar faculty of
stamping his own heart’s impression on a multitude of hearts, by which the
people recognize their favorites. And it must be owned that, after his most
intimate associates had done their best to know him thoroughly, and love
him warmly, they were startled to find how little hold he had upon their
affections. They approved, they admired, but still in those moments when
the human spirit most craves reality, they shrank back from Gervayse
Hastings, as powerless to give them what they sought. It was the feeling of
distrustful regret with which we should draw back the hand after extending
it, in an illusive twilight, to grasp the hand of a shadow upon the wall.
As the superficial fervency of youth decayed, this peculiar effect of
Gervayse Hastings’s character grew more perceptible. His children, when
he extended his arms, came coldly to his knees, but never climbed them of
their own accord. His wife wept secretly, and almost adjudged herself a
criminal because she shivered in the chill of his bosom. He, too,
occasionally appeared not unconscious of the chillness of his moral
atmosphere, and willing, if it might be so, to warm himself at a kindly fire.
But age stole onward and benumbed him snore and more. As the hoar-frost
began to gather on him his wife went to her grave, and was doubtless
warmer there; his children either died or were scattered to different homes
of their own; and old Gervayse Hastings, unscathed by grief,—alone, but
needing no companionship,—continued his steady walk through life, and
still one very Christmas day attended at the dismal banquet. His privilege as

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a guest had become prescriptive now. Had he claimed the head of the table,
even the skeleton would have been ejected from its seat.
Finally, at the merry Christmas-tide, when he had numbered fourscore
years complete, this pale, highbrowed, marble-featured old man once more
entered the long-frequented hall, with the same impassive aspect that had
called forth so much dissatisfied remark at his first attendance. Time, except
in matters merely external, had done nothing for him, either of good or evil.
As he took his place he threw a calm, inquiring glance around the table, as
if to ascertain whether any guest had yet appeared, after so many
unsuccessful banquets, who might impart to him the mystery—the deep,
warm secret—the life within the life—which, whether manifested in joy or
sorrow, is what gives substance to a world of shadows.
“My friends,” said Gervayse Hastings, assuming a position which his
long conversance with the festival caused to appear natural, “you are
welcome! I drink to you all in this cup of sepulchral wine.”
The guests replied courteously, but still in a manner that proved them
unable to receive the old man as a member of their sad fraternity. It may be
well to give the reader an idea of the present company at the banquet.
One was formerly a clergyman, enthusiastic in his profession, and
apparently of the genuine dynasty of those old Puritan divines whose faith
in their calling, and stern exercise of it, had placed them among the mighty
of the earth. But yielding to the speculative tendency of the age, he had
gone astray from the firm foundation of an ancient faith, and wandered into
a cloud-region, where everything was misty and deceptive, ever mocking
him with a semblance of reality, but still dissolving when he flung himself
upon it for support and rest. His instinct and early training demanded
something steadfast; but, looking forward, he beheld vapors piled on
vapors, and behind him an impassable gulf between the man of yesterday
and to-day, on the borders of which he paced to and fro, sometimes
wringing his hands in agony, and often making his own woe a theme of
scornful merriment. This surely was a miserable man. Next, there was a
theorist,—one of a numerous tribe, although he deemed himself unique
since the creation,—a theorist, who had conceived a plan by which all the
wretchedness of earth, moral and physical, might be done away, and the
bliss of the millennium at once accomplished. But, the incredulity of
mankind debarring him from action, he was smitten with as much grief as if

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the whole mass of woe which he was denied the opportunity to remedy
were crowded into his own bosom. A plain old man in black attracted much
of the company’s notice, on the supposition that he was no other than Father
Miller, who, it seemed, had given himself up to despair at the tedious delay
of the final conflagration. Then there was a man distinguished for native
pride and obstinacy, who, a little while before, had possessed immense
wealth, and held the control of a vast moneyed interest which he had
wielded in the same spirit as a despotic monarch would wield the power of
his empire, carrying on a tremendous moral warfare, the roar and tremor of
which was felt at every fireside in the land. At length came a crushing ruin,
—a total overthrow of fortune, power, and character,—the effect of which
on his imperious and, in many respects, noble and lofty nature might have
entitled him to a place, not merely at our festival, but among the peers of
Pandemonium.
There was a modern philanthropist, who had become so deeply sensible
of the calamities of thousands and millions of his fellow-creatures, and of
the impracticableness of any general measures for their relief, that he had
no heart to do what little good lay immediately within his power, but
contented himself with being miserable for sympathy. Near him sat a
gentleman in a predicament hitherto unprecedented, but of which the
present epoch probably affords numerous examples. Ever since he was of
capacity to read a newspaper, this person had prided himself on his
consistent adherence to one political party, but, in the confusion of these
latter days, had got bewildered and knew not whereabouts his party was.
This wretched condition, so morally desolate and disheartening to a man
who has long accustomed himself to merge his individuality in the mass of
a great body, can only be conceived by such as have experienced it. His
next companion was a popular orator who had lost his voice, and—as it was
pretty much all that he had to lose—had fallen into a state of hopeless
melancholy. The table was likewise graced by two of the gentler sex,—one,
a half-starved, consumptive seamstress, the representative of thousands just
as wretched; the other, a woman of unemployed energy, who found herself
in the world with nothing to achieve, nothing to enjoy, and nothing even to
suffer. She had, therefore, driven herself to the verge of madness by dark
broodings over the wrongs of her sex, and its exclusion from a proper field
of action. The roll of guests being thus complete, a side-table had been set
for three or four disappointed office-seekers, with hearts as sick as death,

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whom the stewards had admitted partly because their calamities really
entitled them to entrance here, and partly that they were in especial need of
a good dinner. There was likewise a homeless dog, with his tail between his
legs, licking up the crumbs and gnawing the fragments of the feast,—such a
melancholy cur as one sometimes sees about the streets without a master,
and willing to follow the first that will accept his service.
In their own way, these were as wretched a set of people as ever had
assembled at the festival. There they sat, with the veiled skeleton of the
founder holding aloft the cypress-wreath, at one end of the table, and at the
other, wrapped in furs, the withered figure of Gervayse Hastings, stately,
calm, and cold, impressing the company with awe, yet so little interesting
their sympathy that he might have vanished into thin air without their once
exclaiming, “Whither is he gone?”
“Sir,” said the philanthropist, addressing the old man, “you have been so
long a guest at this annual festival, and have thus been conversant with so
many varieties of human affliction, that, not improbably, you have thence
derived some great and important lessons. How blessed were your lot could
you reveal a secret by which all this mass of woe might be removed!”
“I know of but one misfortune,” answered Gervayse Hastings, quietly,
“and that is my own.”
“Your own!” rejoined the philanthropist. “And looking back on your
serene and prosperous life, how can you claim to be the sole unfortunate of
the human race?”
“You will not understand it,” replied Gervayse Hastings, feebly, and with
a singular inefficiency of pronunciation, and sometimes putting one word
for another. “None have understood it, not even those who experience the
like. It is a chillness, a want of earnestness, a feeling as if what should be
my heart were a thing of vapor, a haunting perception of unreality! Thus
seeming to possess all that other men have, all that men aim at, I have really
possessed nothing, neither joy nor griefs. All things, all persons,—as was
truly said to me at this table long and long ago,—have been like shadows
flickering on the wall. It was so with my wife and children, with those who
seemed my friends: it is so with yourselves, whom I see now before one.
Neither have I myself any real existence, but am a shadow like the rest.”
“And how is it with your views of a future life?” inquired the speculative
clergyman.

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“Worse than with you,” said the old man, in a hollow and feeble tone;
“for I cannot conceive it earnestly enough to feel either hope or fear. Mine,
—mine is the wretchedness! This cold heart,—this unreal life! Ah! it grows
colder still.”
It so chanced that at this juncture the decayed ligaments of the skeleton
gave way, and the dry hones fell together in a heap, thus causing the dusty
wreath of cypress to drop upon the table. The attention of the company
being thus diverted for a single instant from Gervayse Hastings, they
perceived, on turning again towards him, that the old man had undergone a
change. His shadow had ceased to flicker on the wall.

“Well, Rosina, what is your criticism?” asked Roderick, as he rolled up
the manuscript.
“Frankly, your success is by no means complete,” replied she. “It is true,
I have an idea of the character you endeavor to describe; but it is rather by
dint of my own thought than your expression.”
“That is unavoidable,” observed the sculptor, “because the characteristics
are all negative. If Gervayse Hastings could have imbibed one human grief
at the gloomy banquet, the task of describing him would have been
infinitely easier. Of such persons—and we do meet with these moral
monsters now and then—it is difficult to conceive how they came to exist
here, or what there is in them capable of existence hereafter. They seem to
be on the outside of everything; and nothing wearies the soul more than an
attempt to comprehend them within its grasp.”

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DROWNE’S WOODEN IMAGE

One sunshiny morning, in the good old times of the town of Boston, a
young carver in wood, well known by the name of Drowne, stood
contemplating a large oaken log, which it was his purpose to convert into
the figure-head of a vessel. And while he discussed within his own mind
what sort of shape or similitude it were well to bestow upon this excellent
piece of timber, there came into Drowne’s workshop a certain Captain
Hunnewell, owner and commander of the good brig called the Cynosure,
which had just returned from her first voyage to Fayal.
“Ah! that will do, Drowne, that will do!” cried the jolly captain, tapping
the log with his rattan. “I bespeak this very piece of oak for the figure-head
of the Cynosure. She has shown herself the sweetest craft that ever floated,
and I mean to decorate her prow with the handsomest image that the skill of
man can cut out of timber. And, Drowne, you are the fellow to execute it.”
“You give me more credit than I deserve, Captain Hunnewell,” said the
carver, modestly, yet as one conscious of eminence in his art. “But, for the
sake of the good brig, I stand ready to do my best. And which of these
designs do you prefer? Here,”—pointing to a staring, half-length figure, in a
white wig and scarlet coat,—“here is an excellent model, the likeness of our
gracious king. Here is the valiant Admiral Vernon. Or, if you prefer a
female figure, what say you to Britannia with the trident?”
“All very fine, Drowne; all very fine,” answered the mariner. “But as
nothing like the brig ever swam the ocean, so I am determined she shall
have such a figure-head as old Neptune never saw in his life. And what is
more, as there is a secret in the matter, you must pledge your credit not to
betray it.”
“Certainly,” said Drowne, marvelling, however, what possible mystery
there could be in reference to an affair so open, of necessity, to the

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inspection of all the world as the figure-head of a vessel. “You may depend,
captain, on my being as secret as the nature of the case will permit.”
Captain Hunnewell then took Drowne by the button, and communicated
his wishes in so low a tone that it would be unmannerly to repeat what was
evidently intended for the carver’s private ear. We shall, therefore, take the
opportunity to give the reader a few desirable particulars about Drowne
himself.
He was the first American who is known to have attempted—in a very
humble line, it is true—that art in which we can now reckon so many names
already distinguished, or rising to distinction. From his earliest boyhood he
had exhibited a knack—for it would be too proud a word to call it genius—
a knack, therefore, for the imitation of the human figure in whatever
material came most readily to hand. The snows of a New England winter
had often supplied him with a species of marble as dazzingly white, at least,
as the Parian or the Carrara, and if less durable, yet sufficiently so to
correspond with any claims to permanent existence possessed by the boy’s
frozen statues. Yet they won admiration from maturer judges than his
school-fellows, and were indeed, remarkably clever, though destitute of the
native warmth that might have made the snow melt beneath his hand. As he
advanced in life, the young man adopted pine and oak as eligible materials
for the display of his skill, which now began to bring him a return of solid
silver as well as the empty praise that had been an apt reward enough for his
productions of evanescent snow. He became noted for carving ornamental
pump heads, and wooden urns for gate posts, and decorations, more
grotesque than fanciful, for mantelpieces. No apothecary would have
deemed himself in the way of obtaining custom without setting up a gilded
mortar, if not a head of Galen or Hippocrates, from the skilful hand of
Drowne.
But the great scope of his business lay in the manufacture of figure-heads
for vessels. Whether it were the monarch himself, or some famous British
admiral or general, or the governor of the province, or perchance the
favorite daughter of the ship-owner, there the image stood above the prow,
decked out in gorgeous colors, magnificently gilded, and staring the whole
world out of countenance, as if from an innate consciousness of its own
superiority. These specimens of native sculpture had crossed the sea in all
directions, and been not ignobly noticed among the crowded shipping of the

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Thames and wherever else the hardy mariners of New England had pushed
their adventures. It must be confessed that a family likeness pervaded these
respectable progeny of Drowne’s skill; that the benign countenance of the
king resembled those of his subjects, and that Miss Peggy Hobart, the
merchant’s daughter, bore a remarkable similitude to Britannia, Victory, and
other ladies of the allegoric sisterhood; and, finally, that they all had a kind
of wooden aspect which proved an intimate relationship with the unshaped
blocks of timber in the carver’s workshop. But at least there was no
inconsiderable skill of hand, nor a deficiency of any attribute to render them
really works of art, except that deep quality, be it of soul or intellect, which
bestows life upon the lifeless and warmth upon the cold, and which, had it
been present, would have made Drowne’s wooden image instinct with
spirit.
The captain of the Cynosure had now finished his instructions.
“And Drowne,” said he, impressively, “you must lay aside all other
business and set about this forthwith. And as to the price, only do the job in
first-rate style, and you shall settle that point yourself.”
“Very well, captain,” answered the carver, who looked grave and
somewhat perplexed, yet had a sort of smile upon his visage; “depend upon
it, I’ll do my utmost to satisfy you.”
From that moment the men of taste about Long Wharf and the Town
Dock who were wont to show their love for the arts by frequent visits to
Drowne’s workshop, and admiration of his wooden images, began to be
sensible of a mystery in the carver’s conduct. Often he was absent in the
daytime. Sometimes, as might be judged by gleams of light from the shop
windows, he was at work until a late hour of the evening; although neither
knock nor voice, on such occasions, could gain admittance for a visitor, or
elicit any word of response. Nothing remarkable, however, was observed in
the shop at those late hours when it was thrown open. A fine piece of
timber, indeed, which Drowne was known to have reserved for some work
of especial dignity, was seen to be gradually assuming shape. What shape it
was destined ultimately to take was a problem to his friends and a point on
which the carver himself preserved a rigid silence. But day after day, though
Drowne was seldom noticed in the act of working upon it, this rude form
began to be developed until it became evident to all observers that a female
figure was growing into mimic life. At each new visit they beheld a larger

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pile of wooden chips and a nearer approximation to something beautiful. It
seemed as if the hamadryad of the oak had sheltered herself from the
unimaginative world within the heart of her native tree, and that it was only
necessary to remove the strange shapelessness that had incrusted her, and
reveal the grace and loveliness of a divinity. Imperfect as the design, the
attitude, the costume, and especially the face of the image still remained,
there was already an effect that drew the eye from the wooden cleverness of
Drowne’s earlier productions and fixed it upon the tantalizing mystery of
this new project.
Copley, the celebrated painter, then a young man and a resident of
Boston, came one day to visit Drowne; for he had recognized so much of
moderate ability in the carver as to induce him, in the dearth of professional
sympathy, to cultivate his acquaintance. On entering the shop, the artist
glanced at the inflexible image of king, commander, dame, and allegory,
that stood around, on the best of which might have been bestowed the
questionable praise that it looked as if a living man had here been changed
to wood, and that not only the physical, but the intellectual and spiritual
part, partook of the stolid transformation. But in not a single instance did it
seem as if the wood were imbibing the ethereal essence of humanity. What
a wide distinction is here! and how far the slightest portion of the latter
merit have outvalued the utmost degree of the former!
“My friend Drowne;” said Copley, smiling to himself, but alluding to the
mechanical and wooden cleverness that so invariably distinguished the
images, “you are really a remarkable person! I have seldom met with a man
in your line of business that could do so much; for one other touch might
make this figure of General Wolfe, for instance, a breathing and intelligent
human creature.”
“You would have me think that you are praising me highly, Mr. Copley,”
answered Drowne, turning his back upon Wolfe’s image in apparent disgust.
“But there has come a light into my mind. I know what you know as well,
that the one touch which you speak of as deficient is the only one that
would be truly valuable, and that without it these works of mine are no
better than worthless abortions. There is the same difference between them
and the works of an inspired artist as between a sign-post daub and one of
your best pictures.”

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“This is strange,” cried Copley, looking him in the face, which now, as
the painter fancied, had a singular depth of intelligence, though hitherto it
had not given him greatly the advantage over his own family of wooden
images. “What has come over you? How is it that, possessing the idea
which you have now uttered, you should produce only such works as
these?”
The carver smiled, but made no reply. Copley turned again to the images,
conceiving that the sense of deficiency which Drowne had just expressed,
and which is so rare in a merely mechanical character, must surely imply a
genius, the tokens of which had heretofore been overlooked. But no; there
was not a trace of it. He was about to withdraw when his eyes chanced to
fall upon a half-developed figure which lay in a corner of the workshop,
surrounded by scattered chips of oak. It arrested him at once.
“What is here? Who has done this?” he broke out, after contemplating it
in speechless astonishment for an instant. “Here is the divine, the lifegiving
touch. What inspired hand is beckoning this wood to arise and live? Whose
work is this?”
“No man’s work,” replied Drowne. “The figure lies within that block of
oak, and it is my business to find it.”
“Drowne,” said the true artist, grasping the carver fervently by the hand,
“you are a man of genius!”
As Copley departed, happening to glance backward from the threshold,
he beheld Drowne bending over the half-created shape, and stretching forth
his arms as if he would have embraced and drawn it to his heart; while, had
such a miracle been possible, his countenance expressed passion enough to
communicate warmth and sensibility to the lifeless oak.
“Strange enough!” said the artist to himself. “Who would have looked for
a modern Pygmalion in the person of a Yankee mechanic!”
As yet, the image was but vague in its outward presentment; so that, as in
the cloud shapes around the western sun, the observer rather felt, or was led
to imagine, than really saw what was intended by it. Day by day, however,
the work assumed greater precision, and settled its irregular and misty
outline into distincter grace and beauty. The general design was now
obvious to the common eye. It was a female figure, in what appeared to be a
foreign dress; the gown being laced over the bosom, and opening in front so
as to disclose a skirt or petticoat, the folds and inequalities of which were

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admirably represented in the oaken substance. She wore a hat of singular
gracefulness, and abundantly laden with flowers, such as never grew in the
rude soil of New England, but which, with all their fanciful luxuriance, had
a natural truth that it seemed impossible for the most fertile imagination to
have attained without copying from real prototypes. There were several
little appendages to this dress, such as a fan, a pair of earrings, a chain
about the neck, a watch in the bosom, and a ring upon the finger, all of
which would have been deemed beneath the dignity of sculpture. They were
put on, however, with as much taste as a lovely woman might have shown
in her attire, and could therefore have shocked none but a judgment spoiled
by artistic rules.
The face was still imperfect; but gradually, by a magic touch, intelligence
and sensibility brightened through the features, with all the effect of light
gleaming forth from within the solid oak. The face became alive. It was a
beautiful, though not precisely regular and somewhat haughty aspect, but
with a certain piquancy about the eyes and mouth, which, of all expressions,
would have seemed the most impossible to throw over a wooden
countenance. And now, so far as carving went, this wonderful production
was complete.
“Drowne,” said Copley, who had hardly missed a single day in his visits
to the carver’s workshop, “if this work were in marble it would make you
famous at once; nay, I would almost affirm that it would make an era in the
art. It is as ideal as an antique statue, and yet as real as any lovely woman
whom one meets at a fireside or in the street. But I trust you do not mean to
desecrate this exquisite creature with paint, like those staring kings and
admirals yonder?”
“Not paint her!” exclaimed Captain Hunnewell, who stood by; “not paint
the figure-head of the Cynosure! And what sort of a figure should I cut in a
foreign port with such an unpainted oaken stick as this over my prow! She
must, and she shall, be painted to the life, from the topmost flower in her
hat down to the silver spangles on her slippers.”
“Mr. Copley,” said Drowne, quietly, “I know nothing of marble statuary,
and nothing of the sculptor’s rules of art; but of this wooden image, this
work of my hands, this creature of my heart,”—and here his voice faltered
and choked in a very singular manner,—“of this—of her—I may say that I
know something. A well-spring of inward wisdom gushed within me as I

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wrought upon the oak with my whole strength, and soul, and faith. Let
others do what they may with marble, and adopt what rules they choose. If I
can produce my desired effect by painted wood, those rules are not for me,
and I have a right to disregard them.”
“The very spirit of genius,” muttered Copley to himself. “How otherwise
should this carver feel himself entitled to transcend all rules, and make me
ashamed of quoting them?”
He looked earnestly at Drowne, and again saw that expression of human
love which, in a spiritual sense, as the artist could not help imagining, was
the secret of the life that had been breathed into this block of wood.
The carver, still in the same secrecy that marked all his operations upon
this mysterious image, proceeded to paint the habiliments in their proper
colors, and the countenance with Nature’s red and white. When all was
finished he threw open his workshop, and admitted the towns people to
behold what he had done. Most persons, at their first entrance, felt impelled
to remove their hats, and pay such reverence as was due to the richly-
dressed and beautiful young lady who seemed to stand in a corner of the
room, with oaken chips and shavings scattered at her feet. Then came a
sensation of fear; as if, not being actually human, yet so like humanity, she
must therefore be something preternatural. There was, in truth, an
indefinable air and expression that might reasonably induce the query, Who
and from what sphere this daughter of the oak should be? The strange, rich
flowers of Eden on her head; the complexion, so much deeper and more
brilliant than those of our native beauties; the foreign, as it seemed, and
fantastic garb, yet not too fantastic to be worn decorously in the street; the
delicately-wrought embroidery of the skirt; the broad gold chain about her
neck; the curious ring upon her finger; the fan, so exquisitely sculptured in
open work, and painted to resemble pearl and ebony;—where could
Drowne, in his sober walk of life, have beheld the vision here so
matchlessly embodied! And then her face! In the dark eyes, and around the
voluptuous mouth, there played a look made up of pride, coquetry, and a
gleam of mirthfulness, which impressed Copley with the idea that the image
was secretly enjoying the perplexing admiration of himself and other
beholders.
“And will you,” said he to the carver, “permit this masterpiece to become
the figure-head of a vessel? Give the honest captain yonder figure of

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Britannia—it will answer his purpose far better—and send this fairy queen
to England, where, for aught I know, it may bring you a thousand pounds.”
“I have not wrought it for money,” said Drowne.
“What sort of a fellow is this!” thought Copley. “A Yankee, and throw
away the chance of making his fortune! He has gone mad; and thence has
come this gleam of genius.”
There was still further proof of Drowne’s lunacy, if credit were due to the
rumor that he had been seen kneeling at the feet of the oaken lady, and
gazing with a lover’s passionate ardor into the face that his own hands had
created. The bigots of the day hinted that it would be no matter of surprise if
an evil spirit were allowed to enter this beautiful form, and seduce the
carver to destruction.
The fame of the image spread far and wide. The inhabitants visited it so
universally, that after a few days of exhibition there was hardly an old man
or a child who had not become minutely familiar with its aspect. Even had
the story of Drowne’s wooden image ended here, its celebrity might have
been prolonged for many years by the reminiscences of those who looked
upon it in their childhood, and saw nothing else so beautiful in after life.
But the town was now astounded by an event, the narrative of which has
formed itself into one of the most singular legends that are yet to be met
with in the traditionary chimney corners of the New England metropolis,
where old men and women sit dreaming of the past, and wag their heads at
the dreamers of the present and the future.
One fine morning, just before the departure of the Cynosure on her
second voyage to Fayal, the commander of that gallant vessel was seen to
issue from his residence in Hanover Street. He was stylishly dressed in a
blue broadcloth coat, with gold lace at the seams and button-holes, an
embroidered scarlet waistcoat, a triangular hat, with a loop and broad
binding of gold, and wore a silver-hilted hanger at his side. But the good
captain might have been arrayed in the robes of a prince or the rags of a
beggar, without in either case attracting notice, while obscured by such a
companion as now leaned on his arm. The people in the street started,
rubbed their eyes, and either leaped aside from their path, or stood as if
transfixed to wood or marble in astonishment.
“Do you see it?—do you see it?” cried one, with tremulous eagerness. “It
is the very same!”

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“The same?” answered another, who had arrived in town only the night
before. “Who do you mean? I see only a sea-captain in his shoregoing
clothes, and a young lady in a foreign habit, with a bunch of beautiful
flowers in her hat. On my word, she is as fair and bright a damsel as my
eyes have looked on this many a day!”
“Yes; the same!—the very same!” repeated the other. “Drowne’s wooden
image has come to life!”
Here was a miracle indeed! Yet, illuminated by the sunshine, or darkened
by the alternate shade of the houses, and with its garments fluttering lightly
in the morning breeze, there passed the image along the street. It was
exactly and minutely the shape, the garb, and the face which the towns-
people had so recently thronged to see and admire. Not a rich flower upon
her head, not a single leaf, but had had its prototype in Drowne’s wooden
workmanship, although now their fragile grace had become flexible, and
was shaken by every footstep that the wearer made. The broad gold chain
upon the neck was identical with the one represented on the image, and
glistened with the motion imparted by the rise and fall of the bosom which
it decorated. A real diamond sparkled on her finger. In her right hand she
bore a pearl and ebony fan, which she flourished with a fantastic and
bewitching coquetry, that was likewise expressed in all her movements as
well as in the style of her beauty and the attire that so well harmonized with
it. The face with its brilliant depth of complexion had the same piquancy of
mirthful mischief that was fixed upon the countenance of the image, but
which was here varied and continually shifting, yet always essentially the
same, like the sunny gleam upon a bubbling fountain. On the whole, there
was something so airy and yet so real in the figure, and withal so perfectly
did it represent Drowne’s image, that people knew not whether to suppose
the magic wood etherealized into a spirit or warmed and softened into an
actual woman.
“One thing is certain,” muttered a Puritan of the old stamp, “Drowne has
sold himself to the devil; and doubtless this gay Captain Hunnewell is a
party to the bargain.”
“And I,” said a young man who overheard him, “would almost consent to
be the third victim, for the liberty of saluting those lovely lips.”
“And so would I,” said Copley, the painter, “for the privilege of taking
her picture.”

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The image, or the apparition, whichever it might be, still escorted by the
bold captain, proceeded from Hanover Street through some of the cross
lanes that make this portion of the town so intricate, to Ann Street, thence
into Dock Square, and so downward to Drowne’s shop, which stood just on
the water’s edge. The crowd still followed, gathering volume as it rolled
along. Never had a modern miracle occurred in such broad daylight, nor in
the presence of such a multitude of witnesses. The airy image, as if
conscious that she was the object of the murmurs and disturbance that
swelled behind her, appeared slightly vexed and flustered, yet still in a
manner consistent with the light vivacity and sportive mischief that were
written in her countenance. She was observed to flutter her fan with such
vehement rapidity that the elaborate delicacy of its workmanship gave way,
and it remained broken in her hand.
Arriving at Drowne’s door, while the captain threw it open, the
marvellous apparition paused an instant on the threshold, assuming the very
attitude of the image, and casting over the crowd that glance of sunny
coquetry which all remembered on the face of the oaken lady. She and her
cavalier then disappeared.
“Ah!” murmured the crowd, drawing a deep breath, as with one vast pair
of lungs.
“The world looks darker now that she has vanished,” said some of the
young men.
But the aged, whose recollections dated as far back as witch times, shook
their heads, and hinted that our forefathers would have thought it a pious
deed to burn the daughter of the oak with fire.
“If she be other than a bubble of the elements,” exclaimed Copley, “I
must look upon her face again.”
He accordingly entered the shop; and there, in her usual corner, stood the
image, gazing at him, as it might seem, with the very same expression of
mirthful mischief that had been the farewell look of the apparition when,
but a moment before, she turned her face towards the crowd. The carver
stood beside his creation mending the beautiful fan, which by some
accident was broken in her hand. But there was no longer any motion in the
lifelike image, nor any real woman in the workshop, nor even the witchcraft
of a sunny shadow, that might have deluded people’s eyes as it flitted along
the street. Captain Hunnewell, too, had vanished. His hoarse sea-breezy

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tones, however, were audible on the other side of a door that opened upon
the water.
“Sit down in the stern sheets, my lady,” said the gallant captain. “Come,
bear a hand, you lubbers, and set us on board in the turning of a minute-
glass.”
And then was heard the stroke of oars.
“Drowne,” said Copley with a smile of intelligence, “you have been a
truly fortunate man. What painter or statuary ever had such a subject! No
wonder that she inspired a genius into you, and first created the artist who
afterwards created her image.”
Drowne looked at him with a visage that bore the traces of tears, but from
which the light of imagination and sensibility, so recently illuminating it,
had departed. He was again the mechanical carver that he had been known
to be all his lifetime.
“I hardly understand what you mean, Mr. Copley,” said he, putting his
hand to his brow. “This image! Can it have been my work? Well, I have
wrought it in a kind of dream; and now that I am broad awake I must set
about finishing yonder figure of Admiral Vernon.”
And forthwith he employed himself on the stolid countenance of one of
his wooden progeny, and completed it in his own mechanical style, from
which he was never known afterwards to deviate. He followed his business
industriously for many years, acquired a competence, and in the latter part
of his life attained to a dignified station in the church, being remembered in
records and traditions as Deacon Drowne, the carver. One of his
productions, an Indian chief, gilded all over, stood during the better part of
a century on the cupola of the Province House, bedazzling the eyes of those
who looked upward, like an angel of the sun. Another work of the good
deacon’s hand—a reduced likeness of his friend Captain Hunnewell,
holding a telescope and quadrant—may be seen to this day, at the corner of
Broad and State streets, serving in the useful capacity of sign to the shop of
a nautical instrument maker. We know not how to account for the inferiority
of this quaint old figure, as compared with the recorded excellence of the
Oaken Lady, unless on the supposition that in every human spirit there is
imagination, sensibility, creative power, genius, which, according to
circumstances, may either be developed in this world, or shrouded in a
mask of dulness until another state of being. To our friend Drowne there

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came a brief season of excitement, kindled by love. It rendered him a genius
for that one occasion, but, quenched in disappointment, left him again the
mechanical carver in wood, without the power even of appreciating the
work that his own hands had wrought. Yet who can doubt that the very
highest state to which a human spirit can attain, in its loftiest aspirations, is
its truest and most natural state, and that Drowne was more consistent with
himself when he wrought the admirable figure of the mysterious lady, than
when he perpetrated a whole progeny of blockheads?
There was a rumor in Boston, about this period, that a young Portuguese
lady of rank, on some occasion of political or domestic disquietude, had
fled from her home in Fayal and put herself under the protection of Captain
Hunnewell, on board of whose vessel, and at whose residence, she was
sheltered until a change of affairs. This fair stranger must have been the
original of Drowne’s Wooden Image.

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THE INTELLIGENCE OFFICE

Grave figure, with a pair of mysterious spectacles on his nose and a pen
behind his ear, was seated at a desk in the corner of a metropolitan office.
The apartment was fitted up with a counter, and furnished with an oaken
cabinet and a Chair or two, in simple and business-like style. Around the
walls were stuck advertisements of articles lost, or articles wanted, or
articles to be disposed of; in one or another of which classes were
comprehended nearly all the Conveniences, or otherwise, that the
imagination of man has contrived. The interior of the room was thrown into
shadow, partly by the tall edifices that rose on the opposite side of the
street, and partly by the immense show-bills of blue and crimson paper that
were expanded over each of the three windows. Undisturbed by the tramp
of feet, the rattle of wheels, the hump of voices, the shout of the city crier,
the scream of the newsboys, and other tokens of the multitudinous life that
surged along in front of the office, the figure at the desk pored diligently
over a folio volume, of ledger-like size and aspect, He looked like the spirit
of a record—the soul of his own great volume made visible in mortal shape.
But scarcely an instant elapsed without the appearance at the door of
some individual from the busy population whose vicinity was manifested
by so much buzz, and clatter, and outcry. Now, it was a thriving mechanic
in quest of a tenement that should come within his moderate means of rent;
now, a ruddy Irish girl from the banks of Killarney, wandering from kitchen
to kitchen of our land, while her heart still hung in the peat-smoke of her
native cottage; now, a single gentleman looking out for economical board;
and now—for this establishment offered an epitome of worldly pursuits—it
was a faded beauty inquiring for her lost bloom; or Peter Schlemihl, for his
lost shadow; or an author of ten years’ standing, for his vanished reputation;
or a moody man, for yesterday’s sunshine.
At the next lifting of the latch there entered a person with his hat awry
upon his head, his clothes perversely ill-suited to his form, his eyes staring

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in directions opposite to their intelligence, and a certain odd unsuitableness
pervading his whole figure. Wherever he might chance to be, whether in
palace or cottage, church or market, on land or sea, or even at his own
fireside, he must have worn the characteristic expression of a man out of his
right place.
“This,” inquired he, putting his question in the form of an assertion,
—“this is the Central Intelligence Office?”
“Even so,” answered the figure at the desk, turning another leaf of his
volume; he then looked the applicant in the face and said briefly, “Your
business?”
“I want,” said the latter, with tremulous earnestness, “a place!”
“A place! and of what nature?” asked the Intelligencer. “There are many
vacant, or soon to be so, some of which will probably suit, since they range
from that of a footman up to a seat at the council-board, or in the cabinet, or
a throne, or a presidential chair.”
The stranger stood pondering before the desk with an unquiet,
dissatisfied air,—a dull, vague pain of heart, expressed by a slight
contortion of the brow,—an earnestness of glance, that asked and expected,
yet continually wavered, as if distrusting. In short, he evidently wanted, not
in a physical or intellectual sense, but with an urgent moral necessity that is
the hardest of all things to satisfy, since it knows not its own object.
“Ah, you mistake me!” said he at length, with a gesture of nervous
impatience. “Either of the places you mention, indeed, might answer my
purpose; or, more probably, none of them. I want my place! my own place!
my true place in the world! my proper sphere! my thing to do, which Nature
intended me to perform when she fashioned me thus awry, and which I have
vainly sought all my lifetime! Whether it be a footman’s duty or a king’s is
of little consequence, so it be naturally mine. Can you help me here?”
“I will enter your application,” answered the Intelligencer, at the same
time writing a few lines in his volume. “But to undertake such a business, I
tell you frankly, is quite apart from the ground covered by my official
duties. Ask for something specific, and it may doubtless be negotiated for
you, on your compliance with the conditions. But were I to go further, I
should have the whole population of the city upon my shoulders; since far
the greater proportion of them are, more or less, in your predicament.”

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The applicant sank into a fit of despondency, and passed out of the door
without again lifting his eyes; and, if he died of the disappointment, he was
probably buried in the wrong tomb, inasmuch as the fatality of such people
never deserts them, and, whether alive or dead, they are invariably out of
place.
Almost immediately another foot was heard on the threshold. A youth
entered hastily, and threw a glance around the office to ascertain whether
the man of intelligence was alone. He then approached close to the desk,
blushed like a maiden, and seemed at a loss how to broach his business.
“You come upon an affair of the heart,” said the official personage,
looking into him through his mysterious spectacles. “State it in as few
words as may be.”
“You are right,” replied the youth. “I have a heart to dispose of.”
“You seek an exchange?” said the Intelligencer. “Foolish youth, why not
be contented with your own?”
“Because,” exclaimed the young man, losing his embarrassment in a
passionate glow,—“because my heart burns me with an intolerable fire; it
tortures me all day long with yearnings for I know not what, and feverish
throbbings, and the pangs of a vague sorrow; and it awakens me in the
night-time with a quake, when there is nothing to be feared. I cannot endure
it any longer. It were wiser to throw away such a heart, even if it brings me
nothing in return.”
“O, very well,” said the man of office, making an entry in his volume.
“Your affair will be easily transacted. This species of brokerage makes no
inconsiderable part of my business; and there is always a large assortment
of the article to select from. Here, if I mistake not, comes a pretty fair
sample.”
Even as he spoke the door was gently and slowly thrust ajar, affording a
glimpse of the slender figure of a young girl, who, as she timidly entered,
seemed to bring the light and cheerfulness of the outer atmosphere into the
somewhat gloomy apartment. We know not her errand there, nor can we
reveal whether the young man gave up his heart into her custody. If so, the
arrangement was neither better nor worse than in ninety-nine cases out of a
hundred, where the parallel sensibilities of a similar age, importunate
affections, and the easy satisfaction of characters not deeply conscious of
themselves, supply the place of any profounder sympathy.

