Page 1
Page 2
Page 3
The Project Gutenberg eBook of Shadows in the Moonlight
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you will
have to check the laws of the country where you are located before using
this eBook.
Title: Shadows in the Moonlight
Author: Robert E. Howard
Release date: February 24, 2013 [eBook #42188]
Most recently updated: October 23, 2024
Language: English
Other information and formats: www.gutenberg.org/ebooks/42188
Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK SHADOWS IN
THE MOONLIGHT ***
SHADOWS IN THE
MOONLIGHT
This eBook is for the use of anyone anywhere in the United States and most
other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms of
the Project Gutenberg License included with this eBook or online at
www.gutenberg.org. If you are not located in the United States, you will
have to check the laws of the country where you are located before using
this eBook.
Title: Shadows in the Moonlight
Author: Robert E. Howard
Release date: February 24, 2013 [eBook #42188]
Most recently updated: October 23, 2024
Language: English
Other information and formats: www.gutenberg.org/ebooks/42188
Credits: Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net
*** START OF THE PROJECT GUTENBERG EBOOK SHADOWS IN
THE MOONLIGHT ***
SHADOWS IN THE
MOONLIGHT
Page 4
By Robert E. Howard
[Transcriber's Note: This etext was first published in Weird Tales April
1934. Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed.]
[Transcriber's Note: This etext was first published in Weird Tales April
1934. Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed.]
Page 5
1
A swift crashing of horses through the tall reeds; a heavy fall, a despairing
cry. From the dying steed there staggered up its rider, a slender girl in
sandals and girdled tunic. Her dark hair fell over her white shoulders, her
eyes were those of a trapped animal. She did not look at the jungle of reeds
that hemmed in the little clearing, nor at the blue waters that lapped the low
shore behind her. Her wide-eyed gaze was fixed in agonized intensity on the
horseman who pushed through the reedy screen and dismounted before her.
He was a tall man, slender, but hard as steel. From head to heel he was clad
in light silvered mesh-mail that fitted his supple form like a glove. From
under the dome-shaped, gold-chased helmet his brown eyes regarded her
mockingly.
'Stand back!' her voice shrilled with terror. 'Touch me not, Shah Amurath, or
I will throw myself into the water and drown!'
He laughed, and his laughter was like the purr of a sword sliding from a
silken sheath.
'No, you will not drown, Olivia, daughter of confusion, for the marge is too
shallow, and I can catch you before you can reach the deeps. You gave me a
merry chase, by the gods, and all my men are far behind us. But there is no
horse west of Vilayet that can distance Irem for long.' He nodded at the tall,
slender-legged desert stallion behind him.
'Let me go!' begged the girl, tears of despair staining her face. 'Have I not
suffered enough? Is there any humiliation, pain or degradation you have not
heaped on me? How long must my torment last?'
'As long as I find pleasure in your whimperings, your pleas, tears and
writhings,' he answered with a smile that would have seemed gentle to a
stranger. 'You are strangely virile, Olivia. I wonder if I shall ever weary of
you, as I have always wearied of women before. You are ever fresh and
unsullied, in spite of me. Each new day with you brings a new delight.
A swift crashing of horses through the tall reeds; a heavy fall, a despairing
cry. From the dying steed there staggered up its rider, a slender girl in
sandals and girdled tunic. Her dark hair fell over her white shoulders, her
eyes were those of a trapped animal. She did not look at the jungle of reeds
that hemmed in the little clearing, nor at the blue waters that lapped the low
shore behind her. Her wide-eyed gaze was fixed in agonized intensity on the
horseman who pushed through the reedy screen and dismounted before her.
He was a tall man, slender, but hard as steel. From head to heel he was clad
in light silvered mesh-mail that fitted his supple form like a glove. From
under the dome-shaped, gold-chased helmet his brown eyes regarded her
mockingly.
'Stand back!' her voice shrilled with terror. 'Touch me not, Shah Amurath, or
I will throw myself into the water and drown!'
He laughed, and his laughter was like the purr of a sword sliding from a
silken sheath.
'No, you will not drown, Olivia, daughter of confusion, for the marge is too
shallow, and I can catch you before you can reach the deeps. You gave me a
merry chase, by the gods, and all my men are far behind us. But there is no
horse west of Vilayet that can distance Irem for long.' He nodded at the tall,
slender-legged desert stallion behind him.
'Let me go!' begged the girl, tears of despair staining her face. 'Have I not
suffered enough? Is there any humiliation, pain or degradation you have not
heaped on me? How long must my torment last?'
'As long as I find pleasure in your whimperings, your pleas, tears and
writhings,' he answered with a smile that would have seemed gentle to a
stranger. 'You are strangely virile, Olivia. I wonder if I shall ever weary of
you, as I have always wearied of women before. You are ever fresh and
unsullied, in spite of me. Each new day with you brings a new delight.
Page 6
'But come—let us return to Akif, where the people are still feting the
conqueror of the miserable kozaki; while he, the conqueror, is engaged in
recapturing a wretched fugitive, a foolish, lovely, idiotic runaway!'
'No!' She recoiled, turning toward the waters lapping bluely among the
reeds.
'Yes!' His flash of open anger was like a spark struck from flint. With a
quickness her tender limbs could not approximate, he caught her wrist,
twisting it in pure wanton cruelty until she screamed and sank to her knees.
'Slut! I should drag you back to Akif at my horse's tail, but I will be
merciful and carry you on my saddle-bow, for which favor you shall
humbly thank me, while—'
He released her with a startled oath and sprang back, his saber flashing out,
as a terrible apparition burst from the reedy jungle sounding an inarticulate
cry of hate.
Olivia, staring up from the ground, saw what she took to be either a savage
or a madman advancing on Shah Amurath in an attitude of deadly menace.
He was powerfully built, naked but for a girdled loincloth, which was
stained with blood and crusted with dried mire. His black mane was matted
with mud and clotted blood; there were streaks of dried blood on his chest
and limbs, dried blood on the long straight sword he gripped in his right
hand. From under the tangle of his locks, bloodshot eyes glared like coals of
blue fire.
'You Hyrkanian dog!' mouthed this apparition in a barbarous accent. 'The
devils of vengeance have brought you here!'
'Kozak!' ejaculated Shah Amurath, recoiling. 'I did not know a dog of you
escaped! I thought you all lay stiff on the steppe, by Ilbars River.'
'All but me, damn you!' cried the other. 'Oh, I've dreamed of such a meeting
as this, while I crawled on my belly through the brambles, or lay under
rocks while the ants gnawed my flesh, or crouched in the mire up to my
mouth—I dreamed, but never hoped it would come to pass. Oh, gods of
Hell, how I have yearned for this!'
conqueror of the miserable kozaki; while he, the conqueror, is engaged in
recapturing a wretched fugitive, a foolish, lovely, idiotic runaway!'
'No!' She recoiled, turning toward the waters lapping bluely among the
reeds.
'Yes!' His flash of open anger was like a spark struck from flint. With a
quickness her tender limbs could not approximate, he caught her wrist,
twisting it in pure wanton cruelty until she screamed and sank to her knees.
'Slut! I should drag you back to Akif at my horse's tail, but I will be
merciful and carry you on my saddle-bow, for which favor you shall
humbly thank me, while—'
He released her with a startled oath and sprang back, his saber flashing out,
as a terrible apparition burst from the reedy jungle sounding an inarticulate
cry of hate.
Olivia, staring up from the ground, saw what she took to be either a savage
or a madman advancing on Shah Amurath in an attitude of deadly menace.
He was powerfully built, naked but for a girdled loincloth, which was
stained with blood and crusted with dried mire. His black mane was matted
with mud and clotted blood; there were streaks of dried blood on his chest
and limbs, dried blood on the long straight sword he gripped in his right
hand. From under the tangle of his locks, bloodshot eyes glared like coals of
blue fire.
'You Hyrkanian dog!' mouthed this apparition in a barbarous accent. 'The
devils of vengeance have brought you here!'
'Kozak!' ejaculated Shah Amurath, recoiling. 'I did not know a dog of you
escaped! I thought you all lay stiff on the steppe, by Ilbars River.'
'All but me, damn you!' cried the other. 'Oh, I've dreamed of such a meeting
as this, while I crawled on my belly through the brambles, or lay under
rocks while the ants gnawed my flesh, or crouched in the mire up to my
mouth—I dreamed, but never hoped it would come to pass. Oh, gods of
Hell, how I have yearned for this!'
Page 7
The stranger's bloodthirsty joy was terrible to behold. His jaws champed
spasmodically, froth appeared on his blackened lips.
'Keep back!' ordered Shah Amurath, watching him narrowly.
'Ha!' It was like the bark of a timber wolf. 'Shah Amurath, the great Lord of
Akif! Oh, damn you, how I love the sight of you—you, who fed my
comrades to the vultures, who tore them between wild horses, blinded and
maimed and mutilated them—ai, you dog, you filthy dog!' His voice rose to
a maddened scream, and he charged.
In spite of the terror of his wild appearance, Olivia looked to see him fall at
the first crossing of the blades. Madman or savage, what could he do,
naked, against the mailed chief of Akif?
There was an instant when the blades flamed and licked, seeming barely to
touch each other and leap apart; then the broadsword flashed past the saber
and descended terrifically on Shah Amurath's shoulder. Olivia cried out at
the fury of that stroke. Above the crunch of the rending mail, she distinctly
heard the snap of the shoulder-bone. The Hyrkanian reeled back, suddenly
ashen, blood spurting over the links of his hauberk; his saber slipped from
his nerveless fingers.
'Quarter!' he gasped.
'Quarter?' There was a quiver of frenzy in the stranger's voice. 'Quarter such
as you gave us, you swine!'
Olivia closed her eyes. This was no longer battle, but butchery, frantic,
bloody, impelled by an hysteria of fury and hate, in which culminated the
sufferings of battle, massacre, torture, and fear-ridden, thirst-maddened,
hunger-haunted flight. Though Olivia knew that Shah Amurath deserved no
mercy or pity from any living creature, yet she closed her eyes and pressed
her hands over her ears, to shut out the sight of that dripping sword that rose
and fell with the sound of a butcher's cleaver, and the gurgling cries that
dwindled away and ceased.
She opened her eyes, to see the stranger turning away from a gory travesty
that only vaguely resembled a human being. The man's breast heaved with
spasmodically, froth appeared on his blackened lips.
'Keep back!' ordered Shah Amurath, watching him narrowly.
'Ha!' It was like the bark of a timber wolf. 'Shah Amurath, the great Lord of
Akif! Oh, damn you, how I love the sight of you—you, who fed my
comrades to the vultures, who tore them between wild horses, blinded and
maimed and mutilated them—ai, you dog, you filthy dog!' His voice rose to
a maddened scream, and he charged.
In spite of the terror of his wild appearance, Olivia looked to see him fall at
the first crossing of the blades. Madman or savage, what could he do,
naked, against the mailed chief of Akif?
There was an instant when the blades flamed and licked, seeming barely to
touch each other and leap apart; then the broadsword flashed past the saber
and descended terrifically on Shah Amurath's shoulder. Olivia cried out at
the fury of that stroke. Above the crunch of the rending mail, she distinctly
heard the snap of the shoulder-bone. The Hyrkanian reeled back, suddenly
ashen, blood spurting over the links of his hauberk; his saber slipped from
his nerveless fingers.
'Quarter!' he gasped.
'Quarter?' There was a quiver of frenzy in the stranger's voice. 'Quarter such
as you gave us, you swine!'
Olivia closed her eyes. This was no longer battle, but butchery, frantic,
bloody, impelled by an hysteria of fury and hate, in which culminated the
sufferings of battle, massacre, torture, and fear-ridden, thirst-maddened,
hunger-haunted flight. Though Olivia knew that Shah Amurath deserved no
mercy or pity from any living creature, yet she closed her eyes and pressed
her hands over her ears, to shut out the sight of that dripping sword that rose
and fell with the sound of a butcher's cleaver, and the gurgling cries that
dwindled away and ceased.
She opened her eyes, to see the stranger turning away from a gory travesty
that only vaguely resembled a human being. The man's breast heaved with
Page 8
exhaustion or passion; his brow was beaded with sweat; his right hand was
splashed with blood.
He did not speak to her, or even glance toward her. She saw him stride
through the reeds that grew at the water's edge, stoop, and tug at something.
A boat wallowed out of its hiding-place among the stalks. Then she divined
his intention, and was galvanized into action.
'Oh, wait!' she wailed, staggering up and running toward him. 'Do not leave
me! Take me with you!'
He wheeled and stared at her. There was a difference in his bearing. His
bloodshot eyes were sane. It was as if the blood he had just shed had
quenched the fire of his frenzy.
'Who are you?' he demanded.
'I am called Olivia. I was his captive. I ran away. He followed me. That's
why he came here. Oh, do not leave me here! His warriors are not far
behind him. They will find his corpse—they will find me near it—oh!' She
moaned in her terror and wrung her white hands.
He stared at her in perplexity.
'Would you be better off with me?' he demanded. 'I am a barbarian, and I
know from your looks that you fear me.'
'Yes, I fear you,' she replied, too distracted to dissemble. 'My flesh crawls at
the horror of your aspect. But I fear the Hyrkanians more. Oh, let me go
with you! They will put me to the torture if they find me beside their dead
lord.'
'Come, then.' He drew aside, and she stepped quickly into the boat,
shrinking from contact with him. She seated herself in the bow, and he
stepped into the boat, pushed off with an oar, and using it as a paddle,
worked his way tortuously among the tall stalks until they glided out into
open water. Then he set to work with both oars, rowing with great, smooth,
even strokes, the heavy muscles of arms and shoulders and back rippling in
rhythm to his exertions.
splashed with blood.
He did not speak to her, or even glance toward her. She saw him stride
through the reeds that grew at the water's edge, stoop, and tug at something.
A boat wallowed out of its hiding-place among the stalks. Then she divined
his intention, and was galvanized into action.
'Oh, wait!' she wailed, staggering up and running toward him. 'Do not leave
me! Take me with you!'
He wheeled and stared at her. There was a difference in his bearing. His
bloodshot eyes were sane. It was as if the blood he had just shed had
quenched the fire of his frenzy.
'Who are you?' he demanded.
'I am called Olivia. I was his captive. I ran away. He followed me. That's
why he came here. Oh, do not leave me here! His warriors are not far
behind him. They will find his corpse—they will find me near it—oh!' She
moaned in her terror and wrung her white hands.
He stared at her in perplexity.
'Would you be better off with me?' he demanded. 'I am a barbarian, and I
know from your looks that you fear me.'
'Yes, I fear you,' she replied, too distracted to dissemble. 'My flesh crawls at
the horror of your aspect. But I fear the Hyrkanians more. Oh, let me go
with you! They will put me to the torture if they find me beside their dead
lord.'
'Come, then.' He drew aside, and she stepped quickly into the boat,
shrinking from contact with him. She seated herself in the bow, and he
stepped into the boat, pushed off with an oar, and using it as a paddle,
worked his way tortuously among the tall stalks until they glided out into
open water. Then he set to work with both oars, rowing with great, smooth,
even strokes, the heavy muscles of arms and shoulders and back rippling in
rhythm to his exertions.
Page 9
There was silence for some time, the girl crouching in the bows, the man
tugging at the oars. She watched him with timorous fascination. It was
evident that he was not an Hyrkanian, and he did not resemble the Hyborian
races. There was a wolfish hardness about him that marked the barbarian.
His features, allowing for the strains and stains of battle and his hiding in
the marshes, reflected that same untamed wildness, but they were neither
evil nor degenerate.
'Who are you?' she asked. 'Shah Amurath called you a kozak; were you of
that band?'
'I am Conan, of Cimmeria,' he grunted. 'I was with the kozaki, as the
Hyrkanian dogs called us.'
She knew vaguely that the land he named lay far to the northwest, beyond
the farthest boundaries of the different kingdoms of her race.
'I am a daughter of the King of Ophir,' she said. 'My father sold me to a
Shemite chief, because I would not marry a prince of Koth.'
The Cimmerian grunted in surprize.
Her lips twisted in a bitter smile. 'Aye, civilized men sell their children as
slaves to savages, sometimes. They call your race barbaric, Conan of
Cimmeria.'
'We do not sell our children,' he growled, his chin jutting truculently.
'Well—I was sold. But the desert man did not misuse me. He wished to buy
the good will of Shah Amurath, and I was among the gifts he brought to
Akif of the purple gardens. Then—' She shuddered and hid her face in her
hands.
'I should be lost to all shame,' she said presently. 'Yet each memory stings
me like a slaver's whip. I abode in Shah Amurath's palace, until some weeks
agone he rode out with his hosts to do battle with a band of invaders who
were ravaging the borders of Turan. Yesterday he returned in triumph, and a
great fete was made to honor him. In the drunkenness and rejoicing, I found
an opportunity to steal out of the city on a stolen horse. I had thought to
tugging at the oars. She watched him with timorous fascination. It was
evident that he was not an Hyrkanian, and he did not resemble the Hyborian
races. There was a wolfish hardness about him that marked the barbarian.
