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Second Series
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Title: Hans Andersen's Fairy Tales. Second Series

Author: H. C. Andersen

Editor: J. H. Stickney

Illustrator: Edna F. Hart

Release date: May 28, 2010 [eBook #32572]

Language: English

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Credits: Produced by Sharon Joiner, Emmy and the Online Distributed
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*** START OF THE PROJECT GUTENBERG EBOOK HANS
ANDERSEN'S FAIRY TALES. SECOND SERIES ***

Hans Andersen's
Fairy Tales

Second Series
Edited by
J. H. Stickney

Illustrated by Edna F. Hart

Ginn and Company
Boston—New York—Chicago—London
COPYRIGHT, 1915, BY GINN AND COMPANY

ALL RIGHTS RESERVED

315.2

The Athenæum Press

GINN AND COMPANY · PROPRIETORS
· BOSTON · U.S.A.

PREFACE
HE present volume is the second of the selected stories from
Hans Andersen. Together the books include what, out of a larger
number, are the best for children's use. The story-telling activity
of this inimitable genius covered a period of more than forty
years. Besides these shorter juvenile tales, there are a few which
deserve to survive. "The Ice Maiden" is a standard, if not a classic, and
"The Sandhills of Jutland" was pronounced by Ruskin the most perfect
story that he knew.
It adds a charm to the little stories of these two volumes to know that the
genial author traveled widely for a man of his time and everywhere was
urged to tell the tales himself. This he did with equal charm in the kitchens
of the humble and in the courts and palaces of nobles.
As was said in the preface to the first volume, wherever there are
children to read, the stories of Hans Christian Andersen will be read and
loved.

CONTENTS
PAGE
THE FLAX 3
THE DAISY 12
THE PEA BLOSSOM 21
THE STORKS 29
THE WILD SWANS 39
THE LAST DREAM OF THE OLD OAK 71
THE PORTUGUESE DUCK 84
THE SNOW MAN 96
THE FARMYARD COCK AND THE WEATHERCOCK 107
THE RED SHOES 112
THE LITTLE MERMAID 124
BUCKWHEAT 170
WHAT HAPPENED TO THE THISTLE 174
THE PEN AND THE INKSTAND 183
THE TEAPOT 188
SOUP FROM A SAUSAGE SKEWER 192
WHAT THE GOODMAN DOES IS ALWAYS RIGHT 220
THE OLD STREET LAMP 232
THE SHEPHERDESS AND THE CHIMNEY SWEEP 246
THE DROP OF WATER 256
THE SWINEHERD 260
THE METAL PIG 269
THE FLYING TRUNK 290
THE BUTTERFLY 303
THE GOBLIN AND THE HUCKSTER 309
EVERYTHING IN ITS RIGHT PLACE 317
THE REAL PRINCESS 333
THE EMPEROR'S NEW CLOTHES 336
GREAT CLAUS AND LITTLE CLAUS 345

NOTES 367

HANS ANDERSEN'S FAIRY TALES

HANS ANDERSEN'S FAIRY TALES

THE FLAX
HE flax was in full bloom; it had pretty little blue flowers, as
delicate as the wings of a moth. The sun shone on it and the
showers watered it; and this was as good for the flax as it is for
little children to be washed and then kissed by their mothers.
They look much prettier for it, and so did the flax.
"People say that I look exceedingly well," said the flax, "and that I am so
fine and long that I shall make a beautiful piece of linen. How fortunate I
am! It makes me so happy to know that something can be made of me. How
the sunshine cheers me, and how sweet and refreshing is the rain! My
happiness overpowers me; no one in the world can feel happier than I."
"Ah, yes, no doubt," said the fern, "but you do not know the world yet as
well as I do, for my sticks are knotty"; and then it sang quite mournfully:
"Snip, snap, snurre,
Basse lurre.
The song is ended."
"No, it is not ended," said the flax. "To-morrow the sun will shine or the
rain descend. I feel that I am growing. I feel that I am in full blossom. I am
the happiest of all creatures, for I may some day come to something."
Well, one day some people came, who took hold of the flax and pulled it
up by the roots, which was very painful. Then it was laid in water, as if it
were to be drowned, and after that placed near a fire, as if it were to be
roasted. All this was very shocking.
"We cannot expect to be happy always," said the flax. "By experiencing
evil as well as good we become wise." And certainly there was plenty of
evil in store for the flax. It was steeped, and roasted, and broken, and
combed; indeed, it scarcely knew what was done to it. At last it was put on
the spinning wheel. "Whir, whir," went the wheel, so quickly that the flax
could not collect its thoughts.

"Well, I have been very happy," it thought in the midst of its pain, "and
must be contented with the past." And contented it remained, till it was put
on the loom and became a beautiful piece of white linen. All the flax, even
to the last stalk, was used in making this one piece.
"Well, this is quite wonderful," said the flax. "I could not have believed
that I should be so favored by fortune. The fern was not wrong when it
sang,
'Snip, snap, snurre,
Basse lurre.'
But the song is not ended yet, I am sure; it is only just beginning. How
wonderful it is that, after all I have suffered, I am made something of at
last! I am the luckiest person in the world—so strong and fine. And how
white and long I am! This is far better than being a mere plant and bearing
flowers. Then I had no attention, nor any water unless it rained; now I am
watched and cared for. Every morning the maid turns me over, and I have a
shower bath from the watering-pot every evening. Yes, and the clergyman's
wife noticed me and said I was the best piece of linen in the whole parish. I
cannot be happier than I am now."
After some time the linen was taken into the house, and there cut with
the scissors and torn into pieces and then pricked with needles. This
certainly was not pleasant, but at last it was made into twelve garments of
the kind that everybody wears. "See now, then," said the flax, "I have
become something of importance. This was my destiny; it is quite a
blessing. Now I shall be of some use in the world, as every one ought to be;
it is the only way to be happy. I am now divided into twelve pieces, and yet
the whole dozen is all one and the same. It is most extraordinary good
fortune."
Years passed away, and at last the linen was so worn it could scarcely
hold together. "It must end very soon," said the pieces to each other. "We
would gladly have held together a little longer, but it is useless to expect
impossibilities." And at length they fell into rags and tatters and thought it
was all over with them, for they were torn to shreds and steeped in water
and made into a pulp and dried, and they knew not what besides, till all at
once they found themselves beautiful white paper. "Well, now, this is a

surprise—a glorious surprise too," said the paper. "Now I am finer than
ever, and who can tell what fine things I may have written upon me? This is
wonderful luck!" And so it was, for the most beautiful stories and poetry
were written upon it, and only once was there a blot, which was remarkable
good fortune. Then people heard the stories and poetry read, and it made
them wiser and better; for all that was written had a good and sensible
meaning, and a great blessing was contained in it.
"I never imagined anything like this when I was only a little blue flower
growing in the fields," said the paper. "How could I know that I should ever
be the means of bringing knowledge and joy to men? I cannot understand it
myself, and yet it is really so. Heaven knows that I have done nothing
myself but what I was obliged to do with my weak powers for my own
preservation; and yet I have been promoted from one joy and honor to
another. Each time I think that the song is ended, and then something higher
and better begins for me. I suppose now I shall be sent out to journey about
the world, so that people may read me. It cannot be otherwise, for I have
more splendid thoughts written upon me than I had pretty flowers in olden
times. I am happier than ever."
But the paper did not go on its travels. It was sent to the printer, and all
the words written upon it were set up in type to make a book,—or rather
many hundreds of books,—for many more persons could derive pleasure
and profit from a printed book than from the written paper; and if the paper
had been sent about the world, it would have been worn out before it had
half finished its journey.
"Yes, this is certainly the wisest plan," said the written paper; "I really
did not think of this. I shall remain at home and be held in honor like some
old grandfather, as I really am to all these new books. They will do some
good. I could not have wandered about as they can, yet he who wrote all
this has looked at me as every word flowed from his pen upon my surface. I
am the most honored of all."
Then the paper was tied in a bundle with other papers and thrown into a
tub that stood in the washhouse.
"After work, it is well to rest," said the paper, "and a very good
opportunity to collect one's thoughts. Now I am able, for the first time, to

learn what is in me; and to know one's self is true progress. What will be
done with me now, I wonder? No doubt I shall still go forward. I have
always progressed hitherto, I know quite well."
Now it happened one day that all the paper in the tub was taken out and
laid on the hearth to be burned. People said it could not be sold at the shop,
to wrap up butter and sugar, because it had been written upon. The children
in the house stood round the hearth to watch the blaze, for paper always
flamed up so prettily, and afterwards, among the ashes, there were so many
red sparks to be seen running one after the other, here and there, as quick as
the wind. They called it seeing the children come out of school, and the last
spark, they said, was the schoolmaster. They would often think the last
spark had come, and one would cry, "There goes the schoolmaster," but the
next moment another spark would appear, bright and beautiful. How they
wanted to know where all the sparks went to! Perhaps they will find out
some day.
The whole bundle of paper had been placed on the fire and was soon
burning. "Ugh!" cried the paper as it burst into a bright flame; "ugh!" It was
certainly not very pleasant to be burned. But when the whole was wrapped
in flames, the sparks mounted up into the air, higher than the flax had ever
been able to raise its little blue flowers, and they glistened as the white linen
never could have glistened. All the written letters became quite red in a
moment, and all the words and thoughts turned to fire.
"Now I am mounting straight up to the sun," said a voice in the flames;
and it was as if a thousand voices echoed the words as the flames darted up
through the chimney and went out at the top. Then a number of tiny beings,
as many as the flowers on the flax had been, and invisible to mortal eyes,
floated above the children. They were even lighter and more delicate than
the blue flowers from which they were born; and as the flames died out and
nothing remained of the paper but black ashes, these little beings danced
upon it, and wherever they touched it, bright red sparks appeared.
"The children are all out of school, and the schoolmaster was the last of
all," said the children. It was good fun, and they sang over the dead ashes:
"Snip, snap, snurre,
Basse lurre.

The song is ended."
But the little invisible beings said, "The song is never ended; the most
beautiful is yet to come."
But the children could neither hear nor understand this; nor should they,
for children must not know everything.

THE DAISY
OW listen. Out in the country, close by the roadside, stood a
pleasant house; you have seen one like it, no doubt, very
often. In front lay a little fenced-in garden, full of blooming
flowers. Near the hedge, in the soft green grass, grew a little
daisy. The sun shone as brightly and warmly upon her as
upon the large and beautiful garden flowers, so the daisy grew from hour to
hour. Every morning she unfolded her little white petals, like shining rays
round the little golden sun in the center of the flower. She never seemed to
think that she was unseen down in the grass or that she was only a poor,
insignificant flower. She felt too happy to care for that. Merrily she turned
toward the warm sun, looked up to the blue sky, and listened to the lark
singing high in the air.
One day the little flower was as joyful as if it had been a great holiday,
although it was only Monday. All the children were at school, and while
they sat on their benches learning their lessons, she, on her little stem,
learned also from the warm sun and from everything around her how good
God is, and it made her happy to hear the lark expressing in his song her
own glad feelings. The daisy admired the happy bird who could warble so
sweetly and fly so high, and she was not at all sorrowful because she could
not do the same.
"I can see and hear," thought she; "the sun shines upon me, and the wind
kisses me; what else do I need to make me happy?"
Within the garden grew a number of aristocratic flowers; the less scent
they had the more they flaunted. The peonies considered it a grand thing to
be so large, and puffed themselves out to be larger than the roses. The tulips
knew that they were marked with beautiful colors, and held themselves bolt
upright so that they might be seen more plainly.
They did not notice the little daisy outside, but she looked at them and
thought: "How rich and beautiful they are! No wonder the pretty bird flies

down to visit them. How glad I am that I grow so near them, that I may
admire their beauty!"
Just at this moment the lark flew down, crying "Tweet," but he did not
go to the tall peonies and tulips; he hopped into the grass near the lowly
daisy. She trembled for joy and hardly knew what to think. The little bird
hopped round the daisy, singing, "Oh, what sweet, soft grass, and what a
lovely little flower, with gold in its heart and silver on its dress!" For the
yellow center in the daisy looked like gold, and the leaves around were
glittering white, like silver.
How happy the little daisy felt, no one can describe. The bird kissed her
with his beak, sang to her, and then flew up again into the blue air above. It
was at least a quarter of an hour before the daisy could recover herself. Half
ashamed, yet happy in herself, she glanced at the other flowers; they must
have seen the honor she had received, and would understand her delight and
pleasure.
But the tulips looked prouder than ever; indeed, they were evidently
quite vexed about it. The peonies were disgusted, and could they have
spoken, the poor little daisy would no doubt have received a good scolding.
She could see they were all out of temper, and it made her very sorry.
At this moment there came into the garden a girl with a large, glittering
knife in her hand. She went straight to the tulips and cut off several of them.
"O dear," sighed the daisy, "how shocking! It is all over with them now."
The girl carried the tulips away, and the daisy felt very glad to grow outside
in the grass and to be only a poor little flower. When the sun set, she folded
up her leaves and went to sleep. She dreamed the whole night long of the
warm sun and the pretty little bird.
The next morning, when she joyfully stretched out her white leaves once
more to the warm air and the light, she recognized the voice of the bird, but
his song sounded mournful and sad.
Alas! he had good reason to be sad: he had been caught and made a
prisoner in a cage that hung close by the open window. He sang of the
happy time when he could fly in the air, joyous and free; of the young green

corn in the fields, from which he would spring higher and higher to sing his
glorious song—but now he was a prisoner in a cage.
The little daisy wished very much to help him. But what could she do?
In her anxiety she forgot all the beautiful things around her, the warm
sunshine, and her own pretty, shining, white leaves. Alas! she could think of
nothing but the captive bird and her own inability to help him.
Two boys came out of the garden; one of them carried a sharp knife in
his hand, like the one with which the girl had cut the tulips. They went
straight to the little daisy, who could not think what they were going to do.
"We can cut out a nice piece of turf for the lark here," said one of the
boys; and he began to cut a square piece round the daisy, so that she stood
just in the center.

"Pull up the flower," said the other boy; and the daisy trembled with fear,
for to pluck her up would destroy her life and she wished so much to live
and to be taken to the captive lark in his cage.
"No, let it stay where it is," said the boy, "it looks so pretty." So the daisy
remained, and was put with the turf in the lark's cage. The poor bird was
complaining loudly about his lost freedom, beating his wings against the
iron bars of his prison. The little daisy could make no sign and utter no
word to console him, as she would gladly have done. The whole morning
passed in this manner.
"There is no water here," said the captive lark; "they have all gone out
and have forgotten to give me a drop to drink. My throat is hot and dry; I
feel as if I had fire and ice within me, and the air is so heavy. Alas! I must
die. I must bid farewell to the warm sunshine, the fresh green, and all the
beautiful things which God has created." And then he thrust his beak into
the cool turf to refresh himself a little with the fresh grass, and, as he did so,
his eye fell upon the daisy. The bird nodded to her and kissed her with his
beak and said: "You also will wither here, you poor little flower! They have
given you to me, with the little patch of green grass on which you grow, in
exchange for the whole world which was mine out there. Each little blade
of grass is to me as a great tree, and each of your white leaves a flower.
Alas! you only show me how much I have lost."
"Oh, if I could only comfort him!" thought the daisy, but she could not
move a leaf. The perfume from her leaves was stronger than is usual in
these flowers, and the bird noticed it, and though he was fainting with thirst,
and in his pain pulled up the green blades of grass, he did not touch the
flower.
The evening came, and yet no one had come to bring the bird a drop of
water. Then he stretched out his pretty wings and shook convulsively; he
could only sing "Tweet, tweet," in a weak, mournful tone. His little head
bent down toward the flower; the bird's heart was broken with want and
pining. Then the flower could not fold her leaves as she had done the
evening before when she went to sleep, but, sick and sorrowful, drooped
toward the earth.

Not till morning did the boys come, and when they found the bird dead,
they wept many and bitter tears. They dug a pretty grave for him and
adorned it with leaves of flowers. The bird's lifeless body was placed in a
smart red box and was buried with great honor.
Poor bird! while he was alive and could sing, they forgot him and
allowed him to sit in his cage and suffer want, but now that he was dead,
they mourned for him with many tears and buried him in royal state.
But the turf with the daisy on it was thrown out into the dusty road. No
one thought of the little flower that had felt more for the poor bird than had
any one else and that would have been so glad to help and comfort him if
she had been able.

THE PEA BLOSSOM
HERE were once five peas in one shell; they were green, and the
shell was green, and so they believed that the whole world must
be green also, which was a very natural conclusion.
The shell grew, and the peas grew; and as they grew they
arranged themselves all in a row. The sun shone without and warmed the
shell, and the rain made it clear and transparent; it looked mild and
agreeable in broad daylight and dark at night, just as it should. And the
peas, as they sat there, grew bigger and bigger, and more thoughtful as they
mused, for they felt there must be something for them to do.
"Are we to sit here forever?" asked one. "Shall we not become hard,
waiting here so long? It seems to me there must be something outside; I feel
sure of it."
Weeks passed by; the peas became yellow, and the shell became yellow.
"All the world is turning yellow, I suppose," said they—and perhaps they
were right.
Suddenly they felt a pull at the shell. It was torn off and held in human
hands; then it was slipped into the pocket of a jacket, together with other
full pods.
"Now we shall soon be let out," said one, and that was just what they all
wanted.
"I should like to know which of us will travel farthest," said the smallest
of the five; "and we shall soon see."
"What is to happen will happen," said the largest pea.
"Crack!" went the shell, and the five peas rolled out into the bright
sunshine. There they lay in a child's hand. A little boy was holding them

tightly. He said they were fine peas for his pea-shooter, and immediately he
put one in and shot it out.
"Now I am flying out into the wide world," said the pea. "Catch me if
you can." And he was gone in a moment.
"I intend to fly straight to the sun," said the second. "That is a shell that
will suit me exactly, for it lets itself be seen." And away he went.
"We will go to sleep wherever we find ourselves," said the next two; "we
shall still be rolling onwards." And they did fall to the floor and roll about,
but they got into the pea-shooter for all that. "We will go farthest of any,"
said they.
"What is to happen will happen," exclaimed the last one, as he was shot
out of the pea-shooter. Up he flew against an old board under a garret
window and fell into a little crevice which was almost filled with moss and
soft earth. The moss closed itself about him, and there he lay—a captive
indeed, but not unnoticed by God.
"What is to happen will happen," said he to himself.
Within the little garret lived a poor woman, who went out to clean
stoves, chop wood into small pieces, and do other hard work, for she was
both strong and industrious. Yet she remained always poor, and at home in
the garret lay her only daughter, not quite grown up and very delicate and
weak. For a whole year she had kept her bed, and it seemed as if she could
neither die nor get well.
"She is going to her little sister," said the woman. "I had only the two
children, and it was not an easy thing to support them; but the good God
provided for one of them by taking her home to himself. The other was left
to me, but I suppose they are not to be separated, and my sick girl will soon
go to her sister in heaven."
All day long the sick girl lay quietly and patiently, while her mother
went out to earn money.
Spring came, and early one morning the sun shone through the little
window and threw his rays mildly and pleasantly over the floor of the room.

Just as the mother was going to her work, the sick girl fixed her gaze on the
lowest pane of the window. "Mother," she exclaimed, "what can that little
green thing be that peeps in at the window? It is moving in the wind."
The mother stepped to the window and half opened it. "Oh!" she said,
"there is actually a little pea that has taken root and is putting out its green
leaves. How could it have got into this crack? Well, now, here is a little
garden for you to amuse yourself with." So the bed of the sick girl was
drawn nearer to the window, that she might see the budding plant; and the
mother went forth to her work.
"Mother, I believe I shall get well," said the sick child in the evening.
"The sun has shone in here so bright and warm to-day, and the little pea is
growing so fast, that I feel better, too, and think I shall get up and go out
into the warm sunshine again."
"God grant it!" said the mother, but she did not believe it would be so.
She took a little stick and propped up the green plant which had given her
daughter such pleasure, so that it might not be broken by the winds. She
tied the piece of string to the window-sill and to the upper part of the frame,
so that the pea tendrils might have something to twine round. And the plant
shot up so fast that one could almost see it grow from day to day.
"A flower is really coming," said the mother one morning. At last she
was beginning to let herself hope that her little sick daughter might indeed
recover. She remembered that for some time the child had spoken more
cheerfully, and that during the last few days she had raised herself in bed in
the morning to look with sparkling eyes at her little garden which contained
but a single pea plant.
A week later the invalid sat up by the open window a whole hour, feeling
quite happy in the warm sunshine, while outside grew the little plant, and
on it a pink pea blossom in full bloom. The little maiden bent down and
gently kissed the delicate leaves. This day was like a festival to her.
"Our heavenly Father himself has planted that pea and made it grow and
flourish, to bring joy to you and hope to me, my blessed child," said the
happy mother, and she smiled at the flower as if it had been an angel from
God.

But what became of the other peas? Why, the one who flew out into the
wide world and said, "Catch me if you can," fell into a gutter on the roof of
a house and ended his travels in the crop of a pigeon. The two lazy ones
were carried quite as far and were of some use, for they also were eaten by
pigeons; but the fourth, who wanted to reach the sun, fell into a sink and lay
there in the dirty water for days and weeks, till he had swelled to a great
size.
"I am getting beautifully fat," said the pea; "I expect I shall burst at last;
no pea could do more than that, I think. I am the most remarkable of all the
five that were in the shell." And the sink agreed with the pea.
But the young girl, with sparkling eyes and the rosy hue of health upon
her cheeks, stood at the open garret window and, folding her thin hands
over the pea blossom, thanked God for what He had done.

THE STORKS
N the last house in the village there lay a stork's nest. The
mother stork sat in it with her four little ones, who were
stretching out their heads with their pointed black bills that had
not yet turned red. At a little distance, on the top of the roof,
stood the father stork, bolt upright and as stiff as could be. That
he might not appear quite idle while standing sentry, he had drawn one leg
up under him, as is the manner of storks. One might have taken him to be
carved in marble, so still did he stand.
"It must look very grand for my wife to have a sentinel to guard her
nest," he thought. "They can't know that I am her husband and will, of
course, conclude that I am commanded to stand here by her nest. It looks
aristocratic!"
Below, in the street, a crowd of children were playing. When they
chanced to catch sight of the storks, one of the boldest of the boys began to
sing the old song about the stork. The others soon joined him, but each sang
the words that he happened to have heard. This is one of the ways:
"Stork, stork, fly away;
Stand not on one leg to-day.
Thy dear wife sits in the nest,
To lull the little ones to rest.

"There's a halter for one,
There's a stake for another,
For the third there's a gun,
And a spit for his brother!"
"Only listen," said the young storks, "to what the boys are singing. Do
you hear them say we're to be hanged and shot?"
"Don't listen to what they say; if you don't mind, it won't hurt you," said
the mother.

But the boys went on singing, and pointed mockingly at the sentinel
stork. Only one boy, whom they called Peter, said it was a shame to make
game of animals, and he would not join in the singing at all.
The mother stork tried to comfort her young ones. "Don't mind them,"
she said; "see how quiet your father stands on one leg there."
"But we are afraid," said the little ones, drawing back their beaks into the
nest.
The children assembled again on the next day, and no sooner did they
see the storks than they again began their song:
"The first will be hanged,
The second be hit."
"Tell us, are we to be hanged and burned?" asked the young storks.
"No, no; certainly not," replied the mother. "You are to learn to fly, and
then we shall pay a visit to the frogs. They will bow to us in the water and
sing 'Croak! croak!' and we shall eat them up, and that will be a great treat."
"And then what?" questioned the young storks.
"Oh, then all the storks in the land will assemble, and the autumn sports
will begin; only then one must be able to fly well, for that is very important.
Whoever does not fly as he should will be pierced to death by the general's
beak, so mind that you learn well, when the drill begins."
"Yes, but then, after that, we shall be killed, as the boys say. Hark! they
are singing it again."
"Attend to me and not to them," said the mother stork. "After the great
review we shall fly away to warm countries, far from here, over hills and
forests. To Egypt we shall fly, where are the three-cornered houses of stone,
one point of which reaches to the clouds; they are called pyramids and are
older than a stork can imagine. In that same land there is a river which
overflows its banks and turns the whole country into mire. We shall go into
the mire and eat frogs."
"Oh! oh!" exclaimed all the youngsters.

"Yes, it is indeed a delightful place. We need do nothing all day long but
eat; and while we are feasting there so comfortably, in this country there is
not a green leaf left on the trees. It is so cold here that the very clouds
freeze in lumps or fall down in little white rags." It was hail and snow that
she meant, but she did not know how to say it better.
"And will the naughty boys freeze in lumps?" asked the young storks.
"No, they will not freeze in lumps, but they will come near it, and they
will sit moping and cowering in gloomy rooms while you are flying about
in foreign lands, amid bright flowers and warm sunshine."
Some time passed, and the nestlings had grown so large and strong that
they could stand upright in the nest and look all about them. Every day the
father stork came with delicious frogs, nice little snakes, and other such
dainties that storks delight in. How funny it was to see the clever feats he
performed to amuse them! He would lay his head right round upon his tail;
and sometimes he would clatter with his beak, as if it were a little rattle; or
he would tell them stories, all relating to swamps and fens.
"Come, children," said the mother stork one day, "now you must learn to
fly." And all the four young storks had to go out on the ridge of the roof.
How they did totter and stagger about! They tried to balance themselves
with their wings, but came very near falling to the ground.
"Look at me!" said the mother. "This is the way to hold your head. And
thus you must place your feet. Left! right! left! right! that's what will help
you on in the world."
Then she flew a little way, and the young ones took a clumsy little leap.
Bump! plump! down they fell, for their bodies were still too heavy for
them.
"I will not fly," said one of the young storks, as he crept back to the nest.
"I don't care about going to warm countries."
"Do you want to stay here and freeze when the winter comes? Will you
wait till the boys come to hang, to burn, or to roast you? Well, then, I'll call
them."

"Oh, no!" cried the timid stork, hopping back to the roof with the rest.
By the third day they actually began to fly a little. Then they had no
doubt that they could soar or hover in the air, upborne by their wings. And
this they attempted to do, but down they fell, flapping their wings as fast as
they could.
Again the boys came to the street, singing their song, "Storks, storks, fly
home and rest."
"Shall we fly down and peck them?" asked the young ones.
"No, leave them alone. Attend to me; that's far more important. One—
two—three! now we fly round to the right. One—two—three! now to the
left, round the chimney. There! that was very good. That last flap with your
wings and the kick with your feet were so graceful and proper that to-
morrow you shall fly with me to the marsh. Several of the nicest stork
families will be there with their children. Let me see that mine are the best
bred of all. Carry your heads high and mind you strut about proudly, for that
looks well and helps to make one respected."
"But shall we not take revenge upon the naughty boys?" asked the young
storks.
"No, no; let them scream away, as much as they please. You are to fly up
to the clouds and away to the land of the pyramids, while they are freezing
and can neither see a green leaf nor taste a sweet apple."
"But we will revenge ourselves," they whispered one to another. And
then the training began again.
Among all the children down in the street the one that seemed most bent
upon singing the song that made game of the storks was the boy who had
begun it, and he was a little fellow hardly more than six years old. The
young storks, to be sure, thought he was at least a hundred, for he was much
bigger than their parents, and, besides, what did they know about the ages
of either children or grown men? Their whole vengeance was to be aimed at
this one boy. It was always he who began the song and persisted in mocking
them. The young storks were very angry, and as they grew larger they also
grew less patient under insult, and their mother was at last obliged to

promise them that they might be revenged—but not until the day of their
departure.
"We must first see how you carry yourselves at the great review. If you
do so badly that the general runs his beak through you, then the boys will be
in the right—at least in one way. We must wait and see!"
"Yes, you shall see!" cried all the young storks; and they took the
greatest pains, practicing every day, until they flew so evenly and so lightly
that it was a pleasure to see them.
The autumn now set in; all the storks began to assemble, in order to start
for the warm countries and leave winter behind them. And such exercises as
there were! Young fledglings were set to fly over forests and villages, to see
if they were equal to the long journey that was before them. So well did our
young storks acquit themselves, that, as a proof of the satisfaction they had
given, the mark they got was, "Remarkably well," with a present of a frog
and a snake, which they lost no time in eating.
"Now," said they, "we will be revenged."
"Yes, certainly," said their mother; "and I have thought of a way that will
surely be the fairest. I know a pond where all the little human children lie
till the stork comes to take them to their parents. There lie the pretty little
babies, dreaming more sweetly than they ever dream afterwards. All the
parents are wishing for one of these little ones, and the children all want a
sister or a brother. Now we'll fly to the pond and bring back a baby for
every child who did not sing the naughty song that made game of the
storks."
"But the very naughty boy who was the first to begin the song," cried the
young storks, "what shall we do with him?"
"There is a little dead child in the pond—one that has dreamed itself to
death. We will bring that for him. Then he will cry because we have brought
a little dead brother to him.
"But that good boy,—you have not forgotten him!—the one who said it
was a shame to mock at the animals; for him we will bring both a brother

and a sister. And because his name is Peter, all of you shall be called Peter,
too."
All was done as the mother had said; the storks were named Peter, and
so they are called to this day.

THE WILD SWANS
AR away, in the land to which the swallows fly when it is winter,
dwelt a king who had eleven sons, and one daughter, named Eliza.
The eleven brothers were princes, and each went to school with
a star on his breast and a sword by his side. They wrote with
diamond pencils on golden slates and learned their lessons so quickly and
read so easily that every one knew they were princes. Their sister Eliza sat
on a little stool of plate-glass and had a book full of pictures, which had
cost as much as half a kingdom.
Happy, indeed, were these children; but they were not long to remain so,
for their father, the king, married a queen who did not love the children, and
who proved to be a wicked sorceress.
The queen began to show her unkindness the very first day. While the
great festivities were taking place in the palace, the children played at
receiving company; but the queen, instead of sending them the cakes and
apples that were left from the feast, as was customary, gave them some sand
in a teacup and told them to pretend it was something good. The next week
she sent the little Eliza into the country to a peasant and his wife. Then she
told the king so many untrue things about the young princes that he gave
himself no more trouble about them.
"Go out into the world and look after yourselves," said the queen. "Fly
like great birds without a voice." But she could not make it so bad for them
as she would have liked, for they were turned into eleven beautiful wild
swans.
With a strange cry, they flew through the windows of the palace, over
the park, to the forest beyond. It was yet early morning when they passed
the peasant's cottage where their sister lay asleep in her room. They hovered
over the roof, twisting their long necks and flapping their wings, but no one
heard them or saw them, so they at last flew away, high up in the clouds,

and over the wide world they sped till they came to a thick, dark wood,
which stretched far away to the seashore.
Poor little Eliza was alone in the peasant's room playing with a green
leaf, for she had no other playthings. She pierced a hole in the leaf, and
when she looked through it at the sun she seemed to see her brothers' clear
eyes, and when the warm sun shone on her cheeks she thought of all the
kisses they had given her.
One day passed just like another. Sometimes the winds rustled through
the leaves of the rosebush and whispered to the roses, "Who can be more
beautiful than you?" And the roses would shake their heads and say, "Eliza
is." And when the old woman sat at the cottage door on Sunday and read
her hymn book, the wind would flutter the leaves and say to the book,
"Who can be more pious than you?" And then the hymn book would
answer, "Eliza." And the roses and the hymn book told the truth.
When she was fifteen she returned home, but because she was so
beautiful the witch-queen became full of spite and hatred toward her.
Willingly would she have turned her into a swan like her brothers, but she
did not dare to do so for fear of the king.
Early one morning the queen went into the bathroom; it was built of
marble and had soft cushions trimmed with the most beautiful tapestry. She
took three toads with her, and kissed them, saying to the first, "When Eliza
comes to bathe seat yourself upon her head, that she may become as stupid
as you are." To the second toad she said, "Place yourself on her forehead,
that she may become as ugly as you are, and that her friends may not know
her." "Rest on her heart," she whispered to the third; "then she will have evil
inclinations and suffer because of them." So she put the toads into the clear
water, which at once turned green. She next called Eliza and helped her
undress and get into the bath.
As Eliza dipped her head under the water one of the toads sat on her hair,
a second on her forehead, and a third on her breast. But she did not seem to
notice them, and when she rose from the water there were three red poppies
floating upon it. Had not the creatures been venomous or had they not been
kissed by the witch, they would have become red roses. At all events they

became flowers, because they had rested on Eliza's head and on her heart.
She was too good and too innocent for sorcery to have any power over her.
When the wicked queen saw this, she rubbed Eliza's face with walnut
juice, so that she was quite brown; then she tangled her beautiful hair and
smeared it with disgusting ointment until it was quite impossible to
recognize her.
The king was shocked, and declared she was not his daughter. No one
but the watchdog and the swallows knew her, and they were only poor
animals and could say nothing. Then poor Eliza wept and thought of her
eleven brothers who were far away. Sorrowfully she stole from the palace
and walked the whole day over fields and moors, till she came to the great
forest. She knew not in what direction to go, but she was so unhappy and
longed so for her brothers, who, like herself, had been driven out into the
world, that she was determined to seek them.
She had been in the wood only a short time when night came on and she
quite lost the path; so she laid herself down on the soft moss, offered up her
evening prayer, and leaned her head against the stump of a tree. All nature
was silent, and the soft, mild air fanned her forehead. The light of hundreds
of glowworms shone amidst the grass and the moss like green fire, and if
she touched a twig with her hand, ever so lightly, the brilliant insects fell
down around her like shooting stars.
All night long she dreamed of her brothers. She thought they were all
children again, playing together. She saw them writing with their diamond
pencils on golden slates, while she looked at the beautiful picture book
which had cost half a kingdom. They were not writing lines and letters, as
they used to do, but descriptions of the noble deeds they had performed and
of all that they had discovered and seen. In the picture book, too, everything
was living. The birds sang, and the people came out of the book and spoke
to Eliza and her brothers; but as the leaves were turned over they darted
back again to their places, that all might be in order.
When she awoke, the sun was high in the heavens. She could not see it,
for the lofty trees spread their branches thickly overhead, but its gleams
here and there shone through the leaves like a gauzy golden mist. There was
a sweet fragrance from the fresh verdure, and the birds came near and

almost perched on her shoulders. She heard water rippling from a number
of springs, all flowing into a lake with golden sands. Bushes grew thickly
round the lake, and at one spot, where an opening had been made by a deer,
Eliza went down to the water.
The lake was so clear that had not the wind rustled the branches of the
trees and the bushes so that they moved, they would have seemed painted in
the depths of the lake; for every leaf, whether in the shade or in the
sunshine, was reflected in the water.
When Eliza saw her own face she was quite terrified at finding it so
brown and ugly, but after she had wet her little hand and rubbed her eyes
and forehead, the white skin gleamed forth once more; and when she had
undressed and dipped herself in the fresh water, a more beautiful king's
daughter could not have been found anywhere in the wide world.
As soon as she had dressed herself again and braided her long hair, she
went to the bubbling spring and drank some water out of the hollow of her
hand. Then she wandered far into the forest, not knowing whither she went.
She thought of her brothers and of her father and mother and felt sure that
God would not forsake her. It is God who makes the wild apples grow in
the wood to satisfy the hungry, and He now showed her one of these trees,
which was so loaded with fruit that the boughs bent beneath the weight.
Here she ate her noonday meal, and then placing props under the boughs,
she went into the gloomiest depths of the forest.
It was so still that she could hear the sound of her own footsteps, as well
as the rustling of every withered leaf which she crushed under her feet. Not
a bird was to be seen, not a sunbeam could penetrate the large, dark boughs
of the trees. The lofty trunks stood so close together that when she looked
before her it seemed as if she were enclosed within trelliswork. Here was
such solitude as she had never known before!
The night was very dark. Not a glowworm was glittering in the moss.
Sorrowfully Eliza laid herself down to sleep. After a while it seemed to her
as if the branches of the trees parted over her head and the mild eyes of
angels looked down upon her from heaven.

In the morning, when she awoke, she knew not whether this had really
been so or whether she had dreamed it. She continued her wandering, but
she had not gone far when she met an old woman who had berries in her
basket and who gave her a few to eat. Eliza asked her if she had not seen
eleven princes riding through the forest.
"No," replied the old woman, "but I saw yesterday eleven swans with
gold crowns on their heads, swimming in the river close by." Then she led
Eliza a little distance to a sloping bank, at the foot of which ran a little river.
The trees on its banks stretched their long leafy branches across the water
toward each other, and where they did not meet naturally the roots had torn
themselves away from the ground, so that the branches might mingle their
foliage as they hung over the water.
Eliza bade the old woman farewell and walked by the flowing river till
she reached the shore of the open sea. And there, before her eyes, lay the
glorious ocean, but not a sail appeared on its surface; not even a boat could
be seen. How was she to go farther? She noticed how the countless pebbles
on the shore had been smoothed and rounded by the action of the water.
Glass, iron, stones, everything that lay there mingled together, had been
shaped by the same power until they were as smooth as her own delicate
hand.
"The water rolls on without weariness," she said, "till all that is hard
becomes smooth; so will I be unwearied in my task. Thanks for your lesson,
bright rolling waves; my heart tells me you will one day lead me to my dear
brothers."

