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T i t l e: Notes and Queries, Vol. IV, Number 106, November 8, 1851

A u t h o r: Various

E d i t o r: George Bell

R e l e a s e d a t e: March 10, 2012 [eBook #39091]

L a n g u a g e: English

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*** START OF THE PROJECT GUTENBERG EBOOK NOTES AND
QUERIES, VOL. IV, NUMBER 106, NOVEMBER 8, 1851 ***

Vol. IV.—No. 106.

NOTES AND QUERIES:
A MEDIUM OF INTER-COMMUNICATION
FOR

LITERARY MEN, ARTISTS, ANTIQUARIES,
GENEALOGISTS, ETC.

"When found, make a note of."—Captain Cuttle.
Vol. IV.—No. 106.
Saturday, November 8. 1851.
Price Threepence. Stamped Edition, 4d.

CONTENTS.
Notes:—
Some Notes on Arundel House, Strand, and on the
Dispersion of Sculptures formerly Part of the
Arundelian Collection, by William Sidney Gibson 361
Panslavic Literature, and the Library of the British Museum,
by Dr. J. Lotsky 364
On Archbishop Ussher, by Bolton Corney 365
Anglo-Catholic Library—Bishop Overall's Convocation
Book 365

Queries:—
The Use of Misereres 367
Joceline's Legacy 367
Minor Queries:—Early Muster Rolls—Convocation for the
Province of York—The Scent of the Bloodhound—
Cooper's Miniature of Cromwell—Lines on Cagliostro
—The Names and Numbers of British Regiments—
Praed's Charade—Cozens the Painter—Parliamentary
Debates 367
Minor Queries Answered:—Merry Wakefield—The two
Kings of Brentford—Meaning of V. D. M. 369

Replies:—
Anachronisms of Painters 369
"Agla," Meaning of, by E. S. Taylor, &c. 370
Colonies of England 370
Replies to Minor Queries:—Broad Arrow—Sacro-Sancta
Regum Majestas—Grimsditch—"'Tis Twopence now,"

&c.—Pauper's Badge 371

Miscellaneous:—
Notes on Books, Sales, Catalogues, &c. 373
Books and Odd Volumes wanted 373
Notices to Correspondents 374
Advertisements 374
List of Notes and Queries volumes and pages

Notes.

SOME NOTES ON ARUNDEL HOUSE, STRAND,
AND ON THE DISPERSION OF SCULPTURES
FORMERLY PART OF THE ARUNDELIAN
COLLECTION.
The celebrated Thomas Howard, Earl of Arundel, was son of Philip
Howard, Earl of Arundel—the faithful and constant, who being persecuted
for his religion, was suffered by Queen Elizabeth to languish in the Tower,
where he died in 1595—and great-grandson of Henry Howard, Earl of
Surrey, the accomplished nobleman who was beheaded in 1547 by "the
Nero of the Tudor race." Thomas Howard was restored, as your readers
know, to the earldom of Arundel by James I., and in the reign of that king
and of Charles I., who held him in veneration, received other honours and
employments, but was yet more distinguished by his munificent patronage
of the arts and of learning. He is called "the only great subject of the
northern parts, who by his conversation and great collections set a value"
upon transalpine lands; and he began about 1614 to decorate with the
precious and costly works of art which he had collected in Greece and in his
beloved Italy, the gardens and galleries of his quaint old palace in London,
called Arundel House.
This mansion, or rather collection of buildings, the site of which had
been taken from the see of Bath in the time of "Protector" Somerset,
appears from Hollar's Views (as is stated by Mr. Cunningham in his
admirable Handbook of London Past and Present) to have comprised a
range of irregular buildings, principally of red brick, erected at various
periods, and combined without much regard to elegance or uniformity;
although I find the earl is said to have been the first person who introduced

uniformity in building, and to have been made chief commissioner for
promoting this object in London. This famous, and once hospitable,
mansion, stood between the gardens of Essex House on the east, and of
Somerset (then Denmark) House on the west, its pleasure grounds coming
down to the river, and commanding a fine view of the city as far as London
Bridge, and of Westminster, and westward to Nine Elms. It is mentioned by
Mr. Cunningham, that in this house Hollar drew his well-known view of
London, as seen from the roof. The earl, of whose taste and munificence the
Arundelian collections formed a noble monument, departed this life at
Padua, on the 4th of October (or, as another account[1] says, the 26th
September), 1646, in the sixty-first year of his age, having been two years
before created Earl of Norfolk, in consideration of his lineal descent from
Thomas de Brotherton, Earl of Norfolk, a younger son of King Edward I.,
and was interred at Arundel. His will, dated at Dover, 3rd September, 1640,
was proved in the Prerogative Court of Canterbury, and is printed in the
Howard Anecdotes. His marbles, medals, statues, books, and pictures (he is
said to have possessed "a larger number of Hans Holbein's works than any
other person, and to have been the first nobleman who set a value on them
in our nation"), formed at that period, says Sir Charles Young,[2] one of the
finest and most splendid collections in England. Many of the articles of
virtu and of the books were, during his lifetime, in the possession of
Alathea, his Countess (who was a third daughter and coheir of Gilbert
Talbot, Earl of Shrewsbury), from whom some of them were obtained by
his younger son, Sir William Howard, the unfortunate Viscount Stafford
(beheaded 1680, on perjured testimony); and a portion of the marble statues
and library devolved upon Henry Frederick, his eldest son, who, in his
father's lifetime, was summoned to parliament as Lord Mowbray, and
succeeded him as Earl of Arundel, and who died in 1652, leaving Thomas,
his eldest son, who became Earl of Arundel, Surrey, and Norfolk, and was,
at the Restoration in 1660, restored to the dukedom of Norfolk, with
limitation to the heirs male of his father. This nobleman died unmarried in
1677, and his brother Henry (who had been created Earl of Norwich, and in
1672 Earl Marshal of England, to him and the heirs male of his body, with
other limitations in default) thereupon became sixth Duke of Norfolk. By
him the marbles and library were finally dispersed.
[1]
Hist. Anecd. of some of the Howard Family, by
Mr. Charles Howard of Greystoke, 8vo. Lond. 1769.

The writer became Duke of Norfolk on the death of
his cousin Edward, eighth duke, in 1777.
[2]
In his preface to the Catalogue of MSS. given to
the College of Arms by Henry Duke of Norfolk (not
published).
The Royal Society had held their meetings since the Fire of London at
Arundel House; and John Evelyn, Esq., author of the Sylva, one of the
founders of the society, observing in 1667
"these precious monuments miserably neglected, and scattered up
and down about the garden and other parts of Arundel House, and
how exceedingly the corrosive air of London impaired them,"
induced this nobleman, then Mr. Henry Howard, to bestow on the
University of Oxford
"his Arundelian marbles, those celebrated and famous inscriptions,
Greek and Latine, gathered with so much cost and industrie from
Greece, by his illustrious grandfather the magnificent Earl of
Arundel."—Diary, vol. ii. p. 295.
In 1676 Mr. Evelyn induced the Duke to grant to the Royal Society the
Arundel library, into which many of the MSS. formerly belonging to Lord
William Howard (the famous ancestor of the Earl of Carlisle), who died in
1640, had found their way from Naworth Castle in the lifetime of Thomas,
Earl of Arundel. In the same volume of Evelyn's Diary, p. 445., is a minute,
under date 29th August, 1678, from which it appears that he was then called
to take charge of the books and MSS., and remove to the then home of the
Royal Society in Gresham College, such of them as did not relate to the
office of Earl Marshal and to heraldry, his grace intending to bestow the
books relating to those subjects upon the Heralds' College. It is known,
however, that many chronicles and historical MSS. of great value formed
part of the donation to the College of Arms; and it would appear from a
document in the handwriting of Sir William Dugdale, referred to by Sir
Charles Young, that many monastic registers and cartularies which were
taken to Gresham College, had nevertheless been intended by the Duke for
the College over which, as Earl Marshal, he presided. This nobleman died
1684.

In 1678, according to Mr. Cunningham (who quotes Walpole's Anecdotes,
ii. 153.), Arundel House itself was demolished. This was done pursuant to
an act of parliament, which had been obtained for the purpose of entailing
the estate on heirs male, exempt from being charged with jointures or debts,
and empowering the Duke to let a part of the site of the house and gardens
to builders, at reserved ground-rents, which were to form a fund for
building a mansion for the family on that part of the gardens adjacent to the
river. The house was planned by Wren, but the design was laid aside about
the year 1690, when Henry, seventh Duke of Norfolk, who was a favourite
of William Prince of Orange, obtained an act of parliament empowering
him to lease the remainder of the garden-ground for a term of forty-one
years, and to appropriate to himself the fund which had accumulated. He
accordingly let the ground to Mr. Stone of New Inn, an attorney, and
buildings of a very different character to the palatial mansion that had been
contemplated, ere long overspread the site of Arundel House. The seventh
duke died in 1701. It appears that his friend King William had made him
Governor of Windsor Castle; but at his death 12,000l. were due to him for
arrears of salary, which sum it is said was never paid.
The museum of objects illustrative of natural history, and great part of the
furniture of Arundel House, were removed to Stafford House (situated
without Buckingham Gate, where Stafford Row was subsequently built), in
which house, in the year 1720, the Duchess of Norfolk, consort of Thomas,
eighth Duke, sold an immense quantity of plate, jewels, furniture, pictures,
and curiosities. Besides these, however, many family reliques were at that
time in the hands of different branches of this noble family, as, for example,
the grace-cup of St. Thomas of Canterbury (which had belonged to Thomas
Earl of Arundel, and is now in the possession of Philip Henry Howard, Esq.,
of Corby Castle, M.P.), and the staff of office of High Constable of
England, formerly used by the Earl, and which in 1757 was in the
possession of the Earl of Stafford.
Of the fate of the marbles which remained at the time of the removal of
Arundel House, some interesting particulars are given by Mr. James
Theobald in a letter written from Surrey Street, 10th May, 1757, and
addressed to Lord Willoughby de Parham, President of the Society of
Antiquaries; and believing that these particulars are little known, I will now
subjoin them to the somewhat lengthy memoranda which I have written by
way of introduction.