His features, allowing for the strains and stains of battle and his hiding in
the marshes, reflected that same untamed wildness, but they were neither
evil nor degenerate.
'Who are you?' she asked. 'Shah Amurath called you a kozak; were you of
that band?'
'I am Conan, of Cimmeria,' he grunted. 'I was with the kozaki, as the
Hyrkanian dogs called us.'
She knew vaguely that the land he named lay far to the northwest, beyond
the farthest boundaries of the different kingdoms of her race.
'I am a daughter of the King of Ophir,' she said. 'My father sold me to a
Shemite chief, because I would not marry a prince of Koth.'
The Cimmerian grunted in surprize.
Her lips twisted in a bitter smile. 'Aye, civilized men sell their children as
slaves to savages, sometimes. They call your race barbaric, Conan of
Cimmeria.'
'We do not sell our children,' he growled, his chin jutting truculently.
'Well—I was sold. But the desert man did not misuse me. He wished to buy
the good will of Shah Amurath, and I was among the gifts he brought to
Akif of the purple gardens. Then—' She shuddered and hid her face in her
hands.
'I should be lost to all shame,' she said presently. 'Yet each memory stings
me like a slaver's whip. I abode in Shah Amurath's palace, until some weeks
agone he rode out with his hosts to do battle with a band of invaders who
were ravaging the borders of Turan. Yesterday he returned in triumph, and a
great fete was made to honor him. In the drunkenness and rejoicing, I found
an opportunity to steal out of the city on a stolen horse. I had thought to
Page 10
escape—but he followed, and about midday came up with me. I outran his
vassals, but him I could not escape. Then you came.'
'I was lying hid in the reeds,' grunted the barbarian. 'I was one of those
dissolute rogues, the Free Companions, who burned and looted along the
borders. There were five thousand of us, from a score of races and tribes.
We had been serving as mercenaries for a rebel prince in eastern Koth, most
of us, and when he made peace with his cursed sovereign, we were out of
employment; so we took to plundering the outlying dominions of Koth,
Zamora and Turan impartially. A week ago Shah Amurath trapped us near
the banks of Ilbars with fifteen thousand men. Mitra! The skies were black
with vultures. When the lines broke, after a whole day of fighting, some
tried to break through to the north, some to the west. I doubt if any escaped.
The steppes were covered with horsemen riding down the fugitives. I broke
for the east, and finally reached the edge of the marshes that border this part
of Vilayet.
'I've been hiding in the morasses ever since. Only the day before yesterday
the riders ceased beating up the reed-brakes, searching for just such
fugitives as I. I've squirmed and burrowed and hidden like a snake, feasting
on musk-rats I caught and ate raw, for lack of fire to cook them. This dawn I
found this boat hidden among the reeds. I hadn't intended going out on the
sea until night, but after I killed Shah Amurath, I knew his mailed dogs
would be close at hand.'
'And what now?'
'We shall doubtless be pursued. If they fail to see the marks left by the boat,
which I covered as well as I could, they'll guess anyway that we took to sea,
after they fail to find us among the marshes. But we have a start, and I'm
going to haul at these oars until we reach a safe place.'
'Where shall we find that?' she asked hopelessly. 'Vilayet is an Hyrkanian
pond.'
'Some folk don't think so,' grinned Conan grimly; 'notably the slaves that
have escaped from galleys and become pirates.'
'But what are your plans?'
vassals, but him I could not escape. Then you came.'
'I was lying hid in the reeds,' grunted the barbarian. 'I was one of those
dissolute rogues, the Free Companions, who burned and looted along the
borders. There were five thousand of us, from a score of races and tribes.
We had been serving as mercenaries for a rebel prince in eastern Koth, most
of us, and when he made peace with his cursed sovereign, we were out of
employment; so we took to plundering the outlying dominions of Koth,
Zamora and Turan impartially. A week ago Shah Amurath trapped us near
the banks of Ilbars with fifteen thousand men. Mitra! The skies were black
with vultures. When the lines broke, after a whole day of fighting, some
tried to break through to the north, some to the west. I doubt if any escaped.
The steppes were covered with horsemen riding down the fugitives. I broke
for the east, and finally reached the edge of the marshes that border this part
of Vilayet.
'I've been hiding in the morasses ever since. Only the day before yesterday
the riders ceased beating up the reed-brakes, searching for just such
fugitives as I. I've squirmed and burrowed and hidden like a snake, feasting
on musk-rats I caught and ate raw, for lack of fire to cook them. This dawn I
found this boat hidden among the reeds. I hadn't intended going out on the
sea until night, but after I killed Shah Amurath, I knew his mailed dogs
would be close at hand.'
'And what now?'
'We shall doubtless be pursued. If they fail to see the marks left by the boat,
which I covered as well as I could, they'll guess anyway that we took to sea,
after they fail to find us among the marshes. But we have a start, and I'm
going to haul at these oars until we reach a safe place.'
'Where shall we find that?' she asked hopelessly. 'Vilayet is an Hyrkanian
pond.'
'Some folk don't think so,' grinned Conan grimly; 'notably the slaves that
have escaped from galleys and become pirates.'
'But what are your plans?'
Page 11
'The southwestern shore is held by the Hyrkanians for hundreds of miles.
We still have a long way to go before we pass beyond their northern
boundaries. I intend to go northward until I think we have passed them.
Then we'll turn westward, and try to land on the shore bordered by the
uninhabited steppes.'
'Suppose we meet pirates, or a storm?' she asked. 'And we shall starve on
the steppes.'
'Well,' he reminded her, 'I didn't ask you to come with me.'
'I am sorry.' She bowed her shapely dark head. 'Pirates, storms, starvation—
they are all kinder than the people of Turan.'
'Aye.' His dark face grew somber. 'I haven't done with them yet. Be at ease,
girl. Storms are rare on Vilayet at this time of year. If we make the steppes,
we shall not starve. I was reared in a naked land. It was those cursed
marshes, with their stench and stinging flies, that nigh unmanned me. I am
at home in the high lands. As for pirates—' He grinned enigmatically, and
bent to the oars.
The sun sank like a dull-glowing copper ball into a lake of fire. The blue of
the sea merged with the blue of the sky, and both turned to soft dark velvet,
clustered with stars and the mirrors of stars. Olivia reclined in the bows of
the gently rocking boat, in a state dreamy and unreal. She experienced an
illusion that she was floating in midair, stars beneath her as well as above.
Her silent companion was etched vaguely against the softer darkness. There
was no break or falter in the rhythm of his oars; he might have been a
fantasmal oarsman, rowing her across the dark lake of Death. But the edge
of her fear was dulled, and, lulled by the monotony of motion, she passed
into a quiet slumber.
Dawn was in her eyes when she awakened, aware of a ravenous hunger. It
was a change in the motion of the boat that had roused her; Conan was
resting on his oars, gazing beyond her. She realized that he had rowed all
night without pause, and marvelled at his iron endurance. She twisted about
to follow his stare, and saw a green wall of trees and shrubbery rising from
the water's edge and sweeping away in a wide curve, enclosing a small bay
whose waters lay still as blue glass.
We still have a long way to go before we pass beyond their northern
boundaries. I intend to go northward until I think we have passed them.
Then we'll turn westward, and try to land on the shore bordered by the
uninhabited steppes.'
'Suppose we meet pirates, or a storm?' she asked. 'And we shall starve on
the steppes.'
'Well,' he reminded her, 'I didn't ask you to come with me.'
'I am sorry.' She bowed her shapely dark head. 'Pirates, storms, starvation—
they are all kinder than the people of Turan.'
'Aye.' His dark face grew somber. 'I haven't done with them yet. Be at ease,
girl. Storms are rare on Vilayet at this time of year. If we make the steppes,
we shall not starve. I was reared in a naked land. It was those cursed
marshes, with their stench and stinging flies, that nigh unmanned me. I am
at home in the high lands. As for pirates—' He grinned enigmatically, and
bent to the oars.
The sun sank like a dull-glowing copper ball into a lake of fire. The blue of
the sea merged with the blue of the sky, and both turned to soft dark velvet,
clustered with stars and the mirrors of stars. Olivia reclined in the bows of
the gently rocking boat, in a state dreamy and unreal. She experienced an
illusion that she was floating in midair, stars beneath her as well as above.
Her silent companion was etched vaguely against the softer darkness. There
was no break or falter in the rhythm of his oars; he might have been a
fantasmal oarsman, rowing her across the dark lake of Death. But the edge
of her fear was dulled, and, lulled by the monotony of motion, she passed
into a quiet slumber.
Dawn was in her eyes when she awakened, aware of a ravenous hunger. It
was a change in the motion of the boat that had roused her; Conan was
resting on his oars, gazing beyond her. She realized that he had rowed all
night without pause, and marvelled at his iron endurance. She twisted about
to follow his stare, and saw a green wall of trees and shrubbery rising from
the water's edge and sweeping away in a wide curve, enclosing a small bay
whose waters lay still as blue glass.
Page 12
'This is one of the many islands that dot this inland sea,' said Conan. 'They
are supposed to be uninhabited. I've heard the Hyrkanians seldom visit
them. Besides, they generally hug the shores in their galleys, and we have
come a long way. Before sunset we were out of sight of the mainland.'
With a few strokes he brought the boat in to shore and made the painter fast
to the arching root of a tree which rose from the water's edge. Stepping
ashore, he reached out a hand to help Olivia. She took it, wincing slightly at
the bloodstains upon it, feeling a hint of the dynamic strength that lurked in
the barbarian's thews.
A dreamy quiet lay over the woods that bordered the blue bay. Then
somewhere, far back among the trees, a bird lifted its morning song. A
breeze whispered through the leaves, and set them to murmuring. Olivia
found herself listening intently for something, she knew not what. What
might be lurking amid those nameless woodlands?
As she peered timidly into the shadows between the trees, something swept
into the sunlight with a swift whirl of wings: a great parrot which dropped
on to a leafy branch and swayed there, a gleaming image of jade and
crimson. It turned its crested head sidewise and regarded the invaders with
glittering eyes of jet.
'Crom!' muttered the Cimmerian. 'Here is the grandfather of all parrots. He
must be a thousand years old! Look at the evil wisdom of his eyes. What
mysteries do you guard, Wise Devil?'
Abruptly the bird spread its flaming wings and, soaring from its perch, cried
out harshly: 'Yagkoolan yok tha, xuthalla!' and with a wild screech of
horribly human laughter, rushed away through the trees to vanish in the
opalescent shadows.
Olivia stared after it, feeling the cold hand of nameless foreboding touch
her supple spine.
'What did it say?' she whispered.
'Human words, I'll swear,' answered Conan; 'but in what tongue I can't say.'
are supposed to be uninhabited. I've heard the Hyrkanians seldom visit
them. Besides, they generally hug the shores in their galleys, and we have
come a long way. Before sunset we were out of sight of the mainland.'
With a few strokes he brought the boat in to shore and made the painter fast
to the arching root of a tree which rose from the water's edge. Stepping
ashore, he reached out a hand to help Olivia. She took it, wincing slightly at
the bloodstains upon it, feeling a hint of the dynamic strength that lurked in
the barbarian's thews.
A dreamy quiet lay over the woods that bordered the blue bay. Then
somewhere, far back among the trees, a bird lifted its morning song. A
breeze whispered through the leaves, and set them to murmuring. Olivia
found herself listening intently for something, she knew not what. What
might be lurking amid those nameless woodlands?
As she peered timidly into the shadows between the trees, something swept
into the sunlight with a swift whirl of wings: a great parrot which dropped
on to a leafy branch and swayed there, a gleaming image of jade and
crimson. It turned its crested head sidewise and regarded the invaders with
glittering eyes of jet.
'Crom!' muttered the Cimmerian. 'Here is the grandfather of all parrots. He
must be a thousand years old! Look at the evil wisdom of his eyes. What
mysteries do you guard, Wise Devil?'
Abruptly the bird spread its flaming wings and, soaring from its perch, cried
out harshly: 'Yagkoolan yok tha, xuthalla!' and with a wild screech of
horribly human laughter, rushed away through the trees to vanish in the
opalescent shadows.
Olivia stared after it, feeling the cold hand of nameless foreboding touch
her supple spine.
'What did it say?' she whispered.
'Human words, I'll swear,' answered Conan; 'but in what tongue I can't say.'
Page 13
'Nor I,' returned the girl. 'Yet it must have learned them from human lips.
Human, or—' she gazed into the leafy fastness and shuddered slightly,
without knowing why.
'Crom, I'm hungry!' grunted the Cimmerian. 'I could eat a whole buffalo.
We'll look for fruit; but first I'm going to cleanse myself of this dried mud
and blood. Hiding in marshes is foul business.'
So saying, he laid aside his sword, and wading out shoulder-deep into the
blue water, went about his ablutions. When he emerged, his clean-cut
bronze limbs shone, his streaming black mane was no longer matted. His
blue eyes, though they smoldered with unquenchable fire, were no longer
murky or bloodshot. But the tigerish suppleness of limb and the dangerous
aspect of feature were not altered.
Strapping on his sword once more, he motioned the girl to follow him, and
they left the shore, passing under the leafy arches of the great branches.
Underfoot lay a short green sward which cushioned their tread. Between the
trunks of the trees they caught glimpses of faery-like vistas.
Presently Conan grunted in pleasure at the sight of golden and russet globes
hanging in clusters among the leaves. Indicating that the girl should seat
herself on a fallen tree, he filled her lap with the exotic delicacies, and then
himself fell to with unconcealed gusto.
'Ishtar!' said he, between mouthfuls. 'Since Ilbars I have lived on rats, and
roots I dug out of the stinking mud. This is sweet to the palate, though not
very filling. Still, it will serve if we eat enough.'
Olivia was too busy to reply. The sharp edge of the Cimmerian's hunger
blunted, he began to gaze at his fair companion with more interest than
previously, noting the lustrous clusters of her dark hair, the peach-bloom
tints of her dainty skin, and the rounded contours of her lithe figure which
the scanty silk tunic displayed to full advantage.
Finishing her meal, the object of his scrutiny looked up, and meeting his
burning, slit-eyed gaze, she changed color and the remnants of the fruit
slipped from her fingers.
Human, or—' she gazed into the leafy fastness and shuddered slightly,
without knowing why.
'Crom, I'm hungry!' grunted the Cimmerian. 'I could eat a whole buffalo.
We'll look for fruit; but first I'm going to cleanse myself of this dried mud
and blood. Hiding in marshes is foul business.'
So saying, he laid aside his sword, and wading out shoulder-deep into the
blue water, went about his ablutions. When he emerged, his clean-cut
bronze limbs shone, his streaming black mane was no longer matted. His
blue eyes, though they smoldered with unquenchable fire, were no longer
murky or bloodshot. But the tigerish suppleness of limb and the dangerous
aspect of feature were not altered.
Strapping on his sword once more, he motioned the girl to follow him, and
they left the shore, passing under the leafy arches of the great branches.
Underfoot lay a short green sward which cushioned their tread. Between the
trunks of the trees they caught glimpses of faery-like vistas.
Presently Conan grunted in pleasure at the sight of golden and russet globes
hanging in clusters among the leaves. Indicating that the girl should seat
herself on a fallen tree, he filled her lap with the exotic delicacies, and then
himself fell to with unconcealed gusto.
'Ishtar!' said he, between mouthfuls. 'Since Ilbars I have lived on rats, and
roots I dug out of the stinking mud. This is sweet to the palate, though not
very filling. Still, it will serve if we eat enough.'
Olivia was too busy to reply. The sharp edge of the Cimmerian's hunger
blunted, he began to gaze at his fair companion with more interest than
previously, noting the lustrous clusters of her dark hair, the peach-bloom
tints of her dainty skin, and the rounded contours of her lithe figure which
the scanty silk tunic displayed to full advantage.
Finishing her meal, the object of his scrutiny looked up, and meeting his
burning, slit-eyed gaze, she changed color and the remnants of the fruit
slipped from her fingers.
Page 14
Without comment, he indicated with a gesture that they should continue
their explorations, and rising, she followed him out of the trees and into a
glade, the farther end of which was bounded by a dense thicket. As they
stepped into the open there was a ripping crash in this thicket, and Conan,
bounding aside and carrying the girl with him, narrowly saved them from
something that rushed through the air and struck a tree-trunk with a
thunderous impact.
Whipping out his sword, Conan bounded across the glade and plunged into
the thicket. Silence ensued, while Olivia crouched on the sward, terrified
and bewildered. Presently Conan emerged, a puzzled scowl on his face.
'Nothing in that thicket,' he growled. 'But there was something—'
He studied the missile that had so narrowly missed them, and grunted
incredulously, as if unable to credit his own senses. It was a huge block of
greenish stone which lay on the sward at the foot of the tree, whose wood
its impact had splintered.
'A strange stone to find on an uninhabited island,' growled Conan.
