The Battle of the Strong_ A Romance of Two Kingdoms _ Volume 6 Gilbert Parker 38633 downloads.pdf

92 pages · Make another flipbook

Page 1

Page 2

Page 3

The Project Gutenberg eBook of The Battle of the Strong: A
Romance of Two Kingdoms — Volume 6

This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you will
have to check the laws of the country where you are located before using
this eBook.

Title: The Battle of the Strong: A Romance of Two Kingdoms — Volume 6

Author: Gilbert Parker

Release date: August 1, 2004 [eBook #6235]
Most recently updated: December 29, 2020

Language: English

Other information and formats: www.gutenberg.org/ebooks/6235

Credits: This eBook was produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK THE BATTLE
OF THE STRONG: A ROMANCE OF TWO KINGDOMS — VOLUME 6
***

Page 4

This eBook was produced by David Widger

THE BATTLE OF THE STRONG
[A ROMANCE OF TWO KINGDOMS]

By Gilbert Parker

Volume 6.

CHAPTER XXXIX

The bell on the top of the Cohue Royale clattered like the tongue of a
scolding fishwife. For it was the fourth of October, and the opening of the
Assise d'Heritage.

This particular session of the Court was to proceed with unusual spirit
and importance, for after the reading of the King's Proclamation, the Royal
Court and the States were to present the formal welcome of the island to

Page 5

Admiral Prince Philip d'Avranche, Duc de Bercy; likewise to offer a bounty
to all Jerseymen enlisting under him.

The island was en fete. There had not been such a year of sensations
since the Battle of Jersey. Long before chicane—chicane ceased clanging
over the Vier Marchi the body of the Court was filled. The Governor, the
Bailly, the jurats, the seigneurs and the dames des fiefs, the avocats with
their knowledge of the ancient custom of Normandy and the devious
inroads made upon it by the customs of Jersey, the military, all were in their
places; the officers of the navy had arrived, all save one and he was to be
the chief figure of this function. With each arrival the people cheered and
the trumpets blared. The islanders in the Vier Marchi turned to the booths
for refreshments, or to the printing-machine set up near La Pyramide, and
bought halfpenny chapsheets telling of recent defeats of the French; though
mostly they told in ebullient words of the sea-fight which had made Philip
d'Avranche an admiral, and of his elevation to a sovereign dukedom. The
crowds restlessly awaited his coming now.

Inside the Court there was more restlessness still. It was now many
minutes beyond the hour fixed. The Bailly whispered to the Governor, the
Governor to his aide, and the aide sought the naval officers present; but
these could give no explanation of the delay. The Comtesse Chantavoine
was in her place of honour beside the Attorney-General—but Prince Philip
and his flag-lieutenant came not.

The Comtesse Chantavoine was the one person outwardly unmoved.
What she thought, who could tell? Hundreds of eyes scanned her face, yet
she seemed unconscious of them, indifferent to them. What would not the
Bailly have given for her calmness! What would not the Greffier have given
for her importance! She drew every eye by virtue of something which was
more than the name of Duchesse de Bercy. The face, the bearing, had an

Page 6

unconscious dignity, a living command and composure: the heritage,
perhaps, of a race ever more fighters than courtiers, rather desiring good
sleep after good warfare than luxurious peace.

The silence, the tension grew painful. A whole half hour had the Court
waited beyond its time. At last, however, cheers arose outside, and all knew
that the Prince was coming. Presently the doors were thrown open, two
halberdiers stepped inside, and an officer of the Court announced Admiral
his Serene Highness Prince Philip d'Avranche, Duc de Bercy.

"Oui-gia, think of that!" said a voice from somewhere in the hall.

Philip heard it, and he frowned, for he recognised Dormy Jamais's voice.
Where it came from he knew not, nor did any one; for the daft one was
snugly bestowed above a middle doorway in what was half balcony, half
cornice.

When Philip had taken his place beside the Comtesse Chantavoine, came
the formal opening of the Cour d'Heritage.

The Comtesse's eyes fixed themselves upon Philip. There was that in his
manner which puzzled and evaded her clear intuition. Some strange
circumstance must have delayed him, for she saw that his flag-lieutenant
was disturbed, and this she felt sure was not due to delay alone. She was
barely conscious that the Bailly had been addressing Philip, until he had
stopped and Philip had risen to reply.

He had scarcely begun speaking when the doors were suddenly thrown
open again, and a woman came forward quickly. The instant she entered
Philip saw her, and stopped speaking. Every one turned.

Page 7

It was Guida. In the silence, looking neither to right nor left, she
advanced almost to where the Greffier sat, and dropping on her knee and
looking up to the Bailly and the jurats, stretched out her hands and cried:

"Haro, haro! A l'aide, mon Prince, on me fait tort!"

If one rose from the dead suddenly to command them to an awed
obedience, Jerseymen could not be more at the mercy of the apparition than
at the call of one who cries in their midst, "Haro! Haro!"—that ancient relic
of the custom of Normandy and Rollo the Dane. To this hour the Jerseyman
maketh his cry unto Rollo, and the Royal Court—whose right to respond to
this cry was confirmed by King John and afterwards by Charles—must
listen, and every one must heed. That cry of Haro makes the workman drop
his tools, the woman her knitting, the militiaman his musket, the fisherman
his net, the schoolmaster his birch, and the ecrivain his babble, to await the
judgment of the Royal Court.

Every jurat fixed his eye upon Guida as though she had come to claim his
life. The Bailly's lips opened twice as though to speak, but no words came.
The Governor sat with hands clinched upon his chairarm. The crowd
breathed in gasps of excitement. The Comtesse Chantavoine looked at
Philip, looked at Guida, and knew that here was the opening of the scroll
she had not been able to unfold. Now she should understand that something
which had made the old Duc de Bercy with his last breath say, Don't be
afraid!

Philip stood moveless, his eyes steady, his face bitter, determined. Yet
there was in his look, fixed upon Guida, some strange mingling of pity and
purpose. It was as though two spirits were fighting in his face for mastery.
The Countess touched him upon the arm, but he took no notice. Drawing
back in her seat she looked at him and at Guida, as one might watch the
balances of justice weighing life and death. She could not read this story,

Page 8

but one glance at the faces of the crowd round her made her aware that here
was a tale of the past which all knew in little or in much.

"Haro! haro! A l'aide, mon Prince, on me fait tort!" What did she mean,
this woman with the exquisite face, alive with power and feeling,
indignation and appeal? To what prince did she cry?—for what aid? who
trespassed upon her?

The Bailly now stood up, a frown upon his face. He knew what scandal
had said concerning Guida and Philip. He had never liked Guida, for in the
first days of his importance she had, for a rudeness upon his part meant as a
compliment, thrown his hat—the Lieutenant-Bailly's hat—into the Fauxbie
by the Vier Prison. He thought her intrusive thus to stay these august
proceedings of the Royal Court, by an appeal for he knew not what.

"What is the trespass, and who the trespasser?" asked the Bailly sternly.

Guida rose to her feet.

"Philip d'Avranche has trespassed," she said. "What Philip d'Avranche,
mademoiselle?" asked the Bailly in a rough, ungenerous tone.

"Admiral Philip d'Avranche, known as his Serene Highness the Duc de
Bercy, has trespassed on me," she answered.

She did not look at Philip, her eyes were fixed upon the Bailly and the
jurats.

The Bailly whispered to one or two jurats. "Wherein is the trespass?"
asked the Bailly sharply. "Tell your story."

After an instant's painful pause, Guida told her tale.

Page 9

"Last night at Plemont," she said in a voice trembling a little at first but
growing stronger as she went on, "I left my child, my Guilbert, in his bed,
with Dormy Jamais to watch beside him, while I went to my boat which lies
far from my hut. I left Dormy Jamais with the child because I was afraid—
because I had been afraid, these three days past, that Philip d'Avranche
would steal him from me. I was gone but half an hour; it was dark when I
returned. I found the door open, I found Dormy Jamais lying unconscious
on the floor, and my child's bed empty. My child was gone. He was stolen
from me by Philip d'Avranche, Duc de Bercy."

"What proof have you that it was the Duc de Bercy?" asked the Bailly.

"I have told your honour that Dormy Jamais was there. He struck Dormy
Jamais to the ground, and rode off with my child."

The Bailly sniffed.

"Dormy Jamais is a simpleton—an idiot."

"Then let the Prince speak," she answered quickly. She turned and looked
Philip in the eyes. He did not answer a word. He had not moved since she
entered the court-room. He kept his eyes fixed on her, save for one or two
swift glances towards the jurats. The crisis of his life had come. He was
ready to meet it now: anything would be better than all he had gone through
during the past ten days. In mad impulse he had stolen the child, with the
wild belief that through it he could reach Guida, could bring her to him. For
now this woman who despised him, hated him, he desired more than all else
in the world. Ambition has her own means of punishing. For her gifts of
place or fortune she puts some impossible hunger in the soul of the victim
which leads him at last to his own destruction. With all the world conquered
there is still some mystic island of which she whispers, and to gain this her
votary risks all—and loses all.

Page 10

The Bailly saw by Philip's face that Guida had spoken truth. But he
whispered with the jurats eagerly, and presently he said with brusque
decision:

"Our law of Haro may only apply to trespass upon property. Its intent is
merely civil."

Which having said he opened and shut his mouth with gusto, and sat
back as though expecting Guida to retire.

"Your law of Haro, monsieur le Bailly!" Guida answered with flashing
eyes, her voice ringing out fearlessly. "Your law of Haro! The law of Haro
comes from the custom of Normandy, which is the law of Jersey. You make
its intent this, you make it that, but nothing can alter the law, and what has
been done in its name for generations. Is it so, that if Philip d'Avranche
trespass on my land, or my hearth, I may cry Haro, haro! and you will take
heed? But when it is blood of my blood, bone of my bone, flesh of my flesh
that he has wickedly seized; when it is the head I have pillowed on my
breast for four years—the child that has known no father, his mother's only
companion in her unearned shame, the shame of an outcast—then is it so
that your law of Haro may not apply? Messieurs, it is the justice of Haro
that I ask, not your lax usage of it. From this Prince Philip I appeal to the
spirit of Prince Rollo who made this law. I appeal to the law of Jersey
which is the Custom of Normandy. There are precedents enough, as you
well know, messieurs. I demand—I demand—my child."

The Bailly and the jurats were in a hopeless quandary. They glanced
furtively at Philip. They were half afraid that she was right, and yet were
timorous of deciding against the Prince.

She saw their hesitation. "I call on you to fulfil the law. I have cried
Haro, haro! and what I have cried men will hear outside this Court, outside

Page 11

this Isle of Jersey; for I appeal against a sovereign duke of Europe."

The Bailly and the jurats were overwhelmed by the situation. Guida's
brain was a hundred times clearer than theirs. Danger, peril to her child, had
aroused in her every force of intelligence; she had the daring, the
desperation of the lioness fighting for her own.

Philip himself solved the problem. Turning to the bench of jurats, he said
quietly:

"She is quite right; the law of Haro is with her. It must apply."

The Court was in a greater maze than ever. Was he then about to restore
to Guida her child? After an instant's pause Philip continued:

"But in this case there was no trespass, for the child—is my own."

Every eye in the Cohue Royale fixed itself upon him, then upon Guida,
then upon her who was known as the Duchesse de Bercy. The face of the
Comtesse Chantavoine was like snow, white and cold. As the words were
spoken a sigh broke from her, and there came to Philip's mind that distant
day in the council chamber at Bercy when for one moment he was upon his
trial; but he did not turn and look at her now. It was all pitiable, horrible;
but this open avowal, insult as it was to the Comtesse Chantavoine, could
be no worse than the rumours which would surely have reached her one
day. So let the game fare on. He had thrown down the glove now, and he
could not see the end; he was playing for one thing only—for the woman he
had lost, for his own child. If everything went by the board, why, it must go
by the board. It all flashed through his brain: to-morrow he must send in his
resignation to the Admiralty— so much at once. Then Bercy—come what
might, there was work for him to do at Bercy. He was a sovereign duke of
Europe, as Guida had said. He would fight for the duchy for his son's sake.

Page 12

Standing there he could feel again the warm cheek of the child upon his
own, as last night he felt it riding across the island from Plemont to the
village near Mont Orgueil. That very morning he had hurried down to a
little cottage in the village and seen it lying asleep, well cared for by a
peasant woman. He knew that to-morrow the scandal of the thing would
belong to the world, but he was not dismayed. He had tossed his fame as an
admiral into the gutter, but Bercy still was left. All the native force, the
stubborn vigour, the obdurate spirit of the soil of Jersey of which he was, its
arrogant self-will, drove him straight into this last issue. What he had got at
so much cost he would keep against all the world. He would—

But he stopped short in his thoughts, for there now at the court-room
door stood Detricand, the Chouan chieftain.

He drew his hand quickly across his eyes. It seemed so wild, so fantastic,
that of all men, Detricand should be there. His gaze was so fixed that every
one turned to see—every one save Guida.

Guida was not conscious of this new figure in the scene. In her heart was
fierce tumult. Her hour had come at last, the hour in which she must declare
that she was the wife of this man. She had no proofs. No doubt he would
deny it now, for he knew how she loathed him. But she must tell her tale.

She was about to address the Bailly, but, as though a pang of pity shot,
through her heart, she turned instead and looked at the Comtesse
Chantavoine. She could find it in her to pause in compassion for this poor
lady, more wronged than herself had been. Their eyes met. One instant's
flash of intelligence between the souls of two women, and Guida knew that
the look of the Comtesse Chantavoine had said: "Speak for your child."

Thereupon she spoke.

Page 13

"Messieurs, Prince Philip d'Avranche is my husband."