On the foam-covered seaweeds lay eleven white swan feathers, which
she gathered and carried with her. Drops of water lay upon them; whether
they were dewdrops or tears no one could say. It was lonely on the
seashore, but she did not know it, for the ever-moving sea showed more
changes in a few hours than the most varying lake could produce in a whole
year. When a black, heavy cloud arose, it was as if the sea said, "I can look
dark and angry too"; and then the wind blew, and the waves turned to white
foam as they rolled. When the wind slept and the clouds glowed with the
red sunset, the sea looked like a rose leaf. Sometimes it became green and
sometimes white. But, however quietly it lay, the waves were always
restless on the shore and rose and fell like the breast of a sleeping child.
When the sun was about to set, Eliza saw eleven white swans, with
golden crowns on their heads, flying toward the land, one behind the other,
like a long white ribbon. She went down the slope from the shore and hid

herself behind the bushes. The swans alighted quite close to her, flapping
their great white wings. As soon as the sun had disappeared under the water,
the feathers of the swans fell off and eleven beautiful princes, Eliza's
brothers, stood near her.
She uttered a loud cry, for, although they were very much changed, she
knew them immediately. She sprang into their arms and called them each by
name. Very happy the princes were to see their little sister again; they knew
her, although she had grown so tall and beautiful. They laughed and wept
and told each other how cruelly they had been treated by their stepmother.
"We brothers," said the eldest, "fly about as wild swans while the sun is
in the sky, but as soon as it sinks behind the hills we recover our human
shape. Therefore we must always be near a resting place before sunset; for
if we were flying toward the clouds when we recovered our human form,
we should sink deep into the sea.
"We do not dwell here, but in a land just as fair that lies far across the
ocean; the way is long, and there is no island upon which we can pass the
night—nothing but a little rock rising out of the sea, upon which, even
crowded together, we can scarcely stand with safety. If the sea is rough, the
foam dashes over us; yet we thank God for this rock. We have passed whole
nights upon it, or we should never have reached our beloved fatherland, for
our flight across the sea occupies two of the longest days in the year.
"We have permission to visit our home once every year and to remain
eleven days. Then we fly across the forest to look once more at the palace
where our father dwells and where we were born, and at the church beneath
whose shade our mother lies buried. The very trees and bushes here seem
related to us. The wild horses leap over the plains as we have seen them in
our childhood. The charcoal burners sing the old songs to which we have
danced as children. This is our fatherland, to which we are drawn by loving
ties; and here we have found you, our dear little sister. Two days longer we
can remain here, and then we must fly away to a beautiful land which is not
our home. How can we take you with us? We have neither ship nor boat."
"How can I break this spell?" asked the sister. And they talked about it
nearly the whole night, slumbering only a few hours.

Eliza was awakened by the rustling of the wings of swans soaring above
her. Her brothers were again changed to swans. They flew in circles, wider
and wider, till they were far away; but one of them, the youngest, remained
behind and laid his head in his sister's lap, while she stroked his wings.
They remained together the whole day.
Towards evening the rest came back, and as the sun went down they
resumed their natural forms. "To-morrow," said one, "we shall fly away, not
to return again till a whole year has passed. But we cannot leave you here.
Have you courage to go with us? My arm is strong enough to carry you
through the wood, and will not all our wings be strong enough to bear you
over the sea?"
"Yes, take me with you," said Eliza. They spent the whole night in
weaving a large, strong net of the pliant willow and rushes. On this Eliza
laid herself down to sleep, and when the sun rose and her brothers again
became wild swans, they took up the net with their beaks, and flew up to
the clouds with their dear sister, who still slept. When the sunbeams fell on
her face, one of the swans soared over her head so that his broad wings
might shade her.
They were far from the land when Eliza awoke. She thought she must
still be dreaming, it seemed so strange to feel herself being carried high in
the air over the sea. By her side lay a branch full of beautiful ripe berries
and a bundle of sweet-tasting roots; the youngest of her brothers had
gathered them and placed them there. She smiled her thanks to him; she
knew it was the same one that was hovering over her to shade her with his
wings. They were now so high that a large ship beneath them looked like a
white sea gull skimming the waves. A great cloud floating behind them
appeared like a vast mountain, and upon it Eliza saw her own shadow and
those of the eleven swans, like gigantic flying things. Altogether it formed a
more beautiful picture than she had ever before seen; but as the sun rose
higher and the clouds were left behind, the picture vanished.
Onward the whole day they flew through the air like winged arrows, yet
more slowly than usual, for they had their sister to carry. The weather grew
threatening, and Eliza watched the sinking sun with great anxiety, for the
little rock in the ocean was not yet in sight. It seemed to her as if the swans

were exerting themselves to the utmost. Alas! she was the cause of their not
advancing more quickly. When the sun set they would change to men, fall
into the sea, and be drowned.
Then she offered a prayer from her inmost heart, but still no rock
appeared. Dark clouds came nearer, the gusts of wind told of the coming
storm, while from a thick, heavy mass of clouds the lightning burst forth,
flash after flash. The sun had reached the edge of the sea, when the swans
darted down so swiftly that Eliza's heart trembled; she believed they were
falling, but they again soared onward.
Presently, and by this time the sun was half hidden by the waves, she
caught sight of the rock just below them. It did not look larger than a seal's
head thrust out of the water. The sun sank so rapidly that at the moment
their feet touched the rock it shone only like a star, and at last disappeared
like the dying spark in a piece of burnt paper. Her brothers stood close
around her with arms linked together, for there was not the smallest space to
spare. The sea dashed against the rock and covered them with spray. The
heavens were lighted up with continual flashes, and thunder rolled from the
clouds. But the sister and brothers stood holding each other's hands, and
singing hymns.
In the early dawn the air became calm and still, and at sunrise the swans
flew away from the rock, bearing their sister with them. The sea was still
rough, and from their great height the white foam on the dark-green waves
looked like millions of swans swimming on the water. As the sun rose
higher, Eliza saw before her, floating in the air, a range of mountains with
shining masses of ice on their summits. In the center rose a castle that
seemed a mile long, with rows of columns rising one above another, while
around it palm trees waved and flowers as large as mill wheels bloomed.
She asked if this was the land to which they were hastening. The swans
shook their heads, for what she beheld were the beautiful, ever-changing
cloud-palaces of the Fata Morgana, into which no mortal can enter.
Eliza was still gazing at the scene, when mountains, forests, and castles
melted away, and twenty stately churches rose in their stead, with high
towers and pointed Gothic windows. She even fancied she could hear the
tones of the organ, but it was the music of the murmuring sea. As they drew

nearer to the churches, these too were changed and became a fleet of ships,
which seemed to be sailing beneath her; but when she looked again she saw
only a sea mist gliding over the ocean.
One scene melted into another, until at last she saw the real land to
which they were bound, with its blue mountains, its cedar forests, and its
cities and palaces. Long before the sun went down she was sitting on a rock
in front of a large cave, the floor of which was overgrown with delicate
green creeping plants, like an embroidered carpet.
"Now we shall expect to hear what you dream of to-night," said the
youngest brother, as he showed his sister her bedroom.
"Heaven grant that I may dream how to release you!" she replied. And
this thought took such hold upon her mind that she prayed earnestly to God
for help, and even in her sleep she continued to pray. Then it seemed to her
that she was flying high in the air toward the cloudy palace of the Fata
Morgana, and that a fairy came out to meet her, radiant and beautiful, yet
much like the old woman who had given her berries in the wood, and who
had told her of the swans with golden crowns on their heads.
"Your brothers can be released," said she, "if you only have courage and
perseverance. Water is softer than your own delicate hands, and yet it
polishes and shapes stones. But it feels no pain such as your fingers will
feel; it has no soul and cannot suffer such agony and torment as you will
have to endure. Do you see the stinging nettle which I hold in my hand?
Quantities of the same sort grow round the cave in which you sleep, but
only these, and those that grow on the graves of a churchyard, will be of
any use to you. These you must gather, even while they burn blisters on
your hands. Break them to pieces with your hands and feet, and they will
become flax, from which you must spin and weave eleven coats with long
sleeves; if these are then thrown over the eleven swans, the spell will be
broken. But remember well, that from the moment you commence your task
until it is finished, even though it occupy years of your life, you must not
speak. The first word you utter will pierce the hearts of your brothers like a
deadly dagger. Their lives hang upon your tongue. Remember all that I have
told you."

And as she finished speaking, she touched Eliza's hand lightly with the
nettle, and a pain as of burning fire awoke her.
It was broad daylight, and near her lay a nettle like the one she had seen
in her dream. She fell on her knees and offered thanks to God. Then she
went forth from the cave to begin work with her delicate hands. She groped
in amongst the ugly nettles, which burned great blisters on her hands and
arms, but she determined to bear the pain gladly if she could only release
her dear brothers. So she bruised the nettles with her bare feet and spun the
flax.
At sunset her brothers returned, and were much frightened when she did
not speak. They believed her to be under the spell of some new sorcery, but
when they saw her hands they understood what she was doing in their
behalf. The youngest brother wept, and where his tears touched her the pain
ceased and the burning blisters vanished. Eliza kept to her work all night,
for she could not rest till she had released her brothers. During the whole of
the following day, while her brothers were absent, she sat in solitude, but
never before had the time flown so quickly.
One coat was already finished and she had begun the second, when she
heard a huntsman's horn and was struck with fear. As the sound came nearer
and nearer, she also heard dogs barking, and fled with terror into the cave.
She hastily bound together the nettles she had gathered, and sat upon them.
In a moment there came bounding toward her out of the ravine a great dog,
and then another and another; they ran back and forth barking furiously,
until in a few minutes all the huntsmen stood before the cave. The
handsomest of them was the king of the country, who, when he saw the
beautiful maiden, advanced toward her, saying, "How did you come here,
my sweet child?"
Eliza shook her head. She dared not speak, for it would cost her brothers
their deliverance and their lives. And she hid her hands under her apron, so
that the king might not see how she was suffering.
"Come with me," he said; "here you cannot remain. If you are as good as
you are beautiful, I will dress you in silk and velvet, I will place a golden
crown on your head, and you shall rule and make your home in my richest
castle." Then he lifted her onto his horse. She wept and wrung her hands,

but the king said: "I wish only your happiness. A time will come when you
will thank me for this."
He galloped away over the mountains, holding her before him on his
horse, and the hunters followed behind them. As the sun went down they
approached a fair, royal city, with churches and cupolas. On arriving at the
castle, the king led her into marble halls, where large fountains played and
where the walls and the ceilings were covered with rich paintings. But she
had no eyes for all these glorious sights; she could only mourn and weep.
Patiently she allowed the women to array her in royal robes, to weave
pearls in her hair, and to draw soft gloves over her blistered fingers. As she
stood arrayed in her rich dress, she looked so dazzlingly beautiful that the
court bowed low in her presence.
Then the king declared his intention of making her his bride, but the
archbishop shook his head and whispered that the fair young maiden was
only a witch, who had blinded the king's eyes and ensnared his heart. The
king would not listen to him, however, and ordered the music to sound, the
daintiest dishes to be served, and the loveliest maidens to dance before
them.
Afterwards he led her through fragrant gardens and lofty halls, but not a
smile appeared on her lips or sparkled in her eyes. She looked the very
picture of grief. Then the king opened the door of a little chamber in which
she was to sleep. It was adorned with rich green tapestry and resembled the
cave in which he had found her. On the floor lay the bundle of flax which
she had spun from the nettles, and under the ceiling hung the coat she had
made. These things had been brought away from the cave as curiosities, by
one of the huntsmen.
"Here you can dream yourself back again in the old home in the cave,"
said the king; "here is the work with which you employed yourself. It will
amuse you now, in the midst of all this splendor, to think of that time."
When Eliza saw all these things which lay so near her heart, a smile
played around her mouth, and the crimson blood rushed to her cheeks. The
thought of her brothers and their release made her so joyful that she kissed
the king's hand. Then he pressed her to his heart.

Very soon the joyous church bells announced the marriage feast; the
beautiful dumb girl of the woods was to be made queen of the country. A
single word would cost her brothers their lives, but she loved the kind,
handsome king, who did everything to make her happy, more and more
each day; she loved him with her whole heart, and her eyes beamed with the
love she dared not speak. Oh! if she could only confide in him and tell him
of her grief. But dumb she must remain till her task was finished.
Therefore at night she crept away into her little chamber which had been
decked out to look like the cave and quickly wove one coat after another.
But when she began the seventh, she found she had no more flax. She knew
that the nettles she wanted to use grew in the churchyard and that she must
pluck them herself. How should she get out there? "Oh, what is the pain in
my fingers to the torment which my heart endures?" thought she. "I must
venture; I shall not be denied help from heaven."
Then with a trembling heart, as if she were about to perform a wicked
deed, Eliza crept into the garden in the broad moonlight, and passed
through the narrow walks and the deserted streets till she reached the
churchyard. She prayed silently, gathered the burning nettles, and carried
them home with her to the castle.
One person only had seen her, and that was the archbishop—he was
awake while others slept. Now he felt sure that his suspicions were correct;
all was not right with the queen; she was a witch and had bewitched the
king and all the people. Secretly he told the king what he had seen and what
he feared, and as the hard words came from his tongue, the carved images
of the saints shook their heads as if they would say, "It is not so; Eliza is
innocent."
But the archbishop interpreted it in another way; he believed that they
witnessed against her and were shaking their heads at her wickedness. Two
tears rolled down the king's cheeks. He went home with doubt in his heart,
and at night pretended to sleep. But no real sleep came to his eyes, for every
night he saw Eliza get up and disappear from her chamber. Day by day his
brow became darker, and Eliza saw it, and although she did not understand
the reason, it alarmed her and made her heart tremble for her brothers. Her

hot tears glittered like pearls on the regal velvet and diamonds, while all
who saw her were wishing they could be queen.
In the meantime she had almost finished her task; only one of her
brothers' coats was wanting, but she had no flax left and not a single nettle.
Once more only, and for the last time, must she venture to the churchyard
and pluck a few handfuls. She went, and the king and the archbishop
followed her. The king turned away his head and said, "The people must
condemn her." Quickly she was condemned to suffer death by fire.
Away from the gorgeous regal halls she was led to a dark, dreary cell,
where the wind whistled through the iron bars. Instead of the velvet and silk
dresses, they gave her the ten coats which she had woven, to cover her, and
the bundle of nettles for a pillow. But they could have given her nothing
that would have pleased her more. She continued her task with joy and
prayed for help, while the street boys sang jeering songs about her and not a
soul comforted her with a kind word.
Toward evening she heard at the grating the flutter of a swan's wing; it
was her youngest brother. He had found his sister, and she sobbed for joy,
although she knew that probably this was the last night she had to live. Still,
she had hope, for her task was almost finished and her brothers were come.
Then the archbishop arrived, to be with her during her last hours as he
had promised the king. She shook her head and begged him, by looks and
gestures, not to stay; for in this night she knew she must finish her task,
otherwise all her pain and tears and sleepless nights would have been
suffered in vain. The archbishop withdrew, uttering bitter words against her,
but she knew that she was innocent and diligently continued her work.
Little mice ran about the floor, dragging the nettles to her feet, to help as
much as they could; and a thrush, sitting outside the grating of the window,
sang to her the whole night long as sweetly as possible, to keep up her
spirits.
It was still twilight, and at least an hour before sunrise, when the eleven
brothers stood at the castle gate and demanded to be brought before the
king. They were told it could not be; it was yet night; the king slept and
could not be disturbed. They threatened, they entreated, until the guard

appeared, and even the king himself, inquiring what all the noise meant. At
this moment the sun rose, and the eleven brothers were seen no more, but
eleven wild swans flew away over the castle.
Now all the people came streaming forth from the gates of the city to see
the witch burned. An old horse drew the cart on which she sat. They had
dressed her in a garment of coarse sackcloth. Her lovely hair hung loose on
her shoulders, her cheeks were deadly pale, her lips moved silently while
her fingers still worked at the green flax. Even on the way to death she
would not give up her task. The ten finished coats lay at her feet; she was
working hard at the eleventh, while the mob jeered her and said: "See the
witch; how she mutters! She has no hymn book in her hand; she sits there
with her ugly sorcery. Let us tear it into a thousand pieces."
They pressed toward her, and doubtless would have destroyed the coats
had not, at that moment, eleven wild swans flown over her and alighted on
the cart. They flapped their large wings, and the crowd drew back in alarm.
"It is a sign from Heaven that she is innocent," whispered many of them;
but they did not venture to say it aloud.
As the executioner seized her by the hand to lift her out of the cart, she
hastily threw the eleven coats over the eleven swans, and they immediately
became eleven handsome princes; but the youngest had a swan's wing
instead of an arm, for she had not been able to finish the last sleeve of the
coat.
"Now I may speak," she exclaimed. "I am innocent."

Then the people, who saw what had happened, bowed to her as before a
saint; but she sank unconscious in her brothers' arms, overcome with
suspense, anguish, and pain.
"Yes, she is innocent," said the eldest brother, and related all that had
taken place. While he spoke, there rose in the air a fragrance as from
millions of roses. Every piece of fagot in the pile made to burn her had
taken root, and threw out branches until the whole appeared like a thick
hedge, large and high, covered with roses; while above all bloomed a white,
shining flower that glittered like a star. This flower the king plucked, and
when he placed it in Eliza's bosom she awoke from her swoon with peace
and happiness in her heart. Then all the church bells rang of themselves,
and the birds came in great flocks. And a marriage procession, such as no
king had ever before seen, returned to the castle.

THE LAST DREAM OF THE OLD OAK
N THE forest, high up on the steep shore and not far from the open
seacoast, stood a very old oak tree. It was just three hundred and sixty-
five years old, but that long time was to the tree as the same number of
days might be to us. We wake by day and sleep by night, and then we
have our dreams. It is different with the tree; it is obliged to keep
awake through three seasons of the year and does not get any sleep till
winter comes. Winter is its time for rest—its night after the long day of
spring, summer, and autumn.
During many a warm summer, the Ephemeras, which are flies that exist
for only a day, had fluttered about the old oak, enjoyed life, and felt happy.
And if, for a moment, one of the tiny creatures rested on the large, fresh
leaves, the tree would always say: "Poor little creature! your whole life
consists of but a single day. How very short! It must be quite melancholy."
"Melancholy! what do you mean?" the little creature would always reply.
"Why do you say that? Everything around me is so wonderfully bright and
warm and beautiful that it makes me joyous."
"But only for one day, and then it is all over."
"Over!" repeated the fly; "what is the meaning of 'all over'? Are you 'all
over' too?"
"No, I shall very likely live for thousands of your days, and my day is
whole seasons long; indeed, it is so long that you could never reckon it up."
"No? then I don't understand you. You may have thousands of my days,
but I have thousands of moments in which I can be merry and happy. Does
all the beauty of the world cease when you die?"
"No," replied the tree; "it will certainly last much longer, infinitely
longer than I can think of."

"Well, then," said the little fly, "we have the same time to live, only we
reckon differently." And the little creature danced and floated in the air,
rejoicing in its delicate wings of gauze and velvet, rejoicing in the balmy
breezes laden with the fragrance from the clover fields and wild roses, elder
blossoms and honeysuckle, and from the garden hedges of wild thyme,
primroses, and mint. The perfume of all these was so strong that it almost
intoxicated the little fly. The long and beautiful day had been so full of joy
and sweet delights, that, when the sun sank, the fly felt tired of all its
happiness and enjoyment. Its wings could sustain it no longer, and gently
and slowly it glided down to the soft, waving blades of grass, nodded its
little head as well as it could, and slept peacefully and sweetly. The fly was
dead.
"Poor little Ephemera!" said the oak; "what a short life!" And so on
every summer day the dance was repeated, the same questions were asked
and the same answers given, and there was the same peaceful falling asleep
at sunset. This continued through many generations of Ephemeras, and all
of them felt merry and happy.
The oak remained awake through the morning of spring, the noon of
summer, and the evening of autumn; its time of rest, its night, drew near—
its winter was coming. Here fell a leaf and there fell a leaf. Already the
storms were singing: "Good night, good night. We will rock you and lull
you. Go to sleep, go to sleep. We will sing you to sleep, and shake you to
sleep, and it will do your old twigs good; they will even crackle with
pleasure. Sleep sweetly, sleep sweetly, it is your three hundred and sixty-
fifth night. You are still very young in the world. Sleep sweetly; the clouds
will drop snow upon you, which will be your coverlid, warm and sheltering
to your feet. Sweet sleep to you, and pleasant dreams."
And there stood the oak, stripped of all its leaves, left to rest during the
whole of a long winter, and to dream many dreams of events that had
happened, just as men dream.
The great tree had once been small; indeed, in its cradle it had been an
acorn. According to human reckoning, it was now in the fourth century of
its existence. It was the largest and best tree in the forest. Its summit
towered above all the other trees and could be seen far out at sea, so that it

served as a landmark to the sailors. It had no idea how many eyes looked
eagerly for it. In its topmost branches the wood pigeon built her nest, and
the cuckoo sang his well-known song, the familiar notes echoing among the
boughs; and in autumn, when the leaves looked like beaten copper plates,
the birds of passage came and rested on the branches before beginning their
flight across the sea.
But now that it was winter, the tree stood leafless, so that every one
could see how crooked and bent were the branches that sprang forth from
the trunk. Crows and rooks came by turns and sat on them, and talked of the
hard times that were beginning, and how difficult it was in winter to obtain
a living.
It was just at the holy Christmas time that the tree dreamed a dream. The
tree had doubtless a feeling that the festive time had arrived, and in its
dream fancied it heard the bells of the churches ringing. And yet it seemed
to be a beautiful summer's day, mild and warm. The tree's mighty summit
was crowned with spreading, fresh green foliage; the sunbeams played
among its leaves and branches, and the air was full of fragrance from herb
and blossom; painted butterflies chased each other; the summer flies danced
around it as if the world had been created merely that they might dance and
be merry. All that had happened to the tree during all the years of its life
seemed to pass before it as if in a festive pageant.
It saw the knights of olden times and noble ladies ride through the wood
on their gallant steeds, with plumes waving in their hats and with falcons on
their wrists, while the hunting horn sounded and the dogs barked. It saw
hostile warriors, in colored dress and glittering armor, with spear and
halberd, pitching their tents and again taking them down; the watchfires
blazed, and men sang and slept under the hospitable shelter of the tree. It
saw lovers meet in quiet happiness near it in the moonshine, and carve the
initials of their names in the grayish-green bark of its trunk.

Once, but long years had passed since then, guitars and Æolian harps
had been hung on its boughs by merry travelers; now they seemed to hang
there again, and their marvelous notes sounded again. The wood pigeons
cooed as if to express the feelings of the tree, and the cuckoo called out to
tell it how many summer days it had yet to live.
Then it appeared to it that new life was thrilling through every fiber of
root and stem and leaf, rising even to its highest branches. The tree felt
itself stretching and spreading out, while through the root beneath the earth
ran the warm vigor of life. As it grew higher and still higher and its strength
increased, the topmost boughs became broader and fuller; and in proportion
to its growth its self-satisfaction increased, and there came a joyous longing
to grow higher and higher—to reach even to the warm, bright sun itself.

Already had its topmost branches pierced the clouds, which floated
beneath them like troops of birds of passage or large white swans; every
leaf seemed gifted with sight, as if it possessed eyes to see. The stars
became visible in broad daylight, large and sparkling, like clear and gentle
eyes. They brought to the tree's memory the light that it had seen in the eyes
of a child and in the eyes of lovers who had once met beneath the branches
of the old oak.
These were wonderful and happy moments for the old oak, full of peace
and joy; and yet amidst all this happiness, the tree felt a yearning desire that
all the other trees, bushes, herbs, and flowers beneath it might also be able
to rise higher, to see all this splendor and experience the same happiness.
The grand, majestic oak could not be quite happy in its enjoyment until all
the rest, both great and small, could share it. And this feeling of yearning
trembled through every branch, through every leaf, as warmly and fervently
as through a human heart.
The summit of the tree waved to and fro and bent downwards, as if in its
silent longing it sought something. Then there came to it the fragrance of
thyme and the more powerful scent of honeysuckle and violets, and the tree
fancied it heard the note of the cuckoo.
At length its longing was satisfied. Up through the clouds came the
green summits of the forest trees, and the oak watched them rising higher
and higher. Bush and herb shot upward, and some even tore themselves up
by the roots to rise more quickly. The quickest of all was the birch tree.
Like a lightning flash the slender stem shot upwards in a zigzag line, the
branches spreading round it like green gauze and banners. Every native of
the wood, even to the brown and feathery rushes, grew with the rest, while
the birds ascended with the melody of song. On a blade of grass that
fluttered in the air like a long green ribbon sat a grasshopper cleaning its
wings with its legs. May beetles hummed, bees murmured, birds sang—
each in its own way; the air was filled with the sounds of song and
gladness.
"But where is the little blue flower that grows by the water, and the
purple bellflower, and the daisy?" asked the oak. "I want them all."
"Here we are; here we are," came the reply in words and in song.

"But the beautiful thyme of last summer, where is that? And where are
the lilies of the valley which last year covered the earth with their bloom,
and the wild apple tree with its fragrant blossoms, and all the glory of the
wood, which has flourished year after year? And where is even what may
have but just been born?"
"We are here; we are here," sounded voices high up in the air, as if they
had flown there beforehand.
"Why, this is beautiful, too beautiful to be believed," cried the oak in a
joyful tone. "I have them all here, both great and small; not one has been
forgotten. Can such happiness be imagined? It seems almost impossible."
"In heaven with the Eternal God it can be imagined, for all things are
possible," sounded the reply through the air.
And the old tree, as it still grew upwards and onwards, felt that its roots
were loosening themselves from the earth.
"It is right so; it is best," said the tree. "No fetters hold me now. I can fly
up to the very highest point in light and glory. And all I love are with me,
both small and great. All—all are here."
Such was the dream of the old oak at the holy Christmas time. And while
it dreamed, a mighty storm came rushing over land and sea. The sea rolled
in great billows toward the shore. A cracking and crushing was heard in the
tree. Its roots were torn from the ground, just at the moment when in its
dream it was being loosened from the earth. It fell; its three hundred and
sixty-five years were ended like the single day of the Ephemera.
On the morning of Christmas Day, when the sun rose, the storm had
ceased. From all the churches sounded the festive bells, and from every
hearth, even of the smallest hut, rose the smoke into the blue sky, like the
smoke from the festive thank-offerings on the Druids' altars. The sea
gradually became calm, and on board a great ship that had withstood the
tempest during the night, all the flags were displayed as a token of joy and
festivity.
"The tree is down! the old oak—our landmark on the coast!" exclaimed
the sailors. "It must have fallen in the storm of last night. Who can replace

it? Alas! no one." This was the old tree's funeral oration, brief but well said.
There it lay stretched on the snow-covered shore, and over it sounded
the notes of a song from the ship—a song of Christmas joy, of the
redemption of the soul of man, and of eternal life through Christ.
Sing aloud on this happy morn,
All is fulfilled, for Christ is born;
With songs of joy let us loudly sing,
"Hallelujahs to Christ our King."
Thus sounded the Christmas carol, and every one on board the ship felt
his thoughts elevated through the song and the prayer, even as the old tree
had felt lifted up in its last beautiful dream on that Christmas morn.

THE PORTUGUESE DUCK
DUCK once arrived from Portugal. There were some who
said she came from Spain, but that is almost the same thing. At
all events, she was called the Portuguese duck, and she laid
eggs, was killed and cooked, and that was the end of her.
The ducklings which crept forth from her eggs were also called
Portuguese ducks, and about that there may be some question. But of all the
family only one remained in the duck yard, which may be called a
farmyard, since the chickens were admitted to it and the cock strutted about
in a very hostile manner.
"He annoys me with his loud crowing," said the Portuguese duck, "but
still, he's a handsome bird, there's no denying that, even if he is not a duck.
He ought to moderate his voice, like those little birds who are singing in the
lime trees over there in our neighbor's garden—but that is an art only
acquired in polite society. How sweetly they sing there; it is quite a pleasure
to listen to them! I call it Portuguese singing. If I only had such a little
singing bird, I'd be as kind and good to him as a mother, for it's in my
Portuguese nature."
While she was speaking, one of the little singing birds came tumbling
head over heels from the roof into the yard. The cat was after him, but he
had escaped from her with a broken wing and so came fluttering into the
yard. "That's just like the cat; she's a villain," said the Portuguese duck. "I
remember her ways when I had children of my own. How can such a
creature be allowed to live and wander about upon the roofs? I don't think
they allow such things in Portugal."
She pitied the little singing bird, and so did all the other ducks, who were
not Portuguese.
"Poor little creature!" they said, one after another, as they came up. "We
can't sing, certainly; but we have a sounding board, or something of the
kind, within us, though we don't talk about it."

"But I can talk," said the Portuguese duck. "I'll do something for the
little fellow; it's my duty." So she stepped into the watering trough and beat
her wings upon the water so strongly that the little bird was nearly drowned.
But the duck meant it kindly. "That is a good deed," she said; "I hope the
others will take example from it."
"Tweet, tweet!" said the little bird. One of his wings was broken and he
found it difficult to shake himself, but he quite understood that the bath was
meant kindly, so he said, "You are very kind-hearted, madam." But he did
not wish for a second bath.
"I have never thought about my heart," replied the Portuguese duck; "but
I know that I love all my fellow creatures, except the cat, and nobody can
expect me to love her, for she ate up two of my ducklings. But pray make
yourself at home; it is easy to make oneself comfortable. I myself am from
a foreign country, as you may see by my bearing and my feathery dress. My
husband is a native of these parts; he's not of my race, but I am not proud on
that account. If any one here can understand you, I may say positively that I
am that person."
"She's quite full of portulak," said a little common duck, who was witty.
All the common ducks considered the word "portulak" a good joke, for it
sounded like "Portugal." They nudged each other and said, "Quack! that
was witty!"
Then the other ducks began to notice the newcomer. "The Portuguese
has certainly a great flow of language," they said to the little bird. "For our
part, we don't care to fill our beaks with such long words, but we
sympathize with you quite as much. If we don't do anything else, we can
walk about with you everywhere; that is the best we can do."
"You have a lovely voice," said one of the eldest ducks; "it must be a
great satisfaction to you to be able to give as much pleasure as you do. I am
certainly no judge of your singing, so I keep my beak shut, which is better
than talking nonsense as others do."
"Don't plague him so," interrupted the Portuguese duck; "he requires rest
and nursing. My little singing bird, do you wish me to prepare another bath
for you?"

"Oh, no! no! pray let me be dry," implored the little bird.
"The water cure is the only remedy for me when I am not well," said the
Portuguese. "Amusement, too, is very beneficial. The fowls from the
neighborhood will soon be here to pay you a visit. There are two Cochin-
Chinese among them; they wear feathers on their legs and are well
educated. They have been brought from a great distance, and consequently I
treat them with greater respect than I do the others."
Then the fowls arrived, and the cock was polite enough to keep from
being rude. "You are a real songster," he said, "and you do as much with
your little voice as it is possible to do; but more noise and shrillness is
necessary if one wishes others to know who he is."
The two Chinese were quite enchanted with the appearance of the
singing bird. His feathers had been much ruffled by his bath, so that he
seemed to them quite like a tiny Chinese fowl. "He's charming," they said to
each other, and began a conversation with him in whispers, using the most
aristocratic Chinese dialect.
"We are of the same race as yourself," they said. "The ducks, even the
Portuguese, are all aquatic birds, as you must have noticed. You do not
know us yet—very few, even of the fowls, know us or give themselves the
trouble to make our acquaintance, though we were born to occupy a higher
position in society than most of them. But that does not disturb us; we
quietly go our way among them. Their ideas are certainly not ours, for we
look at the bright side of things and only speak of what is good, although
that is sometimes difficult to find where none exists. Except ourselves and
the cock, there is not one in the yard who can be called talented or polite. It
cannot be said even of the ducks, and we warn you, little bird, not to trust
that one yonder, with the short tail feathers, for she is cunning. Then the
curiously marked one, with the crooked stripes on her wings, is a mischief-
maker and never lets any one have the last word, though she is always in
the wrong. The fat duck yonder speaks evil of every one, and that is against
our principles; if we have nothing good to tell, we close our beaks. The
Portuguese is the only one who has had any education and with whom we
can associate, but she is passionate and talks too much about Portugal."

"I wonder what those two Chinese are whispering about," whispered one
duck to another. "They are always doing it, and it annoys me. We never
speak to them."
Now the drake came up, and he thought the little singing bird was a
sparrow. "Well, I don't understand the difference," he said; "it appears to me
all the same. He's only a plaything, and if people will have playthings, why
let them, I say."
"Don't take any notice of what he says," whispered the Portuguese; "he
is very well in matters of business, and with him business is first. Now I
shall lie down and have a little rest. It is a duty we owe to ourselves, so that
we shall be nice and fat when we come to be embalmed with sage and
onions and apples."
So she laid herself down in the sun and winked with one eye. She had a
very comfortable place and felt so at ease that she fell asleep. The little
singing bird busied himself for some time with his broken wing, and at last
he too lay down, quite close to his protectress. The sun shone warm and
bright, and he found it a very good place. But the fowls of the neighborhood
were all awake, and, to tell the truth, they had paid a visit to the duck yard
solely to find food for themselves. The Chinese were the first to leave, and
the other fowls soon followed them.
The witty little duck said of the Portuguese that "the old lady" was
getting to be quite a "doting ducky." All the other ducks laughed at this.
"'Doting ducky,'" they whispered; "oh, that's too witty!" Then they repeated
the joke about "portulak" and declared it was most amusing. After that they
all lay down to have a nap.
They had been lying asleep for quite a while, when suddenly something
was thrown into the yard for them to eat. It came down with such a bang
that the whole company started up and clapped their wings. The Portuguese
awoke, too, and rushed over to the other side of the yard. In doing this she
trod upon the little singing bird.
"Tweet," he cried; "you trod very hard upon me, madam."
"Well, then, why do you lie in my way?" she retorted. "You must not be
so touchy. I have nerves of my own, but I do not cry 'Tweet.'"

"Don't be angry," said the little bird; "the 'Tweet' slipped out of my beak
before I knew it."
The Portuguese did not listen to him, but began eating as fast as she
could, and made a good meal. When she had finished she lay down again,
and the little bird, who wished to be amiable, began to sing:
"Chirp and twitter,
The dewdrops glitter,
In the hours of sunny spring;
I'll sing my best,
Till I go to rest,
With my head behind my wing."
"Now I want rest after my dinner," said the Portuguese. "You must
conform to the rules of the place while you are here. I want to sleep now."
The little bird was quite taken aback, for he meant it kindly. When
madam awoke afterwards, there he stood before her with a little corn he had
found, and laid it at her feet; but as she had not slept well, she was naturally
in a bad temper. "Give that to a chicken," she said, "and don't be always
standing in my way."
"Why are you angry with me?" replied the little singing bird; "what have
I done?"
"Done!" repeated the Portuguese duck; "your mode of expressing
yourself is not very polite. I must call your attention to that fact."
"There was sunshine here yesterday," said the little bird, "but to-day it is
cloudy and the air is heavy."
"You know very little about the weather, I fancy," she retorted; "the day
is not over yet. Don't stand there looking so stupid."
"But you are looking at me just as the wicked eyes looked when I fell
into the yard yesterday."
"Impertinent creature!" exclaimed the Portuguese duck. "Would you
compare me with the cat—that beast of prey? There's not a drop of
malicious blood in me. I've taken your part, and now I'll teach you better

manners." So saying, she made a bite at the little singing-bird's head, and he
fell to the ground dead. "Now whatever is the meaning of this?" she said.
"Could he not bear even such a little peck as I gave him? Then, certainly, he
was not made for this world. I've been like a mother to him, I know that, for
I've a good heart."
Then the cock from the neighboring yard stuck his head in and crowed
with steam-engine power.
"You'll kill me with your crowing," she cried. "It's all your fault. He's
lost his life, and I'm very near losing mine."
"There's not much of him lying there," observed the cock.
"Speak of him with respect," said the Portuguese duck, "for he had
manners and education, and he could sing. He was affectionate and gentle,
and those are as rare qualities in animals as in those who call themselves
human beings."
Then all the ducks came crowding round the little dead bird. Ducks have
strong passions, whether they feel envy or pity. There was nothing to envy
here, so they all showed a great deal of pity. So also did the two Chinese.
"We shall never again have such a singing bird among us; he was almost a
Chinese," they whispered, and then they wept with such a noisy, clucking
sound that all the other fowls clucked too. But the ducks went about with
redder eyes afterwards. "We have hearts of our own," they said; "nobody
can deny that."
"Hearts!" repeated the Portuguese. "Indeed you have—almost as tender
as the ducks in Portugal."
"Let us think of getting something to satisfy our hunger," said the drake;
"that's the most important business. If one of our toys is broken, why, we
have plenty more."