"As there were many fine statues, basso-relievos, and marbles, they
were received," says Mr. Theobald, "into the lower part of the
gardens, and many of them were placed under a colonnade there;
and the upper part of the grounds, next the Strand, was let to
builders, who continued the street next the Strand, from Temple Bar
towards Westminster, and built thereon the several streets called
Arundel, Norfolk, and Surrey Streets, leading from the Strand as far
as the cross street called Howard Street, which ran parallel
therewith. A cross wall was built to separate the ground let for
building from that reserved for the family mansion; and many of the
workmen, to save the expense of carrying away the rubbish, threw it
over this cross wall, where it fell upon the colonnade and at last by
its weight broke it down, and falling upon the statues, &c. placed
there, broke several of them. A great part of these statues, &c., in
that sad condition, were purchased by Sir William Fermor, from
whom the present Earl of Pomfret is descended, and he removed
them to his seat at Easton Neston in Northamptonshire, where he
employed some statuary to repair such as were not too much
demolished. There they continued until the year 1755, when the
present countess made a present of them to the University of
Oxford. In this collection was the famous sleeping Cupid
represented lying on a lion's skin to express his absolute dominion
over fierceness and strength, some roses being scattered on the skin,
probably as emblems of silence and secrecy, as Cupid presented that
flower to Harpocrates, the god of silence, as a bribe to him to
conceal the amours of his mother, to whom the rose is also supposed
to be sacred. Below the foot of Cupid on the cushion is the figure of
a lizard, which some have supposed to have been placed here as a
known ingredient of great efficacy in love-charms; others, as a
proper attendant on those who sleep, from an opinion that this
reptile wakes them on approach of danger. But the real design of the
sculptor is, rather to perpetuate his name by this symbol, for it was
Saurus. The Romans, observing how much the Grecian sculptors
excelled them in this art, whenever they employed them to execute
any work of this sort forbade them to put, as had been customary,
their names to their works; and Pliny tells us that Saurus had
recourse to this expedient, by putting the lizard upon this figure, as

well as on another which he executed jointly with Batrachus, on
which they were not permitted to put their names, therefore they
placed on the bases the figures of a frog and a lizard.
"Some other of these broken statues, not thought worth replacing,
were begged by one Boyder Cuper, who had been a servant (I think
gardener) to the family, and were removed by him to decorate a
piece of garden ground which he had taken opposite Somerset
water-gate, in the parish of Lambeth,[3] which at that time was a
place of resort for the citizens and others in holiday time, still called
after him by the name of Cuper's, and thence corruptly Cupid's
Gardens, which were much of the same nature as Sadler's Wells and
Mary'bone Gardens. Here they continued for a considerable time,
till Mr. John Freeman of Fawley Court, near Henley-on-Thames,
and Mr. Edward Waller of Beaconsfield, observing something
masterly in the designs and drapery of several of them, desired I
would treat with Mr. John Cuper for them. I agreed with him for
75l., and soon afterwards they were divided between these two
gentlemen, and sent part to Fawley Court, and part to Beaconsfield,
where they at present remain.
"What statues and broken fragments yet remained undisposed of in
Arundel Gardens, the Duke of Norfolk obtained leave from the
Crown to remove across the water, just on the opposite shore, to a
piece of waste ground in the manor of Kennington, belonging to the
principality of Wales; and one Mr. Arundel, a relation of the Duke's
I think, at the latter end of the reign of King Charles II. or King
James II., did obtain a grant of the said piece of ground at a small
rent for a term of years, which was renewed on paying a fine.
(These are again referred to.)
"What were thought not worth removing were buried in the
foundations of the buildings in the lower parts of Norfolk Street and
the other buildings on the gardens. Mr. Aislabie, who inhabited one
of these houses, found a broken statue in his cellar, which he carried
to his seat in Yorkshire; and he tells me there is a sarcophagus in the
cellar of Mr. James Adamson, who lives in the corner house on the
left hand going into the lower part of Norfolk Street.

"As to those carried over the water and laid on the Prince of Wales'
ground, Mr. Arundel, soon after he obtained the grant of the ground,
let it for a timber-yard, and the person who took it built up a wharf;
and when the foundation of St. Paul's was laid (Mr. Cunningham
gives 1st May, 1674, as the date when the ground began to be
cleared), great quantities of the rubbish were brought over thither to
raise the ground which used to be overflowed every spring tide, so
that, by degrees, these statues and other marbles were buried under
the rubbish, and lay there for many years forgotten. About 1712 this
piece of ground was rented by my father, who, on digging
foundations, frequently met with some of these broken fragments,
which were taken up and laid on the surface of the ground. The late
Earl of Burlington having heard of the things which had been dug
up, and that they had formed part of the Arundel collection, chose
what he pleased and carried them down to Chiswick House, where
he placed one piece of basso-relievo on the pedestal of an obelisk he
erected there. Some years after this, the Right Hon. Lord Petre,
speaking to me about these things of the Earl of Burlington's, told
me he had heard that on some parts of my ground there were still
many valuable fragments buried, and obtained my leave to employ
men to bore the ground. After six days' searching of every part, just
as they were going to give over, they fell upon something which
gave them hopes, and upon opening the ground they discovered six
statues without heads or arms, lying close to each other, some of a
colossal size, the drapery of which was thought to be exceedingly
fine. These were soon afterwards sent down to Worksop, the seat of
his present Grace the Duke of Norfolk, in Nottinghamshire, where
they remain.
"There were some few blocks of a greyish veined marble, out of
which I endeavoured to cut some chimney-pieces and slabs to lay in
my house, the Belvedere in Lambeth parish, over against York
Buildings, but the expense was more than their worth; however, as
they were cut out, some of them were used. The fragment of a
column I carried into Berkshire to my house, Waltham Place, and
converted it into a roller for my bowling-green, it being about six
feet long and eighteen inches diameter."

[3]
Mr. Cunningham mentions that the Waterloo
Bridge Road now runs over the very centre of these
gardens.
Sic transit gloria mundi!
Such are the particulars recorded by Mr. Theobald. When I met with
them lately, I determined on asking a place for this Note in your valuable
publication, thinking that its contents might be new to some of even your
readers, and might form an acceptable page of topographical illustration.
William Sidney Gibson.
Newcastle-upon-Tyne, Oct. 1851.

PANSLAVIC LITERATURE, AND THE LIBRARY
OF THE BRITISH MUSEUM.
There existed, even in ancient times, some connecting links between the
Panslavian and the Anglo-Saxon races: the most important, the introduction
of Wickliff's Bible translation into Czechia by Anne, sister of Wenceslaw
IV., and wife of Richard II. of England,—an event rich in great and salutary
consequences. In allusion to the Library of the British Museum, it seems to
me that in former times the diplomatic agents of this country must have
taken care to collect the rare and interesting works of the places where they
temporarily resided; and that in this way the libraries of this country
became enriched by an astounding stock of Italian, Spanish, Portuguese,
and Panslavic works, which subsequently merged some way or other in the
national library. This, albeit hypothetical genesis of that huge collection,
will, I think, best explain its incompleteness and even un-systematicity in
former times; as there are some rare old works to be found, of which the
concluding volume is wanting. But I shall not, on this occasion, review a
whole library, but confine myself to its late exponent for the world-
exhibition, described in the "Short Guide to that Portion of the Library of
Printed Books now open to the Public, May 1851."
In imitation of the National Library of Paris, a number of books have
been publicly exhibited in the British Museum which, on account of their
early date, rarity, costliness and splendour of printing, binding, or for

certain interesting autographs, deserved general attention; thus forming an
exemplified memorial and history of typographic art and enterprise. The
show was a grand and instructive one, owing mostly to the specimens of the
unmatched collection of the Grenville Library, the greatest gift ever
bequeathed by an individual to a people. None could look without deep
emotion on the set of Columbus' Letters, all printed during his lifetime
(1493 et seq.)—documents much adverted to by A. Humboldt in his
Examen Critique on the discovery of America. Of similar interest were the
sets of first editions of Petrarca, Cervantes, Camoens—leaves invaluable to
the thinker on human civilisation. Chinese, Indian, and Japanese specimens
were also not wanting.
With all that, the gentleman who had arranged en maestro this exhibition,
did completely ignore the existence of Panslavic literature, viz. that of a
race of sixty millions of people! It is the perusal of the Short Guide which
will satisfy any one of the exactness of the assertions, that not one single
Russian, Polish, Czechian or Serbian book or fly-leaf was in the whole
collection: an anomaly, the explaining of which is beyond my reach.
Still, Panslavia occupies a conspicuous place even in the history of
typography and literature, although our later periods have been dimmed by
the intrusion of foreign or despotic princes. It was so early as the year 1512,
that a Slavonic translation of the Bible was begun. Ivan IV. established the
first printing-press in 1564 at Moscow; and in 1659 the learned Patriarch
Nikon published a revision of both the Old and New Testaments. Without
entering here into an investigation on the first Slavian typographers, both
Czechia and Poland were foremost in introducing this important discovery;
and even our southernmost city, the Republic of Ragusa, printed Slavian
works. Of all this the typographical exhibition of the British Museum
contained no trace. What the Library may possess or not possess, is now
more difficult to ascertain than ever, as the different sets of Catalogues
amount to a couple of hundred volumes. In fact, I know that there exist in
the Library the Acta Fratrum Polonorum (the disciples of Socinus), a work
unknown even to Lellewel but I am not aware how to find it without a great
loss of time.[4] Unfortunately also, the Catalogues are encumbered by a host
of exploded German works, which, remaining on the hands of the Leipzig
publishers, are mostly sold as waste paper. The works of the greatest
Slavian literati are wanting; for instance, Palacky's History of Czechia (in
German), published by order and at the expense of the house of

representatives at Prague, of which a second edition (reprint) has already
appeared so far back as 1844.
[4]
[Our correspondent will find it in the King's
Catalogue, tom. i. p. 281., under Bibliotheca. The
press mark is 273, i. 20.—Ed.]
Dr. J. Lotsky, Panslave.