Olivia's lovely eyes dilated in wonder. The stone was a symmetrical block,
indisputably cut and shaped by human hands. And it was astonishingly
massive. The Cimmerian grasped it with both hands, and with legs braced
and the muscles standing out on his arms and back in straining knots, he
heaved it above his head and cast it from him, exerting every ounce of
nerve and sinew. It fell a few feet in front of him. Conan swore.
'No man living could throw that rock across this glade. It's a task for siege
engines. Yet here there are no mangonels or ballistas.'
'Perhaps it was thrown by some such engine from afar,' she suggested.
He shook his head. 'It didn't fall from above. It came from yonder thicket.
See how the twigs are broken? It was thrown as a man might throw a
pebble. But who? What? Come!'
She hesitantly followed him into the thicket. Inside the outer ring of leafy
brush, the undergrowth was less dense. Utter silence brooded over all. The
springy sward gave no sign of footprint. Yet from this mysterious thicket
their explorations, and rising, she followed him out of the trees and into a
glade, the farther end of which was bounded by a dense thicket. As they
stepped into the open there was a ripping crash in this thicket, and Conan,
bounding aside and carrying the girl with him, narrowly saved them from
something that rushed through the air and struck a tree-trunk with a
thunderous impact.
Whipping out his sword, Conan bounded across the glade and plunged into
the thicket. Silence ensued, while Olivia crouched on the sward, terrified
and bewildered. Presently Conan emerged, a puzzled scowl on his face.
'Nothing in that thicket,' he growled. 'But there was something—'
He studied the missile that had so narrowly missed them, and grunted
incredulously, as if unable to credit his own senses. It was a huge block of
greenish stone which lay on the sward at the foot of the tree, whose wood
its impact had splintered.
'A strange stone to find on an uninhabited island,' growled Conan.
Olivia's lovely eyes dilated in wonder. The stone was a symmetrical block,
indisputably cut and shaped by human hands. And it was astonishingly
massive. The Cimmerian grasped it with both hands, and with legs braced
and the muscles standing out on his arms and back in straining knots, he
heaved it above his head and cast it from him, exerting every ounce of
nerve and sinew. It fell a few feet in front of him. Conan swore.
'No man living could throw that rock across this glade. It's a task for siege
engines. Yet here there are no mangonels or ballistas.'
'Perhaps it was thrown by some such engine from afar,' she suggested.
He shook his head. 'It didn't fall from above. It came from yonder thicket.
See how the twigs are broken? It was thrown as a man might throw a
pebble. But who? What? Come!'
She hesitantly followed him into the thicket. Inside the outer ring of leafy
brush, the undergrowth was less dense. Utter silence brooded over all. The
springy sward gave no sign of footprint. Yet from this mysterious thicket
Page 15
had hurtled that boulder, swift and deadly. Conan bent closer to the sward,
where the grass was crushed down here and there. He shook his head
angrily. Even to his keen eyes it gave no clue as to what had stood or
trodden there. His gaze roved to the green roof above their heads, a solid
ceiling of thick leaves and interwoven arches. And he froze suddenly.
Then rising, sword in hand, he began to back away, thrusting Olivia behind
him.
'Out of here, quick!' he urged in a whisper that congealed the girl's blood.
'What is it? What do you see?'
'Nothing,' he answered guardedly, not halting his wary retreat.
'But what is it, then? What lurks in this thicket?'
'Death!' he answered, his gaze still fixed on the brooding jade arches that
shut out the sky.
Once out of the thicket, he took her hand and led her swiftly through the
thinning trees, until they mounted a grassy slope, sparsely treed, and
emerged upon a low plateau, where the grass grew taller and the trees were
few and scattered. And in the midst of that plateau rose a long broad
structure of crumbling greenish stone.
They gazed in wonder. No legends named such a building on any island of
Vilayet. They approached it warily, seeing that moss and lichen crawled
over the stones, and the broken roof gaped to the sky. On all sides lay bits
and shards of masonry, half hidden in the waving grass, giving the
impression that once many buildings rose there, perhaps a whole town. But
now only the long hall-like structure rose against the sky, and its walls
leaned drunkenly among the crawling vines.
Whatever doors had once guarded its portals had long rotted away. Conan
and his companion stood in the broad entrance and stared inside. Sunlight
streamed in through gaps in the walls and roof, making the interior a dim
weave of light and shadow. Grasping his sword firmly, Conan entered, with
the slouching gait of a hunting panther, sunken head and noiseless feet.
Olivia tiptoed after him.
where the grass was crushed down here and there. He shook his head
angrily. Even to his keen eyes it gave no clue as to what had stood or
trodden there. His gaze roved to the green roof above their heads, a solid
ceiling of thick leaves and interwoven arches. And he froze suddenly.
Then rising, sword in hand, he began to back away, thrusting Olivia behind
him.
'Out of here, quick!' he urged in a whisper that congealed the girl's blood.
'What is it? What do you see?'
'Nothing,' he answered guardedly, not halting his wary retreat.
'But what is it, then? What lurks in this thicket?'
'Death!' he answered, his gaze still fixed on the brooding jade arches that
shut out the sky.
Once out of the thicket, he took her hand and led her swiftly through the
thinning trees, until they mounted a grassy slope, sparsely treed, and
emerged upon a low plateau, where the grass grew taller and the trees were
few and scattered. And in the midst of that plateau rose a long broad
structure of crumbling greenish stone.
They gazed in wonder. No legends named such a building on any island of
Vilayet. They approached it warily, seeing that moss and lichen crawled
over the stones, and the broken roof gaped to the sky. On all sides lay bits
and shards of masonry, half hidden in the waving grass, giving the
impression that once many buildings rose there, perhaps a whole town. But
now only the long hall-like structure rose against the sky, and its walls
leaned drunkenly among the crawling vines.
Whatever doors had once guarded its portals had long rotted away. Conan
and his companion stood in the broad entrance and stared inside. Sunlight
streamed in through gaps in the walls and roof, making the interior a dim
weave of light and shadow. Grasping his sword firmly, Conan entered, with
the slouching gait of a hunting panther, sunken head and noiseless feet.
Olivia tiptoed after him.
Page 16
Once within, Conan grunted in surprize, and Olivia stifled a scream.
'Look! Oh, look!'
'I see,' he answered. 'Nothing to fear. They are statues.'
'But how life-like—and how evil!' she whispered, drawing close to him.
They stood in a great hall, whose floor was of polished stone, littered with
dust and broken stones, which had fallen from the ceiling. Vines, growing
between the stones, masked the apertures. The lofty roof, flat and undomed,
was upheld by thick columns, marching in rows down the sides of the walls.
And in each space between these columns stood a strange figure.
They were statues, apparently of iron, black and shining as if continually
polished. They were life-sized, depicting tall, lithely powerful men, with
cruel hawk-like faces. They were naked, and every swell, depression and
contour of joint and sinew was represented with incredible realism. But the
most life-like feature was their proud, intolerant faces. These features were
not cast in the same mold. Each face possessed its own individual
characteristics, though there was a tribal likeness between them all. There
was none of the monotonous uniformity of decorative art, in the faces at
least.
'They seem to be listening—and waiting!' whispered the girl uneasily.
Conan rang his hilt against one of the images.
'Iron,' he pronounced. 'But Crom! In what molds were they cast?'
He shook his head and shrugged his massive shoulders in puzzlement.
Olivia glanced timidly about the great silent hall. Only the ivy-grown
stones, the tendril-clasped pillars, with the dark figures brooding between
them, met her gaze. She shifted uneasily and wished to be gone, but the
images held a strange fascination for her companion. He examined them in
detail, and barbarian-like, tried to break off their limbs. But their material
resisted his best efforts. He could neither disfigure nor dislodge from its
niche a single image. At last he desisted, swearing in his wonder.
'Look! Oh, look!'
'I see,' he answered. 'Nothing to fear. They are statues.'
'But how life-like—and how evil!' she whispered, drawing close to him.
They stood in a great hall, whose floor was of polished stone, littered with
dust and broken stones, which had fallen from the ceiling. Vines, growing
between the stones, masked the apertures. The lofty roof, flat and undomed,
was upheld by thick columns, marching in rows down the sides of the walls.
And in each space between these columns stood a strange figure.
They were statues, apparently of iron, black and shining as if continually
polished. They were life-sized, depicting tall, lithely powerful men, with
cruel hawk-like faces. They were naked, and every swell, depression and
contour of joint and sinew was represented with incredible realism. But the
most life-like feature was their proud, intolerant faces. These features were
not cast in the same mold. Each face possessed its own individual
characteristics, though there was a tribal likeness between them all. There
was none of the monotonous uniformity of decorative art, in the faces at
least.
'They seem to be listening—and waiting!' whispered the girl uneasily.
Conan rang his hilt against one of the images.
'Iron,' he pronounced. 'But Crom! In what molds were they cast?'
He shook his head and shrugged his massive shoulders in puzzlement.
Olivia glanced timidly about the great silent hall. Only the ivy-grown
stones, the tendril-clasped pillars, with the dark figures brooding between
them, met her gaze. She shifted uneasily and wished to be gone, but the
images held a strange fascination for her companion. He examined them in
detail, and barbarian-like, tried to break off their limbs. But their material
resisted his best efforts. He could neither disfigure nor dislodge from its
niche a single image. At last he desisted, swearing in his wonder.
Page 17
'What manner of men were these copied from?' he inquired of the world at
large. 'These figures are black, yet they are not like negroes. I have never
seen their like.'
'Let us go into the sunlight,' urged Olivia, and he nodded, with a baffled
glance at the brooding shapes along the walls.
So they passed out of the dusky hall into the clear blaze of the summer sun.
She was surprized to note its position in the sky; they had spent more time
in the ruins than she had guessed.
'Let us take to the boat again,' she suggested. 'I am afraid here. It is a
strange evil place. We do not know when we may be attacked by whatever
cast the rock.'
'I think we're safe as long as we're not under the trees,' he answered. 'Come.'
The plateau, whose sides fell away toward the wooded shores on the east,
west and south, sloped upward toward the north to abut on a tangle of rocky
cliffs, the highest point of the island. Thither Conan took his way, suiting
his long stride to his companion's gait. From time to time his glance rested
inscrutably upon her, and she was aware of it.
They reached the northern extremity of the plateau, and stood gazing up the
steep pitch of the cliffs. Trees grew thickly along the rim of the plateau east
and west of the cliffs, and clung to the precipitous incline. Conan glanced at
these trees suspiciously, but he began the ascent, helping his companion on
the climb. The slope was not sheer, and was broken by ledges and boulders.
The Cimmerian, born in a hill country, could have run up it like a cat, but
Olivia found the going difficult. Again and again she felt herself lifted
lightly off her feet and over some obstacle that would have taxed her
strength to surmount, and her wonder grew at the sheer physical power of
the man. She no longer found his touch repugnant. There was a promise of
protection in his iron clasp.
At last they stood on the ultimate pinnacle, their hair stirring in the sea
wind. From their feet the cliffs fell away sheerly three or four hundred feet
to a narrow tangle of woodlands bordering the beach. Looking southward
they saw the whole island lying like a great oval mirror, its bevelled edges
sloping down swiftly into a rim of green, except where it broke in the pitch
large. 'These figures are black, yet they are not like negroes. I have never
seen their like.'
'Let us go into the sunlight,' urged Olivia, and he nodded, with a baffled
glance at the brooding shapes along the walls.
So they passed out of the dusky hall into the clear blaze of the summer sun.
She was surprized to note its position in the sky; they had spent more time
in the ruins than she had guessed.
'Let us take to the boat again,' she suggested. 'I am afraid here. It is a
strange evil place. We do not know when we may be attacked by whatever
cast the rock.'
'I think we're safe as long as we're not under the trees,' he answered. 'Come.'
The plateau, whose sides fell away toward the wooded shores on the east,
west and south, sloped upward toward the north to abut on a tangle of rocky
cliffs, the highest point of the island. Thither Conan took his way, suiting
his long stride to his companion's gait. From time to time his glance rested
inscrutably upon her, and she was aware of it.
They reached the northern extremity of the plateau, and stood gazing up the
steep pitch of the cliffs. Trees grew thickly along the rim of the plateau east
and west of the cliffs, and clung to the precipitous incline. Conan glanced at
these trees suspiciously, but he began the ascent, helping his companion on
the climb. The slope was not sheer, and was broken by ledges and boulders.
The Cimmerian, born in a hill country, could have run up it like a cat, but
Olivia found the going difficult. Again and again she felt herself lifted
lightly off her feet and over some obstacle that would have taxed her
strength to surmount, and her wonder grew at the sheer physical power of
the man. She no longer found his touch repugnant. There was a promise of
protection in his iron clasp.
At last they stood on the ultimate pinnacle, their hair stirring in the sea
wind. From their feet the cliffs fell away sheerly three or four hundred feet
to a narrow tangle of woodlands bordering the beach. Looking southward
they saw the whole island lying like a great oval mirror, its bevelled edges
sloping down swiftly into a rim of green, except where it broke in the pitch
Page 18
of the cliffs. As far as they could see, on all sides stretched the blue waters,
still, placid, fading into dreamy hazes of distance.
'The sea is still,' sighed Olivia. 'Why should we not take up our journey
again?'
Conan, poised like a bronze statue on the cliffs, pointed northward.
Straining her eyes, Olivia saw a white fleck that seemed to hang suspended
in the aching haze.
'What is it?'
'A sail.'
'Hyrkanians?'
'Who can tell, at this distance?'
'They will anchor here—search the island for us!' she cried in quick panic.
'I doubt it. They come from the north, so they can not be searching for us.
They may stop for some other reason, in which case we'll have to hide as
best we can. But I believe it's either pirate, or an Hyrkanian galley returning
from some northern raid. In the latter case they are not likely to anchor
here. But we can't put to sea until they've gone out of sight, for they're
coming from the direction in which we must go. Doubtless they'll pass the
island tonight, and at dawn we can go on our way.'
'Then we must spend the night here?' she shivered.
'It's safest.'
'Then let us sleep here, on the crags,' she urged.
He shook his head, glancing at the stunted trees, at the marching woods
below, a green mass which seemed to send out tendrils straggling up the
sides of the cliffs.
'Here are too many trees. We'll sleep in the ruins.'
She cried out in protest.
still, placid, fading into dreamy hazes of distance.
'The sea is still,' sighed Olivia. 'Why should we not take up our journey
again?'
Conan, poised like a bronze statue on the cliffs, pointed northward.
Straining her eyes, Olivia saw a white fleck that seemed to hang suspended
in the aching haze.
'What is it?'
'A sail.'
'Hyrkanians?'
'Who can tell, at this distance?'
'They will anchor here—search the island for us!' she cried in quick panic.
'I doubt it. They come from the north, so they can not be searching for us.
They may stop for some other reason, in which case we'll have to hide as
best we can. But I believe it's either pirate, or an Hyrkanian galley returning
from some northern raid. In the latter case they are not likely to anchor
here. But we can't put to sea until they've gone out of sight, for they're
coming from the direction in which we must go. Doubtless they'll pass the
island tonight, and at dawn we can go on our way.'
'Then we must spend the night here?' she shivered.
'It's safest.'
'Then let us sleep here, on the crags,' she urged.
He shook his head, glancing at the stunted trees, at the marching woods
below, a green mass which seemed to send out tendrils straggling up the
sides of the cliffs.
'Here are too many trees. We'll sleep in the ruins.'
She cried out in protest.
Page 19
'Nothing will harm you there,' he soothed. 'Whatever threw the stone at us
did not follow us out of the woods. There was nothing to show that any wild
thing lairs in the ruins. Besides, you are soft-skinned, and used to shelter
and dainties. I could sleep naked in the snow and feel no discomfort, but the
dew would give you cramps, were we to sleep in the open.'
Olivia helplessly acquiesced, and they descended the cliffs, crossed the
plateau and once more approached the gloomy, age-haunted ruins. By this
time the sun was sinking below the plateau rim. They had found fruit in the
trees near the cliffs, and these formed their supper, both food and drink.
The southern night swept down quickly, littering the dark blue sky with
great white stars, and Conan entered the shadowy ruins, drawing the
reluctant Olivia after him. She shivered at the sight of those tense black
shadows in their niches along the walls. In the darkness that the starlight
only faintly touched, she could not make out their outlines; she could only
sense their attitude of waiting—waiting as they had waited for untold
centuries.
Conan had brought a great armful of tender branches, well leafed. These he
heaped to make a couch for her, and she lay upon it, with a curious
sensation as of one lying down to sleep in a serpent's lair.
Whatever her forebodings, Conan did not share them. The Cimmerian sat
down near her, his back against a pillar, his sword across his knees. His
eyes gleamed like a panther's in the dusk.
'Sleep, girl,' said he. 'My slumber is light as a wolf's. Nothing can enter this
hall without awaking me.'