THE SNOW MAN
T IS so delightfully cold that it makes my whole body crackle," said
the Snow Man. "This is just the kind of wind to blow life into one.
How that great red thing up there is staring at me!" He meant the sun,
which was just setting. "It shall not make me wink. I shall manage to
keep the pieces."
He had two triangular pieces of tile in his head instead of eyes, and his
mouth, being made of an old broken rake, was therefore furnished with
teeth. He had been brought into existence amid the joyous shouts of boys,
the jingling of sleigh bells, and the slashing of whips.
The sun went down, and the full moon rose, large, round, and clear,
shining in the deep blue.
"There it comes again, from the other side," said the Snow Man, who
supposed the sun was showing itself once more. "Ah, I have cured it of
staring. Now it may hang up there and shine, so that I may see myself. If I
only knew how to manage to move away from this place—I should so like
to move! If I could, I would slide along yonder on the ice, as I have seen the
boys do; but I don't understand how. I don't even know how to run."
"Away, away!" barked the old yard dog. He was quite hoarse and could
not pronounce "Bow-wow" properly. He had once been an indoor dog and
lain by the fire, and he had been hoarse ever since. "The sun will make you
run some day. I saw it, last winter, make your predecessor run, and his
predecessor before him. Away, away! They all have to go."
"I don't understand you, comrade," said the Snow Man. "Is that thing up
yonder to teach me to run? I saw it running itself, a little while ago, and
now it has come creeping up from the other side."
"You know nothing at all," replied the yard dog. "But then, you've only
lately been patched up. What you see yonder is the moon, and what you saw
before was the sun. It will come again to-morrow and most likely teach you

to run down into the ditch by the well, for I think the weather is going to
change. I can feel such pricks and stabs in my left leg that I am sure there is
going to be a change."
"I don't understand him," said the Snow Man to himself, "but I have a
feeling that he is talking of something very disagreeable. The thing that
stared so hard just now, which he calls the sun, is not my friend; I can feel
that too."
"Away, away!" barked the yard dog, and then he turned round three
times and crept into his kennel to sleep.
There really was a change in the weather. Toward morning a thick fog
covered the whole country and a keen wind arose, so that the cold seemed
to freeze one's bones. But when the sun rose, a splendid sight was to be
seen. Trees and bushes were covered with hoarfrost and looked like a forest
of white coral, while on every twig glittered frozen dewdrops. The many
delicate forms, concealed in summer by luxuriant foliage, were now clearly
defined and looked like glittering lacework. A white radiance glistened from
every twig. The birches, waving in the wind, looked as full of life as in
summer and as wondrously beautiful. Where the sun shone, everything
glittered and sparkled as if diamond dust had been strewn about; and the
snowy carpet of the earth seemed covered with diamonds from which
gleamed countless lights, whiter even than the snow itself.
"This is really beautiful," said a girl who had come into the garden with
a young friend; and they both stood still near the Snow Man, contemplating
the glittering scene. "Summer cannot show a more beautiful sight," she
exclaimed, while her eyes sparkled.
"And we can't have such a fellow as this in the summer-time," replied
the young man, pointing to the Snow Man. "He is capital."
The girl laughed and nodded at the Snow Man, then tripped away over
the snow with her friend. The snow creaked and crackled beneath her feet,
as if she had been treading on starch.
"Who are those two?" asked the Snow Man of the yard dog. "You have
been here longer than I; do you know them?"

"Of course I know them," replied the yard dog; "the girl has stroked my
back many times, and the young man has often given me a bone of meat. I
never bite those two."
"But what are they?" asked the Snow Man.
"They are lovers," he replied. "They will go and live in the same kennel,
by and by, and gnaw at the same bone. Away, away!"
"Are they the same kind of beings as you and I?" asked the Snow Man.
"Well, they belong to the master," retorted the yard dog. "Certainly
people know very little who were only born yesterday. I can see that in you.
I have age and experience. I know every one here in the house, and I know
there was once a time when I did not lie out here in the cold, fastened to a
chain. Away, away!"
"The cold is delightful," said the Snow Man. "But do tell me, tell me;
only you must not clank your chain so, for it jars within me when you do
that."
"Away, away!" barked the yard dog. "I'll tell you: they said I was a pretty
little fellow, once; then I used to lie in a velvet-covered chair, up at the
master's house, and sit in the mistress's lap; they used to kiss my nose, and
wipe my paws with an embroidered handkerchief, and I was called 'Ami,
dear Ami, sweet Ami.' But after a while I grew too big for them, and they
sent me away to the housekeeper's room; so I came to live on the lower
story. You can look into the room from where you stand, and see where I
was once master—for I was, indeed, master to the housekeeper. It was a
much smaller room than those upstairs, but I was more comfortable, for I
was not continually being taken hold of and pulled about by the children, as
I had been. I received quite as good food and even better. I had my own
cushion, and there was a stove—it is the finest thing in the world at this
season of the year. I used to go under the stove and lie down. Ah, I still
dream of that stove. Away, away!"
"Does a stove look beautiful?" asked the Snow Man. "Is it at all like
me?"

"It is just the opposite of you," said the dog. "It's as black as a crow and
has a long neck and a brass knob; it eats firewood, and that makes fire spurt
out of its mouth. One has to keep on one side or under it, to be comfortable.
You can see it through the window from where you stand."
Then the Snow Man looked, and saw a bright polished thing with a brass
knob, and fire gleaming from the lower part of it. The sight of this gave the
Snow Man a strange sensation; it was very odd, he knew not what it meant,
and he could not account for it. But there are people who are not men of
snow who understand what the feeling is. "And why did you leave her?"
asked the Snow Man, for it seemed to him that the stove must be of the
female sex. "How could you give up such a comfortable place?"
"I was obliged to," replied the yard dog. "They turned me out of doors
and chained me up here. I had bitten the youngest of my master's sons in the
leg, because he kicked away the bone I was gnawing. 'Bone for bone,' I
thought. But they were very angry, and since that time I have been fastened
to a chain and have lost my voice. Don't you hear how hoarse I am? Away,
away! I can't talk like other dogs any more. Away, away! That was the end
of it all."
But the Snow Man was no longer listening. He was looking into the
housekeeper's room on the lower story, where the stove, which was about
the same size as the Snow Man himself, stood on its four iron legs. "What a
strange crackling I feel within me," he said. "Shall I ever get in there? It is
an innocent wish, and innocent wishes are sure to be fulfilled. I must go in
there and lean against her, even if I have to break the window."
"You must never go in there," said the yard dog, "for if you approach the
stove, you will melt away, away."
"I might as well go," said the Snow Man, "for I think I am breaking up
as it is."
During the whole day the Snow Man stood looking in through the
window, and in the twilight hour the room became still more inviting, for
from the stove came a gentle glow, not like the sun or the moon; it was only
the kind of radiance that can come from a stove when it has been well fed.
When the door of the stove was opened, the flames darted out of its mouth,

—as is customary with all stoves,—and the light of the flames fell with a
ruddy gleam directly on the face and breast of the Snow Man. "I can endure
it no longer," said he. "How beautiful it looks when it stretches out its
tongue!"
The night was long, but it did not appear so to the Snow Man, who stood
there enjoying his own reflections and crackling with the cold. In the
morning the window-panes of the housekeeper's room were covered with
ice. They were the most beautiful ice flowers any Snow Man could desire,
but they concealed the stove. These window-panes would not thaw, and he
could see nothing of the stove, which he pictured to himself as if it had been
a beautiful human being. The snow crackled and the wind whistled around
him; it was just the kind of frosty weather a Snow Man ought to enjoy
thoroughly. But he did not enjoy it. How, indeed, could he enjoy anything
when he was so stove-sick?
"That is a terrible disease for a Snow Man to have," said the yard dog. "I
have suffered from it myself, but I got over it. Away, away!" he barked, and
then added, "The weather is going to change."
The weather did change. It began to thaw, and as the warmth increased,
the Snow Man decreased. He said nothing and made no complaint, which is
a sure sign.
One morning he broke and sank down altogether; and behold! where he
had stood, something that looked like a broomstick remained sticking up in
the ground. It was the pole round which the boys had built him.
"Ah, now I understand why he had such a great longing for the stove,"
said the yard dog. "Why, there's the shovel that is used for cleaning out the
stove, fastened to the pole. The Snow Man had a stove scraper in his body;
that was what moved him so. But it is all over now. Away, away!"
And soon the winter passed. "Away, away!" barked the hoarse yard dog,
but the girls in the house sang:
"Come from your fragrant home, green
thyme;
Stretch your soft branches, willow tree;
The months are bringing the sweet spring-

time,
When the lark in the sky sings joyfully.
Come, gentle sun, while the cuckoo sings,
And I'll mock his note in my
wanderings."
And nobody thought any more of the Snow Man.

THE FARMYARD COCK AND THE
WEATHERCOCK
HERE were once two cocks; one of them stood on a dunghill, the
other on the roof. Both were conceited, but the question is, Which
of the two was the more useful?
A wooden partition divided the poultry yard from another
yard, in which lay a heap of manure sheltering a cucumber bed. In this bed
grew a large cucumber, which was fully aware that it was a plant that
should be reared in a hotbed.
"It is the privilege of birth," said the Cucumber to itself. "All cannot be
born cucumbers; there must be other kinds as well. The fowls, the ducks,
and the cattle in the next yard are all different creatures, and there is the
yard cock—I can look up to him when he is on the wooden partition. He is
certainly of much greater importance than the weathercock, who is so
highly placed, and who can't even creak, much less crow—besides, he has
neither hens nor chickens, and thinks only of himself, and perspires
verdigris. But the yard cock is something like a cock. His gait is like a
dance, and his crowing is music, and wherever he goes it is instantly
known. What a trumpeter he is! If he would only come in here! Even if he
were to eat me up, stalk and all, it would be a pleasant death." So said the
Cucumber.
During the night the weather became very bad; hens, chickens, and even
the cock himself sought shelter. The wind blew down with a crash the
partition between the two yards, and the tiles came tumbling from the roof,
but the weathercock stood firm. He did not even turn round; in fact, he
could not, although he was fresh and newly cast. He had been born full
grown and did not at all resemble the birds, such as the sparrows and
swallows, that fly beneath the vault of heaven. He despised them and
looked upon them as little twittering birds that were made only to sing. The
pigeons, he admitted, were large and shone in the sun like mother-of-pearl.
They somewhat resembled weathercocks, but were fat and stupid and

thought only of stuffing themselves with food. "Besides," said the
weathercock, "they are very tiresome things to converse with."
The birds of passage often paid a visit to the weathercock and told him
tales of foreign lands, of large flocks passing through the air, and of
encounters with robbers and birds of prey. These were very interesting
when heard for the first time, but the weathercock knew the birds always
repeated themselves, and that made it tedious to listen.
"They are tedious, and so is every one else," said he; "there is no one fit
to associate with. One and all of them are wearisome and stupid. The whole
world is worth nothing—it is made up of stupidity."
The weathercock was what is called "lofty," and that quality alone would
have made him interesting in the eyes of the Cucumber, had she known it.
But she had eyes only for the yard cock, who had actually made his
appearance in her yard; for the violence of the storm had passed, but the
wind had blown down the wooden palings.
"What do you think of that for crowing?" asked the yard cock of his hens
and chickens. It was rather rough, and wanted elegance, but they did not say
so, as they stepped upon the dunghill while the cock strutted about as if he
had been a knight. "Garden plant," he cried to the Cucumber. She heard the
words with deep feeling, for they showed that he understood who she was,
and she forgot that he was pecking at her and eating her up—a happy death!
Then the hens came running up, and the chickens followed, for where
one runs the rest run also. They clucked and chirped and looked at the cock
and were proud that they belonged to him. "Cock-a-doodle-doo!" crowed
he; "the chickens in the poultry yard will grow to be large fowls if I make
my voice heard in the world."
And the hens and chickens clucked and chirped, and the cock told them
a great piece of news. "A cock can lay an egg," he said. "And what do you
think is in that egg? In that egg lies a basilisk. No one can endure the sight
of a basilisk. Men know my power, and now you know what I am capable
of, also, and what a renowned bird I am." And with this the yard cock
flapped his wings, erected his comb, and crowed again, till all the hens and
chickens trembled; but they were proud that one of their race should be of

such renown in the world. They clucked and they chirped so that the
weathercock heard it; he had heard it all, but had not stirred.
"It's all stupid stuff," said a voice within the weathercock. "The yard
cock does not lay eggs any more than I do, and I am too lazy. I could lay a
wind egg if I liked, but the world is not worth a wind egg. And now I don't
intend to sit here any longer."
With that, the weathercock broke off and fell into the yard. He did not
kill the yard cock, although the hens said he intended to do so.
And what does the moral say? "Better to crow than to be vainglorious
and break down at last."

THE RED SHOES
HERE was once a pretty, delicate little girl, who was so poor that
she had to go barefoot in summer and wear coarse wooden shoes
in winter, which made her little instep quite red.
In the center of the village there lived an old shoemaker's
wife. One day this good woman made, as well as she could, a little pair of
shoes out of some strips of old red cloth. The shoes were clumsy enough, to
be sure, but they fitted the little girl tolerably well, and anyway the woman's
intention was kind. The little girl's name was Karen.
On the very day that Karen received the shoes, her mother was to be
buried. They were not at all suitable for mourning, but she had no others, so
she put them on her little bare feet and followed the poor plain coffin to its
last resting place.
Just at that time a large, old-fashioned carriage happened to pass by, and
the old lady who sat in it saw the little girl and pitied her.
"Give me the little girl," she said to the clergyman, "and I will take care
of her."
Karen supposed that all this happened because of the red shoes, but the
old lady thought them frightful and ordered them to be burned. Karen was
then dressed in neat, well-fitting clothes and taught to read and sew. People
told her she was pretty, but the mirror said, "You are much more than pretty
—you are beautiful."
It happened not long afterwards that the queen and her little daughter,
the princess, traveled through the land. All the people, Karen among the
rest, flocked toward the palace and crowded around it, while the little
princess, dressed in white, stood at the window for every one to see. She
wore neither a train nor a golden crown, but on her feet were beautiful red
morocco shoes, which, it must be admitted, were prettier than those the

shoemaker's wife had given to little Karen. Surely nothing in the world
could be compared to those red shoes.
Now that Karen was old enough to be confirmed, she of course had to
have a new frock and new shoes. The rich shoemaker in the town took the
measure of her little feet in his own house, in a room where stood great
glass cases filled with all sorts of fine shoes and elegant, shining boots. It
was a pretty sight, but the old lady could not see well and naturally did not
take so much pleasure in it as Karen. Among the shoes were a pair of red
ones, just like those worn by the little princess. Oh, how gay they were! The
shoemaker said they had been made for the child of a count, but had not
fitted well.
"Are they of polished leather, that they shine so?" asked the old lady.
"Yes, indeed, they do shine," replied Karen. And since they fitted her,
they were bought. But the old lady had no idea that they were red, or she
would never in the world have allowed Karen to go to confirmation in
them, as she now did. Every one, of course, looked at Karen's shoes; and
when she walked up the nave to the chancel it seemed to her that even the
antique figures on the monuments, the portraits of clergymen and their
wives, with their stiff ruffs and long black robes, were fixing their eyes on
her red shoes. Even when the bishop laid his hand upon her head and spoke
of her covenant with God and how she must now begin to be a full-grown
Christian, and when the organ pealed forth solemnly and the children's
fresh, sweet voices joined with those of the choir—still Karen thought of
nothing but her shoes.
In the afternoon, when the old lady heard every one speak of the red
shoes, she said it was very shocking and improper and that, in the future,
when Karen went to church it must always be in black shoes, even if they
were old.
The next Sunday was Karen's first Communion day. She looked at her
black shoes, and then at her red ones, then again at the black and at the red
—and the red ones were put on.
The sun shone very brightly, and Karen and the old lady walked to
church through the cornfields, for the road was very dusty.

At the door of the church stood an old soldier, who leaned upon a crutch
and had a marvelously long beard that was not white but red. He bowed
almost to the ground and asked the old lady if he might dust her shoes.
Karen, in her turn, put out her little foot.
"Oh, look, what smart little dancing pumps!" said the old soldier. "Mind
you do not let them slip off when you dance," and he passed his hands over
them. The old lady gave the soldier a half-penny and went with Karen into
the church.
As before, every one saw Karen's red shoes, and all the carved figures
too bent their gaze upon them. When Karen knelt at the chancel she thought
only of the shoes; they floated before her eyes, and she forgot to say her
prayer or sing her psalm.
At last all the people left the church, and the old lady got into her
carriage. As Karen lifted her foot to step in, the old soldier said, "See what
pretty dancing shoes!" And Karen, in spite of herself, made a few dancing
steps. When she had once begun, her feet went on of themselves; it was as
though the shoes had received power over her. She danced round the church
corner,—she could not help it,—and the coachman had to run behind and
catch her to put her into the carriage. Still her feet went on dancing, so, that
she trod upon the good lady's toes. It was not until the shoes were taken
from her feet that she had rest.
The shoes were put away in a closet, but Karen could not resist going to
look at them every now and then.
Soon after this the old lady lay ill in bed, and it was said that she could
not recover. She had to be nursed and waited on, and this, of course, was no
one's duty so much as it was Karen's, as Karen herself well knew. But there
happened to be a great ball in the town, and Karen was invited. She looked
at the old lady, who was very ill, and she looked at the red shoes. She put
them on, for she thought there could not be any sin in that, and of course
there was not—but she went next to the ball and began to dance.
Strange to say, when she wanted to move to the right the shoes bore her
to the left; and when she wished to dance up the room the shoes persisted in
going down the room. Down the stairs they carried her at last, into the

street, and out through the town gate. On and on she danced, for dance she
must, straight out into the gloomy wood. Up among the trees something
glistened. She thought it was the round, red moon, for she saw a face; but
no, it was the old soldier with the red beard, who sat and nodded, saying,
"See what pretty dancing shoes!"
She was dreadfully frightened and tried to throw away the red shoes, but
they clung fast and she could not unclasp them. They seemed to have grown
fast to her feet. So dance she must, and dance she did, over field and
meadow, in rain and in sunshine, by night and by day—and by night it was
by far more dreadful.
She danced out into the open churchyard, but the dead there did not
dance; they were at rest and had much better things to do. She would have
liked to sit down on the poor man's grave, where the bitter tansy grew, but
for her there was no rest.

She danced past the open church door, and there she saw an angel in
long white robes and with wings that reached from his shoulders to the
earth. His look was stern and grave, and in his hand he held a broad,
glittering sword.
"Thou shalt dance," he said, "in thy red shoes, till thou art pale and cold,
and till thy body is wasted like a skeleton. Thou shalt dance from door to
door, and wherever proud, haughty children dwell thou shalt knock, that,
hearing thee, they may take warning. Dance thou shalt—dance on!"
"Mercy!" cried Karen; but she did not hear the answer of the angel, for
the shoes carried her past the door and on into the fields.
One morning she danced past a well-known door. Within was the sound
of a psalm, and presently a coffin strewn with flowers was borne out. She
knew that her friend, the old lady, was dead, and in her heart she felt that

she was abandoned by all on earth and condemned by God's angel in
heaven.
Still on she danced—for she could not stop—through thorns and briers,
while her feet bled. Finally, she danced to a lonely little house where she
knew that the executioner dwelt, and she tapped at the window, saying,
"Come out, come out! I cannot come in, for I must dance."
The man said, "Do you know who I am and what I do?"
"Yes," said Karen; "but do not strike off my head, for then I could not
live to repent of my sin. Strike off my feet, that I may be rid of my red
shoes."
Then she confessed her sin, and the executioner struck off the red shoes,
which danced away over the fields and into the deep wood. To Karen it
seemed that the feet had gone with the shoes, for she had almost lost the
power of walking.
"Now I have suffered enough for the red shoes," she said; "I will go to
the church, that people may see me." But no sooner had she hobbled to the
church door than the shoes danced before her and frightened her back.
All that week she endured the keenest sorrow and shed many bitter tears.
When Sunday came, she said: "I am sure I must have suffered and striven
enough by this time. I am quite as good, I dare say, as many who are
holding their heads high in the church." So she took courage and went
again. But before she reached the churchyard gate the red shoes were
dancing there, and she turned back again in terror, more deeply sorrowful
than ever for her sin.
She then went to the pastor's house and begged as a favor to be taken
into the family's service, promising to be diligent and faithful. She did not
want wages, she said, only a home with good people. The clergyman's wife
pitied her and granted her request, and she proved industrious and very
thoughtful.
Earnestly she listened when at evening the preacher read aloud the Holy
Scriptures. All the children came to love her, but when they spoke of beauty
and finery, she would shake her head and turn away.

On Sunday, when they all went to church, they asked her if she would
not go, too, but she looked sad and bade them go without her. Then she
went to her own little room, and as she sat with the psalm book in her hand,
reading its pages with a gentle, pious mind, the wind brought to her the
notes of the organ. She raised her tearful eyes and said, "O God, do thou
help me!"
Then the sun shone brightly, and before her stood the white angel that
she had seen at the church door. He no longer bore the glittering sword, but
in his hand was a beautiful branch of roses. He touched the ceiling with it,
and the ceiling rose, and at each place where the branch touched it there
shone a star. He touched the walls, and they widened so that Karen could
see the organ that was being played at the church. She saw, too, the old
pictures and statues on the walls, and the congregation sitting in the seats
and singing psalms, for the church itself had come to the poor girl in her
narrow room, or she in her chamber had come to it. She sat in the seat with
the rest of the clergyman's household, and when the psalm was ended, they
nodded and said, "Thou didst well to come, Karen!"
"This is mercy," said she. "It is the grace of God."
The organ pealed, and the chorus of children's voices mingled sweetly
with it. The bright sunshine shed its warm light, through the windows, over
the pew in which Karen sat. Her heart was so filled with sunshine, peace,
and joy that it broke, and her soul was borne by a sunbeam up to God,
where there was nobody to ask about the red shoes.

THE LITTLE MERMAID
AR out in the ocean, where the water is as blue as the prettiest
cornflower and as clear as crystal, it is very, very deep; so deep,
indeed, that no cable could sound it, and many church steeples,
piled one upon another, would not reach from the ground beneath
to the surface of the water above. There dwell the Sea King and his
subjects.
We must not imagine that there is nothing at the bottom of the sea but
bare yellow sand. No, indeed, for on this sand grow the strangest flowers
and plants, the leaves and stems of which are so pliant that the slightest
agitation of the water causes them to stir as if they had life. Fishes, both
large and small, glide between the branches as birds fly among the trees
here upon land.
In the deepest spot of all stands the castle of the Sea King. Its walls are
built of coral, and the long Gothic windows are of the clearest amber. The
roof is formed of shells that open and close as the water flows over them.
Their appearance is very beautiful, for in each lies a glittering pearl which
would be fit for the diadem of a queen.
The Sea King had been a widower for many years, and his aged mother
kept house for him. She was a very sensible woman, but exceedingly proud
of her high birth, and on that account wore twelve oysters on her tail, while
others of high rank were only allowed to wear six.
She was, however, deserving of very great praise, especially for her care
of the little sea princesses, her six granddaughters. They were beautiful
children, but the youngest was the prettiest of them all. Her skin was as
clear and delicate as a rose leaf, and her eyes as blue as the deepest sea; but,
like all the others, she had no feet and her body ended in a fish's tail. All day
long they played in the great halls of the castle or among the living flowers
that grew out of the walls. The large amber windows were open, and the
fish swam in, just as the swallows fly into our houses when we open the

windows; only the fishes swam up to the princesses, ate out of their hands,
and allowed themselves to be stroked.
Outside the castle there was a beautiful garden, in which grew bright-red
and dark-blue flowers, and blossoms like flames of fire; the fruit glittered
like gold, and the leaves and stems waved to and fro continually. The earth
itself was the finest sand, but blue as the flame of burning sulphur. Over
everything lay a peculiar blue radiance, as if the blue sky were everywhere,
above and below, instead of the dark depths of the sea. In calm weather the
sun could be seen, looking like a reddish-purple flower with light streaming
from the calyx.
Each of the young princesses had a little plot of ground in the garden,
where she might dig and plant as she pleased. One arranged her flower bed
in the form of a whale; another preferred to make hers like the figure of a
little mermaid; while the youngest child made hers round, like the sun, and
in it grew flowers as red as his rays at sunset.
She was a strange child, quiet and thoughtful. While her sisters showed
delight at the wonderful things which they obtained from the wrecks of
vessels, she cared only for her pretty flowers, red like the sun, and a
beautiful marble statue. It was the representation of a handsome boy, carved
out of pure white stone, which had fallen to the bottom of the sea from a
wreck.
She planted by the statue a rose-colored weeping willow. It grew rapidly
and soon hung its fresh branches over the statue, almost down to the blue
sands. The shadows had the color of violet and waved to and fro like the
branches, so that it seemed as if the crown of the tree and the root were at
play, trying to kiss each other.
Nothing gave her so much pleasure as to hear about the world above the
sea. She made her old grandmother tell her all she knew of the ships and of
the towns, the people and the animals. To her it seemed most wonderful and
beautiful to hear that the flowers of the land had fragrance, while those
below the sea had none; that the trees of the forest were green; and that the
fishes among the trees could sing so sweetly that it was a pleasure to listen
to them. Her grandmother called the birds fishes, or the little mermaid
would not have understood what was meant, for she had never seen birds.

"When you have reached your fifteenth year," said the grandmother,
"you will have permission to rise up out of the sea and sit on the rocks in
the moonlight, while the great ships go sailing by. Then you will see both
forests and towns."
In the following year, one of the sisters would be fifteen, but as each was
a year younger than the other, the youngest would have to wait five years
before her turn came to rise up from the bottom of the ocean to see the earth
as we do. However, each promised to tell the others what she saw on her
first visit and what she thought was most beautiful. Their grandmother
could not tell them enough—there were so many things about which they
wanted to know.
None of them longed so much for her turn to come as the youngest—she
who had the longest time to wait and who was so quiet and thoughtful.
Many nights she stood by the open window, looking up through the dark
blue water and watching the fish as they splashed about with their fins and
tails. She could see the moon and stars shining faintly, but through the water
they looked larger than they do to our eyes. When something like a black
cloud passed between her and them, she knew that it was either a whale
swimming over her head, or a ship full of human beings who never
imagined that a pretty little mermaid was standing beneath them, holding
out her white hands towards the keel of their ship.
At length the eldest was fifteen and was allowed to rise to the surface of
the ocean.
When she returned she had hundreds of things to talk about. But the
finest thing, she said, was to lie on a sand bank in the quiet moonlit sea,
near the shore, gazing at the lights of the near-by town, that twinkled like
hundreds of stars, and listening to the sounds of music, the noise of
carriages, the voices of human beings, and the merry pealing of the bells in
the church steeples. Because she could not go near all these wonderful
things, she longed for them all the more.
Oh, how eagerly did the youngest sister listen to all these descriptions!
And afterwards, when she stood at the open window looking up through the
dark-blue water, she thought of the great city, with all its bustle and noise,

and even fancied she could hear the sound of the church bells down in the
depths of the sea.
In another year the second sister received permission to rise to the
surface of the water and to swim about where she pleased. She rose just as
the sun was setting, and this, she said, was the most beautiful sight of all.
The whole sky looked like gold, and violet and rose-colored clouds, which
she could not describe, drifted across it. And more swiftly than the clouds,
flew a large flock of wild swans toward the setting sun, like a long white
veil across the sea. She also swam towards the sun, but it sank into the
waves, and the rosy tints faded from the clouds and from the sea.
The third sister's turn followed, and she was the boldest of them all, for
she swam up a broad river that emptied into the sea. On the banks she saw
green hills covered with beautiful vines, and palaces and castles peeping out
from amid the proud trees of the forest. She heard birds singing and felt the
rays of the sun so strongly that she was obliged often to dive under the
water to cool her burning face. In a narrow creek she found a large group of
little human children, almost naked, sporting about in the water. She wanted
to play with them, but they fled in a great fright; and then a little black
animal—it was a dog, but she did not know it, for she had never seen one
before—came to the water and barked at her so furiously that she became
frightened and rushed back to the open sea. But she said she should never
forget the beautiful forest, the green hills, and the pretty children who could
swim in the water although they had no tails.
The fourth sister was more timid. She remained in the midst of the sea,
but said it was quite as beautiful there as nearer the land. She could see
many miles around her, and the sky above looked like a bell of glass. She
had seen the ships, but at such a great distance that they looked like sea
gulls. The dolphins sported in the waves, and the great whales spouted
water from their nostrils till it seemed as if a hundred fountains were
playing in every direction.
The fifth sister's birthday occurred in the winter, so when her turn came
she saw what the others had not seen the first time they went up. The sea
looked quite green, and large icebergs were floating about, each like a pearl,
she said, but larger and loftier than the churches built by men. They were of

the most singular shapes and glittered like diamonds. She had seated herself
on one of the largest and let the wind play with her long hair. She noticed
that all the ships sailed past very rapidly, steering as far away as they could,
as if they were afraid of the iceberg. Towards evening, as the sun went
down, dark clouds covered the sky, the thunder rolled, and the flashes of
lightning glowed red on the icebergs as they were tossed about by the
heaving sea. On all the ships the sails were reefed with fear and trembling,
while she sat on the floating iceberg, calmly watching the lightning as it
darted its forked flashes into the sea.
Each of the sisters, when first she had permission to rise to the surface,
was delighted with the new and beautiful sights. Now that they were grown-
up girls and could go when they pleased, they had become quite indifferent
about it. They soon wished themselves back again, and after a month had
passed they said it was much more beautiful down below and pleasanter to
be at home.
Yet often, in the evening hours, the five sisters would twine their arms
about each other and rise to the surface together. Their voices were more
charming than that of any human being, and before the approach of a storm,
when they feared that a ship might be lost, they swam before the vessel,
singing enchanting songs of the delights to be found in the depths of the sea
and begging the voyagers not to fear if they sank to the bottom. But the
sailors could not understand the song and thought it was the sighing of the
storm. These things were never beautiful to them, for if the ship sank, the
men were drowned and their dead bodies alone reached the palace of the
Sea King.
When the sisters rose, arm in arm, through the water, their youngest
sister would stand quite alone, looking after them, ready to cry—only, since
mermaids have no tears, she suffered more acutely.
"Oh, were I but fifteen years old!" said she. "I know that I shall love the
world up there, and all the people who live in it."
At last she reached her fifteenth year.
"Well, now you are grown up," said the old dowager, her grandmother.
"Come, and let me adorn you like your sisters." And she placed in her hair a

wreath of white lilies, of which every flower leaf was half a pearl. Then the
old lady ordered eight great oysters to attach themselves to the tail of the
princess to show her high rank.
"But they hurt me so," said the little mermaid.
"Yes, I know; pride must suffer pain," replied the old lady.
Oh, how gladly she would have shaken off all this grandeur and laid
aside the heavy wreath! The red flowers in her own garden would have
suited her much better. But she could not change herself, so she said
farewell and rose as lightly as a bubble to the surface of the water.
The sun had just set when she raised her head above the waves. The
clouds were tinted with crimson and gold, and through the glimmering
twilight beamed the evening star in all its beauty. The sea was calm, and the
air mild and fresh. A large ship with three masts lay becalmed on the water;
only one sail was set, for not a breeze stirred, and the sailors sat idle on
deck or amidst the rigging. There was music and song on board, and as
darkness came on, a hundred colored lanterns were lighted, as if the flags of
all nations waved in the air.
The little mermaid swam close to the cabin windows, and now and then,
as the waves lifted her up, she could look in through glass window-panes
and see a number of gayly dressed people.
Among them, and the most beautiful of all, was a young prince with
large, black eyes. He was sixteen years of age, and his birthday was being
celebrated with great display. The sailors were dancing on deck, and when
the prince came out of the cabin, more than a hundred rockets rose in the
air, making it as bright as day. The little mermaid was so startled that she
dived under water, and when she again stretched out her head, it looked as
if all the stars of heaven were falling around her.
She had never seen such fireworks before. Great suns spurted fire about,
splendid fireflies flew into the blue air, and everything was reflected in the
clear, calm sea beneath. The ship itself was so brightly illuminated that all
the people, and even the smallest rope, could be distinctly seen. How
handsome the young prince looked, as he pressed the hands of all his guests
and smiled at them, while the music resounded through the clear night air!

It was very late, yet the little mermaid could not take her eyes from the
ship or from the beautiful prince. The colored lanterns had been
extinguished, no more rockets rose in the air, and the cannon had ceased
firing; but the sea became restless, and a moaning, grumbling sound could
be heard beneath the waves. Still the little mermaid remained by the cabin
window, rocking up and down on the water, so that she could look within.
After a while the sails were quickly set, and the ship went on her way. But
soon the waves rose higher, heavy clouds darkened the sky, and lightning
appeared in the distance. A dreadful storm was approaching. Once more the
sails were furled, and the great ship pursued her flying course over the
raging sea. The waves rose mountain high, as if they would overtop the
mast, but the ship dived like a swan between them, then rose again on their
lofty, foaming crests. To the little mermaid this was pleasant sport; but not
so to the sailors. At length the ship groaned and creaked; the thick planks
gave way under the lashing of the sea, as the waves broke over the deck; the
mainmast snapped asunder like a reed, and as the ship lay over on her side,
the water rushed in.
The little mermaid now perceived that the crew were in danger; even she
was obliged to be careful, to avoid the beams and planks of the wreck
which lay scattered on the water. At one moment it was pitch dark so that
she could not see a single object, but when a flash of lightning came it
revealed the whole scene; she could see every one who had been on board
except the prince. When the ship parted, she had seen him sink into the deep
waves, and she was glad, for she thought he would now be with her. Then
she remembered that human beings could not live in the water, so that when
he got down to her father's palace he would certainly be quite dead.
No, he must not die! So she swam about among the beams and planks
which strewed the surface of the sea, forgetting that they could crush her to
pieces. Diving deep under the dark waters, rising and falling with the
waves, she at length managed to reach the young prince, who was fast
losing the power to swim in that stormy sea. His limbs were failing him, his
beautiful eyes were closed, and he would have died had not the little
mermaid come to his assistance. She held his head above the water and let
the waves carry them where they would.

In the morning the storm had ceased, but of the ship not a single
fragment could be seen. The sun came up red and shining out of the water,
and its beams brought back the hue of health to the prince's cheeks, but his
eyes remained closed. The mermaid kissed his high, smooth forehead and
stroked back his wet hair. He seemed to her like the marble statue in her
little garden, so she kissed him again and wished that he might live.
Presently they came in sight of land, and she saw lofty blue mountains
on which the white snow rested as if a flock of swans were lying upon
them. Beautiful green forests were near the shore, and close by stood a large
building, whether a church or a convent she could not tell. Orange and
citron trees grew in the garden, and before the door stood lofty palms. The
sea here formed a little bay, in which the water lay quiet and still, but very
deep. She swam with the handsome prince to the beach, which was covered
with fine white sand, and there she laid him in the warm sunshine, taking
care to raise his head higher than his body. Then bells sounded in the large
white building, and some young girls came into the garden. The little
mermaid swam out farther from the shore and hid herself among some high
rocks that rose out of the water. Covering her head and neck with the foam
of the sea, she watched there to see what would become of the poor prince.
It was not long before she saw a young girl approach the spot where the
prince lay. She seemed frightened at first, but only for a moment; then she
brought a number of people, and the mermaid saw that the prince came to
life again and smiled upon those who stood about him. But to her he sent no
smile; he knew not that she had saved him. This made her very sorrowful,
and when he was led away into the great building, she dived down into the
water and returned to her father's castle.
She had always been silent and thoughtful, and now she was more so
than ever. Her sisters asked her what she had seen during her first visit to
the surface of the water, but she could tell them nothing. Many an evening
and morning did she rise to the place where she had left the prince. She saw
the fruits in the garden ripen and watched them gathered; she watched the
snow on the mountain tops melt away; but never did she see the prince, and
therefore she always returned home more sorrowful than before.