ON ARCHBISHOP USSHER.
Without designing to take part in the question at issue regarding
archbishop Ussher, I may be permitted to record the evidence of one of the
earliest and best-informed witnesses on it—Nicholas Bernard, doctor of
divinity, and preacher to the honourable society of Grayes-Inne, London.
"Anno 1641. The great businesse of the Earle of Strafford came in
agitation, in which there is one thing he gave me a charge, as I had
occasion, to clear him, viz. of a scandall raised on him, by a rash, I
will not say malicious pen, in his Vocall forrest, as if he had made
use of a pretended distinction of a Personall and politicall
conscience, to satisfy the late King, that he might consent to the
beheading of the said Earle; that though the first resisted, he might
do it by the second; which, I wonder men of prudence, or that had
any esteem of him, could be so credulous of: but there is a
presumptuous Observator of late, hath more ridiculously and
maliciously abused him in it, as if the root of it was in revenge, for
the Earles suppressing the Articles of Ireland; both are of the like
falshood, as hath been already made apparent, in an answer to him.
"And I have lately seen it under the hand of a person of quality,
affirming, that some yeers agone, a rumour being spread of the
death of this Reverend Primate (who was much lamented at Oxford)
and this concerning the Earle being by one then objected against
him. He was an ear-witnesse, that the late King, answered that
person in very great Passion, and with an oath protested his
innocency therein."

Bernard received ordination from the hands of Ussher; was his librarian
at the period in question; and was honoured with his confidence for thirty
years. His Life of Ussher is a work of authority, and deserves to be held in
remembrance.
Bolton Corney.

ANGLO-CATHOLIC LIBRARY—BISHOP
OVERALL'S CONVOCATION BOOK.
The volume which is known under the title of Bishop Overall's
Convocation Book, is a document possessing no ordinary degree of interest.
It consists of a series of arguments and canons, in which are discussed and
decided several questions of great moment relative to the authority of
princes, the divine right of episcopacy, and the differences between the
Church of England and the see of Rome. Though this document never
obtained the sanction of the Crown, yet its intrinsic value is considerable;
and its claim to be regarded as an authentic exposition of the doctrine of the
Church of England, in the beginning of the seventeenth century, is
unquestionable. Drawn up by the eminent divines who constituted the lower
house of the Convocation of 1603, the signature of Bishop Overall at the
end attests that the whole had been read three times in the hearing of the
house, and unanimously approved.[5]
[5]
"Hæc omnia suprascripta ter lecta sunt in domo
inferiori convocationis in frequenti synodo cleri, et
unanimi consensu comprobata. Ita testor,
"Johannes Overall, Prolocutor.
"April 16. 1606."
The whole of this passage, the editor informs us, "is
in the handwriting of Overall."—P. 272.
In the year 1844, a new edition of this document was issued to the
subscribers to the Library of Anglo-Catholic Theology. Some care and
labour appear to have been bestowed in editing it. The name of the editor is
not given: the preface does not even bear his initials. Consequently, the
Committee, whose names are before the public, and to whom, as the

subscribers are informed in the Rules of the Society, "the whole
management of the fund subscribed is entrusted,"[6] have taken on
themselves the entire and sole responsibility of this edition, and are the only
parties in any way answerable to the subscribers, for the manner in which it
has been prepared for publication.
[6]
The fifth rule is as follows:—
"5. That the whole management of the fund
subscribed be entrusted to a Committee,
consisting of not less than twelve nor more
than twenty-four subscribers, who shall fill
up all vacancies that may occur in their own
body."
How that has been done the following observations may help to
determine.
In the second part of the work this passage occurs (book ii. chap. vii.):—
"In these times it may well be granted that there was no need of any
other bishops but the Apostles, and likewise that then their churches
or particular congregations in every city were advised and directed
touching points of religion in manner and form aforesaid by the
common and joint advice of their priests or ministers. In which
respect, the same persons, who then were named priests or
ministers, were also in a general sense called bishops. Howbeit this
course dured not long, either concerning their said common
direction, or their names of bishops so attributed unto them; but was
shortly after ordered far otherwise, by a common decree of the
Apostles, to be observed in all such cities where particular churches
were planted, or, as one speaketh, in toto orbe 'throughout the
world.'"
This passage will be found at p. 136. of the edition in the Anglo-Catholic
Library, and at the foot of the page is the reference given by the
Convocation to the words "in toto orbe."
"Jerome in Ep. ad Tit. cap. i. [See note O.]"
The words within brackets direct us to one of the notes which the editor
has added at the end of the volume; where, at p. 281., the following is

found:
"Note O., p. 136.
"Jerome in Ep. ad Tit. c. i. [The editor has failed in discovering the
passage here alluded to, although the Benedictine and several earlier
editions have been consulted.]"
Without waiting for an opportunity of referring to the Benedictine, or any
of the earlier editions, to which the writer has not access at the present
moment, it is sufficient to observe, that the passage in question occurs in St.
Jerome's Commentary on the Epistle to Titus, and may be found in
Vallarsius's edition, tom. vii. col. 694.
One would be glad to content oneself with this note, but the interests of
literature and theology demand something more; and if the anonymous
editor should feel pained by the following remarks, the writer can only say
that he has not the slightest suspicion who the editor of this volume is, and
that it is to the Committee (most especially in such a case as this, where
they have allowed the editor to withhold his name,) the Subscribers—not to
say the Church of England—will look for such a work being brought out in
a proper manner.
To confess that a passage, which the Convocation of 1603 have referred
to in this off-hand manner, is not to be found in the works of Jerome, is
strange enough: but the confession assumes a new character, as regards both
the editor and the Committee, when one reflects for an instant on the
particular passage which the editor thus candidly informs us, he "has failed
in discovering."
It is not at all too much to say, that no one could be even moderately
acquainted with the Presbyterian controversy, and the arguments in defence
of Episcopacy, without being so familiar with this passage as to recognise it
at first sight. It is, indeed, one of the chief testimonies which the
Presbyterians urged in proof of the antiquity of their discipline,—as Bishop
Pearson says: "Locus Hieronymi, quem pro fundo habent novatores;" and,
as such, it has been discussed by almost every divine of eminence, who has
undertaken to defend the constitution of the English church.
To multiply references is needless. But, without attempting to exhaust
even the resources of a small and very incomplete private collection, it will
suffice to say, that Henry Dodwell has examined it in his additions to

Pearson. (De Success. prim. Romæ Episcop., Diss. I. cap. ix.) Bishop Bilson
discusses it, and refers to it again and again (Perpetual Government of
Christ's Church, "Epistle to the Reader," p. 5.; ch. xi. pp. 217. 268.; ch. xii.
pp. 284. 289. 307.; edit. Oxford, 1842). Hooker quotes and explains it (book
vii. ch. v. 7.; vol. iii. p. 162.; Oxford, 1845). It is the subject of an entire
section of Jeremy Taylor's Episcopacy asserted (sect. xxi.). And to
enumerate no more, it is fully discussed by Archbishop Potter, in his
Discourse on Church Government (chap. iv.).
These facts will, it is trusted, exempt the writer from the charge of minute
and carping criticism. The Convocation of 1603, indeed, merely allude to
the passage as one with which every English divine would be familiar and
most unquestionably no one could have been a stranger to it, who was
acquainted with the subject which the Convocation were discussing.
It is surely then but reasonable to feel surprised, that a document so
important, and drawn up by men of such eminence, should have been
confided to an editor who had never heard of the passage, and knew not
where to find it: in a word, to an editor, who, by his own acknowledgment
(and his candour is deserving of respect), is a stranger to one of the
principal subjects of the volume he was employed to edit.
The Committee of the Anglo-Catholic Library are not persons who
require to be informed, that something more is demanded in an editor, than
industry in hunting out references, and transcribing scraps of Latin. Nor
could this passage have presented an instant's difficulty to some whose
names have stood on the list of the Committee from the commencement of
the undertaking. But this is the very thing which the Subscribers have a
right to complain of. They expected that the editors employed should have
the benefit of co-operation and consultation with the Committee. They had
a right to expect this. The Subscribers cannot be expected to feel satisfied
with the unrevised performance of an anonymous editor. They had a right to
expect, in the first place, that the Committee would not engage any one to
edit a book until they had ascertained whether he was acquainted with the
subject of which it treated. They had a right to expect also, that the
Committee would exercise such a real and bonâ fide superintendence and
control as should have prevented the possibility of any work, issued with
the sanction of their names, containing a confession so strange and so
humiliating, and manifesting a degree of editorial incompetency so

disappointing to the Subscribers, and so discreditable to the literary and
theological character of the country. The names of the gentlemen of the
Committee must be regarded as a pledge and guarantee that no such case as
this could occur. On the faith of that assurance, and in the hope of receiving
valuable editions of our standard theology, as well as with a wish to
encourage a most useful undertaking, many persons have given their names
and their subscriptions. There is too much reason to think now that this
assurance is of less value than could have been anticipated. And when proof
so unquestionable is thus forced on one's notice, it can scarcely be thought
surprising, that regret and disappointment should be expressed by one who
has been, from the beginning,
A Subscriber to the "Anglo-Catholic
Library."