Olivia did not reply. From her bed of leaves she watched the immobile
figure, indistinct in the soft darkness. How strange, to move in fellowship
with a barbarian, to be cared for and protected by one of a race, tales of
which had frightened her as a child! He came of a people bloody, grim and
ferocious. His kinship to the wild was apparent in his every action; it
burned in his smoldering eyes. Yet he had not harmed her, and her worst
oppressor had been a man the world called civilized. As a delicious languor
stole over her relaxing limbs and she sank into foamy billows of slumber,
did not follow us out of the woods. There was nothing to show that any wild
thing lairs in the ruins. Besides, you are soft-skinned, and used to shelter
and dainties. I could sleep naked in the snow and feel no discomfort, but the
dew would give you cramps, were we to sleep in the open.'
Olivia helplessly acquiesced, and they descended the cliffs, crossed the
plateau and once more approached the gloomy, age-haunted ruins. By this
time the sun was sinking below the plateau rim. They had found fruit in the
trees near the cliffs, and these formed their supper, both food and drink.
The southern night swept down quickly, littering the dark blue sky with
great white stars, and Conan entered the shadowy ruins, drawing the
reluctant Olivia after him. She shivered at the sight of those tense black
shadows in their niches along the walls. In the darkness that the starlight
only faintly touched, she could not make out their outlines; she could only
sense their attitude of waiting—waiting as they had waited for untold
centuries.
Conan had brought a great armful of tender branches, well leafed. These he
heaped to make a couch for her, and she lay upon it, with a curious
sensation as of one lying down to sleep in a serpent's lair.
Whatever her forebodings, Conan did not share them. The Cimmerian sat
down near her, his back against a pillar, his sword across his knees. His
eyes gleamed like a panther's in the dusk.
'Sleep, girl,' said he. 'My slumber is light as a wolf's. Nothing can enter this
hall without awaking me.'
Olivia did not reply. From her bed of leaves she watched the immobile
figure, indistinct in the soft darkness. How strange, to move in fellowship
with a barbarian, to be cared for and protected by one of a race, tales of
which had frightened her as a child! He came of a people bloody, grim and
ferocious. His kinship to the wild was apparent in his every action; it
burned in his smoldering eyes. Yet he had not harmed her, and her worst
oppressor had been a man the world called civilized. As a delicious languor
stole over her relaxing limbs and she sank into foamy billows of slumber,
Page 20
her last waking thought was a drowsy recollection of the firm touch of
Conan's fingers on her soft flesh.
Conan's fingers on her soft flesh.
Page 21
2
Olivia dreamed, and through her dreams crawled a suggestion of lurking
evil, like a black serpent writhing through flower gardens. Her dreams were
fragmentary and colorful, exotic shards of a broken, unknown pattern, until
they crystalized into a scene of horror and madness, etched against a
background of cyclopean stones and pillars.
She saw a great hall, whose lofty ceiling was upheld by stone columns
marching in even rows along the massive walls. Among these pillars
fluttered great green and scarlet parrots, and the hall was thronged with
black-skinned, hawk-faced warriors. They were not negroes. Neither they
nor their garments nor weapons resembled anything of the world the
dreamer knew.
They were pressing about one bound to a pillar: a slender white-skinned
youth, with a cluster of golden curls about his alabaster brow. His beauty
was not altogether human—like the dream of a god, chiseled out of living
marble.
The black warriors laughed at him, jeered and taunted in a strange tongue.
The lithe naked form writhed beneath their cruel hands. Blood trickled
down the ivory thighs to spatter on the polished floor. The screams of the
victim echoed through the hall; then lifting his head toward the ceiling and
the skies beyond, he cried out a name in an awful voice. A dagger in an
ebon hand cut short his cry, and the golden head rolled on the ivory breast.
As if in answer to that desperate cry, there was a rolling thunder as of
celestial chariot-wheels, and a figure stood before the slayers, as if
materialized out of empty air. The form was of a man, but no mortal man
ever wore such an aspect of inhuman beauty. There was an unmistakable
resemblance between him and the youth who dropped lifeless in his chains,
but the alloy of humanity that softened the godliness of the youth was
lacking in the features of the stranger, awful and immobile in their beauty.
Olivia dreamed, and through her dreams crawled a suggestion of lurking
evil, like a black serpent writhing through flower gardens. Her dreams were
fragmentary and colorful, exotic shards of a broken, unknown pattern, until
they crystalized into a scene of horror and madness, etched against a
background of cyclopean stones and pillars.
She saw a great hall, whose lofty ceiling was upheld by stone columns
marching in even rows along the massive walls. Among these pillars
fluttered great green and scarlet parrots, and the hall was thronged with
black-skinned, hawk-faced warriors. They were not negroes. Neither they
nor their garments nor weapons resembled anything of the world the
dreamer knew.
They were pressing about one bound to a pillar: a slender white-skinned
youth, with a cluster of golden curls about his alabaster brow. His beauty
was not altogether human—like the dream of a god, chiseled out of living
marble.
The black warriors laughed at him, jeered and taunted in a strange tongue.
The lithe naked form writhed beneath their cruel hands. Blood trickled
down the ivory thighs to spatter on the polished floor. The screams of the
victim echoed through the hall; then lifting his head toward the ceiling and
the skies beyond, he cried out a name in an awful voice. A dagger in an
ebon hand cut short his cry, and the golden head rolled on the ivory breast.
As if in answer to that desperate cry, there was a rolling thunder as of
celestial chariot-wheels, and a figure stood before the slayers, as if
materialized out of empty air. The form was of a man, but no mortal man
ever wore such an aspect of inhuman beauty. There was an unmistakable
resemblance between him and the youth who dropped lifeless in his chains,
but the alloy of humanity that softened the godliness of the youth was
lacking in the features of the stranger, awful and immobile in their beauty.
Page 22
The blacks shrank back before him, their eyes slits of fire. Lifting a hand,
he spoke, and his tones echoed through the silent halls in deep rich waves of
sound. Like men in a trance the black warriors fell back until they were
ranged along the walls in regular lines. Then from the stranger's chiseled
lips rang a terrible invocation and command: 'Yagkoolan yok tha, xuthalla!'
At the blast of that awful cry, the black figures stiffened and froze. Over
their limbs crept a curious rigidity, an unnatural petrification. The stranger
touched the limp body of the youth, and the chains fell away from it. He
lifted the corpse in his arms; then ere he turned away, his tranquil gaze
swept again over the silent rows of ebony figures, and he pointed to the
moon, which gleamed in through the casements. And they understood, those
tense, waiting statues that had been men....
Olivia awoke, starting up on her couch of branches, a cold sweat beading
her skin. Her heart pounded loud in the silence. She glanced wildly about.
Conan slept against his pillar, his head fallen upon his massive breast. The
silvery radiance of the late moon crept through the gaping roof, throwing
long white lines along the dusty floor. She could see the images dimly,
black, tense—waiting. Fighting down a rising hysteria, she saw the
moonbeams rest lightly on the pillars and the shapes between.
What was that? A tremor among the shadows where the moonlight fell. A
paralysis of horror gripped her, for where there should have been the
immobility of death, there was movement: a slow twitching, a flexing and
writhing of ebon limbs—an awful scream burst from her lips as she broke
the bonds that held her mute and motionless. At her shriek Conan shot erect,
teeth gleaming, sword lifted.
'The statues! The statues!—Oh my God, the statues are coming to life!'
And with the cry she sprang through a crevice in the wall, burst madly
through the hindering vines, and ran, ran, ran—blind, screaming, witless—
until a grasp on her arm brought her up short and she shrieked and fought
against the arms that caught her, until a familiar voice penetrated the mists
of her terror, and she saw Conan's face, a mask of bewilderment in the
moonlight.
he spoke, and his tones echoed through the silent halls in deep rich waves of
sound. Like men in a trance the black warriors fell back until they were
ranged along the walls in regular lines. Then from the stranger's chiseled
lips rang a terrible invocation and command: 'Yagkoolan yok tha, xuthalla!'
At the blast of that awful cry, the black figures stiffened and froze. Over
their limbs crept a curious rigidity, an unnatural petrification. The stranger
touched the limp body of the youth, and the chains fell away from it. He
lifted the corpse in his arms; then ere he turned away, his tranquil gaze
swept again over the silent rows of ebony figures, and he pointed to the
moon, which gleamed in through the casements. And they understood, those
tense, waiting statues that had been men....
Olivia awoke, starting up on her couch of branches, a cold sweat beading
her skin. Her heart pounded loud in the silence. She glanced wildly about.
Conan slept against his pillar, his head fallen upon his massive breast. The
silvery radiance of the late moon crept through the gaping roof, throwing
long white lines along the dusty floor. She could see the images dimly,
black, tense—waiting. Fighting down a rising hysteria, she saw the
moonbeams rest lightly on the pillars and the shapes between.
What was that? A tremor among the shadows where the moonlight fell. A
paralysis of horror gripped her, for where there should have been the
immobility of death, there was movement: a slow twitching, a flexing and
writhing of ebon limbs—an awful scream burst from her lips as she broke
the bonds that held her mute and motionless. At her shriek Conan shot erect,
teeth gleaming, sword lifted.
'The statues! The statues!—Oh my God, the statues are coming to life!'
And with the cry she sprang through a crevice in the wall, burst madly
through the hindering vines, and ran, ran, ran—blind, screaming, witless—
until a grasp on her arm brought her up short and she shrieked and fought
against the arms that caught her, until a familiar voice penetrated the mists
of her terror, and she saw Conan's face, a mask of bewilderment in the
moonlight.
Page 23
'What in Crom's name, girl? Did you have a nightmare?' His voice sounded
strange and far away. With a sobbing gasp she threw her arms about his
thick neck and clung to him convulsively, crying in panting catches.
'Where are they? Did they follow us?'
'Nobody followed us,' he answered.
She sat up, still clinging to him, and looked fearfully about. Her blind flight
had carried her to the southern edge of the plateau. Just below them was the
slope, its foot masked in the thick shadows of the woods. Behind them she
saw the ruins looming in the high-swinging moon.
'Did you not see them?—The statues, moving, lifting their hands, their eyes
glaring in the shadows?'
'I saw nothing,' answered the barbarian uneasily. 'I slept more soundly than
usual, because it has been so long since I have slumbered the night through;
yet I don't think anything could have entered the hall without waking me.'
'Nothing entered,' a laugh of hysteria escaped her. 'It was something there
already. Ah, Mitra, we lay down to sleep among them, like sheep making
their bed in the shambles!'
'What are you talking about?' he demanded. 'I woke at your cry, but before I
had time to look about me, I saw you rush out through the crack in the wall.
I pursued you, lest you come to harm. I thought you had a nightmare.'
'So I did!' she shivered. 'But the reality was more grisly than the dream.
Listen!' And she narrated all that she had dreamed and thought to see.
Conan listened attentively. The natural skepticism of the sophisticated man
was not his. His mythology contained ghouls, goblins, and necromancers.
After she had finished, he sat silent, absently toying with his sword.
'The youth they tortured was like the tall man who came?' he asked at last.
'As like as son to father,' she answered, and hesitantly: 'If the mind could
conceive of the offspring of a union of divinity with humanity, it would
picture that youth. The gods of old times mated sometimes with mortal
women, our legends tell us.'
strange and far away. With a sobbing gasp she threw her arms about his
thick neck and clung to him convulsively, crying in panting catches.
'Where are they? Did they follow us?'
'Nobody followed us,' he answered.
She sat up, still clinging to him, and looked fearfully about. Her blind flight
had carried her to the southern edge of the plateau. Just below them was the
slope, its foot masked in the thick shadows of the woods. Behind them she
saw the ruins looming in the high-swinging moon.
'Did you not see them?—The statues, moving, lifting their hands, their eyes
glaring in the shadows?'
'I saw nothing,' answered the barbarian uneasily. 'I slept more soundly than
usual, because it has been so long since I have slumbered the night through;
yet I don't think anything could have entered the hall without waking me.'
'Nothing entered,' a laugh of hysteria escaped her. 'It was something there
already. Ah, Mitra, we lay down to sleep among them, like sheep making
their bed in the shambles!'
'What are you talking about?' he demanded. 'I woke at your cry, but before I
had time to look about me, I saw you rush out through the crack in the wall.
I pursued you, lest you come to harm. I thought you had a nightmare.'
'So I did!' she shivered. 'But the reality was more grisly than the dream.
Listen!' And she narrated all that she had dreamed and thought to see.
Conan listened attentively. The natural skepticism of the sophisticated man
was not his. His mythology contained ghouls, goblins, and necromancers.
After she had finished, he sat silent, absently toying with his sword.
'The youth they tortured was like the tall man who came?' he asked at last.
'As like as son to father,' she answered, and hesitantly: 'If the mind could
conceive of the offspring of a union of divinity with humanity, it would
picture that youth. The gods of old times mated sometimes with mortal
women, our legends tell us.'
Page 24
'What gods?' he muttered.
'The nameless, forgotten ones. Who knows? They have gone back into the
still waters of the lakes, the quiet hearts of the hills, the gulfs beyond the
stars. Gods are no more stable than men.'
'But if these shapes were men, blasted into iron images by some god or
devil, how can they come to life?'
'There is witchcraft in the moon,' she shuddered. 'He pointed at the moon;
while the moon shines on them, they live. So I believe.'
'But we were not pursued,' muttered Conan, glancing toward the brooding
ruins. 'You might have dreamed they moved. I am of a mind to return and
see.'
'No, no!' she cried, clutching him desperately. 'Perhaps the spell upon them
holds them in the hall. Do not go back! They will rend you limb from limb!
Oh, Conan, let us go into our boat and flee this awful island! Surely the
Hyrkanian ship has passed us now! Let us go!'
So frantic was her pleading that Conan was impressed. His curiosity in
regard to the images was balanced by his superstition. Foes of flesh and
blood he did not fear, however great the odds, but any hint of the
supernatural roused all the dim monstrous instincts of fear that are the
heritage of the barbarian.
He took the girl's hand and they went down the slope and plunged into the
dense woods, where the leaves whispered, and nameless night-birds
murmured drowsily. Under the trees the shadows clustered thick, and
Conan swerved to avoid the denser patches. His eyes roved continuously
from side to side, and often flitted into the branches above them. He went
quickly yet warily, his arm girdling the girl's waist so strongly that she felt
as if she were being carried rather than guided. Neither spoke. The only
sound was the girl's quick nervous panting, the rustle of her small feet in the
grass. So they came through the trees to the edge of the water, shimmering
like molten silver in the moonlight.
'We should have brought fruit for food,' muttered Conan; 'but doubtless
we'll find other islands. As well leave now as later; it's but a few hours till
'The nameless, forgotten ones. Who knows? They have gone back into the
still waters of the lakes, the quiet hearts of the hills, the gulfs beyond the
stars. Gods are no more stable than men.'
'But if these shapes were men, blasted into iron images by some god or
devil, how can they come to life?'
'There is witchcraft in the moon,' she shuddered. 'He pointed at the moon;
while the moon shines on them, they live. So I believe.'
'But we were not pursued,' muttered Conan, glancing toward the brooding
ruins. 'You might have dreamed they moved. I am of a mind to return and
see.'
'No, no!' she cried, clutching him desperately. 'Perhaps the spell upon them
holds them in the hall. Do not go back! They will rend you limb from limb!
Oh, Conan, let us go into our boat and flee this awful island! Surely the
Hyrkanian ship has passed us now! Let us go!'
So frantic was her pleading that Conan was impressed. His curiosity in
regard to the images was balanced by his superstition. Foes of flesh and
blood he did not fear, however great the odds, but any hint of the
supernatural roused all the dim monstrous instincts of fear that are the
heritage of the barbarian.
He took the girl's hand and they went down the slope and plunged into the
dense woods, where the leaves whispered, and nameless night-birds
murmured drowsily. Under the trees the shadows clustered thick, and
Conan swerved to avoid the denser patches. His eyes roved continuously
from side to side, and often flitted into the branches above them. He went
quickly yet warily, his arm girdling the girl's waist so strongly that she felt
as if she were being carried rather than guided. Neither spoke. The only
sound was the girl's quick nervous panting, the rustle of her small feet in the
grass. So they came through the trees to the edge of the water, shimmering
like molten silver in the moonlight.
'We should have brought fruit for food,' muttered Conan; 'but doubtless
we'll find other islands. As well leave now as later; it's but a few hours till
Page 25
dawn—'
His voice trailed away. The painter was still made fast to the looping root.
But at the other end was only a smashed and shattered ruin, half submerged
in the shallow water.
A stifled cry escaped Olivia. Conan wheeled and faced the dense shadows,
a crouching image of menace. The noise of the night-birds was suddenly
silent. A brooding stillness reigned over the woods. No breeze moved the
branches, yet somewhere the leaves stirred faintly.
Quick as a great cat Conan caught up Olivia and ran. Through the shadows
he raced like a phantom, while somewhere above and behind them sounded
a curious rushing among the leaves, that implacably drew closer and closer.
Then the moonlight burst full upon their faces, and they were speeding up
the slope of the plateau.
At the crest Conan laid Olivia down, and turned to glare back at the gulf of
shadows they had just quitted. The leaves shook in a sudden breeze; that
was all. He shook his mane with an angry growl. Olivia crept to his feet like
a frightened child. Her eyes looked up at him, dark wells of horror.
'What are we to do, Conan?' she whispered.