It was her only comfort to sit in her own little garden and fling her arm
around the beautiful marble statue, which was like the prince. She gave up
tending her flowers, and they grew in wild confusion over the paths,
twining their long leaves and stems round the branches of the trees so that
the whole place became dark and gloomy.
At length she could bear it no longer and told one of her sisters all about
it. Then the others heard the secret, and very soon it became known to
several mermaids, one of whom had an intimate friend who happened to
know about the prince. She had also seen the festival on board ship, and she
told them where the prince came from and where his palace stood.
"Come, little sister," said the other princesses. Then they entwined their
arms and rose together to the surface of the water, near the spot where they
knew the prince's palace stood. It was built of bright-yellow, shining stone
and had long flights of marble steps, one of which reached quite down to
the sea. Splendid gilded cupolas rose over the roof, and between the pillars
that surrounded the whole building stood lifelike statues of marble. Through
the clear crystal of the lofty windows could be seen noble rooms, with
costly silk curtains and hangings of tapestry and walls covered with
beautiful paintings. In the center of the largest salon a fountain threw its
sparkling jets high up into the glass cupola of the ceiling, through which the
sun shone in upon the water and upon the beautiful plants that grew in the
basin of the fountain.
Now that the little mermaid knew where the prince lived, she spent
many an evening and many a night on the water near the palace. She would
swim much nearer the shore than any of the others had ventured, and once
she went up the narrow channel under the marble balcony, which threw a
broad shadow on the water. Here she sat and watched the young prince,
who thought himself alone in the bright moonlight.
She often saw him evenings, sailing in a beautiful boat on which music
sounded and flags waved. She peeped out from among the green rushes,
and if the wind caught her long silvery-white veil, those who saw it
believed it to be a swan, spreading out its wings.
Many a night, too, when the fishermen set their nets by the light of their
torches, she heard them relate many good things about the young prince.

And this made her glad that she had saved his life when he was tossed about
half dead on the waves. She remembered how his head had rested on her
bosom and how heartily she had kissed him, but he knew nothing of all this
and could not even dream of her.
She grew more and more to like human beings and wished more and
more to be able to wander about with those whose world seemed to be so
much larger than her own. They could fly over the sea in ships and mount
the high hills which were far above the clouds; and the lands they
possessed, their woods and their fields, stretched far away beyond the reach
of her sight. There was so much that she wished to know! but her sisters
were unable to answer all her questions. She then went to her old
grandmother, who knew all about the upper world, which she rightly called
"the lands above the sea."
"If human beings are not drowned," asked the little mermaid, "can they
live forever? Do they never die, as we do here in the sea?"
"Yes," replied the old lady, "they must also die, and their term of life is
even shorter than ours. We sometimes live for three hundred years, but
when we cease to exist here, we become only foam on the surface of the
water and have not even a grave among those we love. We have not
immortal souls, we shall never live again; like the green seaweed when
once it has been cut off, we can never flourish more. Human beings, on the
contrary, have souls which live forever, even after the body has been turned
to dust. They rise up through the clear, pure air, beyond the glittering stars.
As we rise out of the water and behold all the land of the earth, so do they
rise to unknown and glorious regions which we shall never see."
"Why have not we immortal souls?" asked the little mermaid,
mournfully. "I would gladly give all the hundreds of years that I have to
live, to be a human being only for one day and to have the hope of knowing
the happiness of that glorious world above the stars."
"You must not think that," said the old woman. "We believe that we are
much happier and much better off than human beings."
"So I shall die," said the little mermaid, "and as the foam of the sea I
shall be driven about, never again to hear the music of the waves or to see

the pretty flowers or the red sun? Is there anything I can do to win an
immortal soul?"
"No," said the old woman; "unless a man should love you so much that
you were more to him than his father or his mother, and if all his thoughts
and all his love were fixed upon you, and the priest placed his right hand in
yours, and he promised to be true to you here and hereafter—then his soul
would glide into your body, and you would obtain a share in the future
happiness of mankind. He would give to you a soul and retain his own as
well; but this can never happen. Your fish's tail, which among us is
considered so beautiful, on earth is thought to be quite ugly. They do not
know any better, and they think it necessary, in order to be handsome, to
have two stout props, which they call legs."
Then the little mermaid sighed and looked sorrowfully at her fish's tail.
"Let us be happy," said the old lady, "and dart and spring about during the
three hundred years that we have to live, which is really quite long enough.
After that we can rest ourselves all the better. This evening we are going to
have a court ball."
It was one of those splendid sights which we can never see on earth. The
walls and the ceiling of the large ballroom were of thick but transparent
crystal. Many hundreds of colossal shells,—some of a deep red, others of a
grass green,—with blue fire in them, stood in rows on each side. These
lighted up the whole salon, and shone through the walls so that the sea was
also illuminated. Innumerable fishes, great and small, swam past the crystal
walls; on some of them the scales glowed with a purple brilliance, and on
others shone like silver and gold. Through the halls flowed a broad stream,
and in it danced the mermen and the mermaids to the music of their own
sweet singing.
No one on earth has such lovely voices as they, but the little mermaid
sang more sweetly than all. The whole court applauded her with hands and
tails, and for a moment her heart felt quite gay, for she knew she had the
sweetest voice either on earth or in the sea. But soon she thought again of
the world above her; she could not forget the charming prince, nor her
sorrow that she had not an immortal soul like his. She crept away silently
out of her father's palace, and while everything within was gladness and

song, she sat in her own little garden, sorrowful and alone. Then she heard
the bugle sounding through the water and thought: "He is certainly sailing
above, he in whom my wishes center and in whose hands I should like to
place the happiness of my life. I will venture all for him and to win an
immortal soul. While my sisters are dancing in my father's palace I will go
to the sea witch, of whom I have always been so much afraid; she can give
me counsel and help."
Then the little mermaid went out from her garden and took the road to
the foaming whirlpools, behind which the sorceress lived. She had never
been that way before. Neither flowers nor grass grew there; nothing but
bare, gray, sandy ground stretched out to the whirlpool, where the water,
like foaming mill wheels, seized everything that came within its reach and
cast it into the fathomless deep. Through the midst of these crushing
whirlpools the little mermaid was obliged to pass before she could reach the
dominions of the sea witch. Then, for a long distance, the road lay across a
stretch of warm, bubbling mire, called by the witch her turf moor.
Beyond this was the witch's house, which stood in the center of a strange
forest, where all the trees and flowers were polypi, half animals and half
plants. They looked like serpents with a hundred heads, growing out of the
ground. The branches were long, slimy arms, with fingers like flexible
worms, moving limb after limb from the root to the top. All that could be
reached in the sea they seized upon and held fast, so that it never escaped
from their clutches.
The little mermaid was so alarmed at what she saw that she stood still
and her heart beat with fear. She came very near turning back, but she
thought of the prince and of the human soul for which she longed, and her
courage returned. She fastened her long, flowing hair round her head, so
that the polypi should not lay hold of it. She crossed her hands on her
bosom, and then darted forward as a fish shoots through the water, between
the supple arms and fingers of the ugly polypi, which were stretched out on
each side of her. She saw that they all held in their grasp something they
had seized with their numerous little arms, which were as strong as iron
bands. Tightly grasped in their clinging arms were white skeletons of
human beings who had perished at sea and had sunk down into the deep
waters; skeletons of land animals; and oars, rudders, and chests, of ships.

There was even a little mermaid whom they had caught and strangled, and
this seemed the most shocking of all to the little princess.
She now came to a space of marshy ground in the wood, where large, fat
water snakes were rolling in the mire and showing their ugly, drab-colored
bodies. In the midst of this spot stood a house, built of the bones of
shipwrecked human beings. There sat the sea witch, allowing a toad to eat
from her mouth just as people sometimes feed a canary with pieces of
sugar. She called the ugly water snakes her little chickens and allowed them
to crawl all over her bosom.
"I know what you want," said the sea witch. "It is very stupid of you, but
you shall have your way, though it will bring you to sorrow, my pretty
princess. You want to get rid of your fish's tail and to have two supports
instead, like human beings on earth, so that the young prince may fall in
love with you and so that you may have an immortal soul." And then the
witch laughed so loud and so disgustingly that the toad and the snakes fell
to the ground and lay there wriggling.
"You are but just in time," said the witch, "for after sunrise to-morrow I
should not be able to help you till the end of another year. I will prepare a
draft for you, with which you must swim to land to-morrow before sunrise;
seat yourself there and drink it. Your tail will then disappear, and shrink up
into what men call legs.
"You will feel great pain, as if a sword were passing through you. But all
who see you will say that you are the prettiest little human being they ever
saw. You will still have the same floating gracefulness of movement, and no
dancer will ever tread so lightly. Every step you take, however, will be as if
you were treading upon sharp knives and as if the blood must flow. If you
will bear all this, I will help you."
"Yes, I will," said the little princess in a trembling voice, as she thought
of the prince and the immortal soul.
"But think again," said the witch, "for when once your shape has become
like a human being, you can no more be a mermaid. You will never return
through the water to your sisters or to your father's palace again. And if you
do not win the love of the prince, so that he is willing to forget his father

and mother for your sake and to love you with his whole soul and allow the
priest to join your hands that you may be man and wife, then you will never
have an immortal soul. The first morning after he marries another, your
heart will break and you will become foam on the crest of the waves."
"I will do it," said the little mermaid, and she became pale as death.
"But I must be paid, also," said the witch, "and it is not a trifle that I ask.
You have the sweetest voice of any who dwell here in the depths of the sea,
and you believe that you will be able to charm the prince with it. But this
voice you must give to me. The best thing you possess will I have as the
price of my costly draft, which must be mixed with my own blood so that it
may be as sharp as a two-edged sword."
"But if you take away my voice," said the little mermaid, "what is left
for me?"
"Your beautiful form, your graceful walk, and your expressive eyes.
Surely with these you can enchain a man's heart. Well, have you lost your
courage? Put out your little tongue, that I may cut it off as my payment;
then you shall have the powerful draft."
"It shall be," said the little mermaid.
Then the witch placed her caldron on the fire, to prepare the magic draft.
"Cleanliness is a good thing," said she, scouring the vessel with snakes
which she had tied together in a large knot. Then she pricked herself in the
breast and let the black blood drop into the caldron. The steam that rose
twisted itself into such horrible shapes that no one could look at them
without fear. Every moment the witch threw a new ingredient into the
vessel, and when it began to boil, the sound was like the weeping of a
crocodile. When at last the magic draft was ready, it looked like the clearest
water.
"There it is for you," said the witch. Then she cut off the mermaid's
tongue, so that she would never again speak or sing. "If the polypi should
seize you as you return through the wood," said the witch, "throw over them
a few drops of the potion, and their fingers will be torn into a thousand
pieces." But the little mermaid had no occasion to do this, for the polypi

sprang back in terror when they caught sight of the glittering draft, which
shone in her hand like a twinkling star.
So she passed quickly through the wood and the marsh and between the
rushing whirlpools. She saw that in her father's palace the torches in the
ballroom were extinguished and that all within were asleep. But she did not
venture to go in to them, for now that she was dumb and going to leave
them forever she felt as if her heart would break. She stole into the garden,
took a flower from the flower bed of each of her sisters, kissed her hand
towards the palace a thousand times, and then rose up through the dark-blue
waters.
The sun had not risen when she came in sight of the prince's palace and
approached the beautiful marble steps, but the moon shone clear and bright.
Then the little mermaid drank the magic draft, and it seemed as if a two-
edged sword went through her delicate body. She fell into a swoon and lay
like one dead. When the sun rose and shone over the sea, she recovered and
felt a sharp pain, but before her stood the handsome young prince.
He fixed his coal-black eyes upon her so earnestly that she cast down her
own and then became aware that her fish's tail was gone and that she had as
pretty a pair of white legs and tiny feet as any little maiden could have. But
she had no clothes, so she wrapped herself in her long, thick hair. The
prince asked her who she was and whence she came. She looked at him
mildly and sorrowfully with her deep blue eyes, but could not speak. He
took her by the hand and led her to the palace.

Every step she took was as the witch had said it would be; she felt as if
she were treading upon the points of needles or sharp knives. She bore it
willingly, however, and moved at the prince's side as lightly as a bubble, so
that he and all who saw her wondered at her graceful, swaying movements.
She was very soon arrayed in costly robes of silk and muslin and was the
most beautiful creature in the palace; but she was dumb and could neither
speak nor sing.
Beautiful female slaves, dressed in silk and gold, stepped forward and
sang before the prince and his royal parents. One sang better than all the
others, and the prince clapped his hands and smiled at her. This was a great
sorrow to the little mermaid, for she knew how much more sweetly she
herself once could sing, and she thought, "Oh, if he could only know that I
have given away my voice forever, to be with him!"

The slaves next performed some pretty fairy-like dances, to the sound of
beautiful music. Then the little mermaid raised her lovely white arms, stood
on the tips of her toes, glided over the floor, and danced as no one yet had
been able to dance. At each moment her beauty was more revealed, and her
expressive eyes appealed more directly to the heart than the songs of the
slaves. Every one was enchanted, especially the prince, who called her his
little foundling. She danced again quite readily, to please him, though each
time her foot touched the floor it seemed as if she trod on sharp knives.
The prince said she should remain with him always, and she was given
permission to sleep at his door, on a velvet cushion. He had a page's dress
made for her, that she might accompany him on horseback. They rode
together through the sweet-scented woods, where the green boughs touched
their shoulders, and the little birds sang among the fresh leaves. She
climbed with him to the tops of high mountains, and although her tender
feet bled so that even her steps were marked, she only smiled, and followed
him till they could see the clouds beneath them like a flock of birds flying
to distant lands. While at the prince's palace, and when all the household
were asleep, she would go and sit on the broad marble steps, for it eased her
burning feet to bathe them in the cold sea water. It was then that she thought
of all those below in the deep.
Once during the night her sisters came up arm in arm, singing
sorrowfully as they floated on the water. She beckoned to them, and they
recognized her and told her how she had grieved them; after that, they came
to the same place every night. Once she saw in the distance her old
grandmother, who had not been to the surface of the sea for many years,
and the old Sea King, her father, with his crown on his head. They stretched
out their hands towards her, but did not venture so near the land as her
sisters had.
As the days passed she loved the prince more dearly, and he loved her as
one would love a little child. The thought never came to him to make her
his wife. Yet unless he married her, she could not receive an immortal soul,
and on the morning after his marriage with another, she would dissolve into
the foam of the sea.

"Do you not love me the best of them all?" the eyes of the little mermaid
seemed to say when he took her in his arms and kissed her fair forehead.
"Yes, you are dear to me," said the prince, "for you have the best heart
and you are the most devoted to me. You are like a young maiden whom I
once saw, but whom I shall never meet again. I was in a ship that was
wrecked, and the waves cast me ashore near a holy temple where several
young maidens performed the service. The youngest of them found me on
the shore and saved my life. I saw her but twice, and she is the only one in
the world whom I could love. But you are like her, and you have almost
driven her image from my mind. She belongs to the holy temple, and good
fortune has sent you to me in her stead. We will never part.
"Ah, he knows not that it was I who saved his life," thought the little
mermaid. "I carried him over the sea to the wood where the temple stands; I
sat beneath the foam and watched till the human beings came to help him. I
saw the pretty maiden that he loves better than he loves me." The mermaid
sighed deeply, but she could not weep. "He says the maiden belongs to the
holy temple, therefore she will never return to the world—they will meet no
more. I am by his side and see him every day. I will take care of him, and
love him, and give up my life for his sake."
Very soon it was said that the prince was to marry and that the beautiful
daughter of a neighboring king would be his wife, for a fine ship was being
fitted out. Although the prince gave out that he intended merely to pay a
visit to the king, it was generally supposed that he went to court the
princess. A great company were to go with him. The little mermaid smiled
and shook her head. She knew the prince's thoughts better than any of the
others.
"I must travel," he had said to her; "I must see this beautiful princess.
My parents desire it, but they will not oblige me to bring her home as my
bride. I cannot love her, because she is not like the beautiful maiden in the
temple, whom you resemble. If I were forced to choose a bride, I would
choose you, my dumb foundling, with those expressive eyes." Then he
kissed her rosy mouth, played with her long, waving hair, and laid his head
on her heart, while she dreamed of human happiness and an immortal soul.

"You are not afraid of the sea, my dumb child, are you?" he said, as they
stood on the deck of the noble ship which was to carry them to the country
of the neighboring king. Then he told her of storm and of calm, of strange
fishes in the deep beneath them, and of what the divers had seen there. She
smiled at his descriptions, for she knew better than any one what wonders
were at the bottom of the sea.
In the moonlight night, when all on board were asleep except the man at
the helm, she sat on deck, gazing down through the clear water. She thought
she could distinguish her father's castle, and upon it her aged grandmother,
with the silver crown on her head, looking through the rushing tide at the
keel of the vessel. Then her sisters came up on the waves and gazed at her
mournfully, wringing their white hands. She beckoned to them, and smiled,
and wanted to tell them how happy and well off she was. But the cabin boy
approached, and when her sisters dived down, he thought what he saw was
only the foam of the sea.
The next morning the ship sailed into the harbor of a beautiful town
belonging to the king whom the prince was going to visit. The church bells
were ringing, and from the high towers sounded a flourish of trumpets.
Soldiers, with flying colors and glittering bayonets, lined the roads through
which they passed. Every day was a festival, balls and entertainments
following one another. But the princess had not yet appeared. People said
that she had been brought up and educated in a religious house, where she
was learning every royal virtue.
At last she came. Then the little mermaid, who was anxious to see
whether she was really beautiful, was obliged to admit that she had never
seen a more perfect vision of beauty. Her skin was delicately fair, and
beneath her long, dark eyelashes her laughing blue eyes shone with truth
and purity.
"It was you," said the prince, "who saved my life when I lay as if dead
on the beach," and he folded his blushing bride in his arms.
"Oh, I am too happy!" said he to the little mermaid; "my fondest hopes
are now fulfilled. You will rejoice at my happiness, for your devotion to me
is great and sincere."

The little mermaid kissed his hand and felt as if her heart were already
broken. His wedding morning would bring death to her, and she would
change into the foam of the sea.
All the church bells rang, and the heralds rode through the town
proclaiming the betrothal. Perfumed oil was burned in costly silver lamps
on every altar. The priests waved the censers, while the bride and the
bridegroom joined their hands and received the blessing of the bishop. The
little mermaid, dressed in silk and gold, held up the bride's train; but her
ears heard nothing of the festive music, and her eyes saw not the holy
ceremony. She thought of the night of death which was coming to her, and
of all she had lost in the world.
On the same evening the bride and bridegroom went on board the ship.
Cannons were roaring, flags waving, and in the center of the ship a costly
tent of purple and gold had been erected. It contained elegant sleeping
couches for the bridal pair during the night. The ship, under a favorable
wind, with swelling sails, glided away smoothly and lightly over the calm
sea.
When it grew dark, a number of colored lamps were lighted and the
sailors danced merrily on the deck. The little mermaid could not help
thinking of her first rising out of the sea, when she had seen similar joyful
festivities, so she too joined in the dance, poised herself in the air as a
swallow when he pursues his prey, and all present cheered her wonderingly.
She had never danced so gracefully before. Her tender feet felt as if cut with
sharp knives, but she cared not for the pain; a sharper pang had pierced her
heart.
She knew this was the last evening she should ever see the prince for
whom she had forsaken her kindred and her home. She had given up her
beautiful voice and suffered unheard-of pain daily for him, while he knew
nothing of it. This was the last evening that she should breathe the same air
with him or gaze on the starry sky and the deep sea. An eternal night,
without a thought or a dream, awaited her. She had no soul, and now could
never win one.
All was joy and gaiety on the ship until long after midnight. She smiled
and danced with the rest, while the thought of death was in her heart. The

prince kissed his beautiful bride and she played with his raven hair till they
went arm in arm to rest in the sumptuous tent. Then all became still on
board the ship, and only the pilot, who stood at the helm, was awake. The
little mermaid leaned her white arms on the edge of the vessel and looked
towards the east for the first blush of morning—for that first ray of the
dawn which was to be her death. She saw her sisters rising out of the flood.
They were as pale as she, but their beautiful hair no longer waved in the
wind; it had been cut off.
"We have given our hair to the witch," said they, "to obtain help for you,
that you may not die to-night. She has given us a knife; see, it is very sharp.
Before the sun rises you must plunge it into the heart of the prince. When
the warm blood falls upon your feet they will grow together again into a
fish's tail, and you will once more be a mermaid and can return to us to live
out your three hundred years before you are changed into the salt sea foam.
Haste, then; either he or you must die before sunrise. Our old grandmother
mourns so for you that her white hair is falling, as ours fell under the
witch's scissors. Kill the prince, and come back. Hasten! Do you not see the
first red streaks in the sky? In a few minutes the sun will rise, and you must
die."
Then they sighed deeply and mournfully, and sank beneath the waves.
The little mermaid drew back the crimson curtain of the tent and beheld
the fair bride, whose head was resting on the prince's breast. She bent down
and kissed his noble brow, then looked at the sky, on which the rosy dawn
grew brighter and brighter. She glanced at the sharp knife and again fixed
her eyes on the prince, who whispered the name of his bride in his dreams.
She was in his thoughts, and the knife trembled in the hand of the little
mermaid—but she flung it far from her into the waves. The water turned red
where it fell, and the drops that spurted up looked like blood. She cast one
more lingering, half-fainting glance at the prince, then threw herself from
the ship into the sea and felt her body dissolving into foam.
The sun rose above the waves, and his warm rays fell on the cold foam
of the little mermaid, who did not feel as if she were dying. She saw the
bright sun, and hundreds of transparent, beautiful creatures floating around
her—she could see through them the white sails of the ships and the red

clouds in the sky. Their speech was melodious, but could not be heard by
mortal ears—just as their bodies could not be seen by mortal eyes. The little
mermaid perceived that she had a body like theirs and that she continued to
rise higher and higher out of the foam. "Where am I?" asked she, and her
voice sounded ethereal, like the voices of those who were with her. No
earthly music could imitate it.
"Among the daughters of the air," answered one of them. "A mermaid
has not an immortal soul, nor can she obtain one unless she wins the love of
a human being. On the will of another hangs her eternal destiny. But the
daughters of the air, although they do not possess an immortal soul, can, by
their good deeds, procure one for themselves. We fly to warm countries and
cool the sultry air that destroys mankind with the pestilence. We carry the
perfume of the flowers to spread health and restoration.
"After we have striven for three hundred years to do all the good in our
power, we receive an immortal soul and take part in the happiness of
mankind. You, poor little mermaid, have tried with your whole heart to do
as we are doing. You have suffered and endured, and raised yourself to the
spirit world by your good deeds, and now, by striving for three hundred
years in the same way, you may obtain an immortal soul."
The little mermaid lifted her glorified eyes toward the sun and, for the
first time, felt them filling with tears.
On the ship in which she had left the prince there were life and noise,
and she saw him and his beautiful bride searching for her. Sorrowfully they
gazed at the pearly foam, as if they knew she had thrown herself into the
waves. Unseen she kissed the forehead of the bride and fanned the prince,
and then mounted with the other children of the air to a rosy cloud that
floated above.
"After three hundred years, thus shall we float into the kingdom of
heaven," said she. "And we may even get there sooner," whispered one of
her companions. "Unseen we can enter the houses of men where there are
children, and for every day on which we find a good child that is the joy of
his parents and deserves their love, our time of probation is shortened. The
child does not know, when we fly through the room, that we smile with joy
at his good conduct—for we can count one year less of our three hundred

years. But when we see a naughty or a wicked child we shed tears of
sorrow, and for every tear a day is added to our time of trial."

BUCKWHEAT
F YOU should chance, after a tempest, to cross a field where
buckwheat is growing, you may observe that it looks black and singed,
as if a flame of fire had passed over it. And should you ask the reason,
a farmer will tell you, "The lightning did that."
But how is it that the lightning did it?
I will tell you what the sparrow told me, and the sparrow heard it from
an aged willow which stood—and still stands for that matter—close to the
field of buckwheat.
This willow is tall and venerable, though old and crippled. Its trunk is
split clear through the middle, and grass and blackberry tendrils creep out
through the cleft. The tree bends forward, and its branches droop like long,
green hair.
In the fields around the willow grew rye, wheat, and oats—beautiful oats
that, when ripe, looked like little yellow canary birds sitting on a branch.
The harvest had been blessed, and the fuller the ears of grain the lower they
bowed their heads in reverent humility.
There was also a field of buckwheat lying just in front of the old willow.
The buckwheat did not bow its head, like the rest of the grain, but stood
erect in stiff-necked pride.
"I am quite as rich as the oats," it said; "and, moreover, I am much more
sightly. My flowers are as pretty as apple blossoms. It is a treat to look at
me and my companions. Old willow, do you know anything more beautiful
than we?"
The willow nodded his head, as much as to say, "Indeed I do!" But the
buckwheat was so puffed with pride that it only said: "The stupid tree! He is
so old that grass is growing out of his body."

Now there came on a dreadful storm, and the flowers of the field folded
their leaves or bent their heads as it passed over them. The buckwheat
flower alone stood erect in all its pride.
"Bow your heads, as we do," called the flowers.
"There is no need for me to do that," answered the buckwheat.
"Bow your head as we do," said the grain. "The angel of storms comes
flying hither. He has wings that reach from the clouds to the earth; he will
smite you before you have time to beg for mercy."
"But I do not choose to bow down," said the buckwheat.
"Close your flowers and fold your leaves," said the old willow. "Do not
look at the lightning when the cloud breaks. Even human beings dare not do
that, for in the midst of the lightning one may look straight into God's
heaven. The sight strikes human beings blind, so dazzling is it. What would
not happen to us, mere plants of the field, who are so much humbler, if we
should dare do so?"
"So much humbler! Indeed! If there is a chance, I shall look right into
God's heaven." And in its pride and haughtiness it did so. The flashes of
lightning were so awful that it seemed as if the whole world were in flames.
When the tempest was over, both the grain and the flowers, greatly
refreshed by the rain, again stood erect in the pure, quiet air. But the
buckwheat had been burned as black as a cinder by the lightning and stood
in the field like a dead, useless weed.
The old willow waved his branches to and fro in the wind, and large
drops of water fell from his green leaves, as if he were shedding tears. The
sparrows asked: "Why are you weeping when all around seems blest? Do
you not smell the sweet perfume of flowers and bushes? The sun shines,
and the clouds have passed from the sky. Why do you weep, old tree?"
Then the willow told them of the buckwheat's stubborn pride and of the
punishment which followed.
I, who tell this tale, heard it from the sparrows. They told it to me one
evening when I had asked them for a story.

WHAT HAPPENED TO THE THISTLE
ROUND a lordly old mansion was a beautiful, well-kept
garden, full of all kinds of rare trees and flowers. Guests
always expressed their delight and admiration at the sight of its
wonders. The people from far and near used to come on
Sundays and holidays and ask permission to see it. Even whole
schools made excursions for the sole purpose of seeing its beauties.
Near the fence that separated the garden from the meadow stood an
immense thistle. It was an uncommonly large and fine thistle, with several
branches spreading out just above the root, and altogether was so strong and
full as to make it well worthy of the name "thistle bush."
No one ever noticed it, save the old donkey that pulled the milk cart for
the dairymaids. He stood grazing in the meadow hard by and stretched his
old neck to reach the thistle, saying: "You are beautiful! I should like to eat
you!" But the tether was too short to allow him to reach the thistle, so he
did not eat it.
There were guests at the Hall, fine, aristocratic relatives from town, and
among them a young lady who had come from a long distance—all the way
from Scotland. She was of old and noble family and rich in gold and lands
—a bride well worth the winning, thought more than one young man to
himself; yes, and their mothers thought so, too!
The young people amused themselves on the lawn, playing croquet and
flitting about among the flowers, each young girl gathering a flower to put
in the buttonhole of some one of the gentlemen.
The young Scotch lady looked about for a flower, but none of them
seemed to please her, until, happening to glance over the fence, she espied
the fine, large thistle bush, full of bluish-red, sturdy-looking flowers. She
smiled as she saw it, and begged the son of the house to get one of them for
her.

"That is Scotland's flower," she said; "it grows and blossoms in our coat
of arms. Get that one yonder for me, please."
And he gathered the finest of the thistle flowers, though he pricked his
fingers as much in doing so as if it had been growing on a wild rosebush.
She took the flower and put it in his buttonhole, which made him feel
greatly honored. Each of the other young men would gladly have given up
his graceful garden flower if he might have worn the one given by the
delicate hands of the Scotch girl. As keenly as the son of the house felt the
honor conferred upon him, the thistle felt even more highly honored. It
seemed to feel dew and sunshine going through it.
"It seems I am of more consequence than I thought," it said to itself. "I
ought by rights to stand inside and not outside the fence. One gets strangely
placed in this world, but now I have at least one of my flowers over the
fence—and not only there, but in a buttonhole!"
To each one of its buds as it opened, the thistle bush told this great event.
And not many days had passed before it heard—not from the people who
passed, nor yet from the twittering of little birds, but from the air, which
gives out, far and wide, the sounds that it has treasured up from the shadiest
walks of the beautiful garden and from the most secluded rooms at the Hall,
where doors and windows are left open—that the young man who received
the thistle flower from the hands of the Scottish maiden had received her
heart and hand as well.
"That is my doing!" said the thistle, thinking of the flower she had given
to the buttonhole. And every new flower that came was told of this
wonderful event.
"Surely I shall now be taken and planted in the garden," thought the
thistle. "Perhaps I shall be put into a flowerpot, for that is by far the most
honorable position." It thought of this so long that it ended by saying to
itself with the firm conviction of truth, "I shall be planted in a flowerpot!"
It promised every little bud that came that it also should be placed in a
pot and perhaps have a place in a buttonhole—that being the highest
position one could aspire to. But none of them got into a flowerpot, and still
less into a gentleman's buttonhole.

They lived on light and air, and drank sunshine in the day and dew at
night. They received visits from bee and hornet, who came to look for the
honey in the flower, and who took the honey and left the flower.
"The good-for-nothing fellows," said the thistle bush. "I would pierce
them if I could!"
The flowers drooped and faded, but new ones always came.
"You come as if you had been sent," said the thistle bush to them. "I am
expecting every moment to be taken over the fence."
A couple of harmless daisies and a huge, thin plant of canary grass
listened to this with the deepest respect, believing all they heard. The old
donkey, that had to pull the milk cart, cast longing looks toward the
blooming thistle and tried to reach it, but his tether was too short. And the
thistle bush thought and thought, so much and so long, of the Scotch thistle
—to whom it believed itself related—that at last it fancied it had come from
Scotland and that its parents had grown into the Scottish arms.
It was a great thought, but a great thistle may well have great thoughts.
"Sometimes one is of noble race even if one does not know it," said the
nettle growing close by—it had a kind of presentiment that it might be
turned into muslin, if properly treated.
The summer passed, and the autumn passed; the leaves fell from the
trees; the flowers came with stronger colors and less perfume; the
gardener's lad sang on the other side of the fence:
"Up the hill and down the hill,
That's the way of the world still."
The young pine trees in the wood began to feel a longing for Christmas,
though Christmas was still a long way off.
"Here I am still," said the thistle. "It seems that I am quite forgotten, and
yet it was I who made the match. They were engaged, and now they are
married—the wedding was a week ago. I do not make a single step forward,
for I cannot."

Some weeks passed. The thistle had its last, solitary flower, which was
large and full and growing down near the root. The wind blew coldly over
it, the color faded, and all its glory disappeared, leaving only the cup of the
flower, now grown to be as large as the flower of an artichoke and
glistening like a silvered sunflower.
The young couple, who were now man and wife, came along the garden
path, and as they passed near the fence, the bride, glancing over it, said,
"Why, there stands the large thistle! it has no flowers now."
"Yes, there is still the ghost of the last one," said her husband, pointing
to the silvery remains of the last flower—a flower in itself.
"How beautiful it is!" she said. "We must have one carved in the frame
of our picture."
And once more the young man had to get over the fence, to break off the
silvery cup of the thistle flower. It pricked his fingers for his pains, because
he had called it a ghost. And then it was brought into the garden, and to the
Hall, and into the drawing room. There stood a large picture—the portraits
of the two, and in the bridegroom's buttonhole was painted a thistle. They
talked of it and of the flower cup they had brought in with them—the last
silver-shimmering thistle flower, that was to be reproduced in the carving of
the frame.
The air took all their words and scattered them about, far and wide.
"What strange things happen to one!" said the thistle bush. "My first-
born went to live in a buttonhole, my last-born in a frame! I wonder what is
to become of me."
The old donkey, standing by the roadside, cast loving glances at the
thistle and said, "Come to me, my sweetheart, for I cannot go to you; my
tether is too short!"
But the thistle bush made no answer. It grew more and more thoughtful,
and it thought as far ahead as Christmas, till its budding thoughts opened
into flower.

"When one's children are safely housed, a mother is quite content to stay
beyond the fence."
"That is true," said the sunshine; "and you will be well placed, never
fear."
"In a flowerpot or in a frame?" asked the thistle.
"In a story," answered the sunshine. And here is the story!

THE PEN AND THE INKSTAND
N A POET'S room, where his inkstand stood on the table, the remark
was once made: "It is wonderful what can be brought out of an
inkstand. What will come next? It is indeed wonderful."
"Yes, certainly," said the inkstand to the pen and to the other articles
that stood on the table; "that's what I always say. It is wonderful and
extraordinary what a number of things come out of me. It's quite incredible,
and I really never know what is coming next when that man dips his pen
into me. One drop out of me is enough for half a page of paper—and what
cannot half a page contain?
"From me all the works of the poet are produced—all those imaginary
characters whom people fancy they have known or met, and all the deep
feeling, the humor, and the vivid pictures of nature. I myself don't
understand how it is, for I am not acquainted with nature, but it is certainly
in me. From me have gone forth to the world those wonderful descriptions
of charming maidens, and of brave knights on prancing steeds; of the halt
and the blind—and I know not what more, for I assure you I never think of
these things."
"There you are right," said the pen, "for you don't think at all. If you did,
you would see that you can only provide the means. You give the fluid, that
I may place upon the paper what dwells in me and what I wish to bring to
light. It is the pen that writes. No man doubts that; and indeed most people
understand as much about poetry as an old inkstand."
"You have had very little experience," replied the inkstand. "You have
hardly been in service a week and are already half worn out. Do you
imagine you are a poet? You are only a servant, and before you came I had
many like you, some of the goose family and others of English
manufacture. I know a quill pen as well as I know a steel one. I have had
both sorts in my service, and I shall have many more as long as he comes—
the man who performs the mechanical part—and writes down what he

obtains from me. I should like to know what will be the next thing he gets
out of me."
"Inkpot!" retorted the pen, contemptuously.
Late in the evening the poet returned home from a concert, where he had
been quite enchanted by the admirable performance of a famous violin
player.
The player had produced from his instrument a richness of tone that
sometimes sounded like tinkling water drops or rolling pearls, sometimes
like the birds twittering in chorus, and then again, rising and swelling like
the wind through the fir trees. The poet felt as if his own heart were
weeping, but in tones of melody, like the sound of a woman's voice. These
sounds seemed to come not only from the strings but from every part of the
instrument. It was a wonderful performance and a difficult piece, and yet
the bow seemed to glide across the strings so easily that one would think
any one could do it. The violin and the bow seemed independent of their
master who guided them. It was as if soul and spirit had been breathed into
the instrument. And the audience forgot the performer in the beautiful
sounds he produced.
Not so the poet; he remembered him and wrote down his thoughts on the
subject: "How foolish it would be for the violin and the bow to boast of
their performance, and yet we men often commit that folly. The poet, the
artist, the man of science in his laboratory, the general—we all do it, and yet
we are only the instruments which the Almighty uses. To Him alone the
honor is due. We have nothing in ourselves of which we should be proud."
Yes, this is what the poet wrote. He wrote it in the form of a parable and
called it "The Master and the Instruments."
"That is what you get, madam," said the pen to the inkstand when the
two were alone again. "Did you hear him read aloud what I had written
down?"
"Yes, what I gave you to write," retorted the inkstand. "That was a cut at
you, because of your conceit. To think that you could not understand that
you were being quizzed! I gave you a cut from within me. Surely I must
know my own satire."

"Ink pitcher!" cried the pen.
"Writing stick!" retorted the inkstand. And each of them felt satisfied
that he had given a good answer. It is pleasing to be convinced that you
have settled a matter by your reply; it is something to make you sleep well.
And they both slept well over it.
But the poet did not sleep. Thoughts rose within him, like the tones of
the violin, falling like pearls or rushing like the strong wind through the
forest. He understood his own heart in these thoughts; they were as a ray
from the mind of the Great Master of all minds.
"To Him be all the honor."