Queries.

THE USE OF MISERERES.
I notice the following paragraph in Mr. Howitt's Visits to Remarkable
Places, 1840, pp. 470, 471.:
"Perhaps the most curious things about the chapel [of Winchester
College] are the ancient stall-seats now affixed to the wall of the
ante-chapel. These have their seats so fixed upon hinges that those
who sit in them can only maintain their position by balancing
themselves with care, and resting their elbows on the seat-arms; so
that if the monks who used them dropped asleep during divine
service, the seats came forward and pitched them headlong upon the
floor; nay, if they only dozed and nodded the least in the world, the
hard oaken seat clapped against the hard oaken back, and made a
noise loud enough to attract the attention of the whole audience.
Nothing was ever more cleverly contrived to keep people awake at
church or chapel; and, no doubt, most of us know where they would
be especially useful now."
On the latter point there is little room for doubt; but allow me to ask
whether this account of the use of the miserere can be supported by
adequate authority, and is anything more than a joke? Mediæval monks
were, doubtless, sometimes caught napping; since Dr. Maitland (Dark Ages,
2nd edit. pp. 336. and 337. n.) mentions an amusing expedient employed in
the monastery of Clugni for the detection of drowsy brethren. What I doubt
is, whether the miserere was intended for that useful purpose. In the
Glossary of Architecture (4th edit. p. 242.) its use is thus described:—
"They [misereres] were allowed in the Roman Catholic church as a
relief to the infirm during the long services that were required to be
performed by the ecclesiastics in a standing posture."

In such matters, I should imagine Mr. Parker to be a better authority than
his versatile contemporary; but if they were intended and permitted only for
the infirm, it seems rather remarkable that they are so general in most
cathedral or monastic churches that retain their ancient fittings. I would also
ask when were they first introduced, and by whose authority?
Quidam.

JOCELINE'S LEGACY.
The Mother's Legacy to her unborn Child, by Elizabeth Joceline. This is
the title to a thin octave volume printed at "Oxford at the Theater for the
satisfaction of the person of quality herein concerned, 1684." This, the first
edition, is of rare occurrence; that in the British Museum being a dirty
duodecimo chap book. "The Approbation" of the volume bears the signature
of "Thos. Goad." It is addressed as a legacy "to her truly and most dearly-
loved husband, Tourell Joceline." The letter to her husband, and The
Mother's Legacy, are two of as beautiful, pious, and feeling compositions,
as were ever penned by woman. The latter is so full of religious instruction
and exhortation to faith in the mercies of a Redeemer, under the
apprehension that she might not survive the birth of a child, that it is
surprising this valuable little tract has not become a standard book for
distribution by the Society for Promoting Christian Knowledge.
My reason for bringing it under the notice of the correspondents of
"Notes and Queries" is my strong desire to learn of what family was
Tourell Joceline, the husband of this most excellent lady. Of that of the lady
herself, I gather the following particulars from Mr. Goad's Approbation of
the volume.
Elizabeth Joceline was the wife of Tourell Joceline, granddaughter of
Doctor Chaderton, sometime Master of Queen's College, Cambridge, and
Professor of Divinity in that university; afterwards Bishop, first of Chester,
and then of Lincoln; by whom she was, from her tender years, carefully
nurtured. Her father was Sir Richard Brooke; her mother the daughter of Dr.
Chaderton. She was born in 1595, and died in childbed in 1622, six years
after her marriage, as she seems to have anticipated; and hence her previous
writing of the Legacy. The child, a daughter, survived the mother.

I ought to add, that I parted with the first edition of The Mother's Legacy
to the Rev. C. H. Craufurd, Rector of Old Swinford, Worcestershire, in
exchange for a volume of his sermons, 1840; at the end of which he had
printed the entire of The Mother's Legacy, which is well worthy to be
printed separately.
J. M. G.
Worcester.

Minor Queries.
261. Early Muster Rolls.

—Are the muster rolls of the army that landed with King William at
Torbay, or of the army that served in Ireland in 1690 and 1691, now to be
met with, and if so, where? Any information on this subject will oblige
Bartanus.

Dublin.

262. Convocation for the Province of York.

—The religious newspapers recently gave us an account of the meeting
of Convocation for the province of Canterbury, but I have seen no account
of the meeting of Convocation in the province of York. Does that body ever
meet, and is any record kept of its proceedings?
Enquirer.

263. The Scent of the Bloodhound.

—In a MS. (Camb. Univ. Dd. i. p. 542.) I find the following allusion to
this subject:—
"Þei far as doþ a blod hound
Þat al times of þe yer
Haþ fute and tast of eueri beste
Þat hi folewiþ fer or ner:

But whan þe hawethorn bereth blomes,
Þt hound haþ lorn his smel,
If he fele swetnes of þe flouris;
And þus þe hunteris tel."
Is there any truth in this statement?
C. H.

264. Cooper's Miniature of Cromwell.

—Can any of your readers inform me what has become of the original
miniature of Oliver Cromwell painted by Samuel Cooper? It was long in the
possession of Sir Joshua Reynolds, and given by his will to Richard Burke
the younger, who survived him only two years, dying unmarried in 1794.
Should the portrait be still extant, and the subject attract any notice, I am
prepared to supply some authentic particulars as to its early history,
respecting which Northcote was completely misinformed. See his Life of
Reynolds, vol. ii. p. 221. 2d edition.
Braybrooke.
Audley End, Nov. 1.

265. Lines on Cagliostro.

—Mr. Carlyle, in Miscellanies, 3rd edit., vol. iii. p. 324., quotes the
following "epigraph," as appended to a portrait of Cagliostro:
"De l'Ami des Humains reconnaissez les traits:
Tous ses jours sont marqués par de nouveaux bienfaits;
Il prolonge la vie, il secourt l'indigence;
Le plaisir d'être utile est seul sa récompense."
Is there any possibility of ascertaining, at the present day, to which of the
countless dupes of that "quack of quacks" we are indebted for this
hyperbolical effusion?
Henry H. Breen.
St. Lucia, Sept. 1851.

266. The Names and Numbers of British Regiments.

—Formerly the regiments in the British army were distinguished not by a
particular number, but the name of an officer of rank.
I shall feel obliged by information on the following points:—
1. What was the origin of thus naming, instead of numbering, regiments?
2. Who conferred the name? Was it done at the War-office, or how?
3. If in honour of an officer commanding the corps, was the name
changed when that officer died, or removed to another regiment; or what
was the rule?
4. When did the present mode of numbering regiments begin, and by
whom was it introduced; and what was the rule adopted in applying the
number to each corps? I mean, what was the principle followed in giving
any regiment a certain number? Was it according to the length of time it had
been embodied?
5. What is the guide now, in identifying a named with a numbered
regiment?
Ȝ.

267. Praed's Charade.

—Can any of your correspondents tell me the answer to the following
charade by W. M. Praed?

"My first's an airy thing,
Joying in flowers;
Evermore wandering,
In Fancy's bowers;
Living on beauteous smiles
From eyes that glisten;
And telling of love's wiles
To ears that listen.

"But if, in its first flush

Of warm emotion,
My second come to crush
Its young devotion,
Oh! then it wastes away,
Weeping and waking,
And, on some sunny day,
Is blest in breaking."
I have several of Praed's charades, but this is the only one of which I
have not the answer.
E. C.

268. Cozens the Painter.

—Can any of your correspondents give me information as to Cozens, the
painter? The celebrated painter Turner has declared that for much of the
poetry of painting he is indebted to Cozens. Now, on the wall opposite to
which I am sitting, hangs a portrait of Cozens by Pine, which has been
sometime in our family. I wish to know where I shall find mention of him,
or where I can see any of his works.
C. S. B. S.

269. Parliamentary Debates.

—By the fortunate preservation of the MSS. of Mr. Cavendish, there was
a probability of our getting a pretty full report of the proceedings of what
has been called "the unreported parliament," which sat from 1768 to 1774.
Unfortunately, on the death of Mr. Wright, the publication stopped, having
arrived only to the debates of March, 1771. Is there any chance of the
further publication of this important work? If not, where is the MS., and can
it be consulted?
P. D.

Minor Queries Answered.

Merry Wakefield.

—Whence arose the Yorkshire proverb "Merry Wakefield?" Fuller
mentions it in his Worthies; but does not give, or guess at, its derivation.
R. W. ELLIOT.

[What peculiar cause of mirth the town of Wakefield hath above
others, Fuller certainly confesses he cannot tell, unless that it may
be entitled to that epithet from its cheapness, and the plenty of good
cheer. Grose, however, adds, "Might it not be mirrie, that is, faithful
Wakefield? and allude to some event in the disputes between the
houses of York and Lancaster. Mirrie-men is a term that frequently
occurs in old ballads, signifying true or faithful men." While again it
has been suggested that it derives this complimentary epithet from
the reputation of that
"Merry man the Pindar of the town
Of Wakefield, George a Green, whose fames so far are
blown;
for Braithwaite, in his Strappado for the Divell, applies it to both of
them, when he speaks of
'Merry Wakefield and her Pindar too.'"]