He looked at the ruins, stared again into the woods below.
'We'll go to the cliffs,' he declared, lifting her to her feet. 'Tomorrow I'll
make a raft, and we'll trust our luck to the sea again.'
'It was not—not they that destroyed our boat?' It was half question, half
assertion.
He shook his head, grimly taciturn.
Every step of the way across that moon-haunted plateau was a sweating
terror for Olivia, but no black shapes stole subtly from the looming ruins,
and at last they reached the foot of the crags, which rose stark and gloomily
majestic above them. There Conan halted in some uncertainty, at last
selecting a place sheltered by a broad ledge, nowhere near any trees.
'Lie down and sleep if you can, Olivia,' he said. 'I'll keep watch.'
His voice trailed away. The painter was still made fast to the looping root.
But at the other end was only a smashed and shattered ruin, half submerged
in the shallow water.
A stifled cry escaped Olivia. Conan wheeled and faced the dense shadows,
a crouching image of menace. The noise of the night-birds was suddenly
silent. A brooding stillness reigned over the woods. No breeze moved the
branches, yet somewhere the leaves stirred faintly.
Quick as a great cat Conan caught up Olivia and ran. Through the shadows
he raced like a phantom, while somewhere above and behind them sounded
a curious rushing among the leaves, that implacably drew closer and closer.
Then the moonlight burst full upon their faces, and they were speeding up
the slope of the plateau.
At the crest Conan laid Olivia down, and turned to glare back at the gulf of
shadows they had just quitted. The leaves shook in a sudden breeze; that
was all. He shook his mane with an angry growl. Olivia crept to his feet like
a frightened child. Her eyes looked up at him, dark wells of horror.
'What are we to do, Conan?' she whispered.
He looked at the ruins, stared again into the woods below.
'We'll go to the cliffs,' he declared, lifting her to her feet. 'Tomorrow I'll
make a raft, and we'll trust our luck to the sea again.'
'It was not—not they that destroyed our boat?' It was half question, half
assertion.
He shook his head, grimly taciturn.
Every step of the way across that moon-haunted plateau was a sweating
terror for Olivia, but no black shapes stole subtly from the looming ruins,
and at last they reached the foot of the crags, which rose stark and gloomily
majestic above them. There Conan halted in some uncertainty, at last
selecting a place sheltered by a broad ledge, nowhere near any trees.
'Lie down and sleep if you can, Olivia,' he said. 'I'll keep watch.'
Page 26
But no sleep came to Olivia, and she lay watching the distant ruins and the
wooded rim until the stars paled, the east whitened, and dawn in rose and
gold struck fire from the dew on the grass-blades.
She rose stiffly, her mind reverting to all the happenings of the night. In the
morning light some of its terrors seemed like figments of an overwrought
imagination. Conan strode over to her, and his words electrified her.
'Just before dawn I heard the creak of timbers and the rasp and clack of
cordage and oars. A ship has put in and anchored at the beach not far away
—probably the ship whose sail we saw yesterday. We'll go up the cliffs and
spy on her.'
Up they went, and lying on their bellies among the boulders, saw a painted
mast jutting up beyond the trees to the west.
'An Hyrkanian craft, from the cut of her rigging,' muttered Conan. 'I wonder
if the crew—'
A distant medley of voices reached their ears, and creeping to the southern
edge of the cliffs, they saw a motley horde emerge from the fringe of trees
along the western rim of the plateau, and stand there a space in debate.
There was much flourishing of arms, brandishing of swords, and loud rough
argument. Then the whole band started across the plateau toward the ruins,
at a slant that would take them close by the foot of the cliffs.
'Pirates!' whispered Conan, a grim smile on his thin lips. 'It's an Hyrkanian
galley they've captured. Here—crawl among these rocks.
'Don't show yourself unless I call to you,' he instructed, having secreted her
to his satisfaction among a tangle of boulders along the crest of the cliffs.
'I'm going to meet these dogs. If I succeed in my plan, all will be well, and
we'll sail away with them. If I don't succeed—well, hide yourself in the
rocks until they're gone, for no devils on this island are as cruel as these
sea-wolves.'
And tearing himself from her reluctant grasp, he swung quickly down the
cliffs.
wooded rim until the stars paled, the east whitened, and dawn in rose and
gold struck fire from the dew on the grass-blades.
She rose stiffly, her mind reverting to all the happenings of the night. In the
morning light some of its terrors seemed like figments of an overwrought
imagination. Conan strode over to her, and his words electrified her.
'Just before dawn I heard the creak of timbers and the rasp and clack of
cordage and oars. A ship has put in and anchored at the beach not far away
—probably the ship whose sail we saw yesterday. We'll go up the cliffs and
spy on her.'
Up they went, and lying on their bellies among the boulders, saw a painted
mast jutting up beyond the trees to the west.
'An Hyrkanian craft, from the cut of her rigging,' muttered Conan. 'I wonder
if the crew—'
A distant medley of voices reached their ears, and creeping to the southern
edge of the cliffs, they saw a motley horde emerge from the fringe of trees
along the western rim of the plateau, and stand there a space in debate.
There was much flourishing of arms, brandishing of swords, and loud rough
argument. Then the whole band started across the plateau toward the ruins,
at a slant that would take them close by the foot of the cliffs.
'Pirates!' whispered Conan, a grim smile on his thin lips. 'It's an Hyrkanian
galley they've captured. Here—crawl among these rocks.
'Don't show yourself unless I call to you,' he instructed, having secreted her
to his satisfaction among a tangle of boulders along the crest of the cliffs.
'I'm going to meet these dogs. If I succeed in my plan, all will be well, and
we'll sail away with them. If I don't succeed—well, hide yourself in the
rocks until they're gone, for no devils on this island are as cruel as these
sea-wolves.'
And tearing himself from her reluctant grasp, he swung quickly down the
cliffs.
Page 27
Looking fearfully from her eyrie, Olivia saw the band had neared the foot
of the cliffs. Even as she looked, Conan stepped out from among the
boulders and faced them, sword in hand. They gave back with yells of
menace and surprize; then halted uncertainly to glare at this figure which
had appeared so suddenly from the rocks. There were some seventy of
them, a wild horde made up of men from many nations: Kothians,
Zamorians, Brythunians, Corinthians, Shemites. Their features reflected the
wildness of their natures. Many bore the scars of the lash or the branding-
iron. There were cropped ears, slit noses, gaping eye-sockets, stumps of
wrists—marks of the hangman as well as scars of battle. Most of them were
half naked, but the garments they wore were fine; gold-braided jackets,
satin girdles, silken breeches, tattered, stained with tar and blood, vied with
pieces of silver-chased armor. Jewels glittered in nose-rings and ear-rings,
and in the hilts of their daggers.
Over against this bizarre mob stood the tall Cimmerian in strong contrast
with his hard bronzed limbs and clean-cut vital features.
'Who are you?' they roared.
'Conan the Cimmerian!' His voice was like the deep challenge of a lion.
'One of the Free Companions. I mean to try my luck with the Red
Brotherhood. Who's your chief?'
'I, by Ishtar!' bellowed a bull-like voice, as a huge figure swaggered
forward: a giant, naked to the waist, where his capacious belly was girdled
by a wide sash that upheld voluminous silken pantaloons. His head was
shaven except for a scalp-lock, his mustaches dropped over a rat-trap
mouth. Green Shemitish slippers with upturned toes were on his feet, a long
straight sword in his hand.
Conan stared and glared.
'Sergius of Khrosha, by Crom!'
'Aye, by Ishtar!' boomed the giant, his small black eyes glittering with hate.
'Did you think I had forgot? Ha! Sergius never forgets an enemy. Now I'll
hang you up by the heels and skin you alive. At him, lads!'
of the cliffs. Even as she looked, Conan stepped out from among the
boulders and faced them, sword in hand. They gave back with yells of
menace and surprize; then halted uncertainly to glare at this figure which
had appeared so suddenly from the rocks. There were some seventy of
them, a wild horde made up of men from many nations: Kothians,
Zamorians, Brythunians, Corinthians, Shemites. Their features reflected the
wildness of their natures. Many bore the scars of the lash or the branding-
iron. There were cropped ears, slit noses, gaping eye-sockets, stumps of
wrists—marks of the hangman as well as scars of battle. Most of them were
half naked, but the garments they wore were fine; gold-braided jackets,
satin girdles, silken breeches, tattered, stained with tar and blood, vied with
pieces of silver-chased armor. Jewels glittered in nose-rings and ear-rings,
and in the hilts of their daggers.
Over against this bizarre mob stood the tall Cimmerian in strong contrast
with his hard bronzed limbs and clean-cut vital features.
'Who are you?' they roared.
'Conan the Cimmerian!' His voice was like the deep challenge of a lion.
'One of the Free Companions. I mean to try my luck with the Red
Brotherhood. Who's your chief?'
'I, by Ishtar!' bellowed a bull-like voice, as a huge figure swaggered
forward: a giant, naked to the waist, where his capacious belly was girdled
by a wide sash that upheld voluminous silken pantaloons. His head was
shaven except for a scalp-lock, his mustaches dropped over a rat-trap
mouth. Green Shemitish slippers with upturned toes were on his feet, a long
straight sword in his hand.
Conan stared and glared.
'Sergius of Khrosha, by Crom!'
'Aye, by Ishtar!' boomed the giant, his small black eyes glittering with hate.
'Did you think I had forgot? Ha! Sergius never forgets an enemy. Now I'll
hang you up by the heels and skin you alive. At him, lads!'
Page 28
'Aye, send your dogs at me, big-belly,' sneered Conan with bitter scorn. 'You
were always a coward, you Kothic cur.'
'Coward! To me?' The broad face turned black with passion. 'On guard, you
northern dog! I'll cut out your heart!'
In an instant the pirates had formed a circle about the rivals, their eyes
blazing, their breath sucking between their teeth in bloodthirsty enjoyment.
High up among the crags Olivia watched, sinking her nails into her palms in
her painful excitement.
Without formality the combatants engaged, Sergius coming in with a rush,
quick on his feet as a giant cat, for all his bulk. Curses hissed between his
clenched teeth as he lustily swung and parried. Conan fought in silence, his
eyes slits of blue bale-fire.
The Kothian ceased his oaths to save his breath. The only sounds were the
quick scuff of feet on the sward, the panting of the pirate, the ring and clash
of steel. The swords flashed like white fire in the early sun, wheeling and
circling. They seemed to recoil from each other's contact, then leap together
again instantly. Sergius was giving back; only his superlative skill had
saved him thus far from the blinding speed of the Cimmerian's onslaught. A
louder clash of steel, a sliding rasp, a choking cry—from the pirate horde a
fierce yell split the morning as Conan's sword plunged through their
captain's massive body. The point quivered an instant from between
Sergius's shoulders, a hand's breadth of white fire in the sunlight; then the
Cimmerian wrenched back his steel and the pirate chief fell heavily, face
down, and lay in a widening pool of blood, his broad hands twitching for an
instant.
Conan wheeled toward the gaping corsairs.
'Well, you dogs!' he roared. 'I've sent your chief to hell. What says the law
of the Red Brotherhood?'
Before any could answer, a rat-faced Brythunian, standing behind his
fellows, whirled a sling swiftly and deadly. Straight as an arrow sped the
stone to its mark, and Conan reeled and fell as a tall tree falls to the
woodsman's ax. Up on the cliff Olivia caught at the boulders for support.
were always a coward, you Kothic cur.'
'Coward! To me?' The broad face turned black with passion. 'On guard, you
northern dog! I'll cut out your heart!'
In an instant the pirates had formed a circle about the rivals, their eyes
blazing, their breath sucking between their teeth in bloodthirsty enjoyment.
High up among the crags Olivia watched, sinking her nails into her palms in
her painful excitement.
Without formality the combatants engaged, Sergius coming in with a rush,
quick on his feet as a giant cat, for all his bulk. Curses hissed between his
clenched teeth as he lustily swung and parried. Conan fought in silence, his
eyes slits of blue bale-fire.
The Kothian ceased his oaths to save his breath. The only sounds were the
quick scuff of feet on the sward, the panting of the pirate, the ring and clash
of steel. The swords flashed like white fire in the early sun, wheeling and
circling. They seemed to recoil from each other's contact, then leap together
again instantly. Sergius was giving back; only his superlative skill had
saved him thus far from the blinding speed of the Cimmerian's onslaught. A
louder clash of steel, a sliding rasp, a choking cry—from the pirate horde a
fierce yell split the morning as Conan's sword plunged through their
captain's massive body. The point quivered an instant from between
Sergius's shoulders, a hand's breadth of white fire in the sunlight; then the
Cimmerian wrenched back his steel and the pirate chief fell heavily, face
down, and lay in a widening pool of blood, his broad hands twitching for an
instant.
Conan wheeled toward the gaping corsairs.
'Well, you dogs!' he roared. 'I've sent your chief to hell. What says the law
of the Red Brotherhood?'
Before any could answer, a rat-faced Brythunian, standing behind his
fellows, whirled a sling swiftly and deadly. Straight as an arrow sped the
stone to its mark, and Conan reeled and fell as a tall tree falls to the
woodsman's ax. Up on the cliff Olivia caught at the boulders for support.
Page 29
The scene swam dizzily before her eyes; all she could see was the
Cimmerian lying limply on the sward, blood oozing from his head.
The rat-faced one yelped in triumph and ran to stab the prostrate man, but a
lean Corinthian thrust him back.
'What, Aratus, would you break the law of the Brotherhood, you dog?'
'No law is broken,' snarled the Brythunian.
'No law? Why, you dog, this man you have just struck down is by just rights
our captain!'
'Nay!' shouted Aratus. 'He was not of our band, but an outsider. He had not
been admitted to fellowship. Slaying Sergius does not make him captain, as
would have been the case had one of us killed him.'
'But he wished to join us,' retorted the Corinthian. 'He said so.'
At that a great clamor arose, some siding with Aratus, some with the
Corinthian, whom they called Ivanos. Oaths flew thick, challenges were
passed, hands fumbled at sword-hilts.
At last a Shemite spoke up above the clamor: 'Why do you argue over a
dead man?'
'He's not dead,' answered the Corinthian, rising from beside the prostrate
Cimmerian. 'It was a glancing blow; he's only stunned.'
At that the clamor rose anew, Aratus trying to get at the senseless man and
Ivanos finally bestriding him, sword in hand, and defying all and sundry.
Olivia sensed that it was not so much in defense of Conan that the
Corinthian took his stand, but in opposition to Aratus. Evidently these men
had been Sergius's lieutenants, and there was no love lost between them.
After more arguments, it was decided to bind Conan and take him along
with them, his fate to be voted on later.
The Cimmerian, who was beginning to regain consciousness, was bound
with leather girdles, and then four pirates lifted him, and with many
complaints and curses, carried him along with the band, which took up its
Cimmerian lying limply on the sward, blood oozing from his head.
The rat-faced one yelped in triumph and ran to stab the prostrate man, but a
lean Corinthian thrust him back.
'What, Aratus, would you break the law of the Brotherhood, you dog?'
'No law is broken,' snarled the Brythunian.
'No law? Why, you dog, this man you have just struck down is by just rights
our captain!'
'Nay!' shouted Aratus. 'He was not of our band, but an outsider. He had not
been admitted to fellowship. Slaying Sergius does not make him captain, as
would have been the case had one of us killed him.'
'But he wished to join us,' retorted the Corinthian. 'He said so.'
At that a great clamor arose, some siding with Aratus, some with the
Corinthian, whom they called Ivanos. Oaths flew thick, challenges were
passed, hands fumbled at sword-hilts.
At last a Shemite spoke up above the clamor: 'Why do you argue over a
dead man?'
'He's not dead,' answered the Corinthian, rising from beside the prostrate
Cimmerian. 'It was a glancing blow; he's only stunned.'
At that the clamor rose anew, Aratus trying to get at the senseless man and
Ivanos finally bestriding him, sword in hand, and defying all and sundry.
Olivia sensed that it was not so much in defense of Conan that the
Corinthian took his stand, but in opposition to Aratus. Evidently these men
had been Sergius's lieutenants, and there was no love lost between them.
After more arguments, it was decided to bind Conan and take him along
with them, his fate to be voted on later.
The Cimmerian, who was beginning to regain consciousness, was bound
with leather girdles, and then four pirates lifted him, and with many
complaints and curses, carried him along with the band, which took up its
Page 30
journey across the plateau once more. The body of Sergius was left where it
had fallen; a sprawling, unlovely shape on the sun-washed sward.
Up among the rocks, Olivia lay stunned by the disaster. She was incapable
of speech or action, and could only lie there and stare with horrified eyes as
the brutal horde dragged her protector away.
How long she lay there, she did not know. Across the plateau she saw the
pirates reach the ruins and enter, dragging their captive. She saw them
swarming in and out of the doors and crevices, prodding into the heaps of
debris, and clambering about the walls. After awhile a score of them came
back across the plateau and vanished among the trees on the western rim,
dragging the body of Sergius after them, presumably to cast into the sea.