Every one in the court-room stirred with excitement. Some weak-nerved
woman with a child at her breast began to cry, and the little one joined its
feeble wail to hers.

"Five years ago," Guida continued, "I was married to Philip d'Avranche
by the Reverend Lorenzo Dow in the church of St. Michael's—"

The Bailly interrupted with a grunt. "H'm—Lorenzo Dow is well out of
the way-have done."

"May I not then be heard in my own defence?" Guida cried in
indignation. "For years I have suffered silently slander and shame. Now I
speak for myself at last, and you will not hear me! I come to this court of
justice, and my word is doubted ere I can prove the truth. Is it for judges to
assail one so? Five years ago I was married secretly, in St. Michael's Church
—secretly, because Philip d'Avranche urged it, pleaded for it. An open
marriage, he said, would hinder his promotion. We were wedded, and he
left me. War broke out. I remained silent according to my promise to him.
Then came the time when in the States of Bercy he denied that he had a
wife. From the hour I knew he had done so I denied him. My child was
born in shame and sorrow, I myself was outcast in this island. But my
conscience was clear before Heaven. I took myself and my child out from
among you and went to Plemont. I waited, believing that God's justice was
surer than man's. At last Philip d'Avranche—my husband—returned here.
He invaded my home, and begged me to come with my child to him as his
wife—he who had so evilly wronged me, and wronged another more than
me. I refused. Then he stole my child from me. You ask for proofs of my
marriage. Messieurs, I have no proofs.

Page 14

"I know not where Lorenzo Dow may be found. The register of St.
Michael's Church, as you all know, was stolen. Mr. Shoreham, who
witnessed the marriage, is dead. But you must believe me. There is one
witness left, if he will but speak—even the man who married me, the man
that for one day called me his wife. I ask him now to tell the truth."

She turned towards Philip, her clear eyes piercing him through and
through.

What was going on in his mind neither she nor any in that Court might
ever know, for in the pause, the Comtesse Chantavoine rose up, and passing
steadily by Philip, came to Guida. Looking her in the eyes with an
incredible sorrow, she took her hand, and turned towards Philip with infinite
scorn.

A strange, thrilling silence fell upon all the Court. The jurats shifted in
their seats with excitement. The Bailly, in a hoarse, dry voice, said:

"We must have proof. There must be record as well as witness."

From near the great doorway came a voice saying: "The record is here,"
and Detricand stepped forward, in his uniform of the army of the Vendee.

A hushed murmur ran round the room. The jurats whispered to each
other.

"Who are you, monsieur?" said the Bailly.

"I am Detricand, Prince of Vaufontaine," he replied, "for whom the
Comtesse Chantavoine will vouch," he added in a pained voice, and bowed
low to her and to Guida. "I am but this hour landed. I came to Jersey on this
very matter."

Page 15

He did not wait for the Bailly to reply, but began to tell of the death of
Lorenzo Dow, and, taking from his pocket the little black journal, opened it
and read aloud the record written therein by the dead clergyman. Having
read it, he passed it on to the Greffier, who handed it up to the Bailly.
Another moment's pause ensued. To the most ignorant and casual of the
onlookers the strain was great; to those chiefly concerned it was supreme.
The Bailly and the jurats whispered together. Now at last a spirit of justice
was roused in them. But the law's technicalities were still to rule.

The Bailly closed the book, and handed it back to the Greffier with the
words: "This is not proof though it is evidence."

Guida felt her heart sink within her. The Comtesse Chantavoine, who still
held her hand, pressed it, though herself cold as ice with sickness of spirit.

At that instant, and from Heaven knows where—as a bird comes from a
bush—a little grey man came quickly among them all, carrying spread open
before him a book almost as big as himself. Handing it up to the Bailly, he
said:

"Here is the proof, Monsieur le Bailly—here is the whole proof."

The Bailly leaned over and drew up the book. The jurats crowded near
and a dozen heads gathered about the open volume.

At last the Bailly looked up and addressed the Court solemnly.

"It is the lost register of St. Michael's," he said. "It contains the record of
the marriage of Lieutenant Philip d'Avranche and Guida Landresse de
Landresse, both of the Isle of Jersey, by special license of the Bishop of
Winchester."

Page 16

"Precisely so, precisely so," said the little grey figure—the Chevalier
Orvillier du Champsavoys de Beaumanoir. Tears ran down his cheeks as he
turned towards Guida, but he was smiling too.

Guida's eyes were upon the Bailly. "And the child?" she cried with a
broken voice—"the child?"

"The child goes with its mother," answered the Bailly firmly.

Page 17

DURING ONE YEAR LATER

CHAPTER XL

The day that saw Guida's restitution in the Cohue Royale brought but
further trouble to Ranulph Delagarde. The Chevalier had shown him the lost
register of St. Michael's, and with a heart less heavy, he left the island once
more. Intending to join Detricand in the Vendee, he had scarcely landed at
St. Malo when he was seized by a press-gang and carried aboard a French
frigate commissioned to ravage the coasts of British America. He had
stubbornly resisted the press, but had been knocked on the head, and there
was an end on it.

In vain he protested that he was an Englishman. They laughed at him. His
French was perfect, his accent Norman, his was a Norman face— evidence
enough. If he was not a citizen of France he should be, and he must be.
Ranulph decided that it was needless to throw away his life. It was better to
make a show of submission. So long as he had not to fight British ships, he
could afford to wait. Time enough then for him to take action. When the
chance came he would escape this bondage; meanwhile remembering his
four years' service with the artillery at Elizabeth Castle, he asked to be
made a gunner, and his request was granted.

The Victoire sailed the seas battle-hungry, and presently appeased her
appetite among Dutch and Danish privateers. Such excellent work did

Page 18

Ranulph against the Dutchmen, that Richambeau, the captain, gave him a
gun for himself, and after they had fought the Danes made him a master-
gunner. Of the largest gun on the Victoire Ranulph grew so fond that at last
he called her ma couzaine.

Days and weeks passed, until one morning came the cry of "Land!
Land!" and once again Ranulph saw British soil—the tall cliffs of the
peninsula of Gaspe. Gaspe—that was the ultima Thule to which Mattingley
and Carterette had gone.

Presently, as the Victoire came nearer to the coast, he could see a bay and
a great rock in the distance, and, as they bore in now, the rock seemed to
stretch out like a vast wall into the gulf. As he stood watching and leaning
on ma couzaine, a sailor near him said that the bay and the rock were called
Perce.

Perce Bay—that was the exact point for which Elie Mattingley and
Carterette had sailed with Sebastian Alixandre. How strange it was! He had
bidden Carterette good-bye for ever, yet fate had now brought him to the
very spot whither she had gone.

The Rock of Perce was a wall, three hundred feet high, and the wall was
an island that had once been a long promontory like a battlement, jutting
out hundreds of yards into the gulf. At one point it was pierced by an
archway. It was almost sheer; its top was flat and level. Upon the sides there
was no verdure; upon the top centuries had made a green field. The wild
geese as they flew northward, myriad flocks of gulls, gannets, cormorants,
and all manner of fowl of the sea, had builded upon the summit until it was
rich with grass and shrubs. The nations of the air sent their legions here to
bivouac, and the discord of a hundred languages might be heard far out to
sea, far in upon the land. Millions of the races of the air swarmed there; at
times the air above was darkened by clouds of them. No fog-bell on a rock-

Page 19

bound coast might warn mariners more ominously than these battalions of
adventurers on the Perce Rock.

No human being had ever mounted to this eyrie. Generations of
fishermen had looked upon the yellowish-red limestone of the Perce Rock
with a valorous eye, but it would seem that not even the tiny clinging hoof
of a chamois or wild goat might find a foothold upon the straight sides of it.

Ranulph was roused out of the spell Perce cast over him by seeing the
British flag upon a building by the shore of the bay they were now entering.
His heart gave a great bound. Yes, it was the English flag defiantly flying.
And more—there were two old 12 pounders being trained on the French
squadron. For the first time in years a low laugh burst from his lips.

"O mai grand doux," he said in the Jersey patois, "only one man in the
world would do that. Only Elie Mattingley!"

At that moment, Mattingley now issued from a wooden fishing-shed with
Sebastian Alixandre and three others armed with muskets, and passed to the
little fort on which flew the British and Jersey flags. Ranulph heard a
guffaw behind. Richambeau, the captain, confronted him.

"That's a big splutter in a little pot, gunner," said he. He put his telescope
to his eye. "The Lord protect us," he cried, "they're going to fight my ship!"
He laughed again till the tears came. "Son of Peter, but it is droll that—a
farce au diable! They have humour, these fisher- folk, eh, gunner?"

"Mattingley will fight you just the same," answered Ranulph coolly.

"Oh ho, you know these people, my gunner?" asked Richambeau.

"All my life," answered Ranulph, "and, by your leave, I will tell you
how."

Page 20

Not waiting for permission, after the manner of his country, he told
Richambeau of his Jersey birth and bringing up, and how he was the victim
of the pressgang.

"Very good," said Richambeau. "You Jersey folk were once Frenchmen,
and now that you're French again, you shall do something for the flag. You
see that 12-pounder yonder to the right? Very well, dismount it. Then we'll
send in a flag of truce, and parley with this Mattingley, for his jests are
worth attention and politeness. There's a fellow at the gun— no, he has
gone. Dismount the right-hand gun at one shot. Ready now. Get a good
range."

The whole matter went through Ranulph's mind as the captain spoke. If
he refused to fire, he would be strung up to the yardarm; if he fired and
missed, perhaps other gunners would fire, and once started they might raze
the fishing-post. If he dismounted the gun, the matter would probably
remain only a jest, for such as yet Richambeau regarded it.

Ranulph ordered the tackle and breechings cast away, had off the apron,
pricked a cartridge, primed, bruised the priming, and covered the vent. Then
he took his range steadily, quietly. There was a brisk wind blowing from the
south—he must allow for that; but the wind was stopped somewhat in its
course by the Perch Rock—he must allow for that.

All was ready. Suddenly a girl came running round the corner of the
building.

It was Carterette. She was making for the right-hand gun. Ranulph
started, the hand that held the match trembled.

"Fire, you fool, or you'll kill the girl!" cried Richambeau.

Page 21

Ranulph laid a hand on himself as it were. Every nerve in his body
tingled, his legs trembled, but his eye was steady. He took the sight once
more coolly, then blew on the match. Now the girl was within thirty feet of
the gun.

He quickly blew on the match again, and fired. When the smoke cleared
away he saw that the gun was dismounted, and not ten feet from it stood
Carterette looking at it dazedly.

He heard a laugh behind him. There was Richambeau walking away,
telescope under arm, even as the other 12-pounder on shore replied
impudently to the gun he had fired.

"A good aim," he heard Richambeau say, jerking a finger backward
towards him.

Was it then? said Ranulph to himself; was it indeed? Ba su, it was the last
shot he would ever fire against aught English, here or elsewhere.

Presently he saw a boat drawing away with the flag of truce in the hands
of a sous-lieutenant. His mind was made up; he would escape to-night. His
place was there beside his fellow-countrymen. He motioned away the men
of the gun. He would load ma couzaine himself for the last time.

As he sponged the gun he made his plans. Swish-swash the sponge-staff
ran in and out—he would try to steal away at dog-watch. He struck the
sponge smartly on ma couzaine's muzzle, cleansing it—he would have to
slide into the water like a rat and swim very softly to the shore. He reached
for a fresh cartridge, and thrust it into the throat of the gun, and as the seam
was laid downwards he said to himself that he could swim under water, if
discovered as he left the Victoire. As he unstopped the touch-hole and tried

Page 22

with the priming-wire whether the cartridge was home, he was stunned by a
fresh thought.

Richambeau would send a squad of men to search for him, and if he was
not found they would probably raze the Post, or take its people prisoners.
As he put the apron carefully on ma couzaine, he determined that he could
not take refuge with the Mattingleys. Neither would it do to make for the
woods of the interior, for still Richambeau might revenge himself on the
fishing-post. What was to be done? He turned his eyes helplessly on Perce
Rock.

As he looked, a new idea came to him. If only he could get to the top of
that massive wall, not a hundred fleets could dislodge him. One musket
could defeat the forlorn hope of any army. Besides, if he took refuge on the
rock, there could be no grudge against Perce village or the Mattingleys, and
Richambeau would not injure them.

He eyed the wall closely. The blazing sunshine showed it up in a hard
light, and he studied every square yard of it with a telescope. At one point
the wall was not quite perpendicular. There were also narrow ledges, lumps
of stone, natural steps and little pinnacles which the fingers could grip and
where man might rest. Yes, he would try it.

It was the last quarter of the moon, and the neaptide was running low
when he let himself softly down into the water from the Victoire. The
blanket tied on his head held food kept from his rations, with stone and flint
and other things. He was not seen, and he dropped away quietly astern,
getting clear of the Victoire while the moon was partially obscured.

Now it was a question when his desertion would be discovered. All he
asked was two clear hours. By that time the deed would be done, if he could
climb Perce Rock at all.

Page 23

He touched bottom. He was on Perce sands. The blanket on his head was
scarcely wetted. He wrung the water out of his clothes, and ran softly up the
shore. Suddenly he was met by a cry of Qui va la! and he stopped short at
the point of Elie Mattingley's bayonet. "Hush!" said Ranulph, and gave his
name.

Mattingley nearly dropped his musket in surprise. He soon knew the tale
of Ranulph's misfortunes, but he had not yet been told of his present plans
when there came a quick footstep, and Carterette was at her father's side.
Unlike Mattingley, she did drop her musket at the sight of Ranulph. Her lips
opened, but at first she could not speak—this was more than she had ever
dared hope for, since those dark days in Jersey. Ranulph here! She pressed
her hands to her heart to stop its throbbing.