The two Kings of Brentford.

—Occasionally when there is an expression of ultra-friendship on the
part of two persons who were before supposed, their profession to the
contrary notwithstanding, to hate each other right heartily, the following
comparison is elicited from the bystanders: "They are like the two kings of
Brentford smelling at one nosegay." I have sought for the meaning of this
profound remark from many denizens of that ancient locality, but hitherto
without success; it being, somewhat like the mud of Brentford,
impenetrable.
Presuming that the remark, like most popular sayings, bears reference to
some foregone fact or event, I shall feel obliged by some one of your
contributors stating to what the adage refers, and what it is meant to imply.

Does it bear any relation to the fact that the two members for Middlesex are
nominated at Brentford? And is the comparison quoted from any and what
work?
E. J. HYTCHE.

[The saying owes its rise to the celebrated farce of The Rehearsal,
written by Villiers, Duke of Buckingham, with the assistance of
Butler, Spratt, and others, in order to correct the public taste by
holding up the rhyming tragedies to ridicule. It is said that no less
than ten years were employed in collecting and polishing the
materials. The original hero was Davenant, satirized under the name
of Bilboa; but Dryden eventually became its Bayes. The allusion
referred to by our correspondent is to Act II. Sc. 2., where the stage
direction is, "Enter the two Kings, hand in hand,"—where they
probably did so—"smelling at one nosegay," although no such
direction occurs; or to Act V. Sc. 1., "The two right Kings of
Brentford descend, in the clouds, singing, in white garments; and
three Fidlers sitting before them in green."]

Meaning of V. D. M.

—In the church of old St. Chads, Shrewsbury, there is a tablet to a
celebrated Nonconformist minister, Rev. Job Orton, after whose name
(which is twice mentioned) occurs the (to me) uncommon suffix or
designation v.d.m written thus—Rev. Job Orton, v.d.m. "Vir dignus
memoriæ," or "Veri Dei minister," &c., &c., may be suggested. All I want to
know is, whether it represents any recognised formula.
G. R. M.

[This suffix is Verbi Dei Minister, Minister of the Word of God.]

Replies.

ANACHRONISMS OF PAINTERS.
(Vol. iii., pp. 369. 517.; Vol. iv., p. 150.)
I have read D'Israeli's list of the above, to which J. E. alludes in Vol. iii.,
p. 369., and they are certainly well-known glaring instances of the
inconsistencies and absurdities into which artists may be led by ignorance
and total want of good taste and feeling: those given by J. E., at the same
page, are also unhappy examples. I cannot, however, think that the instance,
given by G. T. R. in Vol. iii., p. 517., deserves to be placed in the same
category: the subject is, The Woman taken in Adultery; and G. T. R.
complains of the anachronism of Steenwyk's having represented our
Saviour as writing on the ground in Dutch. But this is not necessarily the
result of ignorance, and is justifiable on the ground of making the painting
more intelligible to his countrymen. For the same reason the writing is often
in Latin; and, in fact, often as the subject has been painted, I do not
recollect any instance of the proper language being used. In making the
scene take place in a building of the architecture of the thirteenth century,
Steenwyk has erred (if error it be) in company with the best Italian masters.
Both Tintoretto and Paul Veronese engraft into their paintings the
architecture and other accessories of their own day. In Tintoretto's
celebrated picture of the Marriage of Cana, the artist has made use of the
drinking vessels and loaves of bread still used in Venice at the present day.
In fact, if strict accuracy were contended for, not a single representation by
the old masters of this subject, and of the Last Supper, would pass muster,
as, according to the facts of the case, our Saviour and His disciples would
not be sitting at a table, but reclining on the ground. But I think these
liberties not only defensible, but that the artist's faculty of thus introducing
successfully into his paintings the scenes passing before his eyes is often a

great proof of his genius; and pictures often owe much of their power and
reality to this very circumstance. Space, as well as time, is often annihilated
not from ignorance or inadvertence, but purposely, and with the most happy
results. Tintoretto, in a painting of the Entombment of Christ, has
introduced the stable of Bethlehem in the background; thus finely
contrasting the birthplace of Him who was found "lying in a manger" with
the fulfillment of the prophecy of His being "with the rich in His death:"
and such liberties both of time and place are equally allowable in pictures of
at all an imaginative character, the artist feeling that by sacrificing a minor
and lower truth he can gain a higher, or make his subject appeal more to the
sympathies of his spectators. The instance also noticed by P. P. in Vol. iv., p.
150., is no mistake, but a legitimate employment of a symbol: the cross or
flag, with the motto "Ecce Agnus Dei," soon became the recognised symbol
of St. John the Baptist, and as such was generally used without reference to
the exact time when the motto became strictly applicable. The same strict
criticism which would disallow this license, would require the Madonna to
be always painted as a Jewess: but I cannot think that paintings are fairly
liable to such close and prosaic scrutiny. P. P.'s instance of Zebedee's sons
being represented as young children, is treading on more doubtful ground,
and some great counterbalancing gain to the picture would alone justify
such a bold alteration of facts: but if the subject be altogether treated in an
allegorical manner, it might be defensible. His modern instances are, of
course, sheer blunders, and cannot be too severely reprehended; and artists
must always remember that such liberties should never be taken, unless by
these means some higher object is gained. Nor should modern painters
expect the same indulgence, until they express in their works the same spirit
of devotion, and simple, childlike earnestness of feeling, which distinguish
the early painters of the Italian Religious School.
B. H. C.
Oxford.

"AGLA," MEANING OF.
(Vol. iv., p. 116.)

I have the pleasure of being able to refer Mr. Martin to an interpretation
of this inscription. The mystical word agla belongs to that species of
Cabbala, used by the Rabbinical writers, which is called Notaricon, and
which consists of forming one word out of the initial letters of a sentence.
Thus Agla is composed of the initials of

Attâh-Gibbor-Leholâm-Adonâi ("Thou art strong for ever, O Lord!"), and
signifies either "I reveal," or "a drop of dew," and is the cabbalistic name of
God.
They also reversed this process, and made an entire sentence from the
letters of one word: thus of ‫ ב ר א ש ת‬Bereshith, which is the first word of
Genesis, they made the sentence

Bârâ-Râkiya-Eretz-Shâmayim-Yâm-Tehomoth (i.e. "he created the
firmament, the earth, the heavens, the sea, and the deep"). It would,
however, be more correctly written

Vide Dr. Hook's Church Dictionary, art. Cabbala.
In Arnaud's work on the Vaudois, translated by Acland (Murray, 1825),
there is mention made of certain inscribed talismans or preservatives, found
on the slain French soldiers of Marshal Catinat, the inscriptions of which
are given, and among them is one bearing the legend
[+]AGVA[+]BATOME[+].
E. S. TAYLOR.

The word "agla" mentioned by your correspondent Mr. Martin as being
inscribed on a ring, is mentioned by Reginald Scott in his Discoverie of
Witchcraft (1584), as being inscribed on the conjuring knives employed to
describe the circles used in calling spirits. He gives a cut of "the fashion or
form of the conjuring knife, and the names thereon to be engraved," and on
one side is agla.
E. H. K.

According to M. Collin de Plancy, in his Dictionaire Infernal, vol. i. p.
34., this word is composed of the four first letters of the following Hebrew
words, Athar, gabor leolam, Adonai, "Thou art powerful and eternal, O
Lord," and was a cabbalistic word used against evil spirits. A brooch of gold
found near Devizes, and set with rubies in the form of the letter [A], and
having the word agla thereon, was shown at the Winchester meeting of the
Archæological Institute by W. Herbert Williams (Journal, vol. iii. p. 359.).
Edward Hailstone.

COLONIES IN ENGLAND.
(Vol. iv., p. 272.)
"The inhabitants of Haverfordwest derived their origin from Flanders,
and were sent by Henry I. to inhabit these districts; a people brave and
robust, ever hostile to the Welsh; a people, I say, well versed in commerce
and woollen manufactures; a people anxious to seek gain by sea and land,
in defiance of fatigue or danger; a hardy race, equally fitted for the plough
and sword; a people brave and happy," &c.—Giraldus Cambrensis.
"A.D. 1107. About this season a great part of Flanders being drowned by
an inundation, or breaking in of the sea, a great number of Flemings came
to England beseeching the king to have some void part assigned to them,
wherein they might inhabit. At the first they were appointed to the countrie
lieing on the east part of the Tweed; but within four years after they were
removed into a corner by the sea-side in Wales, called Pembrokeshire, to
the end that they might be a defence there against the unquiet Welsh. It
would appear by some writers that this multitude of Flemings consisted not
onlie of such as came over about that time, by reason their countrie was
overflowed with the sea [as ye have heard], but also others that arrived
there long before, even in the daies of William the Conqueror, through the
friendship of the queen, their countriewoman, sithens their numbers so
increased that the realme of England was sore pestered with them;
whereupon King Henrie devised to place them in Pembrokeshire, as well to
avoide them out of the other of England, as also by their helpe to tame the
bold and presumptuous Welshmen: which thing in those parts they brought
verie well to pass; for after they were settled there, they valiantlie resisted