About the ruins the others were cutting down trees and securing material for
a fire. Olivia heard their shouts, unintelligible in the distance, and she heard
the voices of those who had gone into the woods, echoing among the trees.
Presently they came back into sight, bearing casks of liquor and leathern
sacks of food. They headed for the ruins, cursing lustily under their
burdens.
Of all this Olivia was but mechanically cognizant. Her overwrought brain
was almost ready to collapse. Left alone and unprotected, she realized how
much the protection of the Cimmerian had meant to her. There intruded
vaguely a wonderment at the mad pranks of Fate, that could make the
daughter of a king the companion of a red-handed barbarian. With it came a
revulsion toward her own kind. Her father, and Shah Amurath, they were
civilized men. And from them she had had only suffering. She had never
encountered any civilized man who treated her with kindness unless there
was an ulterior motive behind his actions. Conan had shielded her, protected
her, and—so far—demanded nothing in return. Laying her head in her
rounded arms she wept, until distant shouts of ribald revelry roused her to
her own danger.
She glanced from the dark ruins about which the fantastic figures, small in
the distance, weaved and staggered, to the dusky depths of the green forest.
Even if her terrors in the ruins the night before had been only dreams, the
menace that lurked in those green leafy depths below was no figment of
nightmare. Were Conan slain or carried away captive, her only choice
had fallen; a sprawling, unlovely shape on the sun-washed sward.
Up among the rocks, Olivia lay stunned by the disaster. She was incapable
of speech or action, and could only lie there and stare with horrified eyes as
the brutal horde dragged her protector away.
How long she lay there, she did not know. Across the plateau she saw the
pirates reach the ruins and enter, dragging their captive. She saw them
swarming in and out of the doors and crevices, prodding into the heaps of
debris, and clambering about the walls. After awhile a score of them came
back across the plateau and vanished among the trees on the western rim,
dragging the body of Sergius after them, presumably to cast into the sea.
About the ruins the others were cutting down trees and securing material for
a fire. Olivia heard their shouts, unintelligible in the distance, and she heard
the voices of those who had gone into the woods, echoing among the trees.
Presently they came back into sight, bearing casks of liquor and leathern
sacks of food. They headed for the ruins, cursing lustily under their
burdens.
Of all this Olivia was but mechanically cognizant. Her overwrought brain
was almost ready to collapse. Left alone and unprotected, she realized how
much the protection of the Cimmerian had meant to her. There intruded
vaguely a wonderment at the mad pranks of Fate, that could make the
daughter of a king the companion of a red-handed barbarian. With it came a
revulsion toward her own kind. Her father, and Shah Amurath, they were
civilized men. And from them she had had only suffering. She had never
encountered any civilized man who treated her with kindness unless there
was an ulterior motive behind his actions. Conan had shielded her, protected
her, and—so far—demanded nothing in return. Laying her head in her
rounded arms she wept, until distant shouts of ribald revelry roused her to
her own danger.
She glanced from the dark ruins about which the fantastic figures, small in
the distance, weaved and staggered, to the dusky depths of the green forest.
Even if her terrors in the ruins the night before had been only dreams, the
menace that lurked in those green leafy depths below was no figment of
nightmare. Were Conan slain or carried away captive, her only choice
Page 31
would lie between giving herself up to the human wolves of the sea, or
remaining alone on that devil-haunted island.
As the full horror of her situation swept over her, she fell forward in a
swoon.
remaining alone on that devil-haunted island.
As the full horror of her situation swept over her, she fell forward in a
swoon.
Page 32
3
The sun was hanging low when Olivia regained her senses. A faint wind
wafted to her ears distant shouts and snatches of ribald song. Rising
cautiously, she looked out across the plateau. She saw the pirates clustered
about a great fire outside the ruins, and her heart leaped as a group emerged
from the interior dragging some object she knew was Conan. They propped
him against the wall, still evidently bound fast, and there ensued a long
discussion, with much brandishing of weapons. At last they dragged him
back into the hall, and took up anew the business of ale-guzzling. Olivia
sighed; at least she knew that the Cimmerian still lived. Fresh determination
steeled her. As soon as night fell, she would steal to those grim ruins and
free him or be taken herself in the attempt. And she knew it was not selfish
interest alone which prompted her decision.
With this in mind she ventured to creep from her refuge to pluck and eat
nuts which grew sparsely near at hand. She had not eaten since the day
before. It was while so occupied that she was troubled by a sensation of
being watched. She scanned the rocks nervously, then, with a shuddering
suspicion, crept to the north edge of the cliff and gazed down into the
waving green mass below, already dusky with the sunset. She saw nothing;
it was impossible that she could be seen, when not on the cliff's edge, by
anything lurking in those woods. Yet she distinctly felt the glare of hidden
eyes, and felt that something animate and sentient was aware of her
presence and her hiding-place.
Stealing back to her rocky eyrie, she lay watching the distant ruins until the
dusk of night masked them, and she marked their position by the flickering
flames about which black figures leaped and cavorted groggily.
Then she rose. It was time to make her attempt. But first she stole back to
the northern edge of the cliffs, and looked down into the woods that
bordered the beach. And as she strained her eyes in the dim starlight, she
stiffened, and an icy hand touched her heart.
The sun was hanging low when Olivia regained her senses. A faint wind
wafted to her ears distant shouts and snatches of ribald song. Rising
cautiously, she looked out across the plateau. She saw the pirates clustered
about a great fire outside the ruins, and her heart leaped as a group emerged
from the interior dragging some object she knew was Conan. They propped
him against the wall, still evidently bound fast, and there ensued a long
discussion, with much brandishing of weapons. At last they dragged him
back into the hall, and took up anew the business of ale-guzzling. Olivia
sighed; at least she knew that the Cimmerian still lived. Fresh determination
steeled her. As soon as night fell, she would steal to those grim ruins and
free him or be taken herself in the attempt. And she knew it was not selfish
interest alone which prompted her decision.
With this in mind she ventured to creep from her refuge to pluck and eat
nuts which grew sparsely near at hand. She had not eaten since the day
before. It was while so occupied that she was troubled by a sensation of
being watched. She scanned the rocks nervously, then, with a shuddering
suspicion, crept to the north edge of the cliff and gazed down into the
waving green mass below, already dusky with the sunset. She saw nothing;
it was impossible that she could be seen, when not on the cliff's edge, by
anything lurking in those woods. Yet she distinctly felt the glare of hidden
eyes, and felt that something animate and sentient was aware of her
presence and her hiding-place.
Stealing back to her rocky eyrie, she lay watching the distant ruins until the
dusk of night masked them, and she marked their position by the flickering
flames about which black figures leaped and cavorted groggily.
Then she rose. It was time to make her attempt. But first she stole back to
the northern edge of the cliffs, and looked down into the woods that
bordered the beach. And as she strained her eyes in the dim starlight, she
stiffened, and an icy hand touched her heart.
Page 33
Far below her something moved. It was as if a black shadow detached itself
from the gulf of shadows below her. It moved slowly up the sheer face of
the cliff—a vague bulk, shapeless in the semi-darkness. Panic caught Olivia
by the throat, and she struggled with the scream that tugged at her lips.
Turning, she fled down the southern slope.
That flight down the shadowed cliffs was a nightmare in which she slid and
scrambled, catching at jagged rocks with cold fingers. As she tore her
tender skin and bruised her soft limbs on the rugged boulders over which
Conan had so lightly lifted her, she realized again her dependence on the
iron-thewed barbarian. But this thought was but one in a fluttering
maelstrom of dizzy fright.
The descent seemed endless, but at last her feet struck the grassy levels, and
in a very frenzy of eagerness she sped away toward the fire that burned like
the red heart of night. Behind her, as she fled, she heard a shower of stones
rattle down the steep slope, and the sound lent wings to her heels. What
grisly climber dislodged those stones she dared not try to think.
Strenuous physical action dissipated her blind terror somewhat and before
she had reached the ruin, her mind was clear, her reasoning faculties alert,
though her limbs trembled from her efforts.
She dropped to the sward and wriggled along on her belly until, from
behind a small tree that had escaped the axes of the pirates, she watched her
enemies. They had completed their supper, but were still drinking, dipping
pewter mugs or jewelled goblets into the broken heads of the wine-casks.
Some were already snoring drunkenly on the grass, while others had
staggered into the ruins. Of Conan she saw nothing. She lay there, while the
dew formed on the grass about her and the leaves overhead, and the men
about the fire cursed, gambled and argued. There were only a few about the
fire; most of them had gone into the ruins to sleep.
She lay watching them, her nerves taut with the strain of waiting, the flesh
crawling between her shoulders at the thought of what might be watching
her in turn—of what might be stealing up behind her. Time dragged on
leaden feet. One by one the revellers sank down in drunken slumber, until
all were stretched senseless beside the dying fire.
from the gulf of shadows below her. It moved slowly up the sheer face of
the cliff—a vague bulk, shapeless in the semi-darkness. Panic caught Olivia
by the throat, and she struggled with the scream that tugged at her lips.
Turning, she fled down the southern slope.
That flight down the shadowed cliffs was a nightmare in which she slid and
scrambled, catching at jagged rocks with cold fingers. As she tore her
tender skin and bruised her soft limbs on the rugged boulders over which
Conan had so lightly lifted her, she realized again her dependence on the
iron-thewed barbarian. But this thought was but one in a fluttering
maelstrom of dizzy fright.
The descent seemed endless, but at last her feet struck the grassy levels, and
in a very frenzy of eagerness she sped away toward the fire that burned like
the red heart of night. Behind her, as she fled, she heard a shower of stones
rattle down the steep slope, and the sound lent wings to her heels. What
grisly climber dislodged those stones she dared not try to think.
Strenuous physical action dissipated her blind terror somewhat and before
she had reached the ruin, her mind was clear, her reasoning faculties alert,
though her limbs trembled from her efforts.
She dropped to the sward and wriggled along on her belly until, from
behind a small tree that had escaped the axes of the pirates, she watched her
enemies. They had completed their supper, but were still drinking, dipping
pewter mugs or jewelled goblets into the broken heads of the wine-casks.
Some were already snoring drunkenly on the grass, while others had
staggered into the ruins. Of Conan she saw nothing. She lay there, while the
dew formed on the grass about her and the leaves overhead, and the men
about the fire cursed, gambled and argued. There were only a few about the
fire; most of them had gone into the ruins to sleep.
She lay watching them, her nerves taut with the strain of waiting, the flesh
crawling between her shoulders at the thought of what might be watching
her in turn—of what might be stealing up behind her. Time dragged on
leaden feet. One by one the revellers sank down in drunken slumber, until
all were stretched senseless beside the dying fire.
Page 34
Olivia hesitated—then was galvanized by a distant glow rising through the
trees. The moon was rising!
With a gasp she rose and hurried toward the ruins. Her flesh crawled as she
tiptoed among the drunken shapes that sprawled beside the gaping portal.
Inside were many more; they shifted and mumbled in their besotted dreams,
but none awakened as she glided among them. A sob of joy rose to her lips
as she saw Conan. The Cimmerian was wide awake, bound upright to a
pillar, his eyes gleaming in the faint reflection of the waning fire outside.
Picking her way among the sleepers, she approached him. Lightly as she
had come, he had heard her; had seen her when first framed in the portal. A
faint grin touched his hard lips.
She reached him and clung to him an instant. He felt the quick beating of
her heart against his breast. Through a broad crevice in the wall stole a
beam of moonlight, and the air was instantly supercharged with subtle
tension. Conan felt it and stiffened. Olivia felt it and gasped. The sleepers
snored on. Bending quickly, she drew a dagger from its senseless owner's
belt, and set to work on Conan's bonds. They were sail cords, thick and
heavy, and tied with the craft of a sailor. She toiled desperately, while the
tide of moonlight crept slowly across the floor toward the feet of the
crouching black figures between the pillars.
Her breath came in gasps; Conan's wrists were free, but his elbows and legs
were still bound fast. She glanced fleetingly at the figures along the walls—
waiting, waiting. They seemed to watch her with the awful patience of the
undead. The drunkards beneath her feet began to stir and groan in their
sleep. The moonlight crept down the hall, touching the black feet. The cords
fell from Conan's arms, and taking the dagger from her, he ripped the bonds
from his legs with a single quick slash. He stepped out from the pillar,
flexing his limbs, stoically enduring the agony of returning circulation.
Olivia crouched against him, shaking like a leaf. Was it some trick of the
moonlight that touched the eyes of the black figures with fire, so that they
glimmered redly in the shadows?
Conan moved with the abruptness of a jungle cat. Catching up his sword
from where it lay in a stack of weapons near by, he lifted Olivia lightly
trees. The moon was rising!
With a gasp she rose and hurried toward the ruins. Her flesh crawled as she
tiptoed among the drunken shapes that sprawled beside the gaping portal.
Inside were many more; they shifted and mumbled in their besotted dreams,
but none awakened as she glided among them. A sob of joy rose to her lips
as she saw Conan. The Cimmerian was wide awake, bound upright to a
pillar, his eyes gleaming in the faint reflection of the waning fire outside.
Picking her way among the sleepers, she approached him. Lightly as she
had come, he had heard her; had seen her when first framed in the portal. A
faint grin touched his hard lips.
She reached him and clung to him an instant. He felt the quick beating of
her heart against his breast. Through a broad crevice in the wall stole a
beam of moonlight, and the air was instantly supercharged with subtle
tension. Conan felt it and stiffened. Olivia felt it and gasped. The sleepers
snored on. Bending quickly, she drew a dagger from its senseless owner's
belt, and set to work on Conan's bonds. They were sail cords, thick and
heavy, and tied with the craft of a sailor. She toiled desperately, while the
tide of moonlight crept slowly across the floor toward the feet of the
crouching black figures between the pillars.
Her breath came in gasps; Conan's wrists were free, but his elbows and legs
were still bound fast. She glanced fleetingly at the figures along the walls—
waiting, waiting. They seemed to watch her with the awful patience of the
undead. The drunkards beneath her feet began to stir and groan in their
sleep. The moonlight crept down the hall, touching the black feet. The cords
fell from Conan's arms, and taking the dagger from her, he ripped the bonds
from his legs with a single quick slash. He stepped out from the pillar,
flexing his limbs, stoically enduring the agony of returning circulation.
Olivia crouched against him, shaking like a leaf. Was it some trick of the
moonlight that touched the eyes of the black figures with fire, so that they
glimmered redly in the shadows?
Conan moved with the abruptness of a jungle cat. Catching up his sword
from where it lay in a stack of weapons near by, he lifted Olivia lightly
Page 35
from her feet and glided through an opening that gaped in the ivy-grown
wall.
No word passed between them. Lifting her in his arms he set off swiftly
across the moon-bathed sward. Her arms about his iron neck, the Ophirean
closed her eyes, cradling her dark curly head against his massive shoulder.
A delicious sense of security stole over her.
In spite of his burden, the Cimmerian crossed the plateau swiftly, and
Olivia, opening her eyes, saw that they were passing under the shadow of
the cliffs.
'Something climbed the cliffs,' she whispered. 'I heard it scrambling behind
me as I came down.'
'We'll have to chance it,' he grunted.
'I am not afraid—now,' she sighed.
'You were not afraid when you came to free me, either,' he answered. 'Crom,
what a day it has been! Such haggling and wrangling I never heard. I'm
nearly deaf. Aratus wished to cut out my heart, and Ivanos refused, to spite
Aratus, whom he hates. All day long they snarled and spat at one another,
and the crew quickly grew too drunk to vote either way—'
He halted suddenly, an image of bronze in the moonlight. With a quick
gesture he tossed the girl lightly to one side and behind him. Rising to her
knees on the soft sward, she screamed at what she saw.
Out of the shadows of the cliffs moved a monstrous shambling bulk—an
anthropomorphic horror, a grotesque travesty of creation.
In general outline it was not unlike a man. But its face, limned in the bright
moonlight, was bestial, with close-set ears, flaring nostrils, and a great
flabby-lipped mouth in which gleamed white tusk-like fangs. It was covered
with shaggy grayish hair, shot with silver which shone in the moonlight,
and its great misshapen paws hung nearly to the earth. Its bulk was
tremendous; as it stood on its short bowed legs, its bullet-head rose above
that of the man who faced it; the sweep of the hairy breast and giant
shoulders was breathtaking; the huge arms were like knotted trees.
wall.
No word passed between them. Lifting her in his arms he set off swiftly
across the moon-bathed sward. Her arms about his iron neck, the Ophirean
closed her eyes, cradling her dark curly head against his massive shoulder.
A delicious sense of security stole over her.
In spite of his burden, the Cimmerian crossed the plateau swiftly, and
Olivia, opening her eyes, saw that they were passing under the shadow of
the cliffs.
'Something climbed the cliffs,' she whispered. 'I heard it scrambling behind
me as I came down.'
'We'll have to chance it,' he grunted.
'I am not afraid—now,' she sighed.