THE TEAPOT
HERE was once a proud teapot; it was proud of being porcelain,
proud of its long spout, proud of its broad handle. It had
something before and behind,—the spout before and the handle
behind,—and that was what it talked about. But it did not talk of
its lid, which was cracked and riveted; these were defects, and
one does not talk of one's defects, for there are plenty of others to do that.
The cups, the cream pot, and the sugar bowl, the whole tea service, would
think much oftener of the lid's imperfections—and talk about them—than of
the sound handle and the remarkable spout. The teapot knew it.
"I know you," it said within itself. "I know, too, my imperfection, and I
am well aware that in that very thing is seen my humility, my modesty.
Imperfections we all have, but we also have compensations. The cups have
a handle, the sugar bowl a lid; I have both, and one thing besides, in front,
which they can never have. I have a spout, and that makes me the queen of
the tea table. I spread abroad a blessing on thirsting mankind, for in me the
Chinese leaves are brewed in the boiling, tasteless water."
All this said the teapot in its fresh young life. It stood on the table that
was spread for tea; it was lifted by a very delicate hand, but the delicate
hand was awkward. The teapot fell, the spout snapped off, and the handle
snapped off. The lid was no worse to speak of; the worst had been spoken
of that.
The teapot lay in a swoon on the floor, while the boiling water ran out of
it. It was a horrid shame, but the worst was that everybody jeered at it; they
jeered at the teapot and not at the awkward hand.
"I never shall forget that experience," said the teapot, when it afterward
talked of its life. "I was called an invalid, and placed in a corner, and the
next day was given to a woman who begged for victuals. I fell into poverty,
and stood dumb both outside and in. But then, just as I was, began my
better life. One can be one thing and still become quite another.

"Earth was placed in me. For a teapot, this is the same as being buried,
but in the earth was placed a flower bulb. Who placed it there, who gave it,
I know not; but given it was, and it became a compensation for the Chinese
leaves and the boiling water, a compensation for the broken handle and
spout.
"And the bulb lay in the earth, the bulb lay in me; it became my heart,
my living heart, such as I had never before possessed. There was life in me,
power and might. The heart pulsed, and the bulb put forth sprouts; it was
the springing up of thoughts and feelings which burst forth into flower.
"I saw it, I bore it, I forgot myself in its delight. Blessed is it to forget
oneself in another. The flower gave me no thanks; it did not think of me. It
was admired and praised, and I was glad at that. How happy it must have
been! One day I heard some one say that the flower deserved a better pot. I
was thumped hard on my back, which was a great affliction, and the flower
was put into a better pot. I was thrown out into the yard, where I lie as an
old potsherd. But I have the memory, and that I can never lose."

SOUP FROM A SAUSAGE SKEWER
E HAD such an excellent dinner yesterday," said an old
lady-mouse to another who had not been present at the
feast. "I sat number twenty-one below the mouse-king,
which was not a bad place. Shall I tell you what we
had? Everything was excellent—moldy bread, tallow
candle, and sausage.
"Then, when we had finished that course, the same came on all over
again; it was as good as two feasts. We were very sociable, and there was as
much joking and fun as if we had been all of one family circle. Nothing was
left but the sausage skewers, and this formed a subject of conversation till at
last some one used the expression, 'Soup from sausage sticks'; or, as the
people in the neighboring country call it, 'Soup from a sausage skewer.'
"Every one had heard the expression, but no one had ever tasted the
soup, much less prepared it. A capital toast was drunk to the inventor of the
soup, and some one said he ought to be made a relieving officer to the poor.
Was not that witty?
"Then the old mouse-king rose and promised that the young lady-mouse
who should learn how best to prepare this much-admired and savory soup
should be his queen, and a year and a day should be allowed for the
purpose."
"That was not at all a bad proposal," said the other mouse; "but how is
the soup made?"
"Ah, that is more than I can tell you. All the young lady-mice were
asking the same question. They wish very much to be the queen, but they do
not want to take the trouble to go out into the world to learn how to make
soup, which it is absolutely necessary to do first.
"It is not every one who would care to leave her family or her happy
corner by the fireside at home, even to be made queen. It is not always easy

in foreign lands to find bacon and cheese rind every day, and, after all, it is
not pleasant to endure hunger and perhaps be eaten alive by the cat."
Probably some such thoughts as these discouraged the majority from
going out into the world to collect the required information. Only four mice
gave notice that they were ready to set out on the journey.
They were young and sprightly, but poor. Each of them wished to visit
one of the four divisions of the world, to see which of them would be most
favored by fortune. Each took a sausage skewer as a traveler's staff and to
remind her of the object of her journey.
They left home early in May, and none of them returned till the first of
May in the following year, and then only three of them. Nothing was seen
or heard of the fourth, although the day of decision was close at hand. "Ah,
yes, there is always some trouble mingled with the greatest pleasure," said
the mouse-king. But he gave orders that all the mice within a circle of many
miles should be invited at once.
They were to assemble in the kitchen, and the three travelers were to
stand in a row before them, and a sausage skewer covered with crape was to
stand in the place of the missing mouse. No one dared express an opinion
until the king spoke and desired one of them to proceed with her story. And
now we shall hear what she said.

WHAT THE FIRST LITTLE MOUSE SAW AND HEARD ON HER
TRAVELS
"When I first went out into the world," said the little mouse, "I fancied,
as so many of my age do, that I already knew everything—but it was not so.
It takes years to acquire great knowledge.
"I went at once to sea, in a ship bound for the north. I had been told that
the ship's cook must know how to prepare every dish at sea, and it is easy
enough to do that with plenty of sides of bacon, and large tubs of salt meat
and musty flour. There I found plenty of delicate food but no opportunity to
learn how to make soup from a sausage skewer.

"We sailed on for many days and nights; the ship rocked fearfully, and
we did not escape without a wetting. As soon as we arrived at the port to
which the ship was bound, I left it and went on shore at a place far towards
the north. It is a wonderful thing to leave your own little corner at home, to
hide yourself in a ship where there are sure to be some nice snug corners for
shelter, then suddenly to find yourself thousands of miles away in a foreign
land.
"I saw large, pathless forests of pine and birch trees, which smelt so
strong that I sneezed and thought of sausage. There were great lakes also,
which looked as black as ink at a distance but were quite clear when I came
close to them. Large swans were floating upon them, and I thought at first
they were only foam, they lay so still; but when I saw them walk and fly, I
knew directly what they were. They belonged to the goose species. One
could see that by their walk, for no one can successfully disguise his family
descent.
"I kept with my own kind and associated with the forest and field mice,
who, however, knew very little—especially about what I wanted to know
and what had actually made me travel abroad.
"The idea that soup could be made from a sausage skewer was so
startling to them that it was repeated from one to another through the whole
forest. They declared that the problem would never be solved—that the
thing was an impossibility. How little I thought that in this place, on the
very first night, I should be initiated into the manner of its preparation!
"It was the height of summer, which the mice told me was the reason
that the forest smelt so strong, and that the herbs were so fragrant, and that
the lakes with the white, swimming swans were so dark and yet so clear.
"On the margin of the wood, near several houses, a pole as large as the
mainmast of a ship had been erected, and from the summit hung wreaths of
flowers and fluttering ribbons. It was the Maypole. Lads and lasses danced
round it and tried to outdo the violins of the musicians with their singing.
They were as gay as ever at sunset and in the moonlight, but I took no part
in the merrymaking. What has a little mouse to do with a Maypole dance? I
sat in the soft moss and held my sausage skewer tight. The moon shone
particularly bright on one spot where stood a tree covered with very fine

moss. I may almost venture to say that it was as fine and soft as the fur of
the mouse-king, but it was green, which is a color very agreeable to the eye.
"All at once I saw the most charming little people marching towards me.
They did not reach higher than my knee, although they looked like human
beings but were better proportioned. They called themselves elves, and
wore clothes that were very delicate and fine, for they were made of the
leaves of flowers, trimmed with the wings of flies and gnats. The effect was
by no means bad.
"They seemed to be seeking something—I knew not what, till at last one
of them espied me. They came towards me, and the foremost pointed to my
sausage skewer, saying: 'There, that is just what we want. See, it is pointed
at the top; is it not capital?' The longer he looked at my pilgrim's staff the
more delighted he became.
"'I will lend it to you,' said I, 'but not to keep.'
"'Oh, no, we won't keep it!' they all cried. Then they seized the skewer,
which I gave up to them, and dancing with it to the tree covered with
delicate moss, set it up in the middle of the green. They wanted a Maypole,
and the one they now had seemed made especially for them. This they
decorated so beautifully that it was quite dazzling to look at. Little spiders
spun golden threads around it, and it was hung with fluttering veils and
flags, as delicately white as snow glittering in the moonlight. Then they
took colors from the butterfly's wing, sprinkling them over the white
drapery until it gleamed as if covered with flowers and diamonds, and I
could no longer recognize my sausage skewer. Such a Maypole as this has
never been seen in all the world.
"Then came a great company of real elves. Nothing could be finer than
their clothes. They invited me to be present at the feast, but I was to keep at
a certain distance because I was too large for them. Then began music that
sounded like a thousand glass bells, and was so full and strong that I
thought it must be the song of the swans. I fancied also that I heard the
voices of the cuckoo and the blackbird, and it seemed at last as if the whole
forest sent forth glorious melodies—the voices of children, the tinkling of
bells, and the songs of the birds. And all this wonderful melody came from
the elfin Maypole. My sausage peg was a complete peal of bells. I could

scarcely believe that so much could have been produced from it, till I
remembered into what hands it had fallen. I was so much affected that I
wept tears such as a little mouse can weep, but they were tears of joy.
"The night was far too short for me; there are no long nights there in
summer, as we often have in this part of the world. When the morning
dawned and the gentle breeze rippled the glassy mirror of the forest lake, all
the delicate veils and flags fluttered away into thin air. The waving garlands
of the spider's web, the hanging bridges and galleries, or whatever else they
may be called, vanished away as if they had never been. Six elves brought
me back my sausage skewer and at the same time asked me to make any
request, which they would grant if it lay in their power. So I begged them, if
they could, to tell me how to make soup from a sausage skewer.
"'How do we make it?' asked the chief of the elves, with a smile. 'Why,
you have just seen us. You scarcely knew your sausage skewer again, I am
sure.'
"'They think themselves very wise,' thought I to myself. Then I told them
all about it, and why I had traveled so far, and also what promise had been
made at home to the one who should discover the method of preparing this
soup.
"'What good will it do the mouse-king or our whole mighty kingdom,' I
asked, 'for me to have seen all these beautiful things? I cannot shake the
sausage peg and say, "Look, here is the skewer, and now the soup will
come." That would only produce a dish to be served when people were
keeping a fast.'
"Then the elf dipped his finger into the cup of a violet and said, 'Look, I
will anoint your pilgrim's staff, so that when you return to your home and
enter the king's castle, you have only to touch the king with your staff and
violets will spring forth, even in the coldest winter time. I think I have
given you something worth carrying home, and a little more than
something.'"
Before the little mouse explained what this something more was, she
stretched her staff toward the king, and as it touched him the most beautiful
bunch of violets sprang forth and filled the place with their perfume. The

smell was so powerful that the mouse-king ordered the mice who stood
nearest the chimney to thrust their tails into the fire that there might be a
smell of burning, for the perfume of the violets was overpowering and not
the sort of scent that every one liked.
"But what was the something more, of which you spoke just now?"
asked the mouse-king.
"Why," answered the little mouse, "I think it is what they call 'effect.'"
Thereupon she turned the staff round, and behold, not a single flower was to
be seen on it! She now held only the naked skewer, and lifted it up as a
conductor lifts his baton at a concert.
"Violets, the elf told me," continued the mouse, "are for the sight, the
smell, and the touch; so we have only to produce the effect of hearing and
tasting." Then, as the little mouse beat time with her staff, there came
sounds of music; not such music as was heard in the forest, at the elfin
feast, but such as is often heard in the kitchen—the sounds of boiling and
roasting. It came quite suddenly, like wind rushing through the chimneys,
and it seemed as if every pot and kettle were boiling over.
The fire shovel clattered down on the brass fender, and then, quite as
suddenly, all was still,—nothing could be heard but the light, vapory song
of the teakettle, which was quite wonderful to hear, for no one could rightly
distinguish whether the kettle was just beginning to boil or just going to
stop. And the little pot steamed, and the great pot simmered, but without
any regard for each other; indeed, there seemed no sense in the pots at all.
As the little mouse waved her baton still more wildly, the pots foamed and
threw up bubbles and boiled over, while again the wind roared and whistled
through the chimney, and at last there was such a terrible hubbub that the
little mouse let her stick fall.
"That is a strange sort of soup," said the mouse-king. "Shall we not now
hear about the preparation?"
"That is all," answered the little mouse, with a bow.
"That all!" said the mouse-king; "then we shall be glad to hear what
information the next may have to give us."

WHAT THE SECOND MOUSE HAD TO TELL
"I was born in the library, at a castle," said the second mouse. "Very few
members of our family ever had the good fortune to get into the dining
room, much less into the storeroom. To-day and while on my journey are
the only times I have ever seen a kitchen. We were often obliged to suffer
hunger in the library, but we gained a great deal of knowledge. The rumor
reached us of the royal prize offered to those who should be able to make
soup from a sausage skewer.
"Then my old grandmother sought out a manuscript,—which she herself
could not read, to be sure, but she had heard it read,—and in it were written
these words, 'Those who are poets can make soup of sausage skewers.' She
asked me if I was a poet. I told her I felt myself quite innocent of any such
pretensions. Then she said I must go out and make myself a poet. I asked
again what I should be required to do, for it seemed to me quite as difficult
as to find out how to make soup of a sausage skewer. My grandmother had
heard a great deal of reading in her day, and she told me that three principal
qualifications were necessary—understanding, imagination, and feeling. 'If
you can manage to acquire these three, you will be a poet, and the sausage-
skewer soup will seem quite simple to you.'
"So I went forth into the world and turned my steps toward the west, that
I might become a poet. Understanding is the most important matter of all. I
was sure of that, for the other two qualifications are not thought much of; so
I went first to seek understanding. Where was I to find it?
"'Go to the ant and learn wisdom,' said the great Jewish king. I learned
this from living in a library. So I went straight on till I came to the first
great ant hill. There I set myself to watch, that I might become wise. The
ants are a very respectable people; they are wisdom itself. All they do is like
the working of a sum in arithmetic, which comes right. 'To work, and to lay
eggs,' say they, 'and to provide for posterity, is to live out your time
properly.' This they truly do. They are divided into clean and dirty ants, and
their rank is indicated by a number. The ant-queen is number One. Her
opinion is the only correct one on everything, and she seems to have in her
the wisdom of the whole world. This was just what I wished to acquire. She

said a great deal that was no doubt very clever—yet it sounded like
nonsense to me. She said the ant hill was the loftiest thing in the world,
although close to the mound stood a tall tree which no one could deny was
loftier, much loftier. Yet she made no mention of the tree.
"One evening an ant lost herself on this tree. She had crept up the stem,
not nearly to the top but higher than any ant had ever ventured, and when at
last she returned home she said that she had found something in her travels
much higher than the ant hill. The rest of the ants considered this an insult
to the whole community, and condemned her to wear a muzzle and live in
perpetual solitude.
"A short time afterwards another ant got on the tree and made the same
journey and the same discovery. But she spoke of it cautiously and
indefinitely, and as she was one of the superior ants and very much
respected, they believed her. And when she died they erected an egg-shell
as a monument to her memory, for they cultivated a great respect for
science.
"I saw," said the little mouse, "that the ants were always running to and
fro with their burdens on their backs. Once I saw one of them, who had
dropped her load, try very hard to raise it again, but she did not succeed.
Two others came up and tried with all their strength to help her, till they
nearly dropped their own burdens. Then they were obliged to stop a
moment, for every one must think of himself first. The ant-queen remarked
that their conduct that day showed that they possessed kind hearts and good
understanding. 'These two qualities,' she continued, 'place us ants in the
highest degree above all other reasonable beings. Understanding must
therefore stand out prominently among us, and my wisdom is greatest.' So
saying, she raised herself on her two hind legs, that no one else might be
mistaken for her. I could not, therefore, have made a mistake, so I ate her
up. We are to go to the ants to learn wisdom, and I had secured the queen.
"I now turned and went nearer to the lofty tree already mentioned, which
was an oak. It had a tall trunk, with a wide-spreading top, and was very old.
I knew that a living being dwelt here, a dryad, as she is called, who is born
with the tree and dies with it. I had heard this in the library, and here was
just such a tree and in it an oak maiden. She uttered a terrible scream when

she caught sight of me so near to her. Like women, she was very much
afraid of mice, and she had more real cause for fear than they have, for I
might have gnawed through the tree on which her life depended.
"I spoke to her in a friendly manner and begged her to take courage. At
last she took me up in her delicate hand, and I told her what had brought me
out into the world. She told me that perhaps on that very evening she would
be able to obtain for me one of the two treasures for which I was seeking.
She told me that Phantæsus, the genius of the imagination, was her very
dear friend; that he was as beautiful as the god of love; that he rested many
an hour with her under the leafy boughs of the tree, which then rustled and
waved more than ever. He called her his dryad, she said, and the tree his
tree, for the grand old oak with its gnarled trunk was just to his taste. The
root, which spread deep into the earth, and the top, which rose high in the
fresh air, knew the value of the drifting snow, the keen wind, and the warm
sunshine, as it ought to be known. 'Yes,' continued the dryad, 'the birds sing
up above in the branches and talk to each other about the beautiful fields
they have visited in foreign lands. On one of the withered boughs a stork
has built his nest—it is beautifully arranged, and, besides, it is pleasant to
hear a little about the land of the pyramids. All this pleases Phantæsus, but
it is not enough for him. I am obliged to relate to him of my life in the
woods and to go back to my childhood, when I was little and the tree so
small and delicate that a stinging nettle could overshadow it, and I have to
tell everything that has happened since then until now, when the tree is so
large and strong. Sit you down now under the green bindwood and pay
attention. When Phantæsus comes I will find an opportunity to lay hold of
his wing and to pull out one of the little feathers. That feather you shall
have. A better was never given to any poet, and it will be quite enough for
you.'
"And when Phantæsus came the feather was plucked," said the little
mouse, "and I seized and put it in water and kept it there till it was quite
soft. It was very heavy and indigestible, but I managed to nibble it up at
last. It is not so easy to nibble oneself into a poet, there are so many things
to get through. Now, however, I had two of them, understanding and
imagination, and through these I knew that the third was to be found in the
library.

"A great man has said and written that there are novels whose sole and
only use appears to be to attempt to relieve mankind of overflowing tears—
a kind of sponge, in fact, for sucking up feelings and emotions. I
remembered a few of these books. They had always appeared tempting to
the appetite, for they had been much read and were so greasy that they must
have absorbed no end of emotions in themselves.
"I retraced my steps to the library and literally devoured a whole novel
—that is, properly speaking, the interior, or soft part of it. The crust, or
binding, I left. When I had digested not only this, but a second, I felt a
stirring within me. I then ate a small piece of a third romance and felt
myself a poet. I said it to myself and told others the same. I had headache
and backache and I cannot tell what aches besides. I thought over all the
stories that may be said to be connected with sausage pegs; and all that has
ever been written about skewers, and sticks, and staves, and splinters came
to my thoughts—the ant-queen must have had a wonderfully clear
understanding. I remembered the man who placed in his mouth a white
stick, by which he could make himself and the stick invisible. I thought of
sticks as hobbyhorses, staves of music or rime, of breaking a stick over a
man's back, and of Heaven knows how many more phrases of the same sort,
relating to sticks, staves, and skewers. All my thoughts ran on skewers,
sticks of wood, and staves. As I am at last a poet and have worked terribly
hard to make myself one, I can of course make poetry on anything. I shall
therefore be able to wait upon you every day in the week with a poetical
history of a skewer. And that is my soup."
"In that case," said the mouse-king, "we will hear what the third mouse
has to say."
"Squeak, squeak," cried a little mouse at the kitchen door. It was the
fourth, and not the third, of the four who were contending for the prize, the
one whom the rest supposed to be dead. She shot in like an arrow and
overturned the sausage peg that had been covered with crape. She had been
running day and night, for although she had traveled in a baggage train, by
railway, yet she had arrived almost too late. She pressed forward, looking
very much ruffled.

She had lost her sausage skewer but not her voice, and she began to
speak at once, as if they waited only for her and would hear her only—as if
nothing else in the world were of the least consequence. She spoke out so
clearly and plainly, and she had come in so suddenly, that no one had time
to stop her or to say a word while she was speaking. This is what she said.

WHAT THE FOURTH MOUSE, WHO SPOKE BEFORE THE THIRD,
HAD TO TELL
"I started off at once to the largest town," said she, "but the name of it
has escaped me. I have a very bad memory for names. I was carried from
the railway, with some goods on which duties had not been paid, to the jail,
and on arriving I made my escape, running into the house of the keeper. He
was speaking of his prisoners, especially of one who had uttered
thoughtless words. These words had given rise to other words, and at length
they were written down and registered. 'The whole affair is like making
soup of sausage skewers,' said he, 'but the soup may cost him his neck.'
"Now this raised in me an interest for the prisoner," continued the little
mouse, "and I watched my opportunity and slipped into his apartment, for
there is a mousehole to be found behind every closed door.
"The prisoner, who had a great beard and large, sparkling eyes, looked
pale. There was a lamp burning, but the walls were so black that they only
looked the blacker for it. The prisoner scratched pictures and verses with
white chalk on the black walls, but I did not read the verses. I think he
found his confinement wearisome, so that I was a welcome guest. He
enticed me with bread crumbs, with whistling, and with gentle words, and
seemed so friendly towards me that by degrees I gained confidence in him
and we became friends. He divided his bread and water with me and gave
me cheese and sausage, and I began to love him. Altogether, I must own
that it was a very pleasant intimacy. He let me run about on his hand, on his
arm, into his sleeve, and even into his beard. He called me his little friend,
and I forgot for what I had come out into the world; forgot my sausage
skewer, which I had laid in a crack in the floor, where it is still lying. I
wished to stay with him always, for I knew that if I went away, the poor
prisoner would have no one to be his friend, which is a sad thing.

"I stayed, but he did not. He spoke to me so mournfully for the last time,
gave me double as much bread and cheese as usual, and kissed his hand to
me. Then he went away and never came back. I know nothing more of his
history.
"The jailer took possession of me now. He said something about soup
from a sausage skewer, but I could not trust him. He took me in his hand,
certainly, but it was to place me in a cage like a treadmill. Oh, how dreadful
it was! I had to run round and round without getting any farther, and only to
make everybody laugh.
"The jailer's granddaughter was a charming little thing. She had merry
eyes, curly hair like the brightest gold, and such a smiling mouth.
"'You poor little mouse,' said she one day, as she peeped into my cage, 'I
will set you free.' She then drew forth the iron fastening, and I sprang out on
the window-sill, and from thence to the roof. Free! free! that was all I could
think of, and not of the object of my journey.
"It grew dark, and as night was coming on I found a lodging in an old
tower, where dwelt a watchman and an owl. I had no confidence in either of
them, least of all in the owl, which is like a cat and has a great failing, for
she eats mice. One may, however, be mistaken sometimes, and I was now,
for this was a respectable and well-educated old owl, who knew more than
the watchman and even as much as I did myself. The young owls made a
great fuss about everything, but the only rough words she would say to
them were, 'You had better go and try to make some soup from sausage
skewers.' She was very indulgent and loving to her own children. Her
conduct gave me such confidence in her that from the crack where I sat I
called out 'Squeak.'
"This confidence pleased her so much that she assured me she would
take me under her own protection and that not a creature should do me
harm. The fact was, she wickedly meant to keep me in reserve for her own
eating in the winter, when food would be scarce. Yet she was a very clever
lady-owl. She explained to me that the watchman could only hoot with the
horn that hung loose at his side and that he was so terribly proud of it that
he imagined himself an owl in the tower, wanted to do great things, but only
succeeded in small—soup from a sausage skewer.

"Then I begged the owl to give me the recipe for this soup. 'Soup from a
sausage skewer,' said she, 'is only a proverb amongst mankind and may be
understood in many ways. Each believes his own way the best, and, after
all, the proverb signifies nothing.' 'Nothing!' I exclaimed. I was quite struck.
Truth is not always agreeable, but truth is above everything else, as the old
owl said. I thought over all this and saw quite plainly that if truth was really
so far above everything else, it must be much more valuable than soup from
a sausage skewer. So I hastened to get away, that I might be in time and
bring what was highest and best and above everything—namely, the truth.
"The mice are enlightened people, and the mouse-king is above them all.
He is therefore capable of making me queen for the sake of truth."
"Your truth is a falsehood," said the mouse who had not yet spoken. "I
can prepare the soup, and I mean to do so."

HOW IT WAS PREPARED
"I did not travel," said the third mouse, "I stayed in this country; that was
the right way. One gains nothing by traveling. Everything can be acquired
here quite as easily, so I stayed at home. I have not obtained what I know
from supernatural beings; I have neither swallowed it nor learned it from
conversing with owls. I have gained it all from my own reflections and
thoughts. Will you now set the kettle on the fire—so? Now pour the water
in, quite full up to the brim; place it on the fire; make up a good blaze; keep
it burning, that the water may boil, for it must boil over and over. There,
now I throw in the skewer. Will the mouse-king be pleased now to dip his
tail into the boiling water and stir it round with the tail? The longer the king
stirs it the stronger the soup will become. Nothing more is necessary, only
to stir it."
"Can no one else do this?" asked the king.
"No," said the mouse; "only in the tail of the mouse-king is this power
contained."
And the water boiled and bubbled, as the mouse-king stood close beside
the kettle. It seemed rather a dangerous performance, but he turned round
and put out his tail, as mice do in a dairy when they wish to skim the cream

from a pan of milk with their tails and afterwards lick it off. But the mouse-
king's tail had only just touched the hot steam when he sprang away from
the chimney in a great hurry, exclaiming:
"Oh, certainly, by all means, you must be my queen. We will let the soup
question rest till our golden wedding, fifty years hence, so that the poor in
my kingdom who are then to have plenty of food will have something to
look forward to for a long time, with great joy."
And very soon the wedding took place. Many of the mice, however, as
they were returning home, said that the soup could not be properly called
"soup from a sausage skewer," but "soup from a mouse's tail." They
acknowledged that some of the stories were very well told, but thought that
the whole might have been managed differently.

WHAT THE GOODMAN DOES IS ALWAYS
RIGHT
WILL tell you a story that was told to me when I was a little boy.
Every time I think of this story it seems to me more and more
charming; for it is with stories as it is with many people—they become
better as they grow older.
I have no doubt that you have been in the country and seen a very old
farmhouse, with thatched roof, and mosses and small plants growing wild
upon it. There is a stork's nest on the ridge of the gable, for we cannot do
without the stork. The walls of the house are sloping, and the windows are
low, and only one of the latter is made to open. The baking oven sticks out
of the wall like a great knob. An elder tree hangs over the palings, and
beneath its branches, at the foot of the paling, is a pool of water in which a
few ducks are sporting. There is a yard dog, too, that barks at all comers.
Just such a farmhouse as this stood in a country lane, and in it dwelt an
old couple, a peasant and his wife. Small as their possessions were, they
had one thing they could not do without, and that was a horse, which
contrived to live upon the grass found by the side of the highroad. The old
peasant rode into the town upon this horse, and his neighbors often
borrowed it of him and paid for the loan of it by rendering some service to
the old couple. Yet after a time the old people thought it would be as well to
sell the horse or exchange it for something which might be more useful to
them. But what should this something be?
"You will know best, old man," said the wife. "It is fair day to-day; so
ride into town and get rid of the horse for money or make a good exchange.
Whichever you do will please me; so ride to the fair."
She fastened his neckerchief for him, for she could do that better than he
could and she could also tie it very prettily in a double bow. She also
smoothed his hat round and round with the palm of her hand and gave him a
kiss. Then he rode away upon the horse that was to be sold, or bartered for

something else. Yes, the goodman knew what he was about. The sun shone
with great heat, and not a cloud was to be seen in the sky. The road was
very dusty, for many people, all going to the fair, were driving, riding, or
walking upon it. There was no shelter anywhere from the hot sun. Among
the crowd a man came trudging along, driving a cow to the fair. The cow
was as beautiful a creature as any cow could be.
"She gives good milk, I am certain," said the peasant to himself. "That
would be a very good exchange: the cow for the horse. Halloo there! you
with the cow," he said. "I tell you what, I dare say a horse is of more value
than a cow; but I don't care for that. A cow will be more useful to me, so if
you like we'll exchange."
"To be sure I will," said the man.

Accordingly the exchange was made. When the matter was settled the
peasant might have turned back, for he had done the business he came to
do. But having made up his mind to go to the fair, he determined to do so, if
only to have a look at it. So on he went to the town with his cow. Leading
the animal, he strode on sturdily, and, after a short time, overtook a man
who was driving a sheep. It was a good fat sheep, with a fine fleece on its
back.
"I should like to have that fellow," said the peasant to himself. "There is
plenty of grass for him by our palings, and in the winter we could keep him
in the room with us. Perhaps it would be more profitable to have a sheep
than a cow. Shall I exchange?"
The man with the sheep was quite ready, and the bargain was quickly
made. And then our peasant continued his way on the highroad with his
sheep. Soon after this, he overtook another man, who had come into the
road from a field, and was carrying a large goose under his arm.
"What a heavy creature you have there!" said the peasant. "It has plenty
of feathers and plenty of fat, and would look well tied to a string, or
paddling in the water at our place. That would be very useful to my old
woman; she could make all sorts of profit out of it. How often she has said,
'If we only had a goose!' Now here is an opportunity, and, if possible, I will
get it for her. Shall we exchange? I will give you my sheep for your goose,
and thanks into the bargain."
The other had not the least objection, and accordingly the exchange was
made, and our peasant became possessor of the goose. By this time he had
arrived very near the town. The crowd on the highroad had been gradually
increasing, and there was quite a rush of men and cattle. The cattle walked
on the path and by the palings, and at the turnpike gate they even walked
into the toll keeper's potato field, where one fowl was strutting about with a
string tied to its leg, lest it should take fright at the crowd and run away and
get lost. The tail feathers of this fowl were very short, and it winked with
both its eyes, and looked very cunning as it said, "Cluck, cluck." What were
the thoughts of the fowl as it said this I cannot tell you, but as soon as our
good man saw it, he thought, "Why, that's the finest fowl I ever saw in my
life; it's finer than our parson's brood hen, upon my word. I should like to

have that fowl. Fowls can always pick up a few grains that lie about, and
almost keep themselves. I think it would be a good exchange if I could get
it for my goose. Shall we exchange?" he asked the toll keeper.
"Exchange?" repeated the man. "Well, it would not be a bad thing."
So they made an exchange; the toll keeper at the turnpike gate kept the
goose, and the peasant carried off the fowl. Now he really had done a great
deal of business on his way to the fair, and he was hot and tired. He wanted
something to eat, and a glass of ale to refresh himself; so he turned his steps
to an inn. He was just about to enter, when the ostler came out, and they met
at the door. The ostler was carrying a sack. "What have you in that sack?"
asked the peasant.
"Rotten apples," answered the ostler; "a whole sackful of them. They
will do to feed the pigs with."
"Why, that will be terrible waste," the peasant replied. "I should like to
take them home to my old woman. Last year the old apple tree by the
grassplot bore only one apple, and we kept it in the cupboard till it was
quite withered and rotten. It was property, my old woman said. Here she
would see a great deal of property—a whole sackful. I should like to show
them to her."
"What will you give me for the sackful?" asked the ostler.
"What will I give? Well, I will give you my fowl in exchange."
So he gave up the fowl and received the apples, which he carried into the
inn parlor. He leaned the sack carefully against the stove, and then went to
the table. But the stove was hot, and he had not thought of that. Many
guests were present—horse-dealers, cattle-drovers, and two Englishmen.
The Englishmen were so rich that their pockets bulged and seemed ready to
burst; and they could bet too, as you shall hear. Hiss—s—s, hiss—s—s.
What could that be by the stove? The apples were beginning to roast. "What
is that?" asked one.
"Why, do you know—" said our peasant, and then he told them the
whole story of the horse, which he had exchanged for a cow, and all the rest
of it, down to the apples.

"Well, your old woman will give it to you when you get home," said one
of the Englishmen. "Won't there be a noise?"
"What! Give me what?" said the peasant. "Why, she will kiss me, and
say, 'What the goodman does is always right.'"
"Let us lay a wager on it," said the Englishman. "We'll wager you a ton
of coined gold, a hundred pounds to the hundredweight."
"No, a bushel will be enough," replied the peasant. "I can only set a
bushel of apples against it, and I'll throw myself and my old woman into the
bargain. That will pile up the measure, I fancy."
"Done! taken!" and so the bet was made.
Then the landlord's coach came to the door, and the two Englishmen and
the peasant got in, and away they drove. Soon they had stopped at the
peasant's hut. "Good evening, old woman."
"Good evening, old man."
"I've made the exchange."
"Ah, well, you understand what you're about," said the woman. Then she
embraced him, and paid no attention to the strangers, nor did she notice the
sack.
"I got a cow in exchange for the horse."
"Oh, how delightful!" said she. "Now we shall have plenty of milk, and
butter, and cheese on the table. That was a capital exchange."
"Yes, but I changed the cow for a sheep."
"Ah, better still!" cried the wife. "You always think of everything; we
have just enough pasture for a sheep. Ewe's milk and cheese, woolen
jackets and stockings! The cow could not give all these, and her hairs only
fall off. How you think of everything!"
"But I changed away the sheep for a goose."

"Then we shall have roast goose to eat this year. You dear old man, you
are always thinking of something to please me. This is delightful. We can
let the goose walk about with a string tied to her leg, so that she will get
fatter still before we roast her."
"But I gave away the goose for a fowl."
"A fowl! Well, that was a good exchange," replied the woman. "The fowl
will lay eggs and hatch them, and we shall have chickens. We shall soon
have a poultry yard. Oh, this is just what I was wishing for!"
"Yes, but I exchanged the fowl for a sack of shriveled apples."
"What! I must really give you a kiss for that!" exclaimed the wife. "My
dear, good husband, now I'll tell you something. Do you know, almost as
soon as you left me this morning, I began thinking of what I could give you
nice for supper this evening, and then I thought of fried eggs and bacon,
with sweet herbs. I had eggs and bacon but lacked the herbs, so I went over
to the schoolmaster's. I knew they had plenty of herbs, but the
schoolmistress is very mean, although she can smile so sweetly. I begged
her to lend me a handful of herbs. 'Lend!' she exclaimed, 'I have nothing to
lend. I could not even lend you a shriveled apple, my dear woman.' But now
I can lend her ten, or a whole sackful, for which I'm very glad. It makes me
laugh to think of it." Then she gave him a hearty kiss.
"Well, I like all this," said both the Englishmen; "always going down the
hill and yet always merry. It's worth the money to see it." So they paid a
hundredweight of gold to the peasant who, whatever he did, was not
scolded but kissed.
Yes, it always pays best when the wife sees and maintains that her
husband knows best and that whatever he does is right.
This is a story which I heard when I was a child. And now you have
heard it, too, and know that "What the goodman does is always right."

THE OLD STREET LAMP
ID you ever hear the story of the old street lamp? It is not
remarkably interesting, but for once you may as well listen to
it.
It was a most respectable old lamp, which had seen many,
many years of service and now was to retire with a pension. It was this very
evening at its post for the last time, giving light to the street. Its feelings
were something like those of an old dancer at the theater who is dancing for
the last time and knows that on the morrow she will be in her garret, alone
and forgotten.
The lamp had very great anxiety about the next day, for it knew that it
had to appear for the first time at the town hall to be inspected by the mayor
and the council, who were to decide whether it was fit for further service;
whether it was good enough to be used to light the inhabitants of one of the
suburbs, or in the country, at some factory. If the lamp could not be used for
one of these purposes, it would be sent at once to an iron foundry to be
melted down. In this latter case it might be turned into anything, and it
wondered very much whether it would then be able to remember that it had
once been a street lamp. This troubled it exceedingly.
Whatever might happen, it seemed certain that the lamp would be
separated from the watchman and his wife, whose family it looked upon as
its own. The lamp had first been hung up on the very evening that the
watchman, then a robust young man, had entered upon the duties of his
office. Ah, well! it was a very long time since one became a lamp and the
other a watchman. His wife had some little pride in those days; she
condescended to glance at the lamp only when she passed by in the evening
—never in the daytime. But in later years, when all of them—the
watchman, the wife, and the lamp—had grown old, she had attended to it,
cleaning it and keeping it supplied with oil. The old people were thoroughly
honest; they had never cheated the lamp of a single drop of the oil provided
for it.