their enemies, and made verie sharp wars upon them, sometimes with loss
and sometimes with gaine."—Holinshed.
"Wallenses Rex Henricus, semper in rebellionem crebris expeditionibus
in deditionem premebat; consilioque salubri nixus, ut eorum tumorem
extenuaret, Flandrenses omnes Angliæ accolas eò traduxit. Plures enim, qui
tempore patris pro matris paternà cognatione confluxerant, occultabat
Angliâ, adeo ut ipsi regno pro multitudine onerosi viderentur. Quapropter
omnes cum substantiis et necessitudinibus apud Rôs provinciam Walliarum,
velut in sentinam congessit, ut et regnum defæcaret, et hostium brutam
temeritatem retunderet."—William of Malmsbury.
"The yeare 1108 the rage of the sea did overflow and drowne a great part
of the lowe countrie of Flanders, in such sort that the inhabitants were
driven to seeke themselves other dwellings; who came to King Henrie and
desired him to give some voide place to remaine in; who being very liberal
of that which was not his owne, gave them the lande of Rôs, in Dyvet or
West Wales, where Pembroke, Tenby, and Haverfordwest are now built; and
there they remaine till this daie, as may be well perceived by their speeche
and conditions, farre differing from the rest of the countrie."—Powell's
Welsh Chronicle.
A similar colony is located in that part of Glamorgan called Gower; and
the Flemish population, both of Rôs and of Gower, still retain many
peculiar customs and words; while they scrupulously keep aloof from the
Welsh, each people looking down upon the other, and considering
intermarriage as a degradation. I have been told by a friend that Flemish
colonies were also located in Norfolk and Cambridgeshire. This much is
certain: in the last-named county fields are occasionally divided between
different proprietors, in the manner known as "landshares," a custom which
prevails to a great extent in Gower, and also, I believe, in Rôs. Am I right in
considering this Flemish peculiarity?
Seleucus.

In an ancient map of this town, Pembroke (South Wales), of which the
language is Norman-French, two districts of ours are mentioned thus: Le
grene, which is now called "the green;" and Monton, now called
"mountain." As regards the first, not a portion of green is discoverable; it is
a disagreeable street, close to a large mill and sheet of water, with none of
the conditions of a country green. I have often wondered at the name,

feeling persuaded that there never could have existed such a spot here as
would be so called, and was puzzled till I last week saw this old map.
Tracing the matter, although no French substantive seems to exist spelled
grene, the v.n. grener and its relatives afford a solution—as grenier is a
granary, and grenetis the mill round a coin: so that I take it for granted, as
our green in fact is in the immediate neighbourhood of the corn-mill, that
from said pounding or grinding (grener) it solely is derived.
The solution of "mountain" is not so easy. It is a portion of the town
outside the old fortifications, at the foot of a high hill; so never could have
been dignified by the term "mountain" from its height,—in fact, it rises but
little from the estuary, one arm of which here terminates. The tide here
ceases; up to this spot "la marée monte." Am I right in conjecturing that
montant (pronounced just like monton), meaning "rising" as well as
mounting, may be the origin of the designation?
All the early memorials of Pembroke are either Norman or Flemish,
those foreigners having settled here. We have no token of Welsh; perhaps
there are not six people in the town who can speak the language. The names
of some of the inhabitants are French and Flemish, and it is to be noted that
their personal appearance corresponds with the type of their ancestral
country. Our parish clerk, named Freyne, is a little Frenchman to all intents
and purposes; and our street-keeper, Rushaut, has all the square stolidity
and heavy features of the Low Countries.
Although unconnected with the foregoing, will you allow space for
another record? Only within a few years the last of a family, invariably
called "Cromwell," died. It was not their true name, but they have held it to
perpetuate the treason of their ancestor, who followed the great Protector
after he had temporarily abandoned the siege of Pembroke Castle; and,
procuring an interview on "Ridgway," an eminence between here and
Tenby, this unworthy townsman told the general to return, as the garrison
were reduced "to a bean a day." The advice was followed. Pembroke was
taken; but the stern captor ordered the traitor to be hanged! Thenceforward
the family ever went by the name of Cromwell.
B. B.

Replies to Minor Queries.

Broad Arrow (Vol. iv., p. 315.).

—P. C. S. S. has always understood that the "broad arrow" on
government stores represented the Pheon, the well-known arms of the
Sydney family. Henry Viscount Sydney, afterwards Earl of Romney, was
Master-General of the Ordnance from July, 1693, to June, 1702.
P. C. S. S.

Sacro-Sancta Regum Majestas (Vol. iv., p. 293).

—In reply to the second query of Βορέας, I send the following extract
from Sir James Ware's Writers of Ireland:—
"John Maxwell was at first promoted to the Sees of Killala and
Achonry, and afterwards translated to the archbishopric of Tuam. He
writ a Treatise intitled, Sacro-Sancta Regum Majestas; Printed
London, 1643 or 1644, 4to., which he published under the name of
J.A. In answer to which came out a Tract intitled, Lex, Rex; The
Law and the Prince, a dispute for the just Prerogative of King and
People. Containing the Reasons and Causes of the most necessary
defensive Wars of the Kingdom of Scotland, and of their expedition
for the aid and help of their dear brethren in England. In which their
Innocency is asserted, and a full Answer is given to a seditious
Pamphlet, intitled, Sacro-Sancta Regum Majestas, or the Sacred and
Royal Prerogative of Christian Kings under the name of J. A. but
penned by John Maxwell, the excommunicate Prelate. London,
1644, 4to."
Tyro.
Dublin.

Your correspondent Βορέας asks who was the author of the Sancta
Regum Majestas, or the Sacred and Royal Prerogative of Christian Kings:
Oxford, 1644.
This work has been by some erroneously attributed to Archbishop
Ussher, from the supposition that the letters J.A., subscribed to the
dedication, denoted Jacobus Armachanus; they signify, however, Johannes

Alladensis, and the real author was John Maxwell, Bishop of Killala. See
Ware's Writers of Ireland (Harris's edit.), p. 357.
J. H. T.

Grimsditch (Vol. iii., pp. 192. 330.).

—There is a wood so called in the parish of Saffron Walden, which has
long formed a part of the Audley End estates. It is about a mile from the
town, situated on the crest of a steep hill, on the south side of the road
leading to Linton, and from its commanding position may have been at
some time a military station. Some portions of a fosse may still be traced on
the lower edge of the wood; but no tradition connected with its history has
descended to us. Warton, in his Account of Kiddington, Oxon, p. 62., edition
1815, observes that Stukeley describes a fosse called Grimsditch, near
Ditchley House, between Stunsfield and Chipping Norton, the vallum of
which was eastward. He also says that the word means "the ditch made by
magic," and was indiscriminately applied to ancient trenches, roads, and
boundaries, whether British, Roman, Saxon, or Danish.
We learn from the same work, that there exists a vallum, or ridged bank,
within two miles of Ewelme, and near to Nuffield, called Grimsditch; and
the lands adjoining to it are described in a charter in or before the reign of
Richard I. as "extra fossatum de Grimisdic."
Braybrooke.

"'Tis Twopence now," &c. (Vol. iv., p. 314.).

—I met with the lines mentioned by your correspondent Remigius in a
newspaper about twenty years ago, and cut them out. I cannot now
remember the work it was said they were copied from, nor do I quite
understand if that is the information REMIGIUS wants, or the verses
themselves: but I think the verses, and therefore inclose them.

THE ABBEY: A FRAGMENT.

"A feeling sad came o'er me, as I trod the sacred ground
Where Tudors and Plantagenets were lying all around:

I stepp'd with noiseless foot, as though the sound of
mortal tread
Might burst the bands of the dreamless sleep that wraps
the mighty dead.

"The slanting ray of the evening sun shone through those
cloisters pale,
With fitful light, on regal vest and warrior's sculptured
mail;
As from the stained and storied pane it danced with
quivering gleam,
Each cold and prostrate form below seem'd quickening in
the beam.

"Now sinking low, no more was heard the organ's solemn
swell,
And faint upon the listening ear the last hosanna fell;
It died—and not a breath did stir; above each knightly
stall,
Unmoved, the banner'd blazonry hung waveless as a pall.

"I stood alone—a living thing midst those that were no
more—
I thought on ages that were past, the glorious deeds of
yore—
On Edward's sable panoply, on Cressy's tented plain,
The fatal Roses twined at length, on great Eliza's reign.

"I thought on Blenheim—when, at once, upon my
startled ear
There came a sound; it chill'd my veins, it froze my heart
with fear,
As from a wild unearthly voice I heard these accents drop
—

'Sarvice is done—it's tuppence now for them as wants to
stop!'"
Fanny.

Pauper's Badge (Vol. iv., p. 294.).

—The 8 & 9 Wm. III. c. 30. s. 2., required all paupers in the receipt of
parochial relief to wear a badge bearing a large Roman "P", together with
the first letter of the name of the parish, cut either in red or blue cloth, upon
the shoulder of the right sleeve of the uppermost garment, in an open and
visible manner, under certain penalties, and prevented paupers who
neglected to wear it from being relieved. This provision of the statute was
repealed by the 50 Geo. III. c. 52.; and although by the 55 Geo. III. c. 137.
s. 2. parish officers might cause goods, &c. to be branded with the word
"Workhouse," and such other mark or stamp as they thought proper, to
identify the parish, it was nevertheless provided, with the view of
preventing a revival of the former mark of degradation, that such mark or
stamp should not at any time be placed on any articles of wearing apparel
so as to be publicly visible on the exterior of the same.
Franciscus.

Miscellaneous.