Presently she was trembling with excitement at the story of how Ranulph
had been pressed at St. Malo, and, all that came after until this very day.

"Go along with Carterette," said Mattingley. "Alixandre is at the house;
he'll help you away into the woods."

As Ranulph hurried away with Carterette, he told her his design.
Suddenly she stopped short, "Ranulph Delagarde," she said vehemently,
"you can't climb Perch Rock. No one has ever done it, and you must not try.
Oh, I know you are a great man, but you mustn't think you can do this. You
will be safe where we shall hide you. You shall not climb the rock-ah no, ba
su!"

He pointed towards the Post. "They wouldn't leave a stick standing there
if you hid me. No, I'm going to the top of the rock."

"Man doux terrible!" she said in sheer bewilderment, and then was
suddenly inspired. At last her time had come.

Page 24

"Pardingue," she said, clutching his arm, "if you go to the top of Perch
Rock, so will I!"

In spite of his anxiety he almost laughed.

"But see—but see," he said, and his voice dropped; "you couldn't stay up
there with me all alone, garcon Carterette. And Richambeau would be firing
on you too!"

She was very angry, but she made no reply, and he continued quickly:

"I'll go straight to the rock now. When they miss me there'll be a pot
boiling, you may believe. If I get up," he added, "I'll let a string down for a
rope you must get for me. Once on top they can't hurt me…. Eh ben, A
bi'tot, gargon Carterette!"

"O my good! O my good!" said the girl with a sudden change of mood.
"To think you have come like this, and perhaps—" But she dashed the tears
from her eyes, and bade him go on.

The tide was well out, the moon shining brightly. Ranulph reached the
point where, if the rock was to be scaled at all, the ascent must be made. For
a distance there was shelving where foothold might be had by a fearless
man with a steady head and sure balance. After that came about a hundred
feet where he would have to draw himself up by juttings and crevices hand
over hand, where was no natural pathway. Woe be to him if head grew
dizzy, foot slipped, or strength gave out; he would be broken to pieces on
the hard sand below. That second stage once passed, the ascent thence to the
top would be easier; for though nearly as steep, it had more ledges, and
offered fair vantage to a man with a foot like a mountain goat. Ranulph had
been aloft all weathers in his time, and his toes were as strong as another
man's foot, and surer.

Page 25

He started. The toes caught in crevices, held on to ledges, glued
themselves on to smooth surfaces; the knees clung like a rough-rider's to a
saddle; the big hands, when once they got a purchase, fastened like an air-
cup.

Slowly, slowly up, foot by foot, yard by yard, until one-third of the
distance was climbed. The suspense and strain were immeasurable. But he
struggled on and on, and at last reached a sort of flying pinnacle of rock,
like a hook for the shields of the gods.

Here he ventured to look below, expecting to see Carterette, but there was
only the white sand, and no sound save the long wash of the gulf. He drew a
horn of arrack from his pocket and drank. He had two hundred feet more to
climb, and the next hundred would be the great ordeal.

He started again. This was travail indeed. His rough fingers, his toes,
hard as horn almost, began bleeding. Once or twice he swung quite clear of
the wall, hanging by his fingers to catch a surer foothold to right or left, and
just getting it sometimes by an inch or less. The tension was terrible. His
head seemed to swell and fill with blood: on the top it throbbed till it was
ready to burst. His neck was aching horribly with constant looking up, the
skin of his knees was gone, his ankles bruised. But he must keep on till he
got to the top, or until he fell.

He was fighting on now in a kind of dream, quite apart from all usual
feelings of this world. The earth itself seemed far away, and he was toiling
among vastnesses, himself a giant with colossal frame and huge, sprawling
limbs. It was like a gruesome vision of the night, when the body is an
elusive, stupendous mass that falls into space after a confused struggle with
immensities. It was all mechanical, vague, almost numb, this effort to
overcome a mountain. Yet it was precise and hugely expert too; for though
there was a strange mist on the brain, the body felt its way with a singular

Page 26

certainty, as might some molluscan dweller of the sea, sensitive like a plant,
intuitive like an animal. Yet at times it seemed that this vast body
overcoming the mountain must let go its hold and slide away into the
darkness of the depths.

Now there was a strange convulsive shiver in every nerve—God have
mercy, the time was come! . . . No, not yet. At the very instant when it
seemed the panting flesh and blood would be shaken off by the granite
force repelling it, the fingers, like long antennae, touched horns of rock
jutting out from ledges on the third escarpment of the wall. Here was the
last point of the worst stage of the journey. Slowly, heavily, the body drew
up to the shelf of limestone, and crouched in an inert bundle. There it lay
for a long time.

While the long minutes went by, a voice kept calling up from below;
calling, calling, at first eagerly, then anxiously, then with terror. By and by
the bundle of life stirred, took shape, raised itself, and was changed into a
man again, a thinking, conscious being, who now understood the meaning
of this sound coming up from the earth below—or was it the sea? A human
voice had at last pierced the awful exhaustion of the deadly labour, the peril
and strife, which had numbed the brain while the body, in its instinct for
existence, still clung to the rocky ledges. It had called the man back to earth
—he was no longer a great animal, and the rock a monster with skin and
scales of stone.

"Ranulph! Maitre Ranulph! Ah, Ranulph!" called the voice.

Now he knew, and he answered down: "All right, all right, garche
Carterette!"

"Are you at the top?"

Page 27

"No, but the rest is easy."

"Hurry, hurry, Ranulph. If they should come before you reach the top!"

"I'll soon be there."

"Are you hurt, Ranulph?"

"No, but my fingers are in rags. I am going now. A bi'tot, Carterette!"

"Ranulph!"

"'Sh, 'sh, do not speak. I am starting."

There was silence for what seemed hours to the girl below. Foot by foot
the man climbed on, no less cautious because the ascent was easier, for he
was now weaker. But he was on the monster's neck now, and soon he
should set his heel on it: he was not to be shaken off.

At last the victorious moment came. Over a jutting ledge he drew himself
up by sheer strength and the rubber-like grip of his lacerated fingers, and
now he lay flat and breathless upon the ground.

How soft and cool it was! This was long sweet grass touching his face,
making a couch like down for the battered, wearied body. Surely such
travail had been more than mortal. And what was this vast fluttering over
his head, this million-voiced discord round him, like the buffetings and
cries of spirits welcoming another to their torment? He raised his head and
laughed in triumph. These were the cormorants, gulls, and gannets on the
Perch Rock.

Legions of birds circled over him with cries so shrill that at first he did
not hear Carterette's voice calling up to him. At last, however,

Page 28

remembering, he leaned over the cliff and saw her standing in the
moonlight far below.

Her voice came up to him indistinctly because of the clatter of the birds.
"Maitre Ranulph! Ranulph!" She could not see him, for this part of the rock
was in shadow.

"Ah bah, all right!" he said, and taking hold of one end of the twine he
had brought, he let the roll fall. It dropped almost at Carterette's feet. She
tied to the end of it three loose ropes she had brought from the Post. He
drew them up quickly, tied them together firmly, and let the great coil down.
Ranulph's bundle, a tent and many things Carterette had brought were
drawn up.

"Ranulph! Ranulph!" came Carterette's voice again.

"Garcon Carterette!"

"You must help Sebastian Alixandre up," she said.

"Sebastian Alixandre—is he there? Why does he want to come?"

"That is no matter," she called softly. "He is coming. He has the rope
round his waist. Pull away!" It was better, Ranulph thought to himself, that
he should be on Perch Rock alone, but the terrible strain had bewildered
him, and he could make no protest now.

"Don't start yet," he called down; "I'll pull when all's ready."

He fell back from the edge to a place in the grass where, tying the rope
round his body, and seating himself, he could brace his feet against a ledge
of rock. Then he pulled on the rope. It was round Carterette's waist!

Page 29

Carterette had told her falsehood without shame, for she was of those to
whom the end is more than the means. She began climbing, and Ranulph
pulled steadily. Twice he felt the rope suddenly jerk when she lost her
footing, but it came in evenly still, and he used a nose of rock as a sort of
winch.

The climber was nearly two-thirds of the way up when a cannon-shot
boomed out over the water, frightening again the vast covey of birds which
shrieked and honked till the air was a maelstrom of cries. Then came
another cannon-shot.

Ranulph's desertion was discovered. The fight was begun between a
single
Jersey shipwright and a French war-ship.

His strength, however, could not last much longer. Every muscle of his
body had been strained and tortured, and even this lighter task tried him
beyond endurance. His legs stiffened against the ledge of rock, the tension
numbed his arms. He wondered how near Alixandre was to the top.
Suddenly there was a pause, then a heavy jerk. Love of God—the rope was
shooting through his fingers, his legs were giving way! He gathered himself
together, and then with teeth, hands, and body rigid with enormous effort,
he pulled and pulled. Now he could not see. A mist swam before his eyes.
Everything grew black, but he pulled on and on.

He never knew how the climber reached the top. But when the mist
cleared away from his eyes, Carterette was bending over him, putting rum
to his lips.

"Carterette-garcon Carterette!" he murmured, amazed. Then as the truth
burst upon him he shook his head in a troubled sort of way.

Page 30

"What a cat I was!" said Carterette. "What a wild cat I was to make you
haul me up! It was bad for me with the rope round me, it must have been
awful for you, my poor esmanus—poor scarecrow Ranulph."

Scarecrow indeed he looked. His clothes were nearly gone, his hair was
tossed and matted, his eyes bloodshot, his big hands like pieces of raw
meat, his feet covered with blood.

"My poor scarecrow!" she repeated, and she tenderly wiped the blood
from his face where his hands had touched it. Meanwhile bugle-calls and
cries of command came up to them, and in the first light of morning they
could see French officers and sailors, Mattingley, Alixandre, and others,
hurrying to and fro.

When day came clear and bright, it was known that Carterette as well as
Ranulph had vanished. Mattingley shook his head stoically, but
Richambeau on the Victoire was as keen to hunt down one Jersey-
Englishman
as he had ever been to attack an English fleet. More so, perhaps.

Meanwhile the birds kept up a wild turmoil and shrieking. Never before
had any one heard them so clamorous. More than once Mattingley had
looked at Perch Rock curiously, but whenever the thought of it as a refuge
came to him, he put it away. No, it was impossible.

Yet, what was that? Mattingley's heart thumped. There were two people
on the lofty island wall—a man and a woman. He caught' the arm of a
French officer near him. "Look, look!" he said. The officer raised his glass.

"It's the gunner," he cried and handed the glass to the old man.

Page 31

"It's Carterette," said Mattingley in a hoarse voice. "But it's not possible.
It's not possible," he added helplessly. "Nobody was ever there. My God,
look at it—look at it!"

It was a picture indeed. A man and a woman were outlined against the
clear air, putting up a tent as calmly as though on a lawn, thousands of birds
wheeling over their heads, with querulous cries.

A few moments later, Elie Mattingley was being rowed swiftly to the
Victoire, where Richambeau was swearing viciously as he looked through
his telescope. He also had recognised the gunner.

He was prepared to wipe out the fishing-post if Mattingley did not
produce Ranulph—well, "here was Ranulph duly produced and insultingly
setting up a tent on this sheer rock, with some snippet of the devil," said
Richambeau, and defying a great French war-ship. He would set his
gunners to work. If he only had as good a marksman as Ranulph himself,
the deserter should drop at the first shot "death and the devil take his
impudent face!"

He was just about to give the order when Mattingley was brought to him.
The old man's story amazed him beyond measure.

"It is no man, then!" said Richambeau, when Mattingley had done. "He
must be a damned fly to do it. And the girl—sacre moi! he drew her up after
him. I'll have him down out of that though, or throw up my flag," he added,
and turning fiercely, gave his orders.

For hours the Victoire bombarded the lonely rock from the north. The
white tent was carried away, but the cannon-balls flew over or merely
battered the solid rock, the shells were thrown beyond, and no harm was
done. But now and again the figure of Ranulph appeared, and a half-dozen

Page 32

times he took aim with his musket at the French soldiers on the shore.
Twice his shots took effect; one man was wounded, and one killed. Then
whole companies of marines returned a musketry fire at him, to no purpose.
At his ease he hid himself in the long grass at the edge of the cliff, and
picked off two more men.

Here was a ridiculous thing: one man and a slip of a girl fighting and
defying a battle-ship. The smoke of battle covered miles of the great gulf.
Even the seabirds shrieked in ridicule.

This went on for three days at intervals. With a fine chagrin Richambeau
and his men saw a bright camp-fire lighted on the rock, and knew that
Ranulph and the girl were cooking their meals in peace. A flag-staff too was
set up, and a red cloth waved defiantly in the breeze. At last Richambeau,
who had watched the whole business from the deck of the Victoire, burst
out laughing, and sent for Elie Mattingley. "Come, I've had enough," said
Richambeau.

"There never was a wilder jest, and I'll not spoil the joke. He has us on
his toasting-fork. He shall have the honour of a flag of truce."

And so it was that the French battle-ship sent a flag of truce to the foot of
Perch Rock, and a French officer, calling up, gave his captain's word of
honour that Ranulph should suffer nothing at the hands of a court-martial,
and that he should be treated as an English prisoner of war, not as a French
deserter.

There was no court-martial. After Ranulph, at Richambeau's command,
had told the tale of the ascent, the Frenchman said:

"No one but an Englishman could be fool enough to try such a thing, and
none but a fool could have had the luck to succeed. But even a fool can get

Page 33

a woman to follow him, and so this flyaway followed you, and—"

Carterette made for Richambeau as though to scratch his eyes out, but
Ranulph held her back. "—And you are condemned, gunner," continued
Richambeau dryly, "to marry the said maid before sundown, or be carried
out to sea a prisoner of war." So saying, he laughed, and bade them begone
to the wedding.