This was the lamp's last night in the street, and to-morrow it must go to
the town hall—two very dark things to think of. No wonder it did not burn
brightly. How many persons it had lighted on their way, and how much it
had seen! As much, very likely, as the mayor and corporation themselves!
None of these thoughts were uttered aloud, however, for the lamp was good
and honorable and would not willingly do harm to any one, especially to
those in authority. As one thing after another was recalled to its mind, the
light would flash up with sudden brightness. At such moments the lamp had
a conviction that it would be remembered.
"There was a handsome young man, once," thought the lamp; "it is
certainly a long while ago, but I remember that he had a little note, written
on pink paper with a gold edge. The writing was elegant, evidently a lady's.
Twice he read it through, and kissed it, and then looked up at me with eyes
that said quite plainly, 'I am the happiest of men!' Only he and I know what
was written on this, his first letter from his lady-love. Ah, yes, and there
was another pair of eyes that I remember; it is really wonderful how the
thoughts jump from one thing to another! A funeral passed through the
street. A young and beautiful woman lay on a bier decked with garlands of
flowers, and attended by torches which quite overpowered my light. All
along the street stood the people from the houses, in crowds, ready to join
the procession. But when the torches had passed from before me and I
could look around, I saw one person standing alone, leaning against my
post and weeping. Never shall I forget the sorrowful eyes that looked up at
me."
These and similar reflections occupied the old street lamp on this the last
time that its light would shine. The sentry, when he is relieved from his
post, knows, at least, who will be his successor, and may whisper a few
words to him. But the lamp did not know its successor, or it might have
given him a few hints respecting rain or mist and might have informed him
how far the moon's rays would reach, and from which side the wind
generally blew, and so on.
On the bridge over the canal stood three persons who wished to
recommend themselves to the lamp, for they thought it could give the office
to whomsoever it chose. The first was a herring's head, which could emit
light in the darkness. He remarked that it would be a great saving of oil if

they placed him on the lamp-post. Number two was a piece of rotten wood,
which also shines in the dark. He considered himself descended from an old
stem, once the pride of the forest. The third was a glowworm, and how he
found his way there the lamp could not imagine; yet there he was, and could
really give light as well as the others. But the rotten wood and the herring's
head declared most solemnly, by all they held sacred, that the glowworm
only gave light at certain times and must not be allowed to compete with
them. The old lamp assured them that not one of them could give sufficient
light to fill the position of a street lamp, but they would believe nothing that
it said. When they discovered that it had not the power of naming its
successor, they said they were very glad to hear it, for the lamp was too old
and worn out to make a proper choice.
At this moment the wind came rushing round the corner of the street and
through the air-holes of the old lamp. "What is this I hear?" it asked. "Are
you going away to-morrow? Is this evening the last time we shall meet?
Then I must present you with a farewell gift. I will blow into your brain, so
that in future not only shall you be able to remember all that you have seen
or heard in the past, but your light within shall be so bright that you will be
able to understand all that is said or done in your presence."
"Oh, that is really a very, very great gift," said the old lamp. "I thank you
most heartily. I only hope I shall not be melted down."
"That is not likely to happen yet," said the wind. "I will also blow a
memory into you, so that, should you receive other similar presents, your
old age will pass very pleasantly."
"That is, if I am not melted down," said the lamp. "But should I, in that
case, still retain my memory?"
"Do be reasonable, old lamp," said the wind, puffing away.
At this moment the moon burst forth from the clouds. "What will you
give the old lamp?" asked the wind.
"I can give nothing," she replied. "I am on the wane, and no lamps have
ever given me light, while I have frequently shone upon them." With these
words the moon hid herself again behind the clouds, that she might be
saved from further importunities. Just then a drop fell upon the lamp from

the roof of the house, but the drop explained that it was a gift from those
gray clouds and perhaps the best of all gifts. "I shall penetrate you so
thoroughly," it said, "that you will have the power of becoming rusty, and, if
you wish it, can crumble into dust in one night."
But this seemed to the lamp a very shabby present, and the wind thought
so, too. "Does no one give any more? Will no one give any more?" shouted
the breath of the wind, as loud as it could. Then a bright, falling star came
down, leaving a broad, luminous streak behind it.
"What was that?" cried the herring's head. "Did not a star fall? I really
believe it went into the lamp. Certainly, when such high-born personages
try for the office we may as well go home."
And so they did, all three, while the old lamp threw a wonderfully strong
light all around.
"This is a glorious gift," it said. "The bright stars have always been a joy
to me and have always shone more brilliantly than I ever could shine,
though I have tried with my whole might. Now they have noticed me, a
poor old lamp, and have sent me a gift that will enable me to see clearly
everything that I remember, as if it still stood before me, and to let it be
seen by all those who love me. And herein lies the truest happiness, for
pleasures which we cannot share with others are only half enjoyed."
"That sentiment does you honor," said the wind; "but for this purpose
wax lights will be necessary. If these are not lighted in you, your peculiar
faculties will not benefit others in the least. The stars have not thought of
this. They suppose that you and every other light must be a wax taper. But I
must go down now." So it laid itself to rest.
"Wax tapers, indeed!" said the lamp; "I have never yet had these, nor is it
likely I ever shall. If I could only be sure of not being melted down!"
The next day—well, perhaps we had better pass over the next day. The
evening had come, and the lamp was resting in a grandfather's chair; and
guess where! Why, at the old watchman's house. He had begged as a favor
that the mayor and corporation would allow him to keep the street lamp in
consideration of his long and faithful service, as he had himself hung it up
and lighted it on the day he first commenced his duties, four and twenty

years ago. He looked upon it almost as his own child. He had no children,
so the lamp was given to him.
There lay the lamp in the great armchair near the warm stove. It seemed
almost to have grown larger, for it appeared quite to fill the chair. The old
people sat at their supper, casting friendly glances at it, and would willingly
have admitted it to a place at the table. It is quite true that they dwelt in a
cellar two yards below ground, and had to cross a stone passage to get to
their room. But within, it was warm and comfortable, and strips of list had
been nailed round the door. The bed and the little window had curtains, and
everything looked clean and neat. On the window seat stood two curious
flowerpots, which a sailor named Christian had brought from the East or
West Indies. They were of clay, and in the form of two elephants with open
backs; they were filled with earth, and through the open space flowers
bloomed. In one grew some very fine chives or leeks; this was the kitchen
garden. The other, which contained a beautiful geranium, they called their
flower garden. On the wall hung a large colored print, representing the
Congress of Vienna and all the kings and emperors. A clock with heavy
weights hung on the wall and went "tick, tick," steadily enough; yet it was
always rather too fast, which, however, the old people said was better than
being too slow. They were now eating their supper, while the old street
lamp, as we have heard, lay in the grandfather's armchair near the stove.
It seemed to the lamp as if the whole world had turned round. But after a
while the old watchman looked at the lamp and spoke of what they had both
gone through together—in rain and in fog, during the short, bright nights of
summer or in the long winter nights, through the drifting snowstorms when
he longed to be at home in the cellar. Then the lamp felt that all was well
again. It saw everything that had happened quite clearly, as if the events
were passing before it. Surely the wind had given it an excellent gift!
The old people were very active and industrious; they were never idle
for even a single hour. On Sunday afternoons they would bring out some
books, generally a book of travels which they greatly liked. The old man
would read aloud about Africa, with its great forests and the wild elephants,
while his wife would listen attentively, stealing a glance now and then at the
clay elephants which served as flowerpots. "I can almost imagine I am
seeing it all," she said.

Ah! how the lamp wished for a wax taper to be lighted in it, for then the
old woman would have seen the smallest detail as clearly as it did itself; the
lofty trees, with their thickly entwined branches, the naked negroes on
horseback, and whole herds of elephants treading down bamboo thickets
with their broad, heavy feet.
"What is the use of all my capabilities," sighed the old lamp, "when I
cannot obtain any wax lights? They have only oil and tallow here, and these
will not do." One day a great heap of wax-candle ends found their way into
the cellar. The larger pieces were burned, and the smaller ones the old
woman kept for waxing her thread. So there were now candles enough, but
it never occurred to any one to put a little piece in the lamp.
"Here I am now, with my rare powers," thought the lamp. "I have
faculties within me, but I cannot share them. They do not know that I could
cover these white walls with beautiful tapestry, or change them into noble
forests or, indeed, to anything else they might wish."
The lamp, however, was always kept clean and shining in a corner,
where it attracted all eyes. Strangers looked upon it as lumber, but the old
people did not care for that; they loved it. One day—it was the watchman's
birthday—the old woman approached the lamp, smiling to herself, and said,
"I will have an illumination to-day, in honor of my old man." The lamp
rattled in its metal frame, for it thought, "Now at last I shall have a light
within me." But, after all, no wax light was placed in the lamp—only oil, as
usual.
The lamp burned through the whole evening and began to perceive too
clearly that the gift of the stars would remain a hidden treasure all its life.
Then it had a dream; for to one with its faculties, dreaming was not
difficult. It dreamed that the old people were dead and that it had been taken
to the iron foundry to be melted down. This caused the lamp quite as much
anxiety as on the day when it had been called upon to appear before the
mayor and the council at the town hall. But though it had been endowed
with the power of falling into decay from rust when it pleased, it did not
make use of this power. It was therefore put into the melting furnace and
changed into as elegant an iron candlestick as you could wish to see—one
intended to hold a wax taper. The candlestick was in the form of an angel

holding a nosegay, in the center of which the wax taper was to be placed. It
was to stand on a green writing table in a very pleasant room, where there
were many books scattered about and splendid paintings on the walls.
The owner of the room was a poet and a man of intellect. Everything he
thought or wrote was pictured around him. Nature showed herself to him
sometimes in the dark forests, sometimes in cheerful meadows where the
storks were strutting about, or on the deck of a ship sailing across the
foaming sea, with the clear, blue sky above, or at night in the glittering
stars.
"What powers I possess!" said the lamp, awaking from its dream. "I
could almost wish to be melted down; but no, that must not be while the old
people live. They love me for myself alone; they keep me bright and supply
me with oil. I am as well off as the picture of the Congress, in which they
take so much pleasure." And from that time it felt at rest in itself, and not
more so than such an honorable old lamp really deserved to be.

THE SHEPHERDESS AND THE CHIMNEY
SWEEP
AVE you ever seen an old wooden cabinet, quite worn black
with age, and ornamented with all sorts of carved figures and
flourishes?
Just such a one stood in a certain parlor. It was a legacy from
the great-grandmother, and was covered from top to bottom with carved
roses and tulips. The most curious flourishes were on it, too; and between
them peered forth little stags' heads, with their zigzag antlers. On the door
panel had been carved the entire figure of a man, a most ridiculous man to
look at, for he grinned—you could not call it smiling or laughing—in the
drollest way. Moreover, he had crooked legs, little horns upon his forehead,
and a long beard.
The children used to call him the "crooked-legged field-marshal-major-
general-corporal-sergeant," which was a long, hard name to pronounce.
Very few there are, whether in wood or in stone, who could get such a title.
Surely to have cut him out in wood was no trifling task. However, there he
was. His eyes were always fixed upon the table below, and toward the
mirror, for upon this table stood a charming little porcelain shepherdess, her
mantle gathered gracefully about her and fastened with a red rose. Her
shoes and hat were gilded, and her hand held a shepherd's crook; she was
very lovely. Close by her stood a little chimney sweep, also of porcelain. He
was as clean and neat as any other figure. Indeed, he might as well have
been made a prince as a sweep, since he was only make-believe; for though
everywhere else he was as black as a coal, his round, bright face was as
fresh and rosy as a girl's. This was certainly a mistake—it ought to have
been black.
There he stood so prettily, with his ladder in his hand, quite close to the
shepherdess. From the first he had been placed there, and he always
remained on the same spot; for they had promised to be true to each other.

They suited each other exactly—they were both young, both of the same
kind of porcelain, and both equally fragile.
Close to them stood another figure three times as large as themselves. It
was an old Chinaman, a mandarin, who could nod his head. He was of
porcelain, too, and he said he was the grandfather of the shepherdess; but
this he could not prove. He insisted that he had authority over her, and so
when the crooked-legged field-marshal-major-general-corporal-sergeant
made proposals to the little shepherdess, he nodded his head, in token of his
consent.
"You will have a husband," said the old mandarin to her, "a husband
who, I verily believe, is of mahogany wood. You will be the wife of a field-
marshal-major-general-corporal-sergeant, of a man who has a whole cabinet
full of silver plate, besides a store of no one knows what in the secret
drawers."
"I will never go into that dismal cabinet," declared the little shepherdess.
"I have heard it said that there are eleven porcelain ladies already
imprisoned there."
"Then," rejoined the mandarin, "you will be the twelfth, and you will be
in good company. This very night, when the old cabinet creaks, we shall
keep the wedding, as surely as I am a Chinese mandarin." And upon this he
nodded his head and fell asleep.
But the little shepherdess wept, and turned to the beloved of her heart,
the porcelain chimney sweep.
"I believe I must ask you," she said, "to go out with me into the wide
world, for here it is not possible for us to stay."
"I will do in everything as you wish," replied the little chimney sweep.
"Let us go at once. I am sure I can support you by my trade."
"If we were only down from the table," said she. "I shall not feel safe till
we are far away out in the wide world and free."
The little chimney sweep comforted her, and showed her how to set her
little foot on the carved edges, and on the gilded foliage twining round the

leg of the table, till at last they both reached the floor. But, turning for a last
look at the old cabinet, they saw that everything was in commotion. All the
carved stags stretched their heads farther out than before, raised their
antlers, and moved their throats, while the crooked-legged field-marshal-
major-general-corporal-sergeant sprang up and shouted to the old Chinese
mandarin, "Look! they are eloping! they are eloping!"
They were not a little frightened at this, and jumped quickly into an open
drawer in the window seat.
Here lay three or four packs of cards that were not quite complete, and a
little doll's theater, which had been set up as nicely as could be. A play was
going on, and all the queens sat in the front row, and fanned themselves
with the flowers which they held in their hands, while behind them stood
the knaves, each with two heads, one above and one below, as playing cards
have. The play was about two persons who were not allowed to marry, and
the shepherdess cried, for it seemed so like her own story.
"I cannot bear this!" she said. "Let us leave the drawer."
But when she had again reached the floor she looked up at the table and
saw that the old Chinese mandarin was awake, and that he was rocking his
whole body to and fro with rage.
"The old mandarin is coming!" cried she, and down she fell on her
porcelain knees, so frightened was she.
"I have thought of a plan," said the chimney sweep. "Suppose we creep
into the jar of perfumes, the potpourri vase which stands in the corner.
There we can rest upon roses and lavender, and throw salt in his eyes if he
comes near."
"That will not do at all," she said. "Besides, I know that the old mandarin
and the potpourri vase were once betrothed; and no doubt some slight
friendship still exists between them. No, there is no help for it; we must
wander forth together into the wide world."
"Have you really the courage to go out into the wide world with me?"
asked the chimney sweep. "Have you considered how large it is, and that if
we go, we can never come back?"

"I have," replied she.
And the chimney sweep looked earnestly at her and said, "My way lies
through the chimney. Have you really the courage to go with me through
the stove, and creep through the flues and the tunnel? Well do I know the
way! we shall come out by the chimney, and then I shall know how to
manage. We shall mount so high that they can never reach us, and at the top
there is an opening that leads out into the wide world."
And he led her to the door of the stove.
"Oh, how black it looks!" she said. Still she went on with him, through
the stove, the flues, and the tunnel, where it was as dark as pitch.
"Now we are in the chimney," said he; "and see what a lovely star shines
above us."
There actually was a star in the sky, that was shining right down upon
them, as if to show them the way. Now they climbed and crept—a frightful
way it was, so steep and high! But he went first to guide, and to smooth the
way as much as he could. He showed her the best places on which to set her
little china foot, till at last they came to the edge of the chimney and sat
down to rest, for they were very tired, as may well be supposed.
The sky and all its stars were above them, and below lay all the roofs of
the town. They saw all around them the great, wide world. It was not like
what the poor little shepherdess had fancied it, and she leaned her little head
upon her chimney sweep's shoulder and wept so bitterly that the gilding was
washed from her golden sash.
"This is too much," said she; "it is more than I can bear. The world is too
large! I wish I were safe back again upon the little table under the mirror. I
shall never be happy till I am there once more. I have followed you out into
the wide world. Surely, if you really love me, you will follow me back."
The chimney sweep tried to reason with her. He reminded her of the old
mandarin, and the crooked-legged field-marshal-major-general-corporal-
sergeant, but she wept so bitterly, and kissed her little chimney sweep so
fondly, that he could not do otherwise than as she wished, foolish as it was.

So they climbed down the chimney, though with the greatest difficulty,
crept through the flues, and into the stove, where they paused to listen
behind the door, to discover what might be going on in the room.
All was quiet, and they peeped out. Alas! there on the floor lay the old
mandarin. He had fallen from the table in his attempt to follow the
runaways, and had broken into three pieces. His whole back had come off
in a single piece, and his head had rolled into a corner. The crooked-legged
field-marshal-major-general-corporal-sergeant stood where he had always
stood, reflecting upon what had happened.
"This is shocking!" said the little shepherdess. "My old grandfather is
broken in pieces, and we are the cause of it," and she wrung her little hands.
"He can be riveted," said the chimney sweep; "he can certainly be
riveted. Do not grieve so! If they cement his back and put a rivet through
his neck, he will be just as good as new, and will be able to say as many
disagreeable things to us as ever."
"Do you really think so?" asked she. Then they climbed again up to the
place where they had stood before.
"How far we have been," observed the chimney sweep, "and since we
have got no farther than this, we might have saved ourselves all the
trouble."
"I wish grandfather were mended," said the shepherdess; "I wonder if it
will cost very much."
Mended he was. The family had his back cemented and his neck riveted,
so that he was as good as new, only he could not nod.
"You have become proud since you were broken to shivers," observed
the crooked-legged field-marshal-major-general-corporal-sergeant, "but I
must say, for my part, I don't see much to be proud of. Am I to have her, or
am I not? Just answer me that."
The chimney sweep and the shepherdess looked most piteously at the
old mandarin. They were so afraid that he would nod his head. But he could
not, and it would have been beneath his dignity to have confessed to having

a rivet in his neck. So the young porcelain people always remained together,
and they blessed the grandfather's rivet and loved each other till they were
broken in pieces.

THE DROP OF WATER
OU know, surely, what the microscope is—that wonderful
little glass which makes everything appear a hundred times
larger than it really is.
If you look through a microscope at a single drop of ditch
water, you will see a thousand odd-looking creatures, such as you never
could imagine dwelled in water. They do not look unlike a whole plateful of
shrimps, all jumping and crowding upon each other. So fierce are these little
creatures that they will tear off each other's arms and legs without the least
mercy, and yet after their fashion they look merry and happy.
Now there was once an old man, whom his neighbors called Cribbley
Crabbley—a curious name, to be sure, which meant something like "creep-
and-crawl." He always liked to make the most of everything, and when he
could not manage it in the ordinary way, he tried magic.
One day he sat looking through his microscope at a drop of water that
had been brought from a neighboring ditch. What a scene of scrambling and
swarming it was, to be sure! All the thousands of little imps in the water
jumped and sprang about, devouring each other, or tearing each other to
bits.
"Upon my word this is really shocking. There must surely be some way
to make them live in peace and quiet, so that each attends only to his own
concerns." And he thought and thought, but still could not hit upon any
plan, so he must needs have recourse to conjuring.
"I must give them color so that they may be seen more plainly," said he.
Accordingly he poured something that looked like a drop of red wine—but
which in reality was witch's blood—upon the drop of water. Immediately all
the strange little creatures became red all over, and looked for all the world
like a whole town full of naked red Indians.

"Why, what have you here?" asked another old magician, who had no
name at all, which made him even more remarkable than Cribbley
Crabbley.
"If you can find out what it is," replied Cribbley Crabbley, "I will give it
you; but I warn you you'll not do so easily."
The conjurer without a name looked through the microscope, and it
seemed to him that the scene before him was a whole town, in which the
people ran about naked in the wildest way. It was quite shocking! Still more
horrible was it to see how they kicked and cuffed, struggled and fought,
pecked, bit, tore, and swallowed, each his neighbor. Those that were under
wanted to be at the top, while those that chanced to be at the top must needs
thrust themselves underneath.
"And now look, his leg is longer than mine, so off with it!" one seemed
to be saying. Another had a little lump behind his ear,—an innocent little
lump enough,—but it seemed to pain him, and therefore the others seemed
determined that it should pain him more. So they hacked at it, and dragged
the poor thing about, and at last ate him up, all on account of the little lump.
One only of the creatures was quiet, a modest little maid, who sat by herself
evidently wishing for nothing but peace and quietness. The others would
not have it so, however. They soon pulled the little damsel forward, cuffed
and tore her, and then ate her up.
"This is uncommonly droll and amusing!" said the nameless magician.
"Yes. But what do you think it is?" asked Cribbley Crabbley. "Can you
make it out?"
"It is easy enough to guess, to be sure," was the reply of the nameless
magician; "easy enough. It is either Paris or Copenhagen, or some other
great city; I don't know which, for they are all alike. It is some great city, of
course."
"It is a drop of ditch-water," said Cribbley Crabbley.

THE SWINEHERD
HERE was once a poor prince who had a kingdom, but it was a
very small one. Still it was quite large enough to admit of his
marrying, and he wished to marry.
It was certainly rather bold of him to say, as he did, to the
emperor's daughter, "Will you have me?" But he was renowned far and
wide, and there were a hundred princesses who would have answered,
"Yes," and, "Thank you kindly." We shall see what this princess said.
Listen!
It happened that where the prince's father lay buried there grew a rose
tree, a most beautiful rose tree, which blossomed only once in five years,
and even then bore only one flower. Ah, but that was a rose! It smelled so
sweet that all cares and sorrows were forgotten by those who inhaled its
fragrance!
Moreover, the prince had a nightingale that could sing in such a manner
that it seemed as if all sweet melodies dwelt in her little throat. Now the
princess was to have the rose and the nightingale; and they were
accordingly put into large silver caskets and sent to her.
The emperor had them brought into a large hall, where the princess and
the ladies of the court were playing at "Visiting." When she saw the caskets
with the presents, the princess clapped her hands for joy.
"Ah, if it should be a little pussy cat," exclaimed she. Instead, the rose
tree, with its beautiful rose, came to view.
"Oh, how prettily it is made!" said all the court ladies.
"It is more than pretty," said the emperor; "it is charming."
The princess touched it and was ready to cry. "Fie, papa," said she, "it is
not made at all. It is natural!"

"Fie," said all the court ladies; "it is natural!"
"Let us see what the other casket contains before we get into bad
humor," proposed the emperor. So the nightingale came forth, and sang so
delightfully that at first no one could say anything ill-humored of her.
"Superbe! charmant!" exclaimed the ladies, for they all used to chatter
French, and each worse than her neighbor.
"How much the bird reminds me of the musical box that belonged to our
blessed empress!" remarked an old knight. "Oh! yes, these are the same
tunes, the same execution."
"Yes, yes!" said the emperor, and at the remembrance he wept like a
child.
"I still hope it is not a real bird," said the princess.
"Yes, it is a real bird," said those who had brought it.
"Well, then, let the bird fly," returned the princess. And she positively
refused to see the prince.
However, he was not to be discouraged. He stained his face brown and
black, pulled his cap over his ears, and knocked at the door of the castle.
"Good day to my lord the emperor," said he. "Can I have employment
here at the palace?"
"Why, yes," said the emperor. "It just occurs to me that I want some one
to take care of the pigs, there are so many of them."
So the prince came to be the imperial swineherd.
He had a miserable little room, close by the pigsty, and here he was
obliged to stay; and he sat the whole day long and worked. By evening he
had made a pretty little saucepan. Little bells were hung all around it; and
when the pot was boiling, the bells tinkled in the most charming manner,
and played the old melody,
"Ach, du lieber Augustin,
Alles ist weg, weg, weg."

But what was still more curious, whoever held his finger in the smoke of
this saucepan, at once smelled all the dishes that were cooking on every
hearth of the city. This, you see, was something quite different from the
rose.
Now the princess happened to walk that way with her court ladies, and
when she heard the tune she stood quite still and seemed pleased, for she
could play "Dearest Augustine." It was the only piece she knew, and she
played it with one finger.
"Why, that is the piece that I play on the piano!" said the princess. "That
swineherd must certainly have been well educated. Go in and ask him the
price of the instrument."
So one of the court ladies had to go in, but she drew on wooden slippers
first.
"What will you take for the saucepan?" inquired the lady.
"I must have ten kisses from the princess," said the swineherd.
"Heaven preserve us!" exclaimed the maid of honor.
"I cannot sell it for less," answered the swineherd.
"Well, what does he say?" asked the princess.
"I cannot tell you, really," replied the lady. "It is too dreadful."
"Then you may whisper it." So the lady whispered it.
"He is an impudent fellow," said the princess, and she walked on. But
when she had gone a little way, the bells again tinkled prettily,
"Ah! thou dearest Augustine,
All is gone, gone, gone."
"Stay!" said the princess. "Ask him if he will have ten kisses from the
ladies of my court."
"No, thank you!" answered the swineherd. "Ten kisses from the princess,
or I keep the saucepan myself."

"How tiresome! That must not be either!" said the princess; "but do you
all stand before me, that no one may see us."
The court ladies placed themselves in front of her, and spread out their
dresses. So the swineherd got ten kisses, and the princess got the saucepan.
That was delightful! The saucepan was kept boiling all the evening and
the whole of the following day. They knew perfectly well what was cooking
on every hearth in the city, from the chamberlain's to the cobbler's. The
court ladies danced and clapped their hands.
"We know who has soup, and who has pancakes for dinner to-day; who
has cutlets, and who has eggs. How interesting!"
"Yes, but keep my secret, for I am an emperor's daughter."
The prince—that is, the swineherd, for no one knew that he was other
than an ill-favored swineherd—let not a day pass without working at
something. At last he constructed a rattle, which, when it was swung round
and round, played all the waltzes and jig tunes which have been heard since
the creation of the world.
"Ah, that is superbe!" said the princess, when she passed by. "I have
never heard prettier compositions. Go in and ask him the price of the
instrument. But mind, he shall have no more kisses."
"He will have a hundred kisses from the princess," said the lady who had
been to ask.
"He is not in his right senses," said the princess, and walked on. But
when she had gone a little way she stopped again. "One must encourage
art," said she; "I am the emperor's daughter. Tell him he shall, as on
yesterday, have ten kisses from me, and may take the rest from the ladies of
the court."
"Oh, but we should not like that at all," said the ladies.
"What are you muttering?" asked the princess. "If I can kiss him, surely
you can! Remember I give you food and wages."

"A hundred kisses from the princess," said he, "or else let every one keep
his own."
"Stand round," said she, and all the ladies stood round as before.
"What can be the reason for such a crowd close by the pigsty?" asked the
emperor, who happened just then to step out on the balcony. He rubbed his
eyes and put on his spectacles.
"They are the ladies of the court. I must go and see what they are about."
So he pulled up his slippers at the heel, for he had trodden them down.
As soon as he had got into the courtyard he moved very softly, and the
ladies were so much engrossed with counting the kisses that they did not
perceive the emperor. He rose on his tiptoes.
"What is all this?" said he, when he saw what was going on, and he
boxed the princess's ear with his slipper, just as the swineherd was taking
the eighty-sixth kiss.
"Be off with you! March out!" cried the emperor, for he was very angry.
Both princess and swineherd were thrust out of the city, and the princess
stood and wept, while the swineherd scolded, and the rain poured down.
"Alas, unhappy creature that I am!" said the princess. "If I had but
married the handsome young prince! Ah, how unfortunate I am!"
The swineherd went behind a tree, washed the black and brown from his
face, threw off his dirty clothing, and stepped forth in his princely robes. He
looked so noble that the princess could not help bowing before him.
"I have come to despise thee," said he. "Thou wouldst not have an
honorable prince! Thou couldst not prize the rose and the nightingale, but
thou wast ready to kiss the swineherd for the sake of a trumpery plaything.
Thou art rightly served."
He then went back to his own little kingdom, where he shut the door of
his palace before her very eyes. Now she might well sing,
"Ah! thou dearest Augustine,
All is gone, gone, gone."

THE METAL PIG
N THE city of Florence, not far from the Piazza del Granduca, runs a
little cross street called Porta Rosa. In this street, just in front of the
market place where vegetables are sold, stands a pig, made of brass
and curiously formed. The color has been changed by age to dark
green, but clear, fresh water pours from the snout, which shines as if it
had been polished—and so indeed it has, for hundreds of poor people and
children seize it in their hands as they place their mouths close to the mouth
of the animal to drink. It is quite a picture to see a half-naked boy clasping
the well-formed creature by the head as he presses his rosy lips against its
jaws. Every one who visits Florence can very quickly find the place; he has
only to ask the first beggar he meets for the Metal Pig, and he will be told
where it is.
It was late on a winter evening. The mountains were covered with snow,
but the moon shone brightly, and moonlight in Italy is as good as the light
of gray winter's day in the north. Indeed, it is better, for the clear air seems
to raise us above the earth; while in the north a cold, gray, leaden sky
appears to press us down to earth, even as the cold, damp earth shall one
day press on us in the grave.
In the garden of the grand duke's palace, under the roof of one of the
wings, where a thousand roses bloom in winter, a little ragged boy had been
sitting the whole day long. The boy might serve as a type of Italy: lovely
and smiling, and yet suffering. He was hungry and thirsty, but no one gave
him anything; and when it became dark and they were about to close the
gardens, the porter turned him out. A long time he stood musing on the
bridge which crosses the Arno and looking at the glittering stars that were
reflected in the water which flowed between him and the wonderful marble
bridge Delia Trinità. He then walked away towards the Metal Pig, half knelt
down, clasped it with his arms, and, putting his mouth to the shining snout,
drank deep draughts of the fresh water. Close by lay a few salad leaves and
two chestnuts, which were to serve for his supper. No one was in the street
but himself. It belonged only to him. He boldly seated himself on the pig's

back, leaned forward so that his curly head could rest on the head of the
animal, and, before he was aware, fell asleep.
It was midnight. The Metal Pig raised himself gently, and the boy heard
him say quite distinctly, "Hold tight, little boy, for I am going to run"; and
away he started for a most wonderful ride. First they arrived at the Piazza
del Granduca, and the metal horse which bears the duke's statue neighed
aloud. The painted coats of arms on the old council house shone like
transparent pictures, and Michelangelo's "David" swung his sling. It was as
if everything had life. The metallic groups of figures, among which were
"Perseus" and "The Rape of the Sabines," looked like living persons, and
cries of terror sounded from them all across the noble square. By the
Palazzo degli Uffizi, in the arcade where the nobility assembled for the
carnival, the Metal Pig stopped. "Hold fast," said the animal, "hold fast, for
I am going upstairs."
The little boy said not a word. He was half pleased and half afraid. They
entered a long gallery, where the boy had been before. The walls were
resplendent with paintings, and here and there stood statues and busts, all in
a clear light as if it were day. The grandest sight appeared when the door of
a side room opened. The little boy could remember what beautiful things he
had seen there, but to-night everything shone in its brightest colors. Here
stood the figure of a beautiful woman, as radiantly beautiful as nature and
the art of one of the great masters could make her. Her graceful limbs
appeared to move; dolphins sprang at her feet, and immortality shone from
her eyes. The world called her the "Venus de' Medici." By her side were
statues of stone, in which the spirit of life breathed; figures of men, one of
whom whetted his sword and was named "The Grinder"; fighting
gladiators, for whom the sword had been sharpened, and who strove for the
goddess of beauty. The boy was dazzled by so much glitter, for the walls
were gleaming with bright colors. Life and movement were in everything.
As they passed from hall to hall, beauty showed itself in whatever they
saw; and, as the Metal Pig went step by step from one picture to another,
the little boy could see it all plainly. One glory eclipsed another; yet there
was one picture that fixed itself on the little boy's memory more especially,
because of the happy children it represented; for these the little boy had
seen in daylight. Many pass this picture with indifference, and yet it

contains a treasure of poetic feeling. It represents Christ descending into
Hades. It is not those who are lost that one sees, but the heathen of olden
times.
The Florentine, Angiolo Bronzino, painted this picture. Most beautiful is
the expression on the faces of two children who appear to have full
confidence that they shall reach heaven at last. They are embracing each
other, and one little one stretches out his hand towards another who stands
below them, and points to himself as if he were saying, "I am going to
heaven." The older people stand as if uncertain yet hopeful, and bow in
humble adoration to the Lord Jesus. On this picture the boy's eyes rested
longer than on any other, and the Metal Pig stood still before it. A low sigh
was heard. Did it come from the picture or from the animal? The boy raised
his hands toward the smiling children, and then the pig ran off with him
through the open vestibule.
"Thank you, thank you, you beautiful animal," said the little boy,
caressing the Metal Pig as it ran down the steps.
"Thanks to yourself also," replied the Metal Pig. "I have helped you and
you have helped me, for it is only when I have an innocent child on my
back that I receive the power to run. Yes, as you see, I can even venture
under the rays of the lamp in front of the picture of the Madonna, but I must
not enter the church. Still, from without, and while you are upon my back, I
may look in through the open door. Do not get down yet, for if you do, then
I shall be lifeless, as you have seen me in the daytime in the Porta Rosa."
"I will stay with you, my dear creature," said the little boy. So they went
on at a rapid pace through the streets of Florence, till they came to the
square before the church of Santa Croce. The folding doors flew open, and
lights streamed from the altar, through the church, into the deserted square.
A wonderful blaze of light streamed from one of the monuments in the left
aisle, and a thousand moving stars formed a kind of glory round it. Even the
coat of arms on the tombstone shone, and a red ladder on a blue field
gleamed like fire. It was the grave of Galileo. The monument is unadorned,
but the red ladder is an emblem of art—signifying that the way to glory
leads up a shining ladder, on which the great prophets rise to heaven like
Elijah of old. In the right aisle of the church every statue on the richly

carved sarcophagi seemed endowed with life. Here stood Michelangelo;
there Dante, with the laurel wreath around his brow; Alfieri and
Machiavelli; for here, side by side, rest the great men, the pride of Italy.
The church itself is very beautiful, even more beautiful than the marble
cathedral at Florence, though not so large. It seemed as if the carved
vestments stirred, and as if the marble figures which they covered raised
their heads higher to gaze upon the brightly colored, glowing altar, where
the white-robed boys swung the golden censers amid music and song; and
the strong fragrance of incense filled the church and streamed forth into the
square. The boy stretched out his hands toward the light, and at the same
moment the Metal Pig started again, so rapidly that he was obliged to cling
tightly to him. The wind whistled in his ears. He heard the church door
creak on its hinges as it closed, and it seemed to him as if he had lost his
senses; then a cold shudder passed over him, and he awoke.
It was morning. The Metal Pig stood in its old place on the Porta Rosa,
and the boy found that he had nearly slipped off its back. Fear and
trembling came upon him as he thought of his mother. She had sent him out
the day before to get some money, but he had not been able to get any, and
now he was hungry and thirsty. Once more he clasped the neck of his metal
steed, kissed its nose, and nodded farewell to it. Then he wandered away
into one of the narrowest streets, where there was scarcely room for a
loaded donkey to pass. A great iron-bound door stood ajar; and, passing
through, he climbed a brick staircase with dirty walls, and a rope for
balustrade, till he came to an open gallery hung with rags. From here a
flight of steps led down to a court, where from a fountain water was drawn
up by iron rollers to the different stories of the house. Many water buckets
hung side by side. Sometimes the roller and the bucket danced in the air,
splashing the water all over the court. Another broken-down staircase led
from the gallery, and two Russian sailors running down it almost upset the
poor boy. They were coming from their nightly carousal. A woman, not
very young, with an unpleasant face and a quantity of black hair, followed
them. "What have you brought home?" she asked when she saw the boy.
"Don't be angry," he pleaded. "I received nothing, I have nothing at all";
and he seized his mother's dress and would have kissed it. Then they went
into a little room. I need not describe it, but only say that there stood in it an

earthen pot with handles, made for holding fire, which in Italy is called a
marito. This pot she took in her lap, warmed her fingers, and pushed the
boy with her elbow.
"Certainly you must have some money," she said. The boy began to cry,
and then she struck him till he cried aloud.
"Be quiet, or I'll break your screaming head." She swung about the fire
pot which she held in her hand, while the boy crouched to the earth and
screamed. Then a neighbor came in, who also had a marito under her arm.
"Felicita," she said, "what are you doing to the child?"
"The child is mine," she answered; "I can murder him if I like, and you
too, Giannina."
Then again she swung the fire pot about. The other woman lifted hers up
to defend herself, and the two pots clashed so violently that they were
dashed to pieces and fire and ashes flew about the room.
The boy rushed out at the sight, sped across the courtyard, and fled from
the house. The poor child ran till he was quite out of breath. At last he
stopped at the church the doors of which were opened to him the night
before, and went in. Here everything was bright, and the boy knelt down by
the first tomb on his right hand, the grave of Michelangelo, and sobbed as if
his heart would break. People came and went; the service went on, but no
one noticed the boy except an elderly citizen, who stood still and looked at
him for a moment and then went away like the rest. Hunger and thirst
overpowered the child, and he became quite faint and ill. At last he crept
into a corner behind the marble monuments and went to sleep. Towards
evening he was awakened by a pull at his sleeve. He started up, and the
same old citizen stood before him.
"Are you ill? Where do you live? Have you been here all day?" were
some of the questions asked by the old man. After hearing his answers, the
old man took him to a small house in a back street close by. They entered a
glovemaker's shop, where a woman sat sewing busily. A little white poodle,
so closely shaved that his pink skin could plainly be seen, frisked about the
room and gamboled over the boy.