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Not always, however, was the agency of the passions and affections an
office of so little trouble. It happened, rarely, indeed, in proportion to the
cases that came under an ordinary rule, but still it did happen, that a heart
was occasionally brought hither of such exquisite material, so delicately
attempered, and so curiously wrought, that no other heart could be found to
match it. It might almost be considered a misfortune, in a worldly point of
view, to be the possessor of such a diamond of the purest water; since in
any reasonable probability it could only be exchanged for an ordinary
pebble, or a bit of cunningly manufactured glass, or, at least, for a jewel of
native richness, but ill-set, or with some fatal flaw, or an earthy vein
running through its central lustre. To choose another figure, it is sad that
hearts which have their wellspring in the infinite, and contain inexhaustible
sympathies, should ever be doomed to pour themselves into shallow
vessels, and thus lavish their rich affections on the ground. Strange that the
finer and deeper nature, whether in man or woman, while possessed of
every other delicate instinct, should so often lack that most invaluable one
of preserving itself front contamination with what is of a baser kind!
Sometimes, it is true, the spiritual fountain is kept pure by a wisdom within
itself, and sparkles into the light of heaven without a stain from the earthy
strata through which it had gushed upward. And sometimes, even here on
earth, the pure mingles with the pure, and the inexhaustible is recompensed
with the infinite. But these miracles, though he should claim the credit of
them, are far beyond the scope of such a superficial agent in human affairs
as the figure in the mysterious spectacles.
Again the door was opened, admitting the bustle of the city with a fresher
reverberation into the Intelligence Office. Now entered a man of woe-
begone and downcast look; it was such an aspect as if he had lost the very
soul out of his body, and had traversed all the world over, searching in the
dust of the highways, and along the shady footpaths, and beneath the leaves
of the forest, and among the sands of the sea-shore, in hopes to recover it
again. He had bent an anxious glance along the pavement of the street as he
came hitherward; he looked also in the angle of the doorstep, and upon the
floor of the room; and, finally, coming up to the Man of Intelligence, he
gazed through the inscrutable spectacles which the latter wore, as if the lost
treasure might be hidden within his eyes.
“I have lost—” he began; and then he paused.

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“Yes,” said the Intelligencer, “I see that you have lost,—but what?”
“I have lost a precious jewel!” replied the unfortunate person, “the like of
which is not to be found among any prince’s treasures. While I possessed it,
the contemplation of it was my sole and sufficient happiness. No price
should have purchased it of me; but it has fallen from my bosom where I
wore it in my careless wanderings about the city.”
After causing the stranger to describe the marks of his lost jewel, the
Intelligencer opened a drawer of the oaken cabinet which has been
mentioned as forming a part of the furniture of the room. Here were
deposited whatever articles had been picked up in the streets, until the right
owners should claim them. It was a strange and heterogeneous collection.
Not the least remarkable part of it was a great number of wedding-rings,
each one of which had been riveted upon the finger with holy vows, and all
the mystic potency that the most solemn rites could attain, but had,
nevertheless, proved too slippery for the wearer’s vigilance. The gold of
some was worn thin, betokening the attrition of years of wedlock; others,
glittering from the jeweller’s shop, must have been lost within the
honeymoon. There were ivory tablets, the leaves scribbled over with
sentiments that had been the deepest truths of the writer’s earlier years, but
which were now quite obliterated from his memory. So scrupulously were
articles preserved in this depository, that not even withered flowers were
rejected; white roses, and blush-roses, and moss-roses, fit emblems of
virgin purity and shamefacedness, which bad been lost or flung away, and
trampled into the pollution of the streets; locks of hair,—the golden and the
glossy dark,—the long tresses of woman and the crisp curls of man,
signified that lovers were now and then so heedless of the faith intrusted to
them as to drop its symbol from the treasure-place of the bosom. Many of
these things were imbued with perfumes, and perhaps a sweet scent had
departed from the lives of their former possessors ever since they had so
wilfully or negligently lost them. Here were gold pencil-cases, little ruby
hearts with golden arrows through them, bosom-pins, pieces of coin, and
small articles of every description, comprising nearly all that have been lost
since a long time ago. Most of them, doubtless, had a history and a
meaning, if there were time to search it out and room to tell it. Whoever has
missed anything valuable, whether out of his heart, mind, or pocket, would
do well to make inquiry at the Central Intelligence Office.

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And in the corner of one of the drawers of the oaken cabinet, after
considerable research, was found a great pearl, looking like the soul of
celestial purity, congealed and polished.
“There is my jewel! my very pearl!” cried the stranger, almost beside
himself with rapture. “It is mine! Give it me this moment! or I shall perish!”
“I perceive,” said the Man of Intelligence, examining it more closely,
“that this is the Pearl of Great Price!”
“The very same,” answered the stranger. “Judge, then, of my misery at
losing it out of my bosom! Restore it to me! I must not live without it an
instant to longer.”
“Pardon me,” rejoined the Intelligencer, calmly, “you ask what is beyond
my duty. This pearl, as you well know, is held upon a peculiar tenure; and
having once let it escape from your keeping, you have no greater claim to it
—nay, not so great—as any other person. I cannot give it back.”
Nor could the entreaties of the miserable man—who saw before his eyes
the jewel of his life without the power to reclaim it—soften the heart of this
stern being, impassive to human sympathy, though exercising such an
apparent influence over human fortunes. Finally the loser of the inestimable
pearl clutched his hands among his hair, and ran madly forth into the world,
which was affrighted at his desperate looks. There passed him on the
doorstep a fashionable young gentleman, whose business was to inquire for
a damask rosebud, the gift of his lady-love, which he had lost out of his
buttonhole within a hour after receiving it. So various were the errands of
those who visited this Central Office, where all human wishes seemed to be
made known, and, so far as destiny would allow, negotiated to their
fulfilment.
The next that entered was a man beyond the middle age, bearing the look
of one who knew the world and his own course in it. He had just alighted
from a handsome private carriage, which had orders to wait in the street
while its owner transacted his business. This person came up to the desk
with a quick, determined step, and looked the Intelligencer in the face with
a resolute eye; though, at the same time, some secret trouble gleamed from
it in red and dusky light.
“I have an estate to dispose of,” said he, with a brevity that seemed
characteristic.

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“Describe it,” said the Intelligencer.
The applicant proceeded to give the boundaries of his property, its nature,
comprising tillage, pasture, woodland, and pleasure-grounds, in ample
circuit; together with a mansion-house, in the construction of which it had
been his object to realize a castle in the air, hardening its shadowy walls
into granite, and rendering its visionary splendor perceptible to the
awakened eye. Judging from his description, it was beautiful enough to
vanish like a dream, yet substantial enough to endure for centuries. He
spoke, too, of the gorgeous furniture, the refinements of upholstery, and all
the luxurious artifices that combined to render this a residence where life
might flow onward in a stream of golden days, undisturbed by the
ruggedness which fate loves to fling into it.
“I am a man of strong will,” said he, in conclusion; “and at my first
setting out in life, as a poor, unfriended youth, I resolved to make myself
the possessor of such a mansion and estate as this, together with the
abundant revenue necessary to uphold it. I have succeeded to the extent of
my utmost wish. And this is the estate which I have now concluded to
dispose of.”
“And your terms?” asked the Intelligencer, after taking down the
particulars with which the stranger had supplied him.
“Easy, abundantly easy!” answered the successful man, smiling, but with
a stern and almost frightful contraction of the brow, as if to quell an inward
pang. “I have been engaged in various sorts of business,—a distiller, a
trader to Africa, an East India merchant, a speculator in the stocks,—and, in
the course of these affairs, have contracted an encumbrance of a certain
nature. The purchaser of the estate shall merely be required to assume this
burden to himself.”
“I understand you,” said the Man of Intelligence, putting his pen behind
his ear. “I fear that no bargain can be negotiated on these conditions. Very
probably the next possessor may acquire the estate with a similar
encumbrance, but it will be of his own contracting, and will not lighten your
burden in the least.”
“And am I to live on,” fiercely exclaimed the stranger, “with the dirt of
these accursed acres and the granite of this infernal mansion crushing down
my soul? How, if I should turn the edifice into an almshouse or a hospital,
or tear it down and build a church?”

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“You can at least make the experiment,” said the Intelligencer; “but the
whole matter is one which you must settle for yourself.”
The man of deplorable success withdrew, and got into his coach, which
rattled off lightly over the wooden pavements, though laden with the weight
of much land, a stately house, and ponderous heaps of gold, all compressed
into an evil conscience.
There now appeared many applicants for places; among the most
noteworthy of whom was a small, smoke-dried figure, who gave himself
out to be one of the bad spirits that had waited upon Dr. Faustus in his
laboratory. He pretended to show a certificate of character, which, he
averred, had been given him by that famous necromancer, and
countersigned by several masters whom he had subsequently served.
“I am afraid, my good friend,” observed the Intelligencer, “that your
chance of getting a service is but poor. Nowadays, men act the evil spirit for
themselves and their neighbors, and play the part more effectually than
ninety-nine out of a hundred of your fraternity.”
But, just as the poor fiend was assuming a vaporous consistency, being
about to vanish through the floor in sad disappointment and chagrin, the
editor of a political newspaper chanced to enter the office in quest of a
scribbler of party paragraphs. The former servant of Dr. Faustus, with some
misgivings as to his sufficiency of venom, was allowed to try his hand in
this capacity. Next appeared, likewise seeking a service, the mysterious man
in Red, who had aided Bonaparte in his ascent to imperial power. He was
examined as to his qualifications by an aspiring politician, but finally
rejected, as lacking familiarity with the cunning tactics of the present day.
People continued to succeed each other with as much briskness as if
everybody turned aside, out of the roar and tumult of the city, to record here
some want, or superfluity, or desire. Some had goods or possessions, of
which they wished to negotiate the sale. A China merchant had lost his
health by a long residence in that wasting climate. He very liberally offered
his disease, and his wealth along with it, to any physician who would rid
him of both together. A soldier offered his wreath of laurels for as good a
leg as that which it had cost him on the battle-field. One poor weary wretch
desired nothing but to be accommodated with any creditable method of
laying down his life; for misfortune and pecuniary troubles had so subdued
his spirits that he could no longer conceive the possibility of happiness, nor

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had the heart to try for it. Nevertheless, happening to, overhear some
conversation in the Intelligence Office respecting wealth to be rapidly
accumulated by a certain mode of speculation, he resolved to live out this
one other experiment of better fortune. Many persons desired to exchange
their youthful vices for others better suited to the gravity of advancing age;
a few, we are glad to say, made earnest, efforts to exchange vice for virtue,
and, hard as the bargain was, succeeded in effecting it. But it was
remarkable that what all were the least willing to give up, even on the most
advantageous terms, were the habits, the oddities, the characteristic traits,
the little ridiculous indulgences, somewhere between faults and follies, of
which nobody but themselves could understand the fascination.
The great folio, in which the Man of Intelligence recorded all these freaks
of idle hearts, and aspirations of deep hearts, and desperate longings of
miserable hearts, and evil prayers of perverted hearts, would be curious
reading were it possible to obtain it for publication. Human character in its
individual developments-human nature in the mass—may best be studied in
its wishes; and this was the record of them all. There was an endless
diversity of mode and circumstance, yet withal such a similarity in the real
groundwork, that any one page of the volume-whether written in the days
before the Flood, or the yesterday that is just gone by, or to be written on
the morrow that is close at hand, or a thousand ages hence—might serve as
a specimen of the whole. Not but that there were wild sallies of fantasy that
could scarcely occur to more than one man’s brain, whether reasonable or
lunatic. The strangest wishes—yet most incident to men who had gone deep
into scientific pursuits, and attained a high intellectual stage, though not the
loftiest—were, to contend with Nature, and wrest from her some secret, or
some power, which she had seen fit to withhold from mortal grasp. She
loves to delude her aspiring students, and mock them with mysteries that
seem but just beyond their utmost reach. To concoct new minerals, to
produce new forms of vegetable life, to create an insect, if nothing higher in
the living scale, is a sort of wish that has often revelled in the breast of a
man of science. An astronomer, who lived far more among the distant
worlds of space than in this lower sphere, recorded a wish to behold the
opposite side of the moon, which, unless the system of the firmament be
reversed, she can never turn towards the earth. On the same page of the
volume was written the wish of a little child to have the stars for playthings.

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The most ordinary wish, that was written down with wearisome
recurrence, was, of course, for wealth, wealth, wealth, in sums from a few
shillings up to unreckonable thousands. But in reality this often-repeated
expression covered as many different desires. Wealth is the golden essence
of the outward world, embodying almost everything that exists beyond the
limits of the soul; and therefore it is the natural yearning for the life in the
midst of which we find ourselves, and of which gold is the condition of
enjoyment, that men abridge into this general wish. Here and there, it is
true, the volume testified to some heart so perverted as to desire gold for its
own sake. Many wished for power; a strange desire indeed, since it is but
another form of slavery. Old people wished for the delights of youth; a fop
for a fashionable coat; an idle reader, for a new novel; a versifier, for a
rhyme to some stubborn word; a painter, for Titian’s secret of coloring; a
prince, for a cottage; a republican, for a kingdom and a palace; a libertine,
for his neighbor’s wife; a man of palate, for green peas; and a poor man, for
a crust of bread. The ambitious desires of public men, elsewhere so craftily
concealed, were here expressed openly and boldly, side by side with the
unselfish wishes of the philanthropist for the welfare of the race, so
beautiful, so comforting, in contrast with the egotism that continually
weighed self against the world. Into the darker secrets of the Book of
Wishes we will not penetrate.
It would be an instructive employment for a student of mankind, perusing
this volume carefully and comparing its records with men’s perfected
designs, as expressed in their deeds and daily life, to ascertain how far the
one accorded with the other. Undoubtedly, in most cases, the
correspondence would be found remote. The holy and generous wish, that
rises like incense from a pure heart towards heaven, often lavishes its sweet
perfume on the blast of evil times. The foul, selfish, murderous wish, that
steams forth from a corrupted heart, often passes into the spiritual
atmosphere without being concreted into an earthly deed. Yet this volume is
probably truer, as a representation of the human heart, than is the living
drama of action as it evolves around us. There is more of good and more of
evil in it; more redeeming points of the bad and more errors of the virtuous;
higher upsoarings, and baser degradation of the soul; in short, a more
perplexing amalgamation of vice and virtue than we witness in the outward
world. Decency and external conscience often produce a far fairer outside
than is warranted by the stains within. And be it owned, oil the other hand,

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that a man seldom repeats to his nearest friend, any more than he realizes in
act, the purest wishes, which, at some blessed time or other, have arisen
from the depths of his nature and witnessed for him in this volume. Yet
there is enough on every leaf to make the good man shudder for his own
wild and idle wishes, as well as for the sinner, whose whole life is the
incarnation of a wicked desire.
But again the door is opened, and we hear the tumultuous stir of the
world,—a deep and awful sound, expressing in another form some portion
of what is written in the volume that lies before the Man of Intelligence. A
grandfatherly personage tottered hastily into the office, with such an
earnestness in his infirm alacrity that his white hair floated backward as he
hurried up to the desk, while his dim eyes caught a momentary lustre from
his vehemence of purpose. This venerable figure explained that he was in
search of To-morrow.
“I have spent all my life in pursuit of it,” added the sage old gentleman,
“being assured that To-morrow has some vast benefit or other in store for
me. But I am now getting a little in years, and must make haste; for, unless I
overtake To-morrow soon, I begin to be afraid it will finally escape me.”
“This fugitive To-morrow, my venerable friend,” said the Man of
Intelligence, “is a stray child of Time, and is flying from his father into the
region of the infinite. Continue your pursuit, and you will doubtless come
up with him; but as to the earthly gifts which you expect, he has scattered
them all among a throng of Yesterdays.”
Obliged to content himself with this enigmatical response, the grandsire
hastened forth with a quick clatter of his staff upon the floor; and, as he
disappeared, a little boy scampered through the door in chase of a butterfly
which had got astray amid the barren sunshine of the city. Had the old
gentleman been shrewder, he might have detected To-morrow under the
semblance of that gaudy insect. The golden butterfly glistened through the
shadowy apartment, and brushed its wings against the Book of Wishes, and
fluttered forth again with the child still in pursuit.
A man now entered, in neglected attire, with the aspect of a thinker, but
somewhat too rough-hewn and brawny for a scholar. His face was full of
sturdy vigor, with some finer and keener attribute beneath. Though harsh at
first, it was tempered with the glow of a large, warm heart, which had force
enough to heat his powerful intellect through and through. He advanced to

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the Intelligencer and looked at him with a glance of such stern sincerity that
perhaps few secrets were beyond its scope.
“I seek for Truth,” said he.
“It is precisely the most rare pursuit that has ever come under my
cognizance,” replied the Intelligencer, as he made the new inscription in his
volume. “Most men seek to impose some cunning falsehood upon
themselves for truth. But I can lend no help to your researches. You must
achieve the miracle for yourself. At some fortunate moment you may find
Truth at your side, or perhaps she may be mistily discerned far in advance,
or possibly behind you.”
“Not behind me,” said the seeker; “for I have left nothing on my track
without a thorough investigation. She flits before me, passing now through
a naked solitude, and now mingling with the throng of a popular assembly,
and now writing with the pen of a French philosopher, and now standing at
the altar of an old cathedral, in the guise of a Catholic priest, performing the
high mass. O weary search! But I must not falter; and surely my heart-deep
quest of Truth shall avail at last.”
He paused and fixed his eyes upon the Intelligencer with a depth of
investigation that seemed to hold commerce with the inner nature of this
being, wholly regardless of his external development.
“And what are you?” said he. “It will not satisfy me to point to this
fantastic show of an Intelligence Office and this mockery of business. Tell
me what is beneath it, and what your real agency in life and your influence
upon mankind.”
“Yours is a mind,” answered the Man of Intelligence, “before which the
forms and fantasies that conceal the inner idea from the multitude vanish at
once and leave the naked reality beneath. Know, then, the secret. My
agency in worldly action, my connection with the press, and tumult, and
intermingling, and development of human affairs, is merely delusive. The
desire of man’s heart does for him whatever I seem to do. I am no minister
of action, but the Recording Spirit.”
What further secrets were then spoken remains a mystery, inasmuch as
the roar of the city, the bustle of human business, the outcry of the jostling
masses, the rush and tumult of man’s life, in its noisy and brief career, arose
so high that it drowned the words of these two talkers; and whether they

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stood talking in the moon, or in Vanity Fair, or in a city of this actual world,
is more than I can say.

Page 261

ROGER MALVIN’S BURIAL

One of the few incidents of Indian warfare naturally susceptible of the
moonlight of romance was that expedition undertaken for the defence of the
frontiers in the year 1725, which resulted in the well-remembered “Lovell’s
Fight.” Imagination, by casting certain circumstances judicially into the
shade, may see much to admire in the heroism of a little band who gave
battle to twice their number in the heart of the enemy’s country. The open
bravery displayed by both parties was in accordance with civilized ideas of
valor; and chivalry itself might not blush to record the deeds of one or two
individuals. The battle, though so fatal to those who fought, was not
unfortunate in its consequences to the country; for it broke the strength of a
tribe and conduced to the peace which subsisted during several ensuing
years. History and tradition are unusually minute in their memorials of their
affair; and the captain of a scouting party of frontier men has acquired as
actual a military renown as many a victorious leader of thousands. Some of
the incidents contained in the following pages will be recognized,
notwithstanding the substitution of fictitious names, by such as have heard,
from old men’s lips, the fate of the few combatants who were in a condition
to retreat after “Lovell’s Fight.”

The early sunbeams hovered cheerfully upon the tree-tops, beneath
which two weary and wounded men had stretched their limbs the night
before. Their bed of withered oak leaves was strewn upon the small level
space, at the foot of a rock, situated near the summit of one of the gentle
swells by which the face of the country is there diversified. The mass of
granite, rearing its smooth, flat surface fifteen or twenty feet above their
heads, was not unlike a gigantic gravestone, upon which the veins seemed
to form an inscription in forgotten characters. On a tract of several acres

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around this rock, oaks and other hard-wood trees had supplied the place of
the pines, which were the usual growth of the land; and a young and
vigorous sapling stood close beside the travellers.
The severe wound of the elder man had probably deprived him of sleep;
for, so soon as the first ray of sunshine rested on the top of the highest tree,
he reared himself painfully from his recumbent posture and sat erect. The
deep lines of his countenance and the scattered gray of his hair marked him
as past the middle age; but his muscular frame would, but for the effect of
his wound, have been as capable of sustaining fatigue as in the early vigor
of life. Languor and exhaustion now sat upon his haggard features; and the
despairing glance which he sent forward through the depths of the forest
proved his own conviction that his pilgrimage was at an end. He next turned
his eyes to the companion who reclined by his side. The youth—for he had
scarcely attained the years of manhood—lay, with his head upon his arm, in
the embrace of an unquiet sleep, which a thrill of pain from his wounds
seemed each moment on the point of breaking. His right hand grasped a
musket; and, to judge from the violent action of his features, his slumbers
were bringing back a vision of the conflict of which he was one of the few
survivors. A shout deep and loud in his dreaming fancy—found its way in
an imperfect murmur to his lips; and, starting even at the slight sound of his
own voice, he suddenly awoke. The first act of reviving recollection was to
make anxious inquiries respecting the condition of his wounded fellow-
traveller. The latter shook his head.
“Reuben, my boy,” said he, “this rock beneath which we sit will serve for
an old hunter’s gravestone. There is many and many a long mile of howling
wilderness before us yet; nor would it avail me anything if the smoke of my
own chimney were but on the other side of that swell of land. The Indian
bullet was deadlier than I thought.”
“You are weary with our three days’ travel,” replied the youth, “and a
little longer rest will recruit you. Sit you here while I search the woods for
the herbs and roots that must be our sustenance; and, having eaten, you
shall lean on me, and we will turn our faces homeward. I doubt not that,
with my help, you can attain to some one of the frontier garrisons.”
“There is not two days’ life in me, Reuben,” said the other, calmly, “and I
will no longer burden you with my useless body, when you can scarcely
support your own. Your wounds are deep and your strength is failing fast;

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yet, if you hasten onward alone, you may be preserved. For me there is no
hope, and I will await death here.”
“If it must be so, I will remain and watch by you,” said Reuben,
resolutely.
“No, my son, no,” rejoined his companion. “Let the wish of a dying man
have weight with you; give me one grasp of your hand, and get you hence.
Think you that my last moments will be eased by the thought that I leave
you to die a more lingering death? I have loved you like a father, Reuben;
and at a time like this I should have something of a father’s authority. I
charge you to be gone that I may die in peace.”
“And because you have been a father to me, should I therefore leave you
to perish and to lie unburied in the wilderness?” exclaimed the youth. “No;
if your end be in truth approaching, I will watch by you and receive your
parting words. I will dig a grave here by the rock, in which, if my weakness
overcome me, we will rest together; or, if Heaven gives me strength, I will
seek my way home.”
“In the cities and wherever men dwell,” replied the other, “they bury their
dead in the earth; they hide them from the sight of the living; but here,
where no step may pass perhaps for a hundred years, wherefore should I not
rest beneath the open sky, covered only by the oak leaves when the autumn
winds shall strew them? And for a monument, here is this gray rock, on
which my dying hand shall carve the name of Roger Malvin, and the
traveller in days to come will know that here sleeps a hunter and a warrior.
Tarry not, then, for a folly like this, but hasten away, if not for your own
sake, for hers who will else be desolate.”
Malvin spoke the last few words in a faltering voice, and their effect
upon his companion was strongly visible. They reminded him that there
were other and less questionable duties than that of sharing the fate of a
man whom his death could not benefit. Nor can it be affirmed that no
selfish feeling strove to enter Reuben’s heart, though the consciousness
made him more earnestly resist his companion’s entreaties.
“How terrible to wait the slow approach of death in this solitude!”
exclaimed he. “A brave man does not shrink in the battle; and, when friends
stand round the bed, even women may die composedly; but here—”
“I shall not shrink even here, Reuben Bourne,” interrupted Malvin. “I am
a man of no weak heart, and, if I were, there is a surer support than that of

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earthly friends. You are young, and life is dear to you. Your last moments
will need comfort far more than mine; and when you have laid me in the
earth, and are alone, and night is settling on the forest, you will feel all the
bitterness of the death that may now be escaped. But I will urge no selfish
motive to your generous nature. Leave me for my sake, that, having said a
prayer for your safety, I may have space to settle my account undisturbed
by worldly sorrows.”
“And your daughter,—how shall I dare to meet her eye?” exclaimed
Reuben. “She will ask the fate of her father, whose life I vowed to defend
with my own. Must I tell her that he travelled three days’ march with me
from the field of battle and that then I left him to perish in the wilderness?
Were it not better to lie down and die by your side than to return safe and
say this to Dorcas?”
“Tell my daughter,” said Roger Malvin, “that, though yourself sore
wounded, and weak, and weary, you led my tottering footsteps many a mile,
and left me only at my earnest entreaty, because I would not have your
blood upon my soul. Tell her that through pain and danger you were
faithful, and that, if your lifeblood could have saved me, it would have
flowed to its last drop; and tell her that you will be something dearer than a
father, and that my blessing is with you both, and that my dying eyes can
see a long and pleasant path in which you will journey together.”
As Malvin spoke he almost raised himself from the ground, and the
energy of his concluding words seemed to fill the wild and lonely forest
with a vision of happiness; but, when he sank exhausted upon his bed of
oak leaves, the light which had kindled in Reuben’s eye was quenched. He
felt as if it were both sin and folly to think of happiness at such a moment.
His companion watched his changing countenance, and sought with
generous art to wile him to his own good.
“Perhaps I deceive myself in regard to the time I have to live,” he
resumed. “It may be that, with speedy assistance, I might recover of my
wound. The foremost fugitives must, ere this, have carried tidings of our
fatal battle to the frontiers, and parties will be out to succor those in like
condition with ourselves. Should you meet one of these and guide them
hither, who can tell but that I may sit by my own fireside again?”
A mournful smile strayed across the features of the dying man as he
insinuated that unfounded hope,—which, however, was not without its

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effect on Reuben. No merely selfish motive, nor even the desolate condition
of Dorcas, could have induced him to desert his companion at such a
moment—but his wishes seized on the thought that Malvin’s life might be
preserved, and his sanguine nature heightened almost to certainty the
remote possibility of procuring human aid.
“Surely there is reason, weighty reason, to hope that friends are not far
distant,” he said, half aloud. “There fled one coward, unwounded, in the
beginning of the fight, and most probably he made good speed. Every true
man on the frontier would shoulder his musket at the news; and, though no
party may range so far into the woods as this, I shall perhaps encounter
them in one day’s march. Counsel me faithfully,” he added, turning to
Malvin, in distrust of his own motives. “Were your situation mine, would
you desert me while life remained?”
“It is now twenty years,” replied Roger Malvin,—sighing, however, as he
secretly acknowledged the wide dissimilarity between the two cases,—“it is
now twenty years since I escaped with one dear friend from Indian captivity
near Montreal. We journeyed many days through the woods, till at length
overcome with hunger and weariness, my friend lay down and besought me
to leave him; for he knew that, if I remained, we both must perish; and, with
but little hope of obtaining succor, I heaped a pillow of dry leaves beneath
his head and hastened on.”
“And did you return in time to save him?” asked Reuben, hanging on
Malvin’s words as if they were to be prophetic of his own success.
“I did,” answered the other. “I came upon the camp of a hunting party
before sunset of the same day. I guided them to the spot where my comrade
was expecting death; and he is now a hale and hearty man upon his own
farm, far within the frontiers, while I lie wounded here in the depths of the
wilderness.”
This example, powerful in affecting Reuben’s decision, was aided,
unconsciously to himself, by the hidden strength of many another motive.
Roger Malvin perceived that the victory was nearly won.
“Now, go, my son, and Heaven prosper you!” he said. “Turn not back
with your friends when you meet them, lest your wounds and weariness
overcome you; but send hitherward two or three, that may be spared, to
search for me; and believe me, Reuben, my heart will be lighter with every
step you take towards home.” Yet there was, perhaps, a change both in his

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countenance and voice as he spoke thus; for, after all, it was a ghastly fate
to be left expiring in the wilderness.
Reuben Bourne, but half convinced that he was acting rightly, at length
raised himself from the ground and prepared himself for his departure. And
first, though contrary to Malvin’s wishes, he collected a stock of roots and
herbs, which had been their only food during the last two days. This useless
supply he placed within reach of the dying man, for whom, also, he swept
together a bed of dry oak leaves. Then climbing to the summit of the rock,
which on one side was rough and broken, he bent the oak sapling
downward, and bound his handkerchief to the topmost branch. This
precaution was not unnecessary to direct any who might come in search of
Malvin; for every part of the rock, except its broad, smooth front, was
concealed at a little distance by the dense undergrowth of the forest. The
handkerchief had been the bandage of a wound upon Reuben’s arm; and, as
he bound it to the tree, he vowed by the blood that stained it that he would
return, either to save his companion’s life or to lay his body in the grave. He
then descended, and stood, with downcast eyes, to receive Roger Malvin’s
parting words.
The experience of the latter suggested much and minute advice
respecting the youth’s journey through the trackless forest. Upon this
subject he spoke with calm earnestness, as if he were sending Reuben to the
battle or the chase while he himself remained secure at home, and not as if
the human countenance that was about to leave him were the last he would
ever behold. But his firmness was shaken before he concluded.
“Carry my blessing to Dorcas, and say that my last prayer shall be for her
and you. Bid her to have no hard thoughts because you left me here,”—
Reuben’s heart smote him,—“for that your life would not have weighed
with you if its sacrifice could have done me good. She will marry you after
she has mourned a little while for her father; and Heaven grant you long
and happy days, and may your children’s children stand round your death
bed! And, Reuben,” added he, as the weakness of mortality made its way at
last, “return, when your wounds are healed and your weariness refreshed,—
return to this wild rock, and lay my bones in the grave, and say a prayer
over them.”
An almost superstitious regard, arising perhaps from the customs of the
Indians, whose war was with the dead as well as the living, was paid by the

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frontier inhabitants to the rites of sepulture; and there are many instances of
the sacrifice of life in the attempt to bury those who had fallen by the
“sword of the wilderness.” Reuben, therefore, felt the full importance of the
promise which he most solemnly made to return and perform Roger
Malvin’s obsequies. It was remarkable that the latter, speaking his whole
heart in his parting words, no longer endeavored to persuade the youth that
even the speediest succor might avail to the preservation of his life. Reuben
was internally convinced that he should see Malvin’s living face no more.
His generous nature would fain have delayed him, at whatever risk, till the
dying scene were past; but the desire of existence and the hope of happiness
had strengthened in his heart, and he was unable to resist them.
“It is enough,” said Roger Malvin, having listened to Reuben’s promise.
“Go, and God speed you!”
The youth pressed his hand in silence, turned, and was departing. His
slow and faltering steps, however, had borne him but a little way before
Malvin’s voice recalled him.
“Reuben, Reuben,” said he, faintly; and Reuben returned and knelt down
by the dying man.
“Raise me, and let me lean against the rock,” was his last request. “My
face will be turned towards home, and I shall see you a moment longer as
you pass among the trees.”
Reuben, having made the desired alteration in his companion’s posture,
again began his solitary pilgrimage. He walked more hastily at first than
was consistent with his strength; for a sort of guilty feeling, which
sometimes torments men in their most justifiable acts, caused him to seek
concealment from Malvin’s eyes; but after he had trodden far upon the
rustling forest leaves he crept back, impelled by a wild and painful
curiosity, and, sheltered by the earthy roots of an uptorn tree, gazed
earnestly at the desolate man. The morning sun was unclouded, and the
trees and shrubs imbibed the sweet air of the month of May; yet there
seemed a gloom on Nature’s face, as if she sympathized with mortal pain
and sorrow. Roger Malvin’s hands were uplifted in a fervent prayer, some
of the words of which stole through the stillness of the woods and entered
Reuben’s heart, torturing it with an unutterable pang. They were the broken
accents of a petition for his own happiness and that of Dorcas; and, as the
youth listened, conscience, or something in its similitude, pleaded strongly

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with him to return and lie down again by the rock. He felt how hard was the
doom of the kind and generous being whom he had deserted in his
extremity. Death would come like the slow approach of a corpse, stealing
gradually towards him through the forest, and showing its ghastly and
motionless features from behind a nearer and yet a nearer tree. But such
must have been Reuben’s own fate had he tarried another sunset; and who
shall impute blame to him if he shrink from so useless a sacrifice? As he
gave a parting look, a breeze waved the little banner upon the sapling oak
and reminded Reuben of his vow.

Many circumstances combined to retard the wounded traveller in his way
to the frontiers. On the second day the clouds, gathering densely over the
sky, precluded the possibility of regulating his course by the position of the
sun; and he knew not but that every effort of his almost exhausted strength
was removing him farther from the home he sought. His scanty sustenance
was supplied by the berries and other spontaneous products of the forest.
Herds of deer, it is true, sometimes bounded past him, and partridges
frequently whirred up before his footsteps; but his ammunition had been
expended in the fight, and he had no means of slaying them. His wounds,
irritated by the constant exertion in which lay the only hope of life, wore
away his strength and at intervals confused his reason. But, even in the
wanderings of intellect, Reuben’s young heart clung strongly to existence;
and it was only through absolute incapacity of motion that he at last sank
down beneath a tree, compelled there to await death.
In this situation he was discovered by a party who, upon the first
intelligence of the fight, had been despatched to the relief of the survivors.
They conveyed him to the nearest settlement, which chanced to be that of
his own residence.
Dorcas, in the simplicity of the olden time, watched by the bedside of her
wounded lover, and administered all those comforts that are in the sole gift
of woman’s heart and hand. During several days Reuben’s recollection
strayed drowsily among the perils and hardships through which he had
passed, and he was incapable of returning definite answers to the inquiries
with which many were eager to harass him. No authentic particulars of the

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battle had yet been circulated; nor could mothers, wives, and children tell
whether their loved ones were detained by captivity or by the stronger chain
of death. Dorcas nourished her apprehensions in silence till one afternoon
when Reuben awoke from an unquiet sleep, and seemed to recognize her
more perfectly than at any previous time. She saw that his intellect had
become composed, and she could no longer restrain her filial anxiety.
“My father, Reuben?” she began; but the change in her lover’s
countenance made her pause.
The youth shrank as if with a bitter pain, and the blood gushed vividly
into his wan and hollow cheeks. His first impulse was to cover his face; but,
apparently with a desperate effort, he half raised himself and spoke
vehemently, defending himself against an imaginary accusation.
“Your father was sore wounded in the battle, Dorcas; and he bade me not
burden myself with him, but only to lead him to the lakeside, that he might
quench his thirst and die. But I would not desert the old man in his
extremity, and, though bleeding myself, I supported him; I gave him half
my strength, and led him away with me. For three days we journeyed on
together, and your father was sustained beyond my hopes, but, awaking at
sunrise on the fourth day, I found him faint and exhausted; he was unable to
proceed; his life had ebbed away fast; and—”
“He died!” exclaimed Dorcas, faintly.
Reuben felt it impossible to acknowledge that his selfish love of life had
hurried him away before her father’s fate was decided. He spoke not; he
only bowed his head; and, between shame and exhaustion, sank back and
hid his face in the pillow. Dorcas wept when her fears were thus confirmed;
but the shock, as it had been long anticipated, was on that account the less
violent.
“You dug a grave for my poor father in the wilderness, Reuben?” was the
question by which her filial piety manifested itself.
“My hands were weak; but I did what I could,” replied the youth in a
smothered tone. “There stands a noble tombstone above his head; and I
would to Heaven I slept as soundly as he!”
Dorcas, perceiving the wildness of his latter words, inquired no further at
the time; but her heart found ease in the thought that Roger Malvin had not
lacked such funeral rites as it was possible to bestow. The tale of Reuben’s

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courage and fidelity lost nothing when she communicated it to her friends;
and the poor youth, tottering from his sick chamber to breathe the sunny air,
experienced from every tongue the miserable and humiliating torture of
unmerited praise. All acknowledged that he might worthily demand the
hand of the fair maiden to whose father he had been “faithful unto death;”
and, as my tale is not of love, it shall suffice to say that in the space of a few
months Reuben became the husband of Dorcas Malvin. During the marriage
ceremony the bride was covered with blushes, but the bridegroom’s face
was pale.
There was now in the breast of Reuben Bourne an incommunicable
thought—something which he was to conceal most heedfully from her
whom he most loved and trusted. He regretted, deeply and bitterly, the
moral cowardice that had restrained his words when he was about to
disclose the truth to Dorcas; but pride, the fear of losing her affection, the
dread of universal scorn, forbade him to rectify this falsehood. He felt that
for leaving Roger Malvin he deserved no censure. His presence, the
gratuitous sacrifice of his own life, would have added only another and a
needless agony to the last moments of the dying man; but concealment had
imparted to a justifiable act much of the secret effect of guilt; and Reuben,
while reason told him that he had done right, experienced in no small
degree the mental horrors which punish the perpetrator of undiscovered
crime. By a certain association of ideas, he at times almost imagined
himself a murderer. For years, also, a thought would occasionally recur,
which, though he perceived all its folly and extravagance, he had not power
to banish from his mind. It was a haunting and torturing fancy that his
father-in-law was yet sitting at the foot of the rock, on the withered forest
leaves, alive, and awaiting his pledged assistance. These mental deceptions,
however, came and went, nor did he ever mistake them for realities: but in
the calmest and clearest moods of his mind he was conscious that he had a
deep vow unredeemed, and that an unburied corpse was calling to him out
of the wilderness. Yet such was the consequence of his prevarication that he
could not obey the call. It was now too late to require the assistance of
Roger Malvin’s friends in performing his long-deferred sepulture; and
superstitious fears, of which none were more susceptible than the people of
the outward settlements, forbade Reuben to go alone. Neither did he know
where in the pathless and illimitable forest to seek that smooth and lettered
rock at the base of which the body lay: his remembrance of every portion of

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his travel thence was indistinct, and the latter part had left no impression
upon his mind. There was, however, a continual impulse, a voice audible
only to himself, commanding him to go forth and redeem his vow; and he
had a strange impression that, were he to make the trial, he would be led
straight to Malvin’s bones. But year after year that summons, unheard but
felt, was disobeyed. His one secret thought became like a chain binding
down his spirit and like a serpent gnawing into his heart; and he was
transformed into a sad and downcast yet irritable man.
In the course of a few years after their marriage changes began to be
visible in the external prosperity of Reuben and Dorcas. The only riches of
the former had been his stout heart and strong arm; but the latter, her
father’s sole heiress, had made her husband master of a farm, under older
cultivation, larger, and better stocked than most of the frontier
establishments. Reuben Bourne, however, was a neglectful husbandman;
and, while the lands of the other settlers became annually more fruitful, his
deteriorated in the same proportion. The discouragements to agriculture
were greatly lessened by the cessation of Indian war, during which men
held the plough in one hand and the musket in the other, and were fortunate
if the products of their dangerous labor were not destroyed, either in the
field or in the barn, by the savage enemy. But Reuben did not profit by the
altered condition of the country; nor can it be denied that his intervals of
industrious attention to his affairs were but scantily rewarded with success.
The irritability by which he had recently become distinguished was another
cause of his declining prosperity, as it occasioned frequent quarrels in his
unavoidable intercourse with the neighboring settlers. The results of these
were innumerable lawsuits; for the people of New England, in the earliest
stages and wildest circumstances of the country, adopted, whenever
attainable, the legal mode of deciding their differences. To be brief, the
world did not go well with Reuben Bourne; and, though not till many years
after his marriage, he was finally a ruined man, with but one remaining
expedient against the evil fate that had pursued him. He was to throw
sunlight into some deep recess of the forest, and seek subsistence from the
virgin bosom of the wilderness.
The only child of Reuben and Dorcas was a son, now arrived at the age
of fifteen years, beautiful in youth, and giving promise of a glorious
manhood. He was peculiarly qualified for, and already began to excel in, the
wild accomplishments of frontier life. His foot was fleet, his aim true, his

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apprehension quick, his heart glad and high; and all who anticipated the
return of Indian war spoke of Cyrus Bourne as a future leader in the land.
The boy was loved by his father with a deep and silent strength, as if
whatever was good and happy in his own nature had been transferred to his
child, carrying his affections with it. Even Dorcas, though loving and
beloved, was far less dear to him; for Reuben’s secret thoughts and
insulated emotions had gradually made him a selfish man, and he could no
longer love deeply except where he saw or imagined some reflection or
likeness of his own mind. In Cyrus he recognized what he had himself been
in other days; and at intervals he seemed to partake of the boy’s spirit, and
to be revived with a fresh and happy life. Reuben was accompanied by his
son in the expedition, for the purpose of selecting a tract of land and felling
and burning the timber, which necessarily preceded the removal of the
household gods. Two months of autumn were thus occupied, after which
Reuben Bourne and his young hunter returned to spend their last winter in
the settlements.