Ranulph left Richambeau's ship bewildered and perturbed. For hours he
paced the shore, and at last his thoughts began to clear. The new life he had
led during the last few months had brought many revelations. He had come
to realise that there are several sorts of happiness, but that all may be
divided into two kinds: the happiness of doing good to ourselves, and that
of doing good to others. It opened out clearly to him now as he thought of
Carterette in the light of Richambeau's coarse jest.

For years he had known in a sort of way that Carterette preferred him to
any other man. He knew now that she had remained single because of him.
For him her impatience had been patience, her fiery heart had spilled itself
in tenderness for his misfortunes. She who had lightly tossed lovers aside,
her coquetry appeased, had to himself shown sincerity without coquetry,
loyalty without selfishness. He knew well that she had been his champion in
dark days, that he had received far more from her than he had ever given—
even of friendship. In his own absorbing love for Guida Landresse, during
long years he had been unconsciously blind to a devotion which had lived
on without hope, without repining, with untiring cheerfulness.

In those three days spent on the top of the Perch Rock how blithe garcon
Carterette had been! Danger had seemed nothing to her. She had the temper
of a man in her real enjoyment of the desperate chances of life. He had
never seen her so buoyant; her animal spirits had never leapt so high. And
yet, despite the boldness which had sent her to the top of Perch Rock with

Page 34

him, there had been in her whole demeanour a frank modesty free from
self-consciousness. She could think for herself, she was sure of herself, and
she would go to the ends of the earth for him. Surely he had not earned such
friendship, such affection.

He recalled how, the night before, as he sat by their little camp-fire, she
had come and touched him on the shoulder, and, looking down at him, said:

"I feel as if I was beginning my life all over again, don't you, Maitre
Ranulph?"

Her black eyes had been fixed on his, and the fire in them was as bright
and full of health and truth as the fire at his feet.

And he had answered her: "I think I feel that too, garcon Carterette."

To which she had replied: "It isn't hard to forget here—not so very hard,
is it?"

She did not mean Guida, nor what he had felt for Guida, but rather the
misery of the past. He had nodded his head in reply, but had not spoken;
and she, with a quick: "A bi'tot," had taken her blanket and gone to that
portion of the rock set apart for her own. Then he had sat by the fire
thinking through the long hours of night until the sun rose. That day
Richambeau had sent his flag of truce, and the end of their stay on Perch
Rock was come.

Yes, he would marry Carterette. Yet he was not disloyal, even in memory.
What had belonged to Guida belonged to her for ever, belonged to a past
life with which henceforth he should have naught to do. What had sprung
up in his heart for Carterette belonged to the new life. In this new land there
was work to do—what might he not accomplish here? He realised that

Page 35

within one life a man may still live several lives, each loyal and honest after
its kind. A fate stronger than himself had brought him here; and here he
would stay with fate. It had brought him to Carterette, and who could tell
what good and contentment might not yet come to him, and how much to
her!

That evening he went to Carterette and asked her to be his wife. She
turned pale, and, looking up into his eyes with a kind of fear, she said
brokenly:

"It's not because you feel you must? It's not because you know I love
you, Ranulph—is it? It's not for that alone?"

"It is because I want you, garcon Carterette," he answered tenderly,
"because life will be nothing without you."

"I am so happy—par made, I am so happy!" she answered, and she hid
her face on his breast.

Page 36

CHAPTER XLI

Detricand, Prince of Vaufontaine, was no longer in the Vendee. The whole
of Brittany was in the hands of the victorious Hoche, the peasants were
disbanded, and his work for a time at least was done.

On the same day of that momentous scene in the Cohue Royale when
Guida was vindicated, Detricand had carried to Granville the Comtesse
Chantavoine, who presently was passed over to the loving care of her
kinsman General Grandjon-Larisse. This done, he proceeded to England.

From London he communicated with Grandjon-Larisse, who applied
himself to secure from the Directory leave for the Chouan chieftain to
return to France, with amnesty for his past "rebellion." This was got at last
through the influence of young Bonaparte himself. Detricand was free now
to proceed against Philip.

He straightway devoted himself to a thing conceived on the day that
Guida was restored to her rightful status as a wife. His purpose now was to
wrest from Philip the duchy of Bercy. Philip was heir by adoption only, and
the inheritance had been secured at the last by help of a lie—surely his was
a righteous cause!

His motives had not their origin in hatred of Philip alone, nor in desire
for honours and estates for himself, nor in racial antagonism, for had he not

Page 37

been allied with England in this war against the Government? He hated
Philip the man, but he hated still more Philip the usurper who had brought
shame to the escutcheon of Bercy. There was also at work another and
deeper design to be shown in good time. Philip had retired from the English
navy, and gone back to his duchy of Bercy. Here he threw himself into the
struggle with the Austrians against the French. Received with enthusiasm
by the people, who as yet knew little or nothing of the doings in the Cohue
Royale, he now took over command of the army and proved himself almost
as able in the field as he had been at sea. Of these things Detricand knew,
and knew also that the lines were closing in round the duchy; that one day
soon Bonaparte would send a force which should strangle the little army
and its Austrian allies. The game then would be another step nearer the end.
Free to move at will, he visited the Courts of Prussia, Russia, Spain, Italy,
and Austria, and laid before them his claims to the duchy, urging an
insistence on its neutrality, and a trial of his cause against Philip.
Ceaselessly, adroitly, with persistence and power, he toiled towards his end,
the way made easier by tales told of his prowess in the Vendee. He had
offers without number to take service in foreign armies, but he was not to
be tempted. Gossip of the Courts said that there was some strange romance
behind this tireless pursuit of an inheritance, but he paid no heed. If at last
there crept over Europe wonderful tales of Detricand's past life in Jersey, of
the real Duchesse de Bercy, and of the new Prince of Vaufontaine,
Detricand did not, or feigned not to, hear them; and the Comtesse
Chantavoine had disappeared from public knowledge. The few who guessed
his romance were puzzled to understand his cause: for if he dispossessed
Philip, Guida must also be dispossessed. This, certainly, was not lover-like
or friendly.

But Detricand was not at all puzzled; his mind and purpose were clear.
Guida should come to no injury through him—Guida who, as they left the
Cohue Royale that day of days, had turned on him a look of heavenly trust

Page 38

and gratitude; who, in the midst of her own great happenings, found time to
tell him by a word how well she knew he had kept his promise to her, even
beyond belief. Justice for her was now the supreme and immediate object of
his life. There were others ready also to care for France, to fight for her, to
die for her, to struggle towards the hour when the King should come to his
own; but there was only one man in the world who could achieve Guida's
full justification, and that was himself, Detricand of Vaufontaine.

He was glad to turn to the Chevalier's letters from Jersey. It was from the
Chevalier's lips he had learned the whole course of Guida's life during the
four years of his absence from the island. It was the Chevalier who drew for
him pictures of Guida in her new home, none other than the house of Elie
Mattingley, which the Royal Court having confiscated now handed over to
her as an act of homage. The little world of Jersey no longer pointed the
finger of scorn at Guida Landresse de Landresse, but bent the knee to
Princess Guida d'Avranche.

Detricand wrote many letters to the Chevalier, and they with their
cheerful and humorous allusions were read aloud to Guida—all save one
concerning Philip. Writing of himself to the Chevalier on one occasion, he
laid bare with a merciless honesty his nature and his career. Concerning
neither had he any illusions.

I do not mistake myself, Chevalier [he wrote], nor these late
doings of mine. What credit shall I take to myself for coming to
place and some little fame? Everything has been with me: the
chance of inheritance, the glory of a cause as hopeless as splendid,
and more splendid because hopeless; and the luck of him who
loads the dice— for all my old comrades, the better men, are dead,
and I, the least of them all, remain, having even outlived the cause.
What praise shall I take for this? None—from all decent fellows of

Page 39

the earth, none at all. It is merely laughable that I should be left,
the monument of a sacred loyalty greater than the world has ever
known.

I have no claims—But let me draw the picture, dear Chevalier.
Here was a discredited, dissolute fellow whose life was worth a
pin to nobody. Tired of the husks and the swine, and all his follies
grown stale by over-use, he takes the advice of a good gentleman,
and joins the standard of work and sacrifice. What greater luxury
shall man ask? If this be not running the full scale of life's
enjoyment, pray you what is? The world loves contrasts. The deep-
dyed sinner raising the standard of piety is picturesque. If,
charmed by his own new virtues, he is constant in his enthusiasm,
behold a St. Augustine! Everything is with the returned prodigal—
the more so if he be of the notorious Vaufontaines, who were ever
saints turned sinners, or sinners turned saints.

Tell me, my good friend, where is room for pride in me? I am
getting far more out of life than I deserve; it is not well that you
and others should think better of me than I do of myself. I do not
pretend that I dislike it, it is as balm to me. But it would seem that
the world is monstrously unjust. One day when I'm grown old—I
cannot imagine what else Fate has spared me for—I shall write the
Diary of a Sinner, the whole truth. I shall tell how when my
peasant fighters were kneeling round me praying for success, even
thanking God for me, I was smiling in my glove—in scorn of
myself, not of them, Chevalier, no,—no, not of them! The
peasant's is the true greatness. Everything is with the aristocrat; he
has to kick the great chances from his path; but the peasant must
go hunting them in peril. Hardly snatching sustenance from Fate,
the peasant fights into greatness; the aristocrat may only win to it

Page 40

by rejecting Fate's luxuries. The peasant never escapes the austere
teaching of hard experience, the aristocrat the languor of good
fortune. There is the peasant and there am I. Voila! enough of
Detricand of Vaufontaine. . . . The Princess Guida and the child,
are they—

So the letter ran, and the Chevalier read it aloud to Guida up to the point
where her name was writ. Afterwards Guida would sit and think of what
Detricand had said, and of the honesty of nature that never allowed him to
deceive himself. It pleased her also to think she had in some small way
helped a man to the rehabilitation of his life. He had said that she had
helped him, and she believed him; he had proved the soundness of his aims
and ambitions; his career was in the world's mouth.

The one letter the Chevalier did not read to Guida referred to Philip. In it
Detricand begged the Chevalier to hold himself in readiness to proceed at a
day's notice to Paris.

So it was that when, after months of waiting, the Chevalier suddenly left
St. Heliers to join Detricand, Guida did not know the object of his journey.
All she knew was that he had leave from the Directory to visit Paris.
Imagining this to mean some good fortune for him, with a light heart she
sent him off in charge of Jean Touzel, who took him to St. Malo in the
Hardi Biaou, and saw him safely into the hands of an escort from Detricand.

Page 41

CHAPTER XLII

Three days later there was opened in one of the chambers of the Emperor's
palace at Vienna a Congress of four nations—Prussia, Russia, Austria, and
Sardinia. Detricand's labours had achieved this result at last. Grandjon-
Larisse, his old enemy in battle, now his personal friend and colleague in
this business, had influenced Napoleon, and the Directory through him, to
respect the neutrality of the duchy of Bercy, for which the four nations of
this Congress declared. Philip himself little knew whose hand had secured
the neutrality until summoned to appear at the Congress, to defend his
rights to the title and the duchy against those of Detricand Prince of
Vaufontaine. Had he known that Detricand was behind it all he would have
fought on to the last gasp of power and died on the battle-field. He realised
now that such a fate was not for him— that he must fight, not on the field of
battle like a prince, but in a Court of Nations like a doubtful claimant of
sovereign honours.

His whole story had become known in the duchy, and though it begot no
feeling against him in war-time, now that Bercy was in a neutral zone of
peace there was much talk of the wrongs of Guida and the Countess
Chantavoine. He became moody and saturnine, and saw few of his subjects
save the old Governor-General and his whilom enemy, now his friend,
Count Carignan Damour. That at last he should choose to accompany him
to Vienna the man who had been his foe during the lifetime of the old Duke,

Page 42

seemed incomprehensible. Yet, to all appearance, Damour was now Philip's
zealous adherent. He came frankly repenting his old enmity, and though
Philip did not quite believe him, some perverse temper, some obliquity of
vision which overtakes the ablest minds at times, made him almost eagerly
accept his new partisan. One thing Philip knew: Damour had no love for
Detricand, who indeed had lately sent him word that for his work in sending
Fouche's men to attempt his capture in Bercy, he would have him shot, if
the Court of Nations upheld his rights to the duchy. Damour was able, even
if Damour was not honest. Damour, the able, the implacable and malignant,
should accompany him to Vienna.

The opening ceremony of the Congress was simple, but it was made
notable by the presence of the Emperor of Austria, who addressed a few
words of welcome to the envoys, to Philip, and, very pointedly, to the
representative of the French Nation, the aged Duc de Mauban, who, while
taking no active part in the Congress, was present by request of the
Directory. The Duke's long residence in Vienna and freedom from share in
the civil war in France had been factors in the choice of him when the name
was submitted to the Directory by General Grandjon-Larisse, upon whom in
turn it had been urged by Detricand.

The Duc de Mauban was the most marked figure of the Court, the
Emperor not excepted. Clean shaven, with snowy linen and lace, his own
natural hair, silver white, tied in a queue behind, he had large eloquent
wondering eyes that seemed always looking, looking beyond the thing he
saw. At first sight of him at his court, the Emperor had said: "The stars have
frightened him." No fanciful supposition, for the Duc de Mauban was as
well known an astronomer as student of history and philanthropist.

When the Emperor mentioned de Mauban's name Philip wondered where
he had heard it before. Something in the sound of it was associated with his

Page 43

past, he knew not how. He had a curious feeling too that those deliberate,
searching dark eyes saw the end of this fight, this battle of the strong. The
face fascinated him, though it awed him. He admired it, even as he detested
the ardent strength of Detricand's face, where the wrinkles of dissipation
had given way to the bronzed carven look of the war-beaten soldier.