"Innocent souls are soon intimate," said the woman, as she caressed both
the boy and the dog.
These good people gave the child food and drink, and said he should
stay with them all night, and that the next day the old man, who was called
Giuseppe, would go and speak to his mother. A simple little bed was
prepared for him, but to him who had so often slept on the hard stones it
was a royal couch, and he slept sweetly and dreamed of the splendid
pictures, and of the Metal Pig. Giuseppe went out the next morning, and the
poor child was not glad to see him go, for he knew that the old man had
gone to his mother, and that perhaps he would have to return. He wept at the
thought, and then played with the lively little dog and kissed it, while the
old woman looked kindly at him to encourage him.
What news did Giuseppe bring back? At first the boy could not find out,
for the old man talked to his wife, and she nodded and stroked the boy's
cheek. Then she said, "He is a good lad, he shall stay with us. He may
become a clever glovemaker, like you. Look what delicate fingers he has.
Madonna intended him for a glovemaker."
So the boy stayed with them, and the woman herself taught him to sew.
He ate well, and slept well, and became very merry. But at last he began to
tease Bellissima, as the little dog was called. This made the woman angry,
and she scolded him and threatened him, which made him unhappy, and he
went and sat in his own room, full of sad thoughts. This chamber looked out
upon the street, in which hung skins to dry, and there were thick iron bars
across his window. That night he lay awake, thinking of the Metal Pig.
Indeed, it was always in his thoughts. Suddenly he fancied he heard feet
outside going pitapat. He sprang out of bed and went to the window. Could
it be the Metal Pig? But there was nothing to be seen. Whatever he had
heard had passed already.
"Go help the gentleman to carry his box of colors," said the woman the
next morning when their neighbor, the artist, passed by, carrying a paint box
and a large roll of canvas. The boy instantly took the box and followed the
painter. They walked on till they reached the picture gallery, and mounted
the same staircase up which he had ridden that night on the Metal Pig. He
remembered all the pictures and statues, especially the marble Venus, and

again he looked at the Madonna with the Saviour and St. John. They
stopped before the picture by Il Bronzino, in which Christ is represented as
standing in the lower world, with the children smiling before him in the
sweet expectation of entering heaven. The poor boy smiled, too, for here
was his heaven.
"You may go home now," said the painter, while the boy stood watching
him till he had set up his easel.
"May I see you paint?" asked the boy. "May I see you put the picture on
this white canvas?"
"I am not going to paint," replied the artist, bringing out a piece of chalk.
His hand moved quickly, and his eye measured the great picture, and
though nothing appeared but a faint line, the figure of the Saviour was as
clearly visible as in the colored picture.
"Why don't you go?" said the painter. Then the boy wandered home
silently, and seated himself on the table, and learned to sew gloves. But all
day long his thoughts were in the picture gallery, and so he pricked his
fingers and was awkward. But he did not tease Bellissima. When evening
came, and the house door stood open, he slipped out. It was a bright,
beautiful, starlight evening, but rather cold. Away he went through the
already deserted streets, and soon came to the Metal Pig. He stooped down
and kissed its shining nose, and then seated himself on its back.
"You happy creature," he said; "how I have longed for you! We must
take a ride to-night."
But the Metal Pig lay motionless, while the fresh stream gushed forth
from its mouth. The little boy still sat astride its back, when he felt
something pulling at his clothes. He looked down, and there was
Bellissima, little smooth-shaven Bellissima, barking as if she would have
said, "Here I am, too. Why are you sitting there?"
A fiery dragon could not have frightened the little boy so much as did
the little dog in this place. Bellissima in the street and not dressed! as the
old lady called it. What would be the end of this? The dog never went out in
winter, unless she was attired in a little lambskin coat, which had been made
for her. It was fastened round the little dog's neck and body with red

ribbons, and decorated with rosettes and little bells. The dog looked almost
like a little kid when she was allowed to go out in winter and trot after her
mistress. Now, here she was in the cold, and not dressed. Oh, how would it
end? All his fancies were quickly put to flight; yet he kissed the Metal Pig
once more, and then took Bellissima in his arms. The poor little thing
trembled so with cold that the boy ran homeward as fast as he could.
"What are you running away with there?" asked two of the police whom
he met, and at whom the dog barked. "Where have you stolen that pretty
dog?" they asked, and took it away from him.
"Oh, I have not stolen it. Do give it back to me," cried the boy,
despairingly.
"If you have not stolen it, you may say at home that they can send to the
watch-house for the dog." Then they told him where the watch-house was,
and went away with Bellissima.
Here was trouble indeed. The boy did not know whether he had better
jump into the Arno or go home and confess everything. They would
certainly kill him, he thought.
"Well, I would gladly be killed," he reasoned; "for then I should die and
go to heaven." And so he went home, almost hoping for death.
The door was locked, and he could not reach the knocker. No one was in
the street, so he took up a stone and with it made a tremendous noise at the
door.
"Who is there?" asked somebody from within.
"It is I," said he. "Bellissima is gone. Open the door, and then kill me."
Then, indeed, there was a great panic, for madam was so very fond of
Bellissima. She immediately looked at the wall where the dog's dress
usually hung; and there was the little lambskin.
"Bellissima in the watch-house!" she cried. "You bad boy! How did you
entice her out? Poor little delicate thing, with those rough policemen! And
she'll be frozen with cold."

Giuseppe went off at once, while his wife lamented and the boy wept.
Several of the neighbors came in, and among them the painter. He took the
boy between his knees and questioned him. Soon he heard the whole story,
told in broken sentences, and also about the Metal Pig and the wonderful
ride to the picture gallery, which was certainly rather incomprehensible. The
painter, however, consoled the little fellow, and tried to soften the woman's
anger, but she would not be pacified till her husband returned from the
police with Bellissima. Then there was great rejoicing, and the painter
caressed the boy and gave him a number of pictures.
Oh, what beautiful pictures those were—figures with funny heads! And,
best of all, the Metal Pig was there, too. Nothing could be more delightful!
By means of a few strokes it was made to appear on the paper; and even the
house that stood behind it had been sketched. Oh, if he could only draw and
paint! He who could do this could conjure all the world before him. The
first leisure moment during the next day the boy got a pencil, and on the
back of one of the other drawings he attempted to copy the drawing of the
Metal Pig, and he succeeded. Certainly it was rather crooked, rather up and
down, one leg thick, and another thin. Still it was like the copy, and he was
overjoyed at what he had done. The pencil would not go quite as it ought,
he had found, but the next day he tried again. A second pig was drawn by
the side of the first, and this looked a hundred times better. The third
attempt was so good that everybody could see what it was meant to
represent.
And now the glovemaking went on but slowly. The orders given by the
shops in the town were not finished quickly; for the Metal Pig had taught
the boy that all objects may be drawn upon paper, and Florence is a picture
book in itself for any one who chooses to turn over its pages. On the Piazza
della Trinità stands a slender pillar, and upon it is the goddess of justice
blindfolded, with her scales in her hand. She was soon represented on paper,
and it was the glovemaker's boy who placed her there. His collection of
pictures increased, but as yet they were only copies of lifeless objects, when
one day Bellissima came gamboling before him. "Stand still," cried he, "and
I will draw you beautifully, to put in my collection."
Bellissima would not stand still, so she must be bound fast in one
position. He tied her head and tail, but she barked and jumped and so pulled

and tightened the string that she was nearly strangled. And just then her
mistress walked in.
"You wicked boy! The poor little creature!" was all she could utter.
She pushed the boy from her, thrust him away with her foot, called him a
most ungrateful, good-for-nothing, wicked boy, and forbade him to enter
her house again. Then she wept, and kissed her little half-strangled
Bellissima. At this moment the painter entered the room—and here is the
turning point of the story.
In the year 1834 there was an exhibition in the Academy of Arts at
Florence. Two pictures, placed side by side, attracted many people. The
smaller of the two represented a little boy sitting at a table drawing. Before
him was a little white poodle, curiously shaven, but as the animal would not
stand still, its head and tail had been fastened with a string, to keep it in one
position. The truthfulness and life in this picture interested every one. The
painter was said to be a young Florentine, who had been found in the streets
when a child by an old glovemaker, who had brought him up. The boy had
taught himself to draw. It was also said that a young artist, now famous, had
discovered this talent in the child just as he was about to be sent away for
having tied up madam's favorite little dog to use as a model.
The glovemaker's boy had become a really great painter, as the picture
proved; but the larger picture by its side was a still greater proof of his
talent. It represented a handsome boy asleep, clothed in rags and leaning
against the Metal Pig, in the street of the Porta Rosa. All the spectators
knew the spot well. The child's arms were round the neck of the Pig, and he
was in a deep sleep. The lamp before the picture of the Madonna threw a
strong light on the pale, delicate face of the child. It was a beautiful picture.
A large gilt frame surrounded it, and on one corner of the frame a laurel
wreath had been hung. But a black band, twined unseen among the green
leaves, and a streamer of crape hung down from it; for within the last few
days the young artist had—died.

THE FLYING TRUNK
HERE was once a merchant who was so rich that he could have
paved a whole street with gold, and would even then have had
enough left for a small alley. He did not do so; he knew the value
of money better than to use it in this way. So clever was he that
every shilling he put out brought him a crown, and so it
continued as long as he lived.
His son inherited his wealth, and lived a merry life with it. He went to a
masquerade every night, made kites out of five-pound notes, and threw
pieces of gold into the sea instead of stones, making ducks and drakes of
them.
In this manner he soon lost all his money. At last he had nothing left but
a pair of slippers, an old dressing gown, and four shillings. And now all his
companions deserted him. They would not walk with him in the streets, but
one of them, who was very good-natured, sent him an old trunk with this
message, "Pack up!"
"Yes," he said, "it is all very well to say 'pack up.'" But he had nothing
left to pack, therefore he seated himself in the trunk.
It was a very wonderful trunk, for no sooner did any one press on the
lock than the trunk could fly. He shut the lid and pressed the lock, when
away flew the trunk up the chimney, with him in it, right up into the clouds.
Whenever the bottom of the trunk cracked he was in a great fright, for if the
trunk had fallen to pieces, he would have turned a tremendous somersault
over the trees. However, he arrived safely in Turkey. He hid the trunk in a
wood under some dry leaves and then went into the town. This he could do
very well, for among the Turks people always go about in dressing gowns
and slippers, just as he was.
He happened to meet a nurse with a little child. "I say, you Turkish
nurse," cried he, "what castle is that near the town, with the windows placed
so high?"

"The Sultan's daughter lives there," she replied. "It has been prophesied
that she will be very unhappy about a lover, and therefore no one is allowed
to visit her unless the king and queen are present."
"Thank you," said the merchant's son. So he went back to the wood,
seated himself in his trunk, flew up to the roof of the castle, and crept
through the window into the room where the princess lay asleep on the sofa.
She awoke and was very much frightened, but he told her he was a Turkish
angel who had come down through the air to see her. This pleased her very
much. He sat down by her side and talked to her, telling her that her eyes
were like beautiful dark lakes, in which the thoughts swam about like little
mermaids; and that her forehead was a snowy mountain which contained
splendid halls full of pictures. He related to her the story about the stork,
who brings the beautiful children from the rivers. These stories delighted
the princess, and when he asked her if she would marry him, she consented
immediately.

"But you must come on Saturday," she said, "for then my parents will
take tea with me. They will be very proud when they find that I am going to
marry a Turkish angel. But you must think of some very pretty stories to tell
them, for they like to hear stories better than anything. My mother prefers
one that is deep and moral, but my father likes something funny, to make
him laugh."
"Very well," he replied, "I shall bring you no other marriage portion than
a story"; and so they parted. But the princess gave him a sword studded
with gold coins, and these he could make useful.
He flew away to the town and bought a new dressing gown, and
afterwards returned to the wood, where he composed a story so as to be
ready by Saturday; and that was no easy matter. It was ready, however,
when he went to see the princess on Saturday. The king and queen and the

whole court were at tea with the princess, and he was received with great
politeness.
"Will you tell us a story?" said the queen; "one that is instructive and full
of learning."
"Yes, but with something in it to laugh at," said the king.
"Certainly," he replied, and commenced at once, asking them to listen
attentively.
"There was once a bundle of matches that were exceedingly proud of
their high descent. Their genealogical tree—that is, a great pine tree from
which they had been cut—was at one time a large old tree in the wood. The
matches now lay between a tinder box and an old iron saucepan and were
talking about their youthful days. 'Ah! then we grew on the green boughs,'
said they, 'and every morning and evening we were fed with diamond drops
of dew. Whenever the sun shone we felt his warm rays, and the little birds
would relate stories to us in their songs. We knew that we were rich, for the
other trees only wore their green dresses in summer, while our family were
able to array themselves in green, summer and winter. But the woodcutter
came like a great disaster, and our family fell under the ax. The head of the
house obtained a situation as mainmast in a very fine ship and can sail
round the world whenever he will. Other branches of the family were taken
to different places, and our own office now is to kindle a light for common
people. This is how such highborn people as we came to be in a kitchen.'
"'Mine has been a very different fate,' said the iron pot, which stood by
the matches. 'From my first entrance into the world I have been used to
cooking and scouring. I am the first in this house when anything solid or
useful is required. My only pleasure is to be made clean and shining after
dinner and to sit in my place and have a little sensible conversation with my
neighbors. All of us excepting the water bucket, which is sometimes taken
into the courtyard, live here together within these four walls. We get our
news from the market basket, but it sometimes tells us very unpleasant
things about the people and the government. Yes, and one day an old pot
was so alarmed that it fell down and was broken in pieces.'

"'You are talking too much,' said the tinder box; and the steel struck
against the flint till some sparks flew out, crying, 'We want a merry
evening, don't we?'
"'Yes, of course,' said the matches. 'Let us talk about those who are the
highest born.'
"'No, I don't like to be always talking of what we are,' remarked the
saucepan. 'Let us think of some other amusement; I will begin. We will tell
something that has happened to ourselves; that will be very easy, and
interesting as well. On the Baltic Sea, near the Danish shore—'
"'What a pretty commencement!' said the plates. 'We shall all like that
story, I am sure.'
"'Yes. Well, in my youth I lived in a quiet family where the furniture was
polished, the floors scoured, and clean curtains put up, every fortnight.'
"'What an interesting way you have of relating a story,' said the carpet
broom. 'It is easy to perceive that you have been a great deal in society,
something so pure runs through what you say.'
"'That is quite true,' said the water bucket; and it made a spring with joy
and splashed some water on the floor.
"Then the saucepan went on with its story, and the end was as good as
the beginning.
"The plates rattled with pleasure, and the carpet broom brought some
green parsley out of the dust hole and crowned the saucepan. It knew this
would vex the others, but it thought, 'If I crown him to-day, he will crown
me to-morrow.'
"'Now let us have a dance,' said the fire tongs. Then how they danced
and stuck one leg in the air! The chair cushion in the corner burst with
laughter at the sight.
"'Shall I be crowned now?' asked the fire tongs. So the broom found
another wreath for the tongs.

"'They are only common people after all,' thought the matches. The tea
urn was now asked to sing, but she said she had a cold and could not sing
unless she felt boiling heat within. They all thought this was affectation;
they also considered it affectation that she did not wish to sing except in the
parlor, when on the table with the grand people.
"In the window sat an old quill pen, with which the maid generally
wrote. There was nothing remarkable about the pen, except that it had been
dipped too deeply in the ink; but it was proud of that.
"'If the tea urn won't sing,' said the pen, 'she needn't. There's a
nightingale in a cage outside, that can sing. She has not been taught much,
certainly, but we need not say anything this evening about that.'
"'I think it highly improper,' said the teakettle, who was kitchen singer
and half brother to the tea urn, 'that a rich foreign bird should be listened to
here. Is it patriotic? Let the market basket decide what is right.'
"'I certainly am vexed,' said the basket, 'inwardly vexed, more than any
one can imagine. Are we spending the evening properly? Would it not be
more sensible to put the house in order? If each were in his own place, I
would lead a game. This would be quite another thing.'
"'Let us act a play,' said they all. At the same moment the door opened
and the maid came in. Then not one stirred; they remained quite still,
although there was not a single pot among them that had not a high opinion
of himself and of what he could do if he chose.
"'Yes, if we had chosen,' each of them thought, 'we might have spent a
very pleasant evening.'
"The maid took the matches and lighted them, and dear me, how they
spluttered and blazed up!
"'Now then,' they thought, 'every one will see that we are the first. How
we shine! What a light we give!' But even while they spoke their lights
went out."
"What a capital story!" said the queen. "I feel as if I were really in the
kitchen and could see the matches. Yes, you shall marry our daughter."

"Certainly," said the king, "thou shalt have our daughter." The king said
"thou" to him because he was going to be one of the family. The wedding
day was fixed, and on the evening before, the whole city was illuminated.
Cakes and sweetmeats were thrown among the people. The street boys
stood on tiptoe and shouted "Hurrah," and whistled between their fingers.
Altogether it was a very splendid affair.
"I will give them another treat," said the merchant's son. So he went and
bought rockets and crackers and every kind of fireworks that could be
thought of, packed them in his trunk, and flew up with it into the air. What a
whizzing and popping they made as they went off! The Turks, when they
saw the sight, jumped so high that their slippers flew about their ears. It was
easy to believe after this that the princess was really going to marry a
Turkish angel.
As soon as the merchant's son had come down to the wood after the
fireworks, he thought, "I will go back into the town now and hear what they
think of the entertainment." It was very natural that he should wish to know.
And what strange things people did say, to be sure! Every one whom he
questioned had a different tale to tell, though they all thought it very
beautiful.
"I saw the Turkish angel myself," said one. "He had eyes like glittering
stars and a head like foaming water."
"He flew in a mantle of fire," said another, "and lovely little cherubs
peeped out from the folds."
He heard many more fine things about himself and that the next day he
was to be married. After this he went back to the forest to rest himself in his
trunk. It had disappeared! A spark from the fireworks which remained had
set it on fire. It was burned to ashes. So the merchant's son could not fly any
more, nor go to meet his bride. She stood all day on the roof, waiting for
him, and most likely she is waiting there still, while he wanders through the
world telling fairy tales—but none of them so amusing as the one he related
about the matches.

THE BUTTERFLY
HERE was once a butterfly who wished for a bride; and, as may
be supposed, he wanted to choose a very pretty one from among
the flowers. He glanced with a very critical eye at all the flower
beds and found that the flowers were seated quietly and demurely
on their stalks, just as maidens should sit. But there was a great
number of them, and it appeared as if making his choice would become
very wearisome. The butterfly did not like to take too much trouble, so he
flew off on a visit to the daisies.
The French call this flower Marguerite and say that it can prophesy.
Lovers pluck off the leaves, and as they pluck each leaf they ask a question
about their sweethearts, thus: "Does he or she love me? Dearly?
Distractedly? Very much? A little? Not at all?" and so on. Each one speaks
these words in his own language.
The butterfly came, also, to Marguerite to inquire, but he did not pluck
off her leaves; he pressed a kiss on each of them, for he thought there was
always more to be done by kindness.
"Darling Marguerite daisy," he said to her, "you are the wisest woman of
them all. Pray tell me which of the flowers I shall choose for my wife.
Which will be my bride? When I know, I will fly directly to her and
propose."
But Marguerite did not answer him. She was offended that he should call
her a woman when she was only a girl; there is a great difference. He asked
her a second time, and then a third, but she remained dumb, answering him
not at all. Then he would wait no longer, but flew away to commence his
wooing at once. It was in the early spring, when the crocus and the
snowdrop were in full bloom.
"They are very pretty," thought the butterfly; "charming little lasses, but
they are rather stiff and formal."

Then, as young lads often do, he looked out for the older girls. He next
flew to the anemones, but these were rather sour to his taste. The violet was
a little too sentimental; the lime blossoms were too small—and, besides,
there was such a large family of them. The apple blossoms, though they
looked like roses, bloomed to-day, but might fall off to-morrow with the
first wind that blew; and he thought a marriage with one of them might last
too short a time. The pea blossom pleased him most of all. She was white
and red, graceful and slender, and belonged to those domestic maidens who
have a pretty appearance, yet can be useful in the kitchen. He was just about
to make her an offer when, close by her, he saw a pod, with a withered
flower hanging at the end.
"Who is that?" he asked.
"That is my sister," replied the pea blossom.
"Oh, indeed! and you will be like her some day," said he. And at once he
flew away, for he felt quite shocked.
A honeysuckle hung forth from the hedge, in full bloom; but there were
so many girls like her, with long faces and sallow complexions! No, he did
not like her. But which one did he like?
Spring went by, and summer drew toward its close. Autumn came, but
he had not decided. The flowers now appeared in their most gorgeous robes,
but all in vain—they had not the fresh, fragrant air of youth. The heart asks
for fragrance even when it is no longer young, and there is very little of that
to be found in the dahlias or the dry chrysanthemums. Therefore the
butterfly turned to the mint on the ground. This plant, you know, has no
blossom, but is sweetness all over; it is full of fragrance from head to foot,
with the scent of a flower in every leaf.
"I will take her," said the butterfly; and he made her an offer. But the
mint stood silent and stiff as she listened to him. At last she said:
"I can give you friendship if you like, nothing more. I am old, and you
are old, but we may live for each other just the same. As to marrying,
however, no! that would appear ridiculous at our age."

And so it happened that the butterfly got no wife at all. He had been too
long choosing, which is always a bad plan, and became what is called an
old bachelor.
It was late in the autumn, with rainy and cloudy weather. The cold wind
blew over the bowed backs of the willows, so that they creaked again. It
was not the weather for flying about in summer clothes, but fortunately the
butterfly was not out in it. By a happy chance he had got a shelter. It was in
a room heated by a stove and as warm as summer. He could live here, he
said, well enough.
"But it is not enough merely to exist," said he. "I need freedom,
sunshine, and a little flower for a companion."
So he flew against the window-pane and was seen and admired by those
in the room, who caught him and stuck him on a pin in a box of curiosities.
They could not do more for him.
"Now I am perched on a stalk like the flowers," said the butterfly. "It is
not very pleasant, certainly. I imagine it is something like being married, for
here I am stuck fast." And with this thought he consoled himself a little.
"That seems very poor consolation," said one of the plants in the room,
that grew in a pot.
"Ah," thought the butterfly, "one can't very well trust these plants in
pots; they have had too much to do with human beings."

THE GOBLIN AND THE HUCKSTER
HERE was once a regular student, who lived in a garret and had
no possessions. And there was also a regular huckster, to whom
the house belonged, and who occupied the ground floor. A goblin
lived with the huckster because at Christmas he always had a
large dishful of jam, with a great piece of butter in the middle.
The huckster could afford this, and therefore the goblin remained with him
—which was very shrewd of the goblin.
One evening the student came into the shop through the back door to
buy candles and cheese for himself; he had no one to send, and therefore he
came himself. He obtained what he wished, and then the huckster and his
wife nodded good evening to him. The huckster's wife was a woman who
could do more than merely nod, for she usually had plenty to say for
herself. The student nodded also, as he turned to leave, then suddenly
stopped and began reading the piece of paper in which the cheese was
wrapped. It was a leaf torn out of an old book; a book that ought not to have
been torn up, for it was full of poetry.
"Yonder lies some more of the same sort," said the huckster. "I gave an
old woman a few coffee berries for it; you shall have the rest for sixpence if
you will."
"Indeed I will," said the student. "Give me the book instead of the
cheese; I can eat my bread and butter without cheese. It would be a sin to
tear up a book like this. You are a clever man and a practical man, but you
understand no more about poetry than that cask yonder."
This was a very rude speech, especially against the cask, but the huckster
and the student both laughed, for it was only said in fun. The goblin,
however, felt very angry that any man should venture to say such things to a
huckster who was a householder and sold the best butter. As soon as it was
night, the shop closed, and every one in bed except the student, the goblin
stepped softly into the bedroom where the huckster's wife slept, and took
away her tongue, which of course she did not then want. Whatever object in

the room he placed this tongue upon, immediately received voice and
speech and was able to express its thoughts and feelings as readily as the
lady herself could do. It could only be used by one object at a time, which
was a good thing, as a number speaking at once would have caused great
confusion. The goblin laid the tongue upon the cask, in which lay a quantity
of old newspapers.
"Is it really true," he asked, "that you do not know what poetry is?"
"Of course I know," replied the cask. "Poetry is something that always
stands in the corner of a newspaper and is sometimes cut out. And I may
venture to affirm that I have more of it in me than the student has, even if I
am only a poor tub of the huckster's."
Then the goblin placed the tongue on the coffee mill, and how it did go,
to be sure! Then he put it on the butter-tub, and the cash-box, and they all
expressed the same opinion as the waste-paper tub. A majority must always
be respected.
"Now I shall go and tell the student," said the goblin. With these words
he went quietly up the back stairs to the garret, where the student lived. The
student's candle was burning still, and the goblin peeped through the
keyhole and saw that he was reading in the torn book which he had bought
out of the shop. But how light the room was! From the book shot forth a ray
of light which grew broad and full like the stem of a tree, from which bright
rays spread upward and over the student's head. Each leaf was fresh, and
each flower was like a beautiful female head—some with dark and
sparkling eyes and others with eyes that were wonderfully blue and clear.
The fruit gleamed like stars, and the room was filled with sounds of
beautiful music. The little goblin had never imagined, much less seen or
heard of, any sight so glorious as this. He stood still on tiptoe, peeping in,
till the light went out. The student no doubt had blown out his candle and
gone to bed, but the little goblin remained standing there, listening to the
music which still sounded, soft and beautiful—a sweet cradle song for the
student who had lain down to rest.
"This is a wonderful place," said the goblin; "I never expected such a
thing. I should like to stay here with the student." Then the little man
thought it over, for he was a sensible sprite. At last he sighed, "But the

student has no jam!" So he went downstairs again to the huckster's shop,
and it was a good thing he got back when he did, for the cask had almost
worn out the lady's tongue. He had given a description of all that he
contained on one side, and was just about to turn himself over to the other
side to describe what was there, when the goblin entered and restored the
tongue to the lady. From that time forward, the whole shop, from the cash-
box down to the pine-wood logs, formed their opinions from that of the
cask. They all had such confidence in him and treated him with so much
respect that when, in the evening, the huckster read the criticisms on
theatricals and art, they fancied it must all come from the cask.
After what he had seen, the goblin could no longer sit and listen quietly
to the wisdom and understanding downstairs. As soon as the evening light
glimmered in the garret, he took courage, for it seemed to him that the rays
of light were strong cables, drawing him up and obliging him to go and
peep through the keyhole. While there, a feeling of vastness came over him,
such as we experience by the ever-moving sea when the storm breaks forth,
and it brought tears into his eyes. He did not himself know why he wept, yet
a kind of pleasant feeling mingled with his tears. "How wonderfully
glorious it would be to sit with the student under such a tree!" But that was
out of the question; he must be content to look through the keyhole and be
thankful for even that.
There he stood on the cold landing, with the autumn wind blowing down
upon him through the trapdoor. It was very cold, but the little creature did
not really feel it till the light in the garret went out and the tones of music
died away. Then how he shivered and crept downstairs again to his warm
corner, where he felt at home and comfortable! And when Christmas came
again and brought the dish of jam and the great lump of butter, he liked the
huckster best of all.
Soon after, the goblin was waked in the middle of the night by a terrible
noise and knocking against the window shutters and the house doors and by
the sound of the watchman's horn. A great fire had broken out, and the
whole street seemed full of flames. Was it in their house or a neighbor's? No
one could tell, for terror had seized upon all. The huckster's wife was so
bewildered that she took her gold earrings out of her ears and put them in
her pocket, that she might save something at least. The huckster ran to get

his business papers, and the servant resolved to save her black silk mantle,
which she had managed to buy. All wished to keep the best things they had.
The goblin had the same wish, for with one spring he was upstairs in the
student's room. He found him standing by the open window and looking
quite calmly at the fire, which was raging in the house of a neighbor
opposite.
The goblin caught up the wonderful book, which lay on the table, and
popped it into his red cap, which he held tightly with both hands. The
greatest treasure in the house was saved, and he ran away with it to the roof
and seated himself on the chimney. The flames of the burning house
opposite illuminated him as he sat with both hands pressed tightly over his
cap, in which the treasure lay. It was then that he understood what feelings
were really strongest in his heart and knew exactly which way they tended.
Yet, when the fire was extinguished and the goblin again began to reflect,
he hesitated, and said at last, "I must divide myself between the two; I
cannot quite give up the huckster, because of the jam."
This is a representation of human nature. We are like the goblin; we all
go to visit the huckster, "because of the jam."

EVERYTHING IN ITS RIGHT PLACE
ORE than a hundred years ago, behind the wood and by a
deep lake, stood an old baronial mansion. Round it lay a deep
moat, in which grew reeds and rushes, and close by the
bridge, near the entrance gate, stood an old willow that bent
itself over the moat.
From a narrow lane one day sounded the clang of horns and the
trampling of horses. The little girl who kept the geese hastened to drive
them away from the bridge before the hunting party came galloping up to it.
They came, however, with such haste that the girl was obliged to climb up
and seat herself on the parapet of the bridge, lest they should ride over her.
She was scarcely more than a child, with a pretty, delicate figure, a gentle
expression of face, and two bright blue eyes—all of which the baron took
no note of; but as he galloped past, he reversed the whip held in his hand,
and in rough play gave the little goose-watcher such a push with the butt
end that she fell backward into the ditch.
"Everything in its right place," cried he. "Into the puddle with you!" and
then he laughed aloud at what he called his own wit, and the rest joined
with him. The whole party shouted and screamed, and the dogs barked
loudly.
Fortunately for herself, the poor girl in falling caught hold of one of the
overhanging branches of the willow tree, by which she was able to keep
herself from falling into the muddy pool. As soon as the baron, with his
company and his dogs, had disappeared through the castle gate, she tried to
raise herself by her own exertions; but the bough broke off at the top, and
she would have fallen backwards among the reeds if a strong hand had not
at that moment seized her from above. It was the hand of a peddler, who, at
a short distance, had witnessed the whole affair and hastened up to give
assistance.
"Everything in its right place," he said, imitating the noble baron, as he
drew the little maiden up on dry ground. He would have restored the bough

to the place from which it had been broken off, but "everything in its right
place" is not always so easy to arrange, so he stuck the bough in the soft
earth. "Grow and prosper as much as you can," said he, "till you produce a
good flute for some of them over there. With the permission of the noble
baron and his family, I should like them to hear my challenge."
So he betook himself to the castle, but not into the noble hall; he was too
humble for that. He went to the servants' apartments, and the men and
maids examined and turned over his stock of goods, while from above,
where the company were at table, came sounds of screaming and shouting
which they called singing—and indeed they did their best. Loud laughter,
mingled with the howling of dogs, sounded through the open windows. All
were feasting and carousing. Wine and strong ale foamed in the jugs and
glasses; even the dogs ate and drank with their masters. The peddler was
sent for, but only to make fun for them. The wine had mounted to their
heads, and the sense had flown out. They poured wine into a stocking for
him to drink with them—quickly, of course—and this was considered a rare
jest and occasioned fresh bursts of laughter. At cards, whole farms, with
their stock of peasants and cattle, were staked on a card and lost.
"Everything in its right place," said the peddler, when he at last escaped
from what he called the Sodom and Gomorrah up there. "The open
highroad is my right place; that house did not suit me at all." As he stepped
along, he saw the little maiden keeping watch over the geese, and she
nodded to him in a friendly way.
Days and weeks passed, and it soon became evident that the willow
branch which had been stuck in the ground by the peddler, near to the castle
moat, had taken root, for it remained fresh and green and put forth new
twigs.
The little girl saw that the branch must have taken root, and she was
quite joyful about it. "This tree," she said, "must be my tree now."
The tree certainly flourished, but at the castle, what with feasting and
gambling, everything went to ruin; for these two things are like rollers,
upon which no man can possibly stand securely. Six years had not passed
away before the noble baron wandered out of the castle gate a poor man,
and the mansion was bought by a rich dealer. This dealer was no other than

the man of whom he had made fun and for whom he had poured wine into a
stocking to drink. But honesty and industry are like favorable winds to a
ship, and they had brought the peddler to be master of the baron's estates.
From that hour no more card playing was permitted there.
The new proprietor took to himself a wife, and who should it be but the
little goose-watcher, who had always remained faithful and good, and who
looked as beautiful and fine in her new clothes as if she had been a highly
born lady. It would be too long a story in these busy times to explain how
all this came about, but it really did happen, and the most important part is
to come.
It was pleasant to live in the old court now. The mistress herself
managed the housekeeping within, and the master superintended the estate.
Their home overflowed with blessings, for where rectitude leads the way,
prosperity is sure to follow. The old house was cleaned and painted, the
moat dried up, and fruit trees planted in it. The floors of the house were
polished as smoothly as a draftboard, and everything looked bright and
cheerful.
During the long winter evenings the lady of the house sat with her
maidens at the spinning wheel in the great hall. Her husband, in his old age,
had been made a magistrate. Every Sunday evening he read the Bible with
his family, for children had come to him and were all instructed in the best
manner, although they were not all equally clever—as is the case in all
families. In the meantime, the willow branch at the castle gate had grown
into a splendid tree and stood free and unrestrained.
"That is our genealogical tree," said the old people, "and the tree must
therefore be honored and esteemed, even by those who are not very wise."
A hundred years passed away, and the place presented a much-changed
aspect. The lake had been converted into moorland, and the old baronial
castle had almost disappeared. A pool of water, the deep moat, and the ruins
of some of the walls were all that remained. Close by grew a magnificent
willow tree, with overhanging branches—the same genealogical tree of
former times. Here it still stood, showing to what beauty a willow can attain
when left to itself. To be sure, the trunk was split through, from the root to
the top, and the storm had slightly bent it; but it stood firm through all, and

from every crevice and opening into which earth had been carried by the
wind, shot forth blossoms and flowers. Near the top, where the large boughs
parted, the wild raspberry twined its branches and looked like a hanging
garden. Even the little mistletoe had here struck root, and flourished,
graceful and delicate, among the branches of the willow, which were
reflected in the dark waters beneath it. Sometimes the wind from the sea
scattered the willow leaves. A path led through the field, close by the tree.
On the top of a hill, near the forest, with a splendid prospect before it,
stood the new baronial hall, with panes of such transparent glass in the
windows that there appeared to be none. The grand flight of steps leading to
the entrance looked like a bower of roses and broad-leaved plants. The lawn
was as fresh and green as if each separate blade of grass were cleaned
morning and evening. In the hall hung costly pictures. The chairs and sofas
were of silk and velvet and looked almost as if they could move of
themselves. There were tables with white marble tops, and books bound in
velvet and gold. Here, indeed, resided wealthy people, people of rank—the
new baron and his family.
Each article was made to harmonize with the other furnishings. The
family motto still was, "Everything in its right place." Therefore the
pictures which were once the honor and glory of the old house now hung in
the passage leading to the servants' hall. They were considered mere
lumber; especially two old portraits, one of a man in a wig and a rose-
colored coat, the other of a lady with frizzed and powdered hair, holding a
rose in her hand, each surrounded by a wreath of willow leaves. Both the
pictures had many holes in them, for the little barons always set up the two
old people as targets for their bows and arrows; and yet these were pictures
of the magistrate and his lady, from whom the present family were
descended. "But they did not properly belong to our family," said one of the
little barons; "he was a peddler, and she kept the geese. They were not like
papa and mamma." So the pictures, being old, were considered worthless;
and the motto being "Each in its right place," the great-grandfather and the
great-grandmother of the family were sent into the passage leading to the
servants' hall.
The son of the clergyman of the place was tutor at the great house. One
day he was out walking with his pupils—the little barons—and their eldest