It was early in the month of May that the little family snapped asunder
whatever tendrils of affections had clung to inanimate objects, and bade
farewell to the few who, in the blight of fortune, called themselves their
friends. The sadness of the parting moment had, to each of the pilgrims, its
peculiar alleviations. Reuben, a moody man, and misanthropic because
unhappy, strode onward with his usual stern brow and downcast eye, feeling
few regrets and disdaining to acknowledge any. Dorcas, while she wept
abundantly over the broken ties by which her simple and affectionate nature
had bound itself to everything, felt that the inhabitants of her inmost heart
moved on with her, and that all else would be supplied wherever she might
go. And the boy dashed one tear-drop from his eye, and thought of the
adventurous pleasures of the untrodden forest.
Oh, who, in the enthusiasm of a daydream, has not wished that he were a
wanderer in a world of summer wilderness, with one fair and gentle being
hanging lightly on his arm? In youth his free and exulting step would know
no barrier but the rolling ocean or the snow-topped mountains; calmer
manhood would choose a home where Nature had strewn a double wealth

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in the vale of some transparent stream; and when hoary age, after long, long
years of that pure life, stole on and found him there, it would find him the
father of a race, the patriarch of a people, the founder of a mighty nation yet
to be. When death, like the sweet sleep which we welcome after a day of
happiness, came over him, his far descendants would mourn over the
venerated dust. Enveloped by tradition in mysterious attributes, the men of
future generations would call him godlike; and remote posterity would see
him standing, dimly glorious, far up the valley of a hundred centuries.
The tangled and gloomy forest through which the personages of my tale
were wandering differed widely from the dreamer’s land of fantasy; yet
there was something in their way of life that Nature asserted as her own,
and the gnawing cares which went with them from the world were all that
now obstructed their happiness. One stout and shaggy steed, the bearer of
all their wealth, did not shrink from the added weight of Dorcas; although
her hardy breeding sustained her, during the latter part of each day’s
journey, by her husband’s side. Reuben and his son, their muskets on their
shoulders and their axes slung behind them, kept an unwearied pace, each
watching with a hunter’s eye for the game that supplied their food. When
hunger bade, they halted and prepared their meal on the bank of some
unpolluted forest brook, which, as they knelt down with thirsty lips to drink,
murmured a sweet unwillingness, like a maiden at love’s first kiss. They
slept beneath a hut of branches, and awoke at peep of light refreshed for the
toils of another day. Dorcas and the boy went on joyously, and even
Reuben’s spirit shone at intervals with an outward gladness; but inwardly
there was a cold cold sorrow, which he compared to the snowdrifts lying
deep in the glens and hollows of the rivulets while the leaves were brightly
green above.
Cyrus Bourne was sufficiently skilled in the travel of the woods to
observe that his father did not adhere to the course they had pursued in their
expedition of the preceding autumn. They were now keeping farther to the
north, striking out more directly from the settlements, and into a region of
which savage beasts and savage men were as yet the sole possessors. The
boy sometimes hinted his opinions upon the subject, and Reuben listened
attentively, and once or twice altered the direction of their march in
accordance with his son’s counsel; but, having so done, he seemed ill at
ease. His quick and wandering glances were sent forward apparently in
search of enemies lurking behind the tree trunks, and, seeing nothing there,

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he would cast his eyes backwards as if in fear of some pursuer. Cyrus,
perceiving that his father gradually resumed the old direction, forbore to
interfere; nor, though something began to weigh upon his heart, did his
adventurous nature permit him to regret the increased length and the
mystery of their way.
On the afternoon of the fifth day they halted, and made their simple
encampment nearly an hour before sunset. The face of the country, for the
last few miles, had been diversified by swells of land resembling huge
waves of a petrified sea; and in one of the corresponding hollows, a wild
and romantic spot, had the family reared their hut and kindled their fire.
There is something chilling, and yet heart-warming, in the thought of these
three, united by strong bands of love and insulated from all that breathe
beside. The dark and gloomy pines looked down upon them, and, as the
wind swept through their tops, a pitying sound was heard in the forest; or
did those old trees groan in fear that men were come to lay the axe to their
roots at last? Reuben and his son, while Dorcas made ready their meal,
proposed to wander out in search of game, of which that day’s march had
afforded no supply. The boy, promising not to quit the vicinity of the
encampment, bounded off with a step as light and elastic as that of the deer
he hoped to slay; while his father, feeling a transient happiness as he gazed
after him, was about to pursue an opposite direction. Dorcas in the
meanwhile, had seated herself near their fire of fallen branches upon the
mossgrown and mouldering trunk of a tree uprooted years before. Her
employment, diversified by an occasional glance at the pot, now beginning
to simmer over the blaze, was the perusal of the current year’s
Massachusetts Almanac, which, with the exception of an old black-letter
Bible, comprised all the literary wealth of the family. None pay a greater
regard to arbitrary divisions of time than those who are excluded from
society; and Dorcas mentioned, as if the information were of importance,
that it was now the twelfth of May. Her husband started.
“The twelfth of May! I should remember it well,” muttered he, while
many thoughts occasioned a momentary confusion in his mind. “Where am
I? Whither am I wandering? Where did I leave him?”
Dorcas, too well accustomed to her husband’s wayward moods to note
any peculiarity of demeanor, now laid aside the almanac and addressed him

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in that mournful tone which the tender hearted appropriate to griefs long
cold and dead.
“It was near this time of the month, eighteen years ago, that my poor
father left this world for a better. He had a kind arm to hold his head and a
kind voice to cheer him, Reuben, in his last moments; and the thought of
the faithful care you took of him has comforted me many a time since. Oh,
death would have been awful to a solitary man in a wild place like this!”
“Pray Heaven, Dorcas,” said Reuben, in a broken voice,—“pray Heaven
that neither of us three dies solitary and lies unburied in this howling
wilderness!” And he hastened away, leaving her to watch the fire beneath
the gloomy pines.
Reuben Bourne’s rapid pace gradually slackened as the pang,
unintentionally inflicted by the words of Dorcas, became less acute. Many
strange reflections, however, thronged upon him; and, straying onward
rather like a sleep walker than a hunter, it was attributable to no care of his
own that his devious course kept him in the vicinity of the encampment. His
steps were imperceptibly led almost in a circle; nor did he observe that he
was on the verge of a tract of land heavily timbered, but not with pine-trees.
The place of the latter was here supplied by oaks and other of the harder
woods; and around their roots clustered a dense and bushy under-growth,
leaving, however, barren spaces between the trees, thick strewn with
withered leaves. Whenever the rustling of the branches or the creaking of
the trunks made a sound, as if the forest were waking from slumber, Reuben
instinctively raised the musket that rested on his arm, and cast a quick,
sharp glance on every side; but, convinced by a partial observation that no
animal was near, he would again give himself up to his thoughts. He was
musing on the strange influence that had led him away from his
premeditated course, and so far into the depths of the wilderness. Unable to
penetrate to the secret place of his soul where his motives lay hidden, he
believed that a supernatural voice had called him onward, and that a
supernatural power had obstructed his retreat. He trusted that it was
Heaven’s intent to afford him an opportunity of expiating his sin; he hoped
that he might find the bones so long unburied; and that, having laid the
earth over them, peace would throw its sunlight into the sepulchre of his
heart. From these thoughts he was aroused by a rustling in the forest at
some distance from the spot to which he had wandered. Perceiving the

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motion of some object behind a thick veil of undergrowth, he fired, with the
instinct of a hunter and the aim of a practised marksman. A low moan,
which told his success, and by which even animals cars express their dying
agony, was unheeded by Reuben Bourne. What were the recollections now
breaking upon him?
The thicket into which Reuben had fired was near the summit of a swell
of land, and was clustered around the base of a rock, which, in the shape
and smoothness of one of its surfaces, was not unlike a gigantic gravestone.
As if reflected in a mirror, its likeness was in Reuben’s memory. He even
recognized the veins which seemed to form an inscription in forgotten
characters: everything remained the same, except that a thick covert of
bushes shrouded the lowerpart of the rock, and would have hidden Roger
Malvin had he still been sitting there. Yet in the next moment Reuben’s eye
was caught by another change that time had effected since he last stood
where he was now standing again behind the earthy roots of the uptorn tree.
The sapling to which he had bound the bloodstained symbol of his vow had
increased and strengthened into an oak, far indeed from its maturity, but
with no mean spread of shadowy branches. There was one singularity
observable in this tree which made Reuben tremble. The middle and lower
branches were in luxuriant life, and an excess of vegetation had fringed the
trunk almost to the ground; but a blight had apparently stricken the upper
part of the oak, and the very topmost bough was withered, sapless, and
utterly dead. Reuben remembered how the little banner had fluttered on that
topmost bough, when it was green and lovely, eighteen years before. Whose
guilt had blasted it?

Dorcas, after the departure of the two hunters, continued her preparations
for their evening repast. Her sylvan table was the moss-covered trunk of a
large fallen tree, on the broadest part of which she had spread a snow-white
cloth and arranged what were left of the bright pewter vessels that had been
her pride in the settlements. It had a strange aspect that one little spot of
homely comfort in the desolate heart of Nature. The sunshine yet lingered
upon the higher branches of the trees that grew on rising ground; but the
shadows of evening had deepened into the hollow where the encampment

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was made, and the firelight began to redden as it gleamed up the tall trunks
of the pines or hovered on the dense and obscure mass of foliage that
circled round the spot. The heart of Dorcas was not sad; for she felt that it
was better to journey in the wilderness with two whom she loved than to be
a lonely woman in a crowd that cared not for her. As she busied herself in
arranging seats of mouldering wood, covered with leaves, for Reuben and
her son, her voice danced through the gloomy forest in the measure of a
song that she had learned in youth. The rude melody, the production of a
bard who won no name, was descriptive of a winter evening in a frontier
cottage, when, secured from savage inroad by the high-piled snow-drifts,
the family rejoiced by their own fireside. The whole song possessed the
nameless charm peculiar to unborrowed thought, but four continually-
recurring lines shone out from the rest like the blaze of the hearth whose
joys they celebrated. Into them, working magic with a few simple words,
the poet had instilled the very essence of domestic love and household
happiness, and they were poetry and picture joined in one. As Dorcas sang,
the walls of her forsaken home seemed to encircle her; she no longer saw
the gloomy pines, nor heard the wind which still, as she began each verse,
sent a heavy breath through the branches, and died away in a hollow moan
from the burden of the song. She was aroused by the report of a gun in the
vicinity of the encampment; and either the sudden sound, or her loneliness
by the glowing fire, caused her to tremble violently. The next moment she
laughed in the pride of a mother’s heart.
“My beautiful young hunter! My boy has slain a deer!” she exclaimed,
recollecting that in the direction whence the shot proceeded Cyrus had gone
to the chase.
She waited a reasonable time to hear her son’s light step bounding over
the rustling leaves to tell of his success. But he did not immediately appear;
and she sent her cheerful voice among the trees in search of him.
“Cyrus! Cyrus!”
His coming was still delayed; and she determined, as the report had
apparently been very near, to seek for him in person. Her assistance, also,
might be necessary in bringing home the venison which she flattered herself
he had obtained. She therefore set forward, directing her steps by the long-
past sound, and singing as she went, in order that the boy might be aware of
her approach and run to meet her. From behind the trunk of every tree, and

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from every hiding-place in the thick foliage of the undergrowth, she hoped
to discover the countenance of her son, laughing with the sportive mischief
that is born of affection. The sun was now beneath the horizon, and the light
that came down among the leaves was sufficiently dim to create many
illusions in her expecting fancy. Several times she seemed indistinctly to
see his face gazing out from among the leaves; and once she imagined that
he stood beckoning to her at the base of a craggy rock. Keeping her eyes on
this object, however, it proved to be no more than the trunk of an oak
fringed to the very ground with little branches, one of which, thrust out
farther than the rest, was shaken by the breeze. Making her way round the
foot of the rock, she suddenly found herself close to her husband, who had
approached in another direction. Leaning upon the butt of his gun, the
muzzle of which rested upon the withered leaves, he was apparently
absorbed in the contemplation of some object at his feet.
“How is this, Reuben? Have you slain the deer and fallen asleep over
him?” exclaimed Dorcas, laughing cheerfully, on her first slight observation
of his posture and appearance.
He stirred not, neither did he turn his eyes towards her; and a cold,
shuddering fear, indefinite in its source and object, began to creep into her
blood. She now perceived that her husband’s face was ghastly pale, and his
features were rigid, as if incapable of assuming any other expression than
the strong despair which had hardened upon them. He gave not the slightest
evidence that he was aware of her approach.
“For the love of Heaven, Reuben, speak to me!” cried Dorcas; and the
strange sound of her own voice affrighted her even more than the dead
silence.
Her husband started, stared into her face, drew her to the front of the
rock, and pointed with his finger.
Oh, there lay the boy, asleep, but dreamless, upon the fallen forest leaves!
His cheek rested upon his arm—his curled locks were thrown back from his
brow—his limbs were slightly relaxed. Had a sudden weariness overcome
the youthful hunter? Would his mother’s voice arouse him? She knew that it
was death.
“This broad rock is the gravestone of your near kindred, Dorcas,” said
her husband. “Your tears will fall at once over your father and your son.”

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She heard him not. With one wild shriek, that seemed to force its way
from the sufferer’s inmost soul, she sank insensible by the side of her dead
boy. At that moment the withered topmost bough of the oak loosened itself
in the stilly air, and fell in soft, light fragments upon the rock, upon the
leaves, upon Reuben, upon his wife and child, and upon Roger Malvin’s
bones. Then Reuben’s heart was stricken, and the tears gushed out like
water from a rock. The vow that the wounded youth had made the blighted
man had come to redeem. His sin was expiated,—the curse was gone from
him; and in the hour when he had shed blood dearer to him than his own, a
prayer, the first for years, went up to Heaven from the lips of Reuben
Bourne.

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P.’S CORRESPONDENCE

My unfortunate friend P. has lost the thread of his life by the interposition
of long intervals of partially disordered reason. The past and present are
jumbled together in his mind in a manner often productive of curious
results, and which will be better understood after the perusal of the
following letter than from any description that I could give. The poor
fellow, without once stirring from the little whitewashed, iron-grated room
to which he alludes in his first paragraph, is nevertheless a great traveller,
and meets in his wanderings a variety of personages who have long ceased
to be visible to any eye save his own. In my opinion, all this is not so much
a delusion as a partly wilful and partly involuntary sport of the imagination,
to which his disease has imparted such morbid energy that he beholds these
spectral scenes and characters with no less distinctness than a play upon the
stage, and with somewhat more of illusive credence. Many of his letters are
in my possession, some based upon the same vagary as the present one, and
others upon hypotheses not a whit short of it in absurdity. The whole form a
series of correspondence, which, should fate seasonably remove my poor
friend from what is to him a world of moonshine, I promise myself a pious
pleasure in editing for the public eye. P. had always a hankering after
literary reputation, and has made more than one unsuccessful effort to
achieve it. It would not be a little odd, if, after missing his object while
seeking it by the light of reason, he should prove to have stumbled upon it
in his misty excursions beyond the limits of sanity.

LONDON, February 29, 1845.

MY DEAR FRIEND: Old associations cling to the mind with astonishing
tenacity. Daily custom grows up about us like a stone wall, and consolidates
itself into almost as material an entity as mankind’s strongest architecture. It
is sometimes a serious question with me whether ideas be not really visible
and tangible, and endowed with all the other qualities of matter. Sitting as I

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do at this moment in my hired apartment, writing beside the hearth, over
which hangs a print of Queen Victoria, listening to the muffled roar of the
world’s metropolis, and with a window at but five paces distant, through
which, whenever I please, I can gaze out on actual London,—with all this
positive certainty as to my whereabouts, what kind of notion, do you think,
is just now perplexing my brain? Why,—would you believe it?—that all
this time I am still an inhabitant of that wearisome little chamber,—that
whitewashed little chamber,—that little chamber with its one small window,
across which, from some inscrutable reason of taste or convenience, my
landlord had placed a row of iron bars,—that same little chamber, in short,
whither your kindness has so often brought you to visit me! Will no length
of time or breadth of space enfranchise me from that unlovely abode? I
travel; but it seems to be like the snail, with my house upon my head. Ah,
well! I am verging, I suppose, on that period of life when present scenes and
events make but feeble impressions in comparison with those of yore; so
that I must reconcile myself to be more and more the prisoner of Memory,
who merely lets me hop about a little with her chain around my leg.
My letters of introduction have been of the utmost service, enabling me
to make the acquaintance of several distinguished characters who, until
now, have seemed as remote from the sphere of my personal intercourse as
the wits of Queen Anne’s time or Ben Jenson’s compotators at the Mermaid.
One of the first of which I availed myself was the letter to Lord Byron. I
found his lordship looking much older than I had anticipated, although,
considering his former irregularities of life and the various wear and tear of
his constitution, not older than a man on the verge of sixty reasonably may
look. But I had invested his earthly frame, in my imagination, with the
poet’s spiritual immortality. He wears a brown wig, very luxuriantly curled,
and extending down over his forehead. The expression of his eyes is
concealed by spectacles. His early tendency to obesity having increased,
Lord Byron is now enormously fat,—so fat as to give the impression of a
person quite overladen with his own flesh, and without sufficient vigor to
diffuse his personal life through the great mass of corporeal substance
which weighs upon him so cruelly. You gaze at the mortal heap; and, while
it fills your eye with what purports to be Byron, you murmur within
yourself, “For Heaven’s sake, where is he?” Were I disposed to be caustic, I
might consider this mass of earthly matter as the symbol, in a material
shape, of those evil habits and carnal vices which unspiritualize man’s

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nature and clog up his avenues of communication with the better life. But
this would be too harsh; and, besides, Lord Byron’s morals have been
improving while his outward man has swollen to such unconscionable
circumference. Would that he were leaner; for, though he did me the honor
to present his hand, yet it was so puffed out with alien substance that I could
not feel as if I had touched the hand that wrote Childe Harold.
On my entrance his lordship apologized for not rising to receive me, on
the sufficient plea that the gout for several years past had taken up its
constant residence in his right foot, which accordingly was swathed in
many rolls of flannel and deposited upon a cushion. The other foot was
hidden in the drapery of his chair. Do you recollect whether Byron’s right or
left foot was the deformed one.
The noble poet’s reconciliation with Lady Byron is now, as you are
aware, of ten years’ standing; nor does it exhibit, I am assured, any
symptom of breach or fracture. They are said to be, if not a happy, at least a
contented, or at all events a quiet couple, descending the slope of life with
that tolerable degree of mutual support which will enable them to come
easily and comfortably to the bottom. It is pleasant to reflect how entirely
the poet has redeemed his youthful errors in this particular. Her ladyship’s
influence, it rejoices me to add, has been productive of the happiest results
upon Lord Byron in a religious point of view. He now combines the most
rigid tenets of Methodism with the ultra doctrines of the Puseyites; the
former being perhaps due to the convictions wrought upon his mind by his
noble consort, while the latter are the embroidery and picturesque
illumination demanded by his imaginative character. Much of whatever
expenditure his increasing habits of thrift continue to allow him is bestowed
in the reparation or beautifying of places of worship; and this nobleman,
whose name was once considered a synonyme of the foul fiend, is now all
but canonized as a saint in many pulpits of the metropolis and elsewhere. In
politics, Lord Byron is an uncompromising conservative, and loses no
opportunity, whether in the House of Lords or in private circles, of
denouncing and repudiating the mischievous and anarchical notions of his
earlier day. Nor does he fail to visit similar sins in other people with the
sincerest vengeance which his somewhat blunted pen is capable of
inflicting. Southey and he are on the most intimate terms. You are aware
that, some little time before the death of Moore, Byron caused that brilliant
but reprehensible man to be evicted from his house. Moore took the insult

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so much to heart that, it is said to have been one great cause of the fit of
illness which brought him to the grave. Others pretend that the lyrist died in
a very happy state of mind, singing one of his own sacred melodies, and
expressing his belief that it would be heard within the gate of paradise, and
gain him instant and honorable admittance. I wish he may have found it so.
I failed not, as you may suppose, in the course of conversation with Lord
Byron, to pay the weed of homage due to a mighty poet, by allusions to
passages in Childe Harold, and Manfred, and Don Juan, which have made
so large a portion of the music of my life. My words, whether apt or
otherwise, were at least warm with the enthusiasm of one worthy to
discourse of immortal poesy. It was evident, however, that they did not go
precisely to the right spot. I could perceive that there was some mistake or
other, and was not a little angry with myself, and ashamed of my abortive
attempt to throw back, from my own heart to the gifted author’s ear, the
echo of those strains that have resounded throughout the world. But by and
by the secret peeped quietly out. Byron,—I have the information from his
own lips, so that you need not hesitate to repeat it in literary circles,—
Byron is preparing a new edition of his complete works, carefully corrected,
expurgated, and amended, in accordance with his present creed of taste,
morals, politics, and religion. It so happened that the very passages of
highest inspiration to which I had alluded were among the condemned and
rejected rubbish which it is his purpose to cast into the gulf of oblivion. To
whisper you the truth, it appears to me that his passions having burned out,
the extinction of their vivid and riotous flame has deprived Lord Byron of
the illumination by which he not merely wrote, but was enabled to feel and
comprehend what he had written. Positively he no longer understands his
own poetry.
This became very apparent on his favoring me so far as to read a few
specimens of Don Juan in the moralized version. Whatever is licentious,
whatever disrespectful to the sacred mysteries of our faith, whatever
morbidly melancholic or splenetically sportive, whatever assails settled
constitutions of government or systems of society, whatever could wound
the sensibility of any mortal, except a pagan, a republican, or a dissenter,
has been unrelentingly blotted out, and its place supplied by
unexceptionable verses in his lordship’s later style. You may judge how
much of the poem remains as hitherto published. The result is not so good
as might be wished; in plain terms, it is a very sad affair indeed; for, though

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the torches kindled in Tophet have been extinguished, they leave an
abominably ill odor, and are succeeded by no glimpses of hallowed fire. It
is to be hoped, nevertheless, that this attempt on Lord Byron’s part to atone
for his youthful errors will at length induce the Dean of Westminster, or
whatever churchman is concerned, to allow Thorwaldsen’s statue of the
poet its due niche in the grand old Abbey. His bones, you know, when
brought from Greece, were denied sepulture among those of his tuneful
brethren there.
What a vile slip of the pen was that! How absurd in me to talk about
burying the bones of Byron, who, I have just seen alive, and incased in a
big, round bulk of flesh! But, to say the truth, a prodigiously fat man always
impresses me as a kind of hobgoblin; in the very extravagance of his mortal
system I find something akin to the immateriality of a ghost. And then that
ridiculous old story darted into my mind, how that Byron died of fever at
Missolonghi, above twenty years ago. More and more I recognize that we
dwell in a world of shadows; and, for my part, I hold it hardly worth the
trouble to attempt a distinction between shadows in the mind and shadows
out of it. If there be any difference, the former are rather the more
substantial.
Only think of my good fortune! The venerable Robert Burns—now, if I
mistake not, in his eighty-seventh year—happens to be making a visit to
London, as if on purpose to afford me an opportunity of grasping him by
the hand. For upwards of twenty years past he has hardly left his quiet
cottage in Ayrshire for a single night, and has only been drawn hither now
by the irresistible persuasions of all the distinguished men in England. They
wish to celebrate the patriarch’s birthday by a festival. It will be the greatest
literary triumph on record. Pray Heaven the little spirit of life within the
aged bard’s bosom may not be extinguished in the lustre of that hour! I have
already had the honor of an introduction to him at the British Museum,
where he was examining a collection of his own unpublished letters,
interspersed with songs, which have escaped the notice of all his
biographers.
Poh! Nonsense! What am I thinking of? How should Burns have been
embalmed in biography when he is still a hearty old man?
The figure of the bard is tall and in the highest degree reverend, nor the
less so that it is much bent by the burden of time. His white hair floats like a

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snowdrift around his face, in which are seen the furrows of intellect and
passion, like the channels of headlong torrents that have foamed themselves
away. The old gentleman is in excellent preservation, considering his time
of life. He has that crickety sort of liveliness,—I mean the cricket’s humor
of chirping for any cause or none,—which is perhaps the most favorable
mood that can befall extreme old age. Our pride forbids us to desire it for
ourselves, although we perceive it to be a beneficence of nature in the case
of others. I was surprised to find it in Burns. It seems as if his ardent heart
and brilliant imagination had both burned down to the last embers, leaving
only a little flickering flame in one corner, which keeps dancing upward and
laughing all by itself. He is no longer capable of pathos. At the request of
Allan Cunningham, he attempted to sing his own song to Mary in Heaven;
but it was evident that the feeling of those verses, so profoundly true and so
simply expressed, was entirely beyond the scope of his present sensibilities;
and, when a touch of it did partially awaken him, the tears immediately
gushed into his eyes and his voice broke into a tremulous cackle. And yet he
but indistinctly knew wherefore he was weeping. Ah, he must not think
again of Mary in Heaven until he shake off the dull impediment of time and
ascend to meet her there.
Burns then began to repeat Tan O’Shanter; but was so tickled with its wit
and humor—of which, however, I suspect he had but a traditionary sense—
that he soon burst into a fit of chirruping laughter, succeeded by a cough,
which brought this not very agreeable exhibition to a close. On the whole, I
would rather not have witnessed it. It is a satisfactory idea, however, that
the last forty years of the peasant poet’s life have been passed in
competence and perfect comfort. Having been cured of his bardic
improvidence for many a day past, and grown as attentive to the main
chance as a canny Scotsman should be, he is now considered to be quite
well off as to pecuniary circumstances. This, I suppose, is worth having
lived so long for.
I took occasion to inquire of some of the countrymen of Burns in regard
to the health of Sir Walter Scott. His condition, I am sorry to say, remains
the same as for ten years past; it is that of a hopeless paralytic, palsied not
more in body than in those nobler attributes of which the body is the
instrument. And thus he vegetates from day to day and from year to year at
that splendid fantasy of Abbotsford, which grew out of his brain, and
became a symbol of the great romancer’s tastes, feelings, studies,

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prejudices, and modes of intellect. Whether in verse, prose, or architecture,
he could achieve but one thing, although that one in infinite variety. There
he reclines, on a couch in his library, and is said to spend whole hours of
every day in dictating tales to an amanuensis,—to an imaginary
amanuensis; for it is not deemed worth any one’s trouble now to take down
what flows from that once brilliant fancy, every image of which was
formerly worth gold and capable of being coined. Yet Cunningham, who
has lately seen him, assures me that there is now and then a touch of the
genius,—a striking combination of incident, or a picturesque trait of
character, such as no other man alive could have bit off,—a glimmer from
that ruined mind, as if the sun had suddenly flashed on a half-rusted helmet
in the gloom of an ancient ball. But the plots of these romances become
inextricably confused; the characters melt into one another; and the tale
loses itself like the course of a stream flowing through muddy and marshy
ground.
For my part, I can hardly regret that Sir Walter Scott had lost his
consciousness of outward things before his works went out of vogue. It was
good that he should forget his fame rather than that fame should first have
forgotten him. Were he still a writer, and as brilliant a one as ever, he could
no longer maintain anything like the same position in literature. The world,
nowadays, requires a more earnest purpose, a deeper moral, and a closer
and homelier truth than he was qualified to supply it with. Yet who can be
to the present generation even what Scott has been to the past? I had
expectations from a young man,—one Dickens,—who published a few
magazine articles, very rich in humor, and not without symptoms of
genuine pathos; but the poor fellow died shortly after commencing an odd
series of sketches, entitled, I think, the Pickwick Papers. Not impossibly the
world has lost more than it dreams of by the untimely death of this Mr.
Dickens.
Whom do you think I met in Pall Mall the other day? You would not hit it
in ten guesses. Why, no less a man than Napoleon Bonaparte, or all that is
now left of him,—that is to say, the skin, bones, and corporeal substance,
little cocked hat, green coat, white breeches, and small sword, which are
still known by his redoubtable name. He was attended only by two
policemen, who walked quietly behind the phantasm of the old ex-emperor,
appearing to have no duty in regard to him except to see that none of the
light-fingered gentry should possess themselves of thee star of the Legion

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of Honor. Nobody save myself so much as turned to look after him; nor, it
grieves me to confess, could even I contrive to muster up any tolerable
interest, even by all that the warlike spirit, formerly manifested within that
now decrepit shape, had wrought upon our globe. There is no surer method
of annihilating the magic influence of a great renown than by exhibiting the
possessor of it in the decline, the overthrow, the utter degradation of his
powers,—buried beneath his own mortality,—and lacking even the qualities
of sense that enable the most ordinary men to bear themselves decently in
the eye of the world. This is the state to which disease, aggravated by long
endurance of a tropical climate, and assisted by old age,—for he is now
above seventy,—has reduced Bonaparte. The British government has acted
shrewdly in retransporting him from St. Helena to England. They should
now restore him to Paris, and there let him once again review the relics of
his armies. His eye is dull and rheumy; his nether lip hung down upon his
chin. While I was observing him there chanced to be a little extra bustle in
the street; and he, the brother of Caesar and Hannibal,—the great captain
who had veiled the world in battle-smoke and tracked it round with bloody
footsteps,—was seized with a nervous trembling, and claimed the
protection of the two policemen by a cracked and dolorous cry. The fellows
winked at one another, laughed aside, and, patting Napoleon on the back,
took each an arm and led him away.
Death and fury! Ha, villain, how came you hither? Avaunt! or I fling my
inkstand at your head. Tush, tusk; it is all a mistake. Pray, my dear friend,
pardon this little outbreak. The fact is, the mention of those two policemen,
and their custody of Bonaparte, had called up the idea of that odious wretch
—you remember him well—who was pleased to take such gratuitous and
impertinent care of my person before I quitted New England. Forthwith up
rose before my mind’s eye that same little whitewashed room, with the iron-
grated window,—strange that it should have been iron-grated!—where, in
too easy compliance with the absurd wishes of my relatives, I have wasted
several good years of my life. Positively it seemed to me that I was still
sitting there, and that the keeper—not that he ever was my keeper neither,
but only a kind of intrusive devil of a body-servant—had just peeped in at
the door. The rascal! I owe him an old grudge, and will find a time to pay it
yet. Fie! fie! The mere thought of him has exceedingly discomposed me.
Even now that hateful chamber—the iron-grated window, which blasted the
blessed sunshine as it fell through the dusty panes and made it poison to my

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soul-looks more distinct to my view than does this my comfortable
apartment in the heart of London. The reality—that which I know to be
such—hangs like remnants of tattered scenery over the intolerably
prominent illusion. Let us think of it no more.
You will be anxious to hear of Shelley. I need not say, what is known to
all the world, that this celebrated poet has for many years past been
reconciled to the Church of England. In his more recent works he has
applied his fine powers to the vindication of the Christian faith, with an
especial view to that particular development. Latterly, as you may not have
heard, he has taken orders, and been inducted to a small country living in
the gift of the Lord Chancellor. Just now, luckily for me, he has come to the
metropolis to superintend the publication of a volume of discourses treating
of the poetico-philosophical proofs of Christianity on the basis of the
Thirty-nine Articles. On my first introduction I felt no little embarrassment
as to the manner of combining what I had to say to the author of Queen
Mali, the Revolt of Islam, and Prometheus Unbound with such
acknowledgments as might be acceptable to a Christian minister and
zealous upholder of the Established Church. But Shelley soon placed me at
my ease. Standing where he now does, and reviewing all his successive
productions from a higher point, he assures me that there is a harmony, an
order, a regular procession, which enables him to lay his hand upon any one
of the earlier poems and say, “This is my work,” with precisely the same
complacency of conscience wherewithal he contemplates the volume of
discourses above mentioned. They are like the successive steps of a
staircase, the lowest of which, in the depth of chaos, is as essential to the
support of the whole as the highest and final one resting upon the threshold
of the heavens. I felt half inclined to ask him what would have been his fate
had he perished on the lower steps of his staircase, instead of building his
way aloft into the celestial brightness.
How all this may be I neither pretend to understand nor greatly care, so
long as Shelley has really climbed, as it seems he has, from a lower region
to a loftier one. Without touching upon their religious merits, I consider the
productions of his maturity superior, as poems, to those of his youth. They
are warmer with human love, which has served as an interpreter between
his mind and the multitude. The author has learned to dip his pen oftener
into his heart, and has thereby avoided the faults into which a too exclusive
use of fancy and intellect are wont to betray him. Formerly his page was

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often little other than a concrete arrangement of crystallizations, or even of
icicles, as cold as they were brilliant. Now you take it to your heart, and are
conscious of a heart-warmth responsive to your own. In his private
character Shelley can hardly have grown more gentle, kind, and affectionate
than his friends always represented him to be up to that disastrous night
when he was drowned in the Mediterranean. Nonsense, again,—sheer
nonsense! What, am I babbling about? I was thinking of that old figment of
his being lost in the Bay of Spezzia, and washed ashore near Via Reggio,
and burned to ashes on a funeral pyre, with wine, and spices, and
frankincense; while Byron stood on the beach and beheld a flame of
marvellous beauty rise heavenward from the dead poet’s heart, and that his
fire-purified relics were finally buried near his child in Roman earth. If all
this happened three-and-twenty years ago, how could I have met the
drowned and burned and buried man here in London only yesterday?
Before quitting the subject, I may mention that Dr. Reginald Heber,
heretofore Bishop of Calcutta, but recently translated to a see in England,
called on Shelley while I was with him. They appeared to be on terms of
very cordial intimacy, and are said to have a joint poem in contemplation.
What a strange, incongruous dream is the life of man!
Coleridge has at last finished his poem of Christabel. It will be issued
entire by old John Murray in the course of the present publishing season.
The poet, I hear, is visited with a troublesome affection of the tongue,
which has put a period, or some lesser stop, to the life-long discourse that
has hitherto been flowing from his lips. He will not survive it above a
month, unless his accumulation of ideas be sluiced off in some other way.
Wordsworth died only a week or two ago. Heaven rest his soul, and grant
that he may not have completed The Excursion! Methinks I am sick of
everything he wrote, except his Laodamia. It is very sad, this inconstancy of
the mind to the poets whom it once worshipped. Southey is as hale as ever,
and writes with his usual diligence. Old Gifford is still alive, in the
extremity of age, and with most pitiable decay of what little sharp and
narrow intellect the Devil had gifted him withal. One hates to allow such a
man the privilege of growing old and infirm. It takes away our speculative
license of kicking him.
Keats? No; I have not seen him except across a crowded street, with
coaches, drays, horsemen, cabs, omnibuses, foot-passengers, and divers