It was fair battle between these two, and there was enough hatred in the
heart of each to make the fight deadly. He knew—and he had known since
that day, years ago, in the Place du Vier Prison—that Detricand loved the
girl whom he himself had married and dishonoured. He felt also that
Detricand was making this claim to the duchy more out of vengeance than
from desire to secure the title for himself. He read the whole deep scheme:
how Detricand had laid his mine at every Court in Europe to bring him to
this pass.

For hours Philip's witnesses were examined, among them the officers of
his duchy and Count Carignan Damour. The physician of the old Duke of
Bercy was examined, and the evidence was with Philip. The testimony of
Dalbarade, the French ex-Minister of Marine, was read and considered.
Philip's story up to the point of the formal signature by the old Duke was
straightforward and clear. So far the Court was in his favour.

Detricand, as natural heir of the duchy, combated each step in the
proceedings from the stand-point of legality, of the Duke's fatuity
concerning Philip, and his personal hatred of the House of Vaufontaine. On
the third day, when the Congress would give its decision, Detricand brought
the Chevalier to the palace. At the opening of the sitting he requested that
Damour be examined again. The Count was asked what question had been
put to Philip immediately before the deeds of inheritance were signed. It
was useless for Damour to evade the point, for there were other officers of
the duchy present who could have told the truth. Yet this truth, of itself,

Page 44

need not ruin Philip. It was no phenomenon for a prince to have one wife
unknown, and, coming to the throne, to take to himself another more
exalted.

Detricand was hoping that the nice legal sense of mine and thine should
be suddenly weighted in his favour by a prepared tour de force. The
sympathies of the Congress were largely with himself, for he was of the
order of the nobility, and Philip's descent must be traced through centuries
of yeoman blood; yet there was the deliberate adoption by the Duke to face,
with the formal assent of the States of Bercy, but little lessened in value by
the fact that the French Government had sent its emissaries to Bercy to
protest against it. The Court had come to a point where decision upon the
exact legal merits of the case was difficult.

After Damour had testified to the question the Duke asked Philip when
signing the deeds at Bercy, Detricand begged leave to introduce another
witness, and brought in the Chevalier. Now he made his great appeal.
Simply, powerfully, he told the story of Philip's secret marriage with Guida,
and of all that came after, up to the scene in the Cohue Royale when the
marriage was proved and the child given back to Guida; when the Countess
Chantavoine, turning from Philip, acknowledged to Guida the justice of her
claim. He drove home the truth with bare unvarnished power—the wrong to
Guida, the wrong to the Countess, the wrong to the Dukedom of Bercy, to
that honour which should belong to those in high estate. Then at the last he
told them who Guida was: no peasant girl, but the granddaughter of the
Sieur Larchant de Mauprat of de Mauprats of Chambery: the granddaughter
of an exile indeed, but of the noblest blood of France.

The old Duc de Mauban fixed his look on him intently, and as the story
proceeded his hand grasped the table before him in strong emotion. When at

Page 45

last Detricand turned to the Chevalier and asked him to bear witness to the
truth of what he had said, the Duke, in agitation, whispered to the President.

All that Detricand had said moved the Court powerfully, but when the
withered little flower of a man, the Chevalier, told in quaint brief sentences
the story of the Sieur de Mauprat, his sufferings, his exile, and the nobility
of his family, which had indeed, far back, come of royal stock, and then at
last of Guida and the child, more than one member of the Court turned his
head away with misty eyes.

It remained for the Duc de Mauban to speak the word which hastened
and compelled the end. Rising in his place, he addressed to the Court a few
words of apology, inasmuch as he was without real power there, and then he
turned to the Chevalier.

"Monsieur le chevalier," said he, "I had the honour to know you in
somewhat better days for both of us. You will allow me to greet you here
with my profound respect. The Sieur Larchant de Mauprat"—he turned to
the President, his voice became louder—"the Sieur de Mauprat was my
friend. He was with me upon the day I married the Duchess Guidabaldine.
Trouble, exile came to him. Years passed, and at last in Jersey I saw him
again. It was the very day his grandchild was born. The name given to her
was Guidabaldine—the name of the Duchese de Mauban. She was
Guidabaldine Landresse de Landresse, she is my godchild. There is no
better blood in France than that of the de Mauprats of Chambery, and the
grandchild of my friend, her father being also of good Norman blood, was
worthy to be the wife of any prince in Europe. I speak in the name of our
order, I speak for Frenchmen, I speak for France. If Detricand, Prince of
Vaufontaine, be not secured in his right of succession to the dukedom of
Bercy, France will not cease to protest till protest hath done its work. From

Page 46

France the duchy of Bercy came. It was the gift of a French king to a
Frenchman, and she hath some claims upon the courtesy of the nations."

For a moment after he took his seat there was absolute silence. Then the
President wrote upon a paper before him, and it was passed to each member
of the Court sitting with him. For a moment longer there was nothing heard
save the scratching of a quill. Philip recalled that day at Bercy when the
Duke stooped and signed his name upon the deed of adoption and
succession three times-three fateful times.

At last the President, rising in his place, read the pronouncement of the
Court: that Detricand, Prince of Vaufontaine, be declared true inheritor of
the duchy of Bercy, the nations represented here confirming him in his title.

The President having spoken, Philip rose, and, bowing to the Congress
with dignity and composure, left the chamber with Count Carignan
Damour.

As he passed from the portico into the grounds of the palace, a figure
came suddenly from behind a pillar and touched him on the arm. He turned
quickly, and received upon the face a blow from a glove.

The owner of the glove was General Grandjon-Larisse.

Page 47

CHAPTER XLIII

"You understand, monsieur?" said Grandjon-Larisse.

"Perfectly—and without the glove, monsieur le general," answered Philip
quietly. "Where shall my seconds wait upon you?" As he spoke he turned
with a slight gesture towards Damour.

"In Paris, monsieur, if it please you."

"I should have preferred it here, monsieur le general—but Paris, if it is
your choice."

"At 22, Rue de Mazarin, monsieur." Then he made an elaborate bow to
Philip. "I bid you good-day, monsieur."

"Monseigneur, not monsieur," Philip corrected. "They may deprive me of
my duchy, but I am still Prince Philip d'Avranche. I may not be robbed of
my adoption."

There was something so steady, so infrangible in Philip's composure now,
that Grandjon-Larisse, who had come to challenge a great adventurer, a
marauder of honour, found his furious contempt checked by some integral
power resisting disdain. He intended to kill Philip—he was one of the most
expert swordsmen in France—yet he was constrained to respect a
composure not sangfroid and a firmness in misfortune not bravado. Philip

Page 48

was still the man who had valiantly commanded men; who had held of the
high places of the earth. In whatever adventurous blood his purposes had
been conceived, or his doubtful plans accomplished, he was still, stripped of
power, a man to be reckoned with: resolute in his course once set upon, and
impulsive towards good as towards evil. He was never so much worth
respect as when, a dispossessed sovereign with an empty title,
discountenanced by his order, disbarred his profession, he held himself
ready to take whatever penalty now came.

In the presence of General Grandjon-Larisse, with whom was the might
of righteous vengeance, he was the more distinguished figure. To Philip
now there came the cold quiet of the sinner, great enough to rise above
physical fear, proud enough to say to the world: "Come, I pay the debt I
owe. We are quits. You have no favours to give, and I none to take. You
have no pardon to grant, and I none to ask."

At parting Grandjon-Larisse bowed to Philip with great politeness, and
said: "In Paris then, monsieur le prince."

Philip bowed his head in assent.

When they met again, it was at the entrance to the Bois de Boulogne near
the Maillot gate.

It was a damp grey morning immediately before sunrise, and at first there
was scarce light enough for the combatants to see each other perfectly, but
both were eager and would not delay.

As they came on guard the sun rose. Philip, where he stood, was full in
its light. He took no heed, and they engaged at once. After a few passes
Grandjon-Larisse said: "You are in the light, monseigneur; the sun shines

Page 49

full upon you," and he pointed to the shade of a wall near by. "It is darker
there."

"One of us must certainly be in the dark-soon," answered Philip grimly,
but he removed to the wall. From the first Philip took the offensive. He was
more active, and he was quicker and lighter of fence than his antagonist.
But Grandjon-Larisse had the surer eye, and was invincibly certain of hand
and strong of wrist. At length Philip wounded his opponent slightly in the
left breast, and the seconds came forward to declare that honour was
satisfied. But neither would listen or heed; their purpose was fixed to fight
to the death. They engaged again, and almost at once the Frenchman was
slightly wounded in the wrist. Suddenly taking the offensive and lunging
freely, Grandjon-Larisse drove Philip, now heated and less wary, backwards
upon the wall. At last, by a dexterous feint, he beat aside Philip's guard and
drove the sword through his right breast at one fierce lunge.

With a moan Philip swayed and fell forward into the arms of Damour,
still grasping his weapon. Grandjon-Larisse stooped to the injured man.
Unloosing his fingers from the sword, Philip stretched up a hand to his
enemy.

"I am hurt to death," he said. "Permit my compliments to the best
swordsman I have ever known." Then with a touch of sorry humour he
added: "You cannot doubt their sincerity."

Grandjon-Larisse was turning away when Philip called him back. "Will
you carry my profound regret to the Countess Chantavoine?" he whispered.
"Say that it lies with her whether Heaven pardon me."

Grandjon-Larisse hesitated an instant, then answered:

Page 50

"Those who are in heaven, monseigneur, know best what Heaven may
do."

Philip's pale face took on a look of agony. "She is dead—she is dead!" he
gasped.

Grandjon-Larisse inclined his head, then after a moment, gravely said:

"What did you think was left for a woman—for a Chantavoine? It is not
the broken heart that kills, but broken pride, monseigneur."

So saying, he bowed again to Philip and turned upon his heel.

Page 51

CHAPTER XLIV

Philip lay on a bed in the unostentatious lodging in the Rue de Vaugirard
where Damour had brought him. The surgeon had pronounced the wound
mortal, giving him but a few hours to live. For long after he was gone Philip
was silent, but at length he said "You heard what Grandjon-Larisse said—It
is broken pride that kills, Damour." Then he asked for pen, ink, and paper.
They were brought to him. He tried the pen upon the paper, but faintness
suddenly seized him, and he fell back unconscious.

When he came to himself he was alone in the room. It was cold and
cheerless—no fire on the hearth, no light save that flaring from a lamp in
the street outside his window. He rang the bell at his hand. No one
answered. He called aloud: "Damour! Damour!"

Damour was far beyond earshot. He had bethought him that now his
place was in Bercy, where he might gather up what fragments of good
fortune remained, what of Philip's valuables might be secured. Ere he had
fallen back insensible, Philip, in trying the pen, had written his own name
on a piece of paper. Above this Damour wrote for himself an order upon the
chamberlain of Bercy to enter upon Philip's private apartments in the castle;
and thither he was fleeing as Philip lay dying in the dark room of the house
in the Rue de Vaugirard.

Page 52

The woman of the house, to whose care Philip was passed over by
Damour, had tired of watching, and had gone to spend one of his gold
pieces for supper with her friends.

Meanwhile in the dark comfortless room, the light from without
flickering upon his blanched face, Philip was alone with himself, with
memory, and with death. As he lay gasping, a voice seemed to ring through
the silent room, repeating the same words again and again—and the voice
was his own voice. It was himself—some other outside self of him—saying,
in tireless repetition: "May I die a black, dishonourable death, abandoned
and alone, if ever I deceive you. I should deserve that if I deceived you,
Guida!…." "A black, dishonourable death, abandoned and alone": it was
like some horrible dirge chanting in his ear.

Pictures flashed before his eyes, strange imaginings. Now he was passing
through dark corridors, and the stone floor beneath was cold—so cold! He
was going to some gruesome death, and monks with voices like his own
voice were intoning: "Abandoned and alone. Alone—alone—abandoned
and alone." . . . And now he was fighting, fighting on board the Araminta.
There was the roar of the great guns, the screaming of the carronade slides,
the rattle of musketry, the groans of the dying, the shouts of his victorious
sailors, the crash of the main-mast as it fell upon the bulwarks. Then the
swift sissing ripple of water, the thud of the Araminta as she struck, and the
cold chill of the seas as she went down. How cold was the sea—ah, how it
chilled every nerve and tissue of his body!

He roused to consciousness again. Here was still the blank cheerless
room, the empty house, the lamplight flaring through the window upon his
stricken face, upon the dark walls, upon the white paper lying on the table
beside him.

Page 53

Paper—that was it—he must write, he must write while he had strength.
With the last courageous effort of life, his strenuous will forcing the
declining powers into obedience for a final combat, he drew the paper near,
and began to write. The light flickered, wavered, he could just see the letters
that he formed—no more.

Guida [he began], on the Ecrehos I said to you: "If I deceive you
may I die a black, dishonourable death, abandoned and alone!" It
has all come true. You were right, always right, and I was always
wrong. I never started fair with myself or with the world. I was
always in too great a hurry; I was too ambitious, Guida. Ambition
has killed me, and it has killed her—the Comtesse. She is gone.
What was it he said—if I could but remember what Grandjon-
Larisse said—ah yes, yes!—after he had given me my death-
wound, he said: "It is not the broken heart that kills, but broken
pride." There is the truth. She is in her grave, and I am going out
into the dark.

He lay back exhausted for a moment, in desperate estate. The body was
fighting hard that the spirit might confess itself before the vital spark died
down for ever. Seizing a glass of cordial near, he drank of it. The broken
figure in its mortal defeat roused itself again, leaned over the paper, and a
shaking hand traced on the brief piteous record of a life.