'You were not afraid when you came to free me, either,' he answered. 'Crom,
what a day it has been! Such haggling and wrangling I never heard. I'm
nearly deaf. Aratus wished to cut out my heart, and Ivanos refused, to spite
Aratus, whom he hates. All day long they snarled and spat at one another,
and the crew quickly grew too drunk to vote either way—'
He halted suddenly, an image of bronze in the moonlight. With a quick
gesture he tossed the girl lightly to one side and behind him. Rising to her
knees on the soft sward, she screamed at what she saw.
Out of the shadows of the cliffs moved a monstrous shambling bulk—an
anthropomorphic horror, a grotesque travesty of creation.
In general outline it was not unlike a man. But its face, limned in the bright
moonlight, was bestial, with close-set ears, flaring nostrils, and a great
flabby-lipped mouth in which gleamed white tusk-like fangs. It was covered
with shaggy grayish hair, shot with silver which shone in the moonlight,
and its great misshapen paws hung nearly to the earth. Its bulk was
tremendous; as it stood on its short bowed legs, its bullet-head rose above
that of the man who faced it; the sweep of the hairy breast and giant
shoulders was breathtaking; the huge arms were like knotted trees.
Page 36
The moonlight scene swam, to Olivia's sight. This, then, was the end of the
trail—for what human being could withstand the fury of that hairy
mountain of thews and ferocity? Yet as she stared in wide-eyed horror at the
bronzed figure facing the monster, she sensed a kinship in the antagonists
that was almost appalling. This was less a struggle between man and beast
than a conflict between two creatures of the wild, equally merciless and
ferocious. With a flash of white tusks, the monster charged.
The mighty arms spread wide as the beast plunged, stupefyingly quick for
all his vast bulk and stunted legs.
Conan's action was a blur of speed Olivia's eye could not follow. She only
saw that he evaded that deadly grasp, and his sword, flashing like a jet of
white lightning, sheared through one of those massive arms between
shoulder and elbow. A great spout of blood deluged the sward as the
severed member fell, twitching horribly, but even as the sword bit through,
the other malformed hand locked in Conan's black mane.
Only the iron neck-muscles of the Cimmerian saved him from a broken
neck that instant. His left hand darted out to clamp on the beast's squat
throat, his left knee was jammed hard against the brute's hairy belly. Then
began a terrific struggle, which lasted only seconds, but which seemed like
ages to the paralyzed girl.
The ape maintained his grasp in Conan's hair, dragging him toward the
tusks that glistened in the moonlight. The Cimmerian resisted this effort,
with his left arm rigid as iron, while the sword in his right hand, wielded
like a butcher-knife, sank again and again into the groin, breast and belly of
his captor. The beast took its punishment in awful silence, apparently
unweakened by the blood that gushed from its ghastly wounds. Swiftly the
terrible strength of the anthropoid overcame the leverage of braced arm and
knee. Inexorably Conan's arm bent under the strain; nearer and nearer he
was drawn to the slavering jaws that gaped for his life. Now the blazing
eyes of the barbarian glared into the bloodshot eyes of the ape. But as
Conan tugged vainly at his sword, wedged deep in the hairy body, the
frothing jaws snapped spasmodically shut, an inch from the Cimmerian's
face, and he was hurled to the sward by the dying convulsions of the
monster.
trail—for what human being could withstand the fury of that hairy
mountain of thews and ferocity? Yet as she stared in wide-eyed horror at the
bronzed figure facing the monster, she sensed a kinship in the antagonists
that was almost appalling. This was less a struggle between man and beast
than a conflict between two creatures of the wild, equally merciless and
ferocious. With a flash of white tusks, the monster charged.
The mighty arms spread wide as the beast plunged, stupefyingly quick for
all his vast bulk and stunted legs.
Conan's action was a blur of speed Olivia's eye could not follow. She only
saw that he evaded that deadly grasp, and his sword, flashing like a jet of
white lightning, sheared through one of those massive arms between
shoulder and elbow. A great spout of blood deluged the sward as the
severed member fell, twitching horribly, but even as the sword bit through,
the other malformed hand locked in Conan's black mane.
Only the iron neck-muscles of the Cimmerian saved him from a broken
neck that instant. His left hand darted out to clamp on the beast's squat
throat, his left knee was jammed hard against the brute's hairy belly. Then
began a terrific struggle, which lasted only seconds, but which seemed like
ages to the paralyzed girl.
The ape maintained his grasp in Conan's hair, dragging him toward the
tusks that glistened in the moonlight. The Cimmerian resisted this effort,
with his left arm rigid as iron, while the sword in his right hand, wielded
like a butcher-knife, sank again and again into the groin, breast and belly of
his captor. The beast took its punishment in awful silence, apparently
unweakened by the blood that gushed from its ghastly wounds. Swiftly the
terrible strength of the anthropoid overcame the leverage of braced arm and
knee. Inexorably Conan's arm bent under the strain; nearer and nearer he
was drawn to the slavering jaws that gaped for his life. Now the blazing
eyes of the barbarian glared into the bloodshot eyes of the ape. But as
Conan tugged vainly at his sword, wedged deep in the hairy body, the
frothing jaws snapped spasmodically shut, an inch from the Cimmerian's
face, and he was hurled to the sward by the dying convulsions of the
monster.
Page 37
Olivia, half fainting, saw the ape heaving, thrashing and writhing, gripping,
man-like, the hilt that jutted from its body. A sickening instant of this, then
the great bulk quivered and lay still.
Conan rose and limped over to the corpse. The Cimmerian breathed heavily,
and walked like a man whose joints and muscles have been wrenched and
twisted almost to their limit of endurance. He felt his bloody scalp and
swore at the sight of the long black red-stained strands still grasped in the
monster's shaggy hand.
'Crom!' he panted. 'I feel as if I'd been racked! I'd rather fight a dozen men.
Another instant and he'd have bitten off my head. Blast him, he's torn a
handful of my hair out by the roots.'
Gripping his hilt with both hands he tugged and worked it free. Olivia stole
close to clasp his arm and stare down wide-eyed at the sprawling monster.
'What—what is it?' she whispered.
'A gray man-ape,' he grunted. 'Dumb, and man-eating. They dwell in the
hills that border the eastern shore of this sea. How this one got to this
island, I can't say. Maybe he floated here on driftwood, blown out from the
mainland in a storm.'
'And it was he that threw the stone?'
'Yes; I suspected what it was when we stood in the thicket and I saw the
boughs bending over our heads. These creatures always lurk in the deepest
woods they can find, and seldom emerge. What brought him into the open, I
can't say, but it was lucky for us; I'd have had no chance with him among
the trees.'
'It followed me,' she shivered. 'I saw it climbing the cliffs.'
'And following his instinct, he lurked in the shadow of the cliff, instead of
following you out across the plateau. His kind are creatures of darkness and
the silent places, haters of sun and moon.'
'Do you suppose there are others?'
man-like, the hilt that jutted from its body. A sickening instant of this, then
the great bulk quivered and lay still.
Conan rose and limped over to the corpse. The Cimmerian breathed heavily,
and walked like a man whose joints and muscles have been wrenched and
twisted almost to their limit of endurance. He felt his bloody scalp and
swore at the sight of the long black red-stained strands still grasped in the
monster's shaggy hand.
'Crom!' he panted. 'I feel as if I'd been racked! I'd rather fight a dozen men.
Another instant and he'd have bitten off my head. Blast him, he's torn a
handful of my hair out by the roots.'
Gripping his hilt with both hands he tugged and worked it free. Olivia stole
close to clasp his arm and stare down wide-eyed at the sprawling monster.
'What—what is it?' she whispered.
'A gray man-ape,' he grunted. 'Dumb, and man-eating. They dwell in the
hills that border the eastern shore of this sea. How this one got to this
island, I can't say. Maybe he floated here on driftwood, blown out from the
mainland in a storm.'
'And it was he that threw the stone?'
'Yes; I suspected what it was when we stood in the thicket and I saw the
boughs bending over our heads. These creatures always lurk in the deepest
woods they can find, and seldom emerge. What brought him into the open, I
can't say, but it was lucky for us; I'd have had no chance with him among
the trees.'
'It followed me,' she shivered. 'I saw it climbing the cliffs.'
'And following his instinct, he lurked in the shadow of the cliff, instead of
following you out across the plateau. His kind are creatures of darkness and
the silent places, haters of sun and moon.'
'Do you suppose there are others?'
Page 38
'No, else the pirates had been attacked when they went through the woods.
The gray ape is wary, for all his strength, as shown by his hesitancy in
falling upon us in the thicket. His lust for you must have been great, to have
driven him to attack us finally in the open. What—'
He started and wheeled back toward the way they had come. The night had
been split by an awful scream. It came from the ruins.
Instantly there followed a mad medley of yells, shrieks and cries of
blasphemous agony. Though accompanied by a ringing of steel, the sounds
were of massacre rather than battle.
Conan stood frozen, the girl clinging to him in a frenzy of terror. The
clamor rose to a crescendo of madness, and then the Cimmerian turned and
went swiftly toward the rim of the plateau, with its fringe of moon-limned
trees. Olivia's legs were trembling so that she could not walk; so he carried
her, and her heart calmed its frantic pounding as she nestled into his
cradling arms.
They passed under the shadowy forest, but the clusters of blackness held no
terrors, the rifts of silver discovered no grisly shape. Night-birds murmured
slumberously. The yells of slaughter dwindled behind them, masked in the
distance to a confused jumble of sound. Somewhere a parrot called, like an
eery echo: 'Yagkoolan yok tha, xuthalla!' So they came to the tree-fringed
water's edge and saw the galley lying at anchor, her sail shining white in the
moonlight. Already the stars were paling for dawn.
The gray ape is wary, for all his strength, as shown by his hesitancy in
falling upon us in the thicket. His lust for you must have been great, to have
driven him to attack us finally in the open. What—'
He started and wheeled back toward the way they had come. The night had
been split by an awful scream. It came from the ruins.
Instantly there followed a mad medley of yells, shrieks and cries of
blasphemous agony. Though accompanied by a ringing of steel, the sounds
were of massacre rather than battle.
Conan stood frozen, the girl clinging to him in a frenzy of terror. The
clamor rose to a crescendo of madness, and then the Cimmerian turned and
went swiftly toward the rim of the plateau, with its fringe of moon-limned
trees. Olivia's legs were trembling so that she could not walk; so he carried
her, and her heart calmed its frantic pounding as she nestled into his
cradling arms.
They passed under the shadowy forest, but the clusters of blackness held no
terrors, the rifts of silver discovered no grisly shape. Night-birds murmured
slumberously. The yells of slaughter dwindled behind them, masked in the
distance to a confused jumble of sound. Somewhere a parrot called, like an
eery echo: 'Yagkoolan yok tha, xuthalla!' So they came to the tree-fringed
water's edge and saw the galley lying at anchor, her sail shining white in the
moonlight. Already the stars were paling for dawn.
Page 39
4
In the ghastly whiteness of dawn a handful of tattered, blood-stained figures
staggered through the trees and out on to the narrow beach. There were
forty-four of them, and they were a cowed and demoralized band. With
panting haste they plunged into the water and began to wade toward the
galley, when a stern challenge brought them up standing.
Etched against the whitening sky they saw Conan the Cimmerian standing
in the bows, sword in hand, his black mane tossing in the dawn wind.
'Stand!' he ordered. 'Come no nearer. What would you have, dogs?'
'Let us come aboard!' croaked a hairy rogue fingering a bloody stump of
ear. 'We'd be gone from this devil's island.'
'The first man who tries to climb over the side, I'll split his skull,' promised
Conan.
They were forty-four to one, but he held the whip-hand. The fight had been
hammered out of them.
'Let us come aboard, good Conan,' whined a red-sashed Zamorian, glancing
fearfully over his shoulder at the silent woods. 'We have been so mauled,
bitten, scratched and rended, and are so weary from fighting and running,
that not one of us can lift a sword.'
'Where is that dog Aratus?' demanded Conan.
'Dead, with the others! It was devils fell upon us! They were rending us to
pieces before we could awake—a dozen good rovers died in their sleep. The
ruins were full of flame-eyed shadows, with tearing fangs and sharp talons.'
'Aye!' put in another corsair. 'They were the demons of the isle, which took
the forms of molten images, to befool us. Ishtar! We lay down to sleep
among them. We are no cowards. We fought them as long as mortal man
In the ghastly whiteness of dawn a handful of tattered, blood-stained figures
staggered through the trees and out on to the narrow beach. There were
forty-four of them, and they were a cowed and demoralized band. With
panting haste they plunged into the water and began to wade toward the
galley, when a stern challenge brought them up standing.
Etched against the whitening sky they saw Conan the Cimmerian standing
in the bows, sword in hand, his black mane tossing in the dawn wind.
'Stand!' he ordered. 'Come no nearer. What would you have, dogs?'
'Let us come aboard!' croaked a hairy rogue fingering a bloody stump of
ear. 'We'd be gone from this devil's island.'
'The first man who tries to climb over the side, I'll split his skull,' promised
Conan.
They were forty-four to one, but he held the whip-hand. The fight had been
hammered out of them.
'Let us come aboard, good Conan,' whined a red-sashed Zamorian, glancing
fearfully over his shoulder at the silent woods. 'We have been so mauled,
bitten, scratched and rended, and are so weary from fighting and running,
that not one of us can lift a sword.'
'Where is that dog Aratus?' demanded Conan.
'Dead, with the others! It was devils fell upon us! They were rending us to
pieces before we could awake—a dozen good rovers died in their sleep. The
ruins were full of flame-eyed shadows, with tearing fangs and sharp talons.'
'Aye!' put in another corsair. 'They were the demons of the isle, which took
the forms of molten images, to befool us. Ishtar! We lay down to sleep
among them. We are no cowards. We fought them as long as mortal man
Page 40
may strive against the powers of darkness. Then we broke away and left
them tearing at the corpses like jackals. But surely they'll pursue us.'
'Aye, let us come aboard!' clamored a lean Shemite. 'Let us come in peace,
or we must come sword in hand, and though we be so weary you will
doubtless slay many of us, yet you can not prevail against us many.'
'Then I'll knock a hole in the planks and sink her,' answered Conan grimly.
A frantic chorus of expostulation rose, which Conan silenced with a lion-
like roar.
'Dogs! Must I aid my enemies? Shall I let you come aboard and cut out my
heart?'
'Nay, nay!' they cried eagerly. 'Friends—friends, Conan. We are thy
comrades! We be all lusty rogues together. We hate the king of Turan, not
each other.'
Their gaze hung on his brown, frowning face.
'Then if I am one of the Brotherhood,' he grunted, 'the laws of the Trade
apply to me; and since I killed your chief in fair fight, then I am your
captain!'
There was no dissent. The pirates were too cowed and battered to have any
thought except a desire to get away from that island of fear. Conan's gaze
sought out the blood-stained figure of the Corinthian.
'How, Ivanos!' he challenged. 'You took my part, once. Will you uphold my
claims again?'
'Aye, by Mitra!' The pirate, sensing the trend of feeling, was eager to
ingratiate himself with the Cimmerian. 'He is right, lads; he is our lawful
captain!'
A medley of acquiescence rose, lacking enthusiasm perhaps, but with
sincerity accentuated by the feel of the silent woods behind them which
might mask creeping ebony devils with red eyes and dripping talons.
'Swear by the hilt,' Conan demanded.
them tearing at the corpses like jackals. But surely they'll pursue us.'
'Aye, let us come aboard!' clamored a lean Shemite. 'Let us come in peace,
or we must come sword in hand, and though we be so weary you will
doubtless slay many of us, yet you can not prevail against us many.'
'Then I'll knock a hole in the planks and sink her,' answered Conan grimly.
A frantic chorus of expostulation rose, which Conan silenced with a lion-
like roar.
'Dogs! Must I aid my enemies? Shall I let you come aboard and cut out my
heart?'
'Nay, nay!' they cried eagerly. 'Friends—friends, Conan. We are thy
comrades! We be all lusty rogues together. We hate the king of Turan, not
each other.'
Their gaze hung on his brown, frowning face.
'Then if I am one of the Brotherhood,' he grunted, 'the laws of the Trade
apply to me; and since I killed your chief in fair fight, then I am your
captain!'
There was no dissent. The pirates were too cowed and battered to have any
thought except a desire to get away from that island of fear. Conan's gaze
sought out the blood-stained figure of the Corinthian.
'How, Ivanos!' he challenged. 'You took my part, once. Will you uphold my
claims again?'
'Aye, by Mitra!' The pirate, sensing the trend of feeling, was eager to
ingratiate himself with the Cimmerian. 'He is right, lads; he is our lawful
captain!'
A medley of acquiescence rose, lacking enthusiasm perhaps, but with
sincerity accentuated by the feel of the silent woods behind them which
might mask creeping ebony devils with red eyes and dripping talons.
'Swear by the hilt,' Conan demanded.
Page 41
Forty-four sword-hilts were lifted toward him, and forty-four voices
blended in the corsair's oath of allegiance.
Conan grinned and sheathed his sword. 'Come aboard, my bold
swashbucklers, and take the oars.'