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other sensual obstructions intervening betwixt his small and slender figure
and my eager glance. I would fain have met him on the sea-shore, or
beneath a natural arch of forest trees, or the Gothic arch of an old cathedral,
or among Grecian ruins, or at a glimmering fireside on the verge of
evening, or at the twilight entrance of a cave, into the dreamy depths of
which he would have led me by the hand; anywhere, in short, save at
Temple Bar, where his presence was blotted out by the porter-swollen bulks
of these gross Englishmen. I stood and watched him fading away, fading
away along the pavement, and could hardly tell whether he were an actual
man or a thought that had slipped out of my mind and clothed itself in
human form and habiliments merely to beguile me. At one moment he put
his handkerchief to his lips, and withdrew it, I am almost certain, stained
with blood. You never saw anything so fragile as his person. The truth is,
Keats has all his life felt the effects of that terrible bleeding at the lungs
caused by the article on his Endymion in the Quarterly Review, and which
so nearly brought him to the grave. Ever since he has glided about the world
like a ghost, sighing a melancholy tone in the ear of here and there a friend,
but never sending forth his voice to greet the multitude. I can hardly think
him a great poet. The burden of a mighty genius would never have been
imposed upon shoulders so physically frail and a spirit so infirmly sensitive.
Great poets should have iron sinews.
Yet Keats, though for so many years he has given nothing to the world, is
understood to have devoted himself to the composition of an epic poem.
Some passages of it have been communicated to the inner circle of his
admirers, and impressed them as the loftiest strains that have been audible
on earth since Milton’s days. If I can obtain copies of these specimens, I
will ask you to present them to James Russell Lowell, who seems to be one
of the poet’s most fervent and worthiest worshippers. The information took
me by surprise. I had supposed that all Keats’s poetic incense, without
being embodied in human language, floated up to heaven and mingled with
the songs of the immortal choristers, who perhaps were conscious of an
unknown voice among them, and thought their melody the sweeter for it.
But it is not so; he has positively written a poem on the subject of Paradise
Regained, though in another sense than that which presented itself to the
mind of Milton. In compliance, it may be imagined, with the dogma of
those who pretend that all epic possibilities in the past history of the world
are exhausted, Keats has thrown his poem forward into an indefinitely

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remote futurity. He pictures mankind amid the closing circumstances of the
time-long warfare between good and evil. Our race is on the eve of its final
triumph. Man is within the last stride of perfection; Woman, redeemed from
the thraldom against which our sibyl uplifts so powerful and so sad a
remonstrance, stands equal by his side or communes for herself with angels;
the Earth, sympathizing with her children’s happier state, has clothed
herself in such luxuriant and loving beauty as no eye ever witnessed since
our first parents saw the sun rise over dewy Eden. Nor then indeed; for this
is the fulfilment of what was then but a golden promise. But the picture has
its shadows. There remains to mankind another peril,—a last encounter with
the evil principle. Should the battle go against us, we sink back into the
slime and misery of ages. If we triumph—But it demands a poet’s eye to
contemplate the splendor of such a consummation and not to be dazzled.
To this great work Keats is said to have brought so deep and tender a
spirit of humanity that the poem has all the sweet and warm interest of a
village tale no less than the grandeur which befits so high a theme. Such, at
least, is the perhaps partial representation of his friends; for I have not read
or heard even a single line of the performance in question. Keats, I am told,
withholds it from the press, under an idea that the age has not enough of
spiritual insight to receive it worthily. I do not like this distrust; it makes me
distrust the poet. The universe is waiting to respond to the highest word that
the best child of time and immortality can utter. If it refuse to listen, it is
because he mumbles and stammers, or discourses things unseasonable and
foreign to the purpose.
I visited the House of Lords the other day to hear Canning, who, you
know, is now a peer, with I forget what title. He disappointed me. Time
blunts both point and edge, and does great mischief to men of his order of
intellect. Then I stepped into the lower House and listened to a few words
from Cobbett, who looked as earthy as a real clodhopper, or rather as if he
had lain a dozen years beneath the clods. The men whom I meet nowadays
often impress me thus; probably because my spirits are not very good, and
lead me to think much about graves, with the long grass upon them, and
weather-worn epitaphs, and dry bones of people who made noise enough in
their day, but now can only clatter, clatter, clatter, when the sexton’s spade
disturbs them. Were it only possible to find out who are alive and who dead,
it would contribute infinitely to my peace of mind. Every day of my life
somebody comes and stares me in the face whom I had quietly blotted out

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of the tablet of living men, and trusted nevermore to be pestered with the
sight or sound of him. For instance, going to Drury Lane Theatre a few
evenings since, up rose before me, in the ghost of Hamlet’s father, the
bodily presence of the elder Kean, who did die, or ought to have died, in
some drunken fit or other, so long ago that his fame is scarcely traditionary
now. His powers are quite gone; he was rather the ghost of himself than the
ghost of the Danish king.
In the stage-box sat several elderly and decrepit people, and among them
a stately ruin of a woman on a very large scale, with a profile—for I did not
see her front face—that stamped itself into my brain as a seal impresses hot
wax. By the tragic gesture with which she took a pinch of snuff, I was sure
it must be Mrs. Siddons. Her brother, John Kemble, sat behind,—a broken-
down figure, but still with a kingly majesty about him. In lieu of all former
achievements, Nature enables him to look the part of Lear far better than in
the meridian of his genius. Charles Matthews was likewise there; but a
paralytic affection has distorted his once mobile countenance into a most
disagreeable one-sidedness, from which he could no more wrench it into
proper form than he could rearrange the face of the great globe itself. It
looks as if, for the joke’s sake, the poor man had twisted his features into an
expression at once the most ludicrous and horrible that he could contrive,
and at that very moment, as a judgment for making himself so hideous, an
avenging Providence had seen fit to petrify him. Since it is out of his own
power, I would gladly assist him to change countenance, for his ugly visage
haunts me both at noontide and night-time. Some other players of the past
generation were present, but none that greatly interested me. It behooves
actors, more than all other men of publicity, to vanish from the scene
betimes. Being at best but painted shadows flickering on the wall and empty
sounds that echo anther’s thought, it is a sad disenchantment when the
colors begin to fade and the voice to croak with age.
What is there new in the literary way on your side of the water? Nothing
of the kind has come under any inspection, except a volume of poems
published above a year ago by Dr. Channing. I did not before know that this
eminent writer is a poet; nor does the volume alluded to exhibit any of the
characteristics of the author’s mind as displayed in his prose works;
although some of the poems have a richness that is not merely of the
surface, but glows still the brighter the deeper and more faithfully you look
into then. They seem carelessly wrought, however, like those rings and

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ornaments of the very purest gold, but of rude, native manufacture, which
are found among the gold-dust from Africa. I doubt whether the American
public will accept them; it looks less to the assay of metal than to the neat
and cunning manufacture. How slowly our literature grows up! Most of our
writers of promise have come to untimely ends. There was that wild fellow,
John Neal, who almost turned my boyish brain with his romances; he surely
has long been dead, else he never could keep himself so quiet. Bryant has
gone to his last sleep, with the Thanatopsis gleaming over him like a
sculptured marble sepulchre by moonlight. Halleck, who used to write
queer verses in the newspapers and published a Don Juanic poem called
Fanny, is defunct as a poet, though averred to be exemplifying the
metempsychosis as a man of business. Somewhat later there was Whittier, a
fiery Quaker youth, to whom the muse had perversely assigned a battle-
trumpet, and who got himself lynched, ten years agone, in South Carolina. I
remember, too, a lad just from college, Longfellow by name, who scattered
some delicate verses to the winds, and went to Germany, and perished, I
think, of intense application, at the University of Gottingen. Willis—what a
pity!—was lost, if I recollect rightly, in 1833, on his voyage to Europe,
whither he was going to give us sketches of the world’s sunny face. If these
had lived, they might, one or all of them, have grown to be famous men.
And yet there is no telling: it may be as well that they have died. I was
myself a young man of promise. O shattered brain, O broken spirit, where is
the fulfilment of that promise? The sad truth is, that, when fate would
gently disappoint the world, it takes away the hopefulest mortals in their
youth; when it would laugh the world’s hopes to scorn, it lets them live. Let
me die upon this apothegm, for I shall never make a truer one.
What a strange substance is the human brain! Or rather,—for there is no
need of generalizing the remark,—what an odd brain is mine! Would you
believe it? Daily and nightly there come scraps of poetry humming in my
intellectual ear—some as airy as birdnotes, and some as delicately neat as
parlor-music, and a few as grand as organ-peals—that seem just such verses
as those departed poets would have written had not an inexorable destiny
snatched them from their inkstands. They visit me in spirit, perhaps desiring
to engage my services as the amanuensis of their posthumous productions,
and thus secure the endless renown that they have forfeited by going hence
too early. But I have my own business to attend to; and besides, a medical
gentleman, who interests himself in some little ailments of mine, advises

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me not to make too free use of pen and ink. There are clerks enough out of
employment who would be glad of such a job.
Good by! Are you alive or dead? and what are you about? Still scribbling
for the Democratic? And do those infernal compositors and proof-readers
misprint your unfortunate productions as vilely as ever? It is too bad. Let
every man manufacture his own nonsense, say I. Expect me home soon, and
—to whisper you a secret—in company with the poet Campbell, who
purposes to visit Wyoming and enjoy the shadow of the laurels that he
planted there. Campbell is now an old man. He calls himself well, better
than ever in his life, but looks strangely pale, and so shadow-like that one
might almost poke a finger through his densest material. I tell him, by way
of joke, that he is as dim and forlorn as Memory, though as unsubstantial as
Hope.

Your true friend, P.

P. S.—Pray present my most respectful regards to our venerable and
revered friend Mr. Brockden Brown.
It gratifies me to learn that a complete edition of his works, in a double-
columned octavo volume, is shortly to issue from the press at Philadelphia.
Tell him that no American writer enjoys a more classic reputation on this
side of the water. Is old Joel Barlow yet alive? Unconscionable man! Why,
he must have nearly fulfilled his century. And does he meditate an epic on
the war between Mexico and Texas with machinery contrived on the
principle of the steam-engine, as being the nearest to celestial agency that
our epoch can boast? How can he expect ever to rise again, if, while just
sinking into his grave, he persists in burdening himself with such a
ponderosity of leaden verses?

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EARTH’S HOLOCAUST

Once upon a time—but whether in the time past or time to come is a
matter of little or no moment—this wide world had become so
overburdened with an accumulation of worn-out trumpery, that the
inhabitants determined to rid themselves of it by a general bonfire. The site
fixed upon at the representation of the insurance companies, and as being as
central a spot as any other on the globe, was one of the broadest prairies of
the West, where no human habitation would be endangered by the flames,
and where a vast assemblage of spectators might commodiously admire the
show. Having a taste for sights of this kind, and imagining, likewise, that
the illumination of the bonfire might reveal some profundity of moral truth
heretofore hidden in mist or darkness, I made it convenient to journey
thither and be present. At my arrival, although the heap of condemned
rubbish was as yet comparatively small, the torch had already been applied.
Amid that boundless plain, in the dusk of the evening, like a far off star
alone in the firmament, there was merely visible one tremulous gleam,
whence none could have anticipated so fierce a blaze as was destined to
ensue. With every moment, however, there came foot-travellers, women
holding up their aprons, men on horseback, wheelbarrows, lumbering
baggage-wagons, and other vehicles, great and small, and from far and near,
laden with articles that were judged fit for nothing but to be burned.
“What materials have been used to kindle the flame?” inquired I of a
bystander; for I was desirous of knowing the whole process of the affair
from beginning to end.
The person whom I addressed was a grave man, fifty years old or
thereabout, who had evidently come thither as a looker-on. He struck me
immediately as having weighed for himself the true value of life and its
circumstances, and therefore as feeling little personal interest in whatever
judgment the world might form of them. Before answering my question, he
looked me in the face by the kindling light of the fire.

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“O, some very dry combustibles,” replied he, “and extremely suitable to
the purpose,—no other, in fact, than yesterday’s newspapers, last month’s
magazines, and last year’s withered leaves. Here now comes some
antiquated trash that will take fire like a handful of shavings.”
As he spoke, some rough-looking men advanced to the verge of the
bonfire, and threw in, as it appeared, all the rubbish of the herald’s office,—
the blazonry of coat armor, the crests and devices of illustrious families,
pedigrees that extended back, like lines of light, into the mist of the dark
ages, together with stars, garters, and embroidered collars, each of which, as
paltry a bawble as it might appear to the uninstructed eye, had once
possessed vast significance, and was still, in truth, reckoned among the
most precious of moral or material facts by the worshippers of the gorgeous
past. Mingled with this confused heap, which was tossed into the flames by
armfuls at once, were innumerable badges of knighthood, comprising those
of all the European sovereignties, and Napoleon’s decoration of the Legion
of Honor, the ribbons of which were entangled with those of the ancient
order of St. Louis. There, too, were the medals of our own Society of
Cincinnati, by means of which, as history tells us, an order of hereditary
knights came near being constituted out of the king quellers of the
Revolution. And besides, there were the patents of nobility of German
counts and barons, Spanish grandees, and English peers, from the worm-
eaten instruments signed by William the Conqueror down to the bran-new
parchment of the latest lord who has received his honors from the fair hand
of Victoria.
At sight of the dense volumes of smoke, mingled with vivid jets of flame,
that gushed and eddied forth from this immense pile of earthly distinctions,
the multitude of plebeian spectators set up a joyous shout, and clapped their
hands with an emphasis that made the welkin echo. That was their moment
of triumph, achieved, after long ages, over creatures of the same clay and
the same spiritual infirmities, who had dared to assume the privileges due
only to Heaven’s better workmanship. But now there rushed towards the
blazing heap a gray-haired man, of stately presence, wearing a coat, from
the breast of which a star, or other badge of rank, seemed to have been
forcibly wrenched away. He had not the tokens of intellectual power in his
face; but still there was the demeanor, the habitual and almost native
dignity, of one who had been born to the idea of his own social superiority,
and had never felt it questioned till that moment.

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“People,” cried he, gazing at the ruin of what was dearest to his eyes with
grief and wonder, but nevertheless with a degree of stateliness,—“people,
what have you done? This fire is consuming all that marked your advance
from barbarism, or that could have prevented your relapse thither. We, the
men of the privileged orders, were those who kept alive from age to age the
old chivalrous spirit; the gentle and generous thought; the higher, the purer,
the more refined and delicate life. With the nobles, too, you cast off the
poet, the painter, the sculptor,—all the beautiful arts; for we were their
patrons, and created the atmosphere in which they flourish. In abolishing
the majestic distinctions of rank, society loses not only its grace, but its
steadfastness—”
More he would doubtless have spoken; but here there arose an outcry,
sportive, contemptuous, and indignant, that altogether drowned the appeal
of the fallen nobleman, insomuch that, casting one look of despair at his
own half-burned pedigree, he shrunk back into the crowd, glad to shelter
himself under his new-found insignificance.
“Let him thank his stars that we have not flung him into the same fire!”
shouted a rude figure, spurning the embers with his foot. “And henceforth
let no man dare to show a piece of musty parchment as his warrant for
lording it over his fellows. If he have strength of arm, well and good; it is
one species of superiority. If he have wit, wisdom, courage, force of
character, let these attributes do for him what they may; but from this day
forward no mortal must hope for place and consideration by reckoning up
the mouldy bones of his ancestors. That nonsense is done away.”
“And in good time,” remarked the grave observer by my side, in a low
voice, however, “if no worse nonsense comes in its place; but, at all events,
this species of nonsense has fairly lived out its life.”
There was little space to muse or moralize over the embers of this time-
honored rubbish; for, before it was half burned out, there came another
multitude from beyond the sea, bearing the purple robes of royalty, and the
crowns, globes, and sceptres of emperors and kings. All these had been
condemned as useless bawbles, playthings at best, fit only for the infancy of
the world or rods to govern and chastise it in its nonage, but with which
universal manhood at its full-grown stature could no longer brook to be
insulted. Into such contempt had these regal insignia now fallen that the
gilded crown and tinselled robes of the player king from Drury Lane

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Theatre had been thrown in among the rest, doubtless as a mockery of his
brother monarchs on the great stage of the world. It was a strange sight to
discern the crown jewels of England glowing and flashing in the midst of
the fire. Some of them had been delivered down from the time of the Saxon
princes; others were purchased with vast revenues, or perchance ravished
from the dead brows of the native potentates of Hindustan; and the whole
now blazed with a dazzling lustre, as if a star had fallen in that spot and
been shattered into fragments. The splendor of the ruined monarchy had no
reflection save in those inestimable precious stones. But enough on this
subject. It were but tedious to describe how the Emperor of Austria’s mantle
was converted to tinder, and how the posts and pillars of the French throne
became a heap of coals, which it was impossible to distinguish from those
of any other wood. Let me add, however, that I noticed one of the exiled
Poles stirring up the bonfire with the Czar of Russia’s sceptre, which he
afterwards flung into the flames.
“The smell of singed garments is quite intolerable here,” observed my
new acquaintance, as the breeze enveloped us in the smoke of a royal
wardrobe. “Let us get to windward and see what they are doing on the other
side of the bonfire.”
We accordingly passed around, and were just in time to witness the
arrival of a vast procession of Washingtonians,—as the votaries of
temperance call themselves nowadays,—accompanied by thousands of the
Irish disciples of Father Mathew, with that great apostle at their head. They
brought a rich contribution to the bonfire, being nothing less than all the
hogsheads and barrels of liquor in the world, which they rolled before them
across the prairie.
“Now, my children,” cried Father Mathew, when they reached the verge
of the fire, “one shove more, and the work is done. And now let us stand off
and see Satan deal with his own liquor.”
Accordingly, having placed their wooden vessels within reach of the
flames, the procession stood off at a safe distance, and soon beheld them
burst into a blaze that reached the clouds and threatened to set the sky itself
on fire. And well it might; for here was the whole world’s stock of
spirituous liquors, which, instead of kindling a frenzied light in the eyes of
individual topers as of yore, soared upwards with a bewildering gleam that
startled all mankind. It was the aggregate of that fierce fire which would

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otherwise have scorched the hearts of millions. Meantime numberless
bottles of precious wine were flung into the blaze, which lapped up the
contents as if it loved them, and grew, like other drunkards, the merrier and
fiercer for what it quaffed. Never again will the insatiable thirst of the fire-
fiend be so pampered. Here were the treasures of famous bon vivants,—
liquors that had been tossed on ocean, and mellowed in the sun, and
hoarded long in the recesses of the earth,—the pale, the gold, the ruddy
juice of whatever vineyards were most delicate,—the entire vintage of
Tokay,—all mingling in one stream with the vile fluids of the common pot
house, and contributing to heighten the self-same blaze. And while it rose in
a gigantic spire that seemed to wave against the arch of the firmament and
combine itself with the light of stars, the multitude gave a shout as if the
broad earth were exulting in its deliverance from the curse of ages.
But the joy was not universal. Many deemed that human life would be
gloomier than ever when that brief illumination should sink down. While
the reformers were at work I overheard muttered expostulations from
several respectable gentlemen with red noses and wearing gouty shoes; and
a ragged worthy, whose face looked like a hearth where the fire is burned
out, now expressed his discontent more openly and boldly.
“What is this world good for,” said the last toper, “now that we can never
be jolly any more? What is to comfort the poor man in sorrow and
perplexity? How is he to keep his heart warm against the cold winds of this
cheerless earth? And what do you propose to give him in exchange for the
solace that you take away? How are old friends to sit together by the
fireside without a cheerful glass between them? A plague upon your
reformation! It is a sad world, a cold world, a selfish world, a low world,
not worth an honest fellow’s living in, now that good fellowship is gone
forever!”
This harangue excited great mirth among the bystanders; but,
preposterous as was the sentiment, I could not help commiserating the
forlorn condition of the last toper, whose boon companions had dwindled
away from his side, leaving the poor fellow without a soul to countenance
him in sipping his liquor, nor indeed any liquor to sip. Not that this was
quite the true state of the case; for I had observed him at a critical moment
filch a bottle of fourth-proof brandy that fell beside the bonfire and hide it
in his pocket.

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The spirituous and fermented liquors being thus disposed of, the zeal of
the reformers next induced them to replenish the fire with all the boxes of
tea and bags of coffee in the world. And now came the planters of Virginia,
bringing their crops of tobacco. These, being cast upon the heap of inutility,
aggregated it to the size of a mountain, and incensed the atmosphere with
such potent fragrance that methought we should never draw pure breath
again. The present sacrifice seemed to startle the lovers of the weed more
than any that they had hitherto witnessed.
“Well, they’ve put my pipe out,” said an old gentleman, flinging it into
the flames in a pet. “What is this world coming to? Everything rich and racy
—all the spice of life—is to be condemned as useless. Now that they have
kindled the bonfire, if these nonsensical reformers would fling themselves
into it, all would be well enough!”
“Be patient,” responded a stanch conservative; “it will come to that in the
end. They will first fling us in, and finally themselves.”
From the general and systematic measures of reform I now turn to
consider the individual contributions to this memorable bonfire. In many
instances these were of a very amusing character. One poor fellow threw in
his empty purse, and another a bundle of counterfeit or insolvable bank-
notes. Fashionable ladies threw in their last season’s bonnets, together with
heaps of ribbons, yellow lace, and much other half-worn milliner’s ware, all
of which proved even more evanescent in the fire than it had been in the
fashion. A multitude of lovers of both sexes—discarded maids or bachelors
and couples mutually weary of one another—tossed in bundles of perfumed
letters and enamored sonnets. A hack politician, being deprived of bread by
the loss of office, threw in his teeth, which happened to be false ones. The
Rev. Sydney Smith—having voyaged across the Atlantic for that sole
purpose—came up to the bonfire with a bitter grin and threw in certain
repudiated bonds, fortified though they were with the broad seal of a
sovereign state. A little boy of five years old, in the premature manliness of
the present epoch, threw in his playthings; a college graduate, his diploma;
an apothecary, ruined by the spread of homeopathy, his whole stock of
drugs and medicines; a physician, his library; a parson, his old sermons; and
a fine gentleman of the old school, his code of manners, which he had
formerly written down for the benefit of the next generation. A widow,
resolving on a second marriage, slyly threw in her dead husband’s

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miniature. A young man, jilted by his mistress, would willingly have flung
his own desperate heart into the flames, but could find no means to wrench
it out of his bosom. An American author, whose works were neglected by
the public, threw his pen and paper into the bonfire and betook himself to
some less discouraging occupation. It somewhat startled me to overhear a
number of ladies, highly respectable in appearance, proposing to fling their
gowns and petticoats into the flames, and assume the garb, together with the
manners, duties, offices, and responsibilities, of the opposite sex.
What favor was accorded to this scheme I am unable to say, my attention
being suddenly drawn to a poor, deceived, and half-delirious girl, who,
exclaiming that she was the most worthless thing alive or dead, attempted to
cast herself into the fire amid all that wrecked and broken trumpery of the
world. A good man, however, ran to her rescue.
“Patience, my poor girl!” said he, as he drew her back from the fierce
embrace of the destroying angel. “Be patient, and abide Heaven’s will. So
long as you possess a living soul, all may be restored to its first freshness.
These things of matter and creations of human fantasy are fit for nothing
but to be burned when once they have had their day; but your day is
eternity!”
“Yes,” said the wretched girl, whose frenzy seemed now to have sunk
down into deep despondency, “yes, and the sunshine is blotted out of it!”
It was now rumored among the spectators that all the weapons and
munitions of war were to be thrown into the bonfire with the exception of
the world’s stock of gunpowder, which, as the safest mode of disposing of
it, had already been drowned in the sea. This intelligence seemed to awaken
great diversity of opinion. The hopeful philanthropist esteemed it a token
that the millennium was already come; while persons of another stamp, in
whose view mankind was a breed of bulldogs, prophesied that all the old
stoutness, fervor, nobleness, generosity, and magnanimity of the race would
disappear,—these qualities, as they affirmed, requiring blood for their
nourishment. They comforted themselves, however, in the belief that the
proposed abolition of war was impracticable for any length of time together.
Be that as it might, numberless great guns, whose thunder had long been
the voice of battle,—the artillery of the Armada, the battering trains of
Marlborough, and the adverse cannon of Napoleon and Wellington,—were
trundled into the midst of the fire. By the continual addition of dry

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combustibles, it had now waxed so intense that neither brass nor iron could
withstand it. It was wonderful to behold how these terrible instruments of
slaughter melted away like playthings of wax. Then the armies of the earth
wheeled around the mighty furnace, with their military music playing
triumphant marches,—and flung in their muskets and swords. The standard-
bearers, likewise, cast one look upward at their banners, all tattered with
shot-holes and inscribed with the names of victorious fields; and, giving
them a last flourish on the breeze, they lowered them into the flame, which
snatched them upward in its rush towards the clouds. This ceremony being
over, the world was left without a single weapon in its hands, except
possibly a few old king’s arms and rusty swords and other trophies of the
Revolution in some of our State armories. And now the drums were beaten
and the trumpets brayed all together, as a prelude to the proclamation of
universal and eternal peace and the announcement that glory was no longer
to be won by blood, but that it would henceforth be the contention of the
human race to work out the greatest mutual good, and that beneficence, in
the future annals of the earth, would claim the praise of valor. The blessed
tidings were accordingly promulgated, and caused infinite rejoicings among
those who had stood aghast at the horror and absurdity of war.
But I saw a grim smile pass over the seared visage of a stately old
commander,—by his war-worn figure and rich military dress, he might have
been one of Napoleon’s famous marshals,—who, with the rest of the
world’s soldiery, had just flung away the sword that had been familiar to his
right hand for half a century.
“Ay! ay!” grumbled he. “Let them proclaim what they please; but, in the
end, we shall find that all this foolery has only made more work for the
armorers and cannon-founders.”
“Why, sir,” exclaimed I, in astonishment, “do you imagine that the
human race will ever so far return on the steps of its past madness as to
weld another sword or cast another cannon?”
“There will be no need,” observed, with a sneer, one who neither felt
benevolence nor had faith in it. “When Cain wished to slay his brother, he
was at no loss for a weapon.”
“We shall see,” replied the veteran commander. “If I am mistaken, so
much the better; but in my opinion, without pretending to philosophize
about the matter, the necessity of war lies far deeper than these honest

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gentlemen suppose. What! is there a field for all the petty disputes of
individuals? and shall there be no great law court for the settlement of
national difficulties? The battle-field is the only court where such suits can
be tried.”
“You forget, general,” rejoined I, “that, in this advanced stage of
civilization, Reason and Philanthropy combined will constitute just such a
tribunal as is requisite.”
“Ah, I had forgotten that, indeed!” said the old warrior, as he limped
away.
The fire was now to be replenished with materials that had hitherto been
considered of even greater importance to the well-being of society than the
warlike munitions which we had already seen consumed. A body of
reformers had travelled all over the earth in quest of the machinery by
which the different nations were accustomed to inflict the punishment of
death. A shudder passed through the multitude as these ghastly emblems
were dragged forward. Even the flames seemed at first to shrink away,
displaying the shape and murderous contrivance of each in a full blaze of
light, which of itself was sufficient to convince mankind of the long and
deadly error of human law. Those old implements of cruelty; those horrible
monsters of mechanism; those inventions which it seemed to demand
something worse than man’s natural heart to contrive, and which had lurked
in the dusky nooks of ancient prisons, the subject of terror-stricken legend,
—were now brought forth to view. Headsmen’s axes, with the rust of noble
and royal blood upon them, and a vast collection of halters that had choked
the breath of plebeian victims, were thrown in together. A shout greeted the
arrival of the guillotine, which was thrust forward on the same wheels that
had borne it from one to another of the bloodstained streets of Paris. But the
loudest roar of applause went up, telling the distant sky of the triumph of
the earth’s redemption, when the gallows made its appearance. An ill-
looking fellow, however, rushed forward, and, putting himself in the path of
the reformers, bellowed hoarsely, and fought with brute fury to stay their
progress.
It was little matter of surprise, perhaps, that the executioner should thus
do his best to vindicate and uphold the machinery by which he himself had
his livelihood and worthier individuals their death; but it deserved special
note that men of a far different sphere—even of that consecrated class in

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whose guardianship the world is apt to trust its benevolence—were found to
take the hangman’s view of the question.
“Stay, my brethren!” cried one of them. “You are misled by a false
philanthropy; you know not what you do. The gallows is a Heaven-ordained
instrument. Bear it back, then, reverently, and set it up in its old place, else
the world will fall to speedy ruin and desolation!”
“Onward! onward!” shouted a leader in the reform. “Into the flames with
the accursed instrument of man’s bloody policy! How can human law
inculcate benevolence and love while it persists in setting up the gallows as
its chief symbol? One heave more, good friends, and the world will be
redeemed from its greatest error.”
A thousand hands, that nevertheless loathed the touch, now lent their
assistance, and thrust the ominous burden far, far into the centre of the
raging furnace. There its fatal and abhorred image was beheld, first black,
then a red coal, then ashes.
“That was well done!” exclaimed I.
“Yes, it was well done,” replied, but with less enthusiasm than I
expected, the thoughtful observer, who was still at my side,—“well done, if
the world be good enough for the measure. Death, however, is an idea that
cannot easily be dispensed with in any condition between the primal
innocence and that other purity and perfection which perchance we are
destined to attain after travelling round the full circle; but, at all events, it is
well that the experiment should now be tried.”
“Too cold! too cold!” impatiently exclaimed the young and ardent leader
in this triumph. “Let the heart have its voice here as well as the intellect.
And as for ripeness, and as for progress, let mankind always do the highest,
kindest, noblest thing that, at any given period, it has attained the perception
of; and surely that thing cannot be wrong nor wrongly timed.”
I know not whether it were the excitement of the scene, or whether the
good people around the bonfire were really growing more enlightened
every instant; but they now proceeded to measures in the full length of
which I was hardly prepared to keep them company. For instance, some
threw their marriage certificates into the flames, and declared themselves
candidates for a higher, holier, and more comprehensive union than that
which had subsisted from the birth of time under the form of the connubial
tie. Others hastened to the vaults of banks and to the coffers of the rich—all

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of which were opened to the first comer on this fated occasion—and
brought entire bales of paper-money to enliven the blaze, and tons of coin to
be melted down by its intensity. Henceforth, they said, universal
benevolence, uncoined and exhaustless, was to be the golden currency of
the world. At this intelligence the bankers and speculators in the stocks
grew pale, and a pickpocket, who had reaped a rich harvest among the
crowd, fell down in a deadly fainting fit. A few men of business burned
their day-books and ledgers, the notes and obligations of their creditors, and
all other evidences of debts due to themselves; while perhaps a somewhat
larger number satisfied their zeal for reform with the sacrifice of any
uncomfortable recollection of their own indebtment. There was then a cry
that the period was arrived when the title-deeds of landed property should
be given to the flames, and the whole soil of the earth revert to the public,
from whom it had been wrongfully abstracted and most unequally
distributed among individuals. Another party demanded that all written
constitutions, set forms of government, legislative acts, statute-books, and
everything else on which human invention had endeavored to stamp its
arbitrary laws, should at once be destroyed, leaving the consummated world
as free as the man first created.
Whether any ultimate action was taken with regard to these propositions
is beyond my knowledge; for, just then, some matters were in progress that
concerned my sympathies more nearly.
“See! see! What heaps of books and pamphlets!” cried a fellow, who did
not seem to be a lover of literature. “Now we shall have a glorious blaze!”
“That’s just the thing!” said a modern philosopher. “Now we shall get rid
of the weight of dead men’s thought, which has hitherto pressed so heavily
on the living intellect that it has been incompetent to any effectual self-
exertion. Well done, my lads! Into the fire with them! Now you are
enlightening the world indeed!”
“But what is to become of the trade?” cried a frantic bookseller.
“O, by all means, let them accompany their merchandise,” coolly
observed an author. “It will be a noble funeral-pile!”
The truth was, that the human race had now reached a stage of progress
so far beyond what the wisest and wittiest men of former ages had ever
dreamed of, that it would have been a manifest absurdity to allow the earth
to be any longer encumbered with their poor achievements in the literary

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line. Accordingly a thorough and searching investigation had swept the
booksellers’ shops, hawkers’ stands, public and private libraries, and even
the little book-shelf by the country fireside, and had brought the world’s
entire mass of printed paper, bound or in sheets, to swell the already
mountain bulk of our illustrious bonfire. Thick, heavy folios, containing the
labors of lexicographers, commentators, and encyclopedists, were flung in,
and, falling among the embers with a leaden thump, smouldered away to
ashes like rotten wood. The small, richly gilt French tomes of the last age,
with the hundred volumes of Voltaire among them, went off in a brilliant
shower of sparkles and little jets of flame; while the current literature of the
same nation burned red and blue, and threw an infernal light over the
visages of the spectators, converting them all to the aspect of party-colored
fiends. A collection of German stories emitted a scent of brimstone. The
English standard authors made excellent fuel, generally exhibiting the
properties of sound oak logs. Milton’s works, in particular, sent up a
powerful blaze, gradually reddening into a coal, which promised to endure
longer than almost any other material of the pile. From Shakespeare there
gushed a flame of such marvellous splendor that men shaded their eyes as
against the sun’s meridian glory; nor even when the works of his own
elucidators were flung upon him did he cease to flash forth a dazzling
radiance from beneath the ponderous heap. It is my belief that he is still
blazing as fervidly as ever.
“Could a poet but light a lamp at that glorious flame,” remarked I, “he
might then consume the midnight oil to some good purpose.”
“That is the very thing which modern poets have been too apt to do, or at
least to attempt,” answered a critic. “The chief benefit to be expected from
this conflagration of past literature undoubtedly is, that writers will
henceforth be compelled to light their lamps at the sun or stars.”
“If they can reach so high,” said I; “but that task requires a giant, who
may afterwards distribute the light among inferior men. It is not every one
that can steal the fire from heaven like Prometheus; but, when once he had
done the deed, a thousand hearths were kindled by it.”
It amazed me much to observe how indefinite was the proportion
between the physical mass of any given author and the property of brilliant
and long-continued combustion. For instance, there was not a quarto
volume of the last century—nor, indeed, of the present—that could compete

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in that particular with a child’s little gilt-covered book, containing _Mother
Goose’s Melodies_. _The Life and Death of Tom Thumb_ outlasted the
biography of Marlborough. An epic, indeed a dozen of them, was converted
to white ashes before the single sheet of an old ballad was half consumed.
In more than one case, too, when volumes of applauded verse proved
incapable of anything better than a stifling smoke, an unregarded ditty of
some nameless bard—perchance in the corner of a newspaper—soared up
among the stars with a flame as brilliant as their own. Speaking of the
properties of flame, methought Shelley’s poetry emitted a purer light than
almost any other productions of his day, contrasting beautifully with the
fitful and lurid gleams and gushes of black vapor that flashed and eddied
from the volumes of Lord Byron. As for Tom Moore, some of his songs
diffused an odor like a burning pastil.
I felt particular interest in watching the combustion of American authors,
and scrupulously noted by my watch the precise number of moments that
changed most of them from shabbily printed books to indistinguishable
ashes. It would be invidious, however, if not perilous, to betray these awful
secrets; so that I shall content myself with observing that it was not
invariably the writer most frequent in the public mouth that made the most
splendid appearance in the bonfire. I especially remember that a great deal
of excellent inflammability was exhibited in a thin volume of poems by
Ellery Channing; although, to speak the truth, there were certain portions
that hissed and spluttered in a very disagreeable fashion. A curious
phenomenon occurred in reference to several writers, native as well as
foreign. Their books, though of highly respectable figure, instead of
bursting into a blaze or even smouldering out their substance in smoke,
suddenly melted away in a manner that proved them to be ice.
If it be no lack of modesty to mention my own works, it must here be
confessed that I looked for them with fatherly interest, but in vain. Too
probably they were changed to vapor by the first action of the heat; at best,
I can only hope that, in their quiet way, they contributed a glimmering spark
or two to the splendor of the evening.
“Alas! and woe is me!” thus bemoaned himself a heavy-looking
gentleman in green spectacles. “The world is utterly ruined, and there is
nothing to live for any longer. The business of my life is snatched from me.
Not a volume to be had for love or money!”