I climbed too fast. Things dazzled me. I thought too much of
myself—myself, myself was everything always; and myself has
killed me. In wanton haste I came to be admiral and sovereign
duke, and it has all come to nothing—nothing. I wronged you, I
denied you, there was the cause of all. There is no one to watch
with me now to the one moment of life that counts. In this hour the
clock of time fills all the space between earth and heaven. It will

Page 54

strike soon— the awful clock. It will soon strike twelve: and then
it will be twelve of the clock for me always—always.

I know you never wanted revenge on me, Guida, but still you
have it here. My life is no more now than vraic upon a rock. I
cling, I cling, but that is all, and the waves break over me. I am no
longer an admiral, I am no more a duke—I am nothing. It is all
done. Of no account with men I am going to my judgment with
God. But you remain, and you are Princess Philip d'Avranche, and
your son—your son—will be Prince Guilbert d'Avranche. But I
can leave him naught, neither estates nor power. There is little
honour in the title now. So it may be you will not use it. But you
will have a new life: with my death happiness may begin again for
you. That thought makes death easier. I was never worthy of you,
never. I understand myself now, and I know that you have read me
all these years, read me through and through. The letter you wrote
me, never a day or night has passed but, one way or another, it has
come home to me.

There was a footfall outside his window. A roysterer went by in the light
of the flaring lamp. He was singing a ribald song. A dog ran barking at his
heels. The reveller turned, drew his sword, and ran the dog through, then
staggered on with his song. Philip shuddered, and with a supreme effort
bent to the table again, and wrote on.

You were right: you were my star, and I was so blind with
selfishness and vanity I could not see. I am speaking the truth to
you now, Guida. I believe I might have been a great man if I had
thought less of myself and more of others, more of you. Greatness,
I was mad for that, and my madness has brought me to this
desolate end—alone. Go tell Maitresse Aimable that she too was a

Page 55

good prophet. Tell her that, as she foresaw, I called your name in
death, and you did not come. One thing before all: teach your boy
never to try to be great, but always to live well and to be just.
Teach him too that the world means better by him than he thinks,
and that he must never treat it as his foe; he must not try to force
its benefits and rewards. He must not approach it like the
highwayman. Tell him never to flatter. That is the worst fault in a
gentleman, for flattery makes false friends and the flatterer himself
false. Tell him that good address is for ease and courtesy of life,
but it must not be used to one's secret advantage as I have used
mine to mortal undoing. If ever Guilbert be in great temptation,
tell him his father's story, and read him these words to you,
written, as you see, with the cramped fingers of death.

He could scarcely hold the pen now, and his eyes were growing dim.

. . . I am come to the end of my strength. I thought I loved you,
Guida, but I know now that it was not love—not real love. Yet it
was all a twisted manhood had to give. There are some things of
mine that you will keep for your son, if you forgive me dead
whom you despised living. Detricand Duke of Bercy will deal
honourably by you. All that is mine at the Castle of Bercy he will
secure to you. Tell him I have written it so; though he will do it of
himself, I know. He is a great man. As I have gone downwards he
has come upwards. There has been a star in his sky too. I know it, I
know it, Guida, and he—he is not blind. The light is going, I
cannot see. I can only—

He struggled fiercely for breath, but suddenly collapsed upon the table,
and his head fell forward upon the paper; one cheek lying in the wet ink of
his last written words, the other, cold and stark, turned to the window. The

Page 56

light from the lamp without flickered on it in gruesome sportiveness. The
eyes stared and stared from the little dark room out into the world. But they
did not see.

The night wore on. At last came a knocking, knocking at the door-tap!
tap! tap! But he did not hear. A moment of silence, and again came a
knocking—knocking—knocking . . . !

Page 57

CHAPTER XLV

The white and red flag of Jersey was flying half-mast from the Cohue
Royale, and the bell of the parish church was tolling. It was Saturday, but
little business was being done in the Vier Marchi. Chattering people were
gathered at familiar points, and at the foot of La Pyramide a large group
surrounded two sailor-men just come from Gaspe, bringing news of
adventuring Jersiais—Elie Mattingley, Carterette and Ranulph Delagarde.
This audience quickly grew, for word was being passed on from one little
group to another. So keen was interest in the story told by the home-
coming sailors, that the great event which had brought them to the Vier
Marchi was, for the moment, almost neglected.

Presently, however, a cannon-shot, then another, and another, roused the
people to remembrance. The funeral cortege of Admiral Prince Philip
d'Avranche was about to leave the Cohue Royale, and every eye was turned
to the marines and sailors lining the road from the court-house to the
church.

The Isle of Jersey, ever stubbornly loyal to its own—even those whom
the outside world contemned or cast aside—jealous of its dignity even with
the dead, had come to bury Philip d'Avranche with all good ceremony.
There had been abatements to his honour, but he had been a strong man and
he had done strong things, and he was a Jerseyman born, a Norman of the
Normans. The Royal Court had judged between him and Guida, doing tardy

Page 58

justice to her, but of him they had ever been proud; and where conscience
condemned here, vanity commended there. In any event they reserved the
right, independent of all non-Jersiais, to do what they chose with their dead.

For what Philip had been as an admiral they would do his body reverence
now; for what he had done as a man, that belonged to another tribunal. It
had been proposed by the Admiral of the station to bury him from his old
ship, the Imperturbable, but the Royal Court made its claim, and so his
body had lain in state in the Cohue Royale. The Admiral joined hands with
the island authorities. In both cases it was a dogged loyalty. The sailors of
England knew Philip d'Avranche as a fighter, even as the Royal Court knew
him as a famous and dominant Jerseyman. A battle-ship is a world of its
own, and Jersey is a world of its own. They neither knew nor cared for the
comment of the world without; or, knowing, refused to consider it.

When the body of Philip was carried from the Cohue Royale signals were
made to the Imperturbable in the tide-way. From all her ships in company
forty guns were fired funeral-wise and the flags were struck halfmast.

Slowly the cortege uncoiled itself to one long unbroken line from the
steps of the Cohue Royale to the porch of the church. The Jurats in their red
robes, the officers, sailors, and marines, added colour to the pageant. The
coffin was covered by the flag of Jersey with the arms of William the
Conqueror in the canton. Of the crowd some were curious, some stoical;
some wept, some essayed philosophy.

"Et ben," said one, "he was a brave admiral!"

"Bravery was his trade," answered another: "act like a sheep and you'll be
eaten by the wolf."

Page 59

"It was a bad business about her that was Guida Landresse," remarked a
third.

"Every man knows himself, God knows all men," snuffled the fanatical
barber who had once delivered a sermon from the Pompe des Brigands.

"He made things lively while he lived, ba su!" droned the jailer of the
Vier Prison. "But he has folded sails now."

"Ma fe, yes, he sleeps like a porpoise now, and white as a wax he looked
up there in the Cohue Royale," put in a centenier standing by.

A voice came shrilly over the head of the centenier. "As white as you'll
look yellow one day, bat'd'lagoule! Yellow and green, oui-gia—yellow like
a bad apple, and cowardly green as a leek." This was Manon Moignard the
witch.

"Man doux d'la vie, where's the Master of Burials?" babbled the jailer.
"The apprentice does the obs'quies to-day."

"The Master's sick of a squinzy," grunted the centenier. "So hatchet- face
and bundle-o'-nails there brings dust to dust, amen."

All turned now to the Undertaker's Apprentice, a grim, saturnine figure
with his grey face, protuberant eyes, and obsequious solemnity, in which
lurked a callous smile. The burial of the great, the execution of the wicked,
were alike to him. In him Fate seemed to personify life's revenges, its
futilities, its calculating ironies. The flag-draped coffin was just about to
pass, and the fanatical barber harked back to Philip. "They say it was all
empty honours with him afore he died abroad."

"A full belly's a full belly if it's only full of straw," snapped Manon
Moignard.

Page 60

"Who was it brought him home?" asked the jailer. "None that was born
on Jersey, but two that lived here," remarked Maitre Damian, the
schoolmaster from St. Aubins.

"That Chevalier of Champsavoys and the other Duc de Bercy,"
interposed the centenier.

Maitre Damian tapped his stick upon the ground, and said oracularly: "It
is not for me to say, but which is the rightful Duke and which is not, there is
the political question!"

"Pardi, that's it," answered the centenier. "Why did Detricand Duke turn
Philip Duke out of duchy, see him killed, then fetch him home to Jersey like
a brother? Ah, man pethe benin, that's beyond me!

"Those great folks does things their own ways; oui-gia," remarked the
jailer.

"Why did Detricand Duke go back to France?" asked Maitre Damian,
cocking his head wisely; "why did he not stay for obsequies—he?"

"That's what I say," answered the jailer, "those great folks does things
their own ways."

"Ma fistre, I believe you," ejaculated the centenier. "But for the Chevalier
there, for a Frenchman, that is a man after God's own heart— and mine."

"Ah then, look at that," said Manon Moignard, with a sneer, "when one
pleases you and God it is a ticket to heaven, diantre!"

But in truth what Detricand and the Chevalier had done was but of
human pity. The day after the duel, Detricand had arrived in Paris to
proceed thence to Bercy. There he heard of Philip's death and of Damour's

Page 61

desertion. Sending officers to Bercy to frustrate any possible designs of
Damour, he, with the Chevalier, took Philip's body back to Jersey,
delivering it to those who would do it honour.

Detricand did not see Guida. For all that might be said to her now the
Chevalier should be his mouthpiece. In truth there could be no better
mouthpiece for him. It was Detricand—Detricand—Detricand, like a child,
in admiration and in affection. If Guida did not understand all now, there
should come a time when she would understand. Detricand would wait. She
should find that he was just, that her honour and the honour of her child
were safe with him.

As for Guida, it was not grief she felt in the presence of this tragedy. No
spark of love sprang up, even when remembrance was now brought to its
last vital moment. But a fathomless pity stirred her heart, that Philip's life
had been so futile and that all he had done was come to naught. His letter,
blotched and blotted by his own dead cheek, she read quietly. Yet her heart
ached bitterly—so bitterly that her face became pinched with pain; for here
in this letter was despair, here was the final agony of a broken life, here
were the last words of the father of her child to herself. She saw with a
sudden pang that in writing of Guilbert he only said your child, not ours.
What a measureless distance there was between them in the hour of his
death, and how clearly the letter showed that he understood at last!

The evening before the burial she went with the Chevalier to the Cohue
Royale. As she looked at Philip's dead face bitterness and aching
compassion were quieted within her. The face was peaceful—strong. There
was on it no record of fret or despair. Its impassive dignity seemed to say
that all accounts had been settled, and in this finality there was quiet; as
though he had paid the price, as though the long account against him in the
markets of life was closed and cancelled, and the debtor freed from

Page 62

obligation for ever. Poignant impulses in her stilled, pity lost its wounding
acuteness. She shed no tears, but at last she stretched out her hand and let it
rest upon his forehead for a moment.

"Poor Philip!" she said.

Then she turned and slowly left the room, followed by the Chevalier, and
by the noiseless Dormy Jamais, who had crept in behind them. As Dormy
Jamais closed the door, he looked back to where the coffin lay, and in the
compassion of fools he repeated Guida's words:

"Poor Philip!" he said.

Now, during Philip's burial, Dormy Jamais sat upon the roof of the Cohue
Royale, as he had done on the day of the Battle of Jersey, looking down on
the funeral cortege and the crowd. He watched it all until the ruffle of
drums at the grave told that the body was being lowered—four ruffles for
an admiral.

As the people began to disperse and the church bell ceased tolling,
Dormy turned to another bell at his elbow, and set it ringing to call the
Royal Court together. Sharp, mirthless, and acrid it rang:

Chicane—chicane! Chicane—chicane! Chicane—chicane!

Page 63

IN JERSEY-A YEAR LATER

CHAPTER XLVI

"What is that for?" asked the child, pointing. Detricand put the watch to
the child's ear. "It's to keep time. Listen. Do you hear it-tic- tic, tic-tic?"'

The child nodded his head gleefully, and his big eyes blinked with
understanding. "Doesn't it ever stop?" he asked.

"This watch never stops," replied Detricand. "But there are plenty of
watches that do."

"I like watches," said the child sententiously.

"Would you like this one?" asked Detricand.

The child drew in a gurgling breath of pleasure. "I like it. Why doesn't
mother have a watch?"

The man did not answer the last question. "You like it?" he said again,
and he nodded his head towards the little fellow. "H'm, it keeps good time,
excellent time it keeps," and he rose to meet the child's mother, who having
just entered the room, stood looking at them. It was Guida. She had heard
the last words, and she glanced towards the watch curiously. Detricand

Page 64

smiled in greeting, and said to her: "Do you remember it?" He held up the
watch.

She came forward eagerly. "Is it—is it that indeed, the watch that the dear
grandpethe—?"

He nodded and smiled. "Yes, it has never once stopped since the moment
he gave it me in the Vier-Marchi seven years ago. It has had a charmed
existence amid many rough doings and accidents. I was always afraid of
losing it, always afraid of an accident to it. It has seemed to me that if I
could keep it things would go right with me, and things come out right in
the end. Superstition, of course, but I lived a long time in Jersey. I feel more
a Jerseyman than a Frenchman sometimes."

Although his look seemed to rest but casually on her face, it was evident
he was anxious to feel the effect of every word upon her, and he added:
"When the Sieur de Mauprat gave me the watch he said, 'May no time be ill
spent that it records for you.'"

"Perhaps he knows his wish was fulfilled," answered Guida.

"You think, then, that I've kept my promise?"

"I am sure he would say so," she replied warmly.

"It isn't the promise I made to him that I mean, but the promise I made to
you."

She smiled brightly. "You know what I think of that. I told you long ago."
She turned her head away, for a bright colour had come to her cheek. "You
have done great things, Prince," she added in a low tone.