NOTES ON BOOKS, SALES, CATALOGUES,
ETC.
Well may Mr. Layard plead the interest felt in the discoveries on the site
of Nineveh as a reason for the publication in a cheap and popular form of
his Nineveh and its Remains: and we know no work better calculated to
give value to Mr. Murray's Reading for the Rail than A Popular Account of
Discoveries at Nineveh. By Austen Henry Layard, Esq., D.C.L. Abridged by
him from his larger Work. The value of Mr. Layard's first and larger
publication has been so generally recognised, that in calling attention to the
present work, with its numerous and spirited woodcuts, we feel bound to
confine ourselves to pointing out the plan pursued by the author in his
abridgment; namely, that of omitting the second part of the original work,
and introducing the principal Biblical and historical illustrations into the
narrative, which has thereby been rendered more useful and complete. "As
recent discoveries," observes Mr. Layard, "and the contents of the
inscriptions, so far as they have been satisfactorily decyphered, have
confirmed nearly all the opinions expressed in the original work, no
changes on any material points have been introduced into this abridgment. I
am still inclined to believe that all the ruins explored represent the site of
ancient Nineveh; and whilst still assigning the later monuments to the kings
mentioned in Scripture, Shalmanezer, Sennacherib, and Essarhadon, I am
convinced that a considerable period elapsed between their foundation and
the erection of the older palaces of Nimroud."
After the pictures which our facetious contemporary Punch has furnished
of the troubles which an "unprotected female" encounters, who ventures
beyond the quiet circle of her domestic duties, one is predisposed to regard
as a heroine a lady who ventures unattended on a voyage round the world.

Madame Ida Pfeiffer has done this; and her narrative of her adventures
having excited great attention both in Germany and this country, Messrs.
Longman have shown themselves excellent caterers for the reading public,
by printing as the new parts of their Traveller's Library, a selected
translation of them by Mrs. Percy Sinnett, under the title of A Lady's Voyage
round the World. The work will be read with great pleasure and interest; and
while we wonder at the writer's extraordinary passion for travelling, we feel
that she has produced such an amusing and instructive volume that we are
glad that she had the opportunity of indulging it. Mrs. Sinnett well
characterises the book on which she has employed her talents as a translator
when she says, "Its chief attraction will most likely be found in the personal
narrative and in the singular character of the authoress; who though
apparently far removed by circumstances from the romantic or adventurous,
yet passes through the most surprising scenes, and encounters the most
imminent perils with a calm and unconscious heroism that can hardly fail to
command admiration."
The Gentleman's Magazine announces that the King of Denmark has
conferred the Order of Dannebrog on M. Worsaae, the author of the
Primeval Antiquities of Denmark, and other important works. This will be
gratifying intelligence to all who had the pleasure of making the
acquaintance of this accomplished antiquary during his visit to this country.
We hope the time is not far distant when similar distinctions will be
conferred in England on men of learning. The necessity for the institution of
some Order of Merit is insisted upon both in the Gentleman's Magazine
for this month, and The Athenæum of Saturday last; and a communication
urging its adoption, on novel and important grounds, has reached us,
unfortunately at too late a period in the week to admit of its insertion in our
present number.
Messrs. Puttick & Simpson (191. Piccadilly) will sell on Wednesday next
a portion of the Library (including numerous curious MSS. by Sir Isaac
Newton), Medals, &c. of the late Mr. Alchorne.
Messrs. Sotheby will sell on Monday and Tuesday the valuable Library
of Dr. Ford, late Principal of Magdalen Hall, and Professor of Arabic at
Oxford; and on Thursday and two following days, a valuable Collection of
Theological and Miscellaneous Books.

Catalogues Received.—T. Kershaw's (3. Park Street, Bristol) Catalogue
of another Portion of his Valuable Stock; W. S. Lincoln's (Cheltenham
House, Westminster Road) Catalogue No. 74. of Cheap Second-hand
English and Foreign Books; and Supplementary Catalogue of Italian Books.

BOOKS AND ODD VOLUMES
WANTED TO PURCHASE.
Lewis's Life of Caxton. 8vo. 1737.
Catalogue of Joseph Ames's Library. 8vo. 1760.
Trapp's Commentary. Folio. Vol. I.
Whitlay's Paraphrase on the New Testament. Folio. Vol. I. 1706.
Long's Astronomy. 4to. 1742.
Mad. D'Arblay's Diary. Vol. II. 1842.
Adam's Moral Tales.
Autobiography of Dr. Johnson. 1805.
Willis's Architecture of the Middle Ages. (10s. 6d. will be paid for a copy
in good condition.)
Carpenter's Deputy Divinity; a Discourse of Conscience. 12mo. 1657.
A True and Lively Representation of Popery, shewing that Popery is only
New Modelled Paganism, &c., 1679. 4to.
Robert Wilson's Sketch of the History of Hawick. Small 8vo. Printed in
1825.
James Wilson's Annals of Hawick. Small 8vo. Printed in 1850.
Barrington's Sketches of his own Time. Vol. III. London, 1830.
British Poets (Chalmers', Vol. X.) London, 1810.
Chesterfield's Letters to his Son. Vol. III. London, 1774.
Constable's Miscellany. Vol. LXXV.
Erskine's Speeches. Vol. II. London, 1810.
Hare's Mission of the Comforter. Vol. I. London, 1846.
Hope's Essay on Architecture. Vol. I. London, 1835. 2nd Edition.

Muller's History of Greece. Vol. II. (Library of Useful Knowledge. Vol.
XVII.)
Romilly's (Sir Samuel) MEmoirs. Vol. II. London, 1840.
Scott's (Sir W.) Life of Napoleon. Vol. I. Edinburgh, 1837. 9 Vol. Edition.
Scott's Novels. Vol. XXXVI. (Redgauntlet, II.); Vols. XLIV., XLV. (Ann of
Grerstein, I. & II.) 48 Vol. Edition.
Smollett's Works. Vols. II. & IV. Edinburgh, 1800. 2nd Edition.
Southey's Poetical Works. Vol. III. London, 1837.
Crabbe's Works. Vol. V. London, 1831.
Four letters on several subjects to persons of quality, the fourth being an
answer to the Bishop of Lincoln's book, entitled Popery, &c., by Peter
Walsh. 1686. 8vo.
A Confutation of the Chief Doctrines of Popery. A Sermon preached
before the King, 1678, by William Lloyd, D.D. 1679. 4to.
A Sermon Preached at St. Margaret's, Westminster, Before the House of
Commons, May 29, 1685, by W. Sherlock, D.D. 4to. London, 1685.
Pope's Literary Correspondence. Vol. III. Curll. 1735.
Almanacs, any for the year 1752.
Matthias' Observations on Gray. 8vo. 1815.
Shakspeare, Johnson, and Stevens, with Reed's Additions. 3rd Edition,
1785. Vol. V.
Swift's Works, Faulkner's Edition. 8 Vols. 12mo. Dublin, 1747. Vol. III.
Southey's Peninsular War. Vols. V. VI. 8vo.
Journal of the Geological Society of Dublin. Vol. I. Part I. (One or more
copies.)
The Antiquary. 8vo. Edinburgh, 1816. Vols. I. and II.
History and Antiquities of Twickenham, being the First Part of Parochial
Collections for the County of Middlesex, begun in 1780 by E.
Ironside, Esq., London 1797. (This work forms 1 vol. of Miscell.
Antiquities in continuation of the Bib. Topographica, and is usually
bound in the 10th Volume.)
* *
* Letters, stating particulars and lowest
price, carriage free, to be sent

to Mr. Bell, Publisher of
"NOTES AND QUERIES,"
186. Fleet Street.

Notices to Correspondents.
H. N. E. is referred to our 3rd Vol. p. 224. for information on the subject
of Supporters borne by Commoners.
J. S. B. (p. 240.) Will this correspondent say how we can forward a letter
to him?
H. C. De St. Croix is thanked. He will see that his kind offer has been
anticipated.
Querist will find the line—
"Music hath charms to soothe a savage breast,"
in Congreve's Mourning Bride. See "Notes and Queries," Vol. i., p. 348.
C. H. B. The reply referred to is unfortunately mislaid. It shall appear, or
be forwarded to our correspondent.
Jager, who inquires respecting the song of the "Ram of Derby," is
referred to our 2nd Vol. p. 235.
M. (Deptford) will find the information he is in search of, respecting the
ballad of the Wars in France, in our 1st Vol. p. 445.
Copies of Johnson's Prayers, Athenagoras, and The Antiquary, have
been reported. Will those correspondents who wished for them apply to our
Publisher?
Jarltzberg is assured (and we are sure he will receive the notice kindly)
that the delay has arisen from the difficulty of reading his very peculiar
handwriting. We will endeavour to avail ourselves of some of his
communications very shortly.
J. B. (Manchester). Some of the Replies are in type. We will send him a
slip if he will furnish us with his address.
Replies Received.—Finger Stocks—Plaids and Tartans—Welwood's
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Dr. Wall—Aneroid Barometer—Fermilodum—Whig and Tory.
Copies of our Prospectus, according to the suggestion of T. E. H., will be
forwarded to any correspondent willing to assist us by circulating them.
Vols. I., II., and III., with very copious Indices, may still be had, price
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Notes and Queries is published at noon on Friday, so that our country
Subscribers may receive it on Saturday. The subscription for the Stamped
Edition is 10s. 2d. for Six Months, which may be paid by Post-office Order
drawn in favor of our Publisher, Mr. George Bell, 186. Fleet Street; to
whose care all communications for the Editor should be addressed.
Erratum.—In Mr. Murray's Advertisement of Oct. 18, the price of
Layard's Popular Account of Nineveh is by error stated to be 30s. instead of
5s.