sister, who had just been confirmed. They took the path through the fields,
which led past the old willow tree. While they walked, the young lady made
a wreath of hedge blossoms and wild flowers, "each in its right place," and
the wreath was, as a whole, very pretty. At the same time she heard every
word uttered by the son of the clergyman. She liked very much to hear him
talk of the wonders of nature and of the great men and women of history.
She had a healthy mind, with nobility of thought and feeling, and a heart
full of love for all God's creation.
The walking party halted at the old willow tree; the youngest of the
barons wanted a branch from it to make a flute, as he had already made
them from other willows. The tutor broke off a branch. "Oh, don't do that,"
exclaimed the young baroness; but it was already done. "I am so sorry," she
continued; "that is our famous old tree, and I love it very much. They laugh
at me for it at home, but I don't mind. There is a story told about that tree."
Then she told him what we already know: about the old castle, and about
the peddler and the girl with the geese, who had met at this spot for the first
time and were the ancestors of the noble family to which the young
baroness belonged. "The good old folks would not be ennobled," said she.
"Their motto was 'Everything in its right place,' and they thought it would
not be right for them to purchase a title with money. My grandfather, the
first baron, was their son. He was a very learned man, known and
appreciated by princes and princesses, and was present at all the festivals at
court. At home, they all love him best, but I scarcely know why. There
seems to me something in the first old pair that draws my heart towards
them. How sociable, how patriarchal, it must have been in the old house,
where the mistress sat at the spinning wheel with her maids while her
husband read aloud to them from the Bible!"
"They must have been charming, sensible people," said the tutor, and
then the conversation turned upon nobles and commoners. It was almost as
if the tutor did not belong to an inferior class, he spoke so wisely upon the
purpose and intention of nobility.
"It is certainly good fortune to belong to a family that has distinguished
itself in the world, and to inherit the energy which spurs us on to progress in
everything noble and useful. It is pleasant to bear a family name that is like

a card of admission to the highest circles. True nobility is always great and
honorable. It is a coin which has received the impression of its own value. It
is a mistake of the present day, into which many poets have fallen, to affirm
that all who are noble by birth must therefore be wicked or foolish, and that
the lower we descend in society the oftener we find great and shining
characters. I feel that this is quite false. In all classes can be found men and
women possessing kindly and beautiful traits.
"My mother told me of one, and I could tell you of many more. She was
once on a visit to a nobleman's house in the town; my grandmother, I
believe, had been brought up in the family. One day, when my mother and
the nobleman happened to be alone, an old woman came limping into the
court on crutches. She was accustomed to come every Sunday and always
carried away a gift with her. 'Ah, there is the poor old woman,' said the
nobleman; 'what pain it is for her to walk!' And before my mother
understood what he said, he had left the room and run downstairs to the old
woman. Though seventy years old himself, the old nobleman carried to the
woman the gift she had come to receive, to spare her the pain of walking
any farther. This is only a trifling circumstance, but, like the two mites
given by the widow in the Bible, it wakes an echo in the heart.
"These are subjects of which poets should write and sing, for they soften
and unite mankind into one brotherhood. But when a mere sprig of
humanity, because it has noble ancestors of good blood, rears up and
prances like an Arabian horse in the street or speaks contemptuously of
common people, then it is nobility in danger of decay—a mere pretense,
like the mask which Thespis invented. People are glad to see such persons
turned into objects of satire."
This was the tutor's speech—certainly rather a long one, but he had been
busily engaged in cutting the flute while he talked.
There was a large party at the Hall that evening. The grand salon was
crowded with guests—some from the neighborhood, some from the capital.
There was a bevy of ladies richly dressed with, and without, taste; a group
of the clergy from the adjoining parishes, in a corner together, as grave as
though met for a funeral. A funeral party it certainly was not, however; it
was meant for a party of pleasure, but the pleasure was yet to come. Music

and song filled the rooms, first one of the party volunteering, then another.
The little baron brought out his flute, but neither he nor his father, who tried
it after him, could make anything of it. It was pronounced a failure.
"But you are a performer, too, surely," said a witty gentleman,
addressing the tutor. "You are of course a flute player as well as a flute
maker. You are a universal genius, I hear, and genius is quite the rage
nowadays—nothing like genius. Come now; I am sure you will be so good
as to enchant us by playing on this little instrument." He handed it over,
announcing in a loud voice that the tutor was going to favor the company
with a solo on the flute.
It was easy to see that these people wanted to make fun of him, and he
refused to play. But they pressed him so long and so urgently that at last, in
very weariness, he took the flute and raised it to his lips.
It was a strange flute! A sound issued from it, loud, shrill, and vibrating,
like that sent forth by a steam engine—nay, far louder. It thrilled through
the house, through garden and woodland, miles out into the country; and
with the sound came also a strong, rushing wind, its stormy breath clearly
uttering the words, "Everything in its right place!"
Forthwith the baron, the master of the Hall, was caught up by the wind,
carried out at the window, and was shut up in the porter's lodge in a trice.
The porter himself was borne up, not into the drawing room—no, for that
he was not fit—but into the servants' hall, where the proud lackeys in their
silk stockings shook with horror to see so low a person sit at table with
them.
But in the grand salon the young baroness was wafted to the seat of
honor, where she was worthy to sit, and the tutor's place was by her side.
There they sat together, for all the world like bride and bridegroom. An old
count, descended from one of the noblest houses in the land, retained his
seat, not so much as a breath of air disturbing him, for the flute was strictly
just. The witty young gentleman, who had been the occasion of all this
tumult, was whirled out headforemost to join geese and ganders in the
poultry yard.

Half a mile out in the country the flute wrought wonders. The family of a
rich merchant, who drove with four horses, were all precipitated from the
carriage window. Two farmers, who had of late grown too wealthy to know
their nearest relations, were puffed into a ditch. It was a dangerous flute.
Luckily, at the first sound it uttered, it burst and was then put safely away in
the tutor's pocket. "Everything in its right place!"
Next day no more was said about the adventure than as if it had never
happened. The affair was hushed up, and all things were the same as before,
except that the two old portraits of the peddler and the goose girl continued
to hang on the walls of the salon, whither the wind had blown them. Here
some connoisseur chanced to see them, and because he pronounced them to
be painted by a master hand, they were cleaned and restored and ever after
held in honor. Their value had not been known before.
"Everything in its right place!" So shall it be, all in good time, never fear.
Not in this world, perhaps. That would be expecting rather too much.

THE REAL PRINCESS
HERE was once a prince who wanted to marry a princess. But
she must be a real princess, mind you. So he traveled all round
the world, seeking such a one, but everywhere something was in
the way. Not that there was any lack of princesses, but he could
not seem to make out whether they were real princesses; there
was always something not quite satisfactory. Therefore, home he came
again, quite out of spirits, for he wished so much to marry a real princess.
One evening a terrible storm came on. It thundered and lightened, and
the rain poured down; indeed, it was quite fearful. In the midst of it there
came a knock at the town gate, and the old king went out to open it.
It was a princess who stood outside. But O dear, what a state she was in
from the rain and bad weather! The water dropped from her hair and
clothes, it ran in at the tips of her shoes and out at the heels; yet she insisted
she was a real princess.
"Very well," thought the old queen; "that we shall presently see." She
said nothing, but went into the bedchamber and took off all the bedding,
then laid a pea on the sacking of the bedstead. Having done this, she took
twenty mattresses and laid them upon the pea and placed twenty eider-down
beds on top of the mattresses.
The princess lay upon this bed all the night. In the morning she was
asked how she had slept.
"Oh, most miserably!" she said. "I scarcely closed my eyes the whole
night through. I cannot think what there could have been in the bed. I lay
upon something so hard that I am quite black and blue all over. It is
dreadful!"
It was now quite evident that she was a real princess, since through
twenty mattresses and twenty eider-down beds she had felt the pea. None
but a real princess could have such delicate feeling.

So the prince took her for his wife, for he knew that in her he had found
a true princess. And the pea was preserved in the cabinet of curiosities,
where it is still to be seen unless some one has stolen it.
And this, mind you, is a real story.

THE EMPEROR'S NEW CLOTHES
ANY years ago there was an emperor who was so fond of
new clothes that he spent all his money on them. He did not
give himself any concern about his army; he cared nothing
about the theater or for driving about in the woods, except for
the sake of showing himself off in new clothes. He had a
costume for every hour in the day, and just as they say of a king or emperor,
"He is in his council chamber," they said of him, "The emperor is in his
dressing room."
Life was merry and gay in the town where the emperor lived, and
numbers of strangers came to it every day. Among them there came one day
two rascals, who gave themselves out as weavers and said that they knew
how to weave the most exquisite stuff imaginable. Not only were the colors
and patterns uncommonly beautiful, but the clothes that were made of the
stuff had the peculiar property of becoming invisible to every person who
was unfit for the office he held or who was exceptionally stupid.
"Those must be valuable clothes," thought the emperor. "By wearing
them I should be able to discover which of the men in my empire are not fit
for their posts. I should distinguish wise men from fools. Yes, I must order
some of the stuff to be woven for me directly." And he paid the swindlers a
handsome sum of money in advance, as they required.
As for them, they put up two looms and pretended to be weaving, though
there was nothing whatever on their shuttles. They called for a quantity of
the finest silks and of the purest gold thread, all of which went into their
own bags, while they worked at their empty looms till late into the night.
"I should like to know how those weavers are getting on with the stuff,"
thought the emperor. But he felt a little queer when he reflected that those
who were stupid or unfit for their office would not be able to see the
material. He believed, indeed, that he had nothing to fear for himself, but
still he thought it better to send some one else first, to see how the work was
coming on. All the people in the town had heard of the peculiar property of

the stuff, and every one was curious to see how stupid his neighbor might
be.
"I will send my faithful old prime minister to the weavers," thought the
emperor. "He will be best capable of judging of this stuff, for he is a man of
sense and nobody is more fit for his office than he."
So the worthy old minister went into the room where the two swindlers
sat working the empty looms. "Heaven save us!" thought the old man,
opening his eyes wide. "Why, I can't see anything at all!" But he took care
not to say so aloud.
Both the rogues begged him to step a little nearer and asked him if he
did not think the patterns very pretty and the coloring fine. They pointed to
the empty loom as they did so, and the poor old minister kept staring as
hard as he could—but without being able to see anything on it, for of course
there was nothing there to see.
"Heaven save us!" thought the old man. "Is it possible that I am a fool? I
have never thought it, and nobody must know it. Is it true that I am not fit
for my office? It will never do for me to say that I cannot see the stuffs."
"Well, sir, do you say nothing about the cloth?" asked the one who was
pretending to go on with his work.
"Oh, it is most elegant, most beautiful!" said the dazed old man, as he
peered again through his spectacles. "What a fine pattern, and what fine
colors! I will certainly tell the emperor how pleased I am with the stuff."
"We are glad of that," said both the weavers; and then they named the
colors and pointed out the special features of the pattern. To all of this the
minister paid great attention, so that he might be able to repeat it to the
emperor when he went back to him.
And now the cheats called for more money, more silk, and more gold
thread, to be able to proceed with the weaving, but they put it all into their
own pockets, and not a thread went into the stuff, though they went on as
before, weaving at the empty looms.

After a little time the emperor sent another honest statesman to see how
the weaving was progressing, and if the stuff would soon be ready. The
same thing happened with him as with the minister. He gazed and gazed,
but as there was nothing but empty looms, he could see nothing else.
"Is not this an exquisite piece of stuff?" asked the weavers, pointing to
one of the looms and explaining the beautiful pattern and the colors which
were not there to be seen.
"I am not stupid, I know I am not!" thought the man, "so it must be that I
am not fit for my good office. It is very strange, but I must not let it be
noticed." So he praised the cloth he did not see and assured the weavers of
his delight in the lovely colors and the exquisite pattern. "It is perfectly
charming," he reported to the emperor.
Everybody in the town was talking of the splendid cloth. The emperor
thought he should like to see it himself while it was still on the loom. With a
company of carefully selected men, among whom were the two worthy
officials who had been there before, he went to visit the crafty impostors,
who were working as hard as ever at the empty looms.
"Is it not magnificent?" said both the honest statesmen. "See, your
Majesty, what splendid colors, and what a pattern!" And they pointed to the
looms, for they believed that others, no doubt, could see what they did not.
"What!" thought the emperor. "I see nothing at all. This is terrible! Am I
a fool? Am I not fit to be emperor? Why nothing more dreadful could
happen to me!"
"Oh, it is very pretty! it has my highest approval," the emperor said
aloud. He nodded with satisfaction as he gazed at the empty looms, for he
would not betray that he could see nothing.
His whole suite gazed and gazed, each seeing no more than the others;
but, like the emperor, they all exclaimed, "Oh, it is beautiful!" They even
suggested to the emperor that he wear the splendid new clothes for the first
time on the occasion of a great procession which was soon to take place.
"Splendid! Gorgeous! Magnificent!" went from mouth to mouth. All
were equally delighted with the weavers' workmanship. The emperor gave

each of the impostors an order of knighthood to be worn in their
buttonholes, and the title Gentleman Weaver of the Imperial Court.
Before the day on which the procession was to take place, the weavers
sat up the whole night, burning sixteen candles, so that people might see
how anxious they were to get the emperor's new clothes ready. They
pretended to take the stuff from the loom, they cut it out in the air with huge
scissors, and they stitched away with needles which had no thread in them.
At last they said, "Now the clothes are finished."
The emperor came to them himself with his grandest courtiers, and each
of the rogues lifted his arm as if he held something, saying, "See! here are
the trousers! here is the coat! here is the cloak," and so on. "It is as light as a
spider's web. One would almost feel as if one had nothing on, but that is the
beauty of it!"
"Yes," said all the courtiers, but they saw nothing, for there was nothing
to see.
"Will your Majesty be graciously pleased to take off your clothes so that
we may put on the new clothes here, before the great mirror?"
The emperor took off his clothes, and the rogues pretended to put on first
one garment and then another of the new ones they had pretended to make.
They pretended to fasten something round his waist and to tie on
something. This they said was the train, and the emperor turned round and
round before the mirror.
"How well his Majesty looks in the new clothes! How becoming they
are!" cried all the courtiers in turn. "That is a splendid costume!"
"The canopy that is to be carried over your Majesty in the procession is
waiting outside," said the master of ceremonies.
"Well, I am ready," replied the emperor. "Don't the clothes look well?"
and he turned round and round again before the mirror, to appear as if he
were admiring his new costume.
The chamberlains, who were to carry the train, stooped and put their
hands near the floor as if they were lifting it; then they pretended to be

holding something in the air. They would not let it be noticed that they
could see and feel nothing.
So the emperor went along in the procession, under the splendid canopy,
and every one in the streets said: "How beautiful the emperor's new clothes
are! What a splendid train! And how well they fit!"
No one wanted to let it appear that he could see nothing, for that would
prove him not fit for his post. None of the emperor's clothes had been so
great a success before.
"But he has nothing on!" said a little child.
"Just listen to the innocent," said its father; and one person whispered to
another what the child had said. "He has nothing on; a child says he has
nothing on!"
"But he has nothing on," cried all the people. The emperor was startled
by this, for he had a suspicion that they were right. But he thought, "I must
face this out to the end and go on with the procession." So he held himself
more stiffly than ever, and the chamberlains held up the train that was not
there at all.

GREAT CLAUS AND LITTLE CLAUS
N A VILLAGE there once lived two men of the same name. Both of
them were called Claus. But because one of them owned four horses
while the other had but one, people called the one who had the four
horses Big, or Great, Claus and the one who owned but a single horse
Little Claus. Now I shall tell you what happened to each of them, for
this is a true story.
All the days of the week Little Claus was obliged to plow for Great
Claus and to lend him his one horse; then once a week, on Sunday, Great
Claus helped Little Claus with his four horses, but always on a holiday.
"Hurrah!" How Little Claus would crack his whip over the five, for they
were as good as his own on that one day.
The sun shone brightly, and the church bells rang merrily as the people
passed by. The people were dressed in their best, with their prayer books
under their arms, for they were going to church to hear the clergyman
preach. They looked at Little Claus plowing with five horses, and he was so
proud and merry that he cracked his whip and cried, "Gee-up, my fine
horses."
"You mustn't say that," said Great Claus, "for only one of them is yours."
But Little Claus soon forgot what it was that he ought not to say, and
when any one went by he would call out, "Gee-up, my fine horses."
"I must really beg you not to say that again," said Great Claus as he
passed; "for if you do, I shall hit your horse on the head so that he will drop
down dead on the spot, and then it will be all over with him."
"I will certainly not say it again, I promise you," said Little Claus. But as
soon as any one came by, nodding good day to him, he was so pleased, and
felt so grand at having five horses plowing his field, that again he cried out,
"Gee-up, all my horses."

"I'll gee-up your horses for you," said Great Claus, and he caught up the
tethering mallet and struck Little Claus's one horse on the head, so that it
fell down dead.
"Oh, now I haven't any horse at all!" cried Little Claus, and he began to
weep. But after a while he flayed the horse and hung up the skin to dry in
the wind.
Then he put the dried skin into a bag, and hanging it over his shoulder,
went off to the next town to sell it. He had a very long way to go and was
obliged to pass through a great, gloomy wood. A dreadful storm came up.
He lost his way, and before he found it again, evening was drawing on. It
was too late to get to the town, and too late to get home before nightfall.
Near the road stood a large farmhouse. The shutters outside the windows
were closed, but lights shone through the crevices and at the top. "They
might let me stay here for the night," thought Little Claus. So he went up to
the door and knocked. The door was opened by the farmer's wife, but when
he explained what it was that he wanted, she told him to go away; her
husband, she said, was not at home, and she could not let any strangers in.
"Then I shall have to lie out here," said Little Claus to himself, as the
farmer's wife shut the door in his face.
Close to the farmhouse stood a tall haystack, and between it and the
house was a small shed with a thatched roof. "I can lie up there," said Little
Claus, when he saw the roof. "It will make a capital bed, but I hope the
stork won't fly down and bite my legs." A stork was just then standing near
his nest on the house roof.
So Little Claus climbed onto the roof of the shed and proceeded to make
himself comfortable. As he turned round to settle himself, he discovered
that the wooden shutters did not reach to the tops of the windows. He could
look over them straight into the room, in which a large table was laid with
wine, roast meat, and a fine, great fish. The farmer's wife and the sexton
were sitting at the table all by themselves, and she was pouring out wine for
him, while his fork was in the fish, which he seemed to like the best.
"If I could only get some too," thought Little Claus, and as he stretched
his neck toward the window he spied a large, beautiful cake. Goodness!

what a glorious feast they had before them.
At that moment some one came riding down the road towards the farm.
It was the farmer himself, returning. He was a good man enough, but he had
one very singular prejudice—he could not bear the sight of a sexton, and if
he came on one he fell into a terrible rage. This was the reason that the
sexton had gone to visit the farmer's wife during his absence from home and
that the good wife had put before him the best she had.
When they heard the farmer they were frightened, and the woman
begged the sexton to creep into a large empty chest which stood in a corner.
He did so with all haste, for he well knew how the farmer felt toward a
sexton. The woman hid the wine and all the good things in the oven, for if
her husband were to see them, he would certainly ask why they had been
provided.
"O dear!" sighed Little Claus, on the shed roof, as he saw the good
things disappear.
"Is any one up there?" asked the farmer, looking up where Little Claus
was. "What are you doing up there? You had better come with me into the
house."
Then Little Claus told him how he had lost his way, and asked if he
might have shelter for the night.
"Certainly," replied the farmer; "but the first thing is to have something
to eat."
The wife received them both in a friendly way, and laid the table,
bringing to it a large bowl of porridge. The farmer was hungry and ate with
a good appetite. But Little Claus could not help thinking of the capital roast
meat, fish, and cake, which he knew were hidden in the oven.
He had put his sack with the hide in it under the table by his feet, for, we
must remember, he was on his way to the town to sell it. He did not relish
the porridge, so he trod on the sack and made the dried skin squeak quite
loudly.

"Hush!" said Little Claus to his bag, at the same time treading upon it
again, to make it squeak much louder than before.
"Hollo! what's that you've got in your bag?" asked the farmer.
"Oh, it's a magician," said Little Claus, "and he says we needn't eat the
porridge, for he has charmed the oven full of roast meat, fish, and cake."
"What?" cried the farmer, and he opened the oven with all speed and saw
all the nice things the woman had hidden, but which he believed the
magician had conjured up for their special benefit.
The farmer's wife did not say a word, but set the food before them; and
they both made a hearty meal of the fish, the meat, and the cake. Little
Claus now trod again upon his sack and made the skin squeak.
"What does he say now?" inquired the farmer.
"He says," promptly answered Little Claus, "that he has conjured up
three bottles of wine, which are standing in the corner near the stove." So
the woman was obliged to bring the wine which she had hidden, and the
farmer and Little Claus became right merry. Would not the farmer like to
have such a conjurer as Little Claus carried about in his sack?
"Can he conjure up the Evil One?" inquired the farmer. "I shouldn't mind
seeing him now, when I'm in such a merry mood."
"Yes," said Little Claus, "he will do anything that I please"; and he trod
on the bag till it squeaked. "You hear him answer, 'Yes, only the Evil One is
so ugly that you had better not see him.'"
"Oh, I'm not afraid. What will he look like?"
"Well, he will show himself to you in the image of a sexton."
"Nay, that's bad indeed. You must know that I can't abide a sexton.
However, it doesn't matter, for I know he's a demon, and I shan't mind so
much. Now my courage is up! Only he mustn't come too close."
"I'll ask him about it," said Little Claus, putting his ear down as he trod
close to the bag.

"What does he say?"
"He says you can go along and open the chest in the corner, and there
you'll see him cowering in the dark. But hold the lid tight, so that he doesn't
get out."
"Will you help me to hold the lid," asked the farmer, going along to the
chest in which his wife had hidden the sexton, who was shivering with
fright.
The farmer opened the lid a wee little way and peeped in. "Ha!" he cried,
springing backward. "I saw him, and he looks exactly like our sexton. It
was a shocking sight!"
They must needs drink after this, and there they sat till far into the night.
"You must sell me your conjurer," said the farmer. "Ask anything you
like for him. Nay, I'll give you a bushel of money for him."
"No, I can't do that," said Little Claus. "You must remember how much
benefit I can get from such a conjurer."
"Oh, but I should so like to have him!" said the farmer, and he went on
begging for him.
"Well," said Little Claus at last, "since you have been so kind as to give
me a night's shelter, I won't say nay. You must give me a bushel of money,
only I must have it full to the brim."
"You shall have it," said the farmer; "but you must take that chest away
with you. I won't have it in the house an hour longer. You could never know
that he might not still be inside."
So Little Claus gave his sack with the dried hide of the horse in it and
received a full bushel of money in return, and the measure was full to the
brim. The farmer also gave him a large wheelbarrow, with which to take
away the chest and the bushel of money.
"Good-by," said Little Claus, and off he went with his money and the
chest with the sexton in it.

On the other side of the forest was a wide, deep river, whose current was
so strong that it was almost impossible to swim against it. A large, new
bridge had just been built over it, and when they came to the middle of the
bridge Little Claus said in a voice loud enough to be heard by the sexton:
"What shall I do with this stupid old chest? It might be full of paving
stones, it is so heavy. I am tired of wheeling it. I'll just throw it into the
river. If it floats down to my home, well and good; if not, I don't care. It will
be no great matter." And he took hold of the chest and lifted it a little, as if
he were going to throw it into the river.
"No, no! let be!" shouted the sexton. "Let me get out."
"Ho!" said Little Claus, pretending to be frightened. "Why, he is still
inside. Then I must heave it into the river to drown him."
"Oh, no, no, no!" shouted the sexton; "I'll give you a whole bushelful of
money if you'll let me out."
"Oh, that's another matter," said Little Claus, opening the chest. He
pushed the empty chest into the river and then went home with the sexton to
get his bushelful of money. He had already had one from the farmer, you
know, so now his wheelbarrow was quite full of money.
"I got a pretty fair price for that horse, I must admit," said he to himself,
when he got home and turned the money out of the wheelbarrow into a heap
in the middle of the floor. "What a rage Great Claus will be in when he
discovers how rich I am become through my one horse. But I won't tell him
just how it happened." So he sent a boy to Great Claus to borrow a bushel
measure.
"What can he want with it?" thought Great Claus, and he rubbed some
tallow on the bottom so that some part of whatever was measured might
stick to it. And so it did, for when the measure came back, three new silver
threepenny bits were sticking to it.
"What's this!" said Great Claus, and he ran off at once to Little Claus.
"Where on earth did you get all this money?" he asked.
"Oh, that's for my horse's skin. I sold it yesterday morning."

"That was well paid for, indeed," said Great Claus. He ran home, took an
ax, and hit all his four horses on the head; then he flayed them and carried
their skins off to the town.
"Hides! hides! who'll buy my hides?" he cried through the streets.
All the shoemakers and tanners in the town came running up and asked
him how much he wanted for his hides.
"A bushel of money for each," said Great Claus.
"Are you mad?" they all said. "Do you think we have money by the
bushel?"
"Skins! skins! who'll buy them?" he shouted again, and the shoemakers
took up their straps, and the tanners their leather aprons, and began to beat
Great Claus.
"Hides! hides!" they called after him. "Yes, we'll hide you and tan you.
Out of the town with him," they shouted. And Great Claus made the best
haste he could to get out of the town, for he had never yet been thrashed as
he was being thrashed now.
"Little Claus shall pay for this," he said, when he got home. "I'll kill him
for it."
Little Claus's old grandmother had just died in his house. She had often
been harsh and unkind to him, but now that she was dead he felt quite
grieved. He took the dead woman and laid her in his warm bed to see if she
would not come to life again. He himself intended to sit in a corner all
night. He had slept that way before.
As he sat there in the night, the door opened and in came Great Claus
with his ax. He knew where Little Claus's bed stood, and he went straight to
it and hit the dead grandmother a blow on the forehead, thinking it was
Little Claus.
"Just see if you'll make a fool of me again," said he, and then he went
home.

"What a bad, wicked man he is!" said Little Claus. "He was going to kill
me. What a good thing that poor grandmother was dead already! He would
have taken her life."
He now dressed his grandmother in her best Sunday clothes, borrowed a
horse of his neighbor, harnessed it to a cart, and set his grandmother on the
back seat, so that she could not fall when the cart moved. Then he started
off through the woods. When the sun rose, he was just outside a big inn, and
he drew up his horse and went in to get something to eat.
The landlord was a very rich man and a very good man, but he was hot-
tempered, as if he were made of pepper and snuff. "Good morning!" said he
to Little Claus; "you have your best clothes on very early this morning."
"Yes," said Little Claus, "I'm going to town with my old grandmother.
She's sitting out there in the cart; I can't get her to come in. Won't you take
her out a glass of beer? You'll have to shout at her, she's very hard of
hearing."
"Yes, that I'll do," said the host, and he poured a glass and went out with
it to the dead grandmother, who had been placed upright in the cart.
"Here is a glass of beer your son has sent," said the landlord but she sat
quite still and said not a word.
"Don't you hear?" cried he as loud as he could. "Here is a glass of beer
from your son."
But the dead woman replied not a word, and at last he became quite
angry and threw the beer in her face—and at that moment she fell
backwards out of the cart, for she was only set upright and not bound fast.
"Now!" shouted Little Claus, as he rushed out of the inn and seized the
landlord by the neck, "you have killed my grandmother! Just look at the big
hole in her forehead!"
"Oh! what a misfortune!" cried the man, "and all because of my quick
temper. Good Little Claus, I will pay you a bushel of money, and I will have
your poor grandmother buried as if she were my own, if only you will say

nothing about it. Otherwise I shall have my head cut off—and that is so
dreadful."
So Little Claus again received a whole bushel of money, and the
landlord buried the old grandmother as if she had been his own.
When Little Claus got home again with all his money, he immediately
sent his boy to Great Claus to ask to borrow his bushel measure.
"What!" said Great Claus, "is he not dead? I must go and see about this
myself." So he took the measure over to Little Claus himself.
"I say, where did you get all that money?" asked he, his eyes big and
round with amazement at what he saw.
"It was grandmother you killed instead of me," said Little Claus. "I have
sold her and got a bushel of money for her."
"That's being well paid, indeed," said Great Claus, and he hurried home,
took an ax and killed his own old grandmother.
He then put her in a carriage and drove off to the town where the
apothecary lived, and asked him if he would buy a dead person.
"Who is it and where did you get him?" asked the apothecary.
"It is my grandmother, and I have killed her so as to sell her for a bushel
of money."
"Heaven preserve us!" cried the apothecary. "You talk like a madman.
Pray don't say such things, you may lose your head." And he told him
earnestly what a horribly wicked thing he had done, and that he deserved
punishment. Great Claus was so frightened that he rushed out of the shop,
jumped into his cart, whipped up his horse, and galloped home through the
wood. The apothecary and all the people who saw him thought he was mad,
and so they let him drive away.
"You shall be paid for this!" said Great Claus, when he got out on the
highroad. "You shall be paid for this, Little Claus!"

Directly after he got home, Great Claus took the biggest sack he could
find and went over to Little Claus.
"You have deceived me again," he said. "First I killed my horses, and
then my old grandmother. That is all your fault; but you shall never have the
chance to trick me again." And he seized Little Claus around the body and
thrust him into the sack; then he threw the sack over his back, calling out to
Little Claus, "Now I'm going to the river to drown you."
It was a long way that he had to travel before he came to the river, and
Little Claus was not light to carry. The road came close to the church, and
the people within were singing beautifully. Great Claus put down his sack,
with Little Claus in it, at the church door. He thought it would be a very
good thing to go in and hear a psalm before he went further, for Little Claus
could not get out. So he went in.
"O dear! O dear!" moaned Little Claus in the sack, and he turned and
twisted, but found it impossible to loosen the cord. Then there came by an
old drover with snow-white hair and a great staff in his hand. He was
driving a whole herd of cows and oxen before him, and they jostled against
the sack in which Little Claus was confined, so that it was upset.
"O dear," again sighed Little Claus, "I'm so young to be going directly to
the kingdom of heaven!"
"And I, poor fellow," said the drover, "am so old already, and cannot get
there yet."
"Open the sack," cried Little Claus, "and creep into it in my place, and
you'll be there directly."
"With all my heart," said the drover, and he untied the sack for Little
Claus, who crept out at once. "You must look out for the cattle now," said
the old man, as he crept in. Then Little Claus tied it up and went his way,
driving the cows and the oxen.
In a little while Great Claus came out of the church. He took the sack
upon his shoulders and thought as he did so that it had certainly grown
lighter since he had put it down, for the old cattle-drover was not more than
half as heavy as Little Claus.

"How light he is to carry now! That must be because I have heard a
psalm in the church."
He went on to the river, which was both deep and broad, threw the sack
containing the old drover into the water, and called after him, thinking it
was Little Claus, "Now lie there! You won't trick me again!"
He turned to go home, but when he came to the place where there was a
crossroad he met Little Claus driving his cattle.
"What's this?" cried he. "Haven't I drowned you?"
"Yes," said Little Claus, "you threw me into the river, half an hour ago."
"But where did you get all those fine cattle?" asked Great Claus.
"These beasts are sea cattle," said Little Claus, "and I thank you heartily
for drowning me, for now I'm at the top of the tree. I'm a very rich man, I
can tell you. But I was frightened when you threw me into the water
huddled up in the sack. I sank to the bottom immediately, but I did not hurt
myself, for the grass is beautifully soft down there. I fell upon it, and the
sack was opened, and the most beautiful maiden in snow-white garments
and a green wreath upon her hair took me by the hand, and said to me,
'Have you come, Little Claus? Here are cattle for you, and a mile further up
the road there is another herd!'
"Then I saw that she meant the river and that it was the highway for the
sea folk. Down at the bottom of it they walk directly from the sea, straight
into the land where the river ends. Lovely flowers and beautiful fresh grass
were there. The fishes which swam there glided about me like birds in the
air. How nice the people were, and what fine herds of cattle there were,
pasturing on the mounds and about the ditches!"
"But why did you come up so quickly then?" asked Great Claus. "I
shouldn't have done that if it was so fine down there."
"Why, that was just my cunning. You know, I told you that the mermaid
said there was a whole herd of cattle for me a mile further up the stream.
Well, you see, I know how the river bends this way and that, and how long
a distance it would have been to go that way. If you can come up on the

land and take the short cuts, driving across fields and down to the river
again, you save almost half a mile and get the cattle much sooner."
"Oh, you are a fortunate man!" cried Great Claus. "Do you think I could
get some sea cattle if I were to go down to the bottom of the river?"
"I'm sure you would," said Little Claus. "But I cannot carry you. If you
will walk to the river and creep into a sack yourself, I will help you into the
water with a great deal of pleasure."
"Thanks!" said Great Claus. "But if I do not find sea cattle there, I shall
beat you soundly, you may be sure."
"Oh! do not be so hard on me."
And so they went together to the river. When the cows and oxen saw the
water, they ran to it as fast as they could. "See how they hurry!" cried Little
Claus. "They want to get back to the bottom again."
"Yes, but help me first or I'll thrash you," said Great Claus. He then crept
into a big sack, which had been lying across the back of one of the cows.
"Put a big stone in or I'm afraid I shan't sink."
"Oh, that'll be all right," said Little Claus, but he put a big stone into the
sack and gave it a push. Plump! and there lay Great Claus in the river. He
sank at once to the bottom.
"I'm afraid he won't find the cattle," said Little Claus. Then he drove
homeward with his herd.

NOTES
THE STORKS

Page 29. On account of the ravages it makes among noxious animals, the
stork is a privileged bird wherever it makes its home. In cities it is
sometimes trained to act as scavenger. In Denmark, Holland, and
Germany it is always a welcome guest. Boxes are placed upon roofs
in the hope that nests may be made in them, for it is considered a
sign of good fortune to have a stork's nest on one's roof.

The stork is noted for its great affection for its young and
especially for the care it is said to give to its parents in their old age.
It has no song, and is in no sense a bird to love, though it may
become quite tame.
Page 37. The nurses in that country tell the children that the stork brings the
little new babies.

THE WILD SWANS

Page 56. Fata Morgana (fä´ta môr gä´nä): a singular appearance, or
phenomenon, similar to the mirage of the desert; images of objects
distorted or multiplied into fanciful shapes. This phenomenon was
so called because it was looked upon as the work of a fata, or fairy,
called Morgana. The phenomenon has been remarked chiefly at the
Strait of Messina, between Italy and Calabria.

WHAT THE GOODMAN DOES IS ALWAYS RIGHT

Page 220. in the country: here means in Denmark.

THE SWINEHERD

Page 263. "Ah! thou dearest Augustine,
All is gone, gone, gone."

THE METAL PIG

Page 269. piazza (pe ät´sȧ): in Italy, a square, or open space, surrounded by
buildings.
Page 271. Palazzo degli Uffizi (pä lät´sō dāl´yē öf fēt´se): one of the chief
art galleries of the world. Palazzo is the Italian word for "palace."
Page 272. Medici (mĕd´[+e] chē): the name of a Florentine family.
Page 275. Galileo is called the Father of Modern Science. He made a
number of most important scientific discoveries. To him is attributed
the saying in regard to the earth, when under trial for the supposed
heresy of believing in its motion, "It moves, nevertheless."
Dante was the greatest of Italian poets.
Alfieri and Machiavelli were authors.
Opposite the grave of Galileo is the tomb of Michelangelo, on
which stand his bust and three figures, representing sculpture,
painting, and architecture. Close by is a monument to Dante, whose
body is buried at Ravenna. On this monument Italy is represented as
pointing to the colossal statue of Dante, while Poetry mourns his
loss. A few steps farther on is Alfieri's monument, which is adorned
with laurel, the lyre, and dramatic masks; Italy weeps over his
grave. Machiavelli is the last in this group of celebrated men.

EVERYTHING IN ITS RIGHT PLACE

Page 329. Thespis: a dramatic writer of the sixth century. He is called the
Father of the Greek Drama.

Transcriber's Notes:

Obvious punctuation errors repaired.
Some of the diacritical marks represented in the Notes
section may not be available in all browsers. For the

reader's convenience, the original page images have been
made available for comparison of these two pages. Click
on the page number in the margin to see these images.
Page 26, "sushine" changed to "sunshine" (warm
sunshine, while)

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