Page 65

He flashed a look of inquiry at her. To his ear there was in her voice a
little touch—not of bitterness, but of something, as it were, muffled or
reserved. Was she thinking how he had robbed her child of the chance of
heritage at Bercy? He did not reply, but, stooping, put the watch again to the
child's ear. "There you are, monseigneur!"

"Why do you call him monseigneur?" she asked. "Guilbert has no title to
your compliment."

A look half-amused, half-perplexed, crossed over Detricand's face. "Do
you think so?" he said musingly. Stooping once more, he said to the child:
"Would you like the watch?" and added quickly, "you shall have it when
you're grown up."

"Do you really mean it?" asked Guida, delighted; "do you really mean to
give him the grandpethe's watch one day?"

"Oh yes, at least that—one day. But I have something more," he added
quickly—" something more for you;" and he drew from his pocket a
miniature set in rubies and diamonds. "I have brought you this from the Duc
de Mauban—and this," he went on, taking a letter from his pocket, and
handing it with the gift. "The Duke thought you might care to have it. It is
the face of your godmother, the Duchess Guidabaldine."

Guida looked at the miniature earnestly, and then said a little wistfully:
"How beautiful a face—but the jewels are much too fine for me! What
should one do here with rubies and diamonds? How can I thank the Duke!"

"Not so. He will thank you for accepting it. He begged me to say—as you
will find by his letter to you—that if you will but go to him upon a visit
with this great man here"—pointing to the child with a smile— "he will
count it one of the greatest pleasures of his life. He is too old to come to

Page 66

you, but he begs you to go to him—the Chevalier, and you, and Guilbert
here. He is much alone now, and he longs for a little of that friendship
which can be given by but few in this world. He counts upon your coming,
for I said I thought you would."

"It would seem so strange," she answered, "to go from this cottage of my
childhood, to which I have come back in peace at last—from this kitchen, to
the chateau of the Duc de Mauban."

"But it was sure to come," he answered. "This kitchen to which I come
also to redeem my pledge after seven years, it belongs to one part of your
life. But there is another part to fulfil,"—he stooped and passed his hands
over the curls of the child," and for your child here you should do it."

"I do not find your meaning," she said after a moment's deliberation.
"I do not know what you would have me understand."

"In some ways you and I would be happier in simple surroundings," he
replied gravely, "but it would seem that to play duly our part in the world,
we must needs move in wider circles. To my mind this kitchen is the most
delightful spot in the world. Here I took a fresh commission of life. I went
out, a sort of battered remnant, to a forlorn hope; and now I come back to
headquarters once again—not to be praised," he added in an ironical tone,
and with a quick gesture of almost boyish shyness— "not to be praised;
only to show that from a grain of decency left in a man may grow up some
sheaves of honest work and plain duty."

"No, it is much more than that, it is much, much more than that," she
broke in.

"No, I am afraid it is not," he answered; "but that is not what I wished to
say. I wished to say that for monseigneur here—"

Page 67

A little flash of anger came into her eyes. He is no monseigneur, he is
Guilbert d'Avranche," she said bitterly. "It is not like you to mock my child,
Prince. Oh, I know you mean it playfully," she hurriedly added, "but—but it
does not sound right to me."

"For the sake of monseigneur the heir to the duchy of Bercy," he added,
laying his hand upon the child's head, "these things your devout friends
suggest, you should do, Princess."

Her clear unwavering eye looked steadfastly at him, but her face turned
pale.

"Why do you call him monseigneur the heir to the duchy of Bercy?" she
said almost coldly, and with a little fear in her look too.

"Because I have come here to tell you the truth, and to place in your
hands the record of an act of justice."

Drawing from his pocket a parchment gorgeous with seals, he stooped,
and taking the hands of the child, he placed it in them. "Hold it tight, hold it
tight, my little friend, for it is your very own," he said to the child with
cheerful kindliness. Then stepping back a little, and looking earnestly at
Guida, he added with a motion of the hand towards the child:

"You must learn the truth from him."

"Oh, what can you mean—what can you mean?" she exclaimed.
Dropping upon her knees, and running an arm round the child, she opened
the parchment and read.

"What—what right has he to this?" she cried in a voice of dismay. "A
year ago you dispossessed his father from the duchy. Ah, I do not
understand it! You—only you are the Duc de Bercy."

Page 68

Her eyes were shining with a happy excitement and tenderness. No such
look had been in them for many a day. Something that had long slept was
waking in her, something long voiceless was speaking. This man brought
back to her heart a glow she had never thought to feel again, the glow of the
wonder of life and of a girlish faith.

"I am only Detricand of Vaufontaine," he answered. "What, did you—
could you think that I would dispossess your child? His father was the
adopted son of the Duc de Bercy. Nothing could wipe that out, neither law
nor nations. You are always Princess Guida, and your child is always Prince
Guilbert d'Avranche—and more than that."

His voice became lower, his war-beaten face lighted with that fire and
force which had made him during years past a figure in the war records of
Europe.

"I unseated Philip d'Avranche," he continued, "because he acquired the
duchy through—a misapprehension; because the claims of the House of
Vaufontaine were greater. We belonged; he was an alien. He had a right to
his adoption, he had no right to his duchy—no real right in the equity of
nations. But all the time I never forgot that the wife of Philip d'Avranche
and her child had rights infinitely beyond his own. All that he achieved was
theirs by every principle of justice. My plain duty was to win for your child
that succession belonging to him by all moral right. When Philip
d'Avranche was killed, I set to work to do for your child what had been
done by another for Philip d'Avranche. I have made him my heir. When he
is of age I shall abdicate from the duchy in his favour. This deed,
countersigned by the Powers that dispossessed his father, secures to him the
duchy when he is old enough to govern."

Guida had listened like one in a dream. A hundred feelings possessed her,
and one more than all. She suddenly saw all Detricand's goodness to her

Page 69

stretch out in a long line of devoted friendship, from this day to that far-off
hour seven years before, when he had made a vow to her— kept how nobly!
Devoted friendship—was it devoted friendship alone, even with herself? In
a tumult of emotions she answered him hurriedly. "No, no, no, no! I cannot
accept it. This is not justice, this is a gift for which there is no example in
the world's history."

"I thought it best," he went on quietly, "to govern Bercy myself during
these troubled years. So far its neutrality has been honoured, but who can
tell what may come! As a Vaufontaine it is my duty to see that Bercy's
interests are duly protected amidst the troubles of Europe."

Guida got to her feet now and stood looking dazedly at the parchment in
her hand. The child, feeling himself neglected, ran out into the garden.

There was moisture in Guida's eyes as she presently said: "I had not
thought that any man could be so noble—no, not even you."

"You should not doubt yourself so," he answered meaningly. "I am the
work of your hands. If I have fought my way back to reputable life again
—"

He paused, and took from his pocket a handkerchief. "This was the
gage," he said, holding it up. "Do you remember the day I came to return it
to you, and carried it off again?"

"It was foolish of you to keep it," she answered softly, "as foolish of you
as to think that I shall accept for my child these great honours."

"But suppose the child in after years should blame you?" he answered
slowly and with emphasis. "Suppose that Guilbert should say, What right
had you, my mother, to refuse what was my due?"

Page 70

This was the question she had asked herself long, long ago. It smote her
heart now. What right had she to reject this gift of Fate to her child?

Scarcely above a whisper she replied: "Of course he might say that, but
how, oh, how should we simple folk, he and I, be fitted for these high places
—yet? Now that what I desired all these years for him has come, I have not
the courage."

"You have friends to help you in all you do," he answered meaningly.

"But friends cannot always be with one," she answered.

"That depends upon the friends. There is one friend of yours who has
known you for eighteen years. Eighteen years' growth should make a strong
friendship—there was always friendship on his part at least. He can be a
still stronger and better friend. He comes now to offer you the remainder of
a life for which your own goodness is the guarantee. He comes to offer you
a love of which your own soul must be the only judge, for you have eyes
that see and a spirit that knows. The Chevalier needs you, and the Duc de
Mauban needs you, but Detricand of Vaufontaine needs you a thousand
times more."

"Oh, hush—but no, you must not!" she broke in, her face all crimson, her
lips trembling.

"But yes, I must," he answered quickly. "You find peace here, but it is the
peace of inaction. It dulls the brain, and life winds in upon itself wearily at
the last. But out there is light and fire and action and the quick-beating
pulse, and the joy of power wisely used, even to the end. You come of a
great people, you were born to great things; your child has rights accorded
now by every Court of Europe. You must act for him. For your child's sake,

Page 71

for my sake come out into the great field of life with me—as my wife,
Guida."

She turned to him frankly, she looked at him steadfastly, the colour in her
face came and went, but her eyes glowed with feeling.

"After all that has happened?" she asked in a low tone.

"It could only be because of all that has happened," he answered.

"No, no, you do not understand," she said quickly, a great pain in her
voice. "I have suffered so, these many, many years! I shall never be light-
hearted again. And I am not fitted for such high estate. Do you not see what
you ask of me—to go from this cottage to a palace?"

"I love you too well to ask you to do what you could not. You must trust
me," he answered, "you must give your life its chance, you must—"

"But listen to me," she interjected with breaking tones; "I know as surely
as I know—as I know the face of my child, that the youth in me is dead. My
summer came—and went—long ago. No, no, you do not understand—I
would not make you unhappy. I must live only to make my child happy.
That love has not been marred."

"And I must be judge of what is for my own happiness. And for yours—
if I thought my love would make you unhappy for even one day, I should
not offer it. I am your lover, but I am also your friend. Had it not been for
you I might have slept in a drunkard's grave in Jersey. Were it not for you,
my bones would now be lying in the Vendee. I left my peasants, I denied
myself death with them to serve you. The old cause is gone. You and your
child are now my only cause—"

Page 72

"You make it so hard for me," she broke in. "Think of the shadows from
the past always in my eyes, always in my heart—you cannot wear the
convict's chain without the lagging footstep afterwards."

"Shadows—friend of my soul, how should I dare come to you if there
had never been shadows in your life! It is because you—you have suffered,
because you know, that I come. Out of your miseries, the convict's lagging
step, you say? Think what I was. There was never any wrong in you, but I
was sunk in evil depths of folly—"

"I will not have you say so," she interrupted; "you never in your life did a
dishonourable thing."

"Then again I say, trust me. For, on the honour of a Vaufontaine, I believe
that happiness will be yours as my wife. The boy, you see how he and I—"

"Ah, you are so good to him!"

"You must give me chance and right to serve him. What else have you or
I to look forward to? The honours of this world concern us little. The
brightest joys are not for us. We have work before us, no rainbow
ambitions. But the boy—think for him—-" he paused.

After a little, she held out her hand towards him. "Good-bye," she said
softly.

"Good-bye—you say good-bye to me!" he exclaimed in dismay.

"Till—till to-morrow," she answered, and she smiled. The smile had a
little touch of the old archness which was hers as a child, yet, too, a little of
the sadness belonging to the woman. But her hand-clasp was firm and
strong; and her touch thrilled him. Power was there, power with infinite
gentleness. And he understood her; which was more than all.

Page 73

He turned at the door. She was standing very still, the parchment with the
great seals yet in her hand. Without speaking, she held it out to him, as
though uncertain what to do with it.

As he passed through the doorway he smiled, and said:

"To-morrow—to-morrow!"

Page 74

EPILOGUE

St. John's Eve had passed. In the fields at Bonne-Nuit Bay the "Brow-
brow! ben-ben!" of the Song of the Cauldron had affrighted the night;
riotous horns, shaming the blare of a Witches' Sabbath, had been blown by
those who, as old Jean Touzel said, carried little lead under their noses. The
meadows had been full of the childlike islanders welcoming in the longest
day of the year. Mid-summer Day had also come and gone, but with less
noise and clamour, for St. John's Fair had been carried on with an orderly
gaiety—as the same Jean Touzel said, like a sheet of music. Even the
French singers and dancers from St. Malo had been approved in Norman
phrases by the Bailly and the Jurats, for now there was no longer war
between England and France, Napoleon was at St. Helena, and the
Bourbons were come again to their own.

It had been a great day, and the roads were cloudy with the dust of Mid-
summer revellers going to their homes. But though some went many stayed,
camping among the booths, since the Fair was for tomorrow and for other
to-morrows after. And now, the day's sport being over, the superstitious
were making the circle of the rock called William's Horse in Boulay Bay,
singing the song of William, who, with the fabled sprig of sacred mistletoe,
turned into a rock the kelpie horse carrying him to death.

There was one boat, however, which putting out into the Bay did not bear
towards William's Horse, but, catching the easterly breeze, bore away

Page 75

westward towards the point of Plemont. Upon the stern of the boat was
painted in bright colours, Hardi Biaou. "We'll be there soon after sunset,"
said the grizzled helmsman, Jean Touzel, as he glanced from the full sail to
the setting sun.

Neither of his fellow-voyagers made reply, and for a time there was
silence, save for the swish of the gunwale through the water. But at last Jean
said:

"Su' m'n ame, but it is good this, after that!" and he jerked his head back
towards the Fair-ground on the hill. "Even you will sleep to-night, Dormy
Jamais, and you, my wife of all."

Maitresse Aimable shook her great head slowly on the vast shoulders,
and shut her heavy eyelids. "Dame, but I think you are sleeping now—you,"
Jean went on.

Maitresse Aimable's eyes opened wide, and again she shook her head.

Jean looked a laugh at her through his great brass-rimmed spectacles and
added:

"Ba su, then I know. It is because we go to sleep in my hut at Plemont
where She live so long. I know, you never sleep there."

Maitresse Aimable shook her head once more, and drew from her pocket
a letter.

At sight of it Dormy Jamais crawled quickly over to where the Femme de
Ballast sat, and, 'reaching out, he touched it with both hands.

"Princess of all the world—bidemme," he said, and he threw out his arms
and laughed.