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“This,” remarked the sedate observer beside me, “is a bookworm,—one
of those men who are born to gnaw dead thoughts. His clothes, you see, are
covered with the dust of libraries. He has no inward fountain of ideas; and,
in good earnest, now that the old stock is abolished, I do not see what is to
become of the poor fellow. Have you no word of comfort for him?”
“My dear sir,” said I to the desperate bookworm, “is not nature better
than a book? Is not the human heart deeper than any system of philosophy?
Is not life replete with more instruction than past observers have found it
possible to write down in maxims? Be of good cheer. The great book of
Time is still spread wide open before us; and, if we read it aright, it will be
to us a volume of eternal truth.”
“O, my books, my books, my precious printed books!” reiterated the
forlorn bookworm. “My only reality was a bound volume; and now they
will not leave me even a shadowy pamphlet!”
In fact, the last remnant of the literature of all the ages was now
descending upon the blazing heap in the shape of a cloud of pamphlets from
the press of the New World. These likewise were consumed in the twinkling
of an eye, leaving the earth, for the first time since the days of Cadmus, free
from the plague of letters,—an enviable field for the authors of the next
generation.
“Well, and does anything remain to be done?” inquired I, somewhat
anxiously. “Unless we set fire to the earth itself, and then leap boldly off
into infinite space, I know not that we can carry reform to any farther
point.”
“You are vastly mistaken, my good friend,” said the observer. “Believe
me, the fire will not be allowed to settle down without the addition of fuel
that will startle many persons who have lent a willing hand thus far.”
Nevertheless there appeared to be a relaxation of effort for a little time,
during which, probably, the leaders of the movement were considering what
should be done next. In the interval, a philosopher threw his theory into the
flames,—a sacrifice which, by those who knew how to estimate it, was
pronounced the most remarkable that had yet been made. The combustion,
however, was by no means brilliant. Some indefatigable people, scorning to
take a moment’s ease, now employed themselves in collecting all the
withered leaves and fallen boughs of the forest, and thereby recruited the
bonfire to a greater height than ever. But this was mere by-play.

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“Here comes the fresh fuel that I spoke of,” said my companion.
To my astonishment the persons who now advanced into the vacant space
around the mountain fire bore surplices and other priestly garments, mitres,
crosiers, and a confusion of Popish and Protestant emblems with which it
seemed their purpose to consummate the great act of faith. Crosses from the
spires of old cathedrals were cast upon the heap with as little remorse as if
the reverence of centuries passing in long array beneath the lofty towers had
not looked up to them as the holiest of symbols. The font in which infants
were consecrated to God, the sacramental vessels whence piety received the
hallowed draught, were given to the same destruction. Perhaps it most
nearly touched my heart to see among these devoted relics fragments of the
humble communion-tables and undecorated pulpits which I recognized as
having been torn from the meeting-houses of New England. Those simple
edifices might have been permitted to retain all of sacred embellishment
that their Puritan founders had bestowed, even though the mighty structure
of St. Peter’s had sent its spoils to the fire of this terrible sacrifice. Yet I felt
that these were but the externals of religion, and might most safely be
relinquished by spirits that best knew their deep significance.
“All is well,” said I, cheerfully. “The wood-paths shall be the aisles of
our cathedral, the firmament itself shall be its ceiling. What needs an earthly
roof between the Deity and his worshippers? Our faith can well afford to
lose all the drapery that even the holiest men have thrown around it, and be
only the more sublime in its simplicity.”
“True,” said my companion; “but will they pause here?”
The doubt implied in his question was well founded. In the general
destruction of books already described, a holy volume, that stood apart from
the catalogue of human literature, and yet, in one sense, was at its head, had
been spared. But the Titan of innovation,—angel or fiend, double in his
nature, and capable of deeds befitting both characters,—at first shaking
down only the old and rotten shapes of things, had now, as it appeared, laid
his terrible hand upon the main pillars which supported the whole edifice of
our moral and spiritual state. The inhabitants of the earth had grown too
enlightened to define their faith within a form of words, or to limit the
spiritual by any analogy to our material existence. Truths which the heavens
trembled at were now but a fable of the world’s infancy. Therefore, as the
final sacrifice of human error, what else remained to be thrown upon the

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embers of that awful pile, except the book which, though a celestial
revelation to past ages, was but a voice from a lower sphere as regarded the
present race of man? It was done! Upon the blazing heap of falsehood and
worn-out truth—things that the earth had never needed, or had ceased to
need, or had grown childishly weary of—fell the ponderous church Bible,
the great old volume that had lain so long on the cushion of the pulpit, and
whence the pastor’s solemn voice had given holy utterance on so many a
Sabbath day. There, likewise, fell the family Bible, which the long-buried
patriarch had read to his children,—in prosperity or sorrow, by the fireside
and in the summer shade of trees,—and had bequeathed downward as the
heirloom of generations. There fell the bosom Bible, the little volume that
had been the soul’s friend of some sorely tried child of dust, who thence
took courage, whether his trial were for life or death, steadfastly
confronting both in the strong assurance of immortality.
All these were flung into the fierce and riotous blaze; and then a mighty
wind came roaring across the plain with a desolate howl, as if it were the
angry lamentation of the earth for the loss of heaven’s sunshine; and it
shook the gigantic pyramid of flame and scattered the cinders of half-
consumed abominations around upon the spectators.
“This is terrible!” said I, feeling that my check grew pale, and seeing a
like change in the visages about me.
“Be of good courage yet,” answered the man with whom I had so often
spoken. He continued to gaze steadily at the spectacle with a singular
calmness, as if it concerned him merely as an observer. “Be of good
courage, nor yet exult too much; for there is far less both of good and evil in
the effect of this bonfire than the world might be willing to believe.”
“How can that be?” exclaimed I, impatiently. “Has it not consumed
everything? Has it not swallowed up or melted down every human or divine
appendage of our mortal state that had substance enough to be acted on by
fire? Will there be anything left us to-morrow morning better or worse than
a heap of embers and ashes?”
“Assuredly there will,” said my grave friend. “Come hither to-morrow
morning, or whenever the combustible portion of the pile shall be quite
burned out, and you will find among the ashes everything really valuable
that you have seen cast into the flames. Trust me, the world of to-morrow
will again enrich itself with the gold and diamonds which have been cast off

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by the world of today. Not a truth is destroyed nor buried so deep among
the ashes but it will be raked up at last.”
This was a strange assurance. Yet I felt inclined to credit it, the more
especially as I beheld among the wallowing flames a copy of the Holy
Scriptures, the pages of which, instead of being blackened into tinder, only
assumed a more dazzling whiteness as the fingermarks of human
imperfection were purified away. Certain marginal notes and commentaries,
it is true, yielded to the intensity of the fiery test, but without detriment to
the smallest syllable that had flamed from the pen of inspiration.
“Yes; there is the proof of what you say,” answered I, turning to the
observer; “but if only what is evil can feel the action of the fire, then,
surely, the conflagration has been of inestimable utility. Yet, if I understand
aright, you intimate a doubt whether the world’s expectation of benefit
would be realized by it.”
“Listen to the talk of these worthies,” said he, pointing to a group in front
of the blazing pile; “possibly they may teach you something useful, without
intending it.”
The persons whom he indicated consisted of that brutal and most earthy
figure who had stood forth so furiously in defence of the gallows,—the
hangman, in short,—together with the last thief and the last murderer, all
three of whom were clustered about the last toper. The latter was liberally
passing the brandy bottle, which he had rescued from the general
destruction of wines and spirits. This little convivial party seemed at the
lowest pitch of despondency, as considering that the purified world must
needs be utterly unlike the sphere that they had hitherto known, and
therefore but a strange and desolate abode for gentlemen of their kidney.
“The best counsel for all of us is,” remarked the hangman, “that, as soon
as we have finished the last drop of liquor, I help you, my three friends, to a
comfortable end upon the nearest tree, and then hang myself on the same
bough. This is no world for us any longer.”
“Poh, poh, my good fellows!” said a dark-complexioned personage, who
now joined the group,—his complexion was indeed fearfully dark, and his
eyes glowed with a redder light than that of the bonfire; “be not so cast
down, my dear friends; you shall see good days yet. There is one thing that
these wiseacres have forgotten to throw into the fire, and without which all

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the rest of the conflagration is just nothing at all; yes, though they had
burned the earth itself to a cinder.”
“And what may that be?” eagerly demanded the last murderer.
“What but the human heart itself?” said the dark-visaged stranger, with a
portentous grin. “And, unless they hit upon some method of purifying that
foul cavern, forth from it will reissue all the shapes of wrong and misery—
the same old shapes or worse ones—which they have taken such a vast deal
of trouble to consume to ashes. I have stood by this livelong night and
laughed in my sleeve at the whole business. O, take my word for it, it will
be the old world yet!”
This brief conversation supplied me with a theme for lengthened thought.
How sad a truth, if true it were, that man’s age-long endeavor for perfection
had served only to render him the mockery of the evil principle, from the
fatal circumstance of an error at the very root of the matter! The heart, the
heart, there was the little yet boundless sphere wherein existed the original
wrong of which the crime and misery of this outward world were merely
types. Purify that inward sphere, and the many shapes of evil that haunt the
outward, and which now seem almost our only realities, will turn to
shadowy phantoms and vanish of their own accord; but if we go no deeper
than the intellect, and strive, with merely that feeble instrument, to discern
and rectify what is wrong, our whole accomplishment will be a dream, so
unsubstantial that it matters little whether the bonfire, which I have so
faithfully described, were what we choose to call a real event and a flame
that would scorch the finger, or only a phosphoric radiance and a parable of
my own brain.

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PASSAGES FROM A RELINQUISHED WORK

AT HOME
From infancy I was under the guardianship of a village parson, who made
me the subject of daily prayer and the sufferer of innumerable stripes, using
no distinction, as to these marks of paternal love, between myself and his
own three boys. The result, it must be owned, has been very different in
their cases and mine, they being all respectable men and well settled in life;
the eldest as the successor to his father’s pulpit, the second as a physician,
and the third as a partner in a wholesale shoe-store; while I, with better
prospects than either of them, have run the course which this volume will
describe. Yet there is room for doubt whether I should have been any better
contented with such success as theirs than with my own misfortunes,—at
least, till after my experience of the latter had made it too late for another
trial.
My guardian had a name of considerable eminence, and fitter for the
place it occupies in ecclesiastical history than for so frivolous a page as
mine. In his own vicinity, among the lighter part of his hearers, he was
called Parson Thumpcushion, from the very forcible gestures with which he
illustrated his doctrines. Certainly, if his powers as a preacher were to be
estimated by the damage done to his pulpit-furniture, none of his living
brethren, and but few dead ones, would have been worthy even to
pronounce a benediction after him. Such pounding and expounding the
moment he began to grow warm, such slapping with his open palm,
thumping with his closed fist, and banging with the whole weight of the
great Bible, convinced me that he held, in imagination, either the Old Nick
or some Unitarian infidel at bay, and belabored his unhappy cushion as
proxy for those abominable adversaries. Nothing but this exercise of the
body while delivering his sermons could have supported the good parson’s
health under the mental toil which they cost him in composition.

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Though Parson Thumpcushion had an upright heart, and some called it a
warm one, he was invariably stern and severe, on principle, I suppose, to
me. With late justice, though early enough, even now, to be tinctured with
generosity I acknowledge him to have been a good and wise man after his
own fashion. If his management failed as to myself, it succeeded with his
three sons; nor, I must frankly say, could any mode of education with which
it was possible for him to be acquainted have made me much better than
what I was or led me to a happier fortune than the present. He could neither
change the nature that God gave me nor adapt his own inflexible mind to
my peculiar character. Perhaps it was my chief misfortune that I had neither
father nor mother alive; for parents have an instinctive sagacity in regard to
the welfare of their children, and the child feels a confidence both in the
wisdom and affection of his parents which he cannot transfer to any
delegate of their duties, however conscientious. An orphan’s fate is hard, be
he rich or poor. As for Parson Thumpcushion, whenever I see the old
gentleman in my dreams he looks kindly and sorrowfully at me, holding out
his hand as if each had something to forgive. With such kindness and such
forgiveness, but without the sorrow, may our next meeting be!
I was a youth of gay and happy temperament, with an incorrigible levity
of spirit, of no vicious propensities, sensible enough, but wayward and
fanciful. What a character was this to be brought in contact with the stern
old Pilgrim spirit of my guardian! We were at variance on a thousand
points; but our chief and final dispute arose from the pertinacity with which
he insisted on my adopting a particular profession; while I, being heir to a
moderate competence, had avowed my purpose of keeping aloof from the
regular business of life. This would have been a dangerous resolution
anywhere in the world; it was fatal in New England. There is a grossness in
the conceptions of my countrymen; they will not be convinced that any
good thing may consist with what they call idleness; they can anticipate
nothing but evil of a young man who neither studies physic, law, nor
gospel, nor opens a store, nor takes to farming, but manifests an
incomprehensible disposition to be satisfied with what his father left him.
The principle is excellent in its general influence, but most miserable in its
effect on the few that violate it. I had a quick sensitiveness to public
opinion, and felt as if it ranked me with the tavern haunters and town
paupers,—with the drunken poet who hawked his own Fourth of July odes,

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and the broken soldier who had been good for nothing since last war. The
consequence of all this was a piece of light-hearted desperation.
I do not over-estimate my notoriety when I take it for granted that many
of my readers must have heard of me in the wild way of life which I
adopted. The idea of becoming a wandering story-teller had been suggested,
a year or two before, by an encounter with several merry vagabonds in a
showman’s wagon, where they and I had sheltered ourselves during a
summer shower. The project was not more extravagant than most which a
young man forms. Stranger ones are executed every day; and, not to
mention my prototypes in the East, and the wandering orators and poets
whom my own ears have heard, I had the example of one illustrious
itinerant in the other hemisphere,—of Goldsmith, who planned and
performed his travels through France and Italy on a less promising scheme
than mine. I took credit to myself for various qualifications, mental and
personal, suited to the undertaking. Besides, my mind had latterly
tormented me for employment, keeping up an irregular activity even in
sleep, and making me conscious that I must toil, if it were but in catching
butterflies. But my chief motives were, discontent with home and a bitter
grudge against Parson Thumpcushion, who would rather have laid me in my
father’s tomb than seen me either a novelist or an actor, two characters
which I thus hit upon a method of uniting. After all, it was not half so
foolish as if I had written romances instead of reciting them.
The following pages will contain a picture of my vagrant life, intermixed
with specimens, generally brief and slight, of that great mass of fiction to
which I gave existence, and which has vanished like cloud-shapes. Besides
the occasions when I sought a pecuniary reward, I was accustomed to
exercise my narrative faculty wherever chance had collected a little
audience idle enough to listen. These rehearsals were useful in testing the
strong points of my stories; and, indeed, the flow of fancy soon came upon
me so abundantly that its indulgence was its own reward, though the hope
of praise also became a powerful incitement. Since I shall never feel the
warm gush of new thought as I did then, let me beseech the reader to
believe that my tales were not always so cold as he may find them now.
With each specimen will be given a sketch of the circumstances in which
the story was told. Thus my air-drawn pictures will be set in frames perhaps
more valuable than the pictures themselves, since they will be embossed
with groups of characteristic figures, amid the lake and mountain scenery,

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the villages and fertile fields, of our native land. But I write the book for the
sake of its moral, which many a dreaming youth may profit by, though it is
the experience of a wandering story-teller.

A FLIGHT IN THE FOG.
I set out on my rambles one morning in June about sunrise. The day
promised to be fair, though at that early hour a heavy mist lay along the
earth and settled in minute globules on the folds of my clothes, so that I
looked precisely as if touched with a hoar-frost. The sky was quite
obscured, and the trees and houses invisible till they grew out of the fog as I
came close upon them. There is a hill towards the west whence the road
goes abruptly down, holding a level course through the village and
ascending an eminence on the other side, behind which it disappears. The
whole view comprises an extent of half a mile. Here I paused; and, while
gazing through the misty veil, it partially rose and swept away with so
sudden an effect that a gray cloud seemed to have taken the aspect of a
small white town. A thin vapor being still diffused through the atmosphere,
the wreaths and pillars of fog, whether hung in air or based on earth,
appeared not less substantial than the edifices, and gave their own
indistinctness to the whole. It was singular that such an unromantic scene
should look so visionary.
Half of the parson’s dwelling was a dingy white house, and half of it was
a cloud; but Squire Moody’s mansion, the grandest in the village, was
wholly visible, even the lattice-work of the balcony under the front
window; while in another place only two red chimneys were seen above the
mist, appertaining to my own paternal residence, then tenanted by strangers.
I could not remember those with whom I had dwelt there, not even my
mother. The brick edifice of the bank was in the clouds; the foundations of
what was to be a great block of buildings had vanished, ominously, as it
proved; the dry-goods store of Mr. Nightingale seemed a doubtful concern;
and Dominicus Pike’s tobacco manufactory an affair of smoke, except the
splendid image of an Indian chief in front. The white spire of the meeting-
house ascended out of the densest heap of vapor, as if that shadowy base
were its only support: or, to give a truer interpretation, the steeple was the
emblem of Religion, enveloped in mystery below, yet pointing to a

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cloudless atmosphere, and catching the brightness of the east on its gilded
vane.
As I beheld these objects, and the dewy street, with grassy intervals and a
border of trees between the wheeltrack and the sidewalks, all so indistinct,
and not to be traced without an effort, the whole seemed more like memory
than reality. I would have imagined that years had already passed, and I was
far away, contemplating that dim picture of my native place, which I should
retain in my mind through the mist of time. No tears fell from my eyes
among the dewdrops of the morning; nor does it occur to me that I heaved a
sigh. In truth, I had never felt such a delicious excitement nor known what
freedom was till that moment when I gave up my home and took the whole
world in exchange, fluttering the wings of my spirit as if I would have
flown from one star to another through the universe. I waved my hand
towards the dusky village, bade it a joyous farewell, and turned away to
follow any path but that which might lead me back. Never was Childe
Harold’s sentiment adopted in a spirit more unlike his own.
Naturally enough, I thought of Don Quixote. Recollecting how the knight
and Sancho had watched for auguries when they took the road to Toboso, I
began, between jest and earnest, to feel a similar anxiety. It was gratified,
and by a more poetical phenomenon than the braying of the dappled ass or
the neigh of Rosinante. The sun, then just above the horizon, shone faintly
through the fog, and formed a species of rainbow in the west, bestriding my
intended road like a gigantic portal. I had never known before that a bow
could be generated between the sunshine and the morning mist. It had no
brilliancy, no perceptible hues, but was a mere unpainted framework, as
white and ghostlike as the lunar rainbow, which is deemed ominous of evil.
But, with a light heart, to which all omens were propitious, I advanced
beneath the misty archway of futurity.
I had determined not to enter on my profession within a hundred miles of
home, and then to cover myself with a fictitious name. The first precaution
was reasonable enough, as otherwise Parson Thumpcushion might have put
an untimely catastrophe to my story; but as nobody would be much affected
by my disgrace, and all was to be suffered in my own person, I know not
why I cared about a name. For a week or two I travelled almost at random,
seeking hardly any guidance except the whirling of a leaf at, some turn of
the road, or the green bough that beckoned me, or the naked branch that

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pointed its withered finger onward. All my care was to be farther from
home each night than the preceding morning.

A FELLOW-TRAVELLER.
One day at noontide, when the sun had burst suddenly out of a cloud, and
threatened to dissolve me, I looked round for shelter, whether of tavern,
cottage, barn, or shady tree. The first which offered itself was a wood,—not
a forest, but a trim plantation of young oaks, growing just thick enough to
keep the mass of sunshine out, while they admitted a few straggling beams,
and thus produced the most cheerful gloom imaginable. A brook, so small
and clear, and apparently so cool, that I wanted to drink it up, ran under the
road through a little arch of stone without once meeting the sun in its
passage from the shade on one side to the shade on the other. As there was a
stepping-place over the stone wall and a path along the rivulet, I followed it
and discovered its source,—a spring gushing out of an old barrel.
In this pleasant spot I saw a light pack suspended from the branch of a
tree, a stick leaning against the trunk, and a person seated on the grassy
verge of the spring, with his back towards me. He was a slender figure,
dressed in black broadcloth, which was none of the finest nor very
fashionably cut. On hearing my footsteps he started up rather nervously,
and, turning round, showed the face of a young man about my own age,
with his finger in a volume which he had been reading till my intrusion. His
book was evidently a pocket Bible. Though I piqued myself at that period
on my great penetration into people’s characters and pursuits, I could not
decide whether this young man in black were an unfledged divine from
Andover, a college student, or preparing for college at some academy. In
either case I would quite as willingly have found a merrier companion;
such, for instance, as the comedian with whom Gil Blas shared his dinner
beside a fountain in Spain.
After a nod, which was duly returned, I made a goblet of oak-leaves,
filled and emptied it two or three times, and then remarked, to hit the
stranger’s classical associations, that this beautiful fountain ought to flow
from an urn instead of an old barrel. He did not show that he understood the
allusion, and replied very briefly, with a shyness that was quite out of place

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between persons who met in such circumstances. Had he treated my next
observation in the same way, we should have parted without another word.
“It is very singular,” said I,—“though doubtless there are good reasons
for it,—that Nature should provide drink so abundantly, and lavish it
everywhere by the roadside, but so seldom anything to eat. Why should not
we find a loaf of bread on this tree as well as a barrel of good liquor at the
foot of it?”
“There is a loaf of bread on the tree,” replied the stranger, without even
smiling—at a coincidence which made me laugh. “I have something to eat
in my bundle; and, if you can make a dinner with me, you shall be
welcome.”
“I accept your offer with pleasure,” said I. “A pilgrim such as I am must
not refuse a providential meal.”
The young man had risen to take his bundle from the branch of the tree,
but now turned round and regarded me with great earnestness, coloring
deeply at the same time. However, he said nothing, and produced part of a
loaf of bread and some cheese, the former being evidently home baked,
though some days out of the oven. The fare was good enough, with a real
welcome, such as his appeared to be. After spreading these articles on the
stump of a tree, he proceeded to ask a blessing on our food, an unexpected
ceremony, and quite an impressive one at our woodland table, with the
fountain gushing beside us and the bright sky glimmering through the
boughs; nor did his brief petition affect me less because his embarrassment
made his voice tremble. At the end of the meal he returned thanks with the
same tremulous fervor.
He felt a natural kindness for me after thus relieving my necessities, and
showed it by becoming less reserved. On my part, I professed never to have
relished a dinner better; and, in requital of the stranger’s hospitality,
solicited the pleasure of his company to supper.
“Where? At your home?” asked he.
“Yes,” said I, smiling.
“Perhaps our roads are not the same,” observed he.
“O, I can take any road but one, and yet not miss my way,” answered I.
“This morning I breakfasted at home; I shall sup at home to-night; and a
moment ago I dined at home. To be sure, there was a certain place which I

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called home; but I have resolved not to see it again till I have been quite
round the globe and enter the street on the east as I left it on the west. In the
mean time, I have a home everywhere, or nowhere, just as you please to
take it.”
“Nowhere, then; for this transitory world is not our home,” said the
young man, with solemnity. “We are all pilgrims and wanderers; but it is
strange that we two should meet.”
I inquired the meaning of this remark, but could obtain no satisfactory
reply. But we had eaten salt together, and it was right that we should form
acquaintance after that ceremony as the Arabs of the desert do, especially as
he had learned something about myself, and the courtesy of the country
entitled me to as much information in return. I asked whither he was
travelling.
“I do not know,” said he; “but God knows.”
“That is strange!” exclaimed I; “not that God should know it, but that you
should not. And how is your road to be pointed out?”
“Perhaps by an inward conviction,” he replied, looking sideways at me to
discover whether I smiled; “perhaps by an outward sign.”
“Then, believe me,” said I, “the outward sign is already granted you, and
the inward conviction ought to follow. We are told of pious men in old
times who committed themselves to the care of Providence, and saw the
manifestation of its will in the slightest circumstances, as in the shooting of
a star, the flight of a bird, or the course taken by some brute animal.
Sometimes even a stupid ass was their guide. May I not be as good a one?”
“I do not know,” said the pilgrim, with perfect simplicity.
We did, however, follow the same road, and were not overtaken, as I
partly apprehended, by the keepers of any lunatic asylum in pursuit of a
stray patient. Perhaps the stranger felt as much doubt of my sanity as I did
of his, though certainly with less justice, since I was fully aware of my own
extravagances, while he acted as wildly, and deemed it heavenly wisdom.
We were a singular couple, strikingly contrasted, yet curiously assimilated,
each of us remarkable enough by himself, and doubly so in the other’s
company. Without any formal compact, we kept together day after day till
our union appeared permanent. Even had I seen nothing to love and admire
in him, I could never have thought of deserting one who needed me

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continually; for I never knew a person; not even a woman, so unfit to roam
the world in solitude as he was,—so painfully shy, so easily discouraged by
slight obstacles, and so often depressed by a weight within himself.
I was now far from my native place, but had not yet stepped before the
public. A slight tremor seized me whenever I thought of relinquishing the
immunities of a private character, and giving every man, and for money too,
the right which no man yet possessed, of treating me with open scorn. But
about a week after contracting the above alliance I made my bow to an
audience of nine persons, seven of whom hissed me in a very disagreeable
manner, and not without good cause. Indeed, the failure was so signal that it
would have been mere swindling to retain the money, which had been paid
on my implied contract to give its value of amusement. So I called in the
doorkeeper, bade him refund the whole receipts, a mighty sum and was
gratified with a round of applause by way of offset to the hisses. This event
would have looked most horrible in anticipation,—a thing to make a man
shoot himself, or run amuck, or hide himself in caverns where he might not
see his own burning blush; but the reality was not so very hard to bear. It is
a fact that I was more deeply grieved by an almost parallel misfortune
which happened to my companion on the same evening. In my own behalf I
was angry and excited, not depressed; my blood ran quick, my spirits rose
buoyantly, and I had never felt such a confidence of future success and
determination to achieve it as at that trying moment. I resolved to persevere,
if it were only to wring the reluctant praise from my enemies.
Hitherto I had immensely underrated the difficulties of my idle trade;
now I recognized that it demanded nothing short of my whole powers
cultivated to the utmost, and exerted with the same prodigality as if I were
speaking for a great party or for the nation at large on the floor of the
Capitol. No talent or attainment could come amiss; everything, indeed, was
requisite,—wide observation, varied knowledge, deep thoughts, and
sparkling ones; pathos and levity, and a mixture of both, like sunshine in a
raindrop; lofty imagination, veiling itself in the garb of common life; and
the practised art which alone could render these gifts, and more than these,
available. Not that I ever hoped to be thus qualified. But my despair was no
ignoble one; for, knowing the impossibility of satisfying myself, even
should the world be satisfied, I did my best to overcome it; investigated the
causes of every defect; and strove, with patient stubbornness, to remove
them in the next attempt. It is one of my few sources of pride, that,

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ridiculous as the object was, I followed it up with the firmness and energy
of a man.
I manufactured a great variety of plots and skeletons of tales, and kept
them ready for use, leaving the filling up to the inspiration of the moment;
though I cannot remember ever to have told a tale which did not vary
considerably from my preconceived idea, and acquire a novelty of aspect as
often as I repeated it. Oddly enough, my success was generally in
proportion to the difference between the conception and accomplishment. I
provided two or more commencements and catastrophes to many of the
tales,—a happy expedient, suggested by the double sets of sleeves and
trimmings which diversified the suits in Sir Piercy Shafton’s wardrobe. But
my best efforts had a unity, a wholeness, and a separate character that did
not admit of this sort of mechanism.

THE VILLAGE THEATRE
About the first of September my fellow-traveller and myself arrived at a
country town, where a small company of actors, on their return from a
summer’s campaign in the British Provinces, were giving a series of
dramatic exhibitions. A moderately sized hall of the tavern had been
converted into a theatre. The performances that evening were, The Heir at
Law, and No Song, no Supper, with the recitation of Alexander’s Feast
between the play and farce. The house was thin and dull. But the next day
there appeared to be brighter prospects, the playbills announcing at every
corner, on the town-pump, and—awful sacrilege!—on the very door of the
meeting-house, an Unprecedented Attraction! After setting forth the
ordinary entertainments of a theatre, the public were informed, in the hugest
type that the printing-office could supply, that the manager had been
fortunate enough to accomplish an engagement with the celebrated Story-
Teller. He would make his first appearance that evening, and recite his
famous tale of Mr. Higginbotham’s Catastrophe, which had been received
with rapturous applause by audiences in all the principal cities. This
outrageous flourish of trumpets, be it known, was wholly unauthorized by
me, who had merely made an engagement for a single evening, without
assuming any more celebrity than the little I possessed. As for the tale, it
could hardly have been applauded by rapturous audiences, being as yet an

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unfilled plot; nor even when I stepped upon the stage was it decided
whether Mr. Higginbotham should live or die.
In two or three places, underneath the flaming bills which announced the
Story-Teller, was pasted a small slip of paper, giving notice, in tremulous
characters, of a religious meeting to be held at the school-house, where,
with divine permission, Eliakim Abbott would address sinners on the
welfare of their immortal souls.
In the evening, after the commencement of the tragedy of Douglas, I took
a ramble through the town to quicken my ideas by active motion. My spirits
were good, with a certain glow of mind which I had already learned to
depend upon as the sure prognostic of success. Passing a small and solitary
school-house, where a light was burning dimly and a few people were
entering the door, I went in with them, and saw my friend Eliakim at the
desk. He had collected about fifteen hearers, mostly females. Just as I
entered he was beginning to pray in accents so low and interrupted that he
seemed to doubt the reception of his efforts both with God and man. There
was room for distrust in regard to the latter. At the conclusion of the prayer
several of the little audience went out, leaving him to begin his discourse
under such discouraging circumstances, added to his natural and agonizing
diffidence. Knowing that my presence on these occasions increased his
embarrassment, I had stationed myself in a dusky place near the door, and
now stole softly out.
On my return to the tavern the tragedy was already concluded; and, being
a feeble one in itself and indifferently performed, it left so much the better
chance for the Story-Teller. The bar was thronged with customers, the
toddy-stick keeping a continual tattoo; while in the hall there was a broad,
deep, buzzing sound, with an occasional peal of impatient thunder,—all
symptoms of all overflowing house and an eager audience. I drank a glass
of wine-and-water, and stood at the side scene conversing with a young
person of doubtful sex. If a gentleman, how could he have performed the
singing girl the night before in No Song, no Supper? Or, if a lady, why did
she enact Young Norval, and now wear a green coat and white pantaloons in
the character of Little Pickle? In either case the dress was pretty and the
wearer bewitching; so that, at the proper moment, I stepped forward with a
gay heart and a hold one; while the orchestra played a tune that had
resounded at many a country ball, and the curtain, as it rose, discovered

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something like a country bar-room. Such a scene was well enough adapted
to such a tale.
The orchestra of our little theatre consisted of two fiddles and a clarinet;
but, if the whole harmony of the Tremont had been there, it might have
swelled in vain beneath the tumult of applause that greeted me. The good
people of the town, knowing that the world contained innumerable persons
of celebrity undreamed of by them, took it for granted that I was one, and
that their roar of welcome was but a feeble echo of those which had
thundered around me in lofty theatres. Such an enthusiastic uproar was
never heard. Each person seemed a Briarcus clapping a hundred hands,
besides keeping his feet and several cudgels in play with stamping and
thumping on the floor; while the ladies flourished their white cambric
handkerchiefs, intermixed with yellow and red bandanna, like the flags of
different nations. After such a salutation, the celebrated Story-Teller felt
almost ashamed to produce so humble an affair as Mr. Higginbotham’s
Catastrophe.
This story was originally more dramatic than as there presented, and
afforded good scope for mimicry and buffoonery, neither of which, to my
shame, did I spare. I never knew the “magic of a name” till I used that of
Mr. Higginbotham. Often as I repeated it, there were louder bursts of
merriment than those which responded to what, in my opinion, were more
legitimate strokes of humor. The success of the piece was incalculably
heightened by a stiff cue of horsehair, which Little Pickle, in the spirit of
that mischief-loving character, had fastened to my collar, where, unknown
to me, it kept making the queerest gestures of its own in correspondence
with all mine. The audience, supposing that some enormous joke was
appended to this long tail behind, were ineffably delighted, and gave way to
such a tumult of approbation that, just as the story closed, the benches broke
beneath them and left one whole row of my admirers on the floor. Even in
that predicament they continued their applause. In after times, when I had
grown a bitter moralizer, I took this scene for an example how much of
fame is humbug; how much the meed of what our better nature blushes at;
how much an accident; how much bestowed on mistaken principles; and
how small and poor the remnant. From pit and boxes there was now a
universal call for the Story-Teller.

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That celebrated personage came not when they did call to him. As I left
the stage, the landlord, being also the postmaster, had given me a letter with
the postmark of my native village, and directed to my assumed name in the
stiff old handwriting of Parson Thumpcushion. Doubtless he had heard of
the rising renown of the Story-Teller, and conjectured at once that such a
nondescript luminary could be no other than his lost ward. His epistle,
though I never read it, affected me most painfully. I seemed to see the
Puritanic figure of my guardian standing among the fripperies of the theatre
and pointing to the players,—the fantastic and effeminate men, the painted
women, the giddy girl in boy’s clothes, merrier than modest,—pointing to
these with solemn ridicule, and eying me with stern rebuke. His image was
a type of the austere duty, and they of the vanities of life.
I hastened with the letter to my chamber and held it unopened in my
hand, while the applause of my buffoonery yet sounded through the theatre.
Another train of thought came over me. The stern old man appeared again,
but now with the gentleness of sorrow, softening his authority with love as a
father might, and even bending his venerable head, as if to say that my
errors had an apology in his own mistaken discipline. I strode twice across
the chamber, then held the letter in the flame of the candle, and beheld it
consume unread. It is fixed in my mind, and was so at the time, that he had
addressed me in a style of paternal wisdom, and love, and reconciliation
which I could not have resisted had I but risked the trial. The thought still
haunts me that then I made my irrevocable choice between good and evil
fate.
Meanwhile, as this occurrence had disturbed my mind and indisposed me
to the present exercise of my profession, I left the town, in spite of a
laudatory critique in the newspaper, and untempted by the liberal offers of
the manager. As we walked onward, following the same road, on two such
different errands, Eliakim groaned in spirit, and labored with tears to
convince me of the guilt and madness of my life.

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SKETCHES FROM MEMORY

THE NOTCH OF THE WHITE MOUNTAINS
It was now the middle of September. We had come since sunrise from
Bartlett, passing up through the valley of the Saco, which extends between
mountainous walls, sometimes with a steep ascent, but often as level as a
church-aisle. All that day and two preceding ones we had been loitering
towards the heart of the White Mountains,—those old crystal hills, whose
mysterious brilliancy had gleamed upon our distant wanderings before we
thought of visiting them. Height after height had risen and towered one
above another till the clouds began to hang below the peaks. Down their
slopes were the red pathways of the slides, those avalanches of earth,
stones, and trees, which descend into the hollows, leaving vestiges of their
track hardly to be effaced by the vegetation of ages. We had mountains
behind us and mountains on each side, and a group of mightier ones ahead.
Still our road went up along the Saco, right towards the centre of that group,
as if to climb above the clouds in its passage to the farther region.
In old times the settlers used to be astounded by the inroads of the
Northern Indians, coming down upon them from this mountain rampart
through some defile known only to themselves. It is, indeed, a wondrous
path. A demon, it might be fancied, or one of the Titans, was travelling up
the valley, elbowing the heights carelessly aside as he passed, till at length a
great mountain took its stand directly across his intended road. He tarries
not for such an obstacle, but, rending it asunder a thousand feet from peak
to base, discloses its treasures of hidden minerals, its sunless waters, all the
secrets of the mountain’s inmost heart, with a mighty fracture of rugged
precipices on each side. This is the Notch of the White Hills. Shame on me
that I have attempted to describe it by so mean an image, feeling, as I do,
that it is one of those symbolic scenes which lead the mind to the sentiment,
though not to the conception, of Omnipotence.

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We had now reached a narrow passage, which showed almost the
appearance of having been cut by human strength and artifice in the solid
rock. There was a wall of granite on each side, high and precipitous,
especially on our right, and so smooth that a few evergreens could hardly
find foothold enough to grow there. This is the entrance, or, in the direction
we were going, the extremity, of the romantic defile of the Notch. Before
emerging from it, the rattling of wheels approached behind us, and a stage-
coach rumbled out of the mountain, with seats on top and trunks behind,
and a smart driver, in a drab great-coat, touching the wheel-horses with the
whip-stock and reigning in the leaders. To my mind there was a sort of
poetry in such an incident, hardly inferior to what would have accompanied
the painted array of an Indian war-party gliding forth from the same wild
chasm. All the passengers, except a very fat lady on the back seat, had
alighted. One was a mineralogist, a scientific, green-spectacled figure in
black, bearing a heavy hammer, with which he did great damage to the
precipices, and put the fragments in his pocket. Another was a well-dressed
young man, who carried an operaglass set in gold, and seemed to be making
a quotation from some of Byron’s rhapsodies on mountain scenery. There
was also a trader, returning from Portland to the upper part of Vermont; and
a fair young girl, with a very faint bloom like one of those pale and delicate
flowers which sometimes occur among alpine cliffs.
They disappeared, and we followed them, passing through a deep pine
forest, which for some miles allowed us to see nothing but its own dismal
shade. Towards nightfall we reached a level amphitheatre, surrounded by a
great rampart of hills, which shut out the sunshine long before it left the
external world. It was here that we obtained our first view, except at a
distance, of the principal group of mountains. They are majestic, and even
awful, when contemplated in a proper mood, yet, by their breadth of base
and the long ridges which support them, give the idea of immense bulk
rather than of towering height. Mount Washington, indeed, looked near to
Heaven: he was white with snow a mile downward, and had caught the only
cloud that was sailing through the atmosphere to veil his head. Let us forget
the other names of American statesmen that have been stamped upon these
hills, but still call the loftiest WASHINGTON. Mountains are Earth’s
undecaying monuments. They must stand while she endures, and never

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should be consecrated to the mere great men of their own age and country,
but to the mighty ones alone, whose glory is universal, and whom all time
will render illustrious.
The air, not often sultry in this elevated region, nearly two thousand feet
above the sea, was now sharp and cold, like that of a clear November
evening in the lowlands. By morning, probably, there would be a frost, if
not a snowfall, on the grass and rye, and an icy surface over the standing
water. I was glad to perceive a prospect of comfortable quarters in a house
which we were approaching, and of pleasant company in the guests who
were assembled at the door.