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Transcriber's Note: Original spelling variations have not been
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Pages in "Notes and Queries", Vol. I-IV

Vol. I No. 1 November 3, 1849. Pages 1 - 17 PG # 8603
Vol. I No. 2 November 10, 1849. Pages 18 - 32 PG # 11265
Vol. I No. 3 November 17, 1849. Pages 33 - 46 PG # 11577
Vol. I No. 4 November 24, 1849. Pages 49 - 63 PG # 13513

Vol. I No. 5 December 1, 1849. Pages 65 - 80 PG # 11636
Vol. I No. 6 December 8, 1849. Pages 81 - 95 PG # 13550
Vol. I No. 7 December 15, 1849. Pages 97 - 112 PG # 11651
Vol. I No. 8 December 22, 1849. Pages 113 - 128 PG # 11652
Vol. I No. 9 December 29, 1849. Pages 130 - 144 PG # 13521

Vol. I No. 10 January 5, 1850. Pages 145 - 160 PG #
Vol. I No. 11 January 12, 1850. Pages 161 - 176 PG # 11653
Vol. I No. 12 January 19, 1850. Pages 177 - 192 PG # 11575
Vol. I No. 13 January 26, 1850. Pages 193 - 208 PG # 11707

Vol. I No. 14 February 2, 1850. Pages 209 - 224 PG # 13558
Vol. I No. 15 February 9, 1850. Pages 225 - 238 PG # 11929
Vol. I No. 16 February 16, 1850. Pages 241 - 256 PG # 16193
Vol. I No. 17 February 23, 1850. Pages 257 - 271 PG # 12018

Vol. I No. 18 March 2, 1850. Pages 273 - 288 PG # 13544
Vol. I No. 19 March 9, 1850. Pages 289 - 309 PG # 13638
Vol. I No. 20 March 16, 1850. Pages 313 - 328 PG # 16409
Vol. I No. 21 March 23, 1850. Pages 329 - 343 PG # 11958
Vol. I No. 22 March 30, 1850. Pages 345 - 359 PG # 12198

Vol. I No. 23 April 6, 1850. Pages 361 - 376 PG # 12505
Vol. I No. 24 April 13, 1850. Pages 377 - 392 PG # 13925
Vol. I No. 25 April 20, 1850. Pages 393 - 408 PG # 13747

Vol. I No. 26 April 27, 1850. Pages 409 - 423 PG # 13822

Vol. I No. 27 May 4, 1850. Pages 425 - 447 PG # 13712
Vol. I No. 28 May 11, 1850. Pages 449 - 463 PG # 13684
Vol. I No. 29 May 18, 1850. Pages 465 - 479 PG # 15197
Vol. I No. 30 May 25, 1850. Pages 481 - 495 PG # 13713

Notes and Queries Vol. II.
Vol., No., Date, Year, Pages, PG #

Vol. II No. 31 June 1, 1850. Pages 1- 15 PG # 12589
Vol. II No. 32 June 8, 1850. Pages 17- 32 PG # 15996
Vol. II No. 33 June 15, 1850. Pages 33- 48 PG # 26121
Vol. II No. 34 June 22, 1850. Pages 49- 64 PG # 22127
Vol. II No. 35 June 29, 1850. Pages 65- 79 PG # 22126

Vol. II No. 36 July 6, 1850. Pages 81- 96 PG # 13361
Vol. II No. 37 July 13, 1850. Pages 97-112 PG # 13729
Vol. II No. 38 July 20, 1850. Pages 113-128 PG # 13362
Vol. II No. 39 July 27, 1850. Pages 129-143 PG # 13736

Vol. II No. 40 August 3, 1850. Pages 145-159 PG # 13389
Vol. II No. 41 August 10, 1850. Pages 161-176 PG # 13393
Vol. II No. 42 August 17, 1850. Pages 177-191 PG # 13411
Vol. II No. 43 August 24, 1850. Pages 193-207 PG # 13406
Vol. II No. 44 August 31, 1850. Pages 209-223 PG # 13426

Vol. II No. 45 September 7, 1850. Pages 225-240 PG # 13427
Vol. II No. 46 September 14, 1850. Pages 241-256 PG # 13462
Vol. II No. 47 September 21, 1850. Pages 257-272 PG # 13936
Vol. II No. 48 September 28, 1850. Pages 273-288 PG # 13463

Vol. II No. 49 October 5, 1850. Pages 289-304 PG # 13480
Vol. II No. 50 October 12, 1850. Pages 305-320 PG # 13551
Vol. II No. 51 October 19, 1850. Pages 321-351 PG # 15232
Vol. II No. 52 October 26, 1850. Pages 353-367 PG # 22624

Vol. II No. 53 November 2, 1850. Pages 369-383 PG # 13540
Vol. II No. 54 November 9, 1850. Pages 385-399 PG # 22138
Vol. II No. 55 November 16, 1850. Pages 401-415 PG # 15216
Vol. II No. 56 November 23, 1850. Pages 417-431 PG # 15354
Vol. II No. 57 November 30, 1850. Pages 433-454 PG # 15405

Vol. II No. 58 December 7, 1850. Pages 457-470 PG # 21503
Vol. II No. 59 December 14, 1850. Pages 473-486 PG # 15427
Vol. II No. 60 December 21, 1850. Pages 489-502 PG # 24803
Vol. II No. 61 December 28, 1850. Pages 505-524 PG # 16404

Notes and Queries Vol. III.
Vol., No., Date, Year, Pages, PG #

Vol. III No. 62 January 4, 1851. Pages 1- 15 PG # 15638
Vol. III No. 63 January 11, 1851. Pages 17- 31 PG # 15639
Vol. III No. 64 January 18, 1851. Pages 33- 47 PG # 15640
Vol. III No. 65 January 25, 1851. Pages 49- 78 PG # 15641

Vol. III No. 66 February 1, 1851. Pages 81- 95 PG # 22339
Vol. III No. 67 February 8, 1851. Pages 97-111 PG # 22625
Vol. III No. 68 February 15, 1851. Pages 113-127 PG # 22639
Vol. III No. 69 February 22, 1851. Pages 129-159 PG # 23027

Vol. III No. 70 March 1, 1851. Pages 161-174 PG # 23204
Vol. III No. 71 March 8, 1851. Pages 177-200 PG # 23205
Vol. III No. 72 March 15, 1851. Pages 201-215 PG # 23212

Vol. III No. 73 March 22, 1851. Pages 217-231 PG # 23225
Vol. III No. 74 March 29, 1851. Pages 233-255 PG # 23282

Vol. III No. 75 April 5, 1851. Pages 257-271 PG # 23402
Vol. III No. 76 April 12, 1851. Pages 273-294 PG # 26896
Vol. III No. 77 April 19, 1851. Pages 297-311 PG # 26897
Vol. III No. 78 April 26, 1851. Pages 313-342 PG # 26898

Vol. III No. 79 May 3, 1851. Pages 345-359 PG # 26899
Vol. III No. 80 May 10, 1851. Pages 361-382 PG # 32495
Vol. III No. 81 May 17, 1851. Pages 385-399 PG # 29318
Vol. III No. 82 May 24, 1851. Pages 401-415 PG # 28311
Vol. III No. 83 May 31, 1851. Pages 417-440 PG # 36835

Vol. III No. 84 June 7, 1851. Pages 441-472 PG # 37379
Vol. III No. 85 June 14, 1851. Pages 473-488 PG # 37403
Vol. III No. 86 June 21, 1851. Pages 489-511 PG # 37496
Vol. III No. 87 June 28, 1851. Pages 513-528 PG # 37516

Notes and Queries Vol. IV.
Vol., No., Date, Year, Pages, PG #

Vol. IV No. 88 July 5, 1851. Pages 1- 15 PG # 37548
Vol. IV No. 89 July 12, 1851. Pages 17- 31 PG # 37568
Vol. IV No. 90 July 19, 1851. Pages 33- 47 PG # 37593
Vol. IV No. 91 July 26, 1851. Pages 49- 79 PG # 37778

Vol. IV No. 92 August 2, 1851. Pages 81- 94 PG # 38324
Vol. IV No. 93 August 9, 1851. Pages 97-112 PG # 38337
Vol. IV No. 94 August 16, 1851. Pages 113-127 PG # 38350
Vol. IV No. 95 August 23, 1851. Pages 129-144 PG # 38386
Vol. IV No. 96 August 30, 1851. Pages 145-167 PG # 38405

Vol. IV No. 97 September 6, 1851. Pages 169-183 PG # 38433
Vol. IV No. 98 September 13, 1851. Pages 185-200 PG # 38491
Vol. IV No. 99 September 20, 1851. Pages 201-216 PG # 38574
Vol. IV No. 100 September 27, 1851. Pages 217-246 PG # 38656

Vol. IV No. 101 October 4, 1851. Pages 249-264 PG # 38701
Vol. IV No. 102 October 11, 1851. Pages 265-287 PG # 38773
Vol. IV No. 103 October 18, 1851. Pages 289-303 PG # 38864
Vol. IV No. 104 October 25, 1851. Pages 305-333 PG # 38926

Vol. IV No. 105 November 1, 1851. Pages 337-359 PG # 39076

Vol I. Index. [Nov. 1849-May 1850] PG # 13536
INDEX TO THE SECOND VOLUME. MAY-DEC., 1850 PG #
13571
INDEX TO THE THIRD VOLUME. JAN.-JUNE, 1851 PG #
26770

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