Page 76

Two great tears were rolling down Maitresse Aimable's cheeks.

"How to remember she, ma fuifre!" said Jean Touzel. "But go on to the
news of her."

Maitresse Aimable spread the letter out and looked at it lovingly. Her
voice rose slowly up like a bubble from the bottom of a well, and she spoke.

"Ah man pethe benin, when it come, you are not here, my Jean. I take it
to the Greffier to read for me. It is great news, but the way he read so sour I
do not like, ba su! I see Maitre Damian the schoolmaster pass my door. I
beckon, and he come. I take my letter here, I hold it close to his eyes. 'Read
on that for me, Maitre Damian—you,' I say. O my good, when he read it, it
sing sweet like a song, pergui! Once, two, three times I make him read it out
—he has the voice so soft and round, Maitre Damian there."

"Glad and good!" interrupted Jean. "What is the news, my wife? What is
the news of highnesss—he?"

Maitresse Aimable smiled, then she tried to speak, but her voice broke.

"The son—the son—at last he is the Duke of Bercy. E'fin, it is all here.
The new King of France, he is there at the palace when the child which it
have sleep on my breast, which its mother I have love all the years, kiss her
son as the Duke of Bercy."

"Ch'est ben," said Jean, "you can trust the good God in the end."

Dormy Jamais did not speak. His eyes were fastened upon the north,
where lay the Paternoster Rocks. The sun had gone down, the dusk was
creeping on, and against the dark of the north there was a shimmer of fire—
a fire that leapt and quivered about the Paternoster Rocks.

Page 77

Dormy pointed with his finger. Ghostly lights or miracle of Nature, these
fitful flames had come and gone at times these many years, and now again
the wonder of the unearthly radiance held their eyes.

"Gatd'en'ale, I don't understand you—you!" said Jean, speaking to the
fantastic fires as though they were human.

"There's plenty things we see we can't understand, and there's plenty we
understand we can't never see. Ah bah, so it goes!" said Maitresse Aimable,
and she put Guida's letter in her bosom.

…………………..

Upon the hill of Plemont above them, a stone taken from the chimney of
the hut where Guida used to live, stood upright beside a little grave. Upon it
was carved:

BIRIBI,
Fidele ami
De quels jours!

In the words of Maitresse Aimable, "Ah bah, so it goes."

FINIS

NOTE: IT is possible that students of English naval history may find in
the life of Philip d'Avranche, as set forth in this book, certain resemblances
to the singular and long forgotten career of the young Jerseyman, Philip
d'Auvergne of the "Arethusa," who in good time became Vice-Admiral of
the White and His Serene Highness the Duke of Bouillon.

Page 78

Because all the relatives and direct descendants of Admiral Prince Philip
d'Auvergne are dead, I am the more anxious to state that, apart from one
main incident, the story here-before written is not taken from the life of that
remarkable man. Yet I will say also that I have drawn upon the eloquence,
courage, and ability of Philip d'Auvergne to make the better part of Philip
d'Avranche, whose great natural fault, an overleaping ambition, was the
same fault that brought the famous Prince Admiral to a piteous death in the
end.

In any case, this tale has no claim to be called a historical novel.

JERSEY WORDS AND PHRASES
WITH THEIR EQUIVALENTS IN ENGLISH OR FRENCH

A bi'tot = a bientot.
Achocre = dolt, ass.
Ah bah! (Difficult to render in English, but meaning much the same as
"Well! well!")
Ah be! = eh bien.
Alles kedainne = to go quickly, to skedaddle.
Bachouar = a fool.
Ba su! = bien sur.
Bashin = large copper-lined stew-pan.

Page 79

Batd'lagoule = chatterbox.
Bedgone = shortgown or deep bodice of print.
Beganne = daft fellow.
Biaou = beau.
Bidemme! = exclamation of astonishment.
Bouchi = mouthful.
Bilzard = idiot.
Chelin = shilling.
Ch'est ben = c'est bien.
Cotil = slope of a dale.
Coum est qu'on etes? }
Coum est qu'ou vos portest? } Comment vous portez-vous!
Couzain or couzaine = cousin.
Crasset = metal oil-lamp of classic shape.
Critchett = cricket.
Diantre = diable.
Dreschiaux = dresser.
E'fant = enfant.
E'fin = enfin.
Eh ben = eh bien.
Esmanus = scarecrow.
Es-tu gentiment? = are you well?
Et ben = and now.
Gache-a-penn! = misery me!
Gaderabotin! = deuce take it!
Garche = lass.
Gatd'en'ale! = God be with us!
Grandpethe = grandpere.
Han = kind of grass for the making of ropes, baskets, etc.
Hanap = drinking-cup.

Page 80

Hardi = very.
Hus = lower half of a door. (Doors of many old Jersey houses were
divided horizontally, for protection against cattle, to let out the
smoke, etc.)
Je me crais; je to crais; je crais ben! = I believe it; true for you; I
well believe it!
Ma fe! }
Ma fistre! }= ma foi!
Ma fuifre! }
Mai grand doux! = but goodness gracious!
Man doux! = my good, oh dear! (Originally man Dieu!)
Man doux d'la vie! = upon my life!
Man gui, mon pethe! = mon Dieu, mon pere!
Man pethe benin! = my good father!
Marchi = marche.
Mogue = drinking-cup.
Nannin; nannin-gia! = no; no indeed!
Ni bouf ni baf } Expression of absolute negation, untranslatable.
Ni fiche ni bran }
Oui-gia! = yes indeed!
Par made = par mon Dieu.
Pardi! }
Pardingue! }= old forms of par Dieul
Pergui! }
Pend'loque = ragamuffin.
Queminzolle = overcoat.
Racllyi = hanging rack from the rafters of a kitchen.
Respe d'la compagnie! = with all respect for present company.
Shale ben = very well.
Simnel = a sort of biscuit, cup-shaped, supposed to represent unleavened

Page 81

bread, specially eaten at Easter.
Soupe a la graisse = very thin soup, chiefly made of water, with a few
vegetables and some dripping.
Su' m'n ame = sur mon ame!
Tcheche? = what's that you say?
Trejous = toujours.
Tres-ba = tres bien.
Veille = a wide low settle. (Probably from lit de fouaille.) Also
applied to evening gatherings, when, sitting cross-legged on the
veille, the neighbours sang, talked, and told stories.
Verges = the land measure of Jersey, equal to forty perches. Two and a
quarter vergees are equivalent to the English acre.
Vier = vieux.
Vraic = a kind of sea-weed.

Page 82

ETEXT EDITOR'S BOOKMARKS:

It is not the broken heart that kills, but broken pride

Page 83

*** END OF THE PROJECT GUTENBERG EBOOK THE BATTLE OF
THE STRONG: A ROMANCE OF TWO KINGDOMS — VOLUME 6 ***

Updated editions will replace the previous one—the old editions will be
renamed.

Creating the works from print editions not protected by U.S. copyright law
means that no one owns a United States copyright in these works, so the
Foundation (and you!) can copy and distribute it in the United States
without permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to copying
and distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for an eBook,
except by following the terms of the trademark license, including paying
royalties for use of the Project Gutenberg trademark. If you do not charge
anything for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project Gutenberg
eBooks may be modified and printed and given away—you may do
practically ANYTHING in the United States with eBooks not protected by
U.S. copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.

START: FULL LICENSE

Page 84

THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or any
other work associated in any way with the phrase “Project Gutenberg”), you
agree to comply with all the terms of the Full Project Gutenberg License
available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing
Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work,
you indicate that you have read, understand, agree to and accept all the
terms of this license and intellectual property (trademark/copyright)
agreement. If you do not agree to abide by all the terms of this agreement,
you must cease using and return or destroy all copies of Project Gutenberg
electronic works in your possession. If you paid a fee for obtaining a copy
of or access to a Project Gutenberg electronic work and you do not agree to
be bound by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on
or associated in any way with an electronic work by people who agree to be
bound by the terms of this agreement. There are a few things that you can
do with most Project Gutenberg electronic works even without complying
with the full terms of this agreement. See paragraph 1.C below. There are a
lot of things you can do with Project Gutenberg electronic works if you
follow the terms of this agreement and help preserve free future access to
Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an individual
work is unprotected by copyright law in the United States and you are

Page 85

located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project Gutenberg are
removed. Of course, we hope that you will support the Project Gutenberg
mission of promoting free access to electronic works by freely sharing
Project Gutenberg works in compliance with the terms of this agreement for
keeping the Project Gutenberg name associated with the work. You can
easily comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when you
share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in a
constant state of change. If you are outside the United States, check the
laws of your country in addition to the terms of this agreement before
downloading, copying, displaying, performing, distributing or creating
derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status
of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg License must appear prominently
whenever any copy of a Project Gutenberg work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed, copied
or distributed:

This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg™ License included with
this eBook or online at www.gutenberg.org. If you are not located in
the United States, you will have to check the laws of the country
where you are located before using this eBook.

Page 86

1.E.2. If an individual Project Gutenberg electronic work is derived from
texts not protected by U.S. copyright law (does not contain a notice
indicating that it is posted with permission of the copyright holder), the
work can be copied and distributed to anyone in the United States without
paying any fees or charges. If you are redistributing or providing access to a
work with the phrase “Project Gutenberg” associated with or appearing on
the work, you must comply either with the requirements of paragraphs
1.E.1 through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the
permission of the copyright holder, your use and distribution must comply
with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed
by the copyright holder. Additional terms will be linked to the Project
Gutenberg License for all works posted with the permission of the
copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License
terms from this work, or any files containing a part of this work or any
other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without prominently
displaying the sentence set forth in paragraph 1.E.1 with active links or
immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg work in a format other than “Plain
Vanilla ASCII” or other format used in the official version posted on the
official Project Gutenberg website (www.gutenberg.org), you must, at no
additional cost, fee or expense to the user, provide a copy, a means of
exporting a copy, or a means of obtaining a copy upon request, of the work
in its original “Plain Vanilla ASCII” or other form. Any alternate format
must include the full Project Gutenberg License as specified in paragraph
1.E.1.

Page 87

1.E.7. Do not charge a fee for access to, viewing, displaying, performing,
copying or distributing any Project Gutenberg works unless you comply
with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to
or distributing Project Gutenberg electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”

• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.

• You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.

• You comply with all other terms of this agreement for free distribution
of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth in
this agreement, you must obtain permission in writing from the Project

Page 88

Gutenberg Literary Archive Foundation, the manager of the Project
Gutenberg™ trademark. Contact the Foundation as set forth in Section 3
below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread works
not protected by U.S. copyright law in creating the Project Gutenberg™
collection. Despite these efforts, Project Gutenberg™ electronic works, and
the medium on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer codes that
damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in paragraph 1.F.3, the
Project Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to
you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving it, you
can receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a refund.

Page 89

If you received the work electronically, the person or entity providing it to
you may choose to give you a second opportunity to receive the work
electronically in lieu of a refund. If the second copy is also defective, you
may demand a refund in writing without further opportunities to fix the
problem.

1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR
FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or
the exclusion or limitation of certain types of damages. If any disclaimer or
limitation set forth in this agreement violates the law of the state applicable
to this agreement, the agreement shall be interpreted to make the maximum
disclaimer or limitation permitted by the applicable state law. The invalidity
or unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do or cause
to occur: (a) distribution of this or any Project Gutenberg work, (b)
alteration, modification, or additions or deletions to any Project Gutenberg
work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project
Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic
works in formats readable by the widest variety of computers including
obsolete, old, middle-aged and new computers. It exists because of the

Page 90

efforts of hundreds of volunteers and donations from people in all walks of
life.

Volunteers and financial support to provide volunteers with the assistance
they need are critical to reaching Project Gutenberg’s goals and ensuring
that the Project Gutenberg collection will remain freely available for
generations to come. In 2001, the Project Gutenberg Literary Archive
Foundation was created to provide a secure and permanent future for
Project Gutenberg and future generations. To learn more about the Project
Gutenberg Literary Archive Foundation and how your efforts and donations
can help, see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.

Section 3. Information about the Project Gutenberg
Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)
(3) educational corporation organized under the laws of the state of
Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541.
Contributions to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and your state’s
laws.

The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website and
official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project
Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely distributed
in machine-readable form accessible by the widest array of equipment

Page 91

including outdated equipment. Many small donations ($1 to $5,000) are
particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort,
much paperwork and many fees to meet and keep up with these
requirements. We do not solicit donations in locations where we have not
received written confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have
not met the solicitation requirements, we know of no prohibition against
accepting unsolicited donations from donors in such states who approach us
with offers to donate.

International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside the
United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods
and addresses. Donations are accepted in a number of other ways including
checks, online payments and credit card donations. To donate, please visit:
www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg
electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg
concept of a library of electronic works that could be freely shared with
anyone. For forty years, he produced and distributed Project Gutenberg
eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions,
all of which are confirmed as not protected by copyright in the U.S. unless a

Page 92

copyright notice is included. Thus, we do not necessarily keep eBooks in
compliance with any particular paper edition.

Most people start at our website which has the main PG search facility:
www.gutenberg.org.

This website includes information about Project Gutenberg, including how
to make donations to the Project Gutenberg Literary Archive Foundation,
how to help produce our new eBooks, and how to subscribe to our email
newsletter to hear about new eBooks.

Page 93

PDF language

简体中文 https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=zh Translating…
Español https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=es Translating…
Français https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=fr Translating…
Deutsch https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=de Translating…
日本語 https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=ja Translating…
한국어 https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=ko Translating…
Português https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=pt Translating…
Русский https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=ru Translating…
العربية https://pdftoflip.com/view.php?t=cbb6402c6e27094693f17a91f4e08e05&bl=ar Translating…