OUR EVENING PARTY AMONG THE
MOUNTAINS
WE stood in front of a good substantial farm-house, of old date in that
wild country. A sign over the door denoted it to be the White Mountain
Post-Office,—an establishment which distributes letters and newspapers to
perhaps a score of persons, comprising the population of two or three
townships among the hills. The broad and weighty antlers of a deer, “a stag
of ten,” were fastened at the corner of the house; a fox’s bushy tail was
nailed beneath them; and a huge black paw lay on the ground, newly
severed and still bleeding, the trophy of a bear-hunt. Among several persons
collected about the doorsteps, the most remarkable was a sturdy
mountaineer, of six feet two, and corresponding bulk, with a heavy set of
features, such as might be moulded on his own blacksmith’s anvil, but yet
indicative of mother wit and rough humor. As we appeared, he uplifted a tin
trumpet, four or five feet long, and blew a tremendous blast, either in honor
of our arrival or to awaken an echo from the opposite hill.
Ethan Crawford’s guests were of such a motley description as to form
quite a picturesque group, seldom seen together except at some place like
this, at once the pleasure-house of fashionable tourists and the homely inn
of country travellers. Among the company at the door were the mineralogist
and the owner of the gold operaglass whom we had encountered in the
Notch; two Georgian gentlemen, who had chilled their Southern blood that
morning on the top of Mount Washington; a physician and his wife from

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Conway; a trader of Burlington and an old squire of the Green Mountains;
and two young married couples, all the way from Massachusetts, on the
matrimonial jaunt. Besides these strangers, the rugged county of Coos, in
which we were, was represented by half a dozen wood-cutters, who had
slain a bear in the forest and smitten off his paw.
I had joined the party, and had a moment’s leisure to examine them
before the echo of Ethan’s blast returned from the hill. Not one, but many
echoes had caught up the harsh and tuneless sound, untwisted its
complicated threads, and found a thousand aerial harmonies in one stern
trumpet-tone. It was a distinct yet distant and dream-like symphony of
melodious instruments, as if an airy band had been hidden on the hillside
and made faint music at the summons. No subsequent trial produced so
clear, delicate, and spiritual a concert as the first. A field-piece was then
discharged from the top of a neighboring hill, and gave birth to one long
reverberation, which ran round the circle of mountains in an unbroken chain
of sound and rolled away without a separate echo. After these experiments,
the cold atmosphere drove us all into the house, with the keenest appetites
for supper.
It did one’s heart good to see the great fires that were kindled in the
parlor and bar-room, especially the latter, where the fireplace was built of
rough stone, and might have contained the trunk of an old tree for a
backlog.
A man keeps a comfortable hearth when his own forest is at his very
door. In the parlor, when the evening was fairly set in, we held our hands
before our eyes to shield them from the ruddy glow, and began a pleasant
variety of conversation. The mineralogist and the physician talked about the
invigorating qualities of the mountain air, and its excellent effect on Ethan
Crawford’s father, an old man of seventy-five, with the unbroken frame of
middle life. The two brides and the doctor’s wife held a whispered
discussion, which, by their frequent titterings and a blush or two, seemed to
have reference to the trials or enjoyments of the matrimonial state. The
bridegrooms sat together in a corner, rigidly silent, like Quakers whom the
spirit moveth not, being still in the odd predicament of bashfulness towards
their own young wives. The Green Mountain squire chose me for his
companion, and described the difficulties he had met with half a century
ago in travelling from the Connecticut River through the Notch to Conway,

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now a single day’s journey, though it had cost him eighteen. The Georgians
held the album between them, and favored us with the few specimens of its
contents, which they considered ridiculous enough to be worth hearing. One
extract met with deserved applause. It was a “Sonnet to the Snow on Mount
Washington,” and had been contributed that very afternoon, bearing a
signature of great distinction in magazines and annuals. The lines were
elegant and full of fancy, but too remote from familiar sentiment, and cold
as their subject, resembling those curious specimens of crystallized vapor
which I observed next day on the mountain-top. The poet was understood to
be the young gentleman of the gold opera-glass, who heard our laudatory
remarks with the composure of a veteran.
Such was our party, and such their ways of amusement. But on a winter
evening another set of guests assembled at the hearth where these summer
travellers were now sitting. I once had it in contemplation to spend a month
hereabouts, in sleighing-time, for the sake of studying the yeomen of New
England, who then elbow each other through the Notch by hundreds, on
their way to Portland. There could be no better school for such a purpose
than Ethan Crawford’s inn. Let the student go thither in December, sit down
with the teamsters at their meals, share their evening merriment, and repose
with them at night when every bed has its three occupants, and parlor, bar-
room, and kitchen are strewn with slumberers around the fire. Then let him
rise before daylight, button his great-coat, muffle up his ears, and stride
with the departing caravan a mile or two, to see how sturdily they make
head against the blast. A treasure of characteristic traits will repay all
inconveniences, even should a frozen nose be of the number.
The conversation of our party soon became more animated and sincere,
and we recounted some traditions of the Indians, who believed that the
father and mother of their race were saved from a deluge by ascending the
peak of Mount Washington. The children of that pair have been
overwhelmed, and found no such refuge. In the mythology of the savage,
these mountains were afterwards considered sacred and inaccessible, full of
unearthly wonders, illuminated at lofty heights by the blaze of precious
stones, and inhabited by deities, who sometimes shrouded themselves in the
snow-storm and came down on the lower world. There are few legends
more poetical than that of the “Great Carbuncle” of the White Mountains.
The belief was communicated to the English settlers, and is hardly yet
extinct, that a gem, of such immense size as to be seen shining miles away,

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hangs from a rock over a clear, deep lake, high up among the hills. They
who had once beheld its splendor were enthralled with an unutterable
yearning to possess it. But a spirit guarded that inestimable jewel, and
bewildered the adventurer with a dark mist from the enchanted lake. Thus
life was worn away in the vain search for an unearthly treasure, till at length
the deluded one went up the mountain, still sanguine as in youth, but
returned no more. On this theme methinks I could frame a tale with a deep
moral.
The hearts of the palefaces would not thrill to these superstitions of the
red men, though we spoke of them in the centre of their haunted region. The
habits and sentiments of that departed people were too distinct from those
of their successors to find much real sympathy. It has often been a matter of
regret to me that I was shut out from the most peculiar field of American
fiction by an inability to see any romance, or poetry, or grandeur, or beauty
in the Indian character, at least till such traits were pointed out by others. I
do abhor an Indian story. Yet no writer can be more secure of a permanent
place in our literature than the biographer of the Indian chiefs. His subject,
as referring to tribes which have mostly vanished from the earth, gives him
a right to be placed on a classic shelf, apart from the merits which will
sustain him there.
I made inquiries whether, in his researches about these parts, our
mineralogist had found the three “Silver Hills” which an Indian sachem
sold to an Englishman nearly two hundred years ago, and the treasure of
which the posterity of the purchaser have been looking for ever since. But
the man of science had ransacked every hill along the Saco, and knew
nothing of these prodigious piles of wealth. By this time, as usual with men
on the eve of great adventure, we had prolonged our session deep into the
night, considering how early we were to set out on our six miles’ ride to the
foot of Mount Washington. There was now a general breaking up. I
scrutinized the faces of the two bridegrooms, and saw but little probability
of their leaving the bosom of earthly bliss, in the first week of the
honeymoon and at the frosty hour of three, to climb above the clouds; nor,
when I felt how sharp the wind was as it rushed through a broken pane and
eddied between the chinks of my unplastered chamber, did I anticipate
much alacrity on my own part, though we were to seek for the “Great
Carbuncle.”

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THE CANAL-BOAT
I was inclined to be poetical about the Grand Canal. In my imagination
De Witt Clinton was an enchanter, who had waved his magic wand from the
Hudson to Lake Erie and united them by a watery highway, crowded with
the commerce of two worlds, till then inaccessible to each other. This
simple and mighty conception had conferred inestimable value on spots
which Nature seemed to have thrown carelessly into the great body of the
earth, without foreseeing that they could ever attain importance. I pictured
the surprise of the sleepy Dutchmen when the new river first glittered by
their doors, bringing them hard cash or foreign commodities in exchange
for their hitherto unmarketable produce. Surely the water of this canal must
be the most fertilizing of all fluids; for it causes towns, with their masses of
brick and stone, their churches and theatres, their business and hubbub,
their luxury and refinement, their gay dames and polished citizens, to spring
up, till in time the wondrous stream may flow between two continuous lines
of buildings, through one thronged street, from Buffalo to Albany. I
embarked about thirty miles below Utica, determining to voyage along the
whole extent of the canal at least twice in the course of the summer.
Behold us, then, fairly afloat, with three horses harnessed to our vessel,
like the steeds of Neptune to a huge scallop-shell in mythological pictures.
Bound to a distant port, we had neither chart nor compass, nor cared about
the wind, nor felt the heaving of a billow, nor dreaded shipwreck, however
fierce the tempest, in our adventurous navigation of an interminable
mudpuddle; for a mudpuddle it seemed, and as dark and turbid as if every
kennel in the land paid contribution to it. With an imperceptible current, it
holds its drowsy way through all the dismal swamps and unimpressive
scenery that could be found between the great lakes and the sea-coast. Yet
there is variety enough, both on the surface of the canal and along its banks,
to amuse the traveller, if an overpowering tedium did not deaden his
perceptions.
Sometimes we met a black and rusty-looking vessel, laden with lumber,
salt from Syracuse, or Genesee flour, and shaped at both ends like a square-
toed boot, as if it had two sterns, and were fated always to advance
backward. On its deck would be a square hut, and a woman seen through
the window at her household work, with a little tribe of children who

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perhaps had been born in this strange dwelling and knew no other home.
Thus, while the husband smoked his pipe at the helm and the eldest son
rode one of the horses, on went the family, travelling hundreds of miles in
their own house and carrying their fireside with them. The most frequent
species of craft were the “line-boats,” which had a cabin at each end, and a
great bulk of barrels, bales, and boxes in the midst, or light packets like our
own decked all over with a row of curtained windows from stem to stern,
and a drowsy face at every one. Once we encountered a boat of rude
construction, painted all in gloomy black, and manned by three Indians,
who gazed at us in silence and with a singular fixedness of eye. Perhaps
these three alone, among the ancient possessors of the land, had attempted
to derive benefit from the white mail’s mighty projects and float along the
current of his enterprise. Not long after, in the midst of a swamp and
beneath a clouded sky, we overtook a vessel that seemed full of mirth and
sunshine. It contained a little colony of Swiss on their way to Michigan,
clad in garments of strange fashion and gay colors, scarlet, yellow, and
bright blue, singing, laughing, and making merry in odd tones and a babble
of outlandish words. One pretty damsel, with a beautiful pair of naked
white arms, addressed a mirthful remark to me. She spoke in her native
tongue, and I retorted in good English, both of us laughing heartily at each
other’s unintelligible wit. I cannot describe how pleasantly this incident
affected me. These honest Swiss were all itinerant community of jest and
fun journeying through a gloomy land and among a dull race of money-
getting drudges, meeting none to understand their mirth, and only one to
sympathize with it, yet still retaining the happy lightness of their own spirit.
Had I been on my feet at the time instead of sailing slowly along in a
dirty canal-boat, I should often have paused to contemplate the diversified
panorama along the banks of the canal. Sometimes the scene was a forest,
dark, dense, and impervious, breaking away occasionally and receding from
a lonely tract, covered with dismal black stumps, where, on the verge of the
canal, might be seen a log-cottage and a sallow-faced woman at the
window. Lean and aguish, she looked like poverty personified, half clothed,
half fed, and dwelling in a desert, while a tide of wealth was sweeping by
her door. Two or three miles farther would bring us to a lock, where the
slight impediment to navigation had created a little mart of trade. Here
would be found commodities of all sorts, enumerated in yellow letters on
the window-shutters of a small grocery-store, the owner of which had set

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his soul to the gathering of coppers and small change, buying and selling
through the week, and counting his gains on the blessed Sabbath. The next
scene might be the dwelling-houses and stores of a thriving village, built of
wood or small gray stones, a church-spire rising in the midst, and generally
two taverns, bearing over their piazzas the pompous titles of “hotel,”
“exchange,” “tontine,” or “coffee-house.” Passing on, we glide now into the
unquiet heart of an inland city,—of Utica, for instance,—and find ourselves
amid piles of brick, crowded docks and quays, rich warehouses, and a busy
population. We feel the eager and hurrying spirit of the place, like a stream
and eddy whirling us along with it. Through the thickest of the tumult goes
the canal, flowing between lofty rows of buildings and arched bridges of
hewn stone. Onward, also, go we, till the hum and bustle of struggling
enterprise die away behind us and we are threading an avenue of the ancient
woods again.
This sounds not amiss in description, but was so tiresome in reality that
we were driven to the most childish expedients for amusement. An English
traveller paraded the deck, with a rifle in his walking-stick, and waged war
on squirrels and woodpeckers, sometimes sending an unsuccessful bullet
among flocks of tame ducks and geese which abound in the dirty water of
the canal. I, also, pelted these foolish birds with apples, and smiled at the
ridiculous earnestness of their scrambles for the prize while the apple
bobbed about like a thing of life. Several little accidents afforded us good-
natured diversion. At the moment of changing horses the tow-rope caught a
Massachusetts farmer by the leg and threw him down in a very
indescribable posture, leaving a purple mark around his sturdy limb. A new
passenger fell flat on his back in attempting to step on deck as the boat
emerged from under a bridge. Another, in his Sunday clothes, as good luck
would have it, being told to leap aboard from the bank, forthwith plunged
up to his third waistcoat-button in the canal, and was fished out in a very
pitiable plight, not at all amended by our three rounds of applause. Anon a
Virginia schoolmaster, too intent on a pocket Virgil to heed the helmsman’s
warning, “Bridge! bridge!” was saluted by the said bridge on his
knowledge-box. I had prostrated myself like a pagan before his idol, but
heard the dull, leaden sound of the contact, and fully expected to see the
treasures of the poor man’s cranium scattered about the deck. However, as
there was no harm done, except a large bump on the head, and probably a

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corresponding dent in the bridge, the rest of us exchanged glances and
laughed quietly. O, bow pitiless are idle people!

The table being now lengthened through the cabin and spread for supper,
the next twenty minutes were the pleasantest I had spent on the canal, the
same space at dinner excepted. At the close of the meal it had become
dusky enough for lamplight. The rain pattered unceasingly on the deck, and
sometimes came with a sullen rush against the windows, driven by the wind
as it stirred through an opening of the forest. The intolerable dulness of the
scene engendered an evil spirit in me. Perceiving that the Englishman was
taking notes in a memorandum-book, with occasional glances round the
cabin, I presumed that we were all to figure in a future volume of travels,
and amused my ill-humor by falling into the probable vein of his remarks.
He would hold up an imaginary mirror, wherein our reflected faces would
appear ugly and ridiculous, yet still retain all undeniable likeness to the
originals. Then, with more sweeping malice, he would make these
caricatures the representatives of great classes of my countrymen.
He glanced at the Virginia schoolmaster, a Yankee by birth, who, to
recreate himself, was examining a freshman from Schenectady College in
the conjugation of a Greek verb. Him the Englishman would portray as the
scholar of America, and compare his erudition to a school-boy’s Latin
theme made up of scraps ill-selected and worse put together. Next the
tourist looked at the Massachusetts farmer, who was delivering a dogmatic
harangue on the iniquity of Sunday mails. Here was the far-famed yeoman
of New England; his religion, writes the Englishman, is gloom on the
Sabbath, long prayers every morning and eventide, and illiberality at all
times; his boasted information is merely an abstract and compound of
newspaper paragraphs, Congress debates, caucus harangues, and the
argument and judge’s charge in his own lawsuits. The book-monger cast his
eye at a Detroit merchant, and began scribbling faster than ever. In this
sharp-eyed man, this lean man, of wrinkled brow, we see daring enterprise
and close-fisted avarice combined. Here is the worshipper of Mammon at
noonday; here is the three times bankrupt, richer after every ruin; here, in
one word, (O wicked Englishman to say it!) here is the American. He lifted

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his eyeglass to inspect a Western lady, who at once became aware of the
glance, reddened, and retired deeper into the female part of the cabin. Here
was the pure, modest, sensitive, and shrinking woman of America,—
shrinking when no evil is intended, and sensitive like diseased flesh, that
thrills if you but point at it; and strangely modest, without confidence in the
modesty of other people; and admirably pure, with such a quick
apprehension of all impurity.
In this manner I went all through the cabin, hitting everybody as hard a
lash as I could, and laying the whole blame on the infernal Englishman. At
length I caught the eyes of my own image in the looking-glass, where a
number of the party were likewise reflected, and among them the
Englishman, who at that moment was intently observing myself.

The crimson curtain being let down between the ladies and gentlemen,
the cabin became a bedchamber for twenty persons, who were laid on
shelves one above another. For a long time our various incommodities kept
us all awake except five or six, who were accustomed to sleep nightly amid
the uproar of their own snoring, and had little to dread from any other
species of disturbance. It is a curious fact that these snorers had been the
most quiet people in the boat while awake, and became peace-breakers only
when others cease to be so, breathing tumult out of their repose. Would it
were possible to affix a wind-instrument to the nose, and thus make melody
of a snore, so that a sleeping lover might serenade his mistress or a
congregation snore a psalm-tune! Other, though fainter, sounds than these
contributed to my restlessness. My head was close to the crimson curtain,—
the sexual division of the boat,—behind which I continually heard whispers
and stealthy footsteps; the noise of a comb laid on the table or a slipper
dropped on the floor; the twang, like a broken harp-string, caused by
loosening a tight belt; the rustling of a gown in its descent; and the unlacing
of a pair of stays. My ear seemed to have the properties of an eye; a visible
image pestered my fancy in the darkness; the curtain was withdrawn
between me and the Western lady, who yet disrobed herself without a blush.
Finally all was hushed in that quarter. Still I was more broad awake than
through the whole preceding day, and felt a feverish impulse to toss my

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limbs miles apart and appease the unquietness of mind by that of matter.
Forgetting that my berth was hardly so wide as a coffin, I turned suddenly
over and fell like an avalanche on the floor, to the disturbance of the whole
community of sleepers. As there were no bones broken, I blessed the
accident and went on deck. A lantern was burning at each end of the boat,
and one of the crew was stationed at the bows, keeping watch, as mariners
do on the ocean. Though the rain had ceased, the sky was all one cloud, and
the darkness so intense that there seemed to be no world except the little
space on which our lanterns glimmered. Yet it was an impressive scene.
We were traversing the “long level,” a dead flat between Utica and
Syracuse, where the canal has not rise or fall enough to require a lock for
nearly seventy miles. There can hardly be a more dismal tract of country.
The forest which covers it, consisting chiefly of white-cedar, black-ash, and
other trees that live in excessive moisture, is now decayed and death-struck
by the partial draining of the swamp into the great ditch of the canal.
Sometimes, indeed, our lights were reflected from pools of stagnant water
which stretched far in among the trunks of the trees, beneath dense masses
of dark foliage. But generally the tall stems and intermingled branches were
naked, and brought into strong relief amid the surrounding gloom by the
whiteness of their decay. Often we beheld the prostrate form of some old
sylvan giant which had fallen and crushed down smaller trees under its
immense ruin. In spots where destruction had been riotous, the lanterns
showed perhaps a hundred trunks, erect, half overthrown, extended along
the ground, resting on their shattered limbs or tossing them desperately into
the darkness, but all of one ashy white, all naked together, in desolate
confusion. Thus growing out of the night as we drew nigh, and vanishing as
we glided on, based on obscurity, and overhung and bounded by it, the
scene was ghostlike,—the very land of unsubstantial things, whither dreams
might betake themselves when they quit the slumberer’s brain.
My fancy found another emblem. The wild nature of America had been
driven to this desert-place by the encroachments of civilized man. And even
here, where the savage queen was throned on the ruins of her empire, did
we penetrate, a vulgar and worldly throng, intruding on her latest solitude.
In other lands decay sits among fallen palaces; but here her home is in the
forests.

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Looking ahead, I discerned a distant light, announcing the approach of
another boat, which soon passed us, and proved to be a rusty old scow,—
just such a craft as the “Flying Dutchman” would navigate on the canal.
Perhaps it was that celebrated personage himself whom I imperfectly
distinguished at the helm in a glazed cap and rough great-coat, with a pipe
in his mouth, leaving the fumes of tobacco a hundred yards behind. Shortly
after our boatman blew a horn, sending a long and melancholy note through
the forest avenue, as a signal for some watcher in the wilderness to be ready
with a change of horses. We had proceeded a mile or two with our fresh
team when the tow-rope got entangled in a fallen branch on the edge of the
canal, and caused a momentary delay, during which I went to examine the
phosphoric light of an old tree a little within the forest. It was not the first
delusive radiance that I had followed.
The tree lay along the ground, and was wholly converted into a mass of
diseased splendor, which threw a ghastliness around. Being full of conceits
that night, I called it a frigid fire, a funeral light, illumining decay and
death, an emblem of fame that gleams around the dead man without
warming him, or of genius when it owes its brilliancy to moral rottenness,
and was thinking that such ghostlike torches were just fit to light up this
dead forest or to blaze coldly in tombs, when, starting from my abstraction,
I looked up the canal. I recollected myself, and discovered the lanterns
glimmering far away.
“Boat ahoy!” shouted I, making a trumpet of my closed fists.
Though the cry must have rung for miles along that hollow passage of the
woods, it produced no effect. These packet-boats make up for their snail-
like pace by never loitering day nor night, especially for those who have
paid their fare. Indeed, the captain had an interest in getting rid of me; for I
was his creditor for a breakfast.
“They are gone, Heaven be praised!” ejaculated I; “for I cannot possibly
overtake them. Here am I, on the ‘long level,’ at midnight, with the
comfortable prospect of a walk to Syracuse, where my baggage will be left.
And now to find a house or shed wherein to pass the night.” So thinking
aloud, I took a flambeau from the old tree, burning, but consuming not, to
light my steps withal, and, like a jack-o’-the-lantern, set out on my midnight
tour.

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THE OLD APPLE DEALER

The lover of the moral picturesque may sometimes find what he, seeks in
a character which is nevertheless of too negative a description to be seized
upon and represented to the imaginative vision by word-painting. As an
instance, I remember an old man who carries on a little trade of gingerbread
and apples at the depot of one of our railroads. While awaiting the departure
of the cars, my observation, flitting to and fro among the livelier
characteristics of the scene, has often settled insensibly upon this almost
hueless object. Thus, unconsciously to myself and unsuspected by him, I
have studied the old apple-dealer until he has become a naturalized citizen
of my inner world. How little would he imagine—poor, neglected,
friendless, unappreciated, and with little that demands appreciation—that
the mental eye of an utter stranger has so often reverted to his figure! Many
a noble form, many a beautiful face, has flitted before me and vanished like
a shadow. It is a strange witchcraft whereby this faded and featureless old
apple-dealer has gained a settlement in my memory.
He is a small man, with gray hair and gray stubble beard, and is
invariably clad in a shabby surtout of snuff-color, closely buttoned, and half
concealing a pair of gray pantaloons; the whole dress, though clean and
entire, being evidently flimsy with much wear. His face, thin, withered,
furrowed, and with features which even age has failed to render impressive,
has a frost-bitten aspect. It is a moral frost which no physical warmth or
comfortableness could counteract. The summer sunshine may fling its white
heat upon him or the good fire of the depot room may slake him the focus
of its blaze on a winter’s day; but all in vain; for still the old roan looks as if
he were in a frosty atmosphere, with scarcely warmth enough to keep life in
the region about his heart. It is a patient, long-suffering, quiet, hopeless,
shivering aspect. He is not desperate,—that, though its etymology implies
no more, would be too positive an expression,—but merely devoid of hope.
As all his past life, probably, offers no spots of brightness to his memory, so

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he takes his present poverty and discomfort as entirely a matter of course!
he thinks it the definition of existence, so far as himself is concerned, to be
poor, cold, and uncomfortable. It may be added, that time has not thrown
dignity as a mantle over the old man’s figure: there is nothing venerable
about him: you pity him without a scruple.
He sits on a bench in the depot room; and before him, on the floor, are
deposited two baskets of a capacity to contain his whole stock in trade.
Across from one basket to the other extends a board, on which is displayed
a plate of cakes and gingerbread, some russet and red-cheeked apples, and a
box containing variegated sticks of candy, together with that delectable
condiment known by children as Gibraltar rock, neatly done up in white
paper. There is likewise a half-peck measure of cracked walnuts and two or
three tin half-pints or gills filled with the nut-kernels, ready for purchasers.
Such are the small commodities with which our old friend comes daily
before the world, ministering to its petty needs and little freaks of appetite,
and seeking thence the solid subsistence—so far as he may subsist of his
life.
A slight observer would speak of the old man’s quietude; but, on closer
scrutiny, you discover that there is a continual unrest within him, which
somewhat resembles the fluttering action of the nerves in a corpse from
which life has recently departed. Though he never exhibits any violent
action, and, indeed, might appear to be sitting quite still, yet you perceive,
when his minuter peculiarities begin to be detected, that he is always
making some little movement or other. He looks anxiously at his plate of
cakes or pyramid of apples and slightly alters their arrangement, with an
evident idea that a great deal depends on their being disposed exactly thus
and so. Then for a moment he gazes out of the window; then he shivers
quietly and folds his arms across his breast, as if to draw himself closer
within himself, and thus keep a flicker of warmth in his lonesome heart.
Now he turns again to his merchandise of cakes, apples, and candy, and
discovers that this cake or that apple, or yonder stick of red and white
candy, has somehow got out of its proper position. And is there not a
walnut-kernel too many or too few in one of those small tin measures?
Again the whole arrangement appears to be settled to his mind; but, in the
course of a minute or two, there will assuredly be something to set right. At
times, by an indescribable shadow upon his features, too quiet, however, to

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be noticed until you are familiar with his ordinary aspect, the expression of
frostbitten, patient despondency becomes very touching. It seems as if just
at that instant the suspicion occurred to him that, in his chill decline of life,
earning scanty bread by selling cakes, apples, and candy, he is a very
miserable old fellow.
But, if he thinks so, it is a mistake. He can never suffer the extreme of
misery, because the tone of his whole being is too much subdued for him to
feel anything acutely.
Occasionally one of the passengers, to while away a tedious interval,
approaches the old man, inspects the articles upon his board, and even
peeps curiously into the two baskets. Another, striding to and fro along the
room, throws a look at the apples and gingerbread at every turn. A third, it
may be of a more sensitive and delicate texture of being, glances shyly
thitherward, cautious not to excite expectations of a purchaser while yet
undetermined whether to buy. But there appears to be no need of such a
scrupulous regard to our old friend’s feelings. True, he is conscious of the
remote possibility to sell a cake or an apple; but innumerable
disappointments have rendered him so far a philosopher, that, even if the
purchased article should be returned, he will consider it altogether in the
ordinary train of events. He speaks to none, and makes no sign of offering
his wares to the public: not that he is deterred by pride, but by the certain
conviction that such demonstrations would not increase his custom.
Besides, this activity in business would require an energy that never could
have been a characteristic of his almost passive disposition even in youth.
Whenever an actual customer customer appears the old man looks up with a
patient eye: if the price and the article are approved, he is ready to make
change; otherwise his eyelids droop again sadly enough, but with no
heavier despondency than before. He shivers, perhaps folds his lean arms
around his lean body, and resumes the life-long, frozen patience in which
consists his strength.
Once in a while a school-boy comes hastily up, places cent or two upon
the board, and takes up a cake, or stick of candy, or a measure of walnuts, or
an apple as red-checked as himself. There are no words as to price, that
being as well known to the buyer as to the seller. The old apple-dealer never
speaks an unnecessary word not that he is sullen and morose; but there is
none of the cheeriness and briskness in him that stirs up people to talk.

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Not seldom he is greeted by some old neighbor, a man well to do in the
world, who makes a civil, patronizing observation about the weather; and
then, by way of performing a charitable deed, begins to chaffer for an apple.
Our friend presumes not on any past acquaintance; he makes the briefest
possible response to all general remarks, and shrinks quietly into himself
again. After every diminution of his stock he takes care to produce from the
basket another cake, another stick of candy, another apple, or another
measure of walnuts, to supply the place of the article sold. Two or three
attempts—or, perchance, half a dozen—are requisite before the board can
be rearranged to his satisfaction. If he have received a silver coin, he waits
till the purchaser is out of sight, then examines it closely, and tries to bend it
with his finger and thumb: finally he puts it into his waistcoat-pocket with
seemingly a gentle sigh. This sigh, so faint as to be hardly perceptible, and
not expressive of any definite emotion, is the accompaniment and
conclusion of all his actions. It is the symbol of the chillness and torpid
melancholy of his old age, which only make themselves felt sensibly when
his repose is slightly disturbed.
Our man of gingerbread and apples is not a specimen of the “needy man
who has seen better days.” Doubtless there have been better and brighter
days in the far-off time of his youth; but none with so much sunshine of
prosperity in them that the chill, the depression, the narrowness of means, in
his declining years, can have come upon him by surprise. His life has all
been of a piece. His subdued and nerveless boyhood prefigured his abortive
prime, which likewise contained within itself the prophecy and image of his
lean and torpid age. He was perhaps a mechanic, who never came to be a
master in his craft, or a petty tradesman, rubbing onward between passably
to do and poverty. Possibly he may look back to some brilliant epoch of his
career when there were a hundred or two of dollars to his credit in the
Savings Bank. Such must have been the extent of his better fortune,—his
little measure of this world’s triumphs,—all that he has known of success. A
meek, downcast, humble, uncomplaining creature, he probably has never
felt himself entitled to more than so much of the gifts of Providence. Is it
not still something that he has never held out his hand for charity, nor has
yet been driven to that sad home and household of Earth’s forlorn and
broken-spirited children, the almshouse? He cherishes no quarrel, therefore,
with his destiny, nor with the Author of it. All is as it should be.

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If, indeed, he have been bereaved of a son, a bold, energetic, vigorous
young man, on whom the father’s feeble nature leaned as on a staff of
strength, in that case he may have felt a bitterness that could not otherwise
have been generated in his heart. But methinks the joy of possessing such a
son and the agony of losing him would have developed the old man’s moral
and intellectual nature to a much greater degree than we now find it. Intense
grief appears to be as much out of keeping with his life as fervid happiness.
To confess the truth, it is not the easiest matter in the world to define and
individualize a character like this which we are now handling. The portrait
must be so generally negative that the most delicate pencil is likely to spoil
it by introducing some too positive tint. Every touch must be kept down, or
else you destroy the subdued tone which is absolutely essential to the whole
effect. Perhaps more may be done by contrast than by direct description.
For this purpose I make use of another cake and candy merchant, who,
likewise infests the railroad depot. This latter worthy is a very smart and
well-dressed boy of ten years old or thereabouts, who skips briskly hither
and thither, addressing the passengers in a pert voice, yet with somewhat of
good breeding in his tone and pronunciation. Now he has caught my eye,
and skips across the room with a pretty pertness, which I should like to
correct with a box on the ear. “Any cake, sir? any candy?”
No, none for me, my lad. I did but glance at your brisk figure in order to
catch a reflected light and throw it upon your old rival yonder.
Again, in order to invest my conception of the old man with a more
decided sense of reality, I look at him in the very moment of intensest
bustle, on the arrival of the cars. The shriek of the engine as it rushes into
the car-house is the utterance of the steam fiend, whom man has subdued by
magic spells and compels to serve as a beast of burden. He has skimmed
rivers in his headlong rush, dashed through forests, plunged into the hearts
of mountains, and glanced from the city to the desert-place, and again to a
far-off city, with a meteoric progress, seen and out of sight, while his
reverberating roar still fills the ear. The travellers swarm forth from the cars.
All are full of the momentum which they have caught from their mode of
conveyance. It seems as if the whole world, both morally and physically,
were detached from its old standfasts and set in rapid motion. And, in the
midst of this terrible activity, there sits the old man of gingerbread, so
subdued, so hopeless, so without a stake in life, and yet not positively

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miserable,—there he sits, the forlorn old creature, one chill and sombre day
after another, gathering scanty coppers for his cakes, apples, and candy,—
there sits the old apple-dealer, in his threadbare suit of snuff-color and gray
and his grizzly stubble heard. See! he folds his lean arms around his lean
figure with that quiet sigh and that scarcely perceptible shiver which are the
tokens of his inward state. I have him now. He and the steam fiend are each
other’s antipodes; the latter is the type of all that go ahead, and the old man
the representative of that melancholy class who by some sad witchcraft are
doomed never to share in the world’s exulting progress. Thus the contrast
between mankind and this desolate brother becomes picturesque, and even
sublime.
And now farewell, old friend! Little do you suspect that a student of
human life has made your character the theme of more than one solitary and
thoughtful hour. Many would say that you have hardly individuality enough
to be the object of your own self-love. How, then, can a stranger’s eye
detect anything in your mind and heart to study and to wonder at? Yet,
could I read but a tithe of what is written there, it would be a volume of
deeper and more comprehensive import than all that the wisest mortals have
given to the world; for the soundless depths of the human soul and of
eternity have an opening through your breast. God be praised, were it only
for your sake, that the present shapes of human existence are not cast in iron
nor hewn in everlasting adamant, but moulded of the vapors that vanish
away while the essence flits upward to the infinite. There is a spiritual
essence in this gray and lean old shape that shall flit upward too. Yes;
doubtless there is a region where the life-long shiver will pass away from
his being, and that quiet sigh, which it has taken him so many years to
breathe, will be brought to a close for good and all.

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THE ARTIST OF THE BEAUTIFUL

An elderly man, with his pretty daughter on his arm, was passing along
the street, and emerged from the gloom of the cloudy evening into the light
that fell across the pavement from the window of a small shop. It was a
projecting window; and on the inside were suspended a variety of watches,
pinchbeck, silver, and one or two of gold, all with their faces turned from
the streets, as if churlishly disinclined to inform the wayfarers what o’clock
it was. Seated within the shop, sidelong to the window with his pale face
bent earnestly over some delicate piece of mechanism on which was thrown
the concentrated lustre of a shade lamp, appeared a young man.
“What can Owen Warland be about?” muttered old Peter Hovenden,
himself a retired watchmaker, and the former master of this same young
man whose occupation he was now wondering at. “What can the fellow be
about? These six months past I have never come by his shop without seeing
him just as steadily at work as now. It would be a flight beyond his usual
foolery to seek for the perpetual motion; and yet I know enough of my old
business to be certain that what he is now so busy with is no part of the
machinery of a watch.”
“Perhaps, father,” said Annie, without showing much interest in the
question, “Owen is inventing a new kind of timekeeper. I am sure he has
ingenuity enough.”
“Poh, child! He has not the sort of ingenuity to invent anything better
than a Dutch toy,” answered her father, who had formerly been put to much
vexation by Owen Warland’s irregular genius. “A plague on such ingenuity!
All the effect that ever I knew of it was to spoil the accuracy of some of the
best watches in my shop. He would turn the sun out of its orbit and derange
the whole course of time, if, as I said before, his ingenuity could grasp
anything bigger than a child’s toy!”