He turned and lifted Olivia to her feet, from where she had crouched
shielded by the gunwales.
'And what of me, sir?' she asked.
'What would you?' he countered, watching her narrowly.
'To go with you, wherever your path may lie!' she cried, throwing her white
arms about his bronzed neck.
The pirates, clambering over the rail, gasped in amazement.
'To sail a road of blood and slaughter?' he questioned. 'This keel will stain
the blue waves crimson wherever it plows.'
'Aye, to sail with you on blue seas or red,' she answered passionately. 'You
are a barbarian, and I am an outcast, denied by my people. We are both
pariahs, wanderers of earth. Oh, take me with you!'
With a gusty laugh he lifted her to his fierce lips.
'I'll make you Queen of the Blue Sea! Cast off there, dogs! We'll scorch
King Yildiz's pantaloons yet, by Crom!'
blended in the corsair's oath of allegiance.
Conan grinned and sheathed his sword. 'Come aboard, my bold
swashbucklers, and take the oars.'
He turned and lifted Olivia to her feet, from where she had crouched
shielded by the gunwales.
'And what of me, sir?' she asked.
'What would you?' he countered, watching her narrowly.
'To go with you, wherever your path may lie!' she cried, throwing her white
arms about his bronzed neck.
The pirates, clambering over the rail, gasped in amazement.
'To sail a road of blood and slaughter?' he questioned. 'This keel will stain
the blue waves crimson wherever it plows.'
'Aye, to sail with you on blue seas or red,' she answered passionately. 'You
are a barbarian, and I am an outcast, denied by my people. We are both
pariahs, wanderers of earth. Oh, take me with you!'
With a gusty laugh he lifted her to his fierce lips.
'I'll make you Queen of the Blue Sea! Cast off there, dogs! We'll scorch
King Yildiz's pantaloons yet, by Crom!'
Page 42
*** END OF THE PROJECT GUTENBERG EBOOK SHADOWS IN
THE MOONLIGHT ***
Updated editions will replace the previous one—the old editions will be
renamed.
Creating the works from print editions not protected by U.S. copyright law
means that no one owns a United States copyright in these works, so the
Foundation (and you!) can copy and distribute it in the United States
without permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to copying
and distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for an eBook,
except by following the terms of the trademark license, including paying
royalties for use of the Project Gutenberg trademark. If you do not charge
anything for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project Gutenberg
eBooks may be modified and printed and given away—you may do
practically ANYTHING in the United States with eBooks not protected by
U.S. copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.
START: FULL LICENSE
THE MOONLIGHT ***
Updated editions will replace the previous one—the old editions will be
renamed.
Creating the works from print editions not protected by U.S. copyright law
means that no one owns a United States copyright in these works, so the
Foundation (and you!) can copy and distribute it in the United States
without permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to copying
and distributing Project Gutenberg™ electronic works to protect the
PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a
registered trademark, and may not be used if you charge for an eBook,
except by following the terms of the trademark license, including paying
royalties for use of the Project Gutenberg trademark. If you do not charge
anything for copies of this eBook, complying with the trademark license is
very easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project Gutenberg
eBooks may be modified and printed and given away—you may do
practically ANYTHING in the United States with eBooks not protected by
U.S. copyright law. Redistribution is subject to the trademark license,
especially commercial redistribution.
START: FULL LICENSE
Page 43
THE FULL PROJECT GUTENBERG™ LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or any
other work associated in any way with the phrase “Project Gutenberg”), you
agree to comply with all the terms of the Full Project Gutenberg License
available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing
Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work,
you indicate that you have read, understand, agree to and accept all the
terms of this license and intellectual property (trademark/copyright)
agreement. If you do not agree to abide by all the terms of this agreement,
you must cease using and return or destroy all copies of Project Gutenberg
electronic works in your possession. If you paid a fee for obtaining a copy
of or access to a Project Gutenberg electronic work and you do not agree to
be bound by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on
or associated in any way with an electronic work by people who agree to be
bound by the terms of this agreement. There are a few things that you can
do with most Project Gutenberg electronic works even without complying
with the full terms of this agreement. See paragraph 1.C below. There are a
lot of things you can do with Project Gutenberg electronic works if you
follow the terms of this agreement and help preserve free future access to
Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an individual
work is unprotected by copyright law in the United States and you are
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work (or any
other work associated in any way with the phrase “Project Gutenberg”), you
agree to comply with all the terms of the Full Project Gutenberg License
available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing
Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work,
you indicate that you have read, understand, agree to and accept all the
terms of this license and intellectual property (trademark/copyright)
agreement. If you do not agree to abide by all the terms of this agreement,
you must cease using and return or destroy all copies of Project Gutenberg
electronic works in your possession. If you paid a fee for obtaining a copy
of or access to a Project Gutenberg electronic work and you do not agree to
be bound by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on
or associated in any way with an electronic work by people who agree to be
bound by the terms of this agreement. There are a few things that you can
do with most Project Gutenberg electronic works even without complying
with the full terms of this agreement. See paragraph 1.C below. There are a
lot of things you can do with Project Gutenberg electronic works if you
follow the terms of this agreement and help preserve free future access to
Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an individual
work is unprotected by copyright law in the United States and you are
Page 44
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project Gutenberg are
removed. Of course, we hope that you will support the Project Gutenberg
mission of promoting free access to electronic works by freely sharing
Project Gutenberg works in compliance with the terms of this agreement for
keeping the Project Gutenberg name associated with the work. You can
easily comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when you
share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in a
constant state of change. If you are outside the United States, check the
laws of your country in addition to the terms of this agreement before
downloading, copying, displaying, performing, distributing or creating
derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status
of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg License must appear prominently
whenever any copy of a Project Gutenberg work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed, copied
or distributed:
This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg™ License included with
this eBook or online at www.gutenberg.org. If you are not located in
the United States, you will have to check the laws of the country
where you are located before using this eBook.
copying, distributing, performing, displaying or creating derivative works
based on the work as long as all references to Project Gutenberg are
removed. Of course, we hope that you will support the Project Gutenberg
mission of promoting free access to electronic works by freely sharing
Project Gutenberg works in compliance with the terms of this agreement for
keeping the Project Gutenberg name associated with the work. You can
easily comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg License when you
share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in a
constant state of change. If you are outside the United States, check the
laws of your country in addition to the terms of this agreement before
downloading, copying, displaying, performing, distributing or creating
derivative works based on this work or any other Project Gutenberg work.
The Foundation makes no representations concerning the copyright status
of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg License must appear prominently
whenever any copy of a Project Gutenberg work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed, copied
or distributed:
This eBook is for the use of anyone anywhere in the United States
and most other parts of the world at no cost and with almost no
restrictions whatsoever. You may copy it, give it away or re-use it
under the terms of the Project Gutenberg™ License included with
this eBook or online at www.gutenberg.org. If you are not located in
the United States, you will have to check the laws of the country
where you are located before using this eBook.
Page 45
1.E.2. If an individual Project Gutenberg electronic work is derived from
texts not protected by U.S. copyright law (does not contain a notice
indicating that it is posted with permission of the copyright holder), the
work can be copied and distributed to anyone in the United States without
paying any fees or charges. If you are redistributing or providing access to a
work with the phrase “Project Gutenberg” associated with or appearing on
the work, you must comply either with the requirements of paragraphs
1.E.1 through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the
permission of the copyright holder, your use and distribution must comply
with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed
by the copyright holder. Additional terms will be linked to the Project
Gutenberg License for all works posted with the permission of the
copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License
terms from this work, or any files containing a part of this work or any
other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without prominently
displaying the sentence set forth in paragraph 1.E.1 with active links or
immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg work in a format other than “Plain
Vanilla ASCII” or other format used in the official version posted on the
official Project Gutenberg website (www.gutenberg.org), you must, at no
additional cost, fee or expense to the user, provide a copy, a means of
exporting a copy, or a means of obtaining a copy upon request, of the work
in its original “Plain Vanilla ASCII” or other form. Any alternate format
must include the full Project Gutenberg License as specified in paragraph
1.E.1.
texts not protected by U.S. copyright law (does not contain a notice
indicating that it is posted with permission of the copyright holder), the
work can be copied and distributed to anyone in the United States without
paying any fees or charges. If you are redistributing or providing access to a
work with the phrase “Project Gutenberg” associated with or appearing on
the work, you must comply either with the requirements of paragraphs
1.E.1 through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the
permission of the copyright holder, your use and distribution must comply
with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed
by the copyright holder. Additional terms will be linked to the Project
Gutenberg License for all works posted with the permission of the
copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License
terms from this work, or any files containing a part of this work or any
other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without prominently
displaying the sentence set forth in paragraph 1.E.1 with active links or
immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg work in a format other than “Plain
Vanilla ASCII” or other format used in the official version posted on the
official Project Gutenberg website (www.gutenberg.org), you must, at no
additional cost, fee or expense to the user, provide a copy, a means of
exporting a copy, or a means of obtaining a copy upon request, of the work
in its original “Plain Vanilla ASCII” or other form. Any alternate format
must include the full Project Gutenberg License as specified in paragraph
1.E.1.
Page 46
1.E.7. Do not charge a fee for access to, viewing, displaying, performing,
copying or distributing any Project Gutenberg works unless you comply
with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to
or distributing Project Gutenberg electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free distribution
of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth in
this agreement, you must obtain permission in writing from the Project
Gutenberg Literary Archive Foundation, the manager of the Project
copying or distributing any Project Gutenberg works unless you comply
with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to
or distributing Project Gutenberg electronic works provided that:
• You pay a royalty fee of 20% of the gross profits you derive from the
use of Project Gutenberg works calculated using the method you
already use to calculate your applicable taxes. The fee is owed to the
owner of the Project Gutenberg trademark, but he has agreed to donate
royalties under this paragraph to the Project Gutenberg Literary
Archive Foundation. Royalty payments must be paid within 60 days
following each date on which you prepare (or are legally required to
prepare) your periodic tax returns. Royalty payments should be clearly
marked as such and sent to the Project Gutenberg Literary Archive
Foundation at the address specified in Section 4, “Information about
donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he does
not agree to the terms of the full Project Gutenberg™ License. You
must require such a user to return or destroy all copies of the works
possessed in a physical medium and discontinue all use of and all
access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days of
receipt of the work.
• You comply with all other terms of this agreement for free distribution
of Project Gutenberg™ works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™
electronic work or group of works on different terms than are set forth in
this agreement, you must obtain permission in writing from the Project
Gutenberg Literary Archive Foundation, the manager of the Project
Page 47
Gutenberg™ trademark. Contact the Foundation as set forth in Section 3
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread works
not protected by U.S. copyright law in creating the Project Gutenberg™
collection. Despite these efforts, Project Gutenberg™ electronic works, and
the medium on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer codes that
damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in paragraph 1.F.3, the
Project Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to
you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving it, you
can receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to
below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread works
not protected by U.S. copyright law in creating the Project Gutenberg™
collection. Despite these efforts, Project Gutenberg™ electronic works, and
the medium on which they may be stored, may contain “Defects,” such as,
but not limited to, incomplete, inaccurate or corrupt data, transcription
errors, a copyright or other intellectual property infringement, a defective or
damaged disk or other medium, a computer virus, or computer codes that
damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except
for the “Right of Replacement or Refund” described in paragraph 1.F.3, the
Project Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all liability to
you for damages, costs and expenses, including legal fees. YOU AGREE
THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT
EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE
THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY
DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE
TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL,
PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you
discover a defect in this electronic work within 90 days of receiving it, you
can receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with the
defective work may elect to provide a replacement copy in lieu of a refund.
If you received the work electronically, the person or entity providing it to
Page 48
you may choose to give you a second opportunity to receive the work
electronically in lieu of a refund. If the second copy is also defective, you
may demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR
FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or
the exclusion or limitation of certain types of damages. If any disclaimer or
limitation set forth in this agreement violates the law of the state applicable
to this agreement, the agreement shall be interpreted to make the maximum
disclaimer or limitation permitted by the applicable state law. The invalidity
or unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do or cause
to occur: (a) distribution of this or any Project Gutenberg work, (b)
alteration, modification, or additions or deletions to any Project Gutenberg
work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project
Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic
works in formats readable by the widest variety of computers including
obsolete, old, middle-aged and new computers. It exists because of the
electronically in lieu of a refund. If the second copy is also defective, you
may demand a refund in writing without further opportunities to fix the
problem.
1.F.4. Except for the limited right of replacement or refund set forth in
paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING
BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR
FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or
the exclusion or limitation of certain types of damages. If any disclaimer or
limitation set forth in this agreement violates the law of the state applicable
to this agreement, the agreement shall be interpreted to make the maximum
disclaimer or limitation permitted by the applicable state law. The invalidity
or unenforceability of any provision of this agreement shall not void the
remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg™ electronic works,
harmless from all liability, costs and expenses, including legal fees, that
arise directly or indirectly from any of the following which you do or cause
to occur: (a) distribution of this or any Project Gutenberg work, (b)
alteration, modification, or additions or deletions to any Project Gutenberg
work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project
Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic
works in formats readable by the widest variety of computers including
obsolete, old, middle-aged and new computers. It exists because of the
Page 49
efforts of hundreds of volunteers and donations from people in all walks of
life.
Volunteers and financial support to provide volunteers with the assistance
they need are critical to reaching Project Gutenberg’s goals and ensuring
that the Project Gutenberg collection will remain freely available for
generations to come. In 2001, the Project Gutenberg Literary Archive
Foundation was created to provide a secure and permanent future for
Project Gutenberg and future generations. To learn more about the Project
Gutenberg Literary Archive Foundation and how your efforts and donations
can help, see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)
(3) educational corporation organized under the laws of the state of
Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541.
Contributions to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and your state’s
laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website and
official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project
Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely distributed
in machine-readable form accessible by the widest array of equipment
life.
Volunteers and financial support to provide volunteers with the assistance
they need are critical to reaching Project Gutenberg’s goals and ensuring
that the Project Gutenberg collection will remain freely available for
generations to come. In 2001, the Project Gutenberg Literary Archive
Foundation was created to provide a secure and permanent future for
Project Gutenberg and future generations. To learn more about the Project
Gutenberg Literary Archive Foundation and how your efforts and donations
can help, see Sections 3 and 4 and the Foundation information page at
www.gutenberg.org.
Section 3. Information about the Project Gutenberg
Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)
(3) educational corporation organized under the laws of the state of
Mississippi and granted tax exempt status by the Internal Revenue Service.
The Foundation’s EIN or federal tax identification number is 64-6221541.
Contributions to the Project Gutenberg Literary Archive Foundation are tax
deductible to the full extent permitted by U.S. federal laws and your state’s
laws.
The Foundation’s business office is located at 41 Watchung Plaza #516,
Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up
to date contact information can be found at the Foundation’s website and
official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project
Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of increasing the
number of public domain and licensed works that can be freely distributed
in machine-readable form accessible by the widest array of equipment
Page 50
including outdated equipment. Many small donations ($1 to $5,000) are
particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort,
much paperwork and many fees to meet and keep up with these
requirements. We do not solicit donations in locations where we have not
received written confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have
not met the solicitation requirements, we know of no prohibition against
accepting unsolicited donations from donors in such states who approach us
with offers to donate.
International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside the
United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods
and addresses. Donations are accepted in a number of other ways including
checks, online payments and credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg
electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg
concept of a library of electronic works that could be freely shared with
anyone. For forty years, he produced and distributed Project Gutenberg
eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions,
all of which are confirmed as not protected by copyright in the U.S. unless a
particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United States.
Compliance requirements are not uniform and it takes a considerable effort,
much paperwork and many fees to meet and keep up with these
requirements. We do not solicit donations in locations where we have not
received written confirmation of compliance. To SEND DONATIONS or
determine the status of compliance for any particular state visit
www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have
not met the solicitation requirements, we know of no prohibition against
accepting unsolicited donations from donors in such states who approach us
with offers to donate.
International donations are gratefully accepted, but we cannot make any
statements concerning tax treatment of donations received from outside the
United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods
and addresses. Donations are accepted in a number of other ways including
checks, online payments and credit card donations. To donate, please visit:
www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg
electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg
concept of a library of electronic works that could be freely shared with
anyone. For forty years, he produced and distributed Project Gutenberg
eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions,
all of which are confirmed as not protected by copyright in the U.S. unless a
Page 51
copyright notice is included. Thus, we do not necessarily keep eBooks in
compliance with any particular paper edition.
Most people start at our website which has the main PG search facility:
www.gutenberg.org.
This website includes information about Project Gutenberg, including how
to make donations to the Project Gutenberg Literary Archive Foundation,
how to help produce our new eBooks, and how to subscribe to our email
newsletter to hear about new eBooks.
compliance with any particular paper edition.
Most people start at our website which has the main PG search facility:
www.gutenberg.org.
This website includes information about Project Gutenberg, including how
to make donations to the Project Gutenberg Literary Archive Foundation,
how to help produce our new eBooks, and how to subscribe to our email
newsletter to hear about new eBooks.