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“Hush, father! He hears you!” whispered Annie, pressing the old man’s
arm. “His ears are as delicate as his feelings; and you know how easily
disturbed they are. Do let us move on.”
So Peter Hovenden and his daughter Annie plodded on without further
conversation, until in a by-street of the town they found themselves passing
the open door of a blacksmith’s shop. Within was seen the forge, now
blazing up and illuminating the high and dusky roof, and now confining its
lustre to a narrow precinct of the coal-strewn floor, according as the breath
of the bellows was puffed forth or again inhaled into its vast leathern lungs.
In the intervals of brightness it was easy to distinguish objects in remote
corners of the shop and the horseshoes that hung upon the wall; in the
momentary gloom the fire seemed to be glimmering amidst the vagueness
of unenclosed space. Moving about in this red glare and alternate dusk was
the figure of the blacksmith, well worthy to be viewed in so picturesque an
aspect of light and shade, where the bright blaze struggled with the black
night, as if each would have snatched his comely strength from the other.
Anon he drew a white-hot bar of iron from the coals, laid it on the anvil,
uplifted his arm of might, and was soon enveloped in the myriads of sparks
which the strokes of his hammer scattered into the surrounding gloom.
“Now, that is a pleasant sight,” said the old watchmaker. “I know what it
is to work in gold; but give me the worker in iron after all is said and done.
He spends his labor upon a reality. What say you, daughter Annie?”
“Pray don’t speak so loud, father,” whispered Annie, “Robert Danforth
will hear you.”
“And what if he should hear me?” said Peter Hovenden. “I say again, it is
a good and a wholesome thing to depend upon main strength and reality,
and to earn one’s bread with the bare and brawny arm of a blacksmith. A
watchmaker gets his brain puzzled by his wheels within a wheel, or loses
his health or the nicety of his eyesight, as was my case, and finds himself at
middle age, or a little after, past labor at his own trade and fit for nothing
else, yet too poor to live at his ease. So I say once again, give me main
strength for my money. And then, how it takes the nonsense out of a man!
Did you ever hear of a blacksmith being such a fool as Owen Warland
yonder?”
“Well said, uncle Hovenden!” shouted Robert Danforth from the forge, in
a full, deep, merry voice, that made the roof re-echo. “And what says Miss

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Annie to that doctrine? She, I suppose, will think it a genteeler business to
tinker up a lady’s watch than to forge a horseshoe or make a gridiron.”
Annie drew her father onward without giving him time for reply.
But we must return to Owen Warland’s shop, and spend more meditation
upon his history and character than either Peter Hovenden, or probably his
daughter Annie, or Owen’s old school-fellow, Robert Danforth, would have
thought due to so slight a subject. From the time that his little fingers could
grasp a penknife, Owen had been remarkable for a delicate ingenuity, which
sometimes produced pretty shapes in wood, principally figures of flowers
and birds, and sometimes seemed to aim at the hidden mysteries of
mechanism. But it was always for purposes of grace, and never with any
mockery of the useful. He did not, like the crowd of school-boy artisans,
construct little windmills on the angle of a barn or watermills across the
neighboring brook. Those who discovered such peculiarity in the boy as to
think it worth their while to observe him closely, sometimes saw reason to
suppose that he was attempting to imitate the beautiful movements of
Nature as exemplified in the flight of birds or the activity of little animals. It
seemed, in fact, a new development of the love of the beautiful, such as
might have made him a poet, a painter, or a sculptor, and which was as
completely refined from all utilitarian coarseness as it could have been in
either of the fine arts. He looked with singular distaste at the stiff and
regular processes of ordinary machinery. Being once carried to see a steam-
engine, in the expectation that his intuitive comprehension of mechanical
principles would be gratified, he turned pale and grew sick, as if something
monstrous and unnatural had been presented to him. This horror was partly
owing to the size and terrible energy of the iron laborer; for the character of
Owen’s mind was microscopic, and tended naturally to the minute, in
accordance with his diminutive frame and the marvellous smallness and
delicate power of his fingers. Not that his sense of beauty was thereby
diminished into a sense of prettiness. The beautiful idea has no relation to
size, and may be as perfectly developed in a space too minute for any but
microscopic investigation as within the ample verge that is measured by the
arc of the rainbow. But, at all events, this characteristic minuteness in his
objects and accomplishments made the world even more incapable than it
might otherwise have been of appreciating Owen Warland’s genius. The
boy’s relatives saw nothing better to be done—as perhaps there was not—

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than to bind him apprentice to a watchmaker, hoping that his strange
ingenuity might thus be regulated and put to utilitarian purposes.
Peter Hovenden’s opinion of his apprentice has already been expressed.
He could make nothing of the lad. Owen’s apprehension of the professional
mysteries, it is true, was inconceivably quick; but he altogether forgot or
despised the grand object of a watchmaker’s business, and cared no more
for the measurement of time than if it had been merged into eternity. So
long, however, as he remained under his old master’s care, Owen’s lack of
sturdiness made it possible, by strict injunctions and sharp oversight, to
restrain his creative eccentricity within bounds; but when his apprenticeship
was served out, and he had taken the little shop which Peter Hovenden’s
failing eyesight compelled him to relinquish, then did people recognize how
unfit a person was Owen Warland to lead old blind Father Time along his
daily course. One of his most rational projects was to connect a musical
operation with the machinery of his watches, so that all the harsh
dissonances of life might be rendered tuneful, and each flitting moment fall
into the abyss of the past in golden drops of harmony. If a family clock was
intrusted to him for repair,—one of those tall, ancient clocks that have
grown nearly allied to human nature by measuring out the lifetime of many
generations,—he would take upon himself to arrange a dance or funeral
procession of figures across its venerable face, representing twelve mirthful
or melancholy hours. Several freaks of this kind quite destroyed the young
watchmaker’s credit with that steady and matter-of-fact class of people who
hold the opinion that time is not to be trifled with, whether considered as
the medium of advancement and prosperity in this world or preparation for
the next. His custom rapidly diminished—a misfortune, however, that was
probably reckoned among his better accidents by Owen Warland, who was
becoming more and more absorbed in a secret occupation which drew all
his science and manual dexterity into itself, and likewise gave full
employment to the characteristic tendencies of his genius. This pursuit had
already consumed many months.
After the old watchmaker and his pretty daughter had gazed at him out of
the obscurity of the street, Owen Warland was seized with a fluttering of the
nerves, which made his hand tremble too violently to proceed with such
delicate labor as he was now engaged upon.

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“It was Annie herself!” murmured he. “I should have known it, by this
throbbing of my heart, before I heard her father’s voice. Ah, how it throbs! I
shall scarcely be able to work again on this exquisite mechanism to-night.
Annie! dearest Annie! thou shouldst give firmness to my heart and hand,
and not shake them thus; for if I strive to put the very spirit of beauty into
form and give it motion, it is for thy sake alone. O throbbing heart, be quiet!
If my labor be thus thwarted, there will come vague and unsatisfied dreams
which will leave me spiritless to-morrow.”
As he was endeavoring to settle himself again to his task, the shop door
opened and gave admittance to no other than the stalwart figure which Peter
Hovenden had paused to admire, as seen amid the light and shadow of the
blacksmith’s shop. Robert Danforth had brought a little anvil of his own
manufacture, and peculiarly constructed, which the young artist had
recently bespoken. Owen examined the article and pronounced it fashioned
according to his wish.
“Why, yes,” said Robert Danforth, his strong voice filling the shop as
with the sound of a bass viol, “I consider myself equal to anything in the
way of my own trade; though I should have made but a poor figure at yours
with such a fist as this,” added he, laughing, as he laid his vast hand beside
the delicate one of Owen. “But what then? I put more main strength into
one blow of my sledge hammer than all that you have expended since you
were a ’prentice. Is not that the truth?”
“Very probably,” answered the low and slender voice of Owen. “Strength
is an earthly monster. I make no pretensions to it. My force, whatever there
may be of it, is altogether spiritual.”
“Well, but, Owen, what are you about?” asked his old school-fellow, still
in such a hearty volume of tone that it made the artist shrink, especially as
the question related to a subject so sacred as the absorbing dream of his
imagination. “Folks do say that you are trying to discover the perpetual
motion.”
“The perpetual motion? Nonsense!” replied Owen Warland, with a
movement of disgust; for he was full of little petulances. “It can never be
discovered. It is a dream that may delude men whose brains are mystified
with matter, but not me. Besides, if such a discovery were possible, it would
not be worth my while to make it only to have the secret turned to such

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purposes as are now effected by steam and water power. I am not ambitious
to be honored with the paternity of a new kind of cotton machine.”
“That would be droll enough!” cried the blacksmith, breaking out into
such an uproar of laughter that Owen himself and the bell glasses on his
work-board quivered in unison. “No, no, Owen! No child of yours will have
iron joints and sinews. Well, I won’t hinder you any more. Good night,
Owen, and success, and if you need any assistance, so far as a downright
blow of hammer upon anvil will answer the purpose, I’m your man.”
And with another laugh the man of main strength left the shop.
“How strange it is,” whispered Owen Warland to himself, leaning his
head upon his hand, “that all my musings, my purposes, my passion for the
beautiful, my consciousness of power to create it,—a finer, more ethereal
power, of which this earthly giant can have no conception,—all, all, look so
vain and idle whenever my path is crossed by Robert Danforth! He would
drive me mad were I to meet him often. His hard, brute force darkens and
confuses the spiritual element within me; but I, too, will be strong in my
own way. I will not yield to him.”
He took from beneath a glass a piece of minute machinery, which he set
in the condensed light of his lamp, and, looking intently at it through a
magnifying glass, proceeded to operate with a delicate instrument of steel.
In an instant, however, he fell back in his chair and clasped his hands, with
a look of horror on his face that made its small features as impressive as
those of a giant would have been.
“Heaven! What have I done?” exclaimed he. “The vapor, the influence of
that brute force,—it has bewildered me and obscured my perception. I have
made the very stroke—the fatal stroke—that I have dreaded from the first.
It is all over—the toil of months, the object of my life. I am ruined!”
And there he sat, in strange despair, until his lamp flickered in the socket
and left the Artist of the Beautiful in darkness.
Thus it is that ideas, which grow up within the imagination and appear so
lovely to it and of a value beyond whatever men call valuable, are exposed
to be shattered and annihilated by contact with the practical. It is requisite
for the ideal artist to possess a force of character that seems hardly
compatible with its delicacy; he must keep his faith in himself while the
incredulous world assails him with its utter disbelief; he must stand up

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against mankind and be his own sole disciple, both as respects his genius
and the objects to which it is directed.
For a time Owen Warland succumbed to this severe but inevitable test.
He spent a few sluggish weeks with his head so continually resting in his
hands that the towns-people had scarcely an opportunity to see his
countenance. When at last it was again uplifted to the light of day, a cold,
dull, nameless change was perceptible upon it. In the opinion of Peter
Hovenden, however, and that order of sagacious understandings who think
that life should be regulated, like clockwork, with leaden weights, the
alteration was entirely for the better. Owen now, indeed, applied himself to
business with dogged industry. It was marvellous to witness the obtuse
gravity with which he would inspect the wheels of a great old silver watch
thereby delighting the owner, in whose fob it had been worn till he deemed
it a portion of his own life, and was accordingly jealous of its treatment. In
consequence of the good report thus acquired, Owen Warland was invited
by the proper authorities to regulate the clock in the church steeple. He
succeeded so admirably in this matter of public interest that the merchants
gruffly acknowledged his merits on ’Change; the nurse whispered his
praises as she gave the potion in the sick-chamber; the lover blessed him at
the hour of appointed interview; and the town in general thanked Owen for
the punctuality of dinner time. In a word, the heavy weight upon his spirits
kept everything in order, not merely within his own system, but
wheresoever the iron accents of the church clock were audible. It was a
circumstance, though minute, yet characteristic of his present state, that,
when employed to engrave names or initials on silver spoons, he now wrote
the requisite letters in the plainest possible style, omitting a variety of
fanciful flourishes that had heretofore distinguished his work in this kind.
One day, during the era of this happy transformation, old Peter Hovenden
came to visit his former apprentice.
“Well, Owen,” said he, “I am glad to hear such good accounts of you
from all quarters, and especially from the town clock yonder, which speaks
in your commendation every hour of the twenty-four. Only get rid
altogether of your nonsensical trash about the beautiful, which I nor nobody
else, nor yourself to boot, could ever understand,—only free yourself of
that, and your success in life is as sure as daylight. Why, if you go on in this
way, I should even venture to let you doctor this precious old watch of

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mine; though, except my daughter Annie, I have nothing else so valuable in
the world.”
“I should hardly dare touch it, sir,” replied Owen, in a depressed tone; for
he was weighed down by his old master’s presence.
“In time,” said the latter,—“In time, you will be capable of it.”
The old watchmaker, with the freedom naturally consequent on his
former authority, went on inspecting the work which Owen had in hand at
the moment, together with other matters that were in progress. The artist,
meanwhile, could scarcely lift his head. There was nothing so antipodal to
his nature as this man’s cold, unimaginative sagacity, by contact with which
everything was converted into a dream except the densest matter of the
physical world. Owen groaned in spirit and prayed fervently to be delivered
from him.
“But what is this?” cried Peter Hovenden abruptly, taking up a dusty bell
glass, beneath which appeared a mechanical something, as delicate and
minute as the system of a butterfly’s anatomy. “What have we here? Owen!
Owen! there is witchcraft in these little chains, and wheels, and paddles.
See! with one pinch of my finger and thumb I am going to deliver you from
all future peril.”
“For Heaven’s sake,” screamed Owen Warland, springing up with
wonderful energy, “as you would not drive me mad, do not touch it! The
slightest pressure of your finger would ruin me forever.”
“Aha, young man! And is it so?” said the old watchmaker, looking at him
with just enough penetration to torture Owen’s soul with the bitterness of
worldly criticism. “Well, take your own course; but I warn you again that in
this small piece of mechanism lives your evil spirit. Shall I exorcise him?”
“You are my evil spirit,” answered Owen, much excited,—“you and the
hard, coarse world! The leaden thoughts and the despondency that you fling
upon me are my clogs, else I should long ago have achieved the task that I
was created for.”
Peter Hovenden shook his head, with the mixture of contempt and
indignation which mankind, of whom he was partly a representative, deem
themselves entitled to feel towards all simpletons who seek other prizes
than the dusty one along the highway. He then took his leave, with an
uplifted finger and a sneer upon his face that haunted the artist’s dreams for

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many a night afterwards. At the time of his old master’s visit, Owen was
probably on the point of taking up the relinquished task; but, by this sinister
event, he was thrown back into the state whence he had been slowly
emerging.
But the innate tendency of his soul had only been accumulating fresh
vigor during its apparent sluggishness. As the summer advanced he almost
totally relinquished his business, and permitted Father Time, so far as the
old gentleman was represented by the clocks and watches under his control,
to stray at random through human life, making infinite confusion among the
train of bewildered hours. He wasted the sunshine, as people said, in
wandering through the woods and fields and along the banks of streams.
There, like a child, he found amusement in chasing butterflies or watching
the motions of water insects. There was something truly mysterious in the
intentness with which he contemplated these living playthings as they
sported on the breeze or examined the structure of an imperial insect whom
he had imprisoned. The chase of butterflies was an apt emblem of the ideal
pursuit in which he had spent so many golden hours; but would the
beautiful idea ever be yielded to his hand like the butterfly that symbolized
it? Sweet, doubtless, were these days, and congenial to the artist’s soul.
They were full of bright conceptions, which gleamed through his
intellectual world as the butterflies gleamed through the outward
atmosphere, and were real to him, for the instant, without the toil, and
perplexity, and many disappointments of attempting to make them visible to
the sensual eye. Alas that the artist, whether in poetry, or whatever other
material, may not content himself with the inward enjoyment of the
beautiful, but must chase the flitting mystery beyond the verge of his
ethereal domain, and crush its frail being in seizing it with a material grasp.
Owen Warland felt the impulse to give external reality to his ideas as
irresistibly as any of the poets or painters who have arrayed the world in a
dimmer and fainter beauty, imperfectly copied from the richness of their
visions.
The night was now his time for the slow progress of re-creating the one
idea to which all his intellectual activity referred itself. Always at the
approach of dusk he stole into the town, locked himself within his shop, and
wrought with patient delicacy of touch for many hours. Sometimes he was
startled by the rap of the watchman, who, when all the world should be
asleep, had caught the gleam of lamplight through the crevices of Owen

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Warland’s shutters. Daylight, to the morbid sensibility of his mind, seemed
to have an intrusiveness that interfered with his pursuits. On cloudy and
inclement days, therefore, he sat with his head upon his hands, muffling, as
it were, his sensitive brain in a mist of indefinite musings, for it was a relief
to escape from the sharp distinctness with which he was compelled to shape
out his thoughts during his nightly toil.
From one of these fits of torpor he was aroused by the entrance of Annie
Hovenden, who came into the shop with the freedom of a customer, and
also with something of the familiarity of a childish friend. She had worn a
hole through her silver thimble, and wanted Owen to repair it.
“But I don’t know whether you will condescend to such a task,” said she,
laughing, “now that you are so taken up with the notion of putting spirit into
machinery.”
“Where did you get that idea, Annie?” said Owen, starting in surprise.
“Oh, out of my own head,” answered she, “and from something that I
heard you say, long ago, when you were but a boy and I a little child. But
come, will you mend this poor thimble of mine?”
“Anything for your sake, Annie,” said Owen Warland,—“anything, even
were it to work at Robert Danforth’s forge.”
“And that would be a pretty sight!” retorted Annie, glancing with
imperceptible slightness at the artist’s small and slender frame. “Well; here
is the thimble.”
“But that is a strange idea of yours,” said Owen, “about the
spiritualization of matter.”
And then the thought stole into his mind that this young girl possessed
the gift to comprehend him better than all the world besides. And what a
help and strength would it be to him in his lonely toil if he could gain the
sympathy of the only being whom he loved! To persons whose pursuits are
insulated from the common business of life—who are either in advance of
mankind or apart from it—there often comes a sensation of moral cold that
makes the spirit shiver as if it had reached the frozen solitudes around the
pole. What the prophet, the poet, the reformer, the criminal, or any other
man with human yearnings, but separated from the multitude by a peculiar
lot, might feel, poor Owen felt.

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“Annie,” cried he, growing pale as death at the thought, “how gladly
would I tell you the secret of my pursuit! You, methinks, would estimate it
rightly. You, I know, would hear it with a reverence that I must not expect
from the harsh, material world.”
“Would I not? to be sure I would!” replied Annie Hovenden, lightly
laughing. “Come; explain to me quickly what is the meaning of this little
whirligig, so delicately wrought that it might be a plaything for Queen Mab.
See! I will put it in motion.”
“Hold!” exclaimed Owen, “hold!”
Annie had but given the slightest possible touch, with the point of a
needle, to the same minute portion of complicated machinery which has
been more than once mentioned, when the artist seized her by the wrist with
a force that made her scream aloud. She was affrighted at the convulsion of
intense rage and anguish that writhed across his features. The next instant
he let his head sink upon his hands.
“Go, Annie,” murmured he; “I have deceived myself, and must suffer for
it. I yearned for sympathy, and thought, and fancied, and dreamed that you
might give it me; but you lack the talisman, Annie, that should admit you
into my secrets. That touch has undone the toil of months and the thought of
a lifetime! It was not your fault, Annie; but you have ruined me!”
Poor Owen Warland! He had indeed erred, yet pardonably; for if any
human spirit could have sufficiently reverenced the processes so sacred in
his eyes, it must have been a woman’s. Even Annie Hovenden, possibly
might not have disappointed him had she been enlightened by the deep
intelligence of love.
The artist spent the ensuing winter in a way that satisfied any persons
who had hitherto retained a hopeful opinion of him that he was, in truth,
irrevocably doomed to unutility as regarded the world, and to an evil
destiny on his own part. The decease of a relative had put him in possession
of a small inheritance. Thus freed from the necessity of toil, and having lost
the steadfast influence of a great purpose,—great, at least, to him,—he
abandoned himself to habits from which it might have been supposed the
mere delicacy of his organization would have availed to secure him. But
when the ethereal portion of a man of genius is obscured the earthly part
assumes an influence the more uncontrollable, because the character is now
thrown off the balance to which Providence had so nicely adjusted it, and

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which, in coarser natures, is adjusted by some other method. Owen Warland
made proof of whatever show of bliss may be found in riot. He looked at
the world through the golden medium of wine, and contemplated the
visions that bubble up so gayly around the brim of the glass, and that people
the air with shapes of pleasant madness, which so soon grow ghostly and
forlorn. Even when this dismal and inevitable change had taken place, the
young man might still have continued to quaff the cup of enchantments,
though its vapor did but shroud life in gloom and fill the gloom with
spectres that mocked at him. There was a certain irksomeness of spirit,
which, being real, and the deepest sensation of which the artist was now
conscious, was more intolerable than any fantastic miseries and horrors that
the abuse of wine could summon up. In the latter case he could remember,
even out of the midst of his trouble, that all was but a delusion; in the
former, the heavy anguish was his actual life.
From this perilous state he was redeemed by an incident which more than
one person witnessed, but of which the shrewdest could not explain or
conjecture the operation on Owen Warland’s mind. It was very simple. On a
warm afternoon of spring, as the artist sat among his riotous companions
with a glass of wine before him, a splendid butterfly flew in at the open
window and fluttered about his head.
“Ah,” exclaimed Owen, who had drank freely, “are you alive again, child
of the sun and playmate of the summer breeze, after your dismal winter’s
nap? Then it is time for me to be at work!”
And, leaving his unemptied glass upon the table, he departed and was
never known to sip another drop of wine.
And now, again, he resumed his wanderings in the woods and fields. It
might be fancied that the bright butterfly, which had come so spirit-like into
the window as Owen sat with the rude revellers, was indeed a spirit
commissioned to recall him to the pure, ideal life that had so etheralized
him among men. It might be fancied that he went forth to seek this spirit in
its sunny haunts; for still, as in the summer time gone by, he was seen to
steal gently up wherever a butterfly had alighted, and lose himself in
contemplation of it. When it took flight his eyes followed the winged
vision, as if its airy track would show the path to heaven. But what could be
the purpose of the unseasonable toil, which was again resumed, as the
watchman knew by the lines of lamplight through the crevices of Owen

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Warland’s shutters? The towns-people had one comprehensive explanation
of all these singularities. Owen Warland had gone mad! How universally
efficacious—how satisfactory, too, and soothing to the injured sensibility of
narrowness and dulness—is this easy method of accounting for whatever
lies beyond the world’s most ordinary scope! From St. Paul’s days down to
our poor little Artist of the Beautiful, the same talisman had been applied to
the elucidation of all mysteries in the words or deeds of men who spoke or
acted too wisely or too well. In Owen Warland’s case the judgment of his
towns-people may have been correct. Perhaps he was mad. The lack of
sympathy—that contrast between himself and his neighbors which took
away the restraint of example—was enough to make him so. Or possibly he
had caught just so much of ethereal radiance as served to bewilder him, in
an earthly sense, by its intermixture with the common daylight.
One evening, when the artist had returned from a customary ramble and
had just thrown the lustre of his lamp on the delicate piece of work so often
interrupted, but still taken up again, as if his fate were embodied in its
mechanism, he was surprised by the entrance of old Peter Hovenden. Owen
never met this man without a shrinking of the heart. Of all the world he was
most terrible, by reason of a keen understanding which saw so distinctly
what it did see, and disbelieved so uncompromisingly in what it could not
see. On this occasion the old watchmaker had merely a gracious word or
two to say.
“Owen, my lad,” said he, “we must see you at my house to-morrow
night.”
The artist began to mutter some excuse.
“Oh, but it must be so,” quoth Peter Hovenden, “for the sake of the days
when you were one of the household. What, my boy! don’t you know that
my daughter Annie is engaged to Robert Danforth? We are making an
entertainment, in our humble way, to celebrate the event.”
That little monosyllable was all he uttered; its tone seemed cold and
unconcerned to an ear like Peter Hovenden’s; and yet there was in it the
stifled outcry of the poor artist’s heart, which he compressed within him
like a man holding down an evil spirit. One slight outbreak, however,
imperceptible to the old watchmaker, he allowed himself. Raising the
instrument with which he was about to begin his work, he let it fall upon the

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little system of machinery that had, anew, cost him months of thought and
toil. It was shattered by the stroke!
Owen Warland’s story would have been no tolerable representation of the
troubled life of those who strive to create the beautiful, if, amid all other
thwarting influences, love had not interposed to steal the cunning from his
hand. Outwardly he had been no ardent or enterprising lover; the career of
his passion had confined its tumults and vicissitudes so entirely within the
artist’s imagination that Annie herself had scarcely more than a woman’s
intuitive perception of it; but, in Owen’s view, it covered the whole field of
his life. Forgetful of the time when she had shown herself incapable of any
deep response, he had persisted in connecting all his dreams of artistical
success with Annie’s image; she was the visible shape in which the spiritual
power that he worshipped, and on whose altar he hoped to lay a not
unworthy offering, was made manifest to him. Of course he had deceived
himself; there were no such attributes in Annie Hovenden as his
imagination had endowed her with. She, in the aspect which she wore to his
inward vision, was as much a creature of his own as the mysterious piece of
mechanism would be were it ever realized. Had he become convinced of his
mistake through the medium of successful love,—had he won Annie to his
bosom, and there beheld her fade from angel into ordinary woman,—the
disappointment might have driven him back, with concentrated energy,
upon his sole remaining object. On the other hand, had he found Annie what
he fancied, his lot would have been so rich in beauty that out of its mere
redundancy he might have wrought the beautiful into many a worthier type
than he had toiled for; but the guise in which his sorrow came to him, the
sense that the angel of his life had been snatched away and given to a rude
man of earth and iron, who could neither need nor appreciate her
ministrations,—this was the very perversity of fate that makes human
existence appear too absurd and contradictory to be the scene of one other
hope or one other fear. There was nothing left for Owen Warland but to sit
down like a man that had been stunned.
He went through a fit of illness. After his recovery his small and slender
frame assumed an obtuser garniture of flesh than it had ever before worn.
His thin cheeks became round; his delicate little hand, so spiritually
fashioned to achieve fairy task-work, grew plumper than the hand of a
thriving infant. His aspect had a childishness such as might have induced a
stranger to pat him on the head—pausing, however, in the act, to wonder

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what manner of child was here. It was as if the spirit had gone out of him,
leaving the body to flourish in a sort of vegetable existence. Not that Owen
Warland was idiotic. He could talk, and not irrationally. Somewhat of a
babbler, indeed, did people begin to think him; for he was apt to discourse
at wearisome length of marvels of mechanism that he had read about in
books, but which he had learned to consider as absolutely fabulous. Among
them he enumerated the Man of Brass, constructed by Albertus Magnus,
and the Brazen Head of Friar Bacon; and, coming down to later times, the
automata of a little coach and horses, which it was pretended had been
manufactured for the Dauphin of France; together with an insect that
buzzed about the ear like a living fly, and yet was but a contrivance of
minute steel springs. There was a story, too, of a duck that waddled, and
quacked, and ate; though, had any honest citizen purchased it for dinner, he
would have found himself cheated with the mere mechanical apparition of a
duck.
“But all these accounts,” said Owen Warland, “I am now satisfied are
mere impositions.”
Then, in a mysterious way, he would confess that he once thought
differently. In his idle and dreamy days he had considered it possible, in a
certain sense, to spiritualize machinery, and to combine with the new
species of life and motion thus produced a beauty that should attain to the
ideal which Nature has proposed to herself in all her creatures, but has
never taken pains to realize. He seemed, however, to retain no very distinct
perception either of the process of achieving this object or of the design
itself.
“I have thrown it all aside now,” he would say. “It was a dream such as
young men are always mystifying themselves with. Now that I have
acquired a little common sense, it makes me laugh to think of it.”
Poor, poor and fallen Owen Warland! These were the symptoms that he
had ceased to be an inhabitant of the better sphere that lies unseen around
us. He had lost his faith in the invisible, and now prided himself, as such
unfortunates invariably do, in the wisdom which rejected much that even
his eye could see, and trusted confidently in nothing but what his hand
could touch. This is the calamity of men whose spiritual part dies out of
them and leaves the grosser understanding to assimilate them more and

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more to the things of which alone it can take cognizance; but in Owen
Warland the spirit was not dead nor passed away; it only slept.
How it awoke again is not recorded. Perhaps the torpid slumber was
broken by a convulsive pain. Perhaps, as in a former instance, the butterfly
came and hovered about his head and reinspired him,—as indeed this
creature of the sunshine had always a mysterious mission for the artist,—
reinspired him with the former purpose of his life. Whether it were pain or
happiness that thrilled through his veins, his first impulse was to thank
Heaven for rendering him again the being of thought, imagination, and
keenest sensibility that he had long ceased to be.
“Now for my task,” said he. “Never did I feel such strength for it as
now.”
Yet, strong as he felt himself, he was incited to toil the more diligently by
an anxiety lest death should surprise him in the midst of his labors. This
anxiety, perhaps, is common to all men who set their hearts upon anything
so high, in their own view of it, that life becomes of importance only as
conditional to its accomplishment. So long as we love life for itself, we
seldom dread the losing it. When we desire life for the attainment of an
object, we recognize the frailty of its texture. But, side by side with this
sense of insecurity, there is a vital faith in our invulnerability to the shaft of
death while engaged in any task that seems assigned by Providence as our
proper thing to do, and which the world would have cause to mourn for
should we leave it unaccomplished. Can the philosopher, big with the
inspiration of an idea that is to reform mankind, believe that he is to be
beckoned from this sensible existence at the very instant when he is
mustering his breath to speak the word of light? Should he perish so, the
weary ages may pass away—the world’s, whose life sand may fall, drop by
drop—before another intellect is prepared to develop the truth that might
have been uttered then. But history affords many an example where the
most precious spirit, at any particular epoch manifested in human shape, has
gone hence untimely, without space allowed him, so far as mortal judgment
could discern, to perform his mission on the earth. The prophet dies, and the
man of torpid heart and sluggish brain lives on. The poet leaves his song
half sung, or finishes it, beyond the scope of mortal ears, in a celestial choir.
The painter—as Allston did—leaves half his conception on the canvas to
sadden us with its imperfect beauty, and goes to picture forth the whole, if it

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be no irreverence to say so, in the hues of heaven. But rather such
incomplete designs of this life will be perfected nowhere. This so frequent
abortion of man’s dearest projects must be taken as a proof that the deeds of
earth, however etherealized by piety or genius, are without value, except as
exercises and manifestations of the spirit. In heaven, all ordinary thought is
higher and more melodious than Milton’s song. Then, would he add another
verse to any strain that he had left unfinished here?
But to return to Owen Warland. It was his fortune, good or ill, to achieve
the purpose of his life. Pass we over a long space of intense thought,
yearning effort, minute toil, and wasting anxiety, succeeded by an instant of
solitary triumph: let all this be imagined; and then behold the artist, on a
winter evening, seeking admittance to Robert Danforth’s fireside circle.
There he found the man of iron, with his massive substance thoroughly
warmed and attempered by domestic influences. And there was Annie, too,
now transformed into a matron, with much of her husband’s plain and
sturdy nature, but imbued, as Owen Warland still believed, with a finer
grace, that might enable her to be the interpreter between strength and
beauty. It happened, likewise, that old Peter Hovenden was a guest this
evening at his daughter’s fireside, and it was his well-remembered
expression of keen, cold criticism that first encountered the artist’s glance.
“My old friend Owen!” cried Robert Danforth, starting up, and
compressing the artist’s delicate fingers within a hand that was accustomed
to gripe bars of iron. “This is kind and neighborly to come to us at last. I
was afraid your perpetual motion had bewitched you out of the
remembrance of old times.”
“We are glad to see you,” said Annie, while a blush reddened her
matronly cheek. “It was not like a friend to stay from us so long.”
“Well, Owen,” inquired the old watchmaker, as his first greeting, “how
comes on the beautiful? Have you created it at last?”
The artist did not immediately reply, being startled by the apparition of a
young child of strength that was tumbling about on the carpet,—a little
personage who had come mysteriously out of the infinite, but with
something so sturdy and real in his composition that he seemed moulded
out of the densest substance which earth could supply. This hopeful infant
crawled towards the new-comer, and setting himself on end, as Robert
Danforth expressed the posture, stared at Owen with a look of such

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sagacious observation that the mother could not help exchanging a proud
glance with her husband. But the artist was disturbed by the child’s look, as
imagining a resemblance between it and Peter Hovenden’s habitual
expression. He could have fancied that the old watchmaker was compressed
into this baby shape, and looking out of those baby eyes, and repeating, as
he now did, the malicious question: “The beautiful, Owen! How comes on
the beautiful? Have you succeeded in creating the beautiful?”
“I have succeeded,” replied the artist, with a momentary light of triumph
in his eyes and a smile of sunshine, yet steeped in such depth of thought
that it was almost sadness. “Yes, my friends, it is the truth. I have
succeeded.”
“Indeed!” cried Annie, a look of maiden mirthfulness peeping out of her
face again. “And is it lawful, now, to inquire what the secret is?”
“Surely; it is to disclose it that I have come,” answered Owen Warland.
“You shall know, and see, and touch, and possess the secret! For, Annie,—if
by that name I may still address the friend of my boyish years,—Annie, it is
for your bridal gift that I have wrought this spiritualized mechanism, this
harmony of motion, this mystery of beauty. It comes late, indeed; but it is as
we go onward in life, when objects begin to lose their freshness of hue and
our souls their delicacy of perception, that the spirit of beauty is most
needed. If,—forgive me, Annie,—if you know how—to value this gift, it
can never come too late.”
He produced, as he spoke, what seemed a jewel box. It was carved richly
out of ebony by his own hand, and inlaid with a fanciful tracery of pearl,
representing a boy in pursuit of a butterfly, which, elsewhere, had become a
winged spirit, and was flying heavenward; while the boy, or youth, had
found such efficacy in his strong desire that he ascended from earth to
cloud, and from cloud to celestial atmosphere, to win the beautiful. This
case of ebony the artist opened, and bade Annie place her fingers on its
edge. She did so, but almost screamed as a butterfly fluttered forth, and,
alighting on her finger’s tip, sat waving the ample magnificence of its
purple and gold-speckled wings, as if in prelude to a flight. It is impossible
to express by words the glory, the splendor, the delicate gorgeousness which
were softened into the beauty of this object. Nature’s ideal butterfly was
here realized in all its perfection; not in the pattern of such faded insects as
flit among earthly flowers, but of those which hover across the meads of

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paradise for child-angels and the spirits of departed infants to disport
themselves with. The rich down was visible upon its wings; the lustre of its
eyes seemed instinct with spirit. The firelight glimmered around this
wonder—the candles gleamed upon it; but it glistened apparently by its own
radiance, and illuminated the finger and outstretched hand on which it
rested with a white gleam like that of precious stones. In its perfect beauty,
the consideration of size was entirely lost. Had its wings overreached the
firmament, the mind could not have been more filled or satisfied.
“Beautiful! beautiful!” exclaimed Annie. “Is it alive? Is it alive?”
“Alive? To be sure it is,” answered her husband. “Do you suppose any
mortal has skill enough to make a butterfly, or would put himself to the
trouble of making one, when any child may catch a score of them in a
summer’s afternoon? Alive? Certainly! But this pretty box is undoubtedly
of our friend Owen’s manufacture; and really it does him credit.”
At this moment the butterfly waved its wings anew, with a motion so
absolutely lifelike that Annie was startled, and even awestricken; for, in
spite of her husband’s opinion, she could not satisfy herself whether it was
indeed a living creature or a piece of wondrous mechanism.
“Is it alive?” she repeated, more earnestly than before.
“Judge for yourself,” said Owen Warland, who stood gazing in her face
with fixed attention.
The butterfly now flung itself upon the air, fluttered round Annie’s head,
and soared into a distant region of the parlor, still making itself perceptible
to sight by the starry gleam in which the motion of its wings enveloped it.
The infant on the floor followed its course with his sagacious little eyes.
After flying about the room, it returned in a spiral curve and settled again
on Annie’s finger.
“But is it alive?” exclaimed she again; and the finger on which the
gorgeous mystery had alighted was so tremulous that the butterfly was
forced to balance himself with his wings. “Tell me if it be alive, or whether
you created it.”
“Wherefore ask who created it, so it be beautiful?” replied Owen
Warland. “Alive? Yes, Annie; it may well be said to possess life, for it has
absorbed my own being into itself; and in the secret of that butterfly, and in
its beauty,—which is not merely outward, but deep as its whole system,—is

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represented the intellect, the imagination, the sensibility, the soul of an
Artist of the Beautiful! Yes; I created it. But”—and here his countenance
somewhat changed—“this butterfly is not now to me what it was when I
beheld it afar off in the daydreams of my youth.”
“Be it what it may, it is a pretty plaything,” said the blacksmith, grinning
with childlike delight. “I wonder whether it would condescend to alight on
such a great clumsy finger as mine? Hold it hither, Annie.”
By the artist’s direction, Annie touched her finger’s tip to that of her
husband; and, after a momentary delay, the butterfly fluttered from one to
the other. It preluded a second flight by a similar, yet not precisely the same,
waving of wings as in the first experiment; then, ascending from the
blacksmith’s stalwart finger, it rose in a gradually enlarging curve to the
ceiling, made one wide sweep around the room, and returned with an
undulating movement to the point whence it had started.
“Well, that does beat all nature!” cried Robert Danforth, bestowing the
heartiest praise that he could find expression for; and, indeed, had he
paused there, a man of finer words and nicer perception could not easily
have said more. “That goes beyond me, I confess. But what then? There is
more real use in one downright blow of my sledge hammer than in the
whole five years’ labor that our friend Owen has wasted on this butterfly.”
Here the child clapped his hands and made a great babble of indistinct
utterance, apparently demanding that the butterfly should be given him for a
plaything.
Owen Warland, meanwhile, glanced sidelong at Annie, to discover
whether she sympathized in her husband’s estimate of the comparative
value of the beautiful and the practical. There was, amid all her kindness
towards himself, amid all the wonder and admiration with which she
contemplated the marvellous work of his hands and incarnation of his idea,
a secret scorn—too secret, perhaps, for her own consciousness, and
perceptible only to such intuitive discernment as that of the artist. But
Owen, in the latter stages of his pursuit, had risen out of the region in which
such a discovery might have been torture. He knew that the world, and
Annie as the representative of the world, whatever praise might be
bestowed, could never say the fitting word nor feel the fitting sentiment
which should be the perfect recompense of an artist who, symbolizing a
lofty moral by a material trifle,—converting what was earthly to spiritual

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gold,—had won the beautiful into his handiwork. Not at this latest moment
was he to learn that the reward of all high performance must be sought
within itself, or sought in vain. There was, however, a view of the matter
which Annie and her husband, and even Peter Hovenden, might fully have
understood, and which would have satisfied them that the toil of years had
here been worthily bestowed. Owen Warland might have told them that this
butterfly, this plaything, this bridal gift of a poor watchmaker to a
blacksmith’s wife, was, in truth, a gem of art that a monarch would have
purchased with honors and abundant wealth, and have treasured it among
the jewels of his kingdom as the most unique and wondrous of them all. But
the artist smiled and kept the secret to himself.
“Father,” said Annie, thinking that a word of praise from the old
watchmaker might gratify his former apprentice, “do come and admire this
pretty butterfly.”
“Let us see,” said Peter Hovenden, rising from his chair, with a sneer
upon his face that always made people doubt, as he himself did, in
everything but a material existence. “Here is my finger for it to alight upon.
I shall understand it better when once I have touched it.”
But, to the increased astonishment of Annie, when the tip of her father’s
finger was pressed against that of her husband, on which the butterfly still
rested, the insect drooped its wings and seemed on the point of falling to the
floor. Even the bright spots of gold upon its wings and body, unless her eyes
deceived her, grew dim, and the glowing purple took a dusky hue, and the
starry lustre that gleamed around the blacksmith’s hand became faint and
vanished.
“It is dying! it is dying!” cried Annie, in alarm.
“It has been delicately wrought,” said the artist, calmly. “As I told you, it
has imbibed a spiritual essence—call it magnetism, or what you will. In an
atmosphere of doubt and mockery its exquisite susceptibility suffers torture,
as does the soul of him who instilled his own life into it. It has already lost
its beauty; in a few moments more its mechanism would be irreparably
injured.”
“Take away your hand, father!” entreated Annie, turning pale. “Here is
my child; let it rest on his innocent hand. There, perhaps, its life will revive
and its colors grow brighter than ever.”

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Her father, with an acrid smile, withdrew his finger. The butterfly then
appeared to recover the power of voluntary motion, while its hues assumed
much of their original lustre, and the gleam of starlight, which was its most
ethereal attribute, again formed a halo round about it. At first, when
transferred from Robert Danforth’s hand to the small finger of the child, this
radiance grew so powerful that it positively threw the little fellow’s shadow
back against the wall. He, meanwhile, extended his plump hand as he had
seen his father and mother do, and watched the waving of the insect’s wings
with infantine delight. Nevertheless, there was a certain odd expression of
sagacity that made Owen Warland feel as if here were old Pete Hovenden,
partially, and but partially, redeemed from his hard scepticism into childish
faith.
“How wise the little monkey looks!” whispered Robert Danforth to his
wife.
“I never saw such a look on a child’s face,” answered Annie, admiring
her own infant, and with good reason, far more than the artistic butterfly.
“The darling knows more of the mystery than we do.”
As if the butterfly, like the artist, were conscious of something not
entirely congenial in the child’s nature, it alternately sparkled and grew dim.
At length it arose from the small hand of the infant with an airy motion that
seemed to bear it upward without an effort, as if the ethereal instincts with
which its master’s spirit had endowed it impelled this fair vision
involuntarily to a higher sphere. Had there been no obstruction, it might
have soared into the sky and grown immortal. But its lustre gleamed upon
the ceiling; the exquisite texture of its wings brushed against that earthly
medium; and a sparkle or two, as of stardust, floated downward and lay
glimmering on the carpet. Then the butterfly came fluttering down, and,
instead of returning to the infant, was apparently attracted towards the
artist’s hand.
“Not so! not so!” murmured Owen Warland, as if his handiwork could
have understood him. “Thou has gone forth out of thy master’s heart. There
is no return for thee.”
With a wavering movement, and emitting a tremulous radiance, the
butterfly struggled, as it were, towards the infant, and was about to alight
upon his finger; but while it still hovered in the air, the little child of
strength, with his grandsire’s sharp and shrewd expression in his face, made

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a snatch at the marvellous insect and compressed it in his hand. Annie
screamed. Old Peter Hovenden burst into a cold and scornful laugh. The
blacksmith, by main force, unclosed the infant’s hand, and found within the
palm a small heap of glittering fragments, whence the mystery of beauty
had fled forever. And as for Owen Warland, he looked placidly at what
seemed the ruin of his life’s labor, and which was yet no ruin. He had
caught a far other butterfly than this. When the artist rose high enough to
achieve the beautiful, the symbol by which he made it perceptible to mortal
senses became of little value in his eyes while his spirit possessed itself in
the enjoyment of the reality.

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A VIRTUOSO’S COLLECTION

The other day, having a leisure hour at my disposal, I stepped into a new
museum, to which my notice was casually drawn by a small and
unobtrusive sign: “TO BE SEEN HERE, A VIRTUOSO’S COLLECTION.” Such was
the simple yet not altogether unpromising announcement that turned my
steps aside for a little while from the sunny sidewalk of our principal
thoroughfare. Mounting a sombre staircase, I pushed open a door at its
summit, and found myself in the presence of a person, who mentioned the
moderate sum that would entitle me to admittance.
“Three shillings, Massachusetts tenor,” said he. “No, I mean half a dollar,
as you reckon in these days.”
While searching my pocket for the coin I glanced at the doorkeeper, the
marked character and individuality of whose aspect encouraged me to
expect something not quite in the ordinary way. He wore an old-fashioned
great-coat, much faded, within which his meagre person was so completely
enveloped that the rest of his attire was undistinguishable. But his visage
was remarkably wind-flushed, sunburnt, and weather-worn, and had a most,
unquiet, nervous, and apprehensive expression. It seemed as if this man had
some all-important object in view, some point of deepest interest to be
decided, some momentous question to ask, might he but hope for a reply.
As it was evident, however, that I could have nothing to do with his private
affairs, I passed through an open doorway, which admitted me into the
extensive hall of the museum.
Directly in front of the portal was the bronze statue of a youth with
winged feet. He was represented in the act of flitting away from earth, yet
wore such a look of earnest invitation that it impressed me like a summons
to enter the hall.
“It is the original statue of Opportunity, by the ancient sculptor
Lysippus,” said a gentleman who now approached me. “I place it at the

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entrance of my museum, because it is not at all times that one can gain
admittance to such a collection.”
The speaker was a middle-aged person, of whom it was not easy to
determine whether he had spent his life as a scholar or as a man of action;
in truth, all outward and obvious peculiarities had been worn away by an
extensive and promiscuous intercourse with the world. There was no mark
about him of profession, individual habits, or scarcely of country; although
his dark complexion and high features made me conjecture that he was a
native of some southern clime of Europe. At all events, he was evidently the
virtuoso in person.
“With your permission,” said he, “as we have no descriptive catalogue, I
will accompany you through the museum and point out whatever may be
most worthy of attention. In the first place, here is a choice collection of
stuffed animals.”
Nearest the door stood the outward semblance of a wolf, exquisitely
prepared, it is true, and showing a very wolfish fierceness in the large glass
eyes which were inserted into its wild and crafty head. Still it was merely
the skin of a wolf, with nothing to distinguish it from other individuals of
that unlovely breed.
“How does this animal deserve a place in your collection?” inquired I.
“It is the wolf that devoured Little Red Riding Hood,” answered the
virtuoso; “and by his side—with a milder and more matronly look, as you
perceive—stands the she-wolf that suckled Romulus and Remus.”
“Ah, indeed!” exclaimed I. “And what lovely lamb is this with the snow-
white fleece, which seems to be of as delicate a texture as innocence itself?”
“Methinks you have but carelessly read Spenser,” replied my guide, “or
you would at once recognize the ‘milk-white lamb’ which Una led. But I set
no great value upon the lamb. The next specimen is better worth our
notice.”
“What!” cried I, “this strange animal, with the black head of an ox upon
the body of a white horse? Were it possible to suppose it, I should say that
this was Alexander’s steed Bucephalus.”
“The same,” said the virtuoso. “And can you likewise give a name to the
famous charger that stands beside him?”

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Next to the renowned Bucephalus stood the mere skeleton of a horse,
with the white bones peeping through his ill-conditioned hide; but, if my
heart had not warmed towards that pitiful anatomy, I might as well have
quitted the museum at once. Its rarities had not been collected with pain and
toil from the four quarters of the earth, and from the depths of the sea, and
from the palaces and sepulchres of ages, for those who could mistake this
illustrious steed.
“It, is Rosinante!” exclaimed I, with enthusiasm.
And so it proved. My admiration for the noble and gallant horse caused
me to glance with less interest at the other animals, although many of them
might have deserved the notice of Cuvier himself. There was the donkey
which Peter Bell cudgelled so soundly, and a brother of the same species
who had suffered a similar infliction from the ancient prophet Balaam.
Some doubts were entertained, however, as to the authenticity of the latter
beast. My guide pointed out the venerable Argus, that faithful dog of
Ulysses, and also another dog (for so the skin bespoke it), which, though
imperfectly preserved, seemed once to have had three heads. It was
Cerberus. I was considerably amused at detecting in an obscure corner the
fox that became so famous by the loss of his tail. There were several stuffed
cats, which, as a dear lover of that comfortable beast, attracted my
affectionate regards. One was Dr. Johnson’s cat Hodge; and in the same row
stood the favorite cats of Mahomet, Gray, and Walter Scott, together with
Puss in Boots, and a cat of very noble aspect—who had once been a deity
of ancient Egypt. Byron’s tame bear came next. I must not forget to mention
the Eryruanthean boar, the skin of St. George’s dragon, and that of the
serpent Python; and another skin with beautifully variegated hues, supposed
to have been the garment of the “spirited sly snake,” which tempted Eve.
Against the walls were suspended the horns of the stag that Shakespeare
shot; and on the floor lay the ponderous shell of the tortoise which fell upon
the head of Aeschylus. In one row, as natural as life, stood the sacred bull
Apis, the “cow with the crumpled horn,” and a very wild-looking young
heifer, which I guessed to be the cow that jumped over the moon. She was
probably killed by the rapidity of her descent. As I turned away, my eyes
fell upon an indescribable monster, which proved to be a griffin.
“I look in vain,” observed I, “for the skin of an animal which might well
deserve the closest study of a naturalist,—the winged horse, Pegasus.”

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“He is not yet dead,” replied the virtuoso; “but he is so hard ridden by
many young gentlemen of the day that I hope soon to add his skin and
skeleton to my collection.”
We now passed to the next alcove of the hall, in which was a multitude of
stuffed birds. They were very prettily arranged, some upon the branches of
trees, others brooding upon nests, and others suspended by wires so
artificially that they seemed in the very act of flight. Among them was a
white dove, with a withered branch of olive-leaves in her mouth.
“Can this be the very dove,” inquired I, “that brought the message of
peace and hope to the tempest-beaten passengers of the ark?”
“Even so,” said my companion.
“And this raven, I suppose,” continued I, “is the same that fed Elijah in
the wilderness.”
“The raven? No,” said the virtuoso; “it is a bird of modern date. He
belonged to one Barnaby Rudge, and many people fancied that the Devil
himself was disguised under his sable plumage. But poor Grip has drawn
his last cork, and has been forced to ‘say die’ at last. This other raven,
hardly less curious, is that in which the soul of King George I. revisited his
lady-love, the Duchess of Kendall.”
My guide next pointed out Minerva’s owl and the vulture that preyed
upon the liver of Prometheus. There was likewise the sacred ibis of Egypt,
and one of the Stymphalides which Hercules shot in his sixth labor.
Shelley’s skylark, Bryant’s water-fowl, and a pigeon from the belfry of the
Old South Church, preserved by N. P. Willis, were placed on the same
perch. I could not but shudder on beholding Coleridge’s albatross,
transfixed with the Ancient Mariner’s crossbow shaft. Beside this bird of
awful poesy stood a gray goose of very ordinary aspect.
“Stuffed goose is no such rarity,” observed I. “Why do you preserve such
a specimen in your museum?”
“It is one of the flock whose cackling saved the Roman Capitol,”
answered the virtuoso. “Many geese have cackled and hissed both before
and since; but none, like those, have clamored themselves into
immortality.”
There seemed to be little else that demanded notice in this department of
the museum, unless we except Robinson Crusoe’s parrot, a live phoenix, a

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footless bird of paradise, and a splendid peacock, supposed to be the same
that once contained the soul of Pythagoras. I therefore passed to the next
alcove, the shelves of which were covered with a miscellaneous collection
of curiosities such as are usually found in similar establishments. One of the
first things that took my eye was a strange-looking cap, woven of some
substance that appeared to be neither woollen, cotton, nor linen.
“Is this a magician’s cap?” I asked.
“No,” replied the virtuoso; “it is merely Dr. Franklin’s cap of asbestos.
But here is one which, perhaps, may suit you better. It is the wishing-cap of
Fortunatus. Will you try it on?”
“By no means,” answered I, putting it aside with my hand. “The day of
wild wishes is past with me. I desire nothing that may not come in the
ordinary course of Providence.”
“Then probably,” returned the virtuoso, “you will not be tempted to rub
this lamp?”
While speaking, he took from the shelf an antique brass lamp, curiously
wrought with embossed figures, but so covered with verdigris that the
sculpture was almost eaten away.
“It is a thousand years,” said he, “since the genius of this lamp
constructed Aladdin’s palace in a single night. But he still retains his power;
and the man who rubs Aladdin’s lamp has but to desire either a palace or a
cottage.”
“I might desire a cottage,” replied I; “but I would have it founded on sure
and stable truth, not on dreams and fantasies. I have learned to look for the
real and the true.”
My guide next showed me Prospero’s magic wand, broken into three
fragments by the hand of its mighty master. On the same shelf lay the gold
ring of ancient Gyges, which enabled the wearer to walk invisible. On the
other side of the alcove was a tall looking-glass in a frame of ebony, but
veiled with a curtain of purple silk, through the rents of which the gleam of
the mirror was perceptible.
“This is Cornelius Agrippa’s magic glass,” observed the virtuoso. “Draw
aside the curtain, and picture any human form within your mind, and it will
be reflected in the mirror.”

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“It is enough if I can picture it within my mind,” answered I. “Why
should I wish it to be repeated in the mirror? But, indeed, these works of
magic have grown wearisome to me. There are so many greater wonders in
the world, to those who keep their eyes open and their sight undimmed by
custom, that all the delusions of the old sorcerers seem flat and stale. Unless
you can show me something really curious, I care not to look further into
your museum.”
“Ah, well, then,” said the virtuoso, composedly, “perhaps you may deem
some of my antiquarian rarities deserving of a glance.”
He pointed out the iron mask, now corroded with rust; and my heart grew
sick at the sight of this dreadful relic, which had shut out a human being
from sympathy with his race. There was nothing half so terrible in the axe
that beheaded King Charles, nor in the dagger that slew Henry of Navarre,
nor in the arrow that pierced the heart of William Rufus,—all of which were
shown to me. Many of the articles derived their interest, such as it was,
from having been formerly in the possession of royalty. For instance, here
was Charlemagne’s sheepskin cloak, the flowing wig of Louis Quatorze, the
spinning-wheel of Sardanapalus, and King Stephen’s famous breeches
which cost him but a crown. The heart of the Bloody Mary, with the word
“Calais” worn into its diseased substance, was preserved in a bottle of
spirits; and near it lay the golden case in which the queen of Gustavus
Adolphus treasured up that hero’s heart. Among these relics and heirlooms
of kings I must not forget the long, hairy ears of Midas, and a piece of bread
which had been changed to gold by the touch of that unlucky monarch. And
as Grecian Helen was a queen, it may here be mentioned that I was
permitted to take into my hand a lock of her golden hair and the bowl which
a sculptor modelled from the curve of her perfect breast. Here, likewise,
was the robe that smothered Agamemnon, Nero’s fiddle, the Czar Peter’s
brandy-bottle, the crown of Semiramis, and Canute’s sceptre which he
extended over the sea. That my own land may not deem itself neglected, let
me add that I was favored with a sight of the skull of King Philip, the
famous Indian chief, whose head the Puritans smote off and exhibited upon
a pole.
“Show me something else,” said I to the virtuoso. “Kings are in such an
artificial position that people in the ordinary walks of life cannot feel an

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interest in their relics. If you could show me the straw hat of sweet little
Nell, I would far rather see it than a king’s golden crown.”
“There it is,” said my guide, pointing carelessly with his staff to the straw
hat in question. “But, indeed, you are hard to please. Here are the seven-
league boots. Will you try them on?”
“Our modern railroads have superseded their use,” answered I; “and as to
these cowhide boots, I could show you quite as curious a pair at the
Transcendental community in Roxbury.”
We next examined a collection of swords and other weapons, belonging
to different epochs, but thrown together without much attempt at
arrangement. Here Was Arthur’s sword Excalibar, and that of the Cid
Campeader, and the sword of Brutus rusted with Caesar’s blood and his
own, and the sword of Joan of Arc, and that of Horatius, and that with
which Virginius slew his daughter, and the one which Dionysius suspended
over the head of Damocles. Here also was Arria’s sword, which she plunged
into her own breast, in order to taste of death before her husband. The
crooked blade of Saladin’s cimeter next attracted my notice. I know not by
what chance, but so it happened, that the sword of one of our own militia
generals was suspended between Don Quixote’s lance and the brown blade
of Hudibras. My heart throbbed high at the sight of the helmet of Miltiades
and the spear that was broken in the breast of Epaminondas. I recognized
the shield of Achilles by its resemblance to the admirable cast in the
possession of Professor Felton. Nothing in this apartment interested me
more than Major Pitcairn’s pistol, the discharge of which, at Lexington,
began the war of the Revolution, and was reverberated in thunder around
the land for seven long years. The bow of Ulysses, though unstrung for
ages, was placed against the wall, together with a sheaf of Robin Hood’s
arrows and the rifle of Daniel Boone.
“Enough of weapons,” said I, at length; “although I would gladly have
seen the sacred shield which fell from heaven in the time of Numa. And
surely you should obtain the sword which Washington unsheathed at
Cambridge. But the collection does you much credit. Let us pass on.”
In the next alcove we saw the golden thigh of Pythagoras, which had so
divine a meaning; and, by one of the queer analogies to which the virtuoso
seemed to be addicted, this ancient emblem lay on the same shelf with Peter
Stuyvesant’s wooden leg, that was fabled to be of silver. Here was a

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remnant of the Golden Fleece, and a sprig of yellow leaves that resembled
the foliage of a frost-bitten elm, but was duly authenticated as a portion of
the golden branch by which AEneas gained admittance to the realm of
Pluto. Atalanta’s golden apple and one of the apples of discord were
wrapped in the napkin of gold which Rampsinitus brought from Hades; and
the whole were deposited in the golden vase of Bias, with its inscription:
“TO THE WISEST.”
“And how did you obtain this vase?” said I to the virtuoso.
“It was given me long ago,” replied he, with a scornful expression in his
eye, “because I had learned to despise all things.”
It had not escaped me that, though the virtuoso was evidently a man of
high cultivation, yet he seemed to lack sympathy with the spiritual, the
sublime, and the tender. Apart from the whim that had led him to devote so
much time, pains, and expense to the collection of this museum, he
impressed me as one of the hardest and coldest men of the world whom I
had ever met.
“To despise all things!” repeated I. “This, at best, is the wisdom of the
understanding. It is the creed of a man whose soul, whose better and diviner
part, has never been awakened, or has died out of him.”
“I did not think that you were still so young,” said the virtuoso. “Should
you live to my years, you will acknowledge that the vase of Bias was not ill
bestowed.”
Without further discussion of the point, he directed my attention to other
curiosities. I examined Cinderella’s little glass slipper, and compared it with
one of Diana’s sandals, and with Fanny Elssler’s shoe, which bore
testimony to the muscular character of her illustrious foot. On the same
shelf were Thomas the Rhymer’s green velvet shoes, and the brazen shoe of
Empedocles which was thrown out of Mount AEtna. Anacreon’s drinking-
cup was placed in apt juxtaposition with one of Tom Moore’s wine-glasses
and Circe’s magic bowl. These were symbols of luxury and riot; but near
them stood the cup whence Socrates drank his hemlock, and that which Sir
Philip Sidney put from his death-parched lips to bestow the draught upon a
dying soldier. Next appeared a cluster of tobacco-pipes, consisting of Sir
Walter Raleigh’s, the earliest on record, Dr. Parr’s, Charles Lamb’s, and the
first calumet of peace which was ever smoked between a European and an
Indian. Among other musical instruments, I noticed the lyre of Orpheus and

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those of Homer and Sappho, Dr. Franklin’s famous whistle, the trumpet of
Anthony Van Corlear, and the flute which Goldsmith played upon in his
rambles through the French provinces. The staff of Peter the Hermit stood
in a corner with that of good old Bishop Jewel, and one of ivory, which had
belonged to Papirius, the Roman senator. The ponderous club of Hercules
was close at hand. The virtuoso showed me the chisel of Phidias, Claude’s
palette, and the brush of Apelles, observing that he intended to bestow the
former either on Greenough, Crawford, or Powers, and the two latter upon
Washington Allston. There was a small vase of oracular gas from Delphos,
which I trust will be submitted to the scientific analysis of Professor
Silliman. I was deeply moved on beholding a vial of the tears into which
Niobe was dissolved; nor less so on learning that a shapeless fragment of
salt was a relic of that victim of despondency and sinful regrets,—Lot’s
wife. My companion appeared to set great value upon some Egyptian
darkness in a blacking-jug. Several of the shelves were covered by a
collection of coins, among which, however, I remember none but the
Splendid Shilling, celebrated by Phillips, and a dollar’s worth of the iron
money of Lycurgus, weighing about fifty pounds.
Walking carelessly onward, I had nearly fallen over a huge bundle, like a
peddler’s pack, done up in sackcloth, and very securely strapped and
corded.
“It is Christian’s burden of sin,” said the virtuoso.
“O, pray let us open it!” cried I. “For many a year I have longed to know
its contents.”
“Look into your own consciousness and memory,” replied the virtuoso.
“You will there find a list of whatever it contains.”
As this was all undeniable truth, I threw a melancholy look at the burden
and passed on. A collection of old garments, banging on pegs, was worthy
of some attention, especially the shirt of Nessus, Caesar’s mantle, Joseph’s
coat of many colors, the Vicar of Bray’s cassock, Goldsmith’s peach-bloom
suit, a pair of President Jefferson’s scarlet breeches, John Randolph’s red
baize hunting-shirt, the drab small-clothes of the Stout Gentleman, and the
rags of the “man all tattered and torn.” George Fox’s hat impressed me with
deep reverence as a relic of perhaps the truest apostle that has appeared on
earth for these eighteen hundred years. My eye was next attracted by an old
pair of shears, which I should have taken for a memorial of some famous

Page 377

tailor, only that the virtuoso pledged his veracity that they were the identical
scissors of Atropos. He also showed me a broken hourglass which had been
thrown aside by Father Time, together with the old gentleman’s gray
forelock, tastefully braided into a brooch. In the hour-glass was the handful
of sand, the grains of which had numbered the years of the Cumeean sibyl. I
think it was in this alcove that I saw the inkstand which Luther threw at the
Devil, and the ring which Essex, while under sentence of death, sent to
Queen Elizabeth. And here was the blood-incrusted pen of steel with which
Faust signed away his salvation.
The virtuoso now opened the door of a closet and showed me a lamp
burning, while three others stood unlighted by its side. One of the three was
the lamp of Diogenes, another that of Guy Fawkes, and the third that which
Hero set forth to the midnight breeze in the high tower of Ahydos.
“See!” said the virtuoso, blowing with all his force at the lighted lamp.
The flame quivered and shrank away from his breath, but clung to the
wick, and resumed its brilliancy as soon as the blast was exhausted.
“It is an undying lamp from the tomb of Charlemagne,” observed my
guide. “That flame was kindled a thousand years ago.”
“How ridiculous to kindle an unnatural light in tombs!” exclaimed I. “We
should seek to behold the dead in the light of heaven. But what is the
meaning of this chafing-dish of glowing coals?”
“That,” answered the virtuoso, “is the original fire which Prometheus
stole from heaven. Look steadfastly into it, and you will discern another
curiosity.”
I gazed into that fire,—which, symbolically, was the origin of all that was
bright and glorious in the soul of man,—and in the midst of it, behold a
little reptile, sporting with evident enjoyment of the fervid heat! It was a
salamander.
“What a sacrilege!” cried I, with inexpressible disgust. “Can you find no
better use for this ethereal fire than to cherish a loathsome reptile in it? Yet
there are men who abuse the sacred fire of their own souls to as foul and
guilty a purpose.”
The virtuoso made no answer except by a dry laugh and an assurance that
the salamander was the very same which Benvenuto Cellini had seen in his
father’s household fire. He then proceeded to show me other rarities; for

Page 378

this closet appeared to be the receptacle of what he considered most
valuable in his collection.
“There,” said he, “is the Great Carbuncle of the White Mountains.”
I gazed with no little interest at this mighty gem, which it had been one
of the wild projects of my youth to discover. Possibly it might have looked
brighter to me in those days than now; at all events, it had not such
brilliancy as to detain me long from the other articles of the museum. The
virtuoso pointed out to me a crystalline stone which hung by a gold chain
against the wall.
“That is the philosopher’s stone,” said he.
“And have you the elixir vita which generally accompanies it?” inquired
I.
“Even so; this urn is filled with it,” he replied. “A draught would refresh
you. Here is Hebe’s cup; will you quaff a health from it?”
My heart thrilled within me at the idea of such a reviving draught; for
methought I had great need of it after travelling so far on the dusty road of
life. But I know not whether it were a peculiar glance in the virtuoso’s eye,
or the circumstance that this most precious liquid was contained in an
antique sepulchral urn, that made me pause. Then came many a thought
with which, in the calmer and better hours of life, I had strengthened myself
to feel that Death is the very friend whom, in his due season, even the
happiest mortal should be willing to embrace.
“No; I desire not an earthly immortality,” said I.
“Were man to live longer on the earth, the spiritual would die out of him.
The spark of ethereal fire would be choked by the material, the sensual.
There is a celestial something within us that requires, after a certain time,
the atmosphere of heaven to preserve it from decay and ruin. I will have
none of this liquid. You do well to keep it in a sepulchral urn; for it would
produce death while bestowing the shadow of life.”
“All this is unintelligible to me,” responded my guide, with indifference.
“Life—earthly life—is the only good. But you refuse the draught? Well, it
is not likely to be offered twice within one man’s experience. Probably you
have griefs which you seek to forget in death. I can enable you to forget
them in life. Will you take a draught of Lethe?”

Page 379

As he spoke, the virtuoso took from the shelf a crystal vase containing a
sable liquor, which caught no reflected image from the objects around.
“Not for the world!” exclaimed I, shrinking back. “I can spare none of
my recollections, not even those of error or sorrow. They are all alike the
food of my spirit. As well never to have lived as to lose them now.”
Without further parley we passed to the next alcove, the shelves of which
were burdened with ancient volumes and with those rolls of papyrus in
which was treasured up the eldest wisdom of the earth. Perhaps the most
valuable work in the collection, to a bibliomaniac, was the Book of Hermes.
For my part, however, I would have given a higher price for those six of the
Sibyl’s books which Tarquin refused to purchase, and which the virtuoso
informed me he had himself found in the cave of Trophonius. Doubtless
these old volumes contain prophecies of the fate of Rome, both as respects
the decline and fall of her temporal empire and the rise of her spiritual one.
Not without value, likewise, was the work of Anaxagoras on Nature,
hitherto supposed to be irrecoverably lost, and the missing treatises of
Longinus, by which modern criticism might profit, and those books of Livy
for which the classic student has so long sorrowed without hope. Among
these precious tomes I observed the original manuscript of the Koran, and
also that of the Mormon Bible in Joe Smith’s authentic autograph.
Alexander’s copy of the Iliad was also there, enclosed in the jewelled casket
of Darius, still fragrant of the perfumes which the Persian kept in it.
Opening an iron-clasped volume, bound in black leather, I discovered it
to be Cornelius Agrippa’s book of magic; and it was rendered still more
interesting by the fact that many flowers, ancient and modern, were pressed
between its leaves. Here was a rose from Eve’s bridal bower, and all those
red and white roses which were plucked in the garden of the Temple by the
partisans of York and Lancaster. Here was Halleck’s Wild Rose of Alloway.
Cowper had contributed a Sensitive Plant, and Wordsworth an Eglantine,
and Burns a Mountain Daisy, and Kirke White a Star of Bethlehem, and
Longfellow a Sprig of Fennel, with its yellow flowers. James Russell
Lowell had given a Pressed Flower, but fragrant still, which had been
shadowed in the Rhine. There was also a sprig from Southey’s Holly Tree.
One of the most beautiful specimens was a Fringed Gentian, which had
been plucked and preserved for immortality by Bryant. From Jones Very, a

Page 380

poet whose voice is scarcely heard among us by reason of its depth, there
was a Wind Flower and a Columbine.
As I closed Cornelius Agrippa’s magic volume, an old, mildewed letter
fell upon the floor. It proved to be an autograph from the Flying Dutchman
to his wife. I could linger no longer among books; for the afternoon was
waning, and there was yet much to see. The bare mention of a few more
curiosities must suffice. The immense skull of Polyphemus was
recognizable by the cavernous hollow in the centre of the forehead where
once had blazed the giant’s single eye. The tub of Diogenes, Medea’s
caldron, and Psyche’s vase of beauty were placed one within another.
Pandora’s box, without the lid, stood next, containing nothing but the girdle
of Venus, which had been carelessly flung into it. A bundle of birch-rods
which had been used by Shenstone’s schoolmistress were tied up with the
Countess of Salisbury’s garter. I know not which to value most, a roc’s egg
as big as an ordinary hogshead, or the shell of the egg which Columbus set
upon its end. Perhaps the most delicate article in the whole museum was
Queen Mab’s chariot, which, to guard it from the touch of meddlesome
fingers, was placed under a glass tumbler.
Several of the shelves were occupied by specimens of entomology.
Feeling but little interest in the science, I noticed only Anacreon’s
grasshopper, and a bumblebee which had been presented to the virtuoso by
Ralph Waldo Emerson.
In the part of the hall which we had now reached I observed a curtain,
that descended from the ceiling to the floor in voluminous folds, of a depth,
richness, and magnificence which I had never seen equalled. It was not to
be doubted that this splendid though dark and solemn veil concealed a
portion of the museum even richer in wonders than that through which I had
already passed; but, on my attempting to grasp the edge of the curtain and
draw it aside, it proved to be an illusive picture.
“You need not blush,” remarked the virtuoso; “for that same curtain
deceived Zeuxis. It is the celebrated painting of Parrhasius.”
In a range with the curtain there were a number of other choice pictures
by artists of ancient days. Here was the famous cluster of grapes by Zeuxis,
so admirably depicted that it seemed as if the ripe juice were bursting forth.
As to the picture of the old woman by the same illustrious painter, and
which was so ludicrous that he himself died with laughing at it, I cannot say

Page 381

that it particularly moved my risibility. Ancient humor seems to have little
power over modern muscles. Here, also, was the horse painted by Apelles
which living horses neighed at; his first portrait of Alexander the Great, and
his last unfinished picture of Venus asleep. Each of these works of art,
together with others by Parrhasius, Timanthes, Polygnotus, Apollodorus,
Pausias, and Pamplulus, required more time and study than I could bestow
for the adequate perception of their merits. I shall therefore leave them
undescribed and uncriticised, nor attempt to settle the question of
superiority between ancient and modern art.
For the same reason I shall pass lightly over the specimens of antique
sculpture which this indefatigable and fortunate virtuoso had dug out of the
dust of fallen empires. Here was AEtion’s cedar statue of AEsculapius,
much decayed, and Alcon’s iron statue of Hercules, lamentably rusted. Here
was the statue of Victory, six feet high, which the Jupiter Olympus of
Phidias had held in his hand. Here was a forefinger of the Colossus of
Rhodes, seven feet in length. Here was the Venus Urania of Phidias, and
other images of male and female beauty or grandeur, wrought by sculptors
who appeared never to have debased their souls by the sight of any meaner
forms than those of gods or godlike mortals. But the deep simplicity of
these great works was not to be comprehended by a mind excited and
disturbed, as mine was, by the various objects that had recently been
presented to it. I therefore turned away with merely a passing glance,
resolving on some future occasion to brood over each individual statue and
picture until my inmost spirit should feel their excellence. In this
department, again, I noticed the tendency to whimsical combinations and
ludicrous analogies which seemed to influence many of the arrangements of
the museum. The wooden statue so well known as the Palladium of Troy
was placed in close apposition with the wooden head of General Jackson,
which was stolen a few years since from the bows of the frigate
Constitution.
We had now completed the circuit of the spacious hall, and found
ourselves again near the door. Feeling somewhat wearied with the survey of
so many novelties and antiquities, I sat down upon Cowper’s sofa, while the
virtuoso threw himself carelessly into Rabelais’s easychair. Casting my eyes
upon the opposite wall, I was surprised to perceive the shadow of a man
flickering unsteadily across the wainscot, and looking as if it were stirred by
some breath of air that found its way through the door or windows. No

Page 382

substantial figure was visible from which this shadow might be thrown; nor,
had there been such, was there any sunshine that would have caused it to
darken upon the wall.
“It is Peter Schlemihl’s shadow,” observed the virtuoso, “and one of the
most valuable articles in my collection.”
“Methinks a shadow would have made a fitting doorkeeper to such a
museum,” said I; “although, indeed, yonder figure has something strange
and fantastic about him, which suits well enough with many of the
impressions which I have received here. Pray, who is he?”
While speaking, I gazed more scrutinizingly than before at the antiquated
presence of the person who had admitted me, and who still sat on his bench
with the same restless aspect, and dim, confused, questioning anxiety that I
had noticed on my first entrance. At this moment he looked eagerly towards
us, and, half starting from his seat, addressed me.
“I beseech you, kind sir,” said he, in a cracked, melancholy tone, “have
pity on the most unfortunate man in the world. For Heaven’s sake, answer
me a single question! Is this the town of Boston?”
“You have recognized him now,” said the virtuoso. “It is Peter Rugg, the
missing man. I chanced to meet him the other day still in search of Boston,
and conducted him hither; and, as he could not succeed in finding his
friends, I have taken him into my service as doorkeeper. He is somewhat
too apt to ramble, but otherwise a man of trust and integrity.”
“And might I venture to ask,” continued I, “to whom am I indebted for
this afternoon’s gratification?”
The virtuoso, before replying, laid his hand upon an antique dart, or
javelin, the rusty steel head of winch seemed to have been blunted, as if it
had encountered the resistance of a tempered shield, or breastplate.
“My name has not been without its distinction in the world for a longer
period than that of any other man alive,” answered he. “Yet many doubt of
my existence; perhaps you will do so to-morrow. This dart which I hold in
my hand was once grim Death’s own weapon. It served him well for the
space of four thousand years; but it fell blunted, as you see, when he
directed it against my breast.”
These words were spoken with the calm and cold courtesy of manner that
had characterized this singular personage throughout our interview. I

Page 383

fancied, it is true, that there was a bitterness indefinably mingled with his
tone, as of one cut off from natural sympathies and blasted with a doom that
had been inflicted on no other human being, and by the results of which he
had ceased to be human. Yet, withal, it seemed one of the most terrible
consequences of that doom that the victim no longer regarded it as a
calamity, but had finally accepted it as the greatest good that could have
befallen him.
“You are the Wandering Jew!” exclaimed I.
The virtuoso bowed without emotion of any kind; for, by centuries of
custom, he had almost lost the sense of strangeness in his fate, and was but
imperfectly conscious of the astonishment and awe with which it affected
such as are capable of death.
“Your doom is indeed a fearful one!” said I, with irrepressible feeling and
a frankness that afterwards startled me; “yet perhaps the ethereal spirit is
not entirely extinct under all this corrupted or frozen mass of earthly life.
Perhaps the immortal spark may yet be rekindled by a breath of heaven.
Perhaps you may yet be permitted to die before it is too late to live
eternally. You have my prayers for such a consummation. Farewell.”
“Your prayers will be in vain,” replied he, with a smile of cold triumph.
“My destiny is linked with the realities of earth. You are welcome to your
visions and shadows of a future state; but give me what I can see, and
touch, and understand, and I ask no more.”
“It is indeed too late,” thought I. “The soul is dead within him.”
Struggling between pity and horror, I extended my hand, to which the
virtuoso gave his own, still with the habitual courtesy of a man of the
world, but without a single heart-throb of human brotherhood. The touch
seemed like ice, yet I know not whether morally or physically. As I
departed, he bade me observe that the inner door of the hall was constructed
with the ivory leaves of the gateway through which Aeneas and the Sibyl
had been dismissed from Hades.

Page